Where does it lead?, Meidl in di yoren., Sur la route., Laredo., Greensleeves., Ro'e Vero'a., Auprers de ma blonde., Mi jacalito., As I roved out., Coplas., Katherine Jaffrey., Hej pada pada., Well met, pretty maid., Ballade du chercheur d'or., Western wind., Proschay.
Track Information:
101 Where Does it Lead? / Cynthia Gooding, Theodore Bikel. Guitar. English language.
102 A Meidl in Di Yoren / Theodore Bikel. Guitar. Yiddish language.
103 Sur La Route / Cynthia Gooding, Theodore Bikel. Guitar. French language.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Whoa Buck / Bob Gibson (2:35) --Railroad Bill / The Homesteaders (3:40) --Red River / Sony Terry (2:25) --The E-ri-e was rising / Oscar Brand (2:34) --I know where I'm going / Cynthia Gooding (1:55) --A dying man's plea / The Staple Singers (2:48) --Made me a pallet on the floor / Odetta (3:46) --Bahaman Lullaby / Billy Faier (4:13) --Raise a ruckus / The Lonsesome River Boys (1:52) --Sunnyland train / Memphis Slim (3:56) --Hard, ain't it hard / Eric Weissberg and Dick Rosmini (2:01) --I rowed a little boat / John Lee Hooker (3:25).
Track Information:
101 Whoa, Back, Buck / Bob Gibson. Guitar.
102 Railroad Bill / Homesteaders (Folk group). Guitar.
103 Red River / Sonny Terry. Harmonica.
104 The Erie Was Rising / Oscar Brand. Guitar.
105 I Know Where I'm Going / Cynthia Gooding. Guitar.
106 A Dying Man's Plea / Staple Singers.
201 Make Me a Pallet on the Floor / Odetta.
202 Bahamian Lullaby / Billy Faier. Banjo.
203 Raise a Ruckus Tonight / Lonesome River Boys. Guitar.
204 Sunnyland Train / Memphis Slim. Piano.
205 Hard, Ain't it Hard / Dick Rosmini, Eric Weissberg. Guitar,Banjo.
206 I Rowed a Little Boat / John Lee Hooker. Guitar.
Local Numbers:
FW-ASCH-LP-1194
Riverside.7539
Publication, Distribution, Etc. (Imprint):
New York Riverside
General:
Sung by individual or group performers with added musicians.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Flinthill special (Earl Scruggs) -- What're we going to do with the baby-oh ; Pretty Saro ; Shady grove (Jean Ritchie) -- Paper of pins (Jean Ritchie & Oscar Brand) -- The hangman, or The maid freed from the gallows (John Jacob Niles) -- Lady Gay (Frank Hamilton) -- Old raccoon (Frank Warner) -- Earl's breakdown (Earl Scruggs) -- Which side are you on? (Oscar Brand) -- Un Domingo ; Jalisco (Cynthia Gooding) -- The bold fisherman ; When cockle shells turn silver bells ; Frankie and Johnny ; Twinkle twinkle little star (Ed McCurdy) -- Cumberland Gap (Earl Scruggs).
Track Information:
101 Flint Hill Special / Earl Scruggs, Hylo Brown. Banjo.
102 What are We Gonna Do with the Baby-O / Jean Ritchie. Appalachian dulcimer.
103 Pretty Saro / Jean Ritchie. Appalachian dulcimer.
104 Shady Grove / Jean Ritchie. Appalachian dulcimer.
105 Paper of Pins / Jean Ritchie, Billy Faier, Oscar Brand. Appalachian dulcimer,Guitar.
106 Lady Gay (Child No. 79)/ Frank Hamilton. Guitar.
107 Old Racoon / Frank Warner. Banjo.
202 Which Side are You On? / Billy Faier, Oscar Brand. Guitar.
206 When Cockle Shells Turn Silver Bells / Ed McCurdy. Guitar.
207 Frankie and Johnny / Ed McCurdy. Guitar.
208 Twinkle Twinkle Little Star / Ed McCurdy. Guitar.
209 Cumberland Gap / Earl Scruggs, Hylo Brown. Banjo.
Local Numbers:
RA-RAMS-LP-0165
Vanguard.2055
Publication, Distribution, Etc. (Imprint):
New York Vanguard 1959
Date/Time and Place of an Event Note:
Recorded on location at the Newport Folk Festival, July 11-12, 1959.
General:
Program notes by Studs Terkel on container.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Assignment with Bill McNeil and Maria Bennett--Interview with Pete Seeger--Interview with Odetta--Commercial--Interview with Billy Faier--Lionel Brownite--Interview with Martha Schlamme--Commercial--Interview with Frank Hamilton--Interview with Moe Asch--Interview with Cynthia Gooding--Interview with Albert Grossman--Interview with Ed McCurdy--Credits
Local Numbers:
FW-ASCH-7RR-4482
General:
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Buenas noches --I know where I'm going --Quand le roi --Las Man.anitas --Cascabel --Johnny, I hardly knew ye --Two Turkish songs --Go way from my window --La Molinera -- Palmero --Farewell to cold winter --I saw a lady --Mon amour -- I gave my love a cherry --Cielito lindo --Cori Coruzzo --All through the night.
