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Castano Galleries records

Creator:
Castano Galleries (Boston, Mass.)  Search this
Names:
Beam, Philip C.  Search this
Castano, Giovanni, 1896-1978  Search this
Chrysler, Walter P. (Walter Percy), 1909-1988, Jr.  Search this
Danes, Gibson A.  Search this
Denghausen, Franz H., 1911-  Search this
Goodrich, Lloyd, 1897-1987  Search this
Grandin, Isabella  Search this
Hale, Lilian Westcott, 1880-1963  Search this
Hofer, Philip, 1898-1984  Search this
Rathbone, Perry Townsend, 1911-2000  Search this
Richardson, Edgar Preston, 1902-1985  Search this
Sachs, Paul J. (Paul Joseph), 1878-1965  Search this
Venturi, Lionello, 1885-1961  Search this
Extent:
30 microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1907-1983
Scope and Contents:
20 feet, chiefly gallery records and some personal papers of gallery owner, Giovanni (John) Castano, including correspondence, legal material, subject files, notes, writings, financial material, photographs, a scrapbook, and printed material.
Included are biographical information about Castano, business correspondence with dealers, museums, clients, collectors, artists, art historians, and others, and some personal correspondence, including a letter from Rome, 1876, from an unidentified writer to an unidentified woman containing a detailed description of a painting in the Barberini, and correspondence related to Castano's work as a scenic artist, 1924-1931. Subject files contain mainly correspondence and lists of work, and relate to Italian Renaissance exhibition, 1938, the Heeramaneck Collection of Persian and Indian Art, a Boldini exhibition, Arthur C. Goodwin, 1945-1952, and a Mancini-Sargent exhibition, 1951.
Financial material includes records of expenses and income; account books; employees' weekly wage book; records of purchases and sales of art work, including part of a bill for a painting by Diaz paid by Knoedler and Co., 1890; appraisals done for individuals, estates and institutions, including the Gorham Corporation, Harvard University murals, the Mrs. T. Morris Murray estate, furnishings of William M. Paxton's studio, ca. 1941, and paintings by Edmund Tarbell, and others; consignments; priced auction catalogs of the Henry F. Sears estate, the Mary A.H. Traiser estate, and miscellaneous price lists.
Also included are a card file on paintings; lists of paintings; inventories; client cards; address and appointment books; mailing lists; gallery journals, 1936-1927; descriptions and notes on paintings and authentications; biographies of artists; writings by and about Castano; and notes by Churchill Wyman on Philip Hale's anatomy lectures.
Photographs are of Castano, his work, artists at work, and various works of art. Original art work consists of sketches for a logo designed by Suzanne Chapman. Included in the exhibition related material is a catalog for Castano's posthumous exhibition.
Also included is a scrapbook containing announcements, clippings on the gallery and Castano, exhibition catalogs, and biographical material compiled by Castano's longtime secretary.
Among the correspondents are: Philip Beam, Walter P. Chrysler, Jr., Gibson Danes, Franz Denghasusen, Lloyd Goodrich (Whitney Museum of American Art), Isabella Grandin, Lilian W. Hale, Philip Hofer (Fogg Art Museum), Perry T. Rathbone (Museum of Fine Arts, Boston), Edgar P. Richardson (Detroit Institute of Arts), Paul J. Sachs (Fogg), and Lionello Venturi.
Biographical / Historical:
Art gallery, Boston, Mass. Founded in 1931 by Giovanni Castano, also known as John Castano. Castano attended the School of the Museum of Fine Arts, Boston, where he was an assistant to Philip Hale. He was a scenic artist for the Boston Opera Company and for the Grand Opera in Cincinnati, Ohio. During the Depression, he returned to Boston where he opened a gallery on Newbury Street specializing in European and American paintings, acted as an agent for Wildenstein and Co., and restored paintings. The gallery had numerous exhibitions of the "Boston School," including A.C. Goodwin, Winslow Homer, Philip Hale, Edmund C. Tarbell, William Paxton and others. The gallery occupied several Newbury St. locations. From 1975 until his death, Castano operated it from his home in Needham.
Other Title:
Giovanni Castano Galleries records, 1907-1983.
Provenance:
Lent for microfilming by Elvira Castano Palmerio, Castano's daughter, 1988.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Art appraisers  Search this
Restorers  Search this
Set decorators  Search this
Gallery owners  Search this
Art dealers -- Massachusetts  Search this
Painters -- Massachusetts -- Boston  Search this
Topic:
Art -- Collectors and collecting  Search this
Function:
Art galleries, Commercial -- Massachusetts -- Boston
Identifier:
AAA.castgall
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-castgall

