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Hassel Smith papers, circa 1900-2004, bulk 1930-1995

Creator:
Smith, Hassel Wendell, 1915-2007  Search this
Subject:
Fitz Gibbon, John  Search this
Emmerich, André  Search this
Gimpel, Charles  Search this
Still, Patricia  Search this
Thiebaud, Wayne  Search this
Swanson, Kathryn  Search this
Wollard, Robert  Search this
Butterfield, Jan  Search this
Still, Clyfford  Search this
Bischoff, Elmer  Search this
Anglim, Paule  Search this
Gimpel Fils  Search this
New Arts (Art gallery)  Search this
San Francisco Art Institute  Search this
Type:
Interviews
Sound recordings
Sketches
Transcripts
Christmas cards
Photographs
Topic:
Art -- Study and teaching  Search this
Educators -- California -- Berkeley  Search this
Artists' studios -- Photographs  Search this
Abstract expressionism  Search this
Women artists  Search this
Art -- California -- San Francisco Bay Area  Search this
Art teachers -- California -- Berkeley  Search this
Art, American  Search this
Record number:
(DSI-AAA_CollID)5714
(DSI-AAA_SIRISBib)208552
AAA_collcode_smithass
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208552
Online Media:

Hassel Smith papers

Creator:
Smith, Hassel, 1915-2007  Search this
Names:
Gimpel Fils  Search this
New Arts (Art gallery)  Search this
San Francisco Art Institute -- Faculty  Search this
Anglim, Paule  Search this
Bischoff, Elmer, 1916-1991  Search this
Butterfield, Jan  Search this
Emmerich, André  Search this
Fitz Gibbon, John  Search this
Gimpel, Charles  Search this
Still, Clyfford, 1904-  Search this
Still, Patricia  Search this
Swanson, Kathryn  Search this
Thiebaud, Wayne  Search this
Wollard, Robert  Search this
Extent:
4 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Sound recordings
Sketches
Transcripts
Christmas cards
Photographs
Date:
circa 1900-2004
bulk 1930-1995
Summary:
The papers of Southern California painter and instructor Hassel Smith measure 4 linear feet and date from circa 1900 to 2004 with the bulk of the materials dating from 1930-1995. Found within the papers are correspondence, a transcript of an interview conducted by Jan Butterfield in the 1980s, personal business files, teaching files, writings by Smith and others, sketches, printed materials, and photographs of Smith, his family and friends, and his artwork. There are audio recordings of a lecture series organized by Smith and of reviews of Smith's work. Correspondents include Paule Anglim, Elmer Bischoff, Andre Emmerich, Clyfford Still, Wayne Thiebaud, and many others.
Scope and Content Note:
The papers of Southern California painter and instructor Hassel Smith measure 4 linear feet and date from circa 1900 to 2004 with the bulk of the materials dating from 1930-1995. Found within the papers are correspondence, a transcript of an interview conducted by Jan Butterfield in the 1980s, personal business files, teaching files, writings by Smith and others, sketches, printed materials, and photographs of Smith, his family and friends, and his artwork. There are audio recordings of a lecture series organized by Smith and of reviews of Smith's work. Correspondents include Paule Anglim, Elmer Bischoff, Andre Emmerich, Clyfford Still, Wayne Thiebaud, and many others.

Biographical materials include biographical sketches, curriculum vitae, genealogical materials, ephemera, and personal appointment books from the mid to late 1970s. Also found here is a transcript of an in-depth interview of Smith conducted by Jan Butterfield in the 1980s.

There is personal and professional correspondence with Paule Anglim, Elmer Bischoff, Andre Emmerich, Charles Gimpel of Gimpel Fils, Clyfford and Patricia Still, Kathryn Swanson of the New Arts Gallery, Wayne Thiebaud, family members, and many others.

Personal business records include art sales records, exhibition checklists, conservation and condition reports, and personal finance records. Teaching materials include class schedules, student lists, and syllabi. Also found are notes on topics such as American art and literature, artistic traits and forms, illusion, and women artists.

Writings by Smith include artist statements, creative writings, his thoughts on the art market and art institutions, the San Francisco art community, and social criticism. Writings by others consist primarily of essays about Smith and his work. There are also writings by Smith's friend Robert Wollard. Artwork includes sketches, doodles, and Christmas cards done by Smith, and a handful of artwork by others.

Printed materials include clippings, exhibition announcements and catalogs, and posters. Also found here are printed materials about other artists, schools where Smith enrolled or taught, Smith's general interests, and collages and flyers by Robert Wollard. There is a printed copy of the pictorial edition of the Communist Manifesto edited by Smith and other artists.

Photographic materials are of Smith, family members, artwork, his studio, exhibition openings and other art events, and friends and colleagues. A family photograph dates from circa 1900 and negatives date from 1920. Most of the photographs date from the 1940s through the 1990s.

Sound recordings include 1 sound tape reel of the radio show, Art Review, with host John Fitz Gibbon reviewing Smith's artwork, and nine sound cassettes of student critiques overseen by Smith at the San Francisco Art Institute.
Arrangement:
The collection is arranged into 9 series.

Series 1: Biographical Materials, 1930-2004 (0.25 linear feet; Box 1)

Series 2: Correspondence, 1930s-2003 (1.0 linear foot; Boxes 1-2)

Series 3: Personal Business Materials, 1953-2003 (0.25 linear feet; Box 2)

Series 4: Teaching Materials, 1960s-1980s (18 folders; Box 2)

Series 5: Writings, 1940s-1994 (0.25 linear feet; Box 2)

Series 6: Artwork, 1928-1995 (8 folders; Box 2)

Series 7: Printed Materials, 1928-2003 (1.25 linear feet; Boxes 3-4)

Series 8: Photographic Materials, 1900s-2004 (0.5 linear feet; Box 4)

Series 9: Sound Recordings, 1965-1980 (10 items; Box 4)
Biographical Note:
Hassel Smith (1915-2007) was a California Bay area abstract expressionist painter, painting instructor at the California School of Fine Arts, and a lecturer at the University of California. His students included Roy De Forest, Sonia Gechtoff, and Frank Lobdell. Smith was also associated with the famed Los Angeles Ferus Gallery.

Hassel Smith was born on April 27, 1915, in Sturgis, Michigan, settling later with his family in San Mateo, California. He attended Northwestern University with the intention of becoming a chemist, but switched his majors to English and Art History and graduated in 1936. Returning to California, Smith enrolled at the California School of Fine Arts (CSFA), and studied with the painter Maurice Sterne.

In 1937, he left school and shared housing with his adopted brother Lewis in the Haight-Ashbury district, where he maintained a studio on Steiner Street. At the same time, as a social worker for the California Relief State Administration, he worked with men on "skid row" in San Francisco. Declared 4F by the draft board, Smith served various government agencies during World War II, including the Farm Security Administration and the U.S. Forest Service. During this period, he met and married June Meyers. He later described his government service and social work as having a strong influence on his art and politics.

In 1941, Smith was awarded the Abraham Rosenberg Fellowship from the University of California, Berkeley, which allowed him to travel and paint outdoors at Angel's Camp in the Mother Lode of the Sierra foothills, along with Richard Hackett.

At the end of the war, Smith began teaching at the CSFA, joining faculty members Richard Diebenkorn, David Park, and Clyfford Still. Smith taught there until 1952. His students included Roy De Forest, Sonia Gechtoff, and Frank Lobdell. Smith continued to paint and exhibit work throughout the 1950s, and in 1958 became affiliated with the Ferus Gallery founded by Walter Hopps and Ed Kienholz. His wife June passed away in 1958. One year later, Smith remarried Donna Rafferty Harrington, and they had their son Bruce in 1960.

After an exhibition at the New Arts Gallery in Houston, London-based dealer Charles Gimpel invited Smith to exhibit his work in England. As a result of this, Smith moved to England in 1962, and spent a year living in Mousehole, a fishing village in Cornwall. He moved back to California and between 1963 to 1966 was a visiting lecturer at the University of California, Berkeley and the University of California, Los Angeles. In 1966, Smith accepted a position as Senior Lecturer at the West England College of Art in Bristol, England where he stayed until 1978. He finished his teaching career as a Principal Lecturer at the Cardiff College of Arts in Wales from 1978 to 1979.

Smith spent most of the next two decades painting and exhibiting, which included exhibitions at the Oakland Museum and the San Jose Museum of Art. In 1991, he was awarded an honorary doctorate by the San Francisco Art Institute (formerly the California School of Fine Arts). Due to failing health, Smith was forced to stop painting in 1997. Smith died in 2007 in Warminster, England, at the age of 91.
Related Material:
Also found in the Archives of American Art is an oral history interview with Hassel Smith conducted by Paul Karlstrom, September 5, 1978 and a video interview with Hassel Smith conducted by Paul Karlstrom, January 15, 1986.
Provenance:
Hassel Smith donated most of his papers in several increments between 1980 and 1998. His son Joseph donated audio recordings in 1980, and Hassel Smith's widow Donna donated additional materials in 2004.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Hassel Smith papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Painters -- California  Search this
Topic:
Art -- Study and teaching  Search this
Educators -- California -- Berkeley  Search this
Artists' studios -- Photographs  Search this
Abstract expressionism  Search this
Women artists  Search this
Art -- California -- San Francisco Bay Area  Search this
Art teachers -- California -- Berkeley  Search this
Art, American  Search this
Genre/Form:
Interviews
Sound recordings
Sketches
Transcripts
Christmas cards
Photographs
Citation:
Hassel Smith papers, circa 1900-2004, bulk 1930-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.smithass
See more items in:
Hassel Smith papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-smithass
Online Media:

Galleries/Museums/Clients

Collection Creator:
André Emmerich Gallery  Search this
Type:
Archival materials
Date:
1958-2006
Scope and Contents note:
These files contain correspondence with galleries, museums, and clients as well as with art retoreres and conservators, art warehouses, shipping companies, auction houses, and foundations. Correspondence contains proposals of artwork that might interest clients, client referrals to other galleries, logistical arrangements for shipments of artwork, clippings or brochures that might interest correspondents, and arrangements for visits. These correspondence files occasionally contain reference photographs, transparencies, slides, and inventory cards or photcopies of inventory cards of artwork mentioned in the letters.

The most voluminous correspondence are mostly with other galleries or art organizations. The following is a list of correspondents with the most files in this subseries: Annely Jude Fine Art; Art Dealers Association of America; Galerie Deux; Gimpel Fils, Ltd.; Grounds for Sculpture (correspondence regarding architecture and landscaping for Top Gallant Farm); Kukje Gallery; Munzen und Medaillen, A.G.; Parke-Bernet Galleries, Inc.; Spark Inc.; Strouth, Howard and Penelope; and Wetterling Teo Gallery Pte. Ltd.

Some correspondents in this subseries might overlap with those found in the Authentications and Offers subseries below, as well as in the André EmmerichPersonal Correspondence subseries.

Records are primarily in English, but some correspondence is in German, French, and Spanish.

Most correspondence dates from 1962-1968 and 1992-1998. There is very little correspondence dating from the 1950s, 1970s, 1980s, or 2000s.

For correspondence attaching invoices or agreements regarding specific sales, purchases, or consignments, please see the Sales, Purchases, and Consignments series. For additional correspondence with art publications, please see the Advertising and Publicity subseries of the Administrative Files series.

Correspondence is arranged alphabetically by correspondent and then chronologically. Each letter of the alphabet concludes with misclleaneous bulk arrangement for correspodnents with fewer than five documents.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The André Emmerich Gallery records and André Emmerich papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.andremmg, Subseries 1.1
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 1: General Correspondence Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-andremmg-ref14

Gimpel Fils, Ltd.

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 5, Folder 25
Type:
Archival materials
Date:
1958-1960
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The André Emmerich Gallery records and André Emmerich papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 1: General Correspondence Files / 1.1: Galleries/Museums/Clients
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-andremmg-ref343

Gimpel Fils, Ltd.

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 5, Folder 26
Type:
Archival materials
Date:
1961
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The André Emmerich Gallery records and André Emmerich papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 1: General Correspondence Files / 1.1: Galleries/Museums/Clients
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-andremmg-ref344

Gimpel Fils, Ltd.

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 5, Folder 27
Type:
Archival materials
Date:
1962
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The André Emmerich Gallery records and André Emmerich papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 1: General Correspondence Files / 1.1: Galleries/Museums/Clients
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-andremmg-ref345

Gimpel Fils, Ltd.

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 5, Folder 28
Type:
Archival materials
Date:
1963
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The André Emmerich Gallery records and André Emmerich papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 1: General Correspondence Files / 1.1: Galleries/Museums/Clients
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-andremmg-ref346

Gimpel Fils, Ltd.

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 5, Folder 29
Type:
Archival materials
Date:
1964-1965
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The André Emmerich Gallery records and André Emmerich papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 1: General Correspondence Files / 1.1: Galleries/Museums/Clients
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-andremmg-ref347

Gimpel Fils, Ltd.

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 5, Folder 30
Type:
Archival materials
Date:
1966
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The André Emmerich Gallery records and André Emmerich papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 1: General Correspondence Files / 1.1: Galleries/Museums/Clients
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-andremmg-ref348

Gimpel Fils, Ltd.

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 5, Folder 31
Type:
Archival materials
Date:
1967
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The André Emmerich Gallery records and André Emmerich papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 1: General Correspondence Files / 1.1: Galleries/Museums/Clients
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-andremmg-ref349

Gimpel Fils

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 172, Folder 99
Type:
Archival materials
Date:
1983-1992
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The André Emmerich Gallery records and André Emmerich papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 11: Consignment Records / 11.1: Consignments to Other Galleries
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-andremmg-ref5170

Gimpel Fils

Collection Creator:
Greenberg, Clement, 1909-1994  Search this
Container:
Box 4, Folder 5
Type:
Archival materials
Date:
1956-1963
Collection Restrictions:
Use of original papers requires an appointment. Some of the collection is ACCESS RESTRICTED: documents relating to the estate of David Smith; some correspondence with Peter Fuller, Nuala O'Faolain, and the Greenberg family; and sale and loan agreements. Contact the reference staff for more information about permission to use this portion of the collection.
Collection Rights:
The Clement Greenberg papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
The Clement Greenberg papers, 1937-1983. Archives of American Art, Smithsonian Institution.
See more items in:
Clement Greenberg papers
Clement Greenberg papers / Series 3: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-greeclep-ref217

Gimpel, Peter

Collection Creator:
Jacques Seligmann & Co  Search this
Container:
Box 40, Folder 53
Type:
Archival materials
Date:
1947-1950
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The records of Jacques Seligmann & Co. are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Seligmann & Co. records
Jacques Seligmann & Co. records / Series 1: Correspondence / 1.3: General Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-jacqself-ref9858
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Gimpel Fils

Collection Creator:
Catherine Viviano Gallery  Search this
Container:
Box 9, Folder 101
Type:
Archival materials
Date:
1955-1978
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Catherine Viviano Gallery records records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Catherine Viviano Gallery records, 1930-1990, bulk 1949-1978. Archives of American Art, Smithsonian Institution.
See more items in:
Catherine Viviano Gallery records
Catherine Viviano Gallery records / Series 2: Correspondence / 2.3: Correspondence with Museums, Galleries, and Art-Related Institutions Abroad
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-cathvivi-ref934

Gimpel Fils Gallery

Collection Creator:
Tibor de Nagy Gallery  Search this
Container:
Box 2, Folder 3
Type:
Archival materials
Date:
1961-1963
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Tibor de Nagy Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Tibor de Nagy Gallery records, 1941-1993. Archives of American Art, Smithsonian Institution.
See more items in:
Tibor de Nagy Gallery records
Tibor de Nagy Gallery records / Series 1: Business Records and Correspondence / 1.1: Galleries, Museums, and Institutions
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-tibode-ref53

Gimpel Fils Ltd.

Collection Creator:
Smith, Hassel, 1915-2007  Search this
Container:
Box 1, Folder 74
Type:
Archival materials
Date:
1961-2003
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Hassel Smith papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Hassel Smith papers, circa 1900-2004, bulk 1930-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Hassel Smith papers
Hassel Smith papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-smithass-ref81

Gimpel Fils

Collection Creator:
Galerie Chalette  Search this
Container:
Box 17, Folder 16
Type:
Archival materials
Date:
1959-1961
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Galerie Chalette records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Galerie Chalette records, 1916-1996, bulk 1939-1994. Archