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Andrew Dasburg and Grace Mott Johnson papers

Creator:
Dasburg, Andrew, 1887-1979  Search this
Names:
Carlson, John F., 1874-1945  Search this
Cramer, Florence Ballin, 1884-1962  Search this
Davidson, Florence Lucius, d. 1962  Search this
Davidson, Jo, 1883-1952  Search this
Frankl, Walter  Search this
Hartley, Marsden, 1877-1943  Search this
Howard, Lila  Search this
Johnson, Grace Mott, 1882-1967  Search this
Kuhn, Vera, d. 1961  Search this
Lockwood, Ward  Search this
Luhan, Mabel Dodge, 1879-1962  Search this
McFee, Henry Lee, 1886-1953  Search this
Riley, Mary G., 1883-1939  Search this
Simonson, Lee, 1888-  Search this
Sterling, Lindsey, 1876-1931  Search this
Wright, Alice Morgan, 1881-1975  Search this
Extent:
8.8 Linear feet
Type:
Collection descriptions
Archival materials
Poetry
Diaries
Sketchbooks
Photographs
Date:
1833-1980
bulk 1900-1980
Summary:
The papers of painter Andrew Dasburg and his wife and sculptor Grace Mott Johnson date from 1833 to 1980 (bulk 1900 to 1980), and measure 8.8 linear feet. The collection documents each artist's career and personal lives, including their brief marriage and their friendships with many notable artists in the New Mexico and New York art colonies during the early twentieth century. The papers of Dasburg (6 linear feet) and Johnson (2.8 linear feet) include biographical materials; extensive correspondence with family, friends, and fellow artists, such as John F. Carlson, Mabel Dodge Luhan, Marsden Hartley, Henry Lee McFee, and Ward Lockwood; writings by Dasburg, Johnson, and others; scattered legal, financial, and business records; clippings; exhibition materials; numerous photographs of Johnson and Dasburg, friends, family, and artwork; and original artwork, including two sketchbooks by Johnson.
Scope and Content Note:
The papers of painter Andrew Dasburg and sculptor Grace Mott Johnson date from 1833 to 1980, with the bulk of the materials dating from 1900 to 1980, and measure 8.8 linear feet. The collection is divided into the papers of Andrew Dasburg (6 linear feet) and the papers of Grace Mott Johnson (2.8 linear feet), and documents each artist's career and personal lives, including their brief marriage, and friendships with many notable artists in New Mexico and New York art colonies during the early twentieth century. Found are scattered biographical, legal, and financial materials. Extensive correspondence (particularly in Dasburg's papers) is with family, friends, and fellow artists, such as John F. Carlson, Florence Ballin Cramer, Mabel Dodge Luhan, Marsden Hartley, Henry Lee McFee, Vera Spier Kuhn, and Ward Lockwood. Dasburg's papers also include letters to Johnson and his two later wives.

Johnson's correspondence is also with numerous artist friends and others, including John F. and Margaret Carlson, Florence Ballin Cramer, Jo Davidson, Florence Lucius, Walter Frankl, Lila Wheelock Howard, Henry Lee McFee, Mary Riley, Lee Simonson, Lindsey Morris Sterling, Alice Morgan Wright, Mabel Dodge Luhan, and Vera Spier Kuhn. Letters to her son Alfred are quite detailed and revealing. Writings are by Dasburg, Johnson, and others. Johnson's writings include a very brief diary and her poetry. Writings by others are about the Taos and New Mexico art communities. Printed materials about both artists include clippings and exhibition catalogs. There are numerous photographs of Dasburg and Johnson, individually and together, and with friends and family. Of note are a group photograph of Birge Harrison's art class in Woodstock, New York, which includes Johnson and Dasburg, and a photograph of Dasburg with friends Konrad Cramer and John Reed. Dasburg's papers also include snapshots of Florence Lucius, Konrad and Florence Ballin Cramer, Frieda and D. H. Lawrence, and Mabel Dodge Luhan. Original artwork by the two artists include two sketchbooks by Johnson and three prints and two drawings by Dasburg.
Arrangement:
The collection is arranged into 2 series of each artist's papers:

Series 1: Andrew Dasburg Papers, circa 1900-1980 (Box 1-7; 6.0 linear feet)

Series 2: Grace Mott Johnson Papers, 1833-1963 (Box 7-10; 2.8 linear feet)
Biographical Note:
Andrew Michael Dasburg (1887-1979) was born in Paris, France, to German parents. After his father died and when he was five, Dasburg and his mother moved to New York City. In 1902 Dasburg started attending classes at the Art Students' League and studied with Kenyon Cox and Frank Du Mond. He also took night classes with Robert Henri. In 1907 he received a scholarship to the Art Students' League summer school in Woodstock, New York and spent three summers studying there in Birge Harrison's painting class. While in school he became friends with many young artists, including Morgan Russell and his future wife, Grace Mott Johnson.

