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Photograph of Mose Tolliver painting

Subject:
Tolliver, Mose  Search this
Type:
Photographs
Date:
circa 1980-2014
Topic:
Outsider art  Search this
Record number:
(DSI-AAA)18731
See more items in:
Jimmy Hedges papers and Rising Fawn Folk Art Gallery records, 1969-2016
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_18731

Photograph of Mose Tolliver painting

Subject:
Tolliver, Mose  Search this
Type:
Photographs
Date:
circa 1980-2014
Topic:
Outsider art  Search this
Record number:
(DSI-AAA)18732
See more items in:
Jimmy Hedges papers and Rising Fawn Folk Art Gallery records, 1969-2016
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_18732

Photograph of Mose Tolliver painting

Subject:
Tolliver, Mose  Search this
Type:
Photographs
Date:
circa 1980-2014
Topic:
Outsider art  Search this
Record number:
(DSI-AAA)18733
See more items in:
Jimmy Hedges papers and Rising Fawn Folk Art Gallery records, 1969-2016
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_18733

Photograph of Mose Tolliver painting

Subject:
Tolliver, Mose  Search this
Type:
Photographs
Date:
circa 1980-2014
Topic:
Outsider art  Search this
Record number:
(DSI-AAA)18735
See more items in:
Jimmy Hedges papers and Rising Fawn Folk Art Gallery records, 1969-2016
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_18735

Mose Tolliver biography

Creator:
Hedges, Jimmy, 1942-2014  Search this
Subject:
Tolliver, Mose  Search this
Rising Fawn Folk Art Gallery  Search this
Type:
Writings
Date:
circa 1980-2014
Topic:
Outsider art  Search this
Record number:
(DSI-AAA)18737
See more items in:
Jimmy Hedges papers and Rising Fawn Folk Art Gallery records, 1969-2016
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_18737
Online Media:

Sarah Mary Taylor biography

Creator:
Hedges, Jimmy, 1942-2014  Search this
Subject:
Taylor, Sarah Mary  Search this
Rising Fawn Folk Art Gallery  Search this
Type:
Writings
Date:
circa 1980-2014
Topic:
Folk artists  Search this
Record number:
(DSI-AAA)18738
See more items in:
Jimmy Hedges papers and Rising Fawn Folk Art Gallery records, 1969-2016
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_18738

Photograph of quilt by Sarah Mary Taylor

Subject:
Taylor, Sarah Mary  Search this
Type:
Photographs
Date:
circa 1980-2014
Topic:
African American folk art  Search this
African American quilts  Search this
Record number:
(DSI-AAA)18739
See more items in:
Jimmy Hedges papers and Rising Fawn Folk Art Gallery records, 1969-2016
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_18739

Sarah Mary Taylor working on quilt

Subject:
Taylor, Sarah Mary  Search this
Type:
Photographs
Date:
circa 1980-2014
Topic:
African American folk art  Search this
African American quiltmakers  Search this
Artists at or with their work  Search this
Record number:
(DSI-AAA)18740
See more items in:
Jimmy Hedges papers and Rising Fawn Folk Art Gallery records, 1969-2016
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_18740

Photograph of quilt by Sarah Mary Taylor

Subject:
Taylor, Sarah Mary  Search this
Type:
Photographs
Date:
circa 1980-2014
Topic:
African American folk art  Search this
African American quiltmakers  Search this
Record number:
(DSI-AAA)18741
See more items in:
Jimmy Hedges papers and Rising Fawn Folk Art Gallery records, 1969-2016
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_18741

Henry Ray Clark biography

Creator:
Hedges, Jimmy, 1942-2014  Search this
Subject:
Clark, Henry Ray  Search this
Rising Fawn Folk Art Gallery  Search this
Type:
Writings
Date:
circa 1980-2014
Topic:
Outsider art  Search this
Record number:
(DSI-AAA)18742
See more items in:
Jimmy Hedges papers and Rising Fawn Folk Art Gallery records, 1969-2016
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_18742

Photograph of artwork by Henry Ray Clark

Subject:
Clark, Henry Ray  Search this
Type:
Photographs
Date:
circa 1980-2014
Topic:
Outsider art  Search this
Record number:
(DSI-AAA)18743
See more items in:
Jimmy Hedges papers and Rising Fawn Folk Art Gallery records, 1969-2016
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_18743

Photograph of artwork by Henry Ray Clark

Subject:
Clark, Henry Ray  Search this
Type:
Photographs
Date:
circa 1980-2014
Topic:
Outsider art  Search this
Record number:
(DSI-AAA)18745
See more items in:
Jimmy Hedges papers and Rising Fawn Folk Art Gallery records, 1969-2016
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_18745

Photograph of Lonnie Holley with artwork

Type:
Photographs
Date:
198-?
Record number:
(DSI-AAA)18747
See more items in:
Jimmy Hedges papers and Rising Fawn Folk Art Gallery records, 1969-2016
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_18747

Photograph of Lonnie Holley with artwork

Type:
Photographs
Date:
198-?
Record number:
(DSI-AAA)18748
See more items in:
Jimmy Hedges papers and Rising Fawn Folk Art Gallery records, 1969-2016
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_18748

Photograph of Lonnie Holley with artwork

Type:
Photographs
Date:
198-?
Record number:
(DSI-AAA)18749
See more items in:
Jimmy Hedges papers and Rising Fawn Folk Art Gallery records, 1969-2016
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_18749

Photograph of Lonnie Holley and child holding artwork

Type:
Photographs
Date:
198-?
Record number:
(DSI-AAA)18750
See more items in:
Jimmy Hedges papers and Rising Fawn Folk Art Gallery records, 1969-2016
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_18750

Lonnie Holley biography

Creator:
Hedges, Jimmy, 1942-2014  Search this
Type:
Writings
Date:
circa 1980-2014
Record number:
(DSI-AAA)18751
See more items in:
Jimmy Hedges papers and Rising Fawn Folk Art Gallery records, 1969-2016
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_18751

A.J. Mohammed biography

Creator:
Hedges, Jimmy, 1942-2014  Search this
Subject:
Mohammed, A.J.  Search this
Rising Fawn Folk Art Gallery  Search this
Type:
Writings
Date:
circa 1980-2014
Topic:
Outsider art  Search this
Record number:
(DSI-AAA)18752
See more items in:
Jimmy Hedges papers and Rising Fawn Folk Art Gallery records, 1969-2016
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_18752

Andrew Dasburg and Grace Mott Johnson papers

Creator:
Dasburg, Andrew, 1887-1979  Search this
Names:
Carlson, John F., 1874-1945  Search this
Cramer, Florence Ballin, 1884-1962  Search this
Davidson, Florence Lucius, d. 1962  Search this
Davidson, Jo, 1883-1952  Search this
Frankl, Walter  Search this
Hartley, Marsden, 1877-1943  Search this
Howard, Lila  Search this
Johnson, Grace Mott, 1882-1967  Search this
Kuhn, Vera, d. 1961  Search this
Lockwood, Ward  Search this
Luhan, Mabel Dodge, 1879-1962  Search this
McFee, Henry Lee, 1886-1953  Search this
Riley, Mary G., 1883-1939  Search this
Simonson, Lee, 1888-  Search this
Sterling, Lindsey, 1876-1931  Search this
Wright, Alice Morgan, 1881-1975  Search this
Extent:
8.8 Linear feet
Type:
Collection descriptions
Archival materials
Poetry
Diaries
Sketchbooks
Photographs
Date:
1833-1980
bulk 1900-1980
Summary:
The papers of painter Andrew Dasburg and his wife and sculptor Grace Mott Johnson date from 1833 to 1980 (bulk 1900 to 1980), and measure 8.8 linear feet. The collection documents each artist's career and personal lives, including their brief marriage and their friendships with many notable artists in the New Mexico and New York art colonies during the early twentieth century. The papers of Dasburg (6 linear feet) and Johnson (2.8 linear feet) include biographical materials; extensive correspondence with family, friends, and fellow artists, such as John F. Carlson, Mabel Dodge Luhan, Marsden Hartley, Henry Lee McFee, and Ward Lockwood; writings by Dasburg, Johnson, and others; scattered legal, financial, and business records; clippings; exhibition materials; numerous photographs of Johnson and Dasburg, friends, family, and artwork; and original artwork, including two sketchbooks by Johnson.
Scope and Content Note:
The papers of painter Andrew Dasburg and sculptor Grace Mott Johnson date from 1833 to 1980, with the bulk of the materials dating from 1900 to 1980, and measure 8.8 linear feet. The collection is divided into the papers of Andrew Dasburg (6 linear feet) and the papers of Grace Mott Johnson (2.8 linear feet), and documents each artist's career and personal lives, including their brief marriage, and friendships with many notable artists in New Mexico and New York art colonies during the early twentieth century. Found are scattered biographical, legal, and financial materials. Extensive correspondence (particularly in Dasburg's papers) is with family, friends, and fellow artists, such as John F. Carlson, Florence Ballin Cramer, Mabel Dodge Luhan, Marsden Hartley, Henry Lee McFee, Vera Spier Kuhn, and Ward Lockwood. Dasburg's papers also include letters to Johnson and his two later wives.

Johnson's correspondence is also with numerous artist friends and others, including John F. and Margaret Carlson, Florence Ballin Cramer, Jo Davidson, Florence Lucius, Walter Frankl, Lila Wheelock Howard, Henry Lee McFee, Mary Riley, Lee Simonson, Lindsey Morris Sterling, Alice Morgan Wright, Mabel Dodge Luhan, and Vera Spier Kuhn. Letters to her son Alfred are quite detailed and revealing. Writings are by Dasburg, Johnson, and others. Johnson's writings include a very brief diary and her poetry. Writings by others are about the Taos and New Mexico art communities. Printed materials about both artists include clippings and exhibition catalogs. There are numerous photographs of Dasburg and Johnson, individually and together, and with friends and family. Of note are a group photograph of Birge Harrison's art class in Woodstock, New York, which includes Johnson and Dasburg, and a photograph of Dasburg with friends Konrad Cramer and John Reed. Dasburg's papers also include snapshots of Florence Lucius, Konrad and Florence Ballin Cramer, Frieda and D. H. Lawrence, and Mabel Dodge Luhan. Original artwork by the two artists include two sketchbooks by Johnson and three prints and two drawings by Dasburg.
Arrangement:
The collection is arranged into 2 series of each artist's papers:

Series 1: Andrew Dasburg Papers, circa 1900-1980 (Box 1-7; 6.0 linear feet)

Series 2: Grace Mott Johnson Papers, 1833-1963 (Box 7-10; 2.8 linear feet)
Biographical Note:
Andrew Michael Dasburg (1887-1979) was born in Paris, France, to German parents. After his father died and when he was five, Dasburg and his mother moved to New York City. In 1902 Dasburg started attending classes at the Art Students' League and studied with Kenyon Cox and Frank Du Mond. He also took night classes with Robert Henri. In 1907 he received a scholarship to the Art Students' League summer school in Woodstock, New York and spent three summers studying there in Birge Harrison's painting class. While in school he became friends with many young artists, including Morgan Russell and his future wife, Grace Mott Johnson.

Grace Mott Johnson (1882-1967) was born in New York City. She began drawing when she was four years old, and when the family moved to a farm in 1900 she enjoyed sketching horses and other farm animals. At the age of 22 she left home to study at the Art Students' League with sculptors Gutzon Borglum and James Earle Fraser, and also attended Birge Harrison's painting class in Woodstock. Throughout her career she would sculpt animals from memory, and would often attend circuses and farms for inspiration.

In 1909 Johnson and Dasburg went to Paris and joined the modernist circle of artists living there, including Morgan Russell, Jo Davidson, and Arthur Lee. During a trip to London that same year they were married. Johnson returned to the United States early the next year, but Dasburg stayed in Paris where he met Henri Matisse, Gertrude and Leo Stein, and became influenced by the paintings of Cezanne and Cubism. He returned to Woodstock, New York in August and he and Johnson became active members of the artist community. In 1911 their son Alfred was born. Both Dasburg and Johnson showed several works at the legendary Armory Show in 1913, and Dasburg also showed at the MacDowell Club in New York City, where he met the journalist and activist John Reed who later introduced him to Mabel Dodge (Luhan), a wealthy art patron and lifelong friend. In 1914 Dasburg met Alfred Stieglitz and became part of his avant-garde circle. Using what he had seen in Paris, Dasburg became one of the earliest American cubist artists, and also experimented with abstraction in his paintings.

