Use of original papers requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tibor de Nagy Gallery records, 1941-1993. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Smithsonian Institution's Collections Care and Preservation Fund.
Use of original papers requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tibor de Nagy Gallery records, 1941-1993. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Smithsonian Institution's Collections Care and Preservation Fund.
Use of original papers requires an appointment. Artwork Files (Boxes 63-71, 94) and some photographic materials (Box 93 and 101) require written permission to access.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
James Graham & Sons records, 1815, 1821, circa 1896-2011, bulk 1950s-1980s. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by Smithsonian Institution Collections Care Preservation Fund
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dorothy C. Miller papers, 1853-2013, bulk 1920-1996. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art
Use of original papers requires an appointment. Some of the collection is ACCESS RESTRICTED: documents relating to the estate of David Smith; some correspondence with Peter Fuller, Nuala O'Faolain, and the Greenberg family; and sale and loan agreements. Contact the reference staff for more information about permission to use this portion of the collection.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
The Clement Greenberg papers, 1937-1983. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art
Eight scrapbooks; biographical data; letters; and printed material.
REELS 2153-2154 & 2245: Eight scrapbooks, 1888-1981, containing clippings, exhibition catalogs and announcements, photographs, scattered letters and printed material. One scrapbook relates to Hood's family, the others concern her career.
REEL 3340: Biographical data; a copy of a letter to Hood from Joan Mondale, 1978, about Hood's drawing WARRIOR'S PLUMAGE lent by Museum of Fine Arts, Houston for the Vice President's House; a copy of a letter to Eleanor Freed from Hood, 1982; exhibition announcements, invitations, catalogs and posters; a copy of Hood's report "Late Goodbye to Jose Clemente Orozco"; newspaper and magazine clippings; an invitation, program and auction catalog from the Art League of Houston's tribute to Hood, 1984; and printed material relating to The Dorothy Hood Film Project sponsored by the Museum of Fine Arts, Houston, 1984.
Biographical / Historical:
Painter, sculptor; Houston, Tex. Died Oct. 29, 2000, at age 81.
Provenance:
Microfilmed as part of the Archives of American Art's Texas project.
Material on reels 2153-2154, 2245 & magazine articles, brochures, catalogs and posters on reel 3340 lent for microfilming 1979 & 1981; and all other material on reel 3340 donated 1979 & 1984 by Dorothy Hood.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Correspondence; files on 42 artists, containing clippings, photos, exhibition catalogs and letters; exhibition files for her gallery, Gallery of Wonderful Things, Fort Worth, Texas, and Tall Timbers, Houston, Texas; a scrapbook containing clippings, exhibition catalogs and announcements, photos, and letters about the Gallery of Wonderful Things; printed material and loan records for her private collections of ceramics, paintings and sculpture; photographs; and printed miscellany.
Artist files include David Adickes, Ludwig Bemelmans, James Blake, Bill Bomar, Cynthia Brants, David Brownlow, Max Butler, John Chumley, Charles Cobelle, Dorothy Crowley, Montague Dawson, Adolph Dehn, Joseph Domjan, Kelly Fearing, Robert Fowler, Frank Freed, An Furuta, Henry and Leila Gadbois, R.C. Gorman, George Grammer, John Guerin, Dorothy Hood, William A. Kolliker, Richard M. Lincoln, Anthony Martin, Blanche McVeigh, Marc Moldawer, Martha Mood, Charles Pebworth, Margaret Putnam, Dickson Reeder, Andrew Rush, Porfirio Salinas, E.M. (Buck) Schiwetz, Charles Schorre, Mary Ellen Shipnes, Agnes Sims, Emily Guthrie Smith, Trudy Sween, Charles Umlauf, Bror Utter, and Charles T. Williams.
Biographical / Historical:
Hershey founded Gallery of Wonderful Things, Fort Worth, Texas in 1956 and turned it over to Electra Carlin in 1958. Carlin moved the gallery and changed the name to Carlin Gallery. Hershey moved to Houston and organized four art shows at the Tall Timbers apartment complex owned by her husband.
Provenance:
Lent for microfilming 1981 by Terese Tarlton Hershey.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
The Betty Parsons Gallery records and personal papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Betty Parsons Gallery records and personal papers, circa 1920-1991, bulk 1946-1983. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by Terra Foundation for American Art.
Researcher may use study prints on file in the Photograph Archives, Smithsonian American Art Museum. Advance appointments are required. Original negatives are stored off-site in cold storage and are not accessible to the public.
Collection Rights:
Copyright to photographs from the Walter Rosenblum Collection is held by the Smithsonian American Art Museum. Requests for permission to reproduce photographs from the collection must be submitted in writing to the Photograph Archives. Certain works of art, as well as photographs of those works of art, may be protected by copyright, trademark, privacy or publicity rights, or other interests not owned by the Smithsonian American Art Museum. It is the applicant's responsibility to ascertain whether any such rights exist, and to obtain any other permission necessary to reproduce and publish the image.
Collection Citation:
Walter Rosenblum Collection, Photograph Archives, Smithsonian American Art Museum
Sponsor:
Funding for the re-housing, preservation, and digitization of the collection was provided by Smithsonian Research Resource funds, the Smithsonian Womens' Committee and the Smithsonian Collections Care and Preservation Fund (CCPF).