Grace Mott Johnson (1882-1967) was born in New York City. She began drawing when she was four years old, and when the family moved to a farm in 1900 she enjoyed sketching horses and other farm animals. At the age of 22 she left home to study at the Art Students' League with sculptors Gutzon Borglum and James Earle Fraser, and also attended Birge Harrison's painting class in Woodstock. Throughout her career she would sculpt animals from memory, and would often attend circuses and farms for inspiration.

In 1909 Johnson and Dasburg went to Paris and joined the modernist circle of artists living there, including Morgan Russell, Jo Davidson, and Arthur Lee. During a trip to London that same year they were married. Johnson returned to the United States early the next year, but Dasburg stayed in Paris where he met Henri Matisse, Gertrude and Leo Stein, and became influenced by the paintings of Cezanne and Cubism. He returned to Woodstock, New York in August and he and Johnson became active members of the artist community. In 1911 their son Alfred was born. Both Dasburg and Johnson showed several works at the legendary Armory Show in 1913, and Dasburg also showed at the MacDowell Club in New York City, where he met the journalist and activist John Reed who later introduced him to Mabel Dodge (Luhan), a wealthy art patron and lifelong friend. In 1914 Dasburg met Alfred Stieglitz and became part of his avant-garde circle. Using what he had seen in Paris, Dasburg became one of the earliest American cubist artists, and also experimented with abstraction in his paintings.

Dasburg and Johnson lived apart for most of their marriage. By 1917 they had separated and Dasburg began teaching painting in Woodstock and in New York City. In 1918 he was invited to Taos, New Mexico by Mabel Dodge, and returning in 1919, Johnson joined him there for a period of time. Also in 1919, Dasburg was one of the founding members of the Woodstock Artists Association with John F. Carlson, Frank Swift Chase, Carl Eric Lindin, and Henry Lee McFee. In 1922 Dasburg and Johnson divorced, and also at that time he began living most of the year in Santa Fe with Ida Rauh, spending the rest of the year in Woodstock and New York City. Dasburg became an active member of the Santa Fe and the Taos art colonies, befriending many artists and writers living in these communities, and remaining close friends with Mabel Dodge Luhan. Here he moved away from abstraction, and used the southwestern landscape as the inspiration for his paintings.

In 1928 he married Nancy Lane. When that marriage ended in 1932, he moved permanently to Taos, and with his third wife, Marina Wister, built a home and studio there. Dasburg periodically taught art privately and at the University of New Mexico. In 1937 he was diagnosed with Addison's disease, which left him unable to paint again until 1946. In 1945 he and his wife Marina separated. Dasburg was recognized for his career as an artist in a circulating retrospective organized by the American Federation of Arts in 1959. He also had retrospectives in Taos in 1966 and 1978. His artwork influence several generations of artists, especially in the southwest, and he continued creating art until his death in 1979 at the age of 92.

Grace Mott Johnson lived in the Johnson family home in Yonkers, New York during the 1920s and later moved to Pleasantville, New York. In 1924 she went to Egypt to study ancient Egyptian sculpture. During the 1930s she became a civil rights activist. She produced very little art during the last twenty years of her life.
Related Material:
Also found in the Archives of American Art are two oral history interviews with Andrew Dasburg, July 2, 1964 and March 6, 1974. Additional related collections at other repositories include the Andrew and Marina Wister Dasburg Papers at the New Mexico State Archives, the Andrew Dasburg Papers at Syracuse University Library, and the Grace Mott Johnson Papers at the Beinecke Rare Book and Manuscript Library, Yale University.
Separated Material:
The Archives of American Art also holds microfilm of material lent for microfilming. Reel 2803 contains photocopies of ten Morgan Russell letters to Dasburg. Reels 4276-4278 include biographical material, subject files, photographs, correspondence, writings, and exhibition material. The photocopies on reel 2803 were discarded after microfilming, and the items on 4276-4278 were returned to the lender. This material is not described in the collection container inventory.
Provenance:
The Andrew Dasburg and Grace Mott Johnson papers were donated by their son, Alfred Dasburg, in 1980. Syracuse Univresity lent materials for microfilming in 1978 and 1989.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Andrew Dasburg and Grace Mott Johnson papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artist colonies -- New York (State)  Search this
Artist colonies -- New Mexico  Search this
Painters -- New Mexico  Search this
Works of art  Search this
Sculptors -- New York (State)  Search this
Painters -- New York (State)  Search this
Genre/Form:
Poetry
Diaries
Sketchbooks
Photographs
Citation:
Andrew Dasburg and Grace Mott Johnson papers, 1833-1980 (bulk 1900-1980). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dasbandr
See more items in:
Andrew Dasburg and Grace Mott Johnson papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dasbandr
Online Media:

Correspondence

Collection Creator:
Dasburg, Andrew, 1887-1979  Search this
Type:
Archival materials
Date:
1854, 1882-1963
Scope and Contents note:
Eighty years of Johnson's general correspondence primarily consists of personal letters with friends, family, and fellow artists. There is also a substantial amount of correspondence with her son, Alfred Dasburg. The bulk of the correspondence dates from 1906 to 1919.

Because Alfred spent most of his childhood living in Taos with his father, Andrew Dasburg, or away at school or camp, Johnson's correspondence with her son provides very candid and detailed accounts of her daily activities. The letters discuss her current artwork, news from her friends and relatives, and her travels, including her stay in Taos, New Mexico in 1919. Also included are numerous letters written during her stay in a mental hospital from 1937 to 1938. Many of her later letters to Alfred include reminiscences of her youth and extensive self-analysis.

General correspondence with other family and friends is extensive and most often discusses social events, news of family and friends, and other daily activities of the writer. Family correspondence includes numerous letters between Johnson and her siblings, especially her brother Van Cleve Johnson. Grace Mott Johnson corresponded with numerous painter and sculptor friends whom she met at the Art Students' League and in Woodstock, New York. Some of these include Marion Bullard, Russell Cowles, John F. and Margaret Carlson, Florence Ballin Cramer, Florence Lucius, Walter Frankl, Lila Wheelock Howard, with whom she shared a studio for a period of time, Thomas Hunt, Henry Lee McFee, Morgan Russell, Mary Riley, Lee Simonson, Lindsey Morris Sterling, and Alice Morgan Wright. Johnson was also close friends with the Davidson family, and found here is her correspondence with the sculptor Jo Davidson and his two sisters Ray and Rose. Other notable correspondence is with friend Vera Spier Kuhn, wife of artist Walt Kuhn, art patron Mable Dodge Luhan, journalist John Reed, gallery owner William Macbeth, and her psychiatrist Abraham Brill. Also found is a small amount of correspondence documenting Johnson's civil rights activities, including letters from the National Association for the Advancement of Colored People.

This subseries also includes the correspondence of Frances H. Johnson, Grace Mott Johnson's aunt, also known as Aunt Fanny, with whom she was very close. Found here are postcards and letters from family and friends as well as numerous letters between Frances and Grace Mott Johnson, including several detailed letters from Grace describing her time in Taos.

See Appendix B for a select list of correspondents from Series 2.2.
Appendix B: Correspondents from Series 2.2: Grace Mott Johnson Papers, General Correspondence:
Barclay, Jessie: 1909

Bercinsky, David: 1911, 1929, undated

Bercinsky, Rachel: 1906, 1908

Bigelow, Poultney: 1910, 1911, undated

Borglum, Gutzon: 1908

Bradenburgh, Margaret Caspar: 1908, 1910, 1911, 1915, 1916, 1919, 1940

Brill, Abraham A.: 1919, 1921, 1935, 1937-40, 1948

Bullard, Eleanor: 1909

Bullard, Marion: 1911, 1912, undated

Cahen, J. B.: 1907

Carlson, John F. & Margaret: 1907-1913, 1921, 1947

Comeau, Martin F.: 1943, 1944

Cook, Charles Bayley: 1911

Cowles, Russell: 1909

Cramer, Florence Ballin: 1907-1912, 1947, undated

D'Andrea, Cecelia (Cecil): 1907, 1912, 1921

Dasburg, Margaret: 1908, 1909, 1912, undated

Dasburg, Matilda: 1940

Davidson, Jo: 1906-1910

Davidson, Ray: 1906-1914, 1930, 1932, 1938, 1940-1942, 1951

Davidson, Rose: 1906-1913

de Kerstrat, Yvonne: 1909

Debling, Anna J.: 1909

Denman, George: 1917

Doepel, C. Henry: 1922

Drew, Aline: 1937, undated

Durgy, Caroline R.: 1908

Eberle, A.: 1930

Edson, Helen: 1908

Ennis, C.: 1910

Frankl, Walter H.: 1915, 1918, 1919, undated

Friends Intelligencer -- : 1936

Frost, Chris: 1914

Gardin, Laura: 1908

Geiger, Mary: 1914, 1922

Gilbert, Carl H.: 1927

Harls, E. B.: 1908

Holden, C.: 1950

Howard, Lila Wheelock: 1908-1911, 1914, 1918, 1923, undated

Humphrey, T. F.: 1910

Hunt, Dorothy: 1911

Hunt, Thomas: 1908 (illustrated letter)

