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Moanda et ses environs L'élevage des chevaux

Creator:
Congregation of the Immaculate Heart of Mary  Search this
Collection Collector:
National Museum of African Art (U.S.)  Search this
Extent:
1 Postcard (collotype., b&w, 9 x 14 cm.)
Container:
Volume 4 CG
Type:
Archival materials
Postcards
Postcards
Place:
Africa
Congo (Democratic Republic)
Date:
ca. 1910
Scope and Contents:
Printed verso caption reads: "Moanda en omstreken / Moanda et ses environs / Uit de kudde. L'élevage des chevaux." Translated postcard caption reads: "Moanda and its surroundings. Horse breeding."
Additional printed text on verso reads: "Eigendom van Scheut Propriété de Scheut (Kongo)."
Local Numbers:
EEPA CG-26-02
General:
Title source: Postcard caption.
Citation source: Archives staff.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Agriculture  Search this
Missionaries  Search this
Genre/Form:
Postcards
Collection Citation:
African Postcard collection, EEPA 1985-014, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.1985-014, Item EEPA CG 2011-001-1144
See more items in:
African Postcard Collection
African Postcard Collection / Series 11: Congo Belge (CG)
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1985-014-ref3076

Festival Recordings: Horse Narrative Stage: Horse Breeding Workshop

Creator:
Smithsonian Institution. Festival of American Folklife. Oklahoma Program 1982 Washington, D.C.  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (sound tape reel, 7 inch reel, 1/4 inch tape)
1 Item (sound-tape reel, analog, 7 in.)
Culture:
Americans  Search this
Type:
Archival materials
Sound recordings
Place:
United States
Washington (D.C.)
Date:
1982 July 02
Local Numbers:
FP-1982-7RR-0363
Publication, Distribution, Etc. (Imprint):
United States Oklahoma Program 1982
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 2, 1982.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives; please submit this form. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1982 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1982, Item FP-1982-7RR-0363
See more items in:
Smithsonian Folklife Festival records: 1982 Festival of American Folklife
Smithsonian Folklife Festival records: 1982 Festival of American Folklife / Series 5: Oklahoma / Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-1982-ref2715

Interviews with Gary Edgmon, race horse trainer and breeder; Clarence Danielson, race horse trainer and breeder

Creator:
Smithsonian Institution. Festival of American Folklife. Oklahoma Program 1982 Washington, D.C.  Search this
Nahwooksy, Clydia, 1933-2009 (field worker)  Search this
Artist:
Edgmon, Gary, 1956-  Search this
Danielson, Clarence, 1932-  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (compact audio cassette)
1 Sound cassette (analog.)
Culture:
Americans  Search this
Type:
Archival materials
Sound recordings
Sound cassettes
Place:
United States
Oklahoma
Date:
1982 May
Local Numbers:
FP-1982-CT-0067
Date/Time and Place of an Event Note:
Recorded in: Oklahoma, United States, May, 1982.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives; please submit this form. Licensing fees may apply in addition to any processing fees.
Topic:
Oral history  Search this
Horses  Search this
Horses -- Breeding  Search this
Horse racing  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1982 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1982, Item FP-1982-CT-0067
See more items in:
Smithsonian Folklife Festival records: 1982 Festival of American Folklife
Smithsonian Folklife Festival records: 1982 Festival of American Folklife / Series 5: Oklahoma / 5.1: Fieldwork
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-1982-ref2922

Millard Sheets papers, circa 1907-2000

Creator:
Sheets, Millard Owen, 1907-1989  Search this
Sheets, Millard Owen, 1907-1989  Search this
Subject:
Millard Sheets & Associates Designs  Search this
Sheets, Mary Baskerville  Search this
Dalzell Hatfield Galleries  Search this
Type:
Slides (photographs)
Photographs
Topic:
Art -- Study and teaching  Search this
Art -- California  Search this
Art and society  Search this
Horses -- Breeding  Search this
Watercolorists -- California  Search this
Muralists -- California  Search this
Art -- Philosophy  Search this
Designers -- California  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)10956
(DSI-AAA_SIRISBib)214738
AAA_collcode_sheemill
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214738
Online Media:

Whalebone

Maker:
Kennedy & Lucas  Search this
Artist:
Hillman, Richard S.  Search this
Measurements:
image: 15 1/4 in x 23 in; 38.735 cm x 58.42 cm
Object Name:
lithograph
Object Type:
Lithograph
Place made:
United States: Pennsylvania, Philadelphia
Date made:
n.d.
Subject:
Horses  Search this
Credit Line:
Harry T. Peters "America on Stone" Lithography Collection
ID Number:
DL.60.3564
Catalog number:
60.3564
See more items in:
Cultural and Community Life: Domestic Life
Clothing & Accessories
Domestic Furnishings
Art
Horses
Peters Prints
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b5-00cf-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_325774

Millard Sheets papers

Creator:
Sheets, Millard, 1907-1989  Search this
Names:
Dalzell Hatfield Galleries  Search this
Millard Sheets & Associates Designs  Search this
Sheets, Mary Baskerville  Search this
Extent:
27.6 Linear feet
Type:
Collection descriptions
Archival materials
Slides (photographs)
Photographs
Date:
circa 1907-2000
Summary:
The Millard Sheets papers comprise 27.6 linear feet of material dating from circa 1907 to 2000 with bulk dates spanning 1956 to 1981. The collection documents Sheets's career as a designer, painter, and muralist, and his personal and professional interests through correspondence, writings, lectures, printed material, drawings, slides, photographs, and ephemera. A small addition donated 2018 by Carolyn Owen-Toole, Sheet's daughter. There is a 4.6 linear foot unprocessed addition to this collection donated 2018 that includes writings; sketchbooks and sketches; photographs and negatives of works of art, images of Millard Sheets and others; printed material, including two scrapbooks; and scattered correspondence regarding Sheet's projects.
Scope and Content Note:
The personal papers of Millard Sheets (1907-1990) measure 27.6 linear feet and date from circa 1907-2000, with bulk dates of 1956-1981. The collection reflects Sheets's career as a designer, painter, and muralist, as well as his other personal and professional interests, through correspondence, writings, lectures, clippings, blueprints, drawings, slides, photographs, and ephemera.

The Project Files comprise the largest group of materials in the collection and document design work undertaken by Sheets through his company Millard Sheets & Associates Designs. Sheets and his associates produced concept drawings and blueprints and supervised the construction for a wide range of design projects that ranged in scale from architectural plans for private residences to bid proposals for shopping malls and financial institutions located in California and the Southwest.

Sheets designed interior and exterior plans for over forty Home Savings and Loan bank branches in California. The distinctive modular design which Sheets created and then customized by integrating interior and exterior art elements that highlighted local historical events or natural features became synonymous with the image of Home Savings and Loan. Sheets also teamed up with the architect Edward Durrell Stone to produce a proposal for the Capitol Mall Project, an urban renewal project for the Redevelopment Agency of the City of Sacramento. Researchers will find correspondence, job costs and billing statements, and notes that trace the development of these and other building construction projects. In some instances the documents are supplemented by blueprints, photographs, and/or drawings of the project, but in many cases, visual documentation is missing.

The Project Files also document work done by Millard Sheets on public projects such as the Family of Man mural in the Los Angeles City Hall Annex, a mosaic dome in the National Shrine of the Immaculate Conception, Washington, D.C., and the Word of Life mural at the University of Notre Dame, Ind., along with numerous other murals and mosaics created for private individuals and corporations.

The Correspondence Series primarily reflects the interaction between Sheets and his clients, colleagues, and personal acquaintances. These files will prove valuable to researchers who are interested in the way that Sheets's beliefs about the role of art in everyday life impacted the way he conducted business and managed both large and small design projects. The correspondence also reflects Sheets's interest in popular American culture, travel, political issues of the day, and art collecting.

The Membership Files document the wide variety of interests that Sheets maintained through active membership in associations and organizations. The material in this series consists primarily of correspondence, minutes of meetings, and notes which Sheets created or used as he served as a board member or trustee on a number of organizational boards, such as the California Institute of the Arts, the Claremont Colleges, Virginia Steele Scott Foundation, Webb School of California, and Goodwill Industries of Southern California.

