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American Artists Group records

American Artists Group  Search this
Ahgupuk, George Aden  Search this
Anderson, C. W. (Clarence William), 1891-1971  Search this
Avery, Ralph Hillyer, 1906-1976  Search this
Babcock, R. Fayerweather, 1887-1954  Search this
Bailey, Merrill A., 1909-  Search this
Bakós, Józef, 1891-1977  Search this
Barker, Ken, d. 1956  Search this
Behncke, Nile Jurgen, 1894-1954  Search this
Bemelmans, Ludwig, 1898-1962  Search this
Benton, Thomas Hart, 1889-1975  Search this
Bohrod, Aaron  Search this
Bolton, Clarence, 1893-1962  Search this
Botke, Cornelius, 1887-1954  Search this
Botke, Jessie Arms, 1883-1971  Search this
Boyd, Fiske, 1895-1975  Search this
Buff, Conrad, 1886-1975  Search this
Burchfield, Charles Ephraim, 1893-1967  Search this
Bye, Ranulph, 1916-2003  Search this
Cook, Howard Norton, 1901-1980  Search this
Cosgrave, John O'Hara, 1908-1968  Search this
Curry, John Steuart, 1897-1946  Search this
Davis, Gladys Rockmore, 1901-1967  Search this
Denison, Harold, 1887-1940  Search this
Detwiller, Fred  Search this
Dows, Olin, 1904-1981  Search this
Dubois, Yvonne Pène  Search this
Duvoisin, Roger, 1900-  Search this
Dwight, Mabel, 1876-1955  Search this
Eby, Kerr, 1890-1946  Search this
Eilshemius, Louis M. (Louis Michel), 1864-1941  Search this
Enright, Walter J. (Walter Joseph), 1879-1969  Search this
Fitzpatrick, Daniel Robert, 1891-1969  Search this
Freeman, Don, 1908-1978  Search this
Funk, Tom  Search this
Gaige, Richard  Search this
Ganso, Emil, 1895-1941  Search this
Golden, Samuel, 1895-1963  Search this
Golinkin, Joseph W. (Joseph Webster), 1896-  Search this
Gordon, Witold  Search this
Grant, Gordon, 1875-1962  Search this
Grant, Vernon, 1902-  Search this
Harmon, Jim  Search this
Hatfield, Dalzell, 1893-1963  Search this
Helik, Peter  Search this
Hopper, Edward, 1882-1967  Search this
Hunt, Peter, 1896?-1967  Search this
Huntley, Victoria Hutson, 1900-1971  Search this
Jacobs, Elmer, 1900-  Search this
Johnstone, Ralph Wilbur, 1911-  Search this
Kantor, Martha Ryther, 1896-1981  Search this
Karasz, Ilonka  Search this
Kent, Norman, 1903-1972  Search this
Kent, Rockwell, 1882-1971  Search this
King, Nettie  Search this
Kleiber, Hans, 1887-1967  Search this
Klitgaard, Georgina, 1889-1977  Search this
Kloss, Gene, 1903-  Search this
Komroff, Manuel, 1890-  Search this
Kotula, Jo  Search this
Kroll, Leon, 1884-1974  Search this
Kronengold, Adolph, 1900-  Search this
Kuehne, Max, 1880-1968  Search this
Lahey, Richard, b. 1893  Search this
Landacre, Paul, 1893-  Search this
Landon, Edward, 1911-1984  Search this
Latham, Barbara, 1896-1989  Search this
Laughlin, Margaret  Search this
Lederer, Wolfgang, 1912-  Search this
Lenski, Lois, 1893-  Search this
Lewicki, James  Search this
Loeffler, Gisella, 1900-  Search this
Luce, C. A.  Search this
Luneau, Omer Joachim, 1909-  Search this
Markham, Kyra, 1891-1967  Search this
Marsh, Reginald, 1898-1954  Search this
Mays, Maxwell, 1918-  Search this
Morris, Dudley, 1912-1966  Search this
Naegele, Thomas, 1924-  Search this
Nason, Thomas W. (Thomas Willoughby), 1889-1971  Search this
Nesbitt, Alexander, 1901-  Search this
Neufeld, Woldemar, 1909-2002  Search this
Neville, Vera  Search this