Dasburg and Johnson lived apart for most of their marriage. By 1917 they had separated and Dasburg began teaching painting in Woodstock and in New York City. In 1918 he was invited to Taos, New Mexico by Mabel Dodge, and returning in 1919, Johnson joined him there for a period of time. Also in 1919, Dasburg was one of the founding members of the Woodstock Artists Association with John F. Carlson, Frank Swift Chase, Carl Eric Lindin, and Henry Lee McFee. In 1922 Dasburg and Johnson divorced, and also at that time he began living most of the year in Santa Fe with Ida Rauh, spending the rest of the year in Woodstock and New York City. Dasburg became an active member of the Santa Fe and the Taos art colonies, befriending many artists and writers living in these communities, and remaining close friends with Mabel Dodge Luhan. Here he moved away from abstraction, and used the southwestern landscape as the inspiration for his paintings.

In 1928 he married Nancy Lane. When that marriage ended in 1932, he moved permanently to Taos, and with his third wife, Marina Wister, built a home and studio there. Dasburg periodically taught art privately and at the University of New Mexico. In 1937 he was diagnosed with Addison's disease, which left him unable to paint again until 1946. In 1945 he and his wife Marina separated. Dasburg was recognized for his career as an artist in a circulating retrospective organized by the American Federation of Arts in 1959. He also had retrospectives in Taos in 1966 and 1978. His artwork influence several generations of artists, especially in the southwest, and he continued creating art until his death in 1979 at the age of 92.

Grace Mott Johnson lived in the Johnson family home in Yonkers, New York during the 1920s and later moved to Pleasantville, New York. In 1924 she went to Egypt to study ancient Egyptian sculpture. During the 1930s she became a civil rights activist. She produced very little art during the last twenty years of her life.
Related Material:
Also found in the Archives of American Art are two oral history interviews with Andrew Dasburg, July 2, 1964 and March 6, 1974. Additional related collections at other repositories include the Andrew and Marina Wister Dasburg Papers at the New Mexico State Archives, the Andrew Dasburg Papers at Syracuse University Library, and the Grace Mott Johnson Papers at the Beinecke Rare Book and Manuscript Library, Yale University.
Separated Material:
The Archives of American Art also holds microfilm of material lent for microfilming. Reel 2803 contains photocopies of ten Morgan Russell letters to Dasburg. Reels 4276-4278 include biographical material, subject files, photographs, correspondence, writings, and exhibition material. The photocopies on reel 2803 were discarded after microfilming, and the items on 4276-4278 were returned to the lender. This material is not described in the collection container inventory.
Provenance:
The Andrew Dasburg and Grace Mott Johnson papers were donated by their son, Alfred Dasburg, in 1980. Syracuse Univresity lent materials for microfilming in 1978 and 1989.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Andrew Dasburg and Grace Mott Johnson papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artist colonies -- New York (State)  Search this
Artist colonies -- New Mexico  Search this
Painters -- New Mexico  Search this
Works of art  Search this
Sculptors -- New York (State)  Search this
Painters -- New York (State)  Search this
Genre/Form:
Poetry
Diaries
Sketchbooks
Photographs
Citation:
Andrew Dasburg and Grace Mott Johnson papers, 1833-1980 (bulk 1900-1980). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dasbandr
See more items in:
Andrew Dasburg and Grace Mott Johnson papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dasbandr
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Alma Thomas papers

Creator:
Thomas, Alma  Search this
Names:
Art in Embassies Program (U.S.)  Search this
Martha Jackson Gallery  Search this
Bader, Franz, 1903-1994  Search this
Breeskin, Adelyn Dohme, 1896-1986  Search this
Johnson, Nathalie J. Cole  Search this
Sarg, Tony, 1882-1942  Search this
Tarbary, Celine  Search this
Taylor, Joshua Charles, 1917-  Search this
Thomas, J. Maurice (John Maurice), 1900 or 1901-  Search this
Extent:
5.5 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Audiocassettes
Video recordings
Photographs
Date:
circa 1894-2001
Summary:
The papers of Washington, D.C. painter and art educator Alma Thomas, date from circa 1894-2001 and measure 5.5 linear feet. The papers document Thomas's work as a teacher, and her development and success as a painter of the Washington Color School, through biographical material, letters, notes and writings, personal business records, exhibition files, printed materials, scrapbooks, photographs, an audio recording, and two video recordings.
Scope and Contents note:
The papers of Washington, D.C. painter and art educator Alma Thomas, date from circa 1894-2001 and measure 5.5 linear feet. The papers document Thomas's work as a teacher, and her development and success as a painter of the Washington Color School, through biographical material, letters, notes and writings, personal business records, exhibition files, printed materials, scrapbooks, photographs, an audio recording, and two video recordings.

Biographical material includes identity cards, chronologies, an audio recording including a biographical account, and scattered documentation of Thomas's education and teaching careers with D.C. Public Schools, Howard University, and Thomas Garrett Settlement in Wilmington, Delaware. Also found are records relating to Thomas's participation in a summer marionette class taught by Tony Sarg in 1934, and a tour of European art centers which Thomas took in 1958.

Letters relate primarily to the exhibition of Thomas's work and related events and are from galleries, museums, other art institutions, colleagues, and friends including Franz Bader, Adelyn Breeskin, Corcoran Gallery of Art, Howard University Gallery of Art, Martha Jackson Gallery, Nathalie J. Cole Johnson, Vincent Melzac, Celine Tabary, and Joshua Taylor.

Notes and writings include four notebooks and autobiographical writings by Thomas, a "Birthday Book," and an annotated engagement calendar. J. Maurice Thomas's writings about Alma Thomas, her research for a bibliography on James Weldon Johnson, and writings by others, including Jacob Kainen, about Alma Thomas, are also found here.

Exhibition files contain a wide variety of documentation for many group and solo exhibitions of Thomas's work from the early 1950s through a 1998-2000 traveling retrospective exhibition, including solo exhibitions at the Whitney Museum of American Art and the Corcoran Gallery of Art in 1972. The records include letters from Franz Bader Gallery, David Driskell at Fisk University, and Vincent Melzac. Photographs include Thomas with individuals including William Buckner, Jeff Donaldson, David Driskell, James W. Herring, and Vincent Melzac. Also found is a photograph of the 1951 Little Paris Studio Group picturing Lois Mailou Jones, Celine Tabary, Alma Thomas, and others. Two video recordings are of events related to the 1998-2000 retrospective at the Fort Wayne Museum of Art and the Columbus Museum of Art. Records documenting a 1981-1982 exhibition at the Smithsonian National Museum of American Art, A Life in Art: Alma Thomas, includes the script of a video written by Adolphus Ealey.

Personal business records include price lists, gift and loan receipts, and files concerning the Art in Embassies Program, the Martha Jackson Gallery, a benefit auction for the Corcoran School of Art, and the designation of the Thomas family home in Washington, D.C. as a historic property.

Eleven scrapbooks document Thomas's teaching career through the activities of the art classes she taught at Shaw Junior High School.

Printed materials include announcements and catalogs for exhibitions and other events; clippings which document Thomas's career and subjects of interest to her; Christmas cards featuring block prints designed by Thomas; and other programs and publications featuring Thomas.

Photographs are of Alma Thomas, family, and friends and colleagues including Sam Gilliam, James V. Herring, and Nathalie V. Cole Johnson; art classes taught by Thomas; Thomas's homes in Columbus, Georgia and Washington, D.C.; and exhibitions not documented in Series 4: Exhibition Files, including photographs of Alma Thomas at an opening at Barnett Aden Gallery with Alonzo Aden and others.
Arrangement note:
The papers have been arranged into 8 series:

Series 1: Biographical Material, 1911-2001 (Box 1; 0.5 linear feet)

Series 2: Letters, circa 1930-2001 (Boxes 1-2; 0.6 linear feet)

Series 3: Notes and Writings, circa 1920s-circa 1998 (Box 2; 0.7 linear feet)

Series 4: Exhibition Files, 1951-2000 (Boxes 2-3, OV 7; 0.8 linear feet)

Series 5: Personal Business Records, circa 1950s-1994 (Box 3; 0.2 linear feet)

Series 6: Printed Material, circa 1908-2000 (Boxes 3-5, OV 7; 1.8 linear feet)

Series 7: Scrapbooks, 1930-1946 (Box 5; 0.3 linear feet)

Series 8: Photographs, circa 1894-2001 (Boxes 5-6; 0.6 linear feet)
Biographical/Historical note:
Washington, D.C. painter and art educator Alma Thomas (1891-1978) was known for her abstract paintings filled with dense patterns of color, and was considered a major artist of the Washington Color School.

Thomas was born in Columbus, Georgia, in 1894, and was the eldest of the four daughters of John Harris Thomas and Amelia Cantey Thomas. The family moved to Washington, D.C. in 1906 and Thomas was first introduced to art classes at Armstrong Technical High School. Following her graduation in 1911 she took a course in kindergarten teaching at the Miner Normal School, and subsequently worked as a substitute teacher in the Washington, D.C. public school system until 1914, when she took a teaching position on the Eastern shore of Maryland. From 1916 to 1923 she taught kindergarten at Thomas Garrett Settlement House in Wilmington, Delaware.

Thomas originally enrolled at Howard University in Washington, D.C. as a home economics major in 1921, but after studying under Lois Mailou Jones amd James V. Herring in Herring's newly established art department, she earned a Bachelor's degree in Fine Art in 1924, and became the first person to graduate from the program. Thomas then began her teaching career at Shaw Junior High School in Washington, D.C. that lasted from 1924, until her retirement in 1960. During this time she established community arts programs that would encourage her students to develop an appreciation of fine arts. Activities included marionette programs, distribution of student-designed holiday menu cards for dinners given for soldiers at the Tuskegee Veterans' Hospital, art clubs, lectures, and student exhibitions. In 1943 she became the founding vice president of Barnett Aden Gallery, which was established by James V. Herring and Alonzo Aden and was the first integrated gallery in Washington, D.C.

In 1934 Thomas earned an M.A. degree in Art Education from Columbia University. At American University in Washington, D.C., she studied creative painting under Joe Summerford, Robert Gates, and Jacob Kainen from 1950 to 1960, and began to break away from representational painting and experiment more seriously with Abstract Expressionism. In 1958 she participated in a tour of the art centers of Western Europe under the auspices of the Tyler School of Fine Arts at Temple University in Philadelphia.

Following her retirement from teaching in 1960, Thomas devoted herself full-time to painting, and continued to develop her signature style. She was inspired by nature and the desire to express beauty through composition and color, and refused to be constrained by societal expectations related to her race, gender, and age, achieving her greatest success in the last decade of her life. Her work was exhibited at the Dupont Theatre Art Gallery, Franz Bader Gallery, and the Howard University Gallery of Art, before she was honored in 1972 with exhibitions at the Whitney Museum of American Art and the Corcoran Gallery of Art in Washington, D.C.

Thomas's work has been exhibited at the White House and can be found in the permanent collections of major museums, including the Metropolitan Museum of Art, the National Museum of Women in the Arts, and the Smithsonian American Art Museum.
Separated Materials note:
In 1979, J. Maurice Thomas loaned papers for microfilming. Most, but not all, of the loaned material was later donated and is described in this finding aid. Loaned materials not donated at a later date are available on reels 1541-1543 and are not described in the container listing of this finding aid.
Provenance:
J. Maurice Thomas, the artist's sister, loaned portions of the collection for microfilming in 1979. Most, but not all of this material was then later donated in several accretions by J. Maurice Thomas, between 1979 and 2004. Charles Thomas Lewis, Thomas' nephew, gave additional papers in 2010.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Rights:
The Alma Thomas papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Painters -- Washington (D.C.)  Search this
Educators -- Washington (D.C.)  Search this
Topic:
Painting, American  Search this
African American artists  Search this
Women artists  Search this
Washington Color School (Group of artists)  Search this
Genre/Form:
Scrapbooks
Audiocassettes
Video recordings
Photographs
Citation:
Alma Thomas papers, circa 1894-2001. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.thomalma
See more items in:
Alma Thomas papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-thomalma
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Alma Thomas papers digital asset number 1
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