Also found in this series is material that documents his interest and participation in various recreational and professional organizations. Sheets maintained a long association with the Economic Roundtable, a group of businessmen who met regularly to give presentations and share discussion on contemporary political and social issues. Sheets was a frequent speaker and his talks given at the Economic Roundtables can be found in Lectures and Speeches, a subseries of the Writings Series.

Included in the Millard Sheets & Associates Designs, Inc. series are records that reflect the day-to-day operations of Sheets's design firm. Found here are chronological copies of correspondence that were sent out, files Sheets maintained on various independent contractors that the design firm frequently used, resumes and letters of recommendation that Sheets received regarding potential employees, as well as records relating to the cost and maintenance of Sheets's office building.

The Teaching and Workshop Files document the instructional activities undertaken by Sheets throughout his career in the arts. Although Sheets became pivotal in establishing a regionally recognized art department at Scripps College in Claremont, California, the files that reflect his academic position there are limited in scope and depth. Researchers will find more substantive the files that he maintained on the numerous art demonstrations and paintings workshops that he conducted privately throughout his career. Sheets traveled extensively around the world through his teaching activities and the files in this series track his path.

Closely related to the Teaching and Workshop Files is the Painting Trips series. The material in these files document Sheets's service as an American Specialist in the Bureau of Educational and Cultural Affairs of the USIS, Department of State. Sheets served two times as a cultural arts representative in Turkey in 1960 and in the former USSR in 1961. Sheets also made numerous trips to South East Asia, which had proved an area of fascination for him since his experiences as a war correspondent in Burma and India in World War II. The files in this series document his painting trips to Tahiti, the Pacific Ocean Rim, and Hawaii. Also found are files that detail his painting activities in Mexico.

The Exhibition Files reflect the records that Sheets maintained regarding his participation in art exhibitions, as well as his files on art shows that he personally directed or organized for public or private groups or organizations. Although Sheets exhibited his work predominantly in the West and Southwest, the files in this series demonstrate that he exhibited both nationally and internationally as well.

Also found within the records for this series are files relating to Sheets's representation of his artwork through established galleries and art agents. The Dalziel Hatfield Galleries of Los Angeles, California, served as his primary agent for most of his painting career. Correspondence between Sheets and the Hatfields provide insight into Sheets's development into a regionally and nationally significant watercolorist and painter. The files relating to the Kennedy Galleries in New York and the Circle Gallery in Chicago reflect Sheets's efforts to maintain a national presence in the arts community.

The Jury Files document Sheets's involvement as a juror in regional, as well, as national shows. The files reveal the great variety of professional watercolor and painting exhibitions in which Sheets participated as either a jury panelist or solo judge.

The Writings Files provide an excellent source for researchers interested in Sheets's philosophical beliefs about the relationship between art and everyday life. His articles, lectures, and speeches predominantly address the role of the artist, the relationships that exist between artists and the community, and the role that art can play in making a fuller, more productive life. Also found in the files of this series are articles written by others about Sheets.

The Biographical Material series provides a short introduction to Millard Sheets. The files consist of the calendars maintained by Sheets and his wife and staff, which were used to coordinate his many commitments and appointments. Also found in the files of this series are family chronologies that were created by Mary Baskerville Sheets. Medical records and resumes provide personal information about Sheets's background and health. A small file of military memorabilia provides information about Sheets's contributions to the war effort in World War II.

The Printed Matter series documents family activities and personalities through publicity clippings. Also found are exhibition catalogs and announcements that Sheets saved regarding other artists. Miscellaneous interests and activities of Sheets are found through magazine articles, brochures, and flyers.

The Photographs series includes photographic documentation for Sheets's artwork, horses, and major projects. A small group of photographs of Sheets are also in this series.

The files in the Artwork series include original drawings by Mary Baskerville Sheets and Millard Sheets.

There is a 4.6 linear foot unprocessed addition to this collection donated 2018 that includes writings; sketchbooks and sketches; photographs and negatives of works of art, images of Millard Sheets and others; printed material, including two scrapbooks; and scattered correspondence regarding Sheet's projects.
Arrangement:
The collection is arranged into fifteen series. Small series, such as Biographical Material are generally based on type of document. Larger series, such as Correspondence or Project Files, are arranged alphabetically by name of correspondent or project. General correspondence has been made into its own series, but other series or subseries may also contain some correspondence. Within particular series, materials have been further divided into subseries which represent particular aspects of the project or event. For example, the Writings Series is further divided into subseries of books and articles, eulogies, and lectures and speeches. An outline listing series and subseries titles and dates follows.