Track Information:
101 Buenas Noches / Guitar. Spanish language.
102 I Know Where I'm Going / Guitar. English language.
103 Quand Le Roi / Guitar. Spanish language.
104 Mananitas, Las / Guitar. Spanish language.
105 Cascabel / Guitar. Spanish language.
106 Johnny, I Hardly Knew Ye / Guitar. English language.
107 Dan Dini / Guitar.
107 Hansiyi Koydum / Guitar.
108 Go Away from My Window / Guitar. English language.
201 La Molinera / Guitar. Spanish language.
202 Palmero / Guitar. Spanish language.
203 Farewell to Cold Winter / Guitar. English language.
204 I Saw a Lady / Guitar. English language.
205 Mon Amour / Guitar. English language.
206 I Gave My Love a Cherry (The Riddle Song) / Guitar. English language.
207 Cieto Lindo / Guitar. Spanish language.
208 Cori Coruzzu / Guitar. Italian language.
209 All Through the Night / Guitar. English language.
Local Numbers:
FW-ASCH-LP-1727
Riverside.12827
Publication, Distribution, Etc. (Imprint):
New York Riverside 1958
General:
Songs performed by Cynthia Gooding accompanying herself on guitar with additional accompaniment from Vic Messer. Production notes: Recorded in New York City, April, 1958.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Bamba., Lorona., Lucrecia., Palo verde., Voltereta., Arreo., Rosita Alvirez., Roman Castillo., Tecolote., General Felipe Angeles., Que linda esta la manana.
Track Information:
101 La Bamba / Guitar.
102 La Llorona / Guitar.
103 Lucrecia / Guitar.
104 El Palo Verde / Guitar.
105 La Voltereta / Guitar.
106 El Arreo / Guitar.
201 Rosita Alvirez / Guitar.
202 Roman Castillo / Guitar.
203 El Tecolote / Guitar.
204 General Felipe Angeles / Guitar.
205 Que Linda Esta La Manana / Guitar.
Local Numbers:
FP-RINZ-LP-1384
Elektra.8
Publication, Distribution, Etc. (Imprint):
New York Elektra 1953
General:
Title on container: Mexican folk songs. Container notes by Cynthia Gooding; song texts in Spanish and English and additional notes (12 p.) by Cynthia Gooding inserted.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Radio Program on First Newport Folk Festival with Interviews; Pete Seeger, Odetta, Billy Faier, Moses Asch, Martha Schlamme, Frank Hamilton, Cynthia Gooding, Al Grossman, Ed McCurdy
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101 Direct Digit Dialing Song, The (RR-3069) / Pete Seeger. Banjo.
