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Artists Talk on Art records

Creator:
Artists Talk on Art  Search this
Names:
Barnet, Will, 1911-2012  Search this
Bourgeois, Louise, 1911-2010  Search this
Christo, 1935-  Search this
De Niro, Robert, Sr., 1922-1993  Search this
Denes, Agnes  Search this
Goldberg, Michael, 1924-2007  Search this
Jeanne-Claude, 1935-2009  Search this
Longo, Robert  Search this
Mendieta, Ana, 1948-1985  Search this
Morris, Robert, 1931-2018  Search this
Murray, Elizabeth, 1940-  Search this
Neel, Alice, 1900-1984  Search this
Pavia, Philip, 1915-2005  Search this
Sleigh, Sylvia  Search this
Wilke, Hannah  Search this
Wojnarowicz, David  Search this
Extent:
64.4 Linear feet
317.43 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Sound recordings
Scrapbooks
Transcripts
Video recordings
Date:
circa 1974-2018
Summary:
The records of Artists Talk on Art (ATOA) measure 64.4 linear feet and 317.43 gigabytes and date from circa 1974-2018. The bulk of the records consist of extensive video and sound recordings of events organized by the group featuring artists, critics, historians, dealers, curators and writers discussing contemporary issues in the American art world in hundreds of panel discussions, open screenings, and dialogues held in New York City. Events began in 1975 and continue to the present; recordings in the collection date from 1977 and 2016. A smaller group of records include administrative files, panel flyers, three scrapbooks, as well as photographs, slides, and negatives of panel discussions and participants.
Scope and Contents:
The records of Artists Talk on Art (ATOA) measure 64.4 linear feet and 317.43 gigabytes and date from circa 1974-2018. The bulk of the records consist of extensive video and sound recordings of events organized by the group featuring artists, critics, historians, dealers, curators and writers discussing contemporary issues in the American art world in hundreds of panel discussions, open screenings, and dialogues held in New York City. Events began in 1975 and continue to the present; recordings in the collection date from 1977 and 2016. A smaller group of records include administrative files, panel flyers, three scrapbooks, as well as photographs, slides, and negatives of panel discussions and participants.

ATOA's recordings chronicle the American art world, covering critical discussions and significant art world issues over five decades. Thousands of artists such as Will Barnet, Louise Bourgeois, Christo and Jeanne-Claude, Robert De Niro, Agnes Denes, Michael Goldberg, Robert Longo, Ana Mendieta, Robert Morris, Elizabeth Murray, Alice Neel, Philip Pavia, Howardena Pindell, Larry Rivers, Sylvia Sleigh, Kahinde Wiley, Hannah Wilke, David Wojnarowicz, and others speak about their work. The original recordings exist in a variety of formats, including U-Matic and VHS videotape, MiniDVs, sound cassettes and sound tape reels. ATOA digitized most of the video and sound recordings prior to donating the collection.

The collection also includes printed histories, board and program committee meeting minutes, financial statements, general correspondence files of the president and chair, attendance statistics, grant files, panel participant release forms, sixteen panel transcripts, a complete set of panel flyers (many are annotated) and other printed materials, three dismantled scrapbooks, as well as photographs, slides, and negatives of panels and panel participants.
Arrangement:
The records are arranged into nine series.

Series 1: Adminstrative Files, 1974-2013 (0.4 linear feet, Box 1)

Series 2: Director's and Chairman's Correspondence, 1977-2006 (0.4 linear feet, Box 1)

Series 3: Grant Files, 1977-2009 (1 linear foot, Boxes 1-2)

Series 4: Panel Release Forms, 1978-2012 (1 linear foot, Boxes 2-3)

Series 5: Panel Transcripts, 1981, 1986, 1988, 2017-2018 (1 folder, Box 3; 0.002 GB, ER01)

Series 6: Printed Materials, 1975-2015 (0.8 linear feet, Boxes 3-4; 0.434 GB, ER02)

Series 7: Scrapbooks, 1975-1989 (0.2 linear feet, Box 4)

Series 8: Photographic Materials, circa 1975-circa 2000 (1 linear foot, Boxes 4-5)