Series 1: Biographical Material, 1907-1982, undated (boxes 1-2; 1.25 linear ft.)

Series 2: Correspondence, 1929-1990, undated (boxes 2-4; 2.75 linear ft.)

Series 3: Personal Business Records, 1933-1980, undated (boxes 5-6; 1.25 linear ft.)

Series 4: Membership Files, 1946-1982, undated (boxes 6-8; 2.5 linear ft.)

Series 5: Millard Sheets & Associates Designs, 1934-1982, undated (boxes 8-9; 1.0 linear ft.)

Series 6: Project Files, 1956-1981, undated (boxes 9-18; 8.25 linear ft.)

Series 7: Teaching and Workshop Files, 1932-1982 (box 18; 0.5 linear ft.)

Series 8: Painting Trips, 1959-1980, undated (box 18; 16 folders)

Series 9: Exhibition Files, 1932-1937, 1951-1988, undated (box 19; 0.75 linear ft.)

Series 10: Jury Files, 1941-1982 (boxes 19-20; 42 folders)

Series 11: Writings, 1936-1988, undated (boxes 20-22; 2.5 linear ft.)

Series 12: Printed Matter, 1936-1922, undated (boxes 22-23; 20 folders)

Series 13: Photographs, 1934-1983, undated (box 23; 17 folders)

Series 14: Artwork, circa 1929, undated (box 23; 2 folders)

Series 15: Unprocessed Addition, circa 1930-2000 (boxes 24, 26-30, OV25: 4.6 linear ft.)
Biographical Note:
"Your painting is a measure of your mind"-Millard Sheets

Millard Sheets, as one of the founding members of the "California Scene Painters," exerted a lasting influence upon subsequent generations of Western painters. He and the small group of painters who worked in California during the 1930s and 1940s, developed a new style of watercolor painting that was at the forefront of the American watercolor movement of the time, and that later gave rise to a subsequent generation of painters who became known as the California Regionalist school.

Sheets was born in Pomona, California on June 24, 1907. His mother died in childbirth, and his father, John Sheets, unprepared to raise a baby alone, sent Millard to Pomona, California to be raised by his maternal grandparents, Lewis and Emma Owen. Sheets's grandfather proved to be a guiding force in his life, and when Sheets's father remarried and offered Millard the opportunity to return to the Sheets household, Millard chose instead to remain with his grandparents.

Sheets's love of horses can be directly traced back to his childhood years spent living at his grandfather's horse ranch. Millard rode his first horse when he was three years old. Throughout his life, Sheets returned to the theme of horses in his paintings, as well as maintaining a private stable of horses, and raising and breeding racehorses.

His interest in art also began in childhood. When he was still a young boy, his two maternal aunts encouraged him to play with crayons and pencils. Sheets took his first painting lesson from a neighbor at the age of seven, and by 1919 he had already submitted artwork to the copy division of the Los Angeles County Fair fine arts show competition. He submitted a drawing he had copied of a tinted photograph of Lake KIlarney, California. Sheets won first prize in his division.

It was through this competition that Millard met Theodore B. Modra, a Polish artist who had retired to the Pomona area. After giving Sheets a lecture on the evils of copying art, Modra offered to give him art lessons.

Sheets continued to pursue his interest in art and enrolled in the Choinard School of Art in Los Angeles, California. By the time that he graduated in 1929, Sheets had also managed to come to the attention of Dalzell and Ruth Hatfield of the Dalzell Hatfield Galleries in Los Angeles, California. The Hatfields were one of the most influential art dealers in Southern California, and that same year, they sponsored Sheets in his first one-man exhibition in 1929. The exhibition brought Sheets to the attention of Western Coast art critics and launched Sheets on his painting career.

In 1929 Sheets also learned that he had won second place in the annual Edgar B. Davis art competition held in San Antonio, Texas. The award came with a cash prize and Sheets made plans to travel to Europe to study and paint. Shortly before his departure, however, he met an art student, Mary Baskerville, and they began a whirlwind romance. With Baskerville's enthusiastic support for European plans, and with her promise that she would wait for him, Sheets departed for New York and then Europe.

