Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Lee Ya-Ching Papers, NASM.2008.0009, National Air and Space Museum, Smithsonian Institution.
Scurlock, George H. (Hardison), 1919-2005 Search this
Scurlock, Robert S. (Saunders), 1917-1994 Search this
Container:
Box 43
Type:
Archival materials
Scope and Contents note:
Job Number: 41268
Subseries Restrictions:
Collection is open for research.
Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
The 8 pages are pasted together in 2 long sheets. One sheet entitled "Pedigree of Mantcu Najin, Tenugs zi, etc of the Wajaje (Ponka) Gens" and the other "Wajaje gude sub-gens--Ponka tribe." Approximately 100 pages were originally cataloged in this manuscript with the note that some of it might relate to other Dhegiha tribes. The other pages were identified as Omaha by R. H. Barnes, of Oxford University, January 1980. They have been added to 4800 (206).
Collection Restrictions:
The James O. Dorsey Papers are open for research. Access to the James O. Dorsey Papers requires an appointment
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Manuscript 4800 James O. Dorsey papers, National Anthropological Archives, Smithsonian Institution
Sponsor:
Creation of this finding aid was funded through support from the Arcadia Fund.
Digitization and preparation of additional materials for online access has been funded also by the National Science Foundation under BCS Grant No. 1561167 and the Recovering Voices initiative at the Smithsonian's National Museum of Natural History.
The Boris V. Timchenko collection includes project files, business records, and personal papers of Boris Timchenko, a modernist landscape architect based in the Washington, D.C. metropolitan area known for his work on The Watergate Development and the annual National Capital Flower and Garden Show.
Scope and Contents:
The collection contains the professional files of landscape architect Boris V. Timchenko. These include architectural drawings and photographic prints from landscape design projects; a client list; brochures Timchenko used to promote his firm; and photographic prints showing him at work. There are a few architectural drawings related to his work on The Watergate Development in 1965 and many photographic prints from the National Capital Flower and Garden Show dated 1950-1961. The collection also contains some personal papers, including forms and licenses Timchenko acquired from the Russian and United States governments; certificates from a French university he attended; correspondence; portraits and photographic prints of his leisure activities; and newspaper profiles and obituaries about him. The collection documents only a portion of Timchenko's known professional design work and personal life.
Arrangement:
The collection is arranged into three series. Series 1: Project Files (arranged geographically by state and city). Series 2: Business Files. Series 3: Personal Papers.
Biographical / Historical:
Boris Timchenko (1898-1975) was a modernist landscape architect based in the Washington, D.C. area. Boris Vladimir Timchenko, who occasionally spelled his last name "Timtchenko" early in his life, was born in Tambov, Russia on October 1, 1898 to Vladimir Peter Timchenko and Nataly Nazarewsky. He lived in Lipetsk, Russia until he attended Moscow University from 1916-1918. From 1918-1920, he served in the White Russian Army but fled to France when Communist Bolsheviks defeated his army. He studied landscape architecture at what he termed a "Horticulture School" (possibly the École Nationale Supérieure d'Horticulture) in Versailles until 1924, and earned a degree in Agricultural Engineering at the École Nationale de Agriculture de Grignon in Grignon, France in 1926. A year later, he emigrated to the United States and worked for a landscape contractor, A. Gude Sons & Company, in Washington, D.C.
Timchenko started his own landscape architecture firm, Boris Timchenko and Associates, in Washington in 1938. Along with his colleague Leonard Bartlett, Jr., Timchenko designed outdoor spaces in the D.C. metropolitan area, Pennsylvania, and coastal Florida. (Most of the plans in the Boris V. Timchenko collection were drawn by 'L. B.' (Leonard Bartlett, Jr.) and checked by 'b. t.' (Boris V. Timchenko.) Timchenko He is perhaps best known as being the landscape architect for The Watergate Development in Washington, D.C. and the consulting designer for the National Capital Flower and Garden Show from 1950 to 1967. He also created private gardens for notable clients such as former First Lady Mamie Eisenhower and the Auchincloss family, owners of Hammersmith Farm in Newport, Rhode Island. Organizations and businesses, such as the International Brotherhood of Teamsters in D.C. and the historic Gadsby's Tavern in Alexandria, Virginia, hired him as well.
Timchenko was a member of professional organizations including the American Institute of Landscape Architects (later American Society of Landscape Architects) and the Texas Association of Nurserymen. He was a founding member of the Russian Orthodox Church of St. Nicholas in D.C. By the time he died in 1975, Timchenko had contributed significantly to the design of D.C.'s urban landscape.
Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Supreme Court of Georgia. Western Union vs. Brown and Rudolph Company;Metropolitan Life; Gude of Gude and Company; Brown; Lowry; and Blair and Company. 1921.
This subseries is in storage off-site. Contact Archives Center for terms of access.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Western Union Telegraph Company Records, Archives Center, National Museum of American History
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Subject Categories: Patent Medicines, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Subject Categories: Patent Medicines, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
Fourth annual leadership institute of SNCC
Charles Jones:
"Set on Freedom"
"Ain't Gonna Let Nobody Turn Me Round"
"Oh, Freedom"
"This Little Light of Mine"
Moment of silence for John F. Kennedy
Prayer for protection against evil
John Lewis:
-Conference on jobs and food
-The masses are getting involved
-Only victims of segregation can lead the struggle against segregation
-Need to make basic changes to political struggles
-Must rid ourselves of the elements of violence and poverty
-We have a mandate to do everything possible to set this nation in line with democratic ideals
Director of student activities, Howard University:
-Welcome from Howard University
Schedule changes and announcements
Bob Moses:
-SNCC has primarily organized a group of organizers, need to consolidate that group
-SNCC needs to define what it is they organize for
-Rather limited and specific objectives
-Political overthrow of the south as we know it
-Fundamental changes in the political structure
Digital reference copy in Smithsonian Institution Digital Asset Management System (DAMS).
Collection Restrictions:
Collection is open for research. Reference copies must be used. Tapes noted in the container list have digital reference copies in the Smithsonian Institution Digital Asset Management System (DAMS).
Collection Rights:
Collection items available for reproduction, but copyright status unknown. Contact Archives Center staff for additional information. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Moses Moon Civil Rights Movement Audio Collection, 1963-1964, Archives Center, National Museum of American History, Smithsonian Institution.
Sponsor:
Partial funding for preservation and duplication of the original audio tapes provided by a National Museum of American History Collections Committee Jackson Fund Preservation Grant.
File consists of color negatives from 1966 Roanoke Bluegrass Festival, 2x3 color kodachrome prints from the 1960s, color prints and negatives from the 1980s or 1990s, 8x10 B&W prints (mostly publicity, one of Pendleton Vandiver), letter from John Gude attached to photos of Monroe and Doc Watson performing at Gerde's Folk City in 1963.
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Katy Clyne -- I'm coming back but I don't know when -- Way down in the country -- Stewball -- Rawhide -- Soon I will be done -- Angelitos Negros ("Black angels") -- Let me fly -- Lowlands -- Drunkards lament -- The moon will be a-bleeding -- I had a notion -- The lark -- Pretty Polly -- I love my baby -- Another man done gone -- Alberta -- Winken, Blinken and Nod -- They hung him on the cross.
Track Information:
101 Katy Cline / Greenbriar Boys, John Herald, Ralph Rinzler. Guitar,Mandolin,Banjo.
102 I'm Coming Back But I Don't Know When / Greenbriar Boys, John Herald, Ralph Rinzler. Guitar,Mandolin,Banjo.
103 Way Down in the Country / Greenbriar Boys, John Herald, Ralph Rinzler. Guitar,Mandolin,Banjo.
104 Stewball / Greenbriar Boys, John Herald, Ralph Rinzler. Guitar,Mandolin,Banjo.
105 Rawhide / Greenbriar Boys, John Herald, Ralph Rinzler. Guitar,Mandolin,Banjo.
106 Soon I Will Be Done / Jackie Washington. Guitar.
202 The Moon Will Be a Bleeding / Hedy West. Banjo.
203 I Had a Notion / Hedy West. Banjo.
204 The Lark / Hedy West. Banjo.
205 Pretty Polly / Hedy West. Banjo.
206 I Love My Baby / David Gude. Guitar.
207 Another Man Done Gone / David Gude. Guitar.
208 Alberta / David Gude. Guitar.
209 Winken Blinken and Nod / David Gude. Guitar.
210 They Hung Him on the Cross / David Gude. Guitar.
Local Numbers:
FP-RINZ-LP-1617
Vanguard.9096
Publication, Distribution, Etc. (Imprint):
New York Vanguard 1961
Participant or Performer Note:
Recordings by The Greenbriar Boys (Bob Yellin, Ralph Rinzler, John Herald) (side 1, bands 1-5), Jackie Washington (side 1, bands 6-9), Hedy West (side 2, bands 1-5), and David Gude (side 2, bands 6-10).
General:
Program and biographical notes on container.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Type:
Archival materials
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 1987 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.