Series 9: Video and Sound Recordings of Events, 1977-2016 (59 linear feet, Boxes 6-65; 317.43 GB, ER03-ER04)
Biographical / Historical:
Established in 1974 and still active in New York, Artists Talk on Art is the art world's longest running and most prolific aesthetic panel discussion series organized by artists for artists. Founded by Lori Antonacci, Douglas I. Sheer, and Robert Wiegand, the forum has presented 6,000 artists in nearly 1,000 documented panels or dialogues. ATOA held its first panel, "Whatever Happened to Public Art," on January 10, 1975 and it drew a "crowd" of 77 people. In the decades that followed, ATOA presented dozens of panels or dialogues a year, tackling such diverse topics as "What is Happening with Conceptual Art," with Louise Lawler and Lawrence Weiner; "Painting and Photography: Defining the Difference," with Sarah Charlesworth, Jack Goldstein, Joseph Kosuth, Barbara Kruger, and Robert Mapplethorpe; "Organizing Arts Activism," with Lucy Lippard; "The Artist and the Epidemic—an information panel about AIDS"; "Cross-generational Views of Feminism"; and hundreds more.
Provenance:
The Artists Talk on Art (ATOA) records, including digital files of the video and sound recordings, were donated to the Archives in 2016 by Douglas Sheer, Chairman of ATOA.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics  Search this
Art dealers  Search this
Art historians  Search this
Artists  Search this
Topic:
Art, American  Search this
Historians  Search this
Genre/Form:
Photographs
Sound recordings
Scrapbooks
Transcripts
Video recordings
Citation:
Artists Talk on Art records, circa 1974-2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.artitalk
See more items in:
Artists Talk on Art records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c4de66ef-397b-4e6e-9fde-d6deca12fa3a
EDAN-URL:
ead_collection:sova-aaa-artitalk
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Online Media:

Conversations with Smithsonian Craft Artists: Lisa Zerkowitz

Creator:
Smithsonian Institution  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2016-03-09T17:09:57.000Z
YouTube Category:
Education  Search this
See more by:
SmithsonianVideos
Data Source:
Smithsonian Institution
YouTube Channel:
SmithsonianVideos
EDAN-URL:
edanmdm:yt_7cYu4-DnASU

Deborah Czeresko Artist Talk: Venetian Glass, Then and Now

Creator:
Smithsonian American Art Museum  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2021-11-10T14:54:44.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_56mckEfQKF0

Marvin Lipofsky papers

Creator:
Lipofsky, Marvin, 1938-2016  Search this
Names:
California College of Arts and Crafts  Search this
Glass Art Society  Search this
Pilchuck School  Search this
Scanga, Italo, 1932-2001  Search this
Warashina, Patti, 1940-  Search this
Extent:
46 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Sketchbooks
Scrapbooks
Interviews
Date:
1954-2018
Summary:
The papers of studio glass artist Marvin Lipofsky measure 46.0 linear feet and date from 1954 to 2018. Found are biographical materials, correspondence, writings and notes, travel diaries, artist files, exhibition and gallery files, organization files, professional files, technical studio files, printed material, photographic material, three scrapbooks, sketchbooks, and artwork. There is a 0.4 linear foot unprocessed addition to this collection donated in 2021 that includes personal and professional correspondence between Lipofsky and others regarding travel and shows, a file on teaching, and biographical information, and "In a Bottle" transparency. Materials date from circa 1964-2002.
Scope and Contents:
The papers of studio glass artist Marvin Lipofsky (1938-2016) measure 46.0 linear feet and date from 1954 to 2018. Found are biographical materials, correspondence, writings and notes, travel diaries, artist files, exhibition and gallery files, organization files, professional files, technical studio files, printed material, photographic material, three scrapbooks, sketchbooks, and artwork.There is a 0.4 linear foot unprocessed addition to this collection donated in 2021 that includes personal and professional correspondence between Lipofsky and others regarding travel and shows, a file on teaching, and biographical information, and "In a Bottle" transparency. Materials date from circa 1964-2002.

