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Subject Files

Collection Creator:
Bultman, Fritz, 1919-1985  Search this
Extent:
2.3 Linear feet (Boxes 3-5, 11)
Type:
Archival materials
Date:
1942-2010
Scope and Contents:
Subject files reflect some of Bultman's activities, interests, and relationships. Individual files in this series may contain a wide variety of record types or consist simply of correspondence with or about an individual or institution.

The most thoroughly documented subject is Hans Hofmann. Printed materials include articles about Hofmann, a brochure of the Hans Hofmann School of Fine Arts, exhibition notices and catalogs. Among the writings by Hofmann are: an article, "Plastic Creation;" his essay, "Form and Color in the Creative Process: The Painter's Primer" (edited by Cynthia Goodman, translated by Georgina Huck); and a book, The Search for the Real (edited by Sarah T. Weeks and Bartlett H. Hayes, Jr.); as well as lectures and talks.

Joseph Cornell documentation includes letters referring to Napoleonic Parakeet, a Cornell box owned by the Bultmans; also found are postcards and further correspondence. Printed material, mostly about exhibitions, includes a notice about Cornell's memorial service.

"Forum '49" and "Forum '49 Revisited" includes photographs of the 1949 installation and the participating artists --Fritz Bultman, Peter Busa, Kenneth Campbell, Minna Citron, Morris Davidson, Lillian Drake, Perle Fine, William Freed, Howard Gibbs, Kahlil Gibran, Adolph Gottlieb, John Grillo, Weldon Kees, Karl Knaths, Lawrence and Mrs. Kupferman, Blanche Lazzell, Boris Margo, George McNeil, F. Pfeiffer, and Judith Rothschild.

Found in the Weldon Kees file are requests for information about Kees, Bultman's notes about their friendship, along with a few letters from Kees and manuscripts of articles about him. The file concerning the Provincetown History Preservation Project contains many original letters of Fritz and Jeanne Bultman, a few photographs, and other items that Mrs. Bultman thought might be of interest to the project. Documentation of friendships with Tony Smith and Donald Windham includes a substantial number of letters. The Windham file also includes writings and there is a book cover Bultman designed for him.
Arrangement:
Subject files are alphabetized by title.
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Fritz Bultman papers, 1928-2010, bulk 1940s-1990s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bultfrit, Series 7
See more items in:
Fritz Bultman papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94fbce60e-9832-4072-82cc-0554c38ca163
EDAN-URL:
ead_component:sova-aaa-bultfrit-ref23

School of Fine Arts Records

Collection Creator:
Hofmann, Hans, 1880-1966  Search this
Extent:
2 Linear feet (Box 4-5)
Type:
Archival materials
Date:
1915-1965
Scope and Contents note:
The Hans Hofmann Schule für Bildende Kunst operated in Munich from 1915-1933. The very sparse extant records consist of a small amount of printed matter and a financial document. The Hans Hofmann School of Fine Arts was established in New York in 1933, and his summer school in Provincetown, Massachusetts, opened in 1934. Both closed in 1958, because after 43 consecutive years of teaching, Hofmann wanted to be able to paint full-time. Records of the New York and Provincetown schools are more extensive, but far from complete.

A small cache of records concerning Hofmann's school in Munich is supplemented by photographs (Series 6) containing views of Hans Hofmann with students during the 1920s, including some taken during a summer session in Capri, circa 1925. Travel photographs from the same period may have been taken while teaching summer courses in Europe. An unidentified photograph of an exhibition installation in Germany may be school-related.

Records concerning Hofmann's schools in New York City and Provincetown, Mass., consist of administrative, financial, student, and miscellaneous records. Material postdating the schools' 1958 closings consist of letters of inquiry from prospective students and requests from former students for transcripts or recommendations. Additional letters from former students are with Correspondence (Series 1).

For the large part, student records were created and maintained by registrar James Gahagan and his staff. Student ledgers note date of first entry into day, evening courses, and tuition paid. A variety of other information is also included in the student ledgers: number of class hours and fees for supplies are entered in vol. 1; vols. 2 and 3 record advance payments for summer school; lists of monitors and scholarships are included in vols. 3 and 4; and a partial roster of summer school students appears in vol. 4. Requests for transcripts and recommendations are addressed to Hofmann who appears to have handled these matters directly.

Among the miscellaneous items are a gouache painting by student Trude Baumann, and class notes of Dorothy G. Hales/Dorothy H. Gary.
Arrangement:
Records are arranged by country of the school and then by document type. The series is arranged as 2 subseries:

Missing Title

2.1: Munich, 1915-1933

2.2: New York City and Provincetown, Mass., circa 1936-1965
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
Max Spoerri interview: Authorization to quote or reproduce for purposes of publication requires written permission from Max Spoerri. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Hans Hofmann papers, circa 1904-2011, bulk 1945-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hofmhans, Series 2
See more items in:
Hans Hofmann papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94ebdeddb-a54f-49cf-805c-fcf5c1bf4ed1
EDAN-URL:
ead_component:sova-aaa-hofmhans-ref649

Lillian and Frederick Kiesler papers

Creator:
Kiesler, Lillian, 1910?-2001  Search this
Names:
Anthology Film Archives  Search this
Hans Hofmann School of Fine Arts  Search this
John Simon Guggenheim Memorial Foundation  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
University of Iowa, Museum of Art  Search this
Whitney Museum of American Art  Search this
Adnan, Etel  Search this
Andres, Jo  Search this
Arnaud, Leopold, 1895-  Search this
Bartos, Armand P., 1910-  Search this
Bultman, Fritz, 1919-1985  Search this
Buscemi, Steve, 1958-  Search this
Castelli, Leo  Search this
Copley, Alfred L.  Search this
Diller, Burgoyne, 1906-1965  Search this
Dlugoszewski, Lucia, 1931-2000  Search this
Dorazio, Piero, 1927-  Search this
Dorazio, Virginia Dortch  Search this
Dreier, Katherine Sophie, 1877-1952  Search this
Dubuffet, Jean, 1901-  Search this
Duchamp, Marcel, 1887-1968  Search this
Hawkins, Erick  Search this
Hodges, Alice  Search this
Hofmann, Hans, 1880-1966  Search this
Holtzman, Harry  Search this
Howe, George, 1886-1955  Search this
Kamler, Richard  Search this
Kiesler, Frederick  Search this
MacIver, Loren, 1909-  Search this
Meredith, Burgess, 1907-1997  Search this
Milius, Tom  Search this
Miller, Henry, 1891-  Search this
Mondrian, Piet, 1872-1944  Search this
Montgomery, Chandler  Search this
Owen, Jane Blaffer, 1915-2010  Search this
Purdy, James  Search this
Takaezu, Toshiko  Search this
Tawney, Lenore  Search this
Zogbaum, Wilfrid, 1915-1965  Search this
Extent:
49.1 Linear feet
0.001 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Scrapbooks
Sound recordings
Diaries
Interviews
Scripts (documents)
Motion pictures (visual works)
Date:
circa 1910s-2003
bulk 1958-2000
Summary:
The papers of New York artist Lillian Kiesler and architect and sculptor Frederick Kiesler measure 49.1 linear feet and 0.001 GB and date from circa 1910s-2003, with the bulk of the material from 1958-2000. The collection documents their personal and professional lives and the legacy of Frederick Kiesler's work through biographical material, correspondence, legal, financial and business records, teaching files, exhibition and performance files, artwork, subject files, printed and digital material, writings and interviews, monographs, photographic material, and sound and video recordings. Also found are papers related to Abstract Expressionist painter Hans Hofmann and the papers of artist Alice Hodges.
Scope and Content Note:
The papers of artist, performer, and arts educator Lillian Kiesler and sculptor, architect, set designer, educator, and writer Frederick Kiesler measure 49.1 linear feet and 0.001 GB and date from circa 1910s-2003, with the bulk of the material from 1958-2000. The collection documents their personal and professional lives and the legacy of Frederick Kiesler's work through biographical material, correspondence, legal, financial and business records, teaching files, exhibition and performance files, artwork, subject files, printed and digital material, writings and interviews, monographs, photographic material, and sound and video recordings. Also found are papers related to Abstract Expressionist painter Hans Hofmann and the papers of artist Alice Hodges.

The collection is arranged into two series: the Lillian Kiesler Papers (Series 1) and the Frederick Kiesler Papers (Series 2). Measuring 41.1 linear feet, the Lillian Kiesler Papers (Series 1) make up the bulk of the collection and document her personal life and professional career as an artist, actor, teacher, arts benefactor and promoter of Frederick Kiesler's legacy. The series spans her lifetime, although most of the material is dated after 1965. Among her papers are biographical materials, correspondence, legal and financial records, teaching files, exhibition and performance files, artwork, subject files, printed material, monographs, papers related to Frederick Kiesler and his legacy, papers of and related to Hans Hofmann, papers of Alice Hodges, photographic material, and sound and video recordings.

Found among Lillian Kiesler's personal papers are address books, numerous calendars and appointment books, and diaries and journals. Her correspondence is extensive and contains business correspondence with John Simon Guggenheim Memorial Foundation, The Metropolitan Museum of Art, The Whitney Museum of American Art, The University of Iowa Museum of Art, and Erick Hawkins Dance Foundation, and personal letters and greeting cards from friends, family, artists, scholars, and researchers, including Etel Adnan, Alcopley, Fritz Bultman, Steve Buscemi, Mike Diamond, Burgoyne Diller, Lucia Dlugoszewski, Piero Dorazio, Jean Dubuffet, Jay Gottlieb, Erick Hawkins, Burgess Meredith, Henry Miller, James Purdy, and Herrel Thomas. Of interest is a letter from Harry Holtzman postmarked March 13, 1935 describing his initial meeting with Mondrian, and a letter from E.B. Gordon describing Henry Miller in Paris.

Materials related to Lillian Kiesler's estate and last wishes can also be found, as well as teaching plans, student work, and writings by Lillian Kiesler's mentor and friend, New York University professor Chandler Montgomery. Various printed material, correspondence, scripts, and rehearsal schedules from Lillian Kiesler's exhibitions and performances are also found, and among the directors, artists and writers represented are Jo Andres, Steve Buscemi, Cindy Lugar, Tim Miller and James Purdy. Artwork contains photographs by Bob Del Fredici, drawings by Piero Dorazio, and notes to Frederick Kiesler from Lillian Kiesler.

Subject files about artists, friends, colleagues, performances, and organizations in which she supported, such as the Anthology Film Archives, include printed materials and research materials. Signed exhibition catalogs of Loren MacIver, Dina Ghen, Lenore Tawney, and Toshiko Takaezu, and a reprint article inscribed by Alcopley can be found, as well as numerous inscribed monographs, including books inscribed by Max Weiler and Piero Dorazio, an inscribed first edition of Henry Miller's Black Spring (1936), and a 1937 monograph by Harry Holtzman titled American Abstract Artists.

Series 1 also includes materials related to her husband Frederick Kiesler, papers of and related to Abstract Expressionist painter Hans Hofmann, and the personal papers of artist Alice Hodges. The Papers Related to Frederick Kiesler were primarily created or compiled by Lillian Kiesler and document her work on behalf of Frederick Kiesler's legacy. Of interest are letters from Frederick Kiesler to Lillian Kiesler and Alice Hodges; a bound volume of correspondence to Piero Dorazio; an inventory of objects in the Frederick Kiesler estate; photographs of artwork; an interview (sound recordings and transcript) with Lillian Kiesler about Frederick Kiesler for "Music of the Age," included on the tape is a portion of a Frederick Kiesler interview (1965); a recording of Lillian Kiesler interviewing Richard Kamler about Frederick Kiesler; and Frederick Kiesler's dialogue with Leo Castelli (undated).

Lillian Kiesler was a student of Hans Hofmann (1880-1966) in New York City and Provincetown, Massachusetts, as well as an enthusiastic volunteer promoter and assistant to The Hans Hofmann School of Fine Arts. The bulk of the papers of and related to Hans Hofmann were created or compiled by Lillian Kielser and are about Hofmann's career and legacy. However, also found are some papers of Hans Hofmann, including letters from Hofmann to Lillian Kiesler and Alice Hodges describing his artwork, life in Provincetown, and issues with The Hans Hofmann School of Fine Arts, typed and handwritten lectures given by Hofmann, Hofmann's 1941 address to the American Abstract Artists (AAA), three boxes of card files on students of the Hans Hofmann School of Fine Arts in New York City and Provincetown, and photographs of Hofmann and his house in Provincetown taken by Wilfrid Zogbaum and Tom Milius.

The artist Alice Hodges (b. unknown-1965) was a close friend of Lillian Kiesler, a former secretary to Frederick Kiesler, and a student of Hans Hofmann. Included among her personal papers is some correspondence from Hans Hofmann and Katherine Drier and numerous postcards from Hodges and Lillian Kiesler's trip to Europe in 1950, posters and printed material from her exhibitions, an oversized scrapbook chronicling Lillian Kiesler's teaching career, records from the United States Treasury War Bond Art Auction in 1945, original artwork and greeting cards made by Hodges and Lillian Kiesler, and 31 rolled negative strips in metal canisters of Frederick Kiesler sculptures, Provincetown and Hans Hofmann, Wellfleet, Empire State Music Festival (1955), and travels to Colorado and Europe, some of which may be printed and found in this subseries.

Photographs found in the Lillian Kiesler Papers are mostly black and white and color snapshots of Lillian Kiesler's friends and family at events and at home, including candid photos of Hans Hofmann, Alice Hodges, Frederick Kiesler, and Alcopley. Slides prepared by Lillian Kiesler for a lecture on Frederick Kiesler and her lecture notes on index cards are found. Sound and video recordings include recordings of productions in which Lillian Kiesler performed, and music, film, or live stage performances written, directed, or performed by friends.

Measuring 7.1 linear feet, Frederick Kiesler's personal papers (Series 2) document his professional career and date from 1923-1992. Biographical materials include his curriculum vitae, four passports, and numerous appointment books and notes from late in his life. Correspondence with architects, publishers, editors, universities, museums, galleries, manufacturers, artists and friends includes letters from L. Alcopley, Leopold Arnaud, Armand P. Bartos, Piero and Virginia Dorazio, George Howe, Kay Johnson, Jane Owen, and others. There are also photocopied letters from Katherine Dreier, Marcel Duchamp, and Piet Mondrian. Business and financial records from the 1940s to mid-1960s comprise a significant bulk of this series and are primarily tax returns and receipts and statements used to file tax returns. Materials on the publication of "Inside the Endless House" (1966), the International Theatre Exposition (in German) in 1924 and other exhibits from shortly after his death are found, as well as student artwork and papers from Kiesler's classes in the mid-1950s. A bound copy of the "Bibliography of Writings of and About Frederick Kiesler" compiled by Lillian Kiesler is found, as well as printed material about Frederick Kiesler and a handful of photographs of artwork.

Users should note that Lillian Kiesler's and Frederick Kiesler's papers contain similar types of material that often overlap in subject matter, especially among the Papers Related to Frederick Kiesler (Subseries 1.10) in Series 1 and the Frederick Kiesler Papers (Series 2). This collection contains limited material related to Lillian Kiesler prior to the 1940s and Frederick Kiesler prior to his arrival in the United States in 1926.
Arrangement:
The collection is arranged into two series. Each series is divided into several subseries, with the arrangement described in detail in the series descriptions.

Missing Title

Series 1: Lillian Kiesler papers, circa 1910s-2003 (Box 1-39, 47-52, OV 53-57; 41.1 linear feet, ER01; 0.001 GB)

Series 2: Frederick Kiesler papers, 1923-1992 (Box 40-46, OV 53; 7.1 linear feet)
Biographical Note:
Frederick Kiesler (1890-1965) was a sculptor, architect, set designer, educator, and writer active in New York and Connecticutt. Lillian Kiesler (1911-2001) was a performer, arts educator, and painter married to Frederick Kiesler. She was also active in the administration of the Hans Hofmann School of Fine Arts.

Frederick Kiesler was born in Romania in 1890, although he gave various other dates for his birth and regularly cited Vienna as his birthplace. He arrived in the United States with his wife Steffi in 1926 for the International Theatre Exposition at Steinway Hall in New York City. They stayed in the United States and were granted citizenship in 1936.