Hutchinson, Mary: 1937

Illava, Agatha: 1933

Isler, Jacques: 1933

Jackson, Harrison S.: 1935

Johnson, Alfred: 1907, 1908, 1911, 1914-1916

Johnson, Francis: 1937, 1947

Johnson, Mark: 1904, 1906, 1909, 1918, 1954

Johnson, Van Cleve: 1904, 1908-1918, 1938, 1942, 1947, undated

Kalish Pharmacy: 1910

Kleinert, H.: 1923

Kuhn, Vera Spier: 1908-1912

Labaree, Mary Fleming: 1931

Lane, Mrs. Franklin: 1933

Law, Ellen M.: 1910, 1912, 1922

Lincoln University: 1931

Lucius, Albert: 1922

Lucius, Florence (Floss): 1908-1915, undated

Luhan, Mabel Dodge: 1919, 1924, 1933

Macbeth, William: 1911

Macomb, Edith: 1920

Macrum, Mrs. George: 1947

Magee, R.: 1909, 1910

Martin, Daniel S.: 1891

McFee, Henry Lee: 1912, 1914, undated

McKenzie, Ilya: 1909-1911

Miles, John E.: 1938

Milner, H. W.: 1910

Morgan, Helen: 1907, 1908, 1911, 1912

Morrell, Edith: 1910, 1911, undated

Morton-Morris, Mrs. John: 1946

Mott, Cora E.: 1908

Mott, Jane: 1910

Mott, Laura: 1894, 1906-1908

National Association for the Advancement of Colored People: 1935-1937, 1940, undated

National Association of Woment Painters and Sculptors: 1937

The New York News -- : 1935

Noyes, Minnie A.: 1916

Odok, Effiom: 1938

Pennsylvania Academy of Fine Arts: 1913

Pfeiffer, J.: 1912

Potterat, Mathilda: 1910, 1912

Radcliffe, C. M. R.: 1912

Raub, Ida: 1922

Reed, John: 1916

Reynolds, William E.: 1922

Riley, Mary: 1909-1911, undated

Rogers, Julia J.: 1911

Rosenberg, Elfie Cahen: 1904-1912, 1926

Russell, Morgan: 1908

Schlisinger, Gisela: 1907

Schuyler, Josephine: 1933

Scott, Leon W.: 1935

Sholtz, David: 1935

Simkins, Martha: 1913

Simonson, Lee: 1912, 1914-1917, 1928, undated

Smith, S. Archibald: 1920

Spanish and Indian Trading Co.: 1926

Sterling, Lindsey Morris (Sally): 1908-1912

Sutherland, Arthur: 1936-1939

Teague, Cecil: 1911

Teague, Walter: 1911

Wardwell, James: 1909

Watkins, Mary Jane: 1930

Weeks, Henry de F.: 1910

Weigand, Margarith: 1909-1914

White, Mrs. John K.: 1908

Wright, Alice Morgan: 1907, 1908, 1910, 1930

Yaldo, Margaret: 1917-1919
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Andrew Dasburg and Grace Mott Johnson papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Andrew Dasburg and Grace Mott Johnson papers, 1833-1980 (bulk 1900-1980). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dasbandr, Subseries 2.2
See more items in:
Andrew Dasburg and Grace Mott Johnson papers
Andrew Dasburg and Grace Mott Johnson papers / Series 2: Grace Mott Johnson Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-dasbandr-ref136

Correspondence

Collection Creator:
Dasburg, Andrew, 1887-1979  Search this
Type:
Archival materials
Date:
circa 1906-1979
Scope and Contents note:
Found here is Andrew Dasburg's extensive correspondence which spans over seventy years, documenting both his personal and professional life. One third of the correspondence is between Dasburg and his first wife, Grace Mott Johnson. most of which was written during their marriage. These candid letters discuss daily activities, social events, travels, including Dasburg's time in Paris in 1910 and trip to Europe in 1914, news of mutual friends, artwork, and problems with their relationship.

Also found is Dasburg's correspondence with his second wife, Nancy Lane around the time of their marriage in 1928, and correspondence with his third wife, Marina Wister Dasburg during the periods that she visited her family in Pennsylvania; most of these letters are written by Marina. Dasburg's correspondence with his son, Alfred, consists of brief letters sharing news of their travels, family, and personal matters.