While overseas during 1929 and 1930, Sheets studied under Dorfinant, a master printer in Paris. Through his work at this studio workshop, he met Henri Matisse.

Five months after Millard returned to the California in 1930, Sheets and Mary Baskerville married. Sheets worked as the director of the Fine Arts Exhibition of the Los Angeles County Fair. In 1932 Sheets returned to school to study art and humanities at Scripps College in Claremont, California. After graduating from Scripps, school officials approached Sheets with an offer to set up a separate fine arts program and asked him to chair the new department. This was the beginning of a twenty year association with the school. In 1938, he also became the Director of Art at Claremont Graduate School.

Sheets left the school during the years of World War II to serve as a war-time artist and journalist for Life magazine, and from 1943-1944 was stationed on the Burma-India Front. His experiences in Asia appeared to affect him deeply. In contrast to his earlier works which featured backgrounds with neutral tones and brilliant shades that highlighted and punctuated the compositions, the paintings from the wartime featured somber tones. Sheets remarked of this time:

During the fighting and the time I spent in the C-B-1 theater, I was too shaken and intellectually stunned to do any complete paintings. I made many, many sketches, though, as well as a real effort to remember each scene that particularly affected me. Then, once I returned to America, I painted frantically, for months, exorcising demons. [Lovoos, Janice and Edmund F. Penney, Millard Sheets: One-Man Renaissance, Northland Press, Flagstaff, AZ, 1984]

Sheets returned from the war in 1944 and resumed his position at Scripps College until 1955 when he was approached by the Los Angeles County Board of Supervisors and asked to overhaul the fledgling Los Angeles County Art Institute. Sheets accepted the position and spent the next five years reshaping the mission and format of the school, renaming it the Otis Art Institute. In the years after Sheets left the directorship, the school eventually became part of the Parson's School of Design on the West Coast.

In 1953 Sheets founded the Millard Sheets Designs company. He hired between twenty-five and thirty artisans for large projects, with Susan Hertel, a former student of his, serving as his assistant in all the operations of the design studio. The working staff included engineers, registered architects, draftsmen, and artists, and the projects that the firm produced included murals, mosaics, stained glass, and sculpture for private homes and public and commercial businesses.

The design studio completed several major architectural projects throughout the late 1950s through the mid 1970s, including the design and construction of Cal Aero, a flight training school for the US Air Force, the National American Insurance Company offices for the California financier, Howard Ahmanson, Ahmanson Bank and Trust Company in Beverly Hills, many Home Savings and Loan Association Buildings, private residences, and the Scottish Rite Memorial Temples in Los Angeles and San Francisco, among many other projects.

Sheets also designed and completed mural and mosiac work for numerous public buildings in the Los Angeles area, as well as across the nation. Many of the murals and mosiacs were for those buildings designed by his firm while others were done as independent commissions.

In 1968 Sheets first proposed the murals he designed for the Los Angeles City Hall. His design was approved and he was awarded a commission to complete The Family of Man murals over the two main entrances to the Los Angeles City Hall. The murals were completed in 1971 and installed in 1972. Sheets also designed mosiacs and murals for the Mayo Clinic in Minnesota, the Library at Notre Dame University, the Scottish Rite Masonic Temple in Los Angeles, several Home Savings and Loan Association buildings in the Los Angeles area, the Detroit Public Library, and the Dome of the National Shrine of the Immaculate Conception in Washington, DC.

During the early 1960s Sheets participated in the American Specialist Program of the US Department of State. His first assignment was to Turkey in 1960, where he served as a visiting artist. The following year he went to the USSR in the same capacity.

During the early to mid 1950s Sheets became involved with Columbia Pictures and was technical advisor and production designer for a few years.

