Files on artists exhibiting at the gallery, business correspondence, an exhibition chronology, gallery press releases and exhibition announcements, a consignment file, artists' contracts, art inventories and price lists for art works.
The 53 artist files contain mostly printed materials such as resumes, exhibition announcements and reviews, press releases, and price lists. Some files also contain photographs and transparencies of art work and scattered correspondence. Artists include photographers Ansel Adams, Imogen Cunningham, Philippe Halsman, Helen Levitt, Joel Meyerowitz, Richard Misrach, and Barbara Morgan; painters and sculptors Helene Aylon, Herbert Bayer, Larry Bell, Joseph Hughes, Phillis Ideal, Glen Jampol, Craig Kauffman, Claude Kent, Jay McCafferty, David Mackenzie, John Okulick, Margit Omar, and Gregg Renfrow.
I. Subject files. II. Correspondence. III. Financial records. IV. Printed Matter. V. Guestbook.
Subject files are separated into artist and exhibition files. The artist files are arranged alphabetically. The exhibition files are arranged chronologically.
Correspondence is divided into Letters Sent and Received by Thomas Meyer and Other Correspondence and is then arranged chronologically.
Biographical / Historical:
The Grapestake Gallery, opening with an Ansel Adams' retrospective in 1974, was established by Ursula Gropper, Thomas V. Meyer and their father, Otto Meyer, retired board chairman of Paul Masson Vineyards. Grapestake, which closed in 1984, was located at 2876 California Street, San Francisco, California. Exhibitions concentrated on contemporary California painters, sculptors and 20th century American photographers.
Donated 1987 by Thomas V. Meyer.
This collection is temporarily closed to researchers due to archival processing. Contact Reference Services for more information.
Biographical material; correspondence with artists, galleries, and museums; photographs of Moses, Charles Eames, Frank Gehry, Kenneth Price, H. C. Westermann, members of the Tamarind Lithograph Workshop, 1968, and others; exhibition catalogs and announcements; and clippings.
Correspondents include Akron Art Institute, Alan Gallery, Albright-Knox Gallery, Brooke Alexander Inc., Allen Memorial Art Museum, Aquinas College (Mich.), Galleria dell 'Ariete, Jason Aver Gallery, Barone Gallery, Larry Bell, Billy Al Bengston, John Berggruen Gallery, Tony Berlant, Wally Berman, Irving Blum, Bocour Artist Colors, Inc., Brooklyn Museum, Dorothy Brown, Lydis Brown, Robert D. Brown, California State University (L.A), Vija Celmins, Norman Colp, Contemporary Arts Center, Corcoran Gallery of Art, James Corcoran Gallery, Roy De Forest, Mark Di Suvero, Dilexi Gallery, Documenta 5 (Greece), Dootson/Calderhead Gallery (Seattle, Wa.), Downey Museum of Art, Dunkelman Gallery, Editions Alecto of American, Ltd., Edizioni O (Milan), Robert Elkon Gallery, Everett Ellin Gallery, Sam Francis, Grapestake Gallery, Marcia Hafif, Hansen Fuller Gallery, Harry Holtzman, Walter Hopps, International Institute of Experimental Printmaking (Santa Cruz, Ca.), Ithaca College, Martha Jackson Gallery, Bernard Jacobson, Ltd. (London), Robert C. Kauffman, Leslie Kerr, Phyllis Kind Gallery, Robert Kinmont, Krikhaar Art Dealers (Amsterdam), La Jolla Museum of Contemporary Art, La Tortue Gallery, Galerie Dorothea Leonhart (Munich), Lippincott, Inc., Penny Little Fine Arts Service (Calif.), Los Angeles County Museum of Art, Alan Lynch, Christophe De Minel, Richard Minsky, Margaret Muller Galerie (Stuttgart), Multiples, Inc.,Hans Neuendorf Galerie (Hamburg), Newark Museum, Barnett Newman,Fine Arts Patrons of Newport Harbor, Oakland Museum, Mike Olodort, Constance Perkins, Philadelphia Museum of Art, Peter Plagens, Kenneth Price, Ad Reinhardt, Bruce Reynolds, Cesar Romero, Courtney Sale Gallery (Dallas), Alan D. Shean, Michael and Ileana Sonnabend, Galerie Darthea Speyer (Paris), Gene Sturman, Simon W. Taylor, Morgan Thomas, University of California at Los Angeles, U.C.L.A. Oral History Program (Michael Auping), University of New Mexico at Albuquerque, Larry Urrutia, H. C. Westermann, Nicholas Wilder Gallery, Malcolm Winton, and Theo Wujeik.
Biographical / Historical:
Painter; Venice, California. Moses was born in Long Beach, Calif., 1926. He studied, and later taught at the University of California, Los Angeles. He also taught at the Skowhegan School of Painting and Sculpture (Me.), and California State College.
Lent for microfilming 1980 by Ed Moses.
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.