Ethel Schwabacher papers

Creator:
Schwabacher, Ethel, 1903-1984  Search this
Names:
Baziotes, Ethel  Search this
Cavallon, Giorgio, 1904-1989  Search this
De Kooning, Willem, 1904-1997  Search this
Ford, John Charles, 1929-  Search this
Goodrich, Lloyd, 1897-1987  Search this
Gorky, Arshile, 1904-1948  Search this
Greenberg, Clement, 1909-1994  Search this
Guerrero, José, 1914-  Search this
Hofmann, Hans, 1880-1966  Search this
Kline, Franz, 1910-1962  Search this
Motherwell, Robert  Search this
Newman, Barnett, 1905-1970  Search this
Pollock, Jackson, 1912-1956  Search this
Pousette-Dart, Richard, 1916-1992  Search this
Reinhardt, Ad, 1913-1967  Search this
Reynal, Jeanne, 1903-  Search this
Rothko, Mark, 1903-1970  Search this
Ryan, Anne, 1889-1954  Search this
Schapiro, Meyer, 1904-  Search this
Still, Clyfford, 1904-1980  Search this
Thomas, Dylan, 1914-1953  Search this
Tomlin, Bradley Walker, 1899-1953  Search this
Tworkov, Jack  Search this
Interviewer:
Roberts, Colette, 1910-  Search this
Extent:
2.7 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Interviews
Sound recordings
Date:
1940-1975
Scope and Contents:
Biographical material, letters, artist files, interview transcripts, audio tapes, notes, writings, printed material, photographs, and motion picture film document Schwabacher's research and writings on her former teacher Arshile Gorky, colleague John Ford, and other artists, as well as her own painting career.
Letters, 1956-1968, are from colleagues, including one or two each from Giorgio Cavallon, Clement Greenberg, Barnett Newman, Richard Pousette-Dart, Oscar Williams (a picture postcard of himself with Dylan Thomas, 1958) and letters, 1961-1962, concerning the retrospective for Arshile Gorky at the Venice Biennale. Transcripts are from interviews with Schwabacher, conducted by Dr. Osis, 1963, and Colette Roberts, 1965. Writings include a typescript for a lecture on Gorky, given at the Wilmington Society of Fine Arts, 1961. Notes, 1948-1967, include lists of addresses, committees, and art works by Schwabacher, and 8 notebooks concerning a written work entitled "1948..........", and books about Gorky, Newman, and Rothko. There are also notes and writings in a file for art historian Lloyd Goodrich, 1953-1957, containing typescripts about Gorky by Goodrich, Clement Greenberg, and Meyer Schapiro. Printed material 1947-1964, consists of clippings and exhibition catalogs.
A 1 page biographical sketch, 1967, gives an outline of Schwabacher's career. A transcript, 1965, is of an interview conducted by Colette Roberts. Photographs are of Schwabacher's art work completed between 1954 and 1964. Three reels of 16mm motion picture film, undated, include home movies of family members and property, identified as Brookdale Farm.
Letters, 1962-1975, consist primarily of 35 letters from Ethel Baziotes; there are also two from Anna Walinska, Gorky's first New York dealer. Artist files, 1947-1974, contain notes, writings, printed material, and photographs concerning John Ford, Arshile Gorky, Jose Guerrero, and Jeanne Reynal. The file on Ford, 1971-1974, includes 22 letters from Ford (2 are illustrated) and 4 audio cassette tapes of Schwabacher's verbal notes and Ford's comments. The file on Gorky, 1957-1972, includes a study for his illustrations for Andre Breton's Protecting Young Cherry Trees From Hares (1946), and a photograph of Gorky. Notes, 1959-1974, consist of biographical material concerning Schwabacher, 4 notebooks, including those concerning Schwabacher's writings "Paradise of the Real" and "Conflict of Freedoms" and notes for "1948.........", include 2 letters from Richard Pousette-Dart, and lists and photographs of works by Willem De Kooning, Hans Hofmann, Franz Kline, Robert Motherwell, Barnett Newman, Jackson Pollock, Ad Reinhardt, Mark Rothko, Anne Ryan, Clyfford Still, Bradley Walker Tomlin, and Jack Tworkov. Writings by Schwabacher, 1966, consist of typescripts for "Conflict of Freedoms" and "The Portrait as Image". Printed material, 1947-1974, consists of clippings, exhibition announcements and catalogs for Schwabacher and others, and 2 reproductions of art works. Photographs, undated, are of art work by Schwabacher.
Biographical / Historical:
Ethel Schwabacher (1903-1984) was a painter and art historian from New York, N.Y. Schwabacher studied at the National Academy of Design, the Art Students League, and in Europe before becoming a painting student under Arshile Gorky in New York, 1934-1936. Schwabacher wrote Arshile Gorky (1957), with a preface by Lloyd Goodrich and introduction by Meyer Schapiro, and a biography, John Ford, Conquistador, about her painting colleague and friend.
Provenance:
Material on reels N69-64-N69-65 lent for microfilming 1966 by Schwabacher; all but a few miscellaneous items were subsequently donated 1974-1975 with material filmed on reels 4986-4987. Material on reel 3975 donated 1984 by Syracuse University, which had received it from Schwabacher.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Painters -- New York (State) -- New York  Search this
Art historians -- New York (State) -- New York  Search this
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Women painters -- New York (State) -- New York  Search this
Women art historians -- New York (State) -- New York  Search this
Genre/Form:
Drawings
Interviews
Sound recordings
Identifier:
AAA.schwethe
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-schwethe