Millard Sheets was a member of the National Watercolor Society, the American Watercolor Society, the National Academy of Design, the Society of Motion Picture Art Directors, and the Century Association. Sheets actively promoted his own work and was a businessman, an active and prolific artist, instructor, and designer. Millard Sheets died on March 31, 1989 in Gualala, California.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reels LA 10) including a biographical sketch, career resume, and a list of sheets' work prepared in 1964. Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Millard Sheets lent material for microfilming in 1965. Mary B. Sheets, Millard's widow, donated the papers to the Archives of American Art in 1992. Carolyn Owen-Toole, Sheet's daughter, gave a small addition of material in 2018.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Study and teaching  Search this
Art -- California  Search this
Art and society  Search this
Horses -- Breeding  Search this
Watercolorists -- California  Search this
Muralists -- California  Search this
Art -- Philosophy  Search this
Designers -- California  Search this
Genre/Form:
Slides (photographs)
Photographs
Citation:
Millard Sheets papers, circa 1907-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.sheemill
See more items in:
Millard Sheets papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sheemill
Online Media:

Correspondence

Collection Creator:
Sheets, Millard, 1907-1989  Search this
Extent:
(boxes 2-4; 2.75 linear ft.)
Type:
Archival materials
Date:
1929-1990, undated
Scope and Contents note:
The letters in these files primarily reflect the variety of Sheets's business and social interests throughout his design and art career. Among the correspondents may be found architects, design professionals, business and bank executives, professors, art collectors, and racehorse owners and managers. Topics covered include discussion of design projects, travel, horse breeding, art and urban planning. Researchers will find the letters between Millard Sheets and his wife, Mary Baskerville Sheets, during his World War II service in Asia and the Pacific Rim, to be of particular interest. Their correspondence document the details of Sheets's travel and wartime experience as a staff artist and war correspondent for Life.
Arrangement note:
The files are arranged alphabetically by correspondent, and then chronologically within each folder.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Millard Sheets papers, circa 1907-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.sheemill, Series 2
See more items in:
Millard Sheets papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-sheemill-ref25

Virgin Islands Fieldwork: Horseracing, Calypso, Cariso and Folktales

Creator:
Smithsonian Institution. Festival of American Folklife. Virgin Islands Program 1990 Washington, D.C.  Search this
Soule, Mary Jane (field worker)  Search this
Artist:
Carroll, William, 1912-1989  Search this
King Derby, 1938-  Search this
Macedon, Walter Selah  Search this
Dorsch, Delta, 1915-2011  Search this
McIntosh, Ethel, 1907-2006  Search this
Performer:
Carroll, William, 1912-1989  Search this
King Derby, 1938-  Search this
Macedon, Walter Selah  Search this
Dorsch, Delta, 1915-2011  Search this
McIntosh, Ethel, 1907-2006  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (compact audio cassette)
1 Sound cassette (analog.)
Culture:
Americans  Search this
Virgin Islands  Search this
Type:
Archival materials
Sound recordings
Sound cassettes
Place:
Virgin Islands of the United States
Date:
1990 January 12
Contents:
Mr. William Carroll discusses the David and Goliath play.; Interview with Camille "King Derby" Macedon; Interview with Walter "Selah" Macedon; Interview with Delta Dorsch; Interview with Ethel McIntosh
Track Information:
101 Interview with William Carroll / William Carroll.

102 Interview with Camille "King Derby" Macedon / King Derby.

103 Interview with Walter "Selah" Macedon / Walter Selah Macedon.

104 Interview with Camille "King Derby" Macedon / King Derby.

201 Interview with Camille "King Derby" Macedon / King Derby.

202 Interview with Delta Dorsch / Delta Dorsch.

203 Interview with Ethel McIntosh / Ethel McIntosh.
Local Numbers:
FP-1990-CT-0507
General:
CDR copy
7 of 8
Date/Time and Place of an Event Note:
Recorded in: Virgin Islands of the United States, January 12, 1990.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Oral history  Search this
Cariso music  Search this
Masquerading  Search this
Migration  Search this
Horse racing  Search this
Horses -- Breeding  Search this
Calypso (Music)  Search this
Folklore  Search this
Storytelling  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1990 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1990, Item FP-1990-CT-0507
See more items in:
Smithsonian Folklife Festival records: 1990 Festival of American Folklife
Smithsonian Folklife Festival records: 1990 Festival of American Folklife / Series 4: U.S. Virgin Islands / Fieldwork
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-1990-ref1190

At the Conservation and Research Center, Front Royal, Virginia, featured Theodore H. Reed, Larry R. Collins, Linwood R. Williamson, and Scott R. Derrickson discussing the circumstances surrounding the establishment of the Center, and breeding programs ...