Kiesler secured a teaching position at Columbia University's School of Architecture in 1930, and from 1934 through 1957 he was the scenic design director at The Juilliard School of Music. He also lectured at Yale University from 1950-1952. Often labeled a Surrealist, Kiesler's work was experimental and frequently described as ahead of its time. He published, lectured, and participated in numerous exhibitions throughout his career. He is known for his theory of "coreallism;" "The Space House" (1933), a full-scale model of a single family home; an installation designed for Peggy Guggenheim's Art of This Century gallery in 1942; "The Endless House" drawings and model (1950); "The Universal Theatre" (1961) model; and the Shrine of the Book (1965), a building to exhibit the Dead Sea Scrolls in Jerusalem. He died in New York City in December 1965.

Lillian Olinsey met architect and sculptor Frederick Kiesler in 1934. After years of friendship, they were married in 1964, a year and a half before Frederick's death in 1965.

Lillian Kiesler studied art at the Art Students League, Cooper Union, and the Hans Hofmann School of Fine Arts, where she also assisted Hofmann and the school administration. She taught art to children and young adults for twenty years in New York City. From 1945 to 1955, she taught at the Greenwich House Art workshops and the Woodward School, followed by the Brooklyn Museum (1948-1958), Barnard School (1953-1963), New York University School of Education (1955-1966), and Juilliard School of Visual Arts (1963-1965). Lillian was involved in the performing arts and between the late 1970s through the 1990s she performed in New York City with numerous directors, notably Jo Andres, Steve Buscemi, Richard Foreman, John Jesurun, Cindy Lubar, and Tim Miller. She frequently performed with her close friend, painter Maryette Charlton, who was the executor of the Lillian Kiesler estate.

Lillian Kiesler tirelessly promoted Frederick Kiesler's work and legacy after his death in 1965. From the late 1980s through the 1990s, she delivered lectures about his work at universities and museums, gave interviews, corresponded with researchers, and organized his papers to donate to the Harvard Theatre Collection, Yale School of Art and Architecture, and the Archives of American Art. In 1997, she helped found the Frederick and Lillian Kiesler Foundation in Vienna, Austria. She endowed the Austrian Frederick Kiesler Prize, an award given to a notable contributor to the field of architecture. The first recipient was Frank Gehry in 1998. Lillian Kiesler passed away in 2001 in New York City.
Related Material:
The holdings of the Archives of American Art include the Hans Hofmann Papers, 1904-1978 and the Maryette Charlton Papers, 1929-1998. Additional Frederick Kiesler papers are available at the Museum of Modern Art, the Harvard Theater Collection, and the Yale School of Art and Architecture.
Separated Material:
Some of the materials related to Frederick Kiesler were initially loaned for microfilming on reels 57 and 127-128. This material is not described in the container listing of this finding aid. Most, but not all, of the loaned material was later donated and has been merged with the other accretions.
Provenance:
The collection was donated by Lillian Kiesler and Maryette Charlton, executrix of her estate, in several accessions between 1980-2002. Some of the papers related to Frederick Kiesler were originally loaned for microfilming in 1971, most of which was later donated in 1980. Additional papers related to Frederick Kiesler were donated in 1993. Papers related to Hans Hofmann were given in 1981. Lillian Kiesler's papers were donated in 2000 by Lillian Kiesler, and in 2002, by Maryette Charlton.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- New York (State) -- New York  Search this
Set designers -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Performance artists -- New York (State) -- New York  Search this
Art patrons -- New York (State) -- New York  Search this
Topic:
Architects -- New York (State) -- New York  Search this
Exhibition designers  Search this
Women artists  Search this
Women educators  Search this
Women painters  Search this
Women performance artists  Search this
Function:
Art schools -- Massachusetts
Art Schools -- New York (State)
Genre/Form:
Scrapbooks
Sound recordings
Diaries
Interviews
Scripts (documents)
Motion pictures (visual works)
Citation:
Lillian and Frederick Kiesler papers, circa 1910s-2003, bulk 1958-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kieslill
See more items in:
Lillian and Frederick Kiesler papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92be035c5-5063-4d6e-8ac2-5f08c17ef915
EDAN-URL:
ead_collection:sova-aaa-kieslill
Online Media:

Lillian Kiesler papers

Collection Creator:
Kiesler, Lillian, 1910?-2001  Search this
Extent:
(Box 1-39, 47-52, OV 53-57; 41.1 linear feet, ER01; 0.001 GB)
Type:
Archival materials
Date:
circa 1910s-2003
Scope and Contents note:
Series 1 documents Lillian Kiesler's personal life and professional career as an artist, actor, teacher, arts benefactor and promoter of Frederick Kiesler's legacy. Biographical material (Subseries 1.1) includes diaries, address books, calendars and appointment books, mailing lists, guest lists, identification, medical records, obituaries, and personal writings by Lillian Kiesler and others. Lillian Kiesler's correspondence (Subseries 1.2) is extensive and primarily personal in nature, including letters and greeting cards from Etel Adnan, Alcopley, Fritz Bultman, Steve Buscemi, Mike Diamond, Burgoyne Diller, Lucia Dlugoszewski, Piero Dorazio, Jean Dubuffet, Jay Gottlieb, Erick Hawkins, Burgess Meredith, Henry Miller, James Purdy, and Herrel Thomas. There is some business correspondence with museums, galleries, and foundations, including John Simon Guggenheim Memorial Foundation, The Metropolitan Museum of Art, The Whitney Museum of American Art, The University of Iowa Museum of Art, and Erick Hawkins Dance Foundation.