General correspondence primarily consists of Dasburg's correspondence with other family members, friends, colleagues, scholars, universities, and galleries. Where they exist, Dasburg's outgoing letters are interfiled with letters he received in a chronological arrangement. Dasburg was friends with many artists who, like him, were part of regional art colonies in Taos and Santa Fe, New Mexico, and Woodstock, New York. He also maintained friendships with artists he met in Europe and other travels and at the Art Students' League. Correspondents includes Kenneth Adams, Thomas Hart Benton, George Biddle, Dorothy Brett, Alexander Brook, Lucienne Chinard Clemens, Howard Cook, Russell Cowles, Vida Hunt Francis, Lewis Garrison, Marsden Hartley, Norbert Heerman, Richard Hollander, Lila Wheelock Howard, Charles Kassler, Mary Aubrey Keating, Carl Eric Lindin, Ward Lockwood, Erle Loran, Hayes Lyon, Henry Lee McFee, John Gaw Meem, Loren Mozley, Dickson Reeder, Louis Ribak, Paul Rohland, Alfred Stieglitz, Earl Stroh, Carl Van Vechten, Alice Morgan Wright, and Stanton Macdonald-Wright, among many others. Dasburg also corresponded with many former students including Edwin Gamble, Willard Nash, Alice Naylor, and Earl Stroh. Also found are letters from writers John Howard Griffin, Witter Bynner and Miriam Hapgood De Witt as well as art critics and historians such as Robert M. Coates, Oliver Larkin, and Stanley Lothrop. Dasburg maintained extensive correspondence with close friend, art patron and Taos resident, Mabel Dodge Luhan.

A small amount of correspondence with galleries, universities, museums, curators, and scholars concerns exhibitions, sales, or research. Additional topics found within his correspondence are American Indian rights in New Mexico and his medical treatment for Addison's disease.

See Appendix A for a list of correspondents from Series 1.2.
Appendix A: Correspondents from Series 1.2: Andrew Dasburg Papers, General Correspondence:
Acker, Alice: 1972