Container:
Interviews
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 9553, Conservation of Endangered Species Videohistory Collection
See more items in:
Conservation of Endangered Species Videohistory Collection
Conservation of Endangered Species Videohistory Collection / Interviews
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru9553-refidd1e1141

[Horses] Breeding ground of Grus nigric; 1939; "Dachen" Lake north of Siqqim

Collection Creator::
Walkinshaw, Lawrence H.  Search this
Container:
Box 3 of 8
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 7410, Lawrence H. Walkinshaw Papers
See more items in:
Lawrence H. Walkinshaw Papers
Lawrence H. Walkinshaw Papers / Box 3
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru7410-refidd1e3113

Warshaw Collection of Business Americana Subject Categories: Horses

Creator:
Warshaw, Isadore, 1900-1969  Search this
Extent:
3.92 Cubic feet (consisting of 8 boxes, 1 folder, 12 oversize folders, 3 map case folders.)
Type:
Collection descriptions
Archival materials
Business ephemera
Business letters
Reports
Business records
Receipts
Sales letters
Auction catalogs
Catalogues
Advertising
Commercial catalogs
Advertising cards
Trade catalogs
Publications
Print advertising
Sales records
Correspondence
Manufacturers' catalogs
Manuals
Advertising fliers
Exhibition catalogs
Periodicals
Catalogs
Printed ephemera
Illustrations
Ephemera
Mail order catalogs
Sales catalogs
Legal documents
Commercial correspondence
Photographic prints
Invoices
Trade literature
Trade cards
Business cards
Advertising mail
Date:
1788-1955
bulk 1830-1930
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Horses forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
Horses covers goods and services for the procurement and maintenance of horses. Riding academies, racing, and breeding are represented. Some resources specifically target health care issues. Images are mostly illustrations with a few photographs. A few general interest pieces are present, but virtually nothing in the way of in-depth research or study. The bulk of the material is catalogues. The Pedigree folders contain some handwritten records, however, the origin/farm name is not readily apparent. A small amount of material is present regarding Warshaw's development of this category and sale of a poster to help generate income.

No extensive runs or complete records exist for any single company, brand, and no particular depth is present for any singular subtopic though some publications may provide general and historical overviews of a person, company, or facet of industry.
Arrangement:
Horses is arranged in three subseries.

Business Records and Marketing Material

Genre

Subject
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Horses is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Stables  Search this
Horses -- 1910-1920  Search this
Horse-drawn vehicles  Search this
Horses  Search this
Sales promotion  Search this
Consumer goods -- Catalogs  Search this
Horseshoeing  Search this
Horses -- 1940-1950  Search this
Horses -- Breeding  Search this
Horses -- Logos (Symbols)  Search this
Horsemen and horsewomen  Search this
Horses -- Design elements  Search this
Horse-trading -- 1930-1950  Search this
Trick riding  Search this
Patents  Search this
Racetracks (Horse racing)  Search this
Auctions  Search this
Genre/Form:
Business ephemera
Business letters
Reports
Business records
Receipts
Sales letters
Auction catalogs
Catalogues
Advertising
Commercial catalogs
Advertising cards
Trade catalogs
Publications -- Business
Print advertising
Sales records
Correspondence
Manufacturers' catalogs
Manuals
Advertising fliers
Exhibition catalogs
Periodicals
Catalogs
Printed ephemera
Illustrations
Ephemera
Mail order catalogs
Sales catalogs
Legal documents
Publications
Commercial correspondence
Photographic prints
Invoices
Trade literature
Trade cards
Business cards
Advertising mail
Citation:
Warshaw Collection of Business Americana Subject Categories: Horses, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.01.Horses
See more items in:
Warshaw Collection of Business Americana Subject Categories: Horses
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-horses

Wild Horse Breeding Center, 2007

Collection Creator::
National Zoological Park. Office of the Director  Search this
Container:
Box 18 of 19
Type:
Archival materials
Collection Rights:
Restricted for 15 years, until Jan-01-2031; Transferring office; 1/5/2001 memorandum, Peters to Montes; Contact reference staff for details.
Collection Citation:
Smithsonian Institution Archives, Accession 18-142, National Zoological Park. Office of the Director, Subject Files
See more items in:
Subject Files
Subject Files / Box 18
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa18-142-refidd1e6816

