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Millard Meiss Papers

Creator:
Meiss, Millard, 1904-1975  Search this
Names:
American Committee for the Restoration of Italian Monuments  Search this
College Art Association (U.S.)  Search this
Committee to Rescue Italian Art  Search this
Institute for Advanced Study (Princeton, N.J.)  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Princeton University  Search this
Gombrich, E. H. (Ernst Hans), 1909-2001  Search this
Lavin, Irving, 1927-  Search this
Nordenfalk, Carl Adam Johan, 1907-  Search this
Panofsky, Dora Mosse  Search this
Panofsky, Erwin, 1892-1968  Search this
Extent:
11.4 Linear feet
Type:
Collection descriptions
Archival materials
Date:
circa 1918-circa 1977
bulk 1950-1975
Summary:
The papers of art historian, writer, and educator Millard Meiss measure 11.4 linear feet and date from circa 1918 to circa 1977, with the bulk of the material dating from 1950 to 1975. The papers are comprised of biographical material, correspondence, writing projects and lectures, and professional files that document his post World War II work as chairman of the American Committee for the Restoration of Italian Monuments, among other work.
Scope and Contents:
The papers of art historian, writer, and educator Millard Meiss measure 11.4 linear feet and date from circa 1918 to circa 1977, with the bulk of the material dating from 1950 to 1975. The papers are comprised of biographical material, correspondence, writing projects and lectures, and professional files that document his post World War II work as chairman of the American Committee for the Restoration of Italian Monuments, among other work.

Biographical material includes various awards and honorary degrees received; a bibliography of published and unpublished books, articles, essays, and editing projects by Meiss; memorial materials and obituaries for Meiss as well as for Dora and Erwin Panofsky (to whom he was close); and resumes and education materials among other files.

Correspondence is predominantly professional in nature and is with colleagues, peers, museums, and institutions. Some correspondents include Ernst Gombrich, Irving Lavin, Carl Nordenfalk, and Erwin Panofsky, among many others.

Writing project and lecture files document Meiss's work on numerous published and unpublished articles and book projects, and lectures. Books include The Boucicaut Hours, De Artibud Opscula XL: Essays on Erwin Panofsky, French Painting in the Time of Jean de Berry, and Painting in Florence and Siena, among many other works. Files contain manuscripts, notes, book proposals, reviews, correspondence, and clippings.

Professional files document the many committees, institutions, and organizations in which Meiss was involved, including the American Committee for the Restoration of Italian Monuments, Committee to Rescue Italian Art, and International Committee of the History of Art. Also included are general files on The Art Bulletin, College Art Association, Institute for Advanced Study, Metropolitan Museum of Art, and Princeton University, among others.
Arrangement:
This collection is arranged as 4 series:

Series 1: Biographical Material, circa 1918-circa 1977 (0.3 linear feet; Box 1)

Series 2: Correspondence, circa 1936-circa 1977 (4.3 linear feet; Boxes 1-5)

Series 3: Writings Projects and Lectures, circa 1934-circa 1975 (2.4 linear feet; Boxes 5-8)

Series 4: Professional Files, circa 1933-circa 1975 (4.4 linear feet; Boxes 8-12)
Biographical / Historical:
Millard Meiss (1904-1975) was an art historian and educator whose expertise was medieval and Renaissance art. He taught at Columbia University and Princeton, and was a curator at the Fogg Museum for four years. Following World War II, Meiss served as chairman of the American Committee for the Restoration of Italian Monuments until 1951.

Millard Meiss received a B. A. from Princeton University in 1926, and a Ph. D. from New York University in 1933. He was a professor of fine arts and archaeology at Columbia University from 1934-1953. In 1954, Meiss accepted the position of professor of fine arts and curator of paintings at the Fogg Art Museum at Harvard University. In 1958, he returned to Princeton, New Jersey to become professor of art history at the Institute for Advanced Study, where he remained for the rest of his career.

