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Oral history interview with Edith Gregor Halpert, 1962-1963

Interviewee:
Halpert, Edith Gregor, 1900-1970  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington),, 1920-  Search this
Subject:
Steichen, Edward  Search this
Hirsch, Stefan  Search this
Hartley, Marsden  Search this
Cary, Elisabeth Luther  Search this
Field, Hamilton Easter  Search this
Force, Juliana  Search this
Barrie, Erwin S.  Search this
Benton, Thomas Hart  Search this
Whitney, Gertrude Vanderbilt  Search this
Sandburg, Carl  Search this
Saarinen, Aline B. (Aline Bernstein)  Search this
Pascin, Jules  Search this
Rivera, Diego  Search this
Weber, Max  Search this
Locke, Charles  Search this
Greenberg, Clement  Search this
Fuller, R. Buckminster (Richard Buckminster),  Search this
Demuth, Charles  Search this
Rockefeller, Abby Aldrich  Search this
Mellon, Paul  Search this
Bacon, Peggy  Search this
O'Keeffe, Georgia  Search this
Ford, Ford Madox  Search this
Robinson, Edward G.  Search this
Zerbe, Karl  Search this
Kuniyoshi, Yasuo  Search this
Frost, Robert  Search this
Zorach, Marguerite  Search this
Luks, George Benjamin  Search this
McBride, Henry  Search this
Noguchi, Isamu  Search this
Kuhn, Walt  Search this
Crowninshield, Frank  Search this
LÔeger, Fernand  Search this
Wittenberg, Philip  Search this
Halpert, Samuel  Search this
Kline, Franz  Search this
Daniel, Charles  Search this
Vollard, Ambroise  Search this
Dudensing, F. Valentine  Search this
Pound, Ezra  Search this
Stella, Frank  Search this
Williams, William Carlos  Search this
Stein, Gertrude  Search this
Kroll, Leon  Search this
Levy, Julien  Search this
Sheeler, Charles  Search this
Cahill, Holger  Search this
Saklatwalla, Beram K.  Search this
Hopkinson, Charles  Search this
Montross, N. E. (Newman E.),  Search this
Pollock, Jackson  Search this
Fergusson, John Duncan  Search this
Mercer, Henry Chapman  Search this
Lawrence, Jacob  Search this
Davis, Stuart  Search this
Laurent, Robert  Search this
Chase, William Merritt  Search this
Johns, Jasper  Search this
Hopper, Edward  Search this
Soutine, Chaim  Search this
Brixey, Richard de Wolfe  Search this
Levine, Jack  Search this
Barr, Alfred H.  Search this
Zorach, William  Search this
Shan, Benjamin  Search this
Marin, John  Search this
Calder, Alexander  Search this
Stern, Louis E.  Search this
Dove, Arthur Garfield  Search this
Knox, Seymour H.  Search this
Brackman, Robert  Search this
Picasso, Pablo  Search this
Deskey, Donald  Search this
Stieglitz, Alfred  Search this
Siporin, Mitchell  Search this
Goodyear, A. Conger (Anson Conger),  Search this
Coleman, Glenn O.  Search this
Bridgman, George Brant  Search this
Tannahill, Robert Hudson  Search this
M. Knoedler & Co.  Search this
Montross Gallery  Search this
Grand Central Art Galleries  Search this
C.W. Kraushaar Art Galleries  Search this
New Gallery (New York, N.Y.)  Search this
Downtown Gallery (New York, N.Y.)  Search this
Daniel Gallery  Search this
Ferargil Galleries  Search this
Topic:
Art  Search this
Art dealers  Search this
Camouflage  Search this
Folk art  Search this
Art galleries, Commercial  Search this
Record number:
(DSI-AAA_CollID)13220
(DSI-AAA_SIRISBib)214627
AAA_collcode_halper62
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214627
Online Media:

Henry Ossawa Tanner papers, 1860s-1978, bulk 1890-1937

Creator:
Tanner, Henry Ossawa, 1859-1937  Search this
Subject:
Tanner, Jesse O.  Search this
Curtis, Atherton  Search this
Tanner, Jessie O.  Search this
Taverty, J. J.  Search this
Carpenter, J. S.  Search this
Grand Central Art Galleries  Search this
Old American Art Club (Paris, France)  Search this
Académie Julian  Search this
Topic:
Art  Search this
Expatriate painters  Search this
African American painters  Search this
Record number:
(DSI-AAA_CollID)9229
(DSI-AAA_SIRISBib)211424
AAA_collcode_tannhenr
Theme:
African American
American Art and Artists in a Global Context
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211424
Online Media:

Edwin Coupland Shaw papers, 1864-1937

Creator:
Shaw, Edwin Coupland, 1863-1941  Search this
Subject:
Metcalf, Willard Leroy  Search this
Hawthorne, Charles Webster  Search this
Vonnoh, Bessie Potter  Search this
Fuller, George  Search this
Konti, Isidore  Search this
Beckwith, J. Carroll (James Carroll)  Search this
Barrie, Erwin S.  Search this
Davis, Charles H. (Charles Harold)  Search this
Williams, Frederick Ballard  Search this
Ranger, Henry Ward  Search this
Ritschel, William  Search this
Sherman, Frederic Fairchild  Search this
Hunt, William Morris  Search this
Carlsen, Emil  Search this
Duveneck, Frank  Search this
Murphy, John Francis  Search this
La Farge, John  Search this
Young, J. W.  Search this
Twachtman, John Henry  Search this
Batts, J. E.  Search this
Inness, George  Search this
Weir, Julian Alden  Search this
Dougherty, Paul  Search this
MacMonnies, Frederick William  Search this
Johansen, John C. (John Christen)  Search this
Russman, Felix  Search this
Purdy, W. Frank  Search this
Minns, Hervey W.  Search this
Hatfield, D. H.  Search this
Torrey, Elliot  Search this
Davis, Warren  Search this
Tryon, Dwight William  Search this
Dewey, Charles M.  Search this
Frieseke, Frederick C. (Frederick Carl)  Search this
Murphy, Hermann Dudley  Search this
Walker, Horatio  Search this
Eaton, Charles Warren  Search this
Russell, T. H. Thomas H.  Search this
Turner, Helen Maria  Search this
Chase, William Merritt  Search this
Daingerfield, Elliott  Search this
Dunbar, Thomas Whipple  Search this
Shonnard, Eugenie Frederica  Search this
Genth, Lillian Mathilde  Search this
Milch, Albert  Search this
Derujinsky, Gleb W.  Search this
Price, F. Newlin (Frederic Newlin)  Search this
Cole, Timothy  Search this
Lathrop, William Langson  Search this
Dewing, Thomas Wilmer  Search this
Proctor, Alexander Phimister  Search this
Gerrity, Thomas F.  Search this
Blakelock, Ralph Albert  Search this
Vedder, Elihu  Search this
Sellstedt, Lars Gustaf  Search this
Wolf, Henry  Search this
MacNeil, Hermon Atkins  Search this
Ryder, Albert Pinkham  Search this
Dallin, Cyrus E. (Cyrus Edwin)  Search this
Vonnoh, Robert William  Search this
Hassam, Childe  Search this
Benson, Frank Weston  Search this
Montross, N. E. (Newman E.),  Search this
M. Knoedler & Co.  Search this
Montross Gallery  Search this
Grand Central Art Galleries  Search this
Robert C. Vose Galleries  Search this
Carrig-Rohane Shop (Boston, Mass.)  Search this
Howard Young Galleries (New York, N.Y.)  Search this
Ferargil Galleries  Search this
Macbeth Gallery  Search this
Akron Art Institute  Search this
E.& A. Milch, Inc  Search this
Gorham Company.Dept. of Sculpture (New York, N.Y.)  Search this
Hatfield & Clark (Firm: Chicago, Ill.)  Search this
J.W. Young (Gallery)  Search this
R.C. & N.M. Vose (Firm)  Search this
Thomas Whipple Dunbar Art Galleries (Milwaukee, Wis.)  Search this
Thurber Art Galleries (Chicago, Ill.)  Search this
Topic:
Art  Search this
Ten American Painters (New York, N.Y.)  Search this
Art, American  Search this
Record number:
(DSI-AAA_CollID)8467
(DSI-AAA_SIRISBib)210643
AAA_collcode_shawedwi
Theme:
The Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210643

Grand Central Art Galleries records, 1931-1968, bulk circa 1952-circa 1965

Creator:
Grand Central Art Galleries  Search this
Subject:
Candell, Victor  Search this
Moy, Seong  Search this
Lam, Jennett  Search this
Gonzalez, Xavier  Search this
Osver, Arthur  Search this
Kainen, Jacob  Search this
Watts, Robert M.  Search this
Browne, Byron  Search this
Barrie, Erwin S.  Search this
DeMartini, Joseph  Search this
Rowan, Herman  Search this
Salemme, Lucy  Search this
Roberts, Colette Jacqueline  Search this
Asher, Elise  Search this
Grand Central Moderns (Gallery)  Search this
Galerie Jeanne Bucher  Search this
Topic:
Art, Modern  Search this
Art galleries, Commercial  Search this
Record number:
(DSI-AAA_CollID)8254
(DSI-AAA_SIRISBib)210425
AAA_collcode_grancent
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210425
Online Media:

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974

Creator:
Jacques Seligmann & Co.  Search this
Subject:
Seligmann, René  Search this
Seligmann, Jacques  Search this
de Hauke, César  Search this
Waegen, Rolf Hans  Search this
Glaenzer, Eugene  Search this
Parker, Theresa D.  Search this
Haardt, Georges  Search this
Schiff, Mortimer L.  Search this
Arenberg  Search this
La Fresnaye, Roger de  Search this
Trevor, Clyfford  Search this
Seligman, Germain  Search this
Mackay, Clarence Hungerford  Search this
Liechtenstein, House of  Search this
Seligmann, Arnold  Search this
MM. Jacques Seligmann & fils  Search this
Eugene Glaenzer & Co  Search this
Gersel  Search this
Germain Seligmann & Co  Search this
De Hauke & Co., Inc  Search this
Topic:
Art  Search this
Art treasures in war  Search this
World War, 1939-1945  Search this
Decorative arts  Search this
Art, European  Search this
Art galleries, Commercial  Search this
Art, Renaissance  Search this
Record number:
(DSI-AAA_CollID)9936
(DSI-AAA_SIRISBib)212486
AAA_collcode_jacqself
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212486
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Online Media:

Jacques Maroger papers, 1923-1990

Creator:
Maroger, Jacques, 1884-1962  Search this
Subject:
John, Augustus  Search this
Kelly, Gerald  Search this
Dufy, Raoul  Search this
Toudu, Sure  Search this
Verne, Henri  Search this
Fry, Roger Eliot  Search this
Ladew, Harry  Search this
Anquetin, Louis  Search this
Grand Central Art Galleries  Search this
Ferargil Galleries  Search this
Maryland Institute, College of Art  Search this
Musée du Louvre  Search this
Galerie Louis Carré  Search this
Evergreen House Foundation (Baltimore, Md.)  Search this
Sagittarius Gallery (New York, N.Y.)  Search this
Six Realists Gallery (Baltimore, Md.)  Search this
Topic:
Sculptors  Search this
Artists' materials  Search this
Artists' studios  Search this
Record number:
(DSI-AAA_CollID)6352
(DSI-AAA_SIRISBib)215088
AAA_collcode_marojacq
Theme:
Art Materials, Techniques, and Studio Art Education
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215088

Elliott Daingerfield papers, 1868-1976

Creator:
Daingerfield, Elliott, 1859-1932  Search this
Type:
Sketchbooks
Topic:
Authors  Search this
Painting, Modern  Search this
Artists' writings  Search this
Mural painting and decoration  Search this
Record number:
(DSI-AAA_CollID)5784
(DSI-AAA_SIRISBib)208623
AAA_collcode_dainelli
Theme:
Diaries
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208623

Wood and Adelaide Lawson Gaylor papers, 1866-[circa 1986]