Newcombe, Warren, b. 1894  Search this
Newton, Edith Whittlesey, 1878-1962?  Search this
Nichols, Dale, 1904-  Search this
Nichols, Hobart, 1869-1962  Search this
Nicolett, Frank L., b. 1887  Search this
Nordmark, Olle, b. 1890  Search this
Orozco, José Clemente, 1883-1949  Search this
Pajaud, William E., 1925-  Search this
Paull, Grace, 1898-  Search this
Pellew, John C., 1903-  Search this
Pennoyer, A. Sheldon (Albert Sheldon), 1888-1957  Search this
Pescheret, Leon Rene, 1892-1961  Search this
Petroff, Gilmer, 1913-  Search this
Pike, John, 1911-1979  Search this
Pitz, Henry Clarence, 1895-1976  Search this
Plummer, Virginia  Search this
Poray, Stan, 1888-1948  Search this
Prentiss, Tina, 1905-  Search this
Prestopino, Gregorio  Search this
Rees, Rosalie, b. 1897  Search this
Reynard, Grant T., 1887-1968  Search this
Rogers, John, 1906-  Search this
Roland, Conrad  Search this
Ronnebeck, Arnold, 1885-1947  Search this
Rose, Ruth Starr, 1887-1965  Search this
Rosenberg, James N. (James Naumburg), b. 1874  Search this
Rosenthal, Doris Patty, 1889-1971  Search this
Ross, Sanford  Search this
Ruellan, Andrée, 1905-2006  Search this
Ruzicka, Rudolph, 1883-  Search this
Sample, Paul, 1896-1974  Search this
Santo, Patsy, b. 1893  Search this
Sawyer, Helen  Search this
Schaldach, William Joseph, 1896-  Search this
Schreiber, Georges, 1904-  Search this
Shane, Fred, 1906-  Search this
Sharp, John, 1911-  Search this
Sheeler, Charles, 1883-1965  Search this
Sheets, Millard, 1907-1989  Search this
Shelton, Alphonse Joseph, 1905-  Search this
Shepler, Dwight, 1905-  Search this
Shevis, William  Search this
Shokler, Harry, b. 1896  Search this
Sinclair, Gerrit Van W., 1890-1955  Search this
Slotnick, Mortimer H., 1920-  Search this
Smith, Bissell Phelps  Search this
Soderberg, Ynve Edward, 1896-1971  Search this
Sternberg, Harry, 1904-2001  Search this
Thieme, Anthony, 1888-1954  Search this
Ulreich, Nura Woodson  Search this
Vorst, Joseph Paul, b. 1897  Search this
Walker, Maynard  Search this
Warneke, Heinz (Heinrich), 1895-1983  Search this
Wengenroth, Stow, 1906-1978  Search this
Wheelock, Warren, 1880-1960  Search this
Whorf, John, 1903-1959  Search this
Wickey, Harry  Search this
Wiggins, Guy C. (Guy Carleton), 1883-1962  Search this
Wiggins, Myra Albert, 1869-1956  Search this
Wilson, Edward Arthur, 1886-1970  Search this
Woiceske, Ronau William, 1887-1953  Search this
Woodward, Stanley Wingate, 1890-1970  Search this
12 Microfilm reels
0.4 Linear feet (Unmicrofilmed)
Collection descriptions
Archival materials
Microfilm reels
Scope and Contents:
Correspondence, photographs, clippings, biographical data on artists, press notices, Christmas cards, and publications documenting the organization's attempt to provide a market for artists affected by the Depression by using original work for greeting cards.