Doll & Richards gallery records

Creator:
Doll & Richards (Gallery)  Search this
Names:
Azeez Khayat Gallery  Search this
Kleemann Galleries  Search this
Macbeth Gallery  Search this
Museum of Fine Arts, Boston  Search this
Chetcuti, John  Search this
Freiman, Robert  Search this
Goodrich, Lloyd, 1897-1987  Search this
Haseltine, William Stanley, 1835-1900  Search this
Homer, Winslow, 1836-1910  Search this
Lindenmuth, Tod  Search this
Meyerowitz, William, 1887-1981  Search this
Shepler, Dwight, 1905-  Search this
Verner, Elizabeth O'Neill, 1883-1979  Search this
Woodward, Stanley Wingate, 1890-1970  Search this
Wyeth, Andrew, 1917-2009  Search this
Zoehler, Wendell H., 1907-1989  Search this
Extent:
87.5 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Financial records
Date:
1863-1978
bulk 1902-1969
Summary:
The records of the Doll & Richards gallery of Boston measure 87.5 linear feet and date from 1863 to 1978, with the bulk of the material dating from 1902-1960s. Extensive financial and sales records, inventory records, and correspondence and letter books provide a detailed account of the business operations and sales of the gallery. Also found are notes and research files on artists and paintings, business and legal records, exhibition catalogs, six exhibition scrapbooks, printed materials, and photographs. Significant correspondents include John Chetcuti, Robert Freiman, Lloyd Goodrich, Tod Lindenmuth, Macbeth Galleries, William Meyerowitz, Museum of Fine Arts Boston, Stanley Woodward, and Andrew Wyeth, among many others.
Scope and Content Note:
The records of the Doll & Richards gallery of Boston measure 87.5 linear feet and date from 1863 to 1978, with the bulk of the material dating from 1902-1960s. Extensive financial and sales records, inventory records, and correspondence and letter books provide a detailed account of the business operations and sales of the gallery. Also found are notes and research files on artists and paintings, business and legal records, exhibition catalogs, six exhibition scrapbooks, printed materials, and photographs. The bulk of the collection dates from 1902 when the gallery was incorporated and new books were begun. According to gallery employee Wendell Zoehler, many records from the 19th century were discarded and periodically, especially when the gallery moved, other records were discarded.