Of note are materials concerning Lipofsky's extensive travel, likely with the Glass Art Society, and his files on oher artists. 108 travel diaries contain notes and contact information and date from 1970 to 2015. Professional files contain Lipofsky's international files which are organized by country. Within these are correspondence and printed materials from local artists. Also found are photo albums for many of Lipofsky's trips abroad.

Artist files are for Fritz Driesbach, Nick Labino, Harvey Littleton, Ronald Pennell, Raechel Running, Italo Scanga, Jean-Pierre Umbdenstock, Patti Warashina, and many others.
Arrangement:
The collection is arranged as 15 series

Series 1: Biographical Material, 1954-2017 (2.0 linear feet; Boxes 1-2, 46)

Series 2: Correspondence, 1960-2016 (3.3 linear feet; Boxes 3-6)

Series 3: Writings and Notes, 1962-2010 (0.8 linear feet; Boxes 6-7)

Series 4: Travel Diaries, 1970-2015 (1.4 linear feet; Boxes 7-8)

Series 5: Artist Files, 1956-2016 (2.7 linear feet; Boxes 8-11, 46)

Series 6: Exhibition and Gallery Files, 1966-2016 (7.7 linear feet; Boxes 11-19)

Series 7: Organization Files, 1965-2015 (1.8 linear feet; Boxes 19-21)

Series 8: Professional Files, 1960-2018 (5.4 linear feet; Boxes 21-27)

Series 9: Technical Studio Files, circa 1960s-circa 2000s (3.9 linear feet; Boxes 27-30)

Series 10: Printed Material, 1960s-2000s (4.6 linear feet; Boxes 30-35, 46)

Series 11: Photographic Material, 1980-2004 (9.2 linear feet; Boxes 35-44, 46-47)

Series 12: Scrapbooks, 1960s-1995 (0.2 linear feet; Box 44)

Series 13: Sketchbooks, 1960s-2009 (1.2 linear feet; Boxes 44-46)

Series 14: Artwork, 1960s-2000s (0.4 linear feet; Box 45)

Series 15: Unprocessed Addition, circa 1964-2002 (0.4 linear feet, Box 48)
Biographical / Historical:
Marvin B. Lipofsky (1938-2016) was a glass artist and educator active in Berkeley, California.

Marvin Lipofsky was born in Barrington, Illinois in 1938. He began his study of art at the University of Illinois, where he studied industrial design and received his MS and MFA in sculpture from the University of Wisconsin-Madison. At Wisconsin, he studied under Harvey Littleton, one of the founders of the Studio Glass movement.

Lipofsky would have a long career as an educator and lecturer at institutions throughout the United States. He held positions at the University of Wisconsin-Madison, University of California-Berkeley, and the California College of Arts and Crafts. He taught regular seminars at Haystack Mountain School of Crafts and the Pilchuck Glass School.

In addition to his teaching career, Lipofsky was a founding and active member of the Glass Art Society which held conferences all over the world to promote the study and sharing of glass art techniques. He traveled extensively to places such as Czech Republic, Japan, Italy, Russia, Slovakia, and Ukraine. He visited glass factories and studios, usually forming professional relationships and friendships with other glass artists.

Marvin Lipofsky died in 2016 in Berkeley, California.
Related Materials:
Also found in the Archives of American Art is an oral history interview of Marvin Lipofsky conducted 2003 July 30-August 5, by Paul Karlstrom, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Berkeley, California.
Provenance:
The Marvin Lipofsky papers were donated in 2004 by Ruth Okimoto, Lipofsky's spouse, on behalf of Marvin Lipofsky as part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, and in 2017, 2018 and 2021 by Lisa Lipofsky-Valenzula, Marvin Lipofsky's daughter.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Glass artists -- California -- Berkeley  Search this
Educators -- California -- Berkeley  Search this
Topic:
American studio craft movement  Search this
Genre/Form:
Drawings
Sketchbooks
Scrapbooks
Interviews
Citation:
Marvin Lipofsky papers, 1954-2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lipomarv
See more items in:
Marvin Lipofsky papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bdcdc211-8ef3-41d0-a7b9-3b2e45fc33bb
EDAN-URL:
ead_collection:sova-aaa-lipomarv
Online Media:

"By the Glass/Buy the Glass," Glass Art Society

Collection Creator:
Lipofsky, Marvin, 1938-2016  Search this
Container:
Box 11, Folder 64
Type:
Archival materials
Date:
1994
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marvin Lipofsky papers, 1954-2018. Archives of American Art, Smithsonian Institution.
See more items in:
Marvin Lipofsky papers
Marvin Lipofsky papers / Series 6: Exhibition and Gallery Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91a9fdea3-f17f-43e8-811d-87fcf0b14e2d
EDAN-URL:
ead_component:sova-aaa-lipomarv-ref290

Organization Files

Collection Creator:
Lipofsky, Marvin, 1938-2016  Search this
Extent:
1.8 Linear feet (Boxes 19-21)
Type:
Archival materials
Date:
1965-2015
Scope and Contents:
This series contains material relating to Lipofsky's involvement and participation with arts and glass related organizations including the American Crafts Council, Bay Area Studio Art Glass, The Glass Art Society, International Sculpture Center, National Council on Education for the Ceramic Arts, and the World Crafts Council. Material may contain correspondence, founding documents and internal memoranda, lists and administrative information, printed material, and financial material.

Of note are files from the Glass Art Society, for which Lipofsky served on the board and as president, editor of the newsletter and journal, and as conference director. Additionally, files may be found on the establishment of the organization.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marvin Lipofsky papers, 1954-2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lipomarv, Series 7
See more items in:
Marvin Lipofsky papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fb80297f-e930-47f9-82a6-d798971b6175
EDAN-URL:
ead_component:sova-aaa-lipomarv-ref294

Glass Art Society

Collection Creator:
Lipofsky, Marvin, 1938-2016  Search this
Container:
Box 20, Folder 11-36
Type:
Archival materials
Date:
1971-2015
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marvin Lipofsky papers, 1954-2018. Archives of American Art, Smithsonian Institution.
See more items in:
Marvin Lipofsky papers
Marvin Lipofsky papers / Series 7: Organization Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d5e4f48c-1365-4de1-8f97-9bac31f9726b
EDAN-URL:
ead_component:sova-aaa-lipomarv-ref305

Glass Art Society

Collection Creator:
Lipofsky, Marvin, 1938-2016  Search this
Container:
Box 21, Folder 1-8
Type:
Archival materials
Date:
1971-2015
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marvin Lipofsky papers, 1954-2018. Archives of American Art, Smithsonian Institution.
See more items in:
Marvin Lipofsky papers
Marvin Lipofsky papers / Series 7: Organization Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f6e3e26a-1408-41b3-8485-93703dbb989d
EDAN-URL:
ead_component:sova-aaa-lipomarv-ref306

Travel Diaries

Collection Creator:
Lipofsky, Marvin, 1938-2016  Search this
Extent:
1.4 Linear feet (Boxes 7-8)
Type:
Archival materials
Date:
1970-2015
Scope and Contents:
Found are 108 small, spiral bound notebooks Lipofsky used as diaries while traveling abroad and throughout the United States, possibly with the World Crafts Council and the Glass Art Society. Generally, Lipofsky made quick notes about sites and people, rather than long narratives. Some have accompanying ephemera such as business cards, receipts, or printed material. Locations are typically written on the diaries including: Atlanta, Baltimore, Boston, Chicago, Denver, Fresno, Indianapolis, Las Vegas, Los Angeles, Louisville, New York City, Orlando, Pittsburgh, Portland, Providence, Rochester, San Diego, San Jose, St. Louis, Tampa, and Tucson. International locations include: Australia, Belgium, China, Czech Republic, Finland, Germany, Holland, Israel, Italy, Japan, Latvia, Lithuania, Mexico, Russia, Slovakia, Spain, Taiwan, and Ukraine.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marvin Lipofsky papers, 1954-2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lipomarv, Series 4
See more items in:
Marvin Lipofsky papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ee2f7113-39f9-447b-914c-618309154c23
EDAN-URL:
ead_component:sova-aaa-lipomarv-ref38

Technical Studio Files

Collection Creator:
Lipofsky, Marvin, 1938-2016  Search this
Extent:
3.9 Linear feet (Boxes 27-30)
Type:
Archival materials
Date:
1960s-2000s
Scope and Contents:
Found are published guides; gathered material on subjects, equipment, and types of glass; and noted techniques of glass art. It is unclear whether these originated from Lipofsky's personal artwork or if they were used with his teaching career.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marvin Lipofsky papers, 1954-2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lipomarv, Series 9
See more items in:
Marvin Lipofsky papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a656e157-2c87-48bc-8837-e1e645b6cc06
EDAN-URL:
ead_component:sova-aaa-lipomarv-ref391

Glass, Art

Collection Creator:
Lipofsky, Marvin, 1938-2016  Search this
Container:
Box 28, Folder 20
Type:
Archival materials
Date:
1970s-1980s
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marvin Lipofsky papers, 1954-2018. Archives of American Art, Smithsonian Institution.
See more items in:
Marvin Lipofsky papers
Marvin Lipofsky papers / Series 9: Technical Studio Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93fddc917-18d1-46aa-b5d7-3768a37a9271
EDAN-URL:
ead_component:sova-aaa-lipomarv-ref414

Artwork

Collection Creator:
Lipofsky, Marvin, 1938-2016  Search this
Extent:
0.4 Linear feet (Box 45)
Type:
Archival materials
Date:
1960s-2000s
Scope and Contents:
Artworks include designs for glass art, designs for molds, patterns, sketches, and general drawings. Also found are unsigned works by others.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marvin Lipofsky papers, 1954-2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lipomarv, Series 14
See more items in:
Marvin Lipofsky papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9797dfa4a-3ba5-4bd4-a564-e136ff8686f9
EDAN-URL:
ead_component:sova-aaa-lipomarv-ref539

Voices from the Temple Mound a collaboration with Preston Singletary and Marcus Amerman

Author:
Singletary, Preston 1963-  Search this
Author:
Amerman, Marcus 1959-  Search this
Blue Rain Gallery  Search this
Physical description:
24 unnumbered pages color illustrations, color portraits 21 cm
Type:
Exhibitions
Art
Expositions
Exhibition catalogs
Place:
United States
États-Unis
Date:
2010
21st century
21e siècle
Topic:
Glass art  Search this
Tlingit art  Search this
Choctaw art  Search this
Mississippian culture  Search this
Mound-builders  Search this
Indian art  Search this
Indian sculpture  Search this
Artistic collaboration  Search this
Glass artists  Search this
Art du verre  Search this
Art tlingit  Search this
Art choctaw  Search this
Culture du Mississippi  Search this
Collaboration artistique  Search this
Verriers d'art  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1118274

Exhale With Vigor: Artist Talk with Karen Donnellan and Suzanne Peck

Creator:
Smithsonian American Art Museum  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2022-03-10T20:17:48.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_MVawDomCASI

Ralf E. Nickelsen papers

Creator:
Nickelsen, Ralf E. (Ralf Edgar), 1903-1990  Search this
Names:
Federal art project (Mass.)  Search this
United States. Works Progress Administration  Search this
Montminy, Tracy, 1911-1992  Search this
Newhall, Beaumont, 1908-1993  Search this
Extent:
1.3 Linear feet
4 Items (rolled docs)
Type:
Collection descriptions
Archival materials
Sketchbooks
Date:
1929-1993
Scope and Contents:
Biographical materials, correspondence, business records, writings, art works, photographs, and printed material.
Biographical material includes ID cards and an autobiographical statement. Correspondence, 1935-1964, includes letters sent to Nickelsen as Supervisor for the WPA Massachusetts Federal Art Project; correspondents include Beaumont Newhall and muralist Elizabeth Tracy. Project files regard mural and stained glass commissions, among them the East Boston murals; Nebraska capitol murals; Springfield, Mass. Museum of Fine Arts library murals; Worcester, Mass. Parcel Post Building murals; and stained glass commissions, ca.1938-1942. Files contain correspondence, art work, including large mural cartoons, reference photographs, photographs of works of art, and printed material. Also included are a list of mural ingredients and notes; business records, 1927-1937; photocopies of articles and writings, 1930-1967; art work by Nickelsen including stained glass rendering and mural drawings by Elizabeth Tracy Montminy; exhibition catalogs, clippings, photographs of Nickelsen and his art work, including one of him painting a window for St. Patricks Church, N.Y. in the Charles Connick Studio, Boston, 1950; and of Montminy and her murals.
Biographical / Historical:
Stained glass artist; mural painter; Boston, Mass. Born in Hamburg, Germany. Initially studied at the stained-glass studio of his father, John R. Nickelsen, and later went to the State Art School, Hamburg. He came to the United States in 1922 and attended the Art Students' League, N.Y. and the School of the Museum of Fine Arts, Boston. Participated as an artist and as a supervisor on the WPA Art Project in Boston, and was associated with the stained-glass design firm of Charles J. Connick Associates for many years.
Provenance:
Donated 1991-1999 by Nickelsen's widow, Ingeborg R. Nickelsen.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Muralists -- Massachusetts  Search this
Artisans  Search this
Stained glass artists -- Massachusetts  Search this
Topic:
Artists' preparatory studies  Search this
Mural painting and decoration, American  Search this
Mural painting and decoration -- 20th century -- Massachusetts  Search this
Glass art  Search this
Genre/Form:
Sketchbooks
Identifier:
AAA.nickralf
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97aa122d3-0d0f-43f5-9436-b93ca4963630
EDAN-URL:
ead_collection:sova-aaa-nickralf

25th Annual Glass Art Society Conference

Collection Creator:
Daley, William, 1925-2002  Search this
Container:
Box 8, Folder 33-34
Type:
Archival materials
Date:
1994-1995
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
William P. Daley papers, 1905-2004 (bulk 1951-2001). Archives of American Art, Smithsonian Institution.
See more items in:
William P. Daley papers
William P. Daley papers / Series 5: Workshops, Seminars, and Lectures
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw945e2b0b5-86b8-412e-b9c4-d3ca057c5e32
EDAN-URL:
ead_component:sova-aaa-dalewill-ref439

Warshaw Collection of Business Americana Subject Categories: Glassware

Creator:
Warshaw, Isadore, 1900-1969  Search this
Extent:
4.89 Cubic feet (consisting of 10.5 boxes, 2 folders, 5 oversize folders, 2 map case folders.)
Type:
Collection descriptions
Archival materials
Business records
Business cards
Publications
Trade catalogs
Advertisements
Sales catalogs
Business letters
Printed materials
Receipts
Printed material
Invoices
Illustrations
Business ephemera
Letterheads
Design patents
Advertising mail
Patents
Print advertising
Catalogs
Sales records
Advertising
Trade cards
Advertising fliers
Periodicals
Catalogues
Manufacturers' catalogs
Advertising cards
Commercial correspondence
Ephemera
Printed ephemera
Manuals
Reports
Commercial catalogs
Trade literature
Sales letters
Legal documents
Correspondence
Mail order catalogs
Date:
1804-1967
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Glassware forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
Covers glassware in its many forms and application including in building design and sculpture, both as a structural and an aesthetic component, in lighting, in art as a medium and as a method to protect and display art (picture frames, cases, etcetera.), in industry (insulators, electronics), in transportation (lighthouses, railroad signal glasses, headlamps), and in science with medical and lab supplies and instruments, and equipment such as telescopes. Daily and practical use consumer products feature prominently in the form of household and decorative goods (jarring, canning, dish and serving ware, daily and special use), windows, lamps and lighting, storage of liquids and solids, including detergents, medicine storage, plus beverages and foodstuffs, and cleaning of glass. Colored, ornamental, ground, etched, leaded, stained, and mosaic glasswork related material appears sporadically. China and other ceramic and pottery breakable wear is sometimes categorized along with clear, cut, opaque, and colored glass. Related aspects, such as stoppers, are also included.

Collection materials represent a sampling of businesses and products. The Patent and Design folder has numerous submission summaries, along with schematics, some hand drawn, and a few blueprints, mostly related to bottle design. A limited amount of industry publications and union documents are present, especially for the Glass Workers.
Arrangement:
Glassware is arranged in three subseries.

Business Records and Marketing Material

Genre

Subject
Partial List of Companies in the Oversize Materials:
Oversize materials include, but are not limited to the following companies:

Averbeck, M.J., New York, NY

Cleveland Glass Works, Cleveland, NY

Cold Spring Distilling Company Cincinatti, OH

Craft House Williamsburg Restoration, Inc. Williamsburg, VA

Cullen & Newman Knoxville, TN

French, Richards, and Company Philadelphia, PA

Glassware: Union Wages and Rules

Jones, Thomas New York, NY

Libby Owens Ford Class Company Manufacturers of Safety Glass Location unknown

Metropolitan Plate Glass Insurance Company New York, NY

Morgantown, WV

New Jersey Plate Glass Insurance Company Newark, NJ

New York Plate Glass Insurance Company New York, NY

Seneca Glass Company

Smalley, A.G. and Company Boston, MA

Woods, Sherwood and Company Lowell, MA
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Glassware is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Occupation:
Glass artists  Search this
Stained glass artists -- Pennsylvania -- Philadelphia  Search this
Stained glass artists  Search this
Topic:
Glass manufacture  Search this
Glassware  Search this
Glassware -- Catalogs  Search this
Glass art -- United States -- 20th century  Search this
Consumer goods -- Catalogs  Search this
Mail-order business -- Catalogs  Search this
Retail trade  Search this
Sales promotion  Search this
Trade associations  Search this
advertising -- Business ephemera  Search this
Mosaics  Search this
Etching -- Technique  Search this
Windows  Search this
Genre/Form:
Business records
Business cards
Publications -- Business
Trade catalogs
Advertisements
Sales catalogs
Business letters
Printed materials
Receipts
Printed material
Invoices
Illustrations
Business ephemera
Letterheads
Design patents
Advertising mail
Patents
Print advertising
Catalogs
Sales records
Advertising
Trade cards
Advertising fliers
Periodicals
Catalogues
Manufacturers' catalogs
Advertising cards
Commercial correspondence
Ephemera
Printed ephemera
Manuals
Reports
Commercial catalogs
Publications
Trade literature
Sales letters
Legal documents
Correspondence
Mail order catalogs
Citation:
Warshaw Collection of Business Americana Subject Categories: Glassware, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.01.Glassware
See more items in:
Warshaw Collection of Business Americana Subject Categories: Glassware
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep848334d1c-96ef-473b-a00e-1652210d56e6
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-glassware
Online Media:

Jessie Van Brunt papers, 1910-1942

Creator:
Van Brunt, Jessie, 1863-1947  Search this
Type:
Scrapbooks
Citation:
Jessie Van Brunt papers, 1910-1942. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Glass art  Search this
Theme:
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)6909
(DSI-AAA_SIRISBib)209038
AAA_collcode_vanbrun
Theme:
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209038

Henry Lee Willet papers and business records, 1885-1985

Creator:
Willet, Henry Lee, 1899-1983  Search this
Willet Stained Glass and Decorating Company  Search this
Subject:
Willet, Anne Lee  Search this
Willet, William  Search this
Citation:
Henry Lee Willet papers and business records, 1885-1985. Archives of American Art, Smithsonian Institution.
Topic:
Stained glass industry -- Pennsylvania -- Philadelphia  Search this
Decorative arts  Search this
Glass art  Search this
Theme:
Craft  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)7152
(DSI-AAA_SIRISBib)209286
AAA_collcode_willhenr
Theme:
Craft
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209286

Charles J. Connick papers, 1901-1949

Creator:
Connick, Charles J., 1875-1945  Search this
Subject:
Connick, Charles J.  Search this
Connick, Mabel Coombs  Search this
Citation:
Charles J. Connick papers, 1901-1949. Archives of American Art, Smithsonian Institution.
Topic:
Church architecture -- United States  Search this
Glass art  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)7235
(DSI-AAA_SIRISBib)209376
AAA_collcode_connchar
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209376

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