REELS NAGI-NAG12: Correspondence is between Samuel Golden, director, and artists whose work was sought. Among the correspondents are George Ahgupuk, C.W. Anderson, Ralph Avery, R. Fayerweather Babcock, Merrill A. Bailey, Jozef Bakos, Ken Barker, Nile Jurgen Behncke, Ludwig Bemelmans, Thomas H. Benton, Aaron Bohrod, Clarence Bolton, Cornelius Botke, Jessie Arms Botke, Fiske Boyd, Conrad Buff, Charles E. Burchfield, Ranulph Bye, Howard N. Cook, John O'Hara Cosgrave, John Steuart Curry, Gladys R. Davis, Harold Thomas Denison, Frederick K. Detwiller, Olin Dows, Yvonne Pène Dubois, Roger Antoine Duvoisin, Mabel Dwight, Kerr Eby, Louis M. Eilshemius, W.J. Enright, Daniel R. Fitzpatrick, Don Freeman, Tom Funk, Richard Gaige, Emil Ganso, Joseph Webster Golinkin, Witold Gordon, Gordon Grant, Vernon Grant, Jim Harmon, Dalzell Hatfield, Peter Helik, Edward Hopper, Peter Hunt,
Victoria Hutson Huntley, Elmer Jacobs, Ralph Johnstone, Ilonka Karasz, Norman Kent, Rockwell Kent, Nettie King, Hans Kleiber, Georgina Klitgaard, Gene Kloss, Manuel Komroff, Jo Kotula, Leon Kroll, Adolf Kronengold, Max Kuehne, Richard Lahey, Paul Hambleton Landacre, Edward Landon, Barbara Latham, Margaret Laughlin, Wolfgang Lederer, Lois Lenski, James Lewicki, Gisella Loeffler, C. A. Luce, Omer Luneau, Kyra Markham, Reginald Marsh, Maxwell Mays, Dudley Morris, Thomas F. Naegele, Thomas W. Nason, Alexander Nesbitt, Vera Neville, Woldemar Neufeld, Warren Newcombe, Edith Newton, Dale Nichols, Hobart Nichols, Frank L. Nicolet, Olle Nordmark, Jose Clemente Orozco,
William E. Pajaud, Virginia Plummer, Grace Paull, John C. Pellew, A. Sheldon Pennoyer, Leon Pescheret, Gilmer Petroff, John Pike, Henry C. Pitz, Stan Poray, Tina Prentiss, Gregorio Prestopino, Rosalie Rees, Grant Reynard, John Rogers,Conrad Roland, Arnold Ronnebeck, Ruth Starr Rose, James N. Rosenberg, Doris Rosenthal, Sanford Ross, Andree Ruellan, Rudolph Ruzicka, Martha Ryther,Paul Sample, Patsy Santo, Helen Sawyer, William J. Schaldach, Georges Schreiber,Frederick Shane, John Sharp, Charles Sheeler, Millard Sheets, Alphonse Shelton, Dwight Shepler, William Shevis, Harry Shokler, Gerrit V. Sinclair, Mortimer Slotnick, Bissell Phelps Smith, Yngve Edward Soderberg, Harry Sternberg, Anthony Thieme, Nura Ulreich, Joseph P. Vorst, Maynard Walker, Heinz Warneke,Stow Wengenroth, John Whorf, Warren F. Wheelock, Harry H. Wickey, Guy Wiggins, Myra A. Wiggins, Edward A. Wilson, Ronau W. Woiceske, Stanley W. Woodward, and others.
UNMICROFILMED: A portfolio of 106 Christmas cards, with the evelopes and original packing materials, printed and distributed by the American Artists Group in 1935. This is a nearly complete set (missing only two cards) and the first set published by the group. Also included are three publications: "Handbook of the American Artists Group," 1935, "Original Etchings, Lithographs, and Woodcuts Published by the American Artists Group," 1937, and "Ten Years, A Christmas Card Adventure," ca. 1944
Biographical / Historical:
Greeting card company. Founded 1934; New York, N.Y. One of its aims was to popularize contemporary American art by publishing fine reproductions of original etchings, lithographs, drawings and paintings on greeting cards.
Materials on reels NAG1-12 lent for microfilming by the American Artists Group, 1966-1968. Unmicrofilmed material donated 1994 by Allen P. Golden, son of Samuel Golden who founded the American Artists Group.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Art -- Marketing -- New York (State) -- New York  Search this
Art -- Reproduction  Search this
Greeting cards industry  Search this
Greeting cards  Search this
Archival Repository:
Archives of American Art