Adams, Kenneth M.: 1934, 1937, 1942, 1944, 1945, 1949, 1953, 1958

Adolph and Esther Gottlieb Foundation, Inc.: 1979

Aiello, Stan: 1973

Albuquerque Art Gallery: 1948

Allen, Arthur: 1948

Allen, Robert F.: 1974

American Artist -- : 1977, 1979

Apodaca, Jerry & Clara: 1976-1978

American Federation of Arts: 1946

Artists of the Rockies: 1975, 1976

Atkinson, Carla: 1929, 1933, 1934, 1936, 1938, 1940, 1941

Bakos, Teresa: 1936

Barker, William J.: 1935

Barnouw, A. J.: 1942

Beaudette, Barbara: 1973, 1974

Bell, Larry: 1978

Benjamin, Stanton: 1973

Bennett, Wells: 1953

Benton, Thomas Hart: 1937, 1939

Biddle, George & Constance: 1934-1936, 1938

Blumenschein, Ernest L.: 1951

Bonham, Valeria Langeloth: 1949

Bradenburgh, Beulah A.: 1944

Bradenburgh, Margaret Caspar: 1910, 1941-1949, 1951

Bradenburgh, Mathilda: 1940

Bradley, John H. (Jack): 1934, 1935, 1955

Breithut, Florence: 1952, 1953

Brett, Dorothy: 1934, 1953

Brinig, Myron: 1943

Brook, Alex: 1971, 1972, 1974

Browning, Hattie Louise: 1972

Burkhard, Paul: 1954

Bynner, Witter (Hal): 1934, 1939

Bywaters, Jerry: 1948

Carlin, E. J.: 1940

Carnegie Institute: 1928

Caspar, Angela: 1917

Catron, Fletcher A.: 1947

Chapellier Gallery: 1963

Clark, Henry P.: 1952

Clemens, Lucienne Chinard: 1941-1943, 1945, 1946, 1973, 1977

Coates, Robert M.: 1950

Cook, Howard: 1939, 1950, 1971-1978

Comeau, Martin F.: 1946

Cowles, Russell: 1934

Cramer, Florence Ballin: 1945

Creese, Walter L.: 1949

Crown, Keith: 1973

Cutting, Bronson: 1934

Dasburg, Mrs. Donald: 1962

Dasburg, Margaret (Mother): 1909, 1928-1930, 1934-1939, 1942-1948

Dasburg, Matilda: 1942, 1945, 1946, 1948, 1952

Davenport, Florence: 1941

Davis, Herbert: 1935

Dedrick, Philip: 1953

De Loache, Ben: 1936, 1951

de Schulthess, Mimi: 1954, 1955, 1958

De Witt, Miriam Hapgood: 1972

Diamond, Martin: 1972, 1973

Dietrich, Margretta S.: 1947

Dorman, Teresa & Jo: 1928

Douglass, Ralph: 1953

Dozier, Otis: 1952

Dunne, Brian Boru: 1933

Eastman, Dan: 1928

Eckert, Josephine (Jo): 1941-1943, 1950

Ellis, Bob: 1971

Ellis, Erendira: 1976

Erickson, R. J.: 1953

Erwin, Dorothy Sanford: 1972, 1973, 1977

Etting, Emlen: 1936

Everingham, Mill: 1945

Fergusson, Erna: 1949

Ferren, John: 1931

First National Bank: 1954, 1958

Fisher, Alan: 1953, 1974

Francis, Vida Hunt: 1952, 1953, 1955

Gamble, Ed: 1950-1954, 1959, 1972, 1976, 1977

Gardner, Virginia: 1972-1978

Garrison, Lewis: 1948-1951, 1953

Goodwin, Mary: 1972

Graham, Donald S.: 1971-1976, 1978

Griffin, Mrs. H. S.: 1952-1954

Griffin, John H. (Howard): 1954

Guthrie-Smith, Emily: 1975

Hagerman, H.: 1929, 1933

Hall, Robert M.: 1944, 1945

Hamlin, Mary: 1953

Harper, Pauline: 1950, 1953

Harper, Larry: 1948, 1953

Hartley, Marsden: 1932

Hausner, Eric P.: 1951

Hayes, Marian: 1954

Heerman, Norbert: 1945, 1946

Hollander, Richard (Dick) & Gertrude: 1942, 1945, 1946, 1948, 1952, 1953, 1972-1974, 1976, 1977