Incoming and outgoing correspondence documents sales, consignments, appraisals, exhibitions, and inquiries by artists and others to Doll & Richards for over a century. Significant correspondents include artists John Chetcuti, Robert Freiman, Tod Lindenmuth, William Meyerowitz, Dwight Shepler, Elizabeth O'Neill Verner, Stanley Woodward, Andrew Wyeth, and others. Additional correspondents include Lloyd Goodrich from Whitney Museum of American Art, Azeez Khayat Gallery, Macbeth Galleries, Kleemann Galleries, and the Museum of Fine Arts in Boston. There is one letter from George Inness (1866). Outgoing correspondence is limited to 46 volumes of letterpress copybooks dating from 1930-1967.

Notes and research files primarily consist of compiled information about artists in which Doll & Richards dealt. These include card files related to the provenance of paintings by Winslow Homer and William Stanley Haseltine, and a book about Winslow Homer with notations by Zoehler about the sale of paintings .

Administrative and business records of general daily operations include an address book, meeting minutes, miscellaneous lists and notes, and a large card file of contacts with clients, consignors, artists, and businesses. A detailed description of the gallery's operations by Zoehler is also found here. Legal records include contracts, agreements, certificates of stock, certificates of copyrights, and photocopies of founding documents.

Although there are limited records prior to 1902, the financial records provide comprehensive detail of the gallery's financial transactions from the turn of the century through the early 1970s. Volumes of financial ledgers provide details of artwork bought, sold, and consigned; order forms for sales, framing, restoration, and shipping; gallery expenditures and salaries; records of client purchases; and other affairs. Many of the financial records are indexed and cross-referenced, offering researchers complex but rich documentation. The financial records should be consulted with the numerous inventory records that provide detailed information about the stock of art work held at the gallery. Inventory records also include documentation about the frames held by the gallery from the mid-1880s-1950. The gallery used sometimes complex codes to index and cross reference sales and stock. When known, these codes have been outlined in the more detailed series desciptions below, or filed within the appropriate boxes.

The history of Doll & Richards' exhibitions from the 1880s-1968 are documented in six disassembled bound volumes that contained exhibition catalogs and announcements. There are also additional loose catalogs and announcements. Additional printed materials include newspaper clippings related to exhibitions and the gallery and seven scrapbooks related to Doll & Richards' exhibitions from 1909-1943.

The bulk of the black and white photographs in the collection are of works of art by artists that Doll & Richards exhibited. There are only a handful of photographs of other subject matter, but include images of the gallery spaces at 2 Park Street, 71 Newbury, and 138 Newberry; and of artists.
Arrangement:
The collection is arranged as nine series:

Series 1: Correspondence, 1863-1972, bulk 1930s-1972 (Boxes 1-14; 14 linear feet)

Series 2: Notes and Research Files, 1880s-1978, bulk 1930s-1960s (Boxes 15-16, 78; 1.2 linear feet)

Series 3: Business Records, circa 1866-1978, bulk 1910s-1960s (Boxes 16-18; 1.9 linear feet)

Series 4: Legal Records, 1863-1906, 1941-1962 (Boxes 18, 78; 0.3 linear feet)

Series 5: Financial Records, 1871-1973, bulk 1902-1969 (Boxes 18-69, 79, BV81-112; 55 linear feet)

Series 6: Inventory Records, 1881-1969, bulk 1900s-1940s (Boxes 69-70, BV113-128; 2.3 linear feet)

Series 7: Printed Materials, circa 1880s-1968, bulk 1890s-1960s (Boxes 70-75; 4.9 linear feet)

Series 8: Photographs, circa 1880s-1960s (Boxes 75-78; 2 linear feet)

Series 9: Scrapbooks, 1908-1968, bulk 1908-1943 (Boxes 77, 80; 1.1 linear feet)

The records have been arranged according to the original order maintained by the gallery. Bound volumes containing exhibition catalogs glued to the internal spines have been disbound for preservation and proper housing.
Historical Note:
The Doll & Richards gallery originated in Boston in 1866 as an art gallery and framing shop owned by Charles E. Hendrickson, E. Adam Doll, and Joseph Dudley Richards. The gallery was a well-known Boston establishment for over 100 years that represented William Stanley Haseltine, Winslow Homer, William Morris Hunt, and Andrew Wyeth, among many other notable American painters, sculptors, and printmakers.

In 1870 Hendrickson retired and the gallery became Doll & Richards. After the untimely death of Doll in 1880, Richards purchased Doll's interest in the firm, retaining the gallery's well-known name. Under Richards' direction, the gallery prospered. Richards promoted the works of painter Winslow Homer, developing a market for his watercolors in Boston. He incorporated the gallery in 1902 and served as the treasurer and financier until his death in 1922 at 80 years old. The gallery then reorganized; Arthur McKean, who joined in 1911, became manager, and J.L. (Joe) Richards became treasurer. Fergus Turner, who joined the firm as a salesman in 1885 and became president in 1902, retained his role as president until 1938.

Over the century the gallery showcased contempory American artists, including William Morris Hunt, Dodge McKnight, William Stanley Haseltine, Laura Coombs Hills, Eliot O'Hara, Joseph Lindon Smith, Stanley Woodward, and Andrew Wyeth. The gallery also consigned paintings, prints, and objects from other major art galleries including Azeez Khayat Gallery, Kennedy Galleries, M. Knoedler and Co., Macbeth Gallery, Victor D. Spark, and Victor Waddington Galleries (Dublin, Ireland). According to long-time employee Wendell Zoehler (employed from 1929-1966), Doll & Richards' primary clientele came from the Social Register. In the summer months when wealthy Bostonians typically vacationed outside of the city, Doll & Richards remained open for tourists, many of whom became regular seasonal customers of the gallery.

The gallery experienced financial difficulties in the 1930s, leading to bankruptcy. Doll & Richards was purchased by McKean and incorporated in Maine in 1941. McKean sold Doll & Richards in 1962 to Maurice Goldberg; at this time none of the remaining family or staff were connected with the gallery. In 1973, the gallery was sold to Jeanne and Paul Sylva and closed.

Although the gallery always remained in the vicinity of Boston Common, it relocated numerous times over the years. In 1871 the gallery moved from 28 Summer Street to 145 Tremont Street. In 1878, the gallery remodeled and occupied the entire two-story building at 2 Park Street, renting out the second floor, known as the Hawthorne Room, for lectures. After thirty years on Park Street, Doll & Richards relocated to Newbury Street in 1908, beginning a succession of moves down Newbury Street approximately every twenty years, finally to 172 Newbury Street in 1962.
Related Material:
Among the other resources relating to the Doll & Richards gallery in the Archives of American Art is an oral history interview with Wendell Zoehler conducted by Robert Brown on April 14 and April 27, 1978.
Separated Material:
A daguerroteype of Gaetano Cardinal Bedini received with the records was transferred to the Smithsonian National Portrait Gallery on May 24, 2004.
Provenance:
The Doll & Richards records were donated to the Archives of American Art in numerous accessions between 1973 and 1979 by Jeanne and Paul Sylva, who purchased the gallery in 1973, and by former employee Wendell Zoehler.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Doll & Richards gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art, American  Search this
Art galleries, Commercial -- Massachusetts -- Boston  Search this
Art dealers -- Massachusetts -- Boston  Search this
Genre/Form:
Photographs
Scrapbooks
Financial records
Citation:
Doll & Richards gallery, 1863-1978, bulk 1902-1960s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dollrich
See more items in:
Doll & Richards gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dollrich

Lloyd Goodrich

Photographer:
Bachrach, Fabian, 1917-2010  Search this
Subject:
Goodrich, Lloyd  Search this
Type:
Photographs
Date:
195-
Topic:
Portrait photography  Search this
Record number:
(DSI-AAA)16526
See more items in:
Lloyd Goodrich papers, 1884-1987, bulk bulk 1927-1987
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16526
Online Media:

Reginald Marsh to Lloyd Goodrich

Creator:
Marsh, Reginald, 1898-1954  Search this
Goodrich, Lloyd, 1897-1987  Search this
Subject:
Goodrich, Lloyd  Search this
Marsh, Reginald  Search this
Type:
Correspondence
Date:
1925 Oct. 7
Record number:
(DSI-AAA)5585
See more items in:
Lloyd Goodrich papers, 1884-1987, bulk bulk 1927-1987
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_5585
Online Media:

Reginald Marsh to Lloyd Goodrich

Creator:
Marsh, Reginald, 1898-1954  Search this
Goodrich, Lloyd, 1897-1987  Search this
Subject:
Goodrich, Lloyd  Search this
Marsh, Reginald  Search this
Type:
Correspondence
Date:
1926 June 28
Record number:
(DSI-AAA)5586
See more items in:
Lloyd Goodrich papers, 1884-1987, bulk bulk 1927-1987
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_5586
Online Media:

Yasuo Kuniyoshi to Lloyd Goodrich

Creator:
Kuniyoshi, Yasuo, 1889-1953  Search this
Goodrich, Lloyd, 1897-1987  Search this
Subject:
Goodrich, Lloyd  Search this
Kuniyoshi, Yasuo  Search this
Type:
Correspondence
Place:
Paris, France
Date:
ca. 1926
Record number:
(DSI-AAA)5588
See more items in:
Lloyd Goodrich papers, 1884-1987, bulk bulk 1927-1987
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_5588
Online Media:

Yasuo Kuniyoshi to Lloyd Goodrich

Creator:
Kuniyoshi, Yasuo, 1889-1953  Search this
Goodrich, Lloyd, 1897-1987  Search this
Subject:
Goodrich, Lloyd  Search this
Kuniyoshi, Yasuo  Search this
Type:
Correspondence
Place:
Paris, France
Date:
ca. 1926
Topic:
Vacations  Search this
Record number:
(DSI-AAA)5589
See more items in:
Lloyd Goodrich papers, 1884-1987, bulk bulk 1927-1987
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_5589
Online Media:

Reginald Marsh to Lloyd Goodrich

Creator:
Marsh, Reginald, 1898-1954  Search this
Goodrich, Lloyd, 1897-1987  Search this
Subject:
Goodrich, Lloyd  Search this
Marsh, Reginald  Search this
Type:
Correspondence
Place:
Florence, Italy
Date:
1926 Feb. 20
Topic:
Vacations  Search this
Record number:
(DSI-AAA)5590
See more items in:
Lloyd Goodrich papers, 1884-1987, bulk bulk 1927-1987
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_5590
Online Media:

Reginald Marsh to Lloyd Goodrich

Creator:
Marsh, Reginald, 1898-1954  Search this
Goodrich, Lloyd, 1897-1987  Search this
Subject:
Goodrich, Lloyd  Search this
Marsh, Reginald  Search this
Type:
Correspondence
Date:
1926 Jan. 26
Topic:
Vacations  Search this
Record number:
(DSI-AAA)5591
See more items in:
Lloyd Goodrich papers, 1884-1987, bulk bulk 1927-1987
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_5591
Online Media:

Reginald Marsh postcard to Lloyd Goodrich

Creator:
Marsh, Reginald, 1898-1954  Search this
Goodrich, Lloyd, 1897-1987  Search this
Type:
Correspondence
Place:
Monte Carlo, Monaco
Date:
1926
Topic:
Vacations  Search this
Record number:
(DSI-AAA)5592
See more items in:
Lloyd Goodrich papers, 1884-1987, bulk bulk 1927-1987
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_5592
Online Media:

Reginald Marsh to Lloyd Goodrich

Creator:
Marsh, Reginald, 1898-1954  Search this
Goodrich, Lloyd, 1897-1987  Search this
Subject:
Goodrich, Lloyd  Search this
Marsh, Reginald  Search this
Type:
Correspondence
Place:
Paris, France
Date:
ca. 1926
Topic:
Vacations  Search this
Record number:
(DSI-AAA)5593
See more items in:
Lloyd Goodrich papers, 1884-1987, bulk bulk 1927-1987
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_5593
Online Media:

Betty Marsh to Lloyd Goodrich

Creator:
Marsh, Betty  Search this
Goodrich, Lloyd, 1897-1987  Search this
Subject:
Goodrich, Lloyd  Search this
Marsh, Betty  Search this
Type:
Correspondence
Place:
Paris, France
Date:
ca. 1926
Topic:
Vacations  Search this
Record number:
(DSI-AAA)5594
See more items in:
Lloyd Goodrich papers, 1884-1987, bulk bulk 1927-1987
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_5594
Online Media:

Reginald Marsh to Lloyd Goodrich

Creator:
Marsh, Reginald, 1898-1954  Search this
Goodrich, Lloyd, 1897-1987  Search this
Subject:
Goodrich, Lloyd  Search this
Marsh, Reginald  Search this
Type:
Correspondence
Place:
Oxford, England
Date:
1936 July 31
Topic:
Vacations  Search this
Record number:
(DSI-AAA)5595
See more items in:
Lloyd Goodrich papers, 1884-1987, bulk bulk 1927-1987
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_5595
Online Media:

Reginald Marsh to Lloyd Goodrich

Creator:
Marsh, Reginald, 1898-1954  Search this
Goodrich, Lloyd, 1897-1987  Search this
Subject:
Goodrich, Lloyd  Search this
Marsh, Reginald  Search this
Type:
Correspondence
Place:
London, England
Date:
1926 July 2
Topic:
Vacations  Search this
Record number:
(DSI-AAA)5596
See more items in:
Lloyd Goodrich papers, 1884-1987, bulk bulk 1927-1987
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_5596
Online Media:

Reginald Marsh postcard to Lloyd Goodrich

Creator:
Marsh, Reginald, 1898-1954  Search this
Goodrich, Lloyd, 1897-1987  Search this
Type:
Correspondence
Date:
circa 1930
Topic:
Vacations  Search this
Record number:
(DSI-AAA)5597
See more items in:
Lloyd Goodrich papers, 1884-1987, bulk bulk 1927-1987
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_5597
Online Media:

Reginald Marsh to Lloyd Goodrich

Creator:
Marsh, Reginald, 1898-1954  Search this
Goodrich, Lloyd, 1897-1987  Search this
Subject:
Goodrich, Lloyd  Search this
Marsh, Reginald  Search this
Type:
Correspondence
Date:
ca. 1926
Topic:
Vacations  Search this
Record number:
(DSI-AAA)5598
See more items in:
Lloyd Goodrich papers, 1884-1987, bulk bulk 1927-1987
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_5598
Online Media:

Reginald Marsh to Lloyd Goodrich

Creator:
Marsh, Reginald, 1898-1954  Search this
Goodrich, Lloyd, 1897-1987  Search this
Subject:
Goodrich, Lloyd  Search this
Marsh, Reginald  Search this
Type:
Correspondence
Place:
London, England
Date:
1926 Aug. 1
Topic:
Vacations  Search this
Record number:
(DSI-AAA)5599
See more items in:
Lloyd Goodrich papers, 1884-1987, bulk bulk 1927-1987
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_5599
Online Media:

Reginald Marsh to Lloyd Goodrich

Creator:
Marsh, Reginald, 1898-1954  Search this
Goodrich, Lloyd, 1897-1987  Search this
Subject:
Goodrich, Lloyd  Search this
Marsh, Reginald  Search this
Type:
Correspondence
Place:
London, England
Date:
1926 July 28
Topic:
Vacations  Search this
Record number:
(DSI-AAA)5600
See more items in:
Lloyd Goodrich papers, 1884-1987, bulk bulk 1927-1987
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_5600
Online Media:

Reginald Marsh to Lloyd Goodrich

Creator:
Marsh, Reginald, 1898-1954  Search this
Goodrich, Lloyd, 1897-1987  Search this
Subject:
Goodrich, Lloyd  Search this
Marsh, Reginald  Search this
Type:
Correspondence
Place:
London, England
Date:
1926 July 24
Topic:
Vacations  Search this
Record number:
(DSI-AAA)5601
See more items in:
Lloyd Goodrich papers, 1884-1987, bulk bulk 1927-1987
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_5601
Online Media:

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