Oral history interview with Merle Armitage

Armitage, Merle, 1893-1975  Search this
Loomis, Sylvia Glidden  Search this
New Deal and the Arts Oral History Project  Search this
American Institute of Graphic Arts  Search this
New Deal and the Arts Oral History Project  Search this
Public Works of Art Project  Search this
Public Works of Art Project (Calif.)  Search this
Bruce, Edward, 1879-1943  Search this
Hatfield, Dalzell, 1893-1963  Search this
Zornes, James Milford, 1908-2008  Search this
28 Pages (Transcript)
Collection descriptions
Archival materials
Sound recordings
1964 February 6
Scope and Contents:
An interview of Merle Armitage conducted 1964 February 6, by Sylvia Loomis, for the Archives of American Art.
Armitage speaks of his role as Public Works of Art Project regional chairman of Southern California, including his supervision of 126 artists involved in painting, drawing, sculpture, lithography and mural projects; experimental work in PWAP easel painting projects; censorship of subject matter in a mural for the Frank Wiggins Trade School; his opposition to government subsidized art programs; his impressions of Edward Bruce, Dalzell Hatfield, James Milford Zornes, and others associated with the PWAP. Armitage also speaks of the American Institute of Graphic Arts and contemporary book design.
Biographical / Historical:
Merle Armitage (1893-1975) was an art administrator and graphic artist of Santa Fe, New Mexico.
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav file. Duration is 48 min.
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Transcript: Patrons must use microfilm copy.
Art and state  Search this
Federal aid to the arts -- California  Search this
Art -- Censorship  Search this
Arts administrators -- California -- Interviews  Search this
Graphic artists -- California -- Interviews  Search this
Sound recordings
Archival Repository:
Archives of American Art

Oral history interview with Millard Sheets

Sheets, Millard, 1907-1989  Search this
Karlstrom, Paul J.  Search this
Chouinard Art Institute (Los Angeles, Calif.)  Search this
Chamberlin, F. Tolles (Frank Tolles), 1873-1961  Search this
Feitelson, Lorser, 1898-1978  Search this
Hatfield, Dalzell, 1893-1963  Search this
Lebrun, Rico, 1900-1964  Search this
Modra, Theodore B., 1873-1930  Search this
167 Pages (Transcript)
Collection descriptions
Archival materials
Sound recordings
1986 October-1988 July
Scope and Contents:
An interview with Millard Sheets conducted 1986 October-1988 July, by Paul Karlstrom, for the Archives of American Art.
Sheets speaks of his childhood and early education; attending Chouinard Art Institute and being influenced by instructor F. Tolles Chamberlin; teaching at Scripps College Foundation of Art from 1931 to 1955; the beginnings of the California Watercolor Society; his painting career; his thoughts on Southern California Modernism; the growth and development of California art; artists including Lorser Feitelson and Rico Lebrun; designing forty buildings for Howard Ahmanson from the 1950s through the 1970s; his relationships with art critics; his involvement with architecture and design; and his philosophy as an art teacher. He recalls Theodore Modra and Dalzell Hatfield.
Biographical / Historical:
Millard Sheets (1907-1989) was a painter, educator, designer, and mural painter from California.
Originally recorded on 8 sound cassettes. Reformatted in 2010 as 16 digital wav files. Duration is 8 hr., 13 min.
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Transcript available on the Archives of American Art website.
Art, Modern -- 20th century -- United States  Search this
Art -- Study and teaching -- California  Search this
Painting, Modern -- 20th century -- California  Search this
Painters -- California -- Interviews  Search this
Designers -- California -- Interviews  Search this
Educators -- California -- Interviews  Search this
Muralists -- California -- Interviews  Search this
Watercolorists -- California -- Interviews  Search this
Sound recordings
Archival Repository:
Archives of American Art

Oral history interview with Russell Cowles

Cowles, Russell, 1887-1979  Search this
Cummings, Paul  Search this
Cox, Kenyon, 1856-1919  Search this
Cumming, Charles Atherton, 1858-1932  Search this
Dasburg, Andrew, 1887-1979  Search this
Faulkner, Barry, 1881-1966  Search this
Hatfield, Dalzell, 1893-1963  Search this
Volk, Douglas , 1856-1935  Search this
32 Pages (Transcript)
Collection descriptions
Archival materials
Sound recordings
1969 April 16
Scope and Contents:
An interview of Russell Cowles conducted 1969 April 16, by Paul Cummings, for the Archives of American Art. Cowles speaks of growing up in Iowa; Iowa landscapes; his education; working in Charles Cumming's studio; his studies at the Art Students League and the National Academy of Design; working as an assistant to Barry Faulkner; his Prix De Rome fellowship, 1915-1920; his travels to China, Japan, Java and elsewhere; the Santa Fe art colony in the 1930s; dealers; his photographs; representational painting; his reaction to the Armory Show of 1913; his reading tastes; painting from memory. He recalls Kenyon Cox, Andrew Michael Dasburg, Dalzell Hatfield, and Douglas Volk.
Biographical / Historical:
Russell Cowles (1887-1979) was a painter, New York, New York.
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 41 min.
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Painters -- New York (State) -- Interviews  Search this
Sound recordings
Archival Repository:
Archives of American Art