Creator:
Gaylor, Wood, 1883-1957  Search this
Gaylor, Adelaide Lawson, 1889-1986  Search this
Subject:
Howland, Isabella  Search this
Laurent, Robert  Search this
Baker, Josephine  Search this
Strater, Henry A.  Search this
Frost, John  Search this
Morrison, David H. (David Herron),  Search this
Ganso, Emil  Search this
Lawson, John Howard  Search this
Hart, George Overbury  Search this
Frueh, Alfred Joseph  Search this
Coady, Robert J.  Search this
Halpert, Edith Gregor  Search this
Newton, Alice  Search this
Gellert, Hugo  Search this
Frost, A. B. (Arthur Burdett)  Search this
Gwozdecki, Gustaw  Search this
Mager, Gus  Search this
La Guardia, Fiorello H. (Fiorello Henry)  Search this
Brook, Alexander  Search this
Lie, Jonas  Search this
Pascin, Jules  Search this
Cahill, Holger  Search this
Field, Hamilton Easter  Search this
Schmidt, Katherine  Search this
David, Hermine  Search this
Dos Passos, John  Search this
Osborn, Frank C.  Search this
Bacon, Peggy  Search this
Kuniyoshi, Yasuo  Search this
Schack, William  Search this
Hirsch, Stefan  Search this
Association of American Painters and Sculptors (New York, N.Y.)  Search this
Penguin Club (New York, N.Y.)  Search this
Thumb Box Gallery (New York, N.Y.)  Search this
Friends of the Young Artists  Search this
Hamilton Easter Field Art Foundation  Search this
New York (N.Y.).Municipal Art Committee  Search this
New York Society of Women Artists  Search this
Salons of America, Inc  Search this
Wanamaker Gallery of Modern Decorative Art  Search this
International Exhibition of Modern Art (1913 : New York, N.Y.)  Search this
Type:
Sketchbooks
Topic:
Quill  Search this
Artist couples  Search this
Women artists  Search this
Painting, Modern  Search this
Modernism (Art)  Search this
Record number:
(DSI-AAA_CollID)8195
(DSI-AAA_SIRISBib)210366
AAA_collcode_gaylwood
Theme:
Diaries
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210366

Robert Dennis Reid papers, 1961-1977

Creator:
Reid, Robert Dennis, 1924-2000  Search this
Subject:
Bearden, Romare  Search this
Rose Fried Gallery (New York, N.Y.)  Search this
Grand Central Art Galleries  Search this
Grand Central Moderns (Gallery)  Search this
University of Notre Dame.Art Gallery  Search this
Galerie Darthea Speyer  Search this
ADI Gallery  Search this
Fairweather Hardin Gallery  Search this
Topic:
African American artists  Search this
Painters  Search this
Record number:
(DSI-AAA_CollID)8399
(DSI-AAA_SIRISBib)210573
AAA_collcode_reidrobd
Theme:
African American
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210573
Online Media:

James Vincent Forrestal

Artist:
Albert Ketcham Murray, 29 Dec 1906 - 24 Mar 1992  Search this
Sitter:
James Vincent Forrestal, 15 Feb 1892 - 22 May 1949  Search this
Medium:
Oil on canvas
Dimensions:
Accurate: 101 x 80 cm (39 3/4 x 31 1/2")
Frame: 120.2 × 114 × 7.6 cm (47 5/16 × 44 7/8 × 3")
Type:
Painting
Date:
1949
Topic:
Interior  Search this
Artwork\Painting  Search this
Home Furnishings\Furniture\Seating\Chair\Armchair  Search this
Equipment\Smoking Implements\Pipe  Search this
James Vincent Forrestal: Male  Search this
James Vincent Forrestal: Business and Finance\Businessperson  Search this
James Vincent Forrestal: Military\Navy\Secretary of the Navy  Search this
James Vincent Forrestal: Politics and Government\Cabinet Member\Secretary of Defense  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; transfer from the National Gallery of Art; gift of an anonymous donor, 1953
Object number:
NPG.65.70
Restrictions & Rights:
Usage conditions apply
Copyright:
© Albert K. Murray Fine Arts Educational Fund
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm444ace54a-2dd5-4316-aa7d-bab2fb49061b
EDAN-URL:
edanmdm:npg_NPG.65.70

Celestina

Artist:
Robert Henri, American, b. Cincinnati, Ohio, 1865–1929  Search this
Medium:
Oil on canvas
Dimensions:
24 1/2 x 20 in. (62 x 50.8 cm)
Type:
Painting
Date:
(1908)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.2427
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
American Realism (Ashcan School)
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py271e8deca-61e7-44ad-aa2d-84bb69f60ad9
EDAN-URL:
edanmdm:hmsg_66.2427

Alice Trumbull Mason papers

Creator:
Mason, Alice Trumbull, 1904-1971  Search this
Names:
American Abstract Artists  Search this
Kelpe, Paul, 1902-1985  Search this
Lassaw, Ibram, 1913- -- Photographs  Search this
Extent:
1.3 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketchbooks
Poetry
Date:
1921-1977
Summary:
The papers of abstract artist Alice Trumbull Mason date from 1921 to 1977 and measure 1.3 linear feet. The collection documents her career as a painter, particularly her role as one of the founders of the American Abstract Artists group, through biographical materials; correspondence with family, friends, fellow artists, art galleries, museums, and organizations; writings and notes, including notebooks of poetry and other creative writings; a small amount of printed material; photographs of Mason, friends, and her artwork; and original artwork, including five sketchbooks.
Scope and Content Note:
The papers of abstract artist Alice Trumbull Mason date from 1921 to 1977 and measure 1.3 linear feet. The collection documents her career as a painter, particularly her role as one of the founders of the American Abstract Artists group, through biographical materials; correspondence with family, friends, fellow artists, art galleries, museums, and organizations; writings and notes, including notebooks of poetry and other creative writings; a small amount of printed material; photographs of Mason, friends, and her artwork; and original artwork, including five sketchbooks.

Biographical material consists of resumes, passports, exhibition files, as well as documentation of her membership and active participation in art organizations, including her work as an officer in the American Abstract Artists group. Also found here are scattered personal financial and legal records. Personal and professional correspondence is with family members, including many detailed letters between her and her husband Warwood, fellow artists, including Paul Kelpe, art organizations, curators, museums, galleries, and others. Professional correspondence generally discusses selection of exhibition and awards, sale of artwork, and art events. Writings and notes, mostly from the 1920s and 1930s, consist of Mason's notes on art history and her creative writings, including poetry and "abstract writing." Also found are a few writings about abstract art and various notes and lists.

Printed material includes news clippings on topics of interest to Mason, and other miscellaneous items such as brochures, and exhibition announcements. Photographs include several portraits of Mason with her artwork, photographs of friends including artist Ibram Lassaw, photographs of an American Abstract Artists exhibition, and artwork by her and others. Original artwork found in this collection includes five sketchbooks belonging to Mason, including two that document her travels through Greece and Italy, and other loose drawings.
Arrangement:
The collection is arranged into 6 series:

Series 1: Biographical Material, 1925-1968 (Box 1, OV 3; 0.2 linear feet)

Series 2: Correspondence, 1922-1977 (Box 1; 0.4 linear feet)

Series 3: Writings and Notes, 1921-1965 (Box 1; 6 folders)

Series 4: Printed Material, 1936-1974 (Box 1; 2 folders)

Series 5: Photographs, 1920s-1967 (Box 1, OV 3; 5 folders)

Series 6: Artwork, 1924-1963 (Box 1-2, OV 3; 0.4 linear feet)
Biographical Note:
Alice Trumbull Mason was born in 1904 in Litchfield, Connecticut. Her mother, Anne Leavenworth Train, was an accomplished artist before she met Alice's father, William Trumbull, a descendent of the Revolutionary War era painter, John Trumbull. Alice spent much of her childhood in Europe with her family. From 1921 to 1922 they lived in Florence and Rome where she studied at the British Academy. In 1923 she continued her studies with painter Charles W. Hawthorne at the National Academy of Design in New York and from 1927 to 1928 attended courses at the Grand Central Art Galleries taught by Arshile Gorky. Gorky inspired her interest in abstract painting, and Mason painted her first non-objective works in 1929. In 1928 she returned to Italy and Greece and was greatly influenced by ancient art, Byzantium, and Italian primitives. She married Warwood Mason, a merchant seaman, in 1930 and her daughter Emily was born in 1932 and her son Jonathan in 1933. During this period she stopped painting and devoted her creative energy to writing poetry inspired by American avant-garde writers.

Mason began painting again in 1934 and was recognized as a key figure of American abstraction. In 1935 she met and became close friends with fellow artist Ibram Lassaw, and they, along with several other artists, began to meet on a regular basis which led to the first American Abstract Artists group exhibition in 1937. Mason remained very active in the group and served as treasurer in 1939, secretary from 1940 to 1945, and president from 1959 to 1963. She was also an activist for abstract art, protesting the decisions of the Museum of Modern Art several times for excluding abstract artists from exhibitions. During the 1940s her paintings and concept of "architectural abstraction" was influenced by the arrival of Piet Mondrian in New York. Also in the 1940s she had two one-woman shows, but throughout her career she felt there was a bias against women in the New York art world and most often she participated in AAA group shows. Her work would be viewed as an important bridge for future abstract and conceptualist artists. In 1958 her son died, and though she continued to paint and participate in exhibitions, she never recovered from this tragedy and in the late 1960s withdrew into seclusion until her death in 1971.
Related Material:
Also found in the Archives of American Art is a collection of interviews by Ruth Bowman of members of the American Abstract Artists group conducted between 1963-1965, that includes an interview with Alice Trumbull Mason. The Archives of American Art also houses 2.3 linear feet of the records of the American Abstract Artists group.
Separated Material:
A portion of the material donated by Alice Trumbull Mason in 1969 relating to her involvement with the American Abstract Artists was separated and filed with the American Abstract Artists records at the Archives of American Art. Files of news clippings and exhibition catalogs were transferred to the Smithsonian American Art Museum and National Portrait Gallery Library after microfilming.
Provenance:
A portion of this collection was donated by Alice Trumbull Mason in 1969. Additional material was donated from 1972 to 1977 by Mason's daughter, Emily Mason Kahn.
Restrictions:
The collection is partially microfilmed. Use of material not microfilmed requires an appointment.
Rights:
The Alice Trumbull Mason papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Women painters -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Sketchbooks
Poetry
Citation:
Alice Trumbull Mason papers, 1921-1977. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.masoalic
See more items in:
Alice Trumbull Mason papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-masoalic
Online Media:

Portraits by American artists / Grand Central Art Galleries, Inc

Author:
Grand Central Art Galleries  Search this
Physical description:
87 p. : ports. ; 24 cm
Type:
Catalogs
Place:
United States
Date:
1941
C1941
Topic:
Portraits, American  Search this
Portrait painters  Search this
Portrait painting  Search this
Call number:
ND1311.3 .G75
ND1311.3.G75
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_202725

Daniel Putnam Brinley and Kathrine Sanger Brinley papers

Creator:
Brinley, Putnam  Search this
Names:
Blashfield, Edwin Howland, 1848-1936  Search this
Brinley, Kathrine Sanger  Search this
Bruce, Edward, 1879-1943  Search this
Coffin, William A. (William Anderson), 1855-1925  Search this
Davis, Charles H. (Charles Harold), 1856-1933  Search this
Erskine, John, 1879-1951  Search this
Euwer, Anthony  Search this
Gabay, Esperanza  Search this
Henri, Robert, 1865-1929  Search this
Meiere, M. Hildreth, d. 1961  Search this
Peixotto, Ernest, b. 1869  Search this
Troy, Hugh  Search this
Extent:
14.3 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Sketches
Diaries
Photographs
Writings
Poetry
Date:
1879-1984
Summary:
The papers of painter and muralist Daniel Putnam Brinley and his wife, linguist and writer Kathrine Sanger Brinley, date from 1879 to 1984 and measure 14.3 linear feet. The Brinleys' careers and lives are documented in biographical materials, as well as extensive correspondence with one another, family, friends, art galleries, organizations, publishers, and others. Also found within the papers are writings by both, including 16 diaries (1 by Daniel Putnam Brinley and the rest by Kathrine), essays, manuscripts, typescripts, notes and notebooks, poetry, and various other writings. There are mural commission files, files for organizations of which the Brinleys were members, financial and legal records, exhibition catalogs, news clippings, and other printed material. Also found are photographs of the Brinleys, family, friends, travels, and artwork, and six sketchbooks and original artwork by Daniel Putnam Brinley.
Scope and Content Note:
The papers of painter and muralist Daniel Putnam Brinley and his wife, linguist and writer Kathrine Sanger Brinley, date from 1879 to 1984 and measure 14.3 linear feet. The Brinleys' careers and lives are documented in biographical materials, as well as extensive correspondence with one another, family, friends, art galleries, organizations, publishers, and others. Also found within the papers are writings by both, including 16 diaries (1 by Daniel Putnam Brinley and the rest by Kathrine), essays, manuscripts, typescripts, notes and notebooks, poetry, and various other writings. There are mural commission files, files for organizations of which the Brinleys were members, financial and legal records, exhibition catalogs, news clippings, and other printed material. Also found are photographs of the Brinleys, family, friends, travels, and artwork, and six sketchbooks and original artwork by Daniel Putnam Brinley.

Biographical material consists of biographical sketches and professional summaries for both Daniel Putnam Brinley and Kathrine Sanger Brinley, passports, personal mementos, award certificates, two radio interview transcripts, and military records documenting Daniel Putnam Brinley's service in the American Expeditionary Forces and the Camouflage Corps.

The papers contain extensive correspondence (4.6 linear feet) divided into family correspondence and general correspondence. Family correspondence includes letters between Daniel Putnam Brinley and Kathrine Sanger Brinley and with their parents and siblings. General correspondence primarily includes the Brinley's personal correspondence with friends and extended family. These letters discuss travel, mutual acquaintances, social events, and general news. Also found is professional correspondence regarding the exhibition and commission of artwork by Daniel Putnam Brinley and the publication of writings by Kathrine Sanger Brinley. Also discussed in the letters are the Brinleys' participation in art, social, and religious organizations. Correspondence of note is with Edwin Blashfield, Edward Bruce, William A. Coffin, Charles H. Davis, John Erskine, Anthony Euwer, Esperanza Gabay, Robert Henri, Hildreth Meiere, Ernest Peixotto, and Hugh Troy.

Writings and notes are by Daniel Putnam Brinley and Kathrine Sanger Brinley. Included among their writings are one diary by Daniel Putnam Brinley, 15 diaries by Kathrine Sanger Brinley, essays, notebooks and notes, manuscripts, and typescripts. Subjects of their writings include essays about religion, poetry, and autobiographical and travel essays. Also found among Daniel Putnam Brinley's writing are lecture notes, fictional stories and plays, essays about art, and historical research for his mural projects.

Mural commission files include correspondence, lists, contracts, financial agreements, notes, plans, sketches, and photographs for specific murals. There is extensive documentation on murals Brinley completed for the Metropolitan Life Insurance Company in New York and the Liberty War Memorial in Kansas City Missouri. Organization files document the Brinleys' participation in art and social organizations.

Scattered financial and legal records include receipts, account books, leases, estate and power of attorney documents, and records regarding their house and property in New Canaan, Connecticut. Printed material consists of published items documenting the careers, social activities and personal interest of the Brinleys, and includes books, exhibition catalogs and announcements, news clippings, newsletters, and items from their travels abroad.

Photographs depict Daniel Putnam Brinley and Kathrine Sanger Brinley, individually and with family and friends, and include photographs of Daniel Putnam Brinley working on mural commissions. Also found are photographs of their travels, their homes, Daniel Putnam Brinley's artwork, and reference photographs for his murals. Artwork in this collection includes six of Daniel Putnam Brinley's sketchbooks, primarily from his travels in Europe and Canada, loose drawings and mural studies, drawings by Albert Sterner and Reinhold Palenske, and a lithograph by John Steuart Curry.
Arrangement:
The collection is arranged into 9 series:

Series 1: Biographical Material, 1879-1970s (Box 1, OV 16; 0.8 linear feet)

Series 2: Correspondence, 1879-1984 (Box 1-6; 4.6 linear feet)

Series 3: Writings and Notes, circa 1895-1964 (Box 6-9; 3.3 linear feet)

Series 4: Commission Files, 1920-1979 (Box 9-10; 0.8 linear feet)

Series 5: Organization Files, 1909-1964 (Box 10-11; 0.9 linear feet)

Series 6: Financial and Legal Records, 1896-1965 (Box 11; 0.4 linear feet)

Series 7: Printed Material, 1895-1979 (Box 11-13, OV 16-17; 1.8 linear feet)

Series 8: Photographs, 1881-1971 (Box 13-14, OV 22; 0.8 linear feet)

Series 9: Artwork, 1891-1950s (Box 14-15, OVs 18-21; 0.9 linear feet)
Biographical Note:
Daniel Putnam Brinley (1879-1963) was a muralist and painter in New York City and New Canaan, Connecticut. Brinley was born in Newport, Rhode Island, and studied from 1900 to 1902 at the Art Student's League under Kenyon Cox and John Henry Twachtman. Influenced by Twachtman, he became an impressionist landscape painter for a time. In 1904, he married his childhood friend, writer Kathrine Gordon Sanger (1877-1966). For the next four years they traveled throughout Europe and lived in Paris, where Brinley studied art independently and became a member of the modernist circle of painters.

In 1908 the Brinleys returned to the United States and Daniel established a studio in New York City. During this period his work was heavily influenced by the modernist movement, with flattened forms and a deeper hued palette. Brinley had his first one-man show at Madison Avenue Galleries in 1910, exhibited at Alfred Stieglitz's gallery at 291, and helped organized the 1913 Armory Show. He was also a founding member of the Association of American Painters and Sculptors and the Grand Central Art Galleries. In 1914 the Brinleys built a home, Datchet House, in New Canaan, Connecticut, and spent part of each year there for the remainder of their lives.

