Festival Recordings: NASA Exploration Stage: The Rocket Boy (Michael Green, Homer Hickam); NASA Pioneers (Ed Goldstein, Andy Aldrin, Gwen Griffin, Jeannie Kranz); NASA and the Media (Bob Jacobs, ?David Mohr, Michael Cabbage?, Jennifer Collings)
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Extent:
1 Sound recording (compact audio cassette)
Type:
Archival materials
Sound recordings
Date:
2008 June 29
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2008 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Chuck and Jan Rosenak research material, circa 1938-2008. Archives of American Art, Smithsonian Institution.
(2 photos; 1 contact sheet and negatives: Homer Green and Laura McNellis)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Chuck and Jan Rosenak research material, circa 1938-2008. Archives of American Art, Smithsonian Institution.
The papers of art collector and dealer Jimmy Hedges and the records of his Rising Fawn Folk Art Gallery measure 23.5 linear feet and 15.63 GB and date from 1969-2016, with the bulk of the material dating from 1991-2013. The collection documents Hedges's career as a dealer of outsider art and as an advocate for self-taught artists. Records include administrative and sales records, correspondence, artist files, collector and gallery files, exhibition and art fair files, regional files, printed and digital material, photographic material, and unidentified sound and video recordings. The bulk of the collection consists of artist files and color photographs documenting hundreds of artists that Hedges visited at their homes and studios, including Georgia Blizzard, Howard Finster, Homer Green, Bessie Harvey, Danny Hoskinson, Paul Lancaster, A.J. Mohammed, Charlie Simmons, Jimmy Lee Sudduth, Mose Tolliver, and Purvis Young, among many others.
Scope and Contents:
The records of art collector and dealer Jimmy Hedges and his Rising Fawn Folk Art Gallery measure 23.5 linear feet and 15.63 GB and date from 1969-2016, with the bulk of the material dating from 1991-2013. The collection documents Hedges's career as a dealer of outsider art and as an advocate for self-taught artists. Records include administrative and sales records, correspondence, artist files, collector and gallery files, exhibition and art fair files, regional files, printed and digital material, photographic material, and unidentified sound and video recordings. The bulk of the collection consists of artist files and color photographs documenting hundreds of artists that Hedges visited at their homes and studios, including Georgia Blizzard, Howard Finster, Homer Green, Bessie Harvey, Danny Hoskinson, Paul Lancaster, A.J. Mohammed, Charlie Simmons, Jimmy Lee Sudduth, Mose Tolliver, and Purvis Young, among many others.
Arrangement:
This collection is arranged as 9 series.
Missing Title
Series 1: Administrative and Sales Records, 1969-1971, 1991-2015 (Boxes 1-4; 3.9 linear feet, ER01-ER03; 0.134 GB)
Series 2: Correspondence, 1974, 1981, 1990-2013 (Boxes 4-5; 0.2 linear feet)
Series 3: Artist Files, 1985-2014 (Boxes 5-9, 31, 33, OV 32; 4.6 linear feet, ER04-ER15; 5.35 GB)
Series 4: Collector and Gallery Files, 1992-2014 (Boxes 9-10; 1.2 linear feet)
Series 5: Exhibition and Art Fair Records, circa 1992-2013 (Boxes 10-11; 1.3 linear feet, ER16-ER18; 1.52 GB)
Series 6: Regional Files, 1976, 1980s-2012 (Boxes 11-13; 1.7 linear feet)
Series 7: Printed Material, 1980-2013 (Boxes 13-16, OV 32; 2.2 linear feet, ER19; 0.833 GB)
Series 8: Photographic Material, circa 1990-2011 (Boxes 16-30, 34-35; 7.9 linear feet, ER20-ER35; 7.79 GB)
Series 9: Unidentified Sound and Video Recordings, undated (Boxes 30-31; 0.5 linear feet)
Biographical / Historical:
James R. "Jimmy" Hedges III (1942-2014), was an artist, art collector and dealer of Outsider Art and Folk art in Tennessee and Georgia. Hedges established the Rising Fawn Folk Art Gallery, Lookout Mountain, Georgia.
Born into a prominent family from Chattanooga, Jimmy Hedges was a lifelong philanthropist as a trustee of his family's Tonya Memorial Foundation. His true vocation, however, was as an artist, collector, and dealer of outsider art and as an advocate for self-taught artists. Hedges discovered his love of wood carving as a teenager, when he created song birds, and returned to making art at age forty. Using a chain saw, he carved sculptures of Southerners he had encountered in his travels, including artists. His colleagues in this sector of the fine art craft world were predominantly southern African American self-taught painters, sculptors, potters, and carvers. Befriending them and collecting their work led Hedges to establish Rising Fawn Folk Art Gallery in 1993, building a gallery space in the early 2000s on his 500-acre farm in Lookout Mountain, Georgia.
An unconventional art dealer, Hedges would hand-deliver work to collectors' homes, driving his truck through backroads and stopping along the way to visit with artists and purchase more works to sell. He was an active presence at the Outsider Art Fair and self-taught artist exhibitions throughout the U.S., as well as at Slotin Folk Art auctions and prison auctions. His aim was to improve the economic condition of fellow artists and raise their profiles among curators and critics. Hedges' development of an archive was essential to this goal.
Provenance:
Donated 2016 by James R. Hedges IV on behalf of the Hedges Descendants Trust and in 2018 by James R. Hedges IV on behalf of Wildcat Asset Managment, LLC.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual records or born digital records with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.