Erle Loran papers

Loran, Erle, 1905-1999  Search this
Fine Arts Museums of San Francisco  Search this
Friends of Ethnic Art  Search this
San Francisco Art Institute  Search this
University of California, Berkeley -- Faculty  Search this
Bearden, Romare, 1911-1988  Search this
Cézanne, Paul, 1839-1906  Search this
Dasburg, Andrew, 1887-1979  Search this
Greenberg, Clement, 1909-1994  Search this
Haley, John, 1905-1991  Search this
Hartley, Marsden, 1877-1943  Search this
Hatfield, Dalzell, 1893-1963  Search this
Hofmann, Hans, 1880-1966  Search this
Levinson, Harry  Search this
Sabean, Samuel  Search this
Schaefer, Bertha, 1895-1971  Search this
Still, Clyfford, 1904-  Search this
Wilke, Ulfert, 1907-1987  Search this
12.6 Linear feet
Collection descriptions
Archival materials
The papers of California painter, writer, and teacher Erle Loran measure 12.6 linear feet and date from 1912 to 1991. Found are biographical materials; two linear feet of personal and professional correspondence; personal business records; writings which include extensive drafts and notes for Loran's book Cezanne's Composition; over 400 items of artwork that include watercolors, drawings, charcoal, and pastel studies; printed materials; photographs of Loran, family, and friends, and artwork; and one audio recording of a lecture by Loran on Cezanne.
Scope and Content Note:
The papers of California painter and teacher Erle Loran measure 12.6 linear feet and date from 1912 to 1991. Found are biographical materials; two linear feet of personal and professional correspondence; personal business records; writings which include extensive drafts and notes for Loran's book Cezanne's Composition; over 400 items of artwork that include watercolors, drawings, charcoal, and pastel studies; printed materials; photographs of Loran, family, and friends, and artwork; and one audio recording of a lecture by Loran on Cezanne.

Biographical materials include biographical sketches, curriculum vita, a will, notes and a notebook, and an appointment book for 1987. Also found is an anniversary invitation, a certificate from the University of California, and the Pepsi-Cola award for 1948.

Two linear feet of correspondence is with artists, critics, galleries, and universities. Correspondents inlcude Romare Bearden, Andrew Dasburg, Clement Greenberg, John Haley, Dalzell Hatfield, Hans Hofmann, Harry Levinson (president of Permanent Pigments), Sam Sabean, Bertha Schaefer, Clyfford Still, and Ulfert Wilke. There is also correspondence with the University of California.

Personal business records include exhibition files, price and consignment lists, teaching materials, University of California Press records, and records relating to the publication of his book on Cézanne. Some of these records also document Loran's involvement with the Fine Arts Museum, Friends of Ethnic Arts, and the San Francisco Art Institute. In addition, there are records related to Loran's role in a donation of forty-five paintings by Hans Hofmann to the University Art Center. Also found are materials related to Loran's activities as an art collector including sales receipts, auction catalogs, and photographs of artwork owned by Loran.

Writings by Loran include a complete manuscript version of Cézanne's Composition along with additional notes and drafts, and numerous other short essays on Cézanne's life and art. Loran's other writings include essays about Hans Hofmann, Marsden Hartley, symbology in abstract art, and contemporary art.

Loran's career as an artist is extensively documented by four linear feet of original artwork, mostly preliminary sketches. The work demonstrates a variety of techniques including watercolor, pastel, pencil, pen, gouache, and oil sketches. Content includes landscapes, portraits, fantasy scenes, urban scenes, and rural scenes.

Printed materials include extensive newsclippings from seven decades, exhibition announcements, and exhibition catalogs. Photographs are of Loran, his second wife Clyta, the Loran family, friends and colleagues, artwork, and source materials. Also found within the papers is an audio recording on cassette of a lecture by Loran on Cézanne.
The collection is arranged into 8 series:

Series 1: Biographical Materials, 1930s-1990s (Box 1; 0.25 linear feet)

Series 2: Correspondence, 1912-1992 (Boxes 1-3; 2.0 linear feet)

Series 3: Personal Business Records, 1930s-1992 (Box 3; 0.25 linear feet)

Series 4: Writings, 1921-1999 (Boxes 3-4; 1.25 linear feet)

Series 5: Artwork, 1920s-1980s (Boxes 4-8, 13-14; 4.3 linear feet)

Series 6: Printed Material, 1925-1999 (Boxes 8-10, 14; 2.3 linear feet)