In 1917 Daniel Putnam Brinley trained with the American Expeditionary Forces and went to France as the Director of Decoration for the Foyers Du Soldat (YMCA), remaining there until 1919. After returning to the United States he became a mural painter and received numerous commissions for memorials, office buildings, churches, and public spaces over the next forty years. Perhaps most notable of these commissions was the Liberty War Memorial in Kansas City, Missouri, for which Brinley painted 24 decorative maps showing the history of World War I. He remained active in the art community as a member of the Architectural League of New York, the National Academy of Design, and the Silvermine Guild of Artists, among others.

Kathrine Sanger Brinley was a writer and linguist who worked in Europe, New York City, and Connecticut. She lived in Europe from 1904 to 1908 where she studied the arts and crafts of the middle ages and became an expert on English writing and language of the 14th century. She published articles and books on these subjects and during the 1920s had a successful career touring as a dramatic recitalist of the works of Geoffrey Chaucer. From 1934 to 1938 the Brinley's spent their summers traveling throughout Canada, and Kathrine published four travel books which were illustrated by Daniel Putnam Brinley. Kathrine Sanger Brinley published and wrote professionally under the name Gordon Brinley.
Related Material:
Also found in the Archives of American Art is the Elizabeth Loder research material on Daniel Putnam Brinley, 1919-1990.
Separated Material:
The Archives of American Art also holds microfilm of material lent for microfilming on reel 1427, including select family photographs. Loaned material was returned to the lender is not described in the collection container inventory.
Provenance:
The Daniel Putnam Brinley and Kathrine Sanger Brinley papers were lent for microfilming by their niece, Elizabeth Loder, in 1978-1979. Loder subsequently donated all but select family photographs in 1991 and additional material in 1992.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Daniel Putnam Brinley and Kathrine Sanger Brinley papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Muralists -- Connecticut -- New Canaan  Search this
Mural painting and decoration -- United States  Search this
Authors -- Connecticut -- New Canaan  Search this
Painters -- Connecticut -- New Canaan  Search this
Works of art  Search this
Genre/Form:
Sketchbooks
Sketches
Diaries
Photographs
Writings
Poetry
Citation:
Daniel Putnam Brinley and Kathrine Sanger Brinley papers, 1879-1984. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.brindani
See more items in:
Daniel Putnam Brinley and Kathrine Sanger Brinley papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-brindani
Online Media:

Henry Ossawa Tanner papers

Creator:
Tanner, Henry Ossawa, 1859-1937  Search this
Names:
Académie Julian  Search this
Art Institute of Chicago  Search this
Grand Central Art Galleries  Search this
Old American Art Club (Paris, France)  Search this
Carpenter, J.S.  Search this
Curtis, Atherton  Search this
Tanner, Jesse O., 1903-  Search this
Tanner, Jessie O., 1873-1925  Search this
Taverty, J.J.  Search this
Extent:
2.3 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Photographs
Date:
1860s-1978
bulk 1890-1937
Summary:
The papers of the expatriate African American painter Henry Ossawa Tanner measure 2.3 linear feet and date from the 1860s to 1978, with the bulk of the material dating from 1890 to 1937. Found in the papers are scattered biographical, family, and legal materials; twenty-seven folders of correspondence with family, friends, patrons, and galleries; writings and notes by Tanner and others; a small amount of printed material; numerous photographs of Tanner, his studio in Paris and home in Trepied, Normandy, his family, friends, fellow artists, and his artwork. Additional photographs include a circa 1890 shot of Tanner with fellow students at the Académie Julian and another depicting Tanner with members of the American Art Club in Paris, circa 1900. Also found are a few sketches and drawings.
Scope and Content Note:
The papers of the expatriate African American painter Henry Ossawa Tanner measure 2.3 linear feet and date from the 1860s to 1978, with the bulk of the material dating from 1890 to 1937. Found in the papers are scattered biographical, family, and legal materials; twenty-seven folders of correspondence with family, friends, patrons, and galleries; writings and notes by Tanner and others; a small amount of printed material; numerous photographs of Tanner, his family, friends, his artwork, and the galleries at the Chicago Art Institute; and a few sketches and drawings.

Biographical material contains identification documents, awards, family and personal bibles, scattered records of his membership in the Societe Artistique de Picardie and the American Expeditionary Forces, address books, family history, a file concerning a lawsuit against the Bethel A.M.E. Church, and a few records documenting the sale of his artwork. Tanner's personal and professional correspondence is with his wife Jessie, his family, friends, patrons, art galleries, and others. Letters are from various family members, his closest friend Atherton Curtis and his wife Ingeborg, friend J.S. Carpenter who was president of the Des Moines Association of Fine Arts and arranged for sales of Tanner's work in the mid-west, Grand Central Art Galleries in New York, and J.J. Taverty who purchased Tanner's work for the High Museum in Atlanta. Topics of note covered in the correspondence include the sale and exhibition of his artwork and his work for the Red Cross.

Writings and Notes by Tanner include two small notebooks, one of which he kept during his travels in Europe and Palestine in 1897. Also found are his scattered loose writings, jottings, and other notes on various subjects, including autobiographical notes. Writings by others include notes and an essay by his wife Jessie, and a manuscript, "The Life and Works of Henry O. Tanner," by his son Jesse. Printed Materials document Tanner's career and other interests through exhibition announcements, news clippings, printed reproductions of artwork, a published autobiographical essay, and other miscellaneous items. The collection includes numerous photographs of Tanner, family and friends, his studio in Paris, his home in Trepied and in Spain, travels, and artwork. Additional photographs include a circa 1890 shot of Tanner with students at the Académie Julian and another depicting Tanner with members of the American Art Club in Paris, circa 1900. Artwork consists of an ink drawing of a Paris studio and pencil sketches by Tanner.
Arrangement:
The collection is arranged into 6 series:

Series 1: Biographical Material, circa 1890-1937 (Box 1, 4, OV 5; 0.8 linear feet)

Series 2: Correspondence, circa 1890-1978 (Box 1, OV 5; 0.6 linear feet)