103 Boxholder, Local (RR-3069) / Pete Seeger. Banjo.
104 Dove, The (RR-3069) / Pete Seeger. Banjo.
107 Interviews (RR-1396) / Odetta.
109 Interviews (RR-1396) / Billy Faier.
111 Interviews (RR-1396) / Martha Schlamme.
112 Interviews (RR-1396) / Frank Hamilton, Moses Asch.
113 Interviews (RR-1396) / Cynthia Gooding.
114 Interviews (RR-1396) / Al Grossman.
115 Interviews (RR-1396) / Ed McCurdy.
117 Blue Mountain Lake (RR-1395) / Pete Seeger. Banjo.
119 Deep Blue Sea (RR-1395) / Pete Seeger. Banjo.
120 Johnny Comes Down to Hilo (RR-1395) / Pete Seeger. Banjo.
121 Holler (RR-1395) / Pete Seeger. Banjo.
122 Strawberry Roan (RR-1395) / Pete Seeger. Banjo.
123 Old Hen, The (RR-1395) / Pete Seeger. Banjo.
124 In the Sweet Bye and Bye (RR-1398) / Pete Seeger. Banjo.
124 Preacher and the Slave, The (Longhaired Preachers)(RR-1398) / Pete Seeger. Banjo.
125 Last Night I Had the Strangest Dream (RR-1398) / Pete Seeger. Banjo.
126 Colorado Trail (RR-1398) / Pete Seeger. Banjo.
126 Spanish is the Loving Tongue (RR-1398) / Pete Seeger. Banjo.
126 From Here on Up (RR-1398) / Pete Seeger. Banjo.
126 Texas Gals (RR-1398) / Pete Seeger. Banjo.
126 Swarthmore Girls (RR-1398) / Pete Seeger. Banjo.
126 We Pity Our Boses Five (RR-1398) / Pete Seeger. Banjo.
126 Scabs Crawl In, The (RR-1398) / Pete Seeger. Banjo.
126 Open the Door (RR-1398) / Pete Seeger. Banjo.
126 Road to Athay, The (RR-1398) / Pete Seeger. Banjo.
126 Why Do Scotsmen? (RR-1398) / Pete Seeger. Banjo.
126 Hold Up Your Petticoats (RR-1398) / Pete Seeger. Banjo.
126 O, There's Two on My Back (RR-1398) / Pete Seeger. Banjo.
126 Seek and You Shall Find (RR-1398) / Pete Seeger. Banjo.
126 Fare Well, Little Fishes (RR-1398) / Pete Seeger. Banjo.
126 Where Have All the Flowers Gone (RR-1398) / Pete Seeger. Banjo.
126 Fu-Ru-Sato (RR-1398) / Pete Seeger. Banjo.
126 Step by Step (RR-1398) / Pete Seeger. Banjo.
126 Joe Hill's Will (RR-1398) / Pete Seeger. Banjo.
127 Go In and Out the Window (RR-3072) / Pete Seeger. Banjo.
Local Numbers:
FP-CDR-0340-7
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only; No Duplication.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
1 Binder (contact sheets and prints, black and white)
1 Boxe (35 mm negatives, black and white, 8.5"x10.75"x2.5")
0.44 Cubic feet (2 boxes contain the extent details for this collection, Box 1 is 0.24 cubic feet and Box 2 is 0.2 cubic feet)
Type:
Collection descriptions
Archival materials
Binders
Photographic prints
Correspondence
Contact sheets
Black-and-white negatives
Place:
Chicago (Ill.)
New York (N.Y.)
Date:
1957 - 1961
Summary:
Original photographs and negatives taken by Robert C. Malone.
Scope and Contents:
The Robert C. Malone photographs document the performances of folk singers. The collection dates from 1957 to circa 1961. Photographic materials include 16 rolls of negatives, contact sheets made from the negatives, and 14 prints. The collection features photographs of the Weavers and Cisco Houston. The collection also includes a small amount of correspondence, including two letters from Robert C. Malone to the Center for Folklife and Cultural Heritage concerning the donation of the collection, and two letters from Lee Hays to Robert C. Malone. A handful of Malone's prints are housed with the Lee Hays papers in the Rinzler Archives and are not included in the finding aid.
Arrangement note:
Arranged in 6 series: (1) University of Chicago; (2) Old Town School of Folk Music, Chicago, Ill.; (3) One Sheridan Square, N.Y.; (4) Cisco Houston's Last Performance; (5) Miscellaneous People; (6) Correspondence and Miscellaneous. Contact sheets and prints arranged in 1 binder; negatives are stored in a separate binder. Series VI, Correspondence and Miscellaneous, is filed separately. Materials are arranged chronologically.
Biographical/Historical note:
Robert C. Malone is currently retired and lives in Ridgewood, New Jersey. Between 1957-1961, Robert C. Malone moved between Chicago and New York photographing folk singers such as the Weavers and Cisco Houston.
Through contact with Robert Koppelman, a scholar working with the Lee Hays Papers in the Rinzler Archives, Robert C. Malone heard about the Archives and wrote to offer his photos to the Archives collections.
Shared Stewardship of Collections:
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://doi.org/10.25573/data.21771155.
Provenance:
The Smithsonian Ralph Rinzler Folklife Archives and Collections acquired the Robert C. Malone Photograph Collection in 1998. In a letter dated 19 January 1999, Mr. Malone gave full discretion to the Center for Folklife and Cultural Heritage to grant permission for both internal and external use of his photographs with the request that his work be credited.
Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Turkish folksongs. Sakarya (cavalry song) ; Ankaranim tasina bak (prisoner's chant) ; Emirnem (courting song) (with Tarik Bulut, guitar) ; Kartirp (love song) ; Ak koyun (shepherd chant) (with Tarik Bulut, guitar) ; Yashi meral (mountain song) --Spanish folksongs. Donde vas rey alfonsito (lament) ; Tres moricas (canto) ; Anda diciendo (canto) ; Conde olinos (romance) ; Ay, un galen (romance) ; Eres alta y delgada (canto) ; La molinera (canto).
Track Information:
101 Sakarya / Guitar.
102 Ankaranin Tasina Bak / Guitar.
103 Eminem / Guitar.
104 Katip / Guitar.
105 Ak Koyun / Guitar.
106 Yashi Meral / Guitar.
202 Tres Moricas / Guitar.
201 Donde Vas Rey Alfonsito / Guitar.
202 Anda Dicendo Tu Madre / Guitar.
203 Conde Olinos / Guitar.
204 Ay, Un Galan / Guitar.
205 Eres Alta y Delgada / Guitar.
205 La Molinera / Guitar.
Local Numbers:
FW-ASCH-LP-1571
Elektra.6
Publication, Distribution, Etc. (Imprint):
New York Elektra 1953
General:
Program notes by Hasan Ozbekkan in English on container. Performer(s): Cynthia Gooding, vocals ; with acc.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