Howard, Lila Wheelock: 1910, 1911, 1914, 1932, 1939-1943, 1951, 1957-1967

Humphrey, Robert: 1972

Hurt, Bessie: 1975, 1977

Jackson, Jack T.: 1972

Johnson, Frances H.: 1919

Johnson, Helena McClure: 1954

Johnson, Van Cleve: 1914

Jones, Hester: 1949

Kassler, Charles: 1932, 1935, 1936, 1978

Kearns, John J.: 1928

Keating, Mary Aubrey: 1941, 1944, 1945, 1949

Kerr, Katherine: 1967

Keyes, Walter A.: 1919

King, Clinton: 1934

Kostka, Bob: 1973, 1977

La Farge, Oliver (Gallup Inter-tribal Indian Ceremonial): 1933

Landreth, John: 1974

Larkin, Oliver W.: 1948

Lee, Freddie Dohle: 1914

Lerenby, Frieda: 1973-1976

Light, Gertrude: 1940, 1941

Lindin, Carl Eric: 1937

Linn, Ruth S.: 1973

Lockwood, Ward: 1934, 1937, 1946, 1950, 1952-1954

Loran, Erle: 1938, 1973, 1977

Lothrop, Stanley: 1942

Luhan, Mabel Dodge: 1924, 1928, 1935, 1937-1939, 1947, 1950-1952

Lyon, Hayes: 1936, 1938-1948, 1950, 1953, 1973-1978

M. O'Brien & Son: 1912

Macdonald-Wright, Stanton: 1944

Maclown, Eugene: 1934

Macomb, Edith H.: 1937, 1938, 1945, 1946, 1948, 1949

Mangravite, Peppino: 1938, 1939

McCarty, Jacqueline Quinn: 1972, 1977

McFee, Henry Lee: 1913, 1937-1943, 1945, 1949, 1950, 1952

McKinney, Roland: 1944

Mechau, Frank: 1937, 1943

Meem, John Gaw: 1934, 1953

Merrick, Vaughn: 1946

Miller, Francis: 1947

Modrall, Constance C.: 1974

Mondragon, Joe E. & Lucila: 1937-1940

Montenegro, Enrique: 1948

Montgomery, Arthur: 1950-1952

Morton-Morris, Mattie Sevier: 1949

Mozley, Loren: 1971, 1974, 1976

Museum of New Mexico: 19491976

Nabut, Frances: 1943

Nadejena, Lydia: 1952

Nash, Willard: 1933, 1935

Naylor, Alice: 1941

Nebraska Art Association: 1976

New Mexico Association of Indian Affairs: 1947

Newton, George N.: 1977

Norman, Dorothy: 1949

Oakland Art Gallery: 1943, 1945, 1948

Park, Deborah: 1971, 1973, 1977-1979

Peters, Fritz: 1953

Pijoan, Michel: 1954

Pollock, Duncan: 1974

Posey, Samuel Felton: 1935

Post, Alan: 1952

Putnam, Phelps: 1935

Pyle, William Scott: 1935, 1937

Rayburn, Dorothy: 1976

Reed, Henry M.: 1972

Reeder, Dickson: 1954

Ribak, Louis: 1953, 1954

Rodakiewicz, Henwar: 1936

Rogoway, Marjorie: 1954, 1973

Rohland, Paul & Caroline: 1915, 1949

Ronnebeck, Arnold: 1934

Roswell Museum and Art Center: 1974

Rowntree, Leonard G.: 1938, 1940-1942, 1945, 1950, 1952-1954

Santa Fe Festival of the Arts: 1978-1979

Saunders, Sallie: 1953

Saylor, Jeannette: 1978

Schriever, George (The Anschutz Collection): 1973-1976

Schwalbe, Diana: 1967, 1971, 1975, 1977

Seres, Monique: 1970, 1973

Shearer, Ivy: 1950, 1952, 1953

Shearer, Augustus Hunt (Chuck) & Sally: 1957

Simonson, Lee: 1914

Simonson, Omar: 1914

Slusser, Jean Paul: 1947, 1948

Smith, Judson: 1952, 1953, 1956

Solomon, Hyde: 1972

Sternberg, Edward: 1943

Stieglitz, Alfred: 1931

Stokes, Mrs. Walter (Fanny): 1939-1944

Stroh, Earl: 1948-1950, 1952, 1954

Stuart, John: 1935

Swaine, Ruth: 1945

Swift, Florence Alston: 1928

Swingle, W. W.: 1938, 1940, 1947, 1948

Thompson, Shirley & Les: 1972, 1973

Thompson, Vallie: 1954

Trego, Charlotte: 1971-1978

Trentham, Eugene (Steve): 1940, 1941, 1945

Udell, Susan: 1978

University of Delaware: 1974

University of Kansas Museum of Art: 1973

University of New Mexico: 1958

Van Vechten, Carl: 1924, 1938

Waldrum, Harold, 1971

Walker, Maynard (Walker Galleries): 1941, 1942, 1947

Walker, Bob & Mariella: 1971-1975, 1977

Wardwell, Alice: 1951

Watkins, Franklin: 1938, 1939

Western Gallery of Fine Art: 1974

Western States Arts Foundation: 1978

White, Victor: 1939, 1941, 1943, 1944, 1974, 1977

Whitney Museum of American Art: 1946, 1951, 1963, 1977, 1978

Wiegand, Margarith: 1910

Wilson, Kathy: 1951

Wister, Frances A.: 1940

Wister, Owen: 1933-1936, 1938-1940, 1942, 1948-1952, 1955

Wister, Mrs. W. R.: 1937, 1940

Wolman, Cecil & Leo: 1947, 1949, 1971, 1972, 1974, 1976, 1977

Woodstock Artists Association, Inc.: 1975, 1977

Woodstock Weekly -- : 1924

Wright, Alice Morgan: 1928, 1938

Wurlitzer, Helene: 1954

Yaple, Dixie Lee: 1948
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Andrew Dasburg and Grace Mott Johnson papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Andrew Dasburg and Grace Mott Johnson papers, 1833-1980 (bulk 1900-1980). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dasbandr, Subseries 1.2
See more items in:
Andrew Dasburg and Grace Mott Johnson papers
Andrew Dasburg and Grace Mott Johnson papers / Series 1: Andrew Dasburg Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-dasbandr-ref34

Interview with Howard, Lila

Collection Creator:
Lisle, Laurie  Search this
Extent:
1 Sound cassette
Container:
Box 1, Folder 9, Item 2
Type:
Archival materials
Audio [31027000854501]
Sound cassettes
Date:
1977
Collection Restrictions:
The Georgia O'Keeffe portion of this collection is open for research. Access to original papers requires an appointment, and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's reponsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Laurie Lisle research material on Georgia O'Keeffe and Louise Nevelson, 1902-1990. Archives of American Art, Smithsonian Institution.
See more items in:
Laurie Lisle research material on Georgia O'Keeffe and Louise Nevelson
Laurie Lisle research material on Georgia O'Keeffe and Louise Nevelson / Series 1: Research Files on Georgia O'Keeffe / 1.1: Biographical Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-lisllaur-ref101

Art: [videorecording] theme and variations / produced by Bonnie Behar; camera and editing by Victor Cromwell; interviewer, Lisa Lindsay Daugherty

Creator:
Westport-Weston Arts Council (Westport, Conn.)  Search this
Names:
Behar, Bonnie  Search this
Cadmus, Paul, 1904-1999  Search this
Cadmus, Paul, 1904-1999 -- Interviews  Search this
Chernow, Ann, 1936-  Search this
Chernow, Ann, 1936- -- Interviews  Search this
Cromwell, Victor  Search this
Daugherty, Lisa Lindsay  Search this
Howard, Lila  Search this
Howard, Lila -- Interviews  Search this
Nakian, Reuben, 1897-1986  Search this
Nakian, Reuben, 1897-1986 -- Interviews  Search this
Woodham, Jean, 1925-  Search this
Woodham, Jean, 1925- -- Interviews  Search this
Extent:
5 Items (videocassettes (VHS) (ca. 2 hrs. each), sd., col., 1/2 in.)
Type:
Collection descriptions
Archival materials
Date:
1984
Scope and Contents:
Interviews of five artists living and working in the Fairfield, Conn. area, including Paul Cadmus, Reuben Nakian, Lila Howard, Ann Chernow and Jean Woodham. The interviews were conducted in the artists' studios; some show their exhibitions.
Publication, Distribution, Etc. (Imprint):
Westport, Conn. : Westport-Weston Arts Council TV Committee, 1984.
Provenance:
Donated 1985 by the Westport-Weston Arts Council via Lisa Daugherty. Art: Theme and Variations was a monthly series of interviews of artists conceived and conducted by Daugherty, a sculptor, for the Council. The tapes aired aired on Cablevision Channel 27.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Topic:
Artists -- Connecticut -- Interviews.  Search this
Function:
Artists' studios -- Connecticut
Identifier:
AAA.westarts
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-westarts

Lila Wheelock Howard

Subject:
Howard, Lila  Search this
Type:
Photographs
Date:
1911
Topic:
Artists at or with their work  Search this
Illustrators  Search this
Women  Search this
Women artists  Search this
Record number:
(DSI-AAA)9123
See more items in:
Andrew Dasburg and Grace Mott Johnson papers, 1833-1980, bulk 1900-1980
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_9123

Andrew Dasburg and Grace Mott Johnson papers, 1833-1980, bulk 1900-1980

Creator:
Dasburg, Andrew Michael, 1887-1979  Search this
Johnson, Grace Mott, 1882-1967  Search this
Subject:
Cramer, Florence Ballin  Search this
Carlson, John F.  Search this
Hartley, Marsden  Search this
Frankl, Walter  Search this
Davidson, Jo  Search this
Davidson, Florence Lucius  Search this
Sterling, Lindsey  Search this
Wright, Alice Morgan  Search this
Kuhn, Vera  Search this
Lockwood, Ward  Search this
Howard, Lila  Search this
Johnson, Grace Mott  Search this
Riley, Mary G.  Search this
Simonson, Lee  Search this
Luhan, Mabel Dodge  Search this
McFee, Henry Lee  Search this
Type:
Poetry
Diaries
Sketchbooks
Photographs
Topic:
Artist colonies -- New York (State)  Search this
Artist colonies -- New Mexico  Search this
Painters -- New Mexico  Search this
Works of art  Search this
Sculptors -- New York (State)  Search this
Painters -- New York (State)  Search this
Record number:
(DSI-AAA_CollID)7320
(DSI-AAA_SIRISBib)209473
AAA_collcode_dasbandr
Theme:
Diaries
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209473
Online Media:

Art: [videorecording] theme and variations / produced by Bonnie Behar; camera and editing by Victor Cromwell; interviewer, Lisa Lindsay Daugherty, 1984

Creator:
Westport-Weston Arts Council  Search this
Subject:
Cadmus, Paul  Search this
Nakian, Reuben  Search this
Chernow, Ann  Search this
Woodham, Jean  Search this
Howard, Lila  Search this
Behar, Bonnie  Search this
Cadmus, Paul  Search this
Chernow, Ann  Search this
Cromwell, Victor  Search this
Daugherty, Lisa Lindsay  Search this
Howard, Lila  Search this
Nakian, Reuben  Search this
Woodham, Jean  Search this
Topic:
Artists -- Connecticut -- Interviews.  Search this
Record number:
(DSI-AAA_CollID)6202
(DSI-AAA_SIRISBib)216484
AAA_collcode_westarts
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216484

Interview with Lila Howard

Creator:
Howard, Lila, 1890-  Search this
Lisle, Laurie  Search this
Subject:
Howard, Lila  Search this
O'Keeffe, Georgia  Search this
Type:
Sound Recording
Date:
1977 September 28
Record number:
(DSI-AAA)15681
See more items in:
Laurie Lisle research material on Georgia O'Keeffe and Louise Nevelson, 1902-1990
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_15681

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