Series 3: Writings and Notes, 1897-circa 1950s (Box 1-2, OV 5; 9 folders)

Series 4: Printed Material, 1897-1975 (Box 2, OV 5; 9 folders)

Series 5: Photographs, 1860s-1943 (Box 3, OV 5; 0.4 linear feet)

Series 6: Artwork, 1891-1893 (Box 3; 2 folders)
Biographical Note:
African American painter Henry Ossawa Tanner (1859-1937) was born in Pittsburgh, Pennsylvania to Benjamin Tucker Tanner, a college-educated teacher and minister, and Sarah Miller Tanner, a former slave. Benjamin Tanner was very active in the African Methodist Episcopal (A. M. E.) Church, eventually becoming a bishop, and the family often moved while Henry was a small child. They settled in Philadelphia, and as a teenager, Tanner spent his free time painting, drawing, and visiting art galleries. In 1880 he enrolled in the Pennsylvania Academy of the Fine Arts, where he studied under several master art instructors, including Thomas Eakins who greatly influenced his early work.

Tanner moved to Atlanta, Georgia in 1888 and opened a photography gallery which was not very successful. After teaching briefly at Clark College, a sponsorship from his patrons Bishop and Mrs. Joseph Crane Hartzell allowed him to travel to Europe in 1891 and study at the Académie Julian in Paris. There he was taught by Jean Joseph Benjamin-Constant and Jean-Paul Laurens. After returning to Philadelphia in late 1892, he painted many works depicting African American subjects, including The Banjo Lesson (1893). He returned to Paris in 1894. There, his work began to receive favorable reviews, particularly at the Paris Solon for his biblical scenes. Tanner began to specialize in painting bible imagery and scenes, and traveled to Palestine in 1897 and 1898 and later to Morocco to study costumes, customs, and cityscapes.

In 1899 Tanner married Jessie Macauley Olssen, a young woman from San Francisco living in Paris. Also around this time reproductions of his artwork were published in a few popular American magazines, and Tanner began to receive praise for his artwork in the United States. Tanner, however, objected to being labeled as "Negro artist". Despite their misgivings, the couple moved back to the United States for a short time. Their son, Jesee Ossawa Tanner was born in 1903. One year later Tanner and his wife returned to Paris and made it their lifelong permanent home, only occasionally visiting the United States for exhibitions of his work. They also maintained a leisure farm in Trepied, Normandy.

Tanner continued to exhibit his work in Paris, develop his painting technique and imagery, and travel, becoming friends with many artists throughout Europe. In 1913 he became president of the Societe Artistique de Picardie and during World War I he worked for the American Red Cross in France. In 1923 he was made a chevalier of the Legion of Honor in France for his work as an artist. Tanner became affiliated with Grand Central Art Galleries and other dealers in the United States and had great success there during the 1920s. When Jessie Tanner died in 1925 Henry was grief stricken and remained in poor health for the remainder of his life. He continued to paint occasionally until his death in 1937.
Related Material:
Also found at the Archives of American Art are the Marcia M. Mathews papers relating to Henry Ossawa Tanner, 1937-1969, available on microfilm reels 64 and 3268. Archives of American Art microfilm reel 4399 contains the Alexander family papers relating to Henry Ossawa Tanner, 1912-1985, the originals of which are housed in the University of Pennsylvania Archives. Microfilm reel 4397 is a copy of the the Henry O. Tanner letters to the Pennsylvania Academy of the Fine Arts, 1885-1909, loaned for microfilming by the Academy.
Provenance:
The Henry Ossawa Tanner papers were donated in several increments by his son, Jesse O. Tanner, between 1967 to 1978. Additional papers were donated by Jesse O. Tanner through Marcia M. Mathews, who was in possession of Tanner's papers to write Tanner's biography. Four medals were transferred to the Archives from the National Museum of African Art.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Henry Ossawa Tanner papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Painters -- France -- Paris  Search this
Painters -- United States  Search this
Topic:
Expatriate painters -- France -- Paris  Search this
Art -- Economic aspects  Search this
African American artists  Search this
Genre/Form:
Sketches
Photographs
Citation:
Henry Ossawa Tanner papers, 1860s-1978 (bulk 1890-1937). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.tannhenr
See more items in:
Henry Ossawa Tanner papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-tannhenr
Online Media:

John Singer Sargent letters

Creator:
Sargent, John Singer, 1856-1925  Search this
Names:
Blaney, Edith H.  Search this
Hunter, Charles, Mrs.  Search this
Extent:
0.2 Linear feet ((104 letters))
Type:
Collection descriptions
Archival materials
Date:
1887-1922
Summary:
The John Singer Sargent letters consist of 104 letters dating from 1887 to 1922. The letters provide limited insight into his later career through letters to commissioned patrons, sitters, and friends and colleagues. Topics covered include works in progress, replies to social invitations, and other general social news. Many of the letters are written to Mrs. Charles Hunter, an English friend and patron who sat for several portraits. Also found are letters from Sargent to friend Edith Blaney, whose husband was landscape artist Dwight Blaney. Additional scattered letters were written to Henry Mills Alden, Lawrence Barrett, Mrs. Baxter, a Mr. Griffith, Sir George Hunter, Mrs. Jackson, Louisa P. Loring, Henry Gurdon Marquand, Mrs. Pick, Mr. Spizer, and unidentified/illegible recepients. There are two photographs of Sargent.
Scope and Content Note:
The John Singer Sargent letters consist of 104 letters dating from 1887 to 1922. The letters provide limited insight into his later career through letters to commissioned patrons, sitters, and friends and colleagues. Topics covered include works in progress, replies to social invitations, and other general social news. Many of the letters are written to Mrs. Charles Hunter, an English friend and patron who sat for several portraits. Also found are letters from Sargent to friend Edith Blaney, whose husband was landscape artist Dwight Blaney. Additional scattered letters were written to Henry Mills Alden, Lawrence Barrett, Mrs. Baxter, a Mr. Griffith, Sir George Hunter, Mrs. Jackson, Louisa P. Loring, Henry Gurdon Marquand, Mrs. Pick, Mr. Spizer, and unidentified/illegible recepients. There are two photographs of Sargent.
Arrangement:
The collection is arranged into 1 series:

Series 1: John Singer Sargent Letters, 1887-1922 (Box 1; 0.2 linear feet)

Due to the small size of this collection, the letters are arranged alphabetically by name of correspondent into one series of 18 folders. Items within each folder are arranged chronologically .
Biographical Note:
John Singer Sargent (1856-1925) was born in Florence, Italy to American Parents, Dr. Fitzwilliam Sargent and Mary Newbold Singer Sargent of Philadelphia. During his childhood the family traveled Europe extensively, often spending summers in Switzerland and winters in Italy. Sargent began drawing and painting at an early age, helping in the studio of Carl Welsch in 1868, attending the Accademia delle Belle Arti in Florence in 1873, studying at Carolus-Duran's atelier and the studio of James Carroll Beckwith and finally attending the Ecole des Beaux-Arts in 1875. Sargent quickly gained recognition for his paintings, receiving honors for his works at the Salon and the Society of American Artists. During this period he visited the studios of many prominent artists working in Europe, including John Everett Millais, Frederic Leighton, and Claude Monet and also became friends with Henry James.

Influenced by Frans Hals and Velazquez, Sargent became a very successful portrait painter, acquiring many French patrons and later even more American clients. His most famous work, Mme Gautreau, known as 'Madame X', was denounced by the Salon in 1884 for its provocative modernism. After this scandal he moved from Paris to London, and in 1887 visited the United States, where he was treated as a celebrity. He visited again in 1890 and established studios in New York and Boston, in addition to his studio in London. He also accepted a commission to do a series of murals in the Boston Public Library which wasn't completed and installed until 1916. In 1891 he traveled to Egypt, Greece, and Turkey - travels that inspired his later paintings. By 1900 Sargent was the leading society portrait painter on an international level and was known for using modern styles of lighting, poses, and settings. In addition to many other honors he became a full member of the Royal Academy in London and the National Academy of Design in New York.

In 1907 Sargent decided to give up his portrait studios and focus on murals and landscape studies. In 1918 he became a war artist for the Ministry of Information and in 1924 had his first retrospective exhibition at Grand Central Art Galleries in New York. Sargent remained unmarried and died in his sleep in 1925 at the age of 69.
Related Material:
Related collections available at the Archives of American Art include the F. W. Sargent papers (John Singer Sargent's father), which include correspondence with his son, available on reel D317. Also found is the R. L. Ormond material relating to John Singer Sargent, available on microfilm reels 1407 and 1820, and "Recollections of John Singer Sargent," a typescript and recording of an interview of Sargent's model Anton Kamp, available on microfilm reel 5002. Other collections were loaned to the Archives of American Art for microfilming and returned to the owner, including the Charles Jackson Paine letters from John Singer Sargent, available on reel 2542, and the John Singer Sargent letter to Mrs. Henry White, available on reel 647.
Provenance:
42 of the letters were given to the Archives by Charles E. Feinberg in 1956 and purchased from King V. Hostick, an autograph dealer, in 1957. A few additional letters in the possession of Charles E. Feinberg were sold at auction and purchased by the Archives of American Art in 1968. Circa 60 letters from Sargent to Mrs. Charles Hunter were donated by Elizabeth Williamson, daughter of Mrs. Charles Hunter, in 1964. All accessions were microfilmed shortly after receipt.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The John Singer Sargent letters are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Portrait painters -- England -- London  Search this
Art -- Commissioning  Search this
Art patronage  Search this
Citation:
John Singer Sargent letters, 1887-1922. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.sargjohn
See more items in:
John Singer Sargent letters
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sargjohn
Online Media:

Grand Central Art Galleries

Collection Creator:
Kent, Rockwell, 1882-1971  Search this
Container:
Reel 5186, Frame 1317-1320
Type:
Archival materials
Date:
1941
Collection Restrictions:
The microfilm of this collection has been digitized and is available online via AAA's website. Use of material not microfilmed or digitized requires an appointment.
Collection Rights:
The Rockwell Kent papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Rockwell Kent papers, circa 1840-1993, bulk 1935-1961. Archives of American Art, Smithsonian Institution.
See more items in:
Rockwell Kent papers
Rockwell Kent papers / Series 1: Alphabetical Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-kentrock-ref1628

William Hunt Diederich papers, 1900-1976

Creator:
Diederich, William Hunt, 1884-1953  Search this
Subject:
Diederich, William Hunt  Search this
Grand Central Art Galleries  Search this
Milch Gallery  Search this
Ferargil Galleries  Search this
Topic:
Iron sculpture  Search this
Decorative arts  Search this
Record number:
(DSI-AAA_CollID)8876
(DSI-AAA_SIRISBib)211061
AAA_collcode_diedwill
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211061

George Grey Barnard selected papers, 1895-1941

Creator:
Barnard, George Grey, 1863-1938  Search this
Subject:
Rockefeller, John D. (John Davison),  Search this
Roosevelt, Theodore  Search this
Topic:
Sculpture, American  Search this
Record number:
(DSI-AAA_CollID)9736
(DSI-AAA_SIRISBib)212036
AAA_collcode_barngeos
Theme:
The Art Market
Lives of American Artists
Government Sponsorship of the Arts
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212036

Grand Central Art Galleries - Grand Street Settlement

Collection Creator:
Frank K. M. Rehn Galleries  Search this
Container:
Box 6
Reel 5856, Frame 1341-1424
Type:
Archival materials
Date:
1924-1964
Scope and Contents note:
Grand Central Art Galleries

Grand Central School of Art

Grand Rapids Art Gallery/Grand Rapids Art Museum

Grand Street Settlement
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Frank K. M. Rehn Galleries records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Frank K. M. Rehn Galleries records, 1858-1969 (bulk 1919-1968). Archives of American Art, Smithsonian Institution.
See more items in:
Frank K. M. Rehn Galleries records
Frank K. M. Rehn Galleries records / Series 1: Correspondence, A-Z
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-franrehg-ref201

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