Series 7: Photographs, 1910s-1990s (Boxes 10-12, 14; 2.5 linear feet)

Series 8: Audio Recording, 1982 (Box 12; 1 folder)
Biographical Note:
California painter, writer, and teacher Erle Loran was born on October 2, 1905 in Minneapolis, Minnesota. He attended the Minneapolis School of Art and graduated in 1926. That same year, Loran won the Paris Prize from the Chaloner Foundation which enabled him to study in France for the next three years. Here, he immersed himself into the world of Paul Cezanne. He lived for two years in Cézanne's studio, meeting many who knew Cezanne, including painter Emile Bernard, and art dealer Ambroise Vollard. This experience was critical to the development of Loran's artistic vision and his later writings and lectures about Cézanne.

In 1929, Loran returned to the United States, and published the article "Cézanne's Country" in The Arts in 1930. He then spent the early 1930s in Minnesota, after returning to Minneapolis to be treated for tuberculosis. There, Loran began to paint in a regionalist style, producing landscapes and scenes of life in rural Minnesota. In 1931, Loran was given his first one-man show at the Kraushaar Gallery in New York. During the depression, Loran began teaching art and was given painting commissions as part of the federal arts programs of the WPA.

Loran moved to California in 1937 and accepted a position as professor in the art department at the University of California, Berkeley. There he taught until retiring in 1973, serving as the department's chair in the 1950s. He established a program to invite east coast artists to teach at the university, and participants included Conrad Marca-Relli and Milton Resnick. Loran's students included Jay DeFeo, Richard Diebenkorn, and Sam Francis. In 1941 Loran began to write the synthesis of his research and interpretations about Cézanne's work, culminating in his pioneering book Cézanne's Composition published in 1943 by the University of California Press.

During this period Loran associated himself with modernist Hans Hofmann. Loran's early paintings were lyrical abstractions in primary colors; however, his style constantly changed with the times. Watercolor was Loran's medium of choice because it lent itself to his often-remote plein air locations, such as the ghost towns of California and Nevada. With John Haley and Worth Ryder he formed the "Berkeley Group," whose paintings consisted of scenes of the California and southwestern landscape painted in flat, open areas of color. During the war, painting in the open became increasingly difficult and Loran transitioned from plein-air painting to studio work. Shortly thereafter he began to focus his painting on abstraction.

Loran's artwork during the 1950s consisted primarily of abstractions based on natural forms like crystal and driftwood. In 1955, he spent six weeks studying with Hans Hofmann, whom he later called, along with Cézanne, a second "great father figure." In 1960, he was instrumental in securing a gift of forty-five paintings by Hans Hofmann for Berkeley's University Art Center. In the late 1960s, his work became a fusing of Op, Pop, and Hard Edge. From this he moved to figurative painting and later to geometric designs and symbols.

Loran continued to paint throughout the rest of his life in a variety of styles, including nudes, abstractions, and landscapes. Besides being an artist and a teacher, Loran was also a lifelong collector of ethnic art who specialized in African, Asian, Native American, and pre-Columbian tribal art. Many works from his collection are presently housed at the de Young Museum in San Francisco. Loran died in 1999 in Berkeley, at the age of 93.
Related Material:
Found in the Archives of American Art is an oral history interview with Erle Loran conducted by Herschel Chipp, June 18, 1981, and a 1981 interview with Erle and Clyta Loran in the Fine Arts Museums of San Francisco Interviews With Artists collection. Also found is a letter from Loran to Richard Wattenmaker, 1975.
Separated Material:
The Archives of American Art also holds material lent for microfilming (reel 906) including photographs of artwork by Erle Loran and two clippings of reproductions of Loran's artwork. Lent materials were returned to the lender and are not described in the collection container inventory.
Erle Loran lent the Archives of American Art materials for microfilming and donated papers in 1975. In 1999 Mrs. Ruth Schora-Loran, Loran's widow, donated additional material, including artworks.
Use of original papers requires an appointment.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Art teachers -- California -- Berkeley  Search this
Painters -- California -- Berkeley  Search this
Art, Abstract  Search this
Art -- Collectors and collecting -- California -- San Francisco Bay Area  Search this
Painting, Modern -- 20th century -- California -- Berkeley  Search this
Art, Modern -- 20th century  Search this
Erle Loran Papers, 1912-1999. Archives of American Art, Smithsonian Institution.
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