Legal and financial files (Subseries 1.3) are related to Lillian Kiesler's estate and finances such as burial plans and her will. Teaching files (Subseries 1.4) include teaching plans and reference materials, essays, pamphlets, class lists, correspondence from schools, student artwork and essay assignments, notebooks, writings on teaching, and a book of weaving samples. Also included are writings about teaching art and lesson plans by New York University professor Chandler Montgomery.

Exhibition and performance files (Subseries 1.5) contain correspondence, photographs, artwork, printed materials, scripts, rehearsal schedules, reviews, monographs and notes related to Kiesler's exhibitions and peformances dating from the 1970s-2001. Among the directors, artists and writers found are Jo Andres, Steve Buscemi, Cindy Lugar, Tim Miller and James Purdy. Artwork (Subseries 1.6) contains original drawings, sketches, photographs and notes by Lillian Kiesler and others, including photographs by Bob Del Fredici and drawings by Piero Dorazio. Subject files (Subseries 1.7) include collected materials about artists, friends, colleagues, performances, and organizations in which Lillian Kiesler supported, such as the Anthology Film Archives. Printed material (Subseries 1.8) includes collected postcards, magazines and magazine articles about art and performance, newspaper clippings about fellow artists, invitations and announcements, and exhibition catalogs, including several signed exhibition catalogs and a reprint article inscribed by Alcopley. Lillian Kiesler's library (Subseries 1.9) includes numerous monographs written by friends or about friends, most with inscriptions by authors. Found here are books inscribed by Max Weiler and Piero Dorazio, an inscribed first edition of Henry Miller's Black Spring (1936), and a 1937 monograph by Harry Holtzman titled American Abstract Artists.

The Papers Related to Frederick Kiesler (Subseries 1.10) primarily were created or compiled by Lillian Kiesler and document Frederick Kiesler's legacy as an architect, sculptor, and set designer. It includes biographical material, correspondence, inventory lists, business and financial records, exhibition files, transcribed and recorded interviews, photocopied writings and notes, printed and digital material, photographs, slides, and negatives, and sound and video recordings. This subseries is divided into ten sub-subseries, with the arrangement described in detail in the subseries description. The bulk of the Papers of and Related to Hans Hofmann (Subseries 1.11) were created or compiled by Lillian Kielser and document Hofmann's career and legacy. It includes correspondence, exhibition files, interviews and writings about Hofmann, printed materials, photographs, and sound recordings about Hans Hofmann. However, also found are papers of Hans Hofmann including some correspondence, typed and handwritten lectures given by Hofmann, literature and brochures from the Hans Hofmann School of Fine Arts and three boxes of card files on students, and photographs of Hofmann. This subseries is divided into nine sub-subseries, with the arrangement described in detail in the subseries description. The personal papers of artist Alice Hodges (Subseries 1.12) include biographical material, correspondence, exhibition files, printed material, writings, personal items, artwork, and photographs. This subseries is divided into eight sub-subseries, with the arrangement described in detail in the subseries description.

Photographic Material (Subseries 1.13) is mostly black and white and color snapshots of Lillian Kiesler's friends and family at events and at home, including candid photos of Hans Hofmann, Alice Hodges, Frederick Kiesler, and Alcopley. Slides include those of Frederick Kiesler's work prepared by Lillian for a lecture on him and are accompanied by her notes on index cards. Sound and Video Recordings (Subseries 1.14) document productions in which Lillian Kiesler performed, and music, film, or live stage performances written, directed, or performed by friends.
Arrangement note:
The series is arranged as 14 subseries:

1.1: Biographical Material, 1911-2002, undated

1.2: Correspondence, 1911-2001, undated

1.3: Legal and Financial Records, 1938-2001, undated

1.4: Teaching Files, 1938-1994, undated

1.5: Exhibition and Performance Files, 1945-2002, undated

1.6: Artwork, 1958-2001, undated

1.7: Subject Files, 1925, 1957-2000, undated

1.8: Printed Material, 1930-2002, undated

1.9: Lillian Kiesler Library, 1936-2000, undated

1.10: Papers Related to Frederick Kiesler, circa 1913-2003, undated

1.11: Papers of and Related to Hans Hofmann, 1932-2000, undated

1.12: Papers of Alice Hodges, circa 1910s-1965, undated

1.13: Photographic Material, circa 1920s-2000

1.14: Sound and Video Recordings, 1978-2001, undated
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lillian and Frederick Kiesler papers, circa 1910s-2003, bulk 1958-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kieslill, Series 1
See more items in:
Lillian and Frederick Kiesler papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw904369e71-f06d-4935-a1ea-4cdecd6ad3e6
EDAN-URL:
ead_component:sova-aaa-kieslill-ref15

Papers of and Related to Hans Hofmann

Collection Creator:
Kiesler, Lillian, 1910?-2001  Search this
Type:
Archival materials
Date:
1932-2000, undated
Scope and Contents note:
The bulk of the material in the Papers of and Related to Hans Hofmann were created or compiled by Lillian Kiesler and document Hofmann's career and legacy. However, some material found here are the papers of Hofmann and the Hans Hofmann School of Fine Arts. Found is biographical material, correspondence, exhibition files, records of and related to the Hans Hofmann School of Fine Arts, interviews and lectures, writings and artwork, printed material, photographic material, and audio recordings. The Papers of and Related to Hans Hofmann are arranged into ten sub-subseries, each described in more detail in the sub-subseries description.
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lillian and Frederick Kiesler papers, circa 1910s-2003, bulk 1958-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kieslill, Subseries 1.11
See more items in:
Lillian and Frederick Kiesler papers
Lillian and Frederick Kiesler papers / Series 1: Lillian Kiesler papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw955e5cc21-2059-4e3d-9607-56a7f2899146
EDAN-URL:
ead_component:sova-aaa-kieslill-ref626

Correspondence

Collection Creator:
Kiesler, Lillian, 1910?-2001  Search this
Type:
Archival materials
Date:
circa 1937-2000
Scope and Contents note:
Correspondence includes letters to and from Lillian Kiesler related to Hans Hofmann's artwork and estate, as well as some letters written by Hans Hofmann, to Lillian Kiesler and Alice Hodges describing his artwork, life in Provincetown and issues with the Hans Hofmann School of Fine Arts. Folders are arranged alphabetically by subject.
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lillian and Frederick Kiesler papers, circa 1910s-2003, bulk 1958-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kieslill, Subseries 1.11.2
See more items in:
Lillian and Frederick Kiesler papers
Lillian and Frederick Kiesler papers / Series 1: Lillian Kiesler papers / 1.11: Papers of and Related to Hans Hofmann
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9612055a0-6445-4af5-9b30-52c00df3e8a6
EDAN-URL:
ead_component:sova-aaa-kieslill-ref631

The Hans Hofmann School of Fine Arts

Collection Creator:
Kiesler, Lillian, 1910?-2001  Search this
Type:
Archival materials
Date:
1932-1958, undated
Scope and Contents note:
Found are class brochures, printed material, letterhead, and some correspondence from The Hans Hofmann School of Fine Arts. It also includes three boxes of student files on index cards. It is arranged alphabetically by subject.
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lillian and Frederick Kiesler papers, circa 1910s-2003, bulk 1958-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kieslill, Subseries 1.11.4
See more items in:
Lillian and Frederick Kiesler papers
Lillian and Frederick Kiesler papers / Series 1: Lillian Kiesler papers / 1.11: Papers of and Related to Hans Hofmann
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92ec9b08b-8140-4244-9e1b-f6985ff56bf5
EDAN-URL:
ead_component:sova-aaa-kieslill-ref653

The Hans Hofmann School of Fine Arts

Collection Creator:
Kiesler, Lillian, 1910?-2001  Search this
Container:
Box 28, Folder 27
Type:
Archival materials
Date:
1938-1952, undated
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lillian and Frederick Kiesler papers, circa 1910s-2003, bulk 1958-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Lillian and Frederick Kiesler papers
Lillian and Frederick Kiesler papers / Series 1: Lillian Kiesler papers / 1.11: Papers of and Related to Hans Hofmann / 1.11.4: The Hans Hofmann School of Fine Arts
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw915b3feba-eee0-463c-a492-ed42bd0ae94a
EDAN-URL:
ead_component:sova-aaa-kieslill-ref654

Student Card Files

Collection Creator:
Kiesler, Lillian, 1910?-2001  Search this
Container:
Box 29, Folder 1-3
Type:
Archival materials
Date:
1932-1958
Scope and Contents:
Three boxes.
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lillian and Frederick Kiesler papers, circa 1910s-2003, bulk 1958-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Lillian and Frederick Kiesler papers
Lillian and Frederick Kiesler papers / Series 1: Lillian Kiesler papers / 1.11: Papers of and Related to Hans Hofmann / 1.11.4: The Hans Hofmann School of Fine Arts
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9acd6125f-133c-4f07-a461-dc719eba13e4
EDAN-URL:
ead_component:sova-aaa-kieslill-ref655

Worden Day papers

Creator:
Day, Worden, 1916-1986  Search this
Names:
Hans Hofmann School of Fine Arts  Search this
Montclair Art Museum  Search this
State University of Iowa  Search this
Barnet, Will, 1911-2012  Search this
Bourgeois, Louise, 1911-2010  Search this
Dehner, Dorothy, 1901-1994  Search this
Fish, Alice  Search this
Foster, Betty  Search this
Fuller, Sue (1914-2006)  Search this
Hofmann, Hans, 1880-1966  Search this
Lasansky, Mauricio, 1914-  Search this
Minewski, Alex, 1917-1979  Search this
Moy, Seong  Search this
Peterdi, Gabor  Search this
Rupprecht, Edgar A.  Search this
Rupprecht, Isabell  Search this
Sarton, May, 1912-  Search this
Schrag, Karl  Search this
Thurn, Ernest  Search this
Vytlacil, Vaclav, 1892-1984  Search this
Zigrosser, Carl, 1891-  Search this
Extent:
3.5 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Motion pictures (visual works)
Photographs
Scrapbooks
Sketchbooks
Sound recordings
Video recordings
Woodcuts
Date:
circa 1935-1992
Summary:
The papers of sculptor, painter and printmaker Worden Day (1916-1986) measure 3.5 linear feet and date from circa 1935-1992. The collection consists of biographical material, correspondence, writings, printed material, scrapbooks, photographic material, sketchbooks, and audiovisual material.

There is a 1.0 linear foot additon, circa 1951-1992, donated in 2020 containing further papers of Worden Day.
Scope and Contents:
The papers of sculptor, painter and printmaker Worden Day (1916-1986) measure 3.5 linear feet and date from circa 1935-1992. The collection consists of biographical material, correspondence, writings, printed material, scrapbooks, photographic material, sketchbooks, and audiovisual material.

Included are biographical material consisting of resumes and an address book. Correspondence is with colleagues, curators, and museum directors including Will Barnet, Carl Zigrosser, May Sarton, Dorothy Dehner, Louise Bourgeois, Sue Fuller, among others. Writings by Day are about sculpture and painting, among them four unpublished manuscripts "Pop Art as an American Cultural Phenomenon," "What is a Print," "The Found Dimension- Aspects in the Development of Modern American Sculpture," and "New Expressions of Woodcut," and reviews for exhibitions written by Day for Art News. Also found in the collection are printed materials; scrapbooks; photographs of Day, her works and photograph albums; and three sketchbooks. Audiovisual material is arranged with biographical material and includes a taped interview on audio cassette with Day and one reel of motion picture film (also available as digital files), "Printmakers," presented by United States Information Service, 1961, showing American printmakers Mauricio Lasansky, Day, Karl Schrag, Seong Moy and Gabor Petredi at work and students in the School of Graphic Arts at the State University of Iowa, founded by Lasansky. Also arranged with biographical material is a file relating to an exhibition on the work of painter Vaclav Vytlacil organized by Day in 1975 at the Montclair Art Museum containing correspondence; letter fragments from Alex Minewski; writings by Vytlacil regarding his career and work with Hans Hofmann; an audio cassette; photographs of Vytlacil, Hofmann teaching in Munich, Ed and Isabell Rupprecht, Ernest Thurn, Betty Foster, and Alice Fish at the Hofmann School of Fine Arts, Munich; and the exhibition catalog.

There is a 1.0 linear foot additon, circa 1951-1992, donated in 2020 containing further papers of Worden Day.
Arrangement:
The collection is arranged as eight series

Series 1: Biographical Material, 1960-1986 (Box 1, FC6; 0.5 linear feet)

Series 2: Correspondence, 1953-1977 (Box 1; 1 folder)

Series 3: Writings, 1955-1985 (Box 1; 0.3 linear feet)

Series 4: Printed Material, 1949-1983 (Box 1; 0.3 linear feet)

Series 5: Scrapbooks, 1940-1984 (Boxes 1, 4; 0.5 linear feet)

Series 6: Photographic Material, 1935-1986 (Boxes 2-3; 0.5 linear feet)

Series 7: Sketchbooks, 1960-1986 (Boxes 3, 5; 0.4 linear feet)

Series 8: Unprocessed Addition, circa 1951-1992 (Box 7; 1.0 linear feet)
Biographical / Historical:
Worden Day (1916-1986) was a sculptor, painter, printmaker and curator in Montclair, New Jersey. Born in Columbus, Ohio, Day graduated from Randolph-Macon College in 1934. She then moved to New York City, and over the next few decades, studied drawing with Maurice Sterne and George Grosz; drawing, painting, and printmaking with William Von Schlegell, Harry Sternberg, Hans Hofmann, Will Barnet, and Vaclav Vytlacil at the Art Students League; and etching with Stanley William Hayter at the New School for Social Research. After earning her M.A. from New York University in 1966, Day taught as an instructor and lecturer in color theory, drawing, printmaking, sculpture, design, collage, American art history, modern art theory, and women artists. Her written reviews and essays were featured in publications such as Art News, Art Voices, and Impressions, and she had solo exhibitions throughout the United States, including at the Smithsonian Institution, Baltimore Museum of Art, Cincinnati Art Museum, and Montclair Art Museum.
Provenance:
The papers were donated to the Archives of American Art from 1972-1983 by Worden Day. Additional material was donated in 2017 by Constance Duhamel, Day's friend. Additional material was donated in 2020 by the Maier Museum of Art at Randoph College via Constance Duhamel.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Landscape painters -- Massachusetts -- Provincetown  Search this
Art museum curators  Search this
Topic:
Art, American  Search this
Women artists  Search this
Prints -- Technique  Search this
Painters -- New Jersey  Search this
Printmakers -- New Jersey  Search this
Sculptors--New Jersey  Search this
Sculpture  Search this
Art, Modern  Search this
Painting  Search this
Pop art  Search this
Genre/Form:
Interviews
Motion pictures (visual works)
Photographs
Scrapbooks
Sketchbooks
Sound recordings
Video recordings
Woodcuts
Citation:
Worden Day papers, 1935-1986. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dayword
See more items in:
Worden Day papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a6c6f8cb-63d3-4da6-ba8e-3b86ac3fb343
EDAN-URL:
ead_collection:sova-aaa-dayword

Interview with George Segal

Creator:
Segal, George, 1924-  Search this
Seckler, Dorothy Gees, 1910-1994  Search this
Subject:
Hans Hofmann School of Fine Arts (Provincetown, Mass.)  Search this
New York University  Search this
Type:
Sound Recording
Place:
Provincetown, Mass.
Date:
1966 April 1
Topic:
Plaster casts  Search this
Plaster sculpture  Search this
Record number:
(DSI-AAA)12839
See more items in:
Dorothy Gees Seckler Collection of Sound Recordings Relating to Art and Artists, 1962-1976
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12839

Interview with Wolf Kahn

Creator:
Kahn, Wolf, 1927-  Search this
Seckler, Dorothy Gees, 1910-1994  Search this
Subject:
Hans Hofmann School of Fine Arts (Provincetown, Mass.)  Search this
Type:
Sound Recording
Place:
New York, N.Y.
Provincetown, Mass.
Date:
1968 September 17
Record number:
(DSI-AAA)13828
See more items in:
Dorothy Gees Seckler Collection of Sound Recordings Relating to Art and Artists, 1962-1976
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_13828

Interview with Hans Hofmann

Creator:
Hofmann, Hans, 1880-1966  Search this
Seckler, Dorothy Gees, 1910-1994  Search this
Subject:
Archives of American Art  Search this
Hans Hofmann School of Fine Arts (Munich, Germany)  Search this
Type:
Sound Recording
Place:
Munich, Germany
Date:
circa 1962
Topic:
Art education  Search this
Record number:
(DSI-AAA)12854
See more items in:
Dorothy Gees Seckler Collection of Sound Recordings Relating to Art and Artists, 1962-1976
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12854

Lillian Kiesler recorded statement

Creator:
Kiesler, Lillian Olinsey, 1911-2001  Search this
Subject:
Hofmann, Hans  Search this
Krasner, Lee  Search this
Hans Hofmann School of Fine Arts  Search this
Type:
Sound Recording
Date:
1990
Record number:
(DSI-AAA)11712
See more items in:
Lillian and Frederick Kiesler papers, circa 1910s-2003, bulk 1958-2000
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_11712

Herman Rodnick papers on Hans Hofmann, 1947-1967

Creator:
Rodnick, Herman  Search this
Subject:
Hofmann, Hans  Search this
Hans Hofmann School of Fine Arts (Provincetown, Mass.)  Search this
Theme:
American Art and Artists in a Global Context  Search this
Record number:
(DSI-AAA_CollID)7785
(DSI-AAA_SIRISBib)209951
AAA_collcode_rodnherm
Theme:
American Art and Artists in a Global Context
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209951

William Horace Littlefield papers, 1920-1969

Creator:
Littlefield, William Horace, 1902-1969  Search this
Subject:
Hofmann, Hans  Search this
Kirstein, Lincoln  Search this
Sachs, Paul J. (Paul Joseph)  Search this
Busa, Peter  Search this
Grimaldi, Vincent  Search this
Phillips, Duncan  Search this
Hayter, Stanley William  Search this
Draper, Muriel  Search this
Mayor, A. Hyatt (Alpheus Hyatt)  Search this
MacLeish, Archibald  Search this
Wheeler, Monroe  Search this
Hans Hofmann School of Fine Arts (Provincetown, Mass.)  Search this
New School for Social Research (New York, N.Y.)  Search this
Club (New York, N.Y.)  Search this
Type:
Scrapbooks
Topic:
Painting, American  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)7086
(DSI-AAA_SIRISBib)209219
AAA_collcode_littwill
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209219

Herbert Kallem papers, 1938-1978

Creator:
Kallem, Herbert, 1909-1994  Search this
Topic:
Sculpture, American -- 20th century  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)7647
(DSI-AAA_SIRISBib)209810
AAA_collcode_kallherb
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209810

John Little papers, 1935-1978

Creator:
Little, John, 1907-  Search this
Guild Hall of East Hampton  Search this
Subject:
Parker, Elizabeth  Search this
Kiesler, Frederick  Search this
Parsons, Betty  Search this
Namuth, Hans  Search this
Hofmann, Hans  Search this
Hunter, Sam  Search this
Signa Gallery  Search this
Topic:
Painting, Modern -- 20th century -- History -- New York (State) -- New York  Search this
Textile design -- New York (State) -- New York  Search this
Sculpture -- New York (State) -- New York  Search this
Decorative arts  Search this
Theme:
Lives of American Artists  Search this
Craft  Search this
Record number:
(DSI-AAA_CollID)7896
(DSI-AAA_SIRISBib)210063
AAA_collcode_littjohn
Theme:
Lives of American Artists
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210063

Lenita Manry papers, 1931-1968

Creator:
Manry, Lenita, 1902-1969  Search this
Subject:
Hofmann, Hans  Search this
Hans Hofmann School of Fine Arts (Provincetown, Mass.)  Search this
Lenita Manry Fund  Search this
Topic:
Women artists  Search this
Women painters  Search this
Theme:
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9035
(DSI-AAA_SIRISBib)211224
AAA_collcode_manrleni
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211224

Michael Loew papers, 1930-1997

Creator:
Loew, Michael, 1907-1985  Search this
Subject:
Albers, Josef  Search this
Jensen, Alfred  Search this
Kahn, Louis I.  Search this
Kaprow, Allan  Search this
McNeil, George  Search this
McPherson, Sarah Freedman  Search this
Schempp, Theodore  Search this
Schnitzler, Max  Search this
De Kooning, Willem  Search this
Slivka, Rose  Search this
De Kooning, Elaine  Search this
Dehner, Dorothy  Search this
De Kooning, Willem  Search this
Gottlieb, Adolph  Search this
Hasen, Burt  Search this
Johnson, Philip  Search this
Kent, Rockwell  Search this
Lahey, Richard  Search this
McDarrah, Fred W.  Search this
Morris, George L. K.  Search this
Odets, Clifford  Search this
Siskind, Aaron  Search this
Marilyn Pearl Gallery  Search this
Landmark Gallery (New York, N.Y.)  Search this
Federation of Modern Painters and Sculptors  Search this
Holland-Goldowsky Gallery  Search this
United States. Work Projects Administration  Search this
University of California, Berkeley  Search this
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9162
(DSI-AAA_SIRISBib)211356
AAA_collcode_loewmich
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211356

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