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Student at Protestant secondary school. Mbandaka, Congo (Democratic Republic)

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Negatives (photographic) (b&w, 35mm.)
Type:
Archival materials
Negatives (photographic)
Black-and-white negatives
Negatives
Place:
Africa
Congo (Democratic Republic)
Date:
1972
Scope and Contents:
This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
EENG-XIII-13, 21.
General:
Title source: Index card based on photographer's notes.
Local Note:
Typed index card reads, "D 3 Zai. Zaire. Mbandaka. Student at Protestant secondary school for girls. 3/1972. EE. neg.no. XIII-13, 21." The card was written in 1977-79 by Archives staff using source provided by photographer.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Hairstyles -- Africa  Search this
Education  Search this
Genre/Form:
Black-and-white negatives
Negatives
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EENG 01551
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Congo (Democratic Republic) / EENG / 1972
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref28639

Tuareg man with wife and child, near Tombouctou, Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Tuaregs  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1959
Scope and Contents:
The photograph depicts Tuareg woman wearing traditional long dark cloth and man wearing turban and face veil (tagelmust) made of indigo-dyed cloth. "While men's face veiling and women's headscarves fulfill Islamic requirements of modesty, they are also symbols of the Tuareg cultural value of reserve. These headdresses are directly linked to concepts of the person and to changes in an individual's status throughout his or her life (Rasmussen 1992: 101)." [Arnoldi M., 1995: Wrapping the Head, Crowning Achievements, UCLA Fowler Museum of Cultural History]. During his trip to Mali, Elisofon visited the Kel Tademekket confederation of Tuareg people located in the Tombouctou region. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
A 1 TRG 6 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Time Life Magazine no. 57938 1 39
Frame value is 22.
Slide No. A 1 TRG 6 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Portraits  Search this
Hairstyles -- Africa  Search this
Headdresses -- headgear -- Africa  Search this
Clothing and dress -- Africa  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 104
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Mali
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref1069

Tuareg man with wife and children, near Tombouctou, Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Tuaregs  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1959
Scope and Contents:
The photograph depicts Tuareg woman wearing traditional long dark cloth and man wearing turban and face veil (tagelmust) made of indigo-dyed cloth. "While men's face veiling and women's headscarves fulfill Islamic requirements of modesty, they are also symbols of the Tuareg cultural value of reserve. These headdresses are directly linked to concepts of the person and to changes in an individual's status throughout his or her life (Rasmussen 1992: 101)." [Arnoldi M., 1995: Wrapping the Head, Crowning Achievements, UCLA Fowler Museum of Cultural History]. During his trip to Mali, Elisofon visited the Kel Tademekket confederation of Tuareg people located in the Tombouctou region. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
A 1 TRG 6.1 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Time Life Magazine no. 57938 1 39
Frame value is 25.
Slide No. A 1 TRG 6.1 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Portraits  Search this
Hairstyles -- Africa  Search this
Headdresses -- headgear -- Africa  Search this
Clothing and dress -- Africa  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 105
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Mali
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref1192

Oba Ademuwagun Adesida II, the Deji (ruler) of Akure, in courtyard of Akure palace, Akure, Nigeria

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Yoruba (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Nigeria
Date:
1959
Scope and Contents:
The photograph depicts Oba Ademuwagun Adesida II, the Deji (ruler) of Akure, in courtyard of Akure palace. "Because of changing historical circumstances including disputes over succession, and inter-kingdom warfare, there are hundreds of Obas, but in fact not all hold the same degree of authority, and only those who can trace descent from one of the sixteen sons of Odua can wear beaded crowns (Beier 1982:5). The crown (ade) is the most important of all the Oba's regalia, and Obas wear their beaded veiled crowns on all ceremonial and religious occasions." [Arnoldi M.-J. and Mullen Kreamer C., 1995: Focus on Twelve African Hats. Crowning Achievements, UCLA Fowler Museum of Cultural History]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
C 2 YRB 11 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Time Life no. 58482 81
Frame value is 23.
Slide No. C 2 YRB 11 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Portraits  Search this
Leaders  Search this
Headdresses -- headgear -- Africa  Search this
Regalia  Search this
Beadwork  Search this
Animals in art  Search this
Hairstyles -- Africa  Search this
Clothing and dress -- Africa  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 2062
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Nigeria
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref12379

Oba Ademuwagun Adesida II, the Deji (ruler) of Akure, in courtyard of Akure palace, Akure, Nigeria

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Yoruba (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Nigeria
Date:
1959
Scope and Contents:
The photograph depicts Oba Ademuwagun Adesida II, the Deji (ruler) of Akure, in courtyard of Akure palace. "Because of changing historical circumstances including disputes over succession, and inter-kingdom warfare, there are hundreds of Obas, but in fact not all hold the same degree of authority, and only those who can trace descent from one of the sixteen sons of Odua can wear beaded crowns (Beier 1982:5). The crown (ade) is the most important of all the Oba's regalia, and Obas wear their beaded veiled crowns on all ceremonial and religious occasions." [Arnoldi M.-J. and Mullen Kreamer C., 1995: Focus on Twelve African Hats. Crowning Achievements, UCLA Fowler Museum of Cultural History]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
C 2 YRB 11.1 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Time Life no. 58482 82
Frame value is 17.
Slide No. C 2 YRB 11.1 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Portraits  Search this
Leaders  Search this
Headdresses -- headgear -- Africa  Search this
Regalia  Search this
Beadwork  Search this
Animals in art  Search this
Animals in art -- Lions  Search this
Animals in art -- Birds  Search this
Hairstyles -- Africa  Search this
Clothing and dress -- Africa  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 2063
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Nigeria
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref12390

Oba Ademuwagun Adesida II, the Deji (ruler) of Akure, in courtyard of Akure palace, Akure, Nigeria

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Yoruba (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Nigeria
Date:
1959
Scope and Contents:
The photograph depicts Oba Ademuwagun Adesida II, the Deji (ruler) of Akure, on throne in courtyard of Akure palace. "Because of changing historical circumstances including disputes over succession, and inter-kingdom warfare, there are hundreds of Obas, but in fact not all hold the same degree of authority, and only those who can trace descent from one of the sixteen sons of Odua can wear beaded crowns (Beier 1982:5). The crown (ade) is the most important of all the Oba's regalia, and Obas wear their beaded veiled crowns on all ceremonial and religious occasions." [Arnoldi M.-J. and Mullen Kreamer C., 1995: Focus on Twelve African Hats. Crowning Achievements, UCLA Fowler Museum of Cultural History]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
C 2 YRB 11.2 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Time Life no. 58482 81
Frame value is 21.
Slide No. C 2 YRB 11.2 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Portraits  Search this
Leaders  Search this
Headdresses -- headgear -- Africa  Search this
Regalia  Search this
Beadwork  Search this
Animals in art  Search this
Animals in art -- Lions  Search this
Animals in art -- Birds  Search this
Hairstyles -- Africa  Search this
Clothing and dress -- Africa  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 2064
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Nigeria
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref12401

Oba Ademuwagun Adesida II, the Deji (ruler) of Akure, in courtyard of Akure palace, Akure, Nigeria

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Yoruba (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Nigeria
Date:
1959
Scope and Contents:
The photograph depicts Oba Ademuwagun Adesida II, the Deji (ruler) of Akure, in courtyard of Akure palace. "Because of changing historical circumstances including disputes over succession, and inter-kingdom warfare, there are hundreds of Obas, but in fact not all hold the same degree of authority, and only those who can trace descent from one of the sixteen sons of Odua can wear beaded crowns (Beier 1982:5). The crown (ade) is the most important of all the Oba's regalia, and Obas wear their beaded veiled crowns on all ceremonial and religious occasions." [Arnoldi M.-J. and Mullen Kreamer C., 1995: Focus on Twelve African Hats. Crowning Achievements, UCLA Fowler Museum of Cultural History]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
C 2 YRB 11.3 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Time Life no. 58482 82
Frame value is 20.
Slide No. C 2 YRB 11.3 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Portraits  Search this
Leaders  Search this
Headdresses -- headgear -- Africa  Search this
Regalia  Search this
Beadwork  Search this
Animals in art  Search this
Hairstyles -- Africa  Search this
Clothing and dress -- Africa  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 2065
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Nigeria
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref12412

Oba Ademuwagun Adesida II, the Deji (ruler) of Akure, in courtyard of Akure palace, Akure, Nigeria

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Yoruba (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Nigeria
Date:
1959
Scope and Contents:
The photograph depicts Oba Ademuwagun Adesida II, the Deji (ruler) of Akure, in courtyard of Akure palace. "Because of changing historical circumstances including disputes over succession, and inter-kingdom warfare, there are hundreds of Obas, but in fact not all hold the same degree of authority, and only those who can trace descent from one of the sixteen sons of Odua can wear beaded crowns (Beier 1982:5). The crown (ade) is the most important of all the Oba's regalia, and Obas wear their beaded veiled crowns on all ceremonial and religious occasions." [Arnoldi M.-J. and Mullen Kreamer C., 1995: Focus on Twelve African Hats. Crowning Achievements, UCLA Fowler Museum of Cultural History]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
C 2 YRB 11.4 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Time Life no. 58482 82
Frame value is 18.
Slide No. C 2 YRB 11.4 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Portraits  Search this
Leaders  Search this
Headdresses -- headgear -- Africa  Search this
Regalia  Search this
Beadwork  Search this
Animals in art  Search this
Hairstyles -- Africa  Search this
Clothing and dress -- Africa  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 2066
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Nigeria
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref12423

Oba Ademuwagun Adesida II, the Deji (ruler) of Akure, in courtyard of Akure palace, Akure, Nigeria

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Yoruba (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Nigeria
Date:
1959
Scope and Contents:
The photograph depicts Oba Ademuwagun Adesida II, the Deji (ruler) of Akure, in courtyard of Akure palace. "Because of changing historical circumstances including disputes over succession, and inter-kingdom warfare, there are hundreds of Obas, but in fact not all hold the same degree of authority, and only those who can trace descent from one of the sixteen sons of Odua can wear beaded crowns (Beier 1982:5). The crown (ade) is the most important of all the Oba's regalia, and Obas wear their beaded veiled crowns on all ceremonial and religious occasions." [Arnoldi M.-J. and Mullen Kreamer C., 1995: Focus on Twelve African Hats. Crowning Achievements, UCLA Fowler Museum of Cultural History]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
C 2 YRB 11.4.1 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Time Life no. 58482 82
Frame value is 19.
Slide No. C 2 YRB 11.4.1 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Portraits  Search this
Leaders  Search this
Headdresses -- headgear -- Africa  Search this
Regalia  Search this
Beadwork  Search this
Animals in art  Search this
Hairstyles -- Africa  Search this
Clothing and dress -- Africa  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 2067
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Nigeria
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref12434

Oba Ademuwagun Adesida II, the Deji (ruler) of Akure, in courtyard of Akure palace, Akure, Nigeria

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Yoruba (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Nigeria
Date:
1959
Scope and Contents:
The photograph depicts Oba Ademuwagun Adesida II, the Deji (ruler) of Akure, in courtyard of Akure palace. "Because of changing historical circumstances including disputes over succession, and inter-kingdom warfare, there are hundreds of Obas, but in fact not all hold the same degree of authority, and only those who can trace descent from one of the sixteen sons of Odua can wear beaded crowns (Beier 1982:5). The crown (ade) is the most important of all the Oba's regalia, and Obas wear their beaded veiled crowns on all ceremonial and religious occasions." [Arnoldi M.-J. and Mullen Kreamer C., 1995: Focus on Twelve African Hats. Crowning Achievements, UCLA Fowler Museum of Cultural History]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
C 2 YRB 12 EE 59
General:
Citation source: Archives staff.
Title is provided by EEPA staff based on photographer's notes.
Exhibitions Note:
"West African Permanent Exhibit," held by Sinclair Community College at the Learning Resource Center Library in Dayton, Ohio, beginning 2001. LL01-0003
Local Note:
Time Life no. 58482 82
Frame value is 9.
Slide No. C 2 YRB 12 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Portraits  Search this
Leaders  Search this
Headdresses -- headgear -- Africa  Search this
Regalia  Search this
Beadwork  Search this
Animals in art  Search this
Hairstyles -- Africa  Search this
Clothing and dress -- Africa  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 2070
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Nigeria
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref12467

Oba Ademuwagun Adesida II, the Deji (ruler) of Akure, in courtyard of Akure palace, Akure, Nigeria

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Yoruba (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Nigeria
Date:
1959
Scope and Contents:
The photograph depicts Oba Ademuwagun Adesida II, the Deji (ruler) of Akure, in courtyard of Akure palace. "Because of changing historical circumstances including disputes over succession, and inter-kingdom warfare, there are hundreds of Obas, but in fact not all hold the same degree of authority, and only those who can trace descent from one of the sixteen sons of Odua can wear beaded crowns (Beier 1982:5). The crown (ade) is the most important of all the Oba's regalia, and Obas wear their beaded veiled crowns on all ceremonial and religious occasions." [Arnoldi M.-J. and Mullen Kreamer C., 1995: Focus on Twelve African Hats. Crowning Achievements, UCLA Fowler Museum of Cultural History]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
C 2 YRB 12.2A EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Time Life no. 58482 82
Frame value is 8.
Slide No. C 2 YRB 12.2A EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Portraits  Search this
Leaders  Search this
Headdresses -- headgear -- Africa  Search this
Regalia  Search this
Beadwork  Search this
Animals in art  Search this
Hairstyles -- Africa  Search this
Clothing and dress -- Africa  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 2072
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Nigeria
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref12490

Oba Ademuwagun Adesida II, the Deji (ruler) of Akure, in courtyard of Akure palace, Akure, Nigeria

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Yoruba (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Nigeria
Date:
1959
Scope and Contents:
The photograph depicts Oba Ademuwagun Adesida II, the Deji (ruler) of Akure, in courtyard of Akure palace. "Because of changing historical circumstances including disputes over succession, and inter-kingdom warfare, there are hundreds of Obas, but in fact not all hold the same degree of authority, and only those who can trace descent from one of the sixteen sons of Odua can wear beaded crowns (Beier 1982:5). The crown (ade) is the most important of all the Oba's regalia, and Obas wear their beaded veiled crowns on all ceremonial and religious occasions." [Arnoldi M.-J. and Mullen Kreamer C., 1995: Focus on Twelve African Hats. Crowning Achievements, UCLA Fowler Museum of Cultural History]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
C 2 YRB 12.3 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Time Life no. 58482 82
Frame value is 5.
Slide No. C 2 YRB 12.3 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Portraits  Search this
Leaders  Search this
Headdresses -- headgear -- Africa  Search this
Regalia  Search this
Beadwork  Search this
Animals in art  Search this
Hairstyles -- Africa  Search this
Clothing and dress -- Africa  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 2076
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Nigeria
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref12533

Tuareg man with wife and children, near Tombouctou, Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Tuaregs  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1959
Scope and Contents:
The photograph depicts Tuareg woman wearing traditional long dark cloth and man wearing turban and face veil (tagelmust) made of indigo-dyed cloth. "While men's face veiling and women's headscarves fulfill Islamic requirements of modesty, they are also symbols of the Tuareg cultural value of reserve. These headdresses are directly linked to concepts of the person and to changes in an individual's status throughout his or her life (Rasmussen 1992: 101)." [Arnoldi M., 1995: Wrapping the Head, Crowning Achievements, UCLA Fowler Museum of Cultural History]. During his trip to Mali, Elisofon visited the Kel Tademekket confederation of Tuareg people located in the Tombouctou region. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959. During his trip to Mali, Elisofon visited the Kel Tademekket confederation of Tuareg people located in the Tombouctou region. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
A 1 TRG 7 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Time Life Magazine no. 57938 1 44
Frame value is 25.
Slide No. A 1 TRG 7 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Children  Search this
Hairstyles -- Africa  Search this
Headdresses -- headgear -- Africa  Search this
Clothing and dress -- Africa  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 106
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Mali
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref1315

Tuareg man with wife and children, near Tombouctou, Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Tuaregs  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1959
Scope and Contents:
The photograph depicts Tuareg woman wearing traditional long dark cloth and man wearing turban and face veil (tagelmust) made of indigo-dyed cloth. "While men's face veiling and women's headscarves fulfill Islamic requirements of modesty, they are also symbols of the Tuareg cultural value of reserve. These headdresses are directly linked to concepts of the person and to changes in an individual's status throughout his or her life (Rasmussen 1992: 101)." [Arnoldi M., 1995: Wrapping the Head, Crowning Achievements, UCLA Fowler Museum of Cultural History]. During his trip to Mali, Elisofon visited the Kel Tademekket confederation of Tuareg people located in the Tombouctou region. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
A 1 TRG 8 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Time Life Magazine no. 57938 1 39
Frame value is 19.
Slide No. A 1 TRG 8 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Portraits  Search this
Children  Search this
Hairstyles -- Africa  Search this
Headdresses -- headgear -- Africa  Search this
Clothing and dress -- Africa  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 107
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Mali
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref1439

Tuareg child with traditional hairstyle, near Tombouctou, Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Tuaregs  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1959
Scope and Contents:
During his trip to Mali, Elisofon visited the Kel Tademekket confederation of Tuareg people located in the Tombouctou region. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
A 1 TRG 8.1 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Photograph appeared in Life Magazine (57938 1 44).
Frame value is 28.
Slide No. A 1 TRG 8.1 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Portraits  Search this
Hairstyles -- Africa  Search this
Headdresses -- headgear -- Africa  Search this
Clothing and dress -- Africa  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 109
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Mali
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref1570

Tuareg man with wife and children, near Tombouctou, Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Tuaregs  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1959
Scope and Contents:
The photograph depicts Tuareg woman wearing traditional long dark cloth and man wearing turban and face veil (tagelmust) made of indigo-dyed cloth. "While men's face veiling and women's headscarves fulfill Islamic requirements of modesty, they are also symbols of the Tuareg cultural value of reserve. These headdresses are directly linked to concepts of the person and to changes in an individual's status throughout his or her life (Rasmussen 1992: 101)." [Arnoldi M., 1995: Wrapping the Head, Crowning Achievements, UCLA Fowler Museum of Cultural History]. During his trip to Mali, Elisofon visited the Kel Tademekket confederation of Tuareg people located in the Tombouctou region. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959. During his trip to Mali, Elisofon visited the Kel Tademekket confederation of Tuareg people located in the Tombouctou region. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
A 1 TRG 9 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Time Life Magazine no. 57938 1 39
A photographic print resides in the collection.
Frame value is 16.
Slide No. A 1 TRG 9 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Children  Search this
Hairstyles -- Africa  Search this
Headdresses -- headgear -- Africa  Search this
Clothing and dress -- Africa  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 110
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Mali
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref1682

Pastoral Maasai drawing cow's blood into a calabash, Olengaitoli village, Kenya

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Maasai (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Kenya
Date:
1959
Scope and Contents:
"The Maasai (Masai) are unique among East African pastoralists in their cultural choice to live exclusively of pastoral foods. They attempt to subsist on a diet solely consisting of the milk, meat and blood of their domestic stock. Their dietary ideal excludes, and their entire culture strongly devaluates, all plants food and game meat." [Kaj Arhem, 1987: Milk, Meat and Blood. Working Papers in African Studies, University of Uppsala.]. "Pure pastoralism is no longer a reality for most Maasai. More and more the traditional milk and meat diet occasionally supplemented with blood is being combined with maize, potatoes, beans and other vegetable foods. The main reason for this is that because of population growth, environmental degradation and land alienation, Maasai are no longer able to keep enough animals to feed themselves." [Klumpp D., 1987: Maasai Art and Society:Age and Sex, Time and Space, Cash and Cattle. U.M.I Dissertation Service]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
M 4 MSI 39 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 13
Frame value is 8.
Slide No. M 4 MSI 39 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Cattle -- Africa  Search this
Clothing and dress -- Africa  Search this
Body arts  Search this
Hairstyles -- Africa  Search this
Calabashes  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 11048
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Kenya
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref1721

Pastoral Maasai drawing cow's blood into a calabash, Olengaitoli village, Kenya

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Maasai (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Kenya
Date:
1959
Scope and Contents:
"The Maasai (Masai) are unique among East African pastoralists in their cultural choice to live exclusively of pastoral foods. They attempt to subsist on a diet solely consisting of the milk, meat and blood of their domestic stock. Their dietary ideal excludes, and their entire culture strongly devaluates, all plants food and game meat." [Kaj Arhem, 1987: Milk, Meat and Blood. Working Papers in African Studies, University of Uppsala.]. "Pure pastoralism is no longer a reality for most Maasai. More and more the traditional milk and meat diet occasionally supplemented with blood is being combined with maize, potatoes, beans and other vegetable foods. The main reason for this is that because of population growth, environmental degradation and land alienation, Maasai are no longer able to keep enough animals to feed themselves." [Klumpp D., 1987: Maasai Art and Society:Age and Sex, Time and Space, Cash and Cattle. U.M.I Dissertation Service]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
M 4 MSI 40 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 11
Frame value is 5.
Slide No. M 4 MSI 40 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Cattle -- Africa  Search this
Clothing and dress -- Africa  Search this
Body arts  Search this
Hairstyles -- Africa  Search this
Calabashes  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 11049
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Kenya
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref1722

Pastoral Maasai drawing cow's blood into a calabash, Olengaitoli village, Kenya

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Maasai (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Kenya
Date:
1959
Scope and Contents:
"The Maasai (Masai) are unique among East African pastoralists in their cultural choice to live exclusively of pastoral foods. They attempt to subsist on a diet solely consisting of the milk, meat and blood of their domestic stock. Their dietary ideal excludes, and their entire culture strongly devaluates, all plants food and game meat." [Kaj Arhem, 1987: Milk, Meat and Blood. Working Papers in African Studies, University of Uppsala.]. "Pure pastoralism is no longer a reality for most Maasai. More and more the traditional milk and meat diet occasionally supplemented with blood is being combined with maize, potatoes, beans and other vegetable foods. The main reason for this is that because of population growth, environmental degradation and land alienation, Maasai are no longer able to keep enough animals to feed themselves." [Klumpp D., 1987: Maasai Art and Society:Age and Sex, Time and Space, Cash and Cattle. U.M.I Dissertation Service]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
M 4 MSI 40.1 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 11
Frame value is 4.
Slide No. M 4 MSI 40.1 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Cattle -- Africa  Search this
Clothing and dress -- Africa  Search this
Body arts  Search this
Hairstyles -- Africa  Search this
Calabashes  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 11050
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Kenya
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref1723

Pastoral Maasai drawing cow's blood into a calabash, Olengaitoli village, Kenya

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Maasai (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Kenya
Date:
1959
Scope and Contents:
"The Maasai (Masai) are unique among East African pastoralists in their cultural choice to live exclusively of pastoral foods. They attempt to subsist on a diet solely consisting of the milk, meat and blood of their domestic stock. Their dietary ideal excludes, and their entire culture strongly devaluates, all plants food and game meat." [Kaj Arhem, 1987: Milk, Meat and Blood. Working Papers in African Studies, University of Uppsala.]. "Pure pastoralism is no longer a reality for most Maasai. More and more the traditional milk and meat diet occasionally supplemented with blood is being combined with maize, potatoes, beans and other vegetable foods. The main reason for this is that because of population growth, environmental degradation and land alienation, Maasai are no longer able to keep enough animals to feed themselves." [Klumpp D., 1987: Maasai Art and Society:Age and Sex, Time and Space, Cash and Cattle. U.M.I Dissertation Service]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
M 4 MSI 41 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 13
Frame value is 16.
Slide No. M 4 MSI 41 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Cattle -- Africa  Search this
Clothing and dress -- Africa  Search this
Body arts  Search this
Hairstyles -- Africa  Search this
Calabashes  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 11051
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Kenya
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref1724

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