While at Columbia University, Meiss acted as editor-in-chief of The Art Bulletin, and also stayed on the editorial board for the next thirty-three years until his death in 1975. Throughout his career, Meiss edited several leading art journals, and wrote numerous articles and books on medieval and Renaissance painting, including Painting in Florence and Siena after the Black Death (1951), and his multi-volume French Painting in the Time of Jean de Berry (1967-1974), as well as many others.

In addition to serving as chairman of the American Committee for the Restoration of Italian Monuments after World War II, Meiss organized the Committee to Rescue Italian Art in 1966 after the flood of the Arno River in Italy. He worked to help organize the first meeting in the United States of the International Congress of the History of Art and served as president and vice-president. He was actively involved in the College Art Association of America.

Meiss was a member of many arts and scholarly organizations in Europe and the United States including the Accademia delle Arti del Disegno, Accademia Senese degli Intronati, Accademia Clementina, Accademia Toscana Colombaria, Accademia Nazionale dei Lincei, American Philosophical Society, British Academy, and the Société des Antiquaires de France. In addition, he was a Fellow of the Mediaeval Academy of America and the American Academy of Arts and Sciences, as well as an honorary trustee of the Metropolitan Museum of Art.

Meiss was also the recipient of many awards, including the Wanamaker English Prize, 1925; Haskins Medal from the Mediaeval Academy of America, 1953; Lewis Prize from the American Philosophical Society, 1967; Morey Award from the College Art Association of America, 1969, and posthumously in 1976; and the Art Dealers Association of America Award, 1974.
Provenance:
The Millard Meiss papers were donated to the archives in 1976 and 1986 by Meiss's widow Margaret L. Meiss.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Millard Meiss papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Educators -- New Jersey  Search this
Authors -- New Jersey  Search this
Topic:
Painting -- Italy  Search this
Painting -- France  Search this
Art historians -- New Jersey -- Princeton  Search this
Citation:
Millard Meiss papers, circa 1918-circa 1977, bulk 1950-1975. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.meismill
See more items in:
Millard Meiss Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-meismill

Richard E. Filipowski papers

Creator:
Filipowski, Richard, 1923-2008  Search this
Names:
Bauhaus  Search this
Boston Arts Festival  Search this
Harvard University -- Faculty  Search this
Institute of Design (Chicago, Ill.)  Search this
Massachusetts Institute of Technology -- Faculty  Search this
Agoos, Herbert M., 1915-1992  Search this
Anderson, Lawrence B. (Lawrence Bernhart)  Search this
Belluschi, Pietro, 1899-1994  Search this
Davis, Stuart, 1892-1964  Search this
Eckbo, Garrett  Search this
Gropius, Walter, 1883-1969  Search this
Kepes, Gyorgy, 1906-2001  Search this
Kepes, Gyorgy, 1906-2001  Search this
Moholy-Nagy, László, 1895-1946  Search this
Extent:
4.1 Linear feet
Type:
Collection descriptions
Archival materials
Christmas cards
Photographs
Sketchbooks
Sketches
Slides (photographs)
Sound recordings
Date:
circa 1940-1998
Summary:
The papers of Massachusetts-based designer, sculptor, painter, filmmaker, and educator Richard E. Filipowski measure 4.1 linear feet and date from circa 1940 to 1998. The papers document his career through biographical material, correspondence, writings, teaching files, project files, printed material, photographic material, artwork, and a sound recording.
Scope and Contents:
The papers of Massachusetts-based designer, sculptor, painter, filmmaker, and educator Richard E. Filipowski measure 4.1 linear feet and date from circa 1940 to 1998. The papers document his career through biographical material, correspondence, writings, teaching files, project files, printed material, photographic material, artwork, and a sound recording.

Biographical material consists of a Bauhaus questionnaire, marriage license, various identification documents, Canadian selective service documents, resumes, and other miscellaneous material.

Correspondence mostly relates to Filipowski's teaching and sculpture, including letters from Herbert M. Agoos, Lawrence B. Anderson, Pietro Belluschi, Stuart Davis, Garrett Eckbo, Walter Gropius, Gyorgy Kepes, Laszlo Moholy-Nagy, and others.

Writings consist of Filipowski's lectures on art, notes, and other material. There is also one sound recording of a lecture.

Teaching files are mostly from the Institute of Design, Harvard University, and Massachusetts Institute of Technology. The series includes syllabi, faculty meeting minutes, notes and drafts for lectures, school catalogs and schedules, and files on student exhibitions and projects, including two films, Do Not Disturb and Hearts and Arrows.

Project files contain correspondence, business records, printed material, sketches and photographs on commissions in architecture, sculpture and furniture design. There are also files on programs which Filipowski assisted in planning and organizing, including the Boston Art Festival and a few exhibitions.

Printed material consists of exhibition catalogs, announcements, and clippings mostly about Filipowski.

Photographs, slides, and negatives are of Filipowski and others, sculpture, furniture designs, and works of art by his students from Harvard and MIT.

Art work includes sketches, sketchbooks, cardboard studies for sculptures, and Christmas card designs.
Arrangement:
This collection is arranged as eight series.

Series 1: Biographical Material, 1941-1974 (Box 1; 7 folders)

Series 2: Correspondence, 1941-1998 (Box 1, OV 6; 0.6 linear feet)

Series 3: Writings, 1951-1969 (Box 1; 0.4 linear feet)

Series 4: Teaching Files, 1943-1970 (Box 2, OV 6; 0.7 linear feet)

Series 5: Project Files, 1944-1976 (Boxes 2-3, OV 6-7; 0.6 linear feet)

Series 6: Printed Material, 1941-1989 (Box 3, OV 7; 0.4 linear feet)

Series 7: Photographic Material, circa 1940-1989 (Boxes 3-4, OV 8; 0.7 linear feet)

Series 8: Artwork, circa 1940-circa 1985 (Boxes 4-5, OV 6, 8; 0.7 linear feet)
Biographical / Historical:
Richard E. Filipowski (1923-2008) was a designer, sculptor, painter, filmmaker and educator mostly based in Massachusetts. Richard Filipowski was born in Poland in 1923 and he and his family moved to Ontario, Canada in 1927. He studied under Laszlo Moholy-Nagy at the Institute of Design (formerly known as the New Bauhaus) from 1942 to 1946 and taught there after graduating, 1946-1950. Filipowski was invited by Walter Gropius to organize and teach Design Fundamentals at Harvard University's Graduate School of Design where he stayed until 1952. He then taught as an Associate Professor of Visual Design in the Department of Architecture at the Massachusetts Institute of Technology, 1953-1989.

Filipowski also took on numerous commissions for sculptures and artwork. One especially noteworthy commission was a sculpture for an Ark created for the Temple B'Rith Kodesh in Rochester, New York. The sculpture was intricately wrought and welded from bronze and silver alloys and it remained a source of inspiration for other later sculptures and commissions which had a similar style of metal-working. Many of his works were also marked by his Bauhaus training. Filipowski passed away in 2008.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Richard E. Filipowski conducted by Roger Brown on September 25, 1989 through March 14, 1990.
Provenance:
The papers were donated to the Archives of American Art by Richard E. Filipowski in multiple installments from 1989 to 1998.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Design -- Study and teaching  Search this
Topic:
Art -- Study and teaching  Search this
Art and industry  Search this
Art commissions  Search this
Art festivals  Search this
Art teachers -- Massachusetts  Search this
Design, Industrial  Search this
Designers--Massachusetts  Search this
Educators -- Massachusetts  Search this
Filmmakers--Massachusetts  Search this
Industrial designers  Search this
Painters -- Massachusetts  Search this
Painting, Modern -- 20th century  Search this
Sculptors--Massachusetts  Search this
Genre/Form:
Christmas cards
Photographs
Sketchbooks
Sketches
Slides (photographs)
Sound recordings
Citation:
Richard E. Filipowski papers, circa 1940-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.filirich
See more items in:
Richard E. Filipowski papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-filirich

Benjamin F. Curtis papers, 1910-1925

Creator:
Curtis, Benjamin F.  Search this
Subject:
Potter, Louis McClellan  Search this
Sargent, John Singer  Search this
Fleischner, Otto  Search this
Eliot, Charles William  Search this
Gardner, Isabella Stewart  Search this
Parker, John A. (John Albert)  Search this
United States. National Park Service  Search this
Curtis & Cameron, Inc  Search this
Record number:
(DSI-AAA_CollID)6595
(DSI-AAA_SIRISBib)215899
AAA_collcode_curtbenj
Theme:
Lives of American Artists
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215899

Harvard University, Arnold Arboretum

Collection Creator::
Smithsonian Institution. International Exchange Service  Search this
Container:
Box 13 of 37
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 509, Smithsonian Institution, International Exchange Service, Records
See more items in:
Records
Records / Box 13
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0509-refidd1e10228

Harvard University, General

Collection Creator::
Smithsonian Institution. International Exchange Service  Search this
Container:
Box 13 of 37
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 509, Smithsonian Institution, International Exchange Service, Records
See more items in:
Records
Records / Box 13
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0509-refidd1e10239

Harvard University, Law School

Collection Creator::
Smithsonian Institution. International Exchange Service  Search this
Container:
Box 13 of 37
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 509, Smithsonian Institution, International Exchange Service, Records
See more items in:
Records
Records / Box 13
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0509-refidd1e10250

Harvard University, Library

Collection Creator::
Smithsonian Institution. International Exchange Service  Search this
Container:
Box 13 of 37
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 509, Smithsonian Institution, International Exchange Service, Records
See more items in:
Records
Records / Box 13
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0509-refidd1e10262

Harvard University, Medical School

Collection Creator::
Smithsonian Institution. International Exchange Service  Search this
Container:
Box 13 of 37
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 509, Smithsonian Institution, International Exchange Service, Records
See more items in:
Records
Records / Box 13
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0509-refidd1e10273

Harvard University, Museum of Comparative Zoology

Collection Creator::
Smithsonian Institution. International Exchange Service  Search this
Container:
Box 13 of 37
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 509, Smithsonian Institution, International Exchange Service, Records
See more items in:
Records
Records / Box 13
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0509-refidd1e10284

Harvard University, Observatory

Collection Creator::
Smithsonian Institution. International Exchange Service  Search this
Container:
Box 13 of 37
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 509, Smithsonian Institution, International Exchange Service, Records
See more items in:
Records
Records / Box 13
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0509-refidd1e10295

Harvard University, Peabody Museum

Collection Creator::
Smithsonian Institution. International Exchange Service  Search this
Container:
Box 13 of 37
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 509, Smithsonian Institution, International Exchange Service, Records
See more items in:
Records
Records / Box 13
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0509-refidd1e10306

Peabody Museum of Archaeology and Ethnology, Harvard University

Collection Creator::
Smithsonian Institution. International Exchange Service  Search this
Container:
Box 19 of 37
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 509, Smithsonian Institution, International Exchange Service, Records
See more items in:
Records
Records / Box 19
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0509-refidd1e14221

Peabody Museum of Harvard University

Collection Creator::
Smithsonian Institution. International Exchange Service  Search this
Container:
Box 8 of 21
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 502, Smithsonian Institution, International Exchange Service, Records
See more items in:
Records
Records / Series 1: Director's domestic correspondence, arranged alphabetic by organization/person. / Box 8
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0502-refidd1e24994

Harvard University

Collection Creator::
Smithsonian Institution. International Exchange Service  Search this
Container:
Box 1 of 3
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 99-038, Smithsonian Institution, International Exchange Service, Records
See more items in:
Records
Records / Box 1
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa99-038-refidd1e1142

Olin Dows letters

Creator:
Dows, Olin, 1904-1981  Search this
Names:
American Federation of Arts  Search this
Treasury Relief Art Project  Search this
United States. Department of the Treasury  Search this
Bruce, Edward, 1879-1943  Search this
Sterne, Maurice, 1878-1957  Search this
Watson, Forbes, 1880-1960  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1938-1949
Summary:
This small collection of letters to and from painter and arts administrator Olin Dows measures 0.2 linear feet and dates from 1938 to 1949. The letters primarily document his work as director of the Treasury Relief Art Project, as an admistrator for the American Federation of Arts, and his work as a war artist. Much of the correspondence is with arts administrators Edward Bruce and Forbes Watson.
Scope and Content Note:
This small collection of letters to and from painter and arts administrator Olin Dows measures 0.2 linear feet and dates from 1938 to 1949. The letters primarily document his work as director of the Treasury Relief Art Project, as an admistrator for the American Federation of Arts, and his work as a war artist. Much of the correspondence is with arts administrators Edward Bruce and Forbes Watson.

Much of the correspondence is from 1941. Also of note is correspondence relating to the controversy over one of Maurice Sterne's murals for the Justice Department in 1940 and efforts to form a "Corps of Pictorial War Correspondents" in 1942. Some letters include attached documents including exhibition lists, announcements, news clippings, and reports.
Arrangement:
The collection is arranged as 1 series:

Series 1: Olin Dows Letters, 1938-1949 (Box 1; 0.2 linear feet)
Biographical Note:
Olin Dows (1904-1981) was a painter and arts administrator; he primarily lived and worked in Rhinebeck, New York. Dows was born in Irvington-on-Hudson, NY. He graduated from Harvard University in 1926 and also studied at the Yale School of Fine Arts. In 1935 he was appointed director of the Treasury Relief Art Project, funded by the Works Progress Administration. In 1938 he painted a series of murals for the post office in Rhinebeck, NY, and in 1941 painted murals for the post office in Hyde Park, NY. From 1938 to 1941 Dows was on the Board of Directors of the American Federation of Arts. In 1942 he enlisted in the Army Engineers Corps and was commissioned as a war artist, covering the European Theater of Operations. An exhibit of works produced by this project was held in 1944, entitled "The Army at War." Dows was discharged from the army in 1945. A book of his watercolors, Franklin Roosevelt at Hyde Park, was published in 1949.
Related Material:
Also at the Archives of American Art is an interview of Olin Dows conducted on October 31, 1963, by Harlan Phillips.
Provenance:
Letters were donated in 1962 by Olin Dows; the provenance of one letter (on microfilm reel 2803) is unknown.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Olin Dows letters are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Federal aid to the arts  Search this
Art and state  Search this
Mural painting and decoration, American -- Washington (D.C.)  Search this
Arts administrators  Search this
Citation:
Olin Dows letters, 1938-1949. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dowsolin
See more items in:
Olin Dows letters
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dowsolin

Arthur Coleman Danto papers

Creator:
Danto, Arthur Coleman, 1924-  Search this
Extent:
0.8 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1979-1998
Scope and Contents:
Correspondence; notes; writings; articles; exhibition announcements and invitations; catalog; printed matter; and monographs. Letters from artists, Audrey Flack, Guerilla Girls, Dick Higgins, Robert Mangold, Cindy Sherman, among others, 1981-1997. Numerous letters from Robert Motherwell; a booklet, L'Humanisme De L'Abstraction" by Robert Motherwell, inscribed: "For Arthur Danto With Great Esteem, Robert Motherwell," 1991 (text in French). Typescripts (and chapter drafts) for The Transfiguration of the Commonplace, 1979, and The State of the Art 1987; and miscellaneous writings, 1988-1989. Also included are THE TRANSFIGURATION OF THE COMMONPLACE, (Cambridge: Harvard University Press, 1981), and THE STATE OF THE ART, (NY: Prentice Hall Press, 1987).
Biographical / Historical:
Art critic; New York, N.Y. Danto was Johnsonian Professor of Philosophy at Columbia University. Since 1984, he has been art critic for The Nation.
Provenance:
Donated 1998 by Arthur C. Danto.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Art critics  Search this
Artists -- United States  Search this
Topic:
Art criticism  Search this
Art, Modern -- United States  Search this
Identifier:
AAA.dantarth
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dantarth

Benjamin F. Curtis papers

Creator:
Curtis, Benjamin F.  Search this
Names:
Curtis & Cameron, Inc  Search this
United States. National Park Service  Search this
Eliot, Charles William, 1834-1926  Search this
Fleischner, Otto, d. 1939  Search this
Gardner, Isabella Stewart, 1840-1924  Search this
Potter, Louis McClellan, 1873-1912  Search this
Sargent, John Singer, 1856-1925  Search this
Donor:
Parker, John A. (John Albert)  Search this
Extent:
16 Items ((partially filmed on 1 microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1910-1925
Scope and Contents:
Miscellaneous letters and photographs from the files of art photographer Benjamin F. Curtis of the firm of Curtis & Cameron, Inc. The items mainly relate to portrait painter John Singer Sargent.
Included are two letters to Curtis from Charles W. Eliot, President of Harvard University, February 26 and March 2, 1925, regarding portraits of him by painters John Singer Sargent and Louis Potter, and a photo of each portrait, 1910 and undated, (one taken by Curtis & Cameron, Inc.). Eliot requests that Curtis' print of Sargent's portrait of him not be used in publication as it "looks to me like a picture of a complacent fop seven feet tall" and that he prefers Charles Hopkinson's portrait instead. Of the Louis Potter bust, he writes "my family say unanimously that it is a good looking man but that it is not I."
Also included are two letters, undated, from Isabella Stewart Gardner (another of Sargent's sitters) to "Dear Sir" and "Dear Mr. Sears"; an undated letter (plus typescript) to Mr. [Otto] Fleischner, Assistant Librarian of the Boston Public Library, from Sargent regarding a complaint about his murals in the library, writing that he does not want to get into an argument with a woman who considers his murals "a bewildering, crowded, rotten world of dogmas, distress and medievalism"; four photographs of Sargent, including a portrait of him at age eight, Sargent receiving an honorary doctorate at Harvard University in 1916, and one dated 1925, Montreal; a photo by Keystone View Co. of Sargent's painting "Artist Sketching," and two of portraits of Sargent by Raymond M. Crosby and an unidentifed artist.
Biographical / Historical:
Curtis was a fine arts photographer; Boston, Mass. with the firm of Curtis& Cameron, Inc.
Provenance:
Donated 1995 by John A. Parker, Benjamin F. Curtis' son-in-law.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Photographers -- Massachusetts -- Boston  Search this
Identifier:
AAA.curtbenj
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-curtbenj

Inka Engineering Symposium 5: Khipu & the Inka Empire

Creator:
National Museum of the American Indian  Search this
Type:
Youtube videos
Uploaded:
2013-11-19T17:05:33Z
Topic:
Native Americans;American Indians  Search this
Youtube Category:
Education  Search this
See more by:
SmithsonianNMAI
YouTube Channel:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
EDAN-URL:
edanmdm:yt_IVJA7Y52opw

Strong Women/Strong Nations 6: Panel 2, Tribal Governance

Creator:
National Museum of the American Indian  Search this
Type:
Youtube videos
Uploaded:
2016-03-25T16:26:45Z
Topic:
Native Americans;American Indians  Search this
Youtube Category:
Education  Search this
See more by:
SmithsonianNMAI
YouTube Channel:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
EDAN-URL:
edanmdm:yt_L6LAZ4IbyBE

Racist Stereotypes and Cultural Appropriation in American Sports 1

Creator:
National Museum of the American Indian  Search this
Type:
Youtube videos
Uploaded:
2013-02-11T14:52:20Z
Topic:
Native Americans;American Indians  Search this
Youtube Category:
Education  Search this
See more by:
SmithsonianNMAI
YouTube Channel:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
EDAN-URL:
edanmdm:yt_NWpy7ozOwTU

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