Negative Log Book Number 19, (88-15271 to 89-23594)

Creator:
Smithsonian Institution Archives Smithsonian Photographic Services  Search this
Physical description:
Ink on paper
Type:
Logs (records)
Collection descriptions
Date:
1988
1988-1989
Topic:
Photography--History  Search this
Local number:
SIA Acc. 10-001 [SIA_10-001_NLB19]
Restrictions & Rights:
No restrictions. All requests for duplication and use must be submitted in writing and approved by the Smithsonian Institution Archives. Contact SIA Reference Staff for further information (email photos@si.edu)
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_367116
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Negative Log Book Number 19, (88-15271 to 89-23594) digital asset number 1

Pabst Farms : the history of a model farm

Author:
Eastberg, John C.  Search this
Author:
Pabst Farms Inc  Search this
Captain Frederick Pabst Mansion (Milwaukee, Wis.)  Search this
Subject:
Pabst family  Search this
Pabst, Frederick 1836-1904 Homes and haunts  Search this
Pabst Farms Inc  Search this
Physical description:
349 pages : illustrations (some color) ; 24 cm
Type:
Books
Place:
Wisconsin
Date:
2014
Topic:
Dairy farms  Search this
Agriculture  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1068994

Genetic stability in the Icelandic horse breed

Author:
Barrett, E.  Search this
Barker, GWW  Search this
Seetah, K.  Search this
Stock, F.  Search this
Campana, Michael G.  Search this
Benecke, N.  Search this
Bower, MA  Search this
Object Type:
Smithsonian staff publication
Electronic document
Year:
2012
Topic:
Zoology  Search this
Animals  Search this
Veterinary medicine  Search this
Animal health  Search this
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILSRO_144546

[Trade catalogs from Glasgow Clydesdale Horse Breeding & Exporting Co.]

Company Name:
Glasgow Clydesdale Horse Breeding & Exporting Co.  Search this
Related companies:
Robert Holloway  Search this
Notes content:
pure-bred Clydesdale horses (1882)
Includes:
Trade catalog
Black and white images
Physical description:
1 piece; 1 box
Language:
English
Type of material:
Trade catalogs
Trade literature
Place:
Glasgow, United Kingdom
Date:
1800s
Topic (Romaine term):
Leather products; tanning and equestrian supplies  Search this
Livestock and fisheries  Search this
Topic:
Animal industry  Search this
Fisheries  Search this
Leather industry and trade  Search this
Livestock  Search this
Tanning  Search this
Record ID:
SILNMAHTL_44572
Collection:
Smithsonian Libraries Trade Literature Collections
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILNMAHTL_44572

Reggae Officially Declared Global Cultural Treasure

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Interviews
Blog posts
Published Date:
Fri, 30 Nov 2018 20:26:51 +0000
Topic:
Custom RSS  Search this
See more posts:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_2450960f87257122b0e3b0efb18e15f6

The introduction and diffusion of the horse in West Africa / Robin Law

Author:
Law, Robin  Search this
Smithsonian Libraries African Art Index Project DSI  Search this
Type:
Articles
Place:
Africa, West
Sahel
Guinea Region
Nigeria
Date:
1980
Topic:
Horses--History  Search this
Horse breeds  Search this
Call number:
GN652.5 .L41
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1098042

The supply of horses / Robin Law

Author:
Law, Robin  Search this
Smithsonian Libraries African Art Index Project DSI  Search this
Type:
Articles
Place:
Africa, West
Date:
1980
Topic:
Horses--Breeding  Search this
Mules  Search this
Horse trading  Search this
Horse dealers  Search this
Call number:
GN652.5 .L41
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1098043

Free Spirits at Noisy Water, (sculpture)

Sculptor:
McGary, Dave 1958-2013  Search this
Founder:
McGary Studios  Search this
Medium:
Horses: bronze; Base: stone
Type:
Sculptures-Outdoor Sculpture
Sculptures-Fountain
Sculptures
Owner/Location:
Museum of the Horse Highway 70, P. O. Box 40 Ruidoso Downs New Mexico 88345
Date:
July 16, 1995
Topic:
Animal--Horse  Search this
Control number:
IAS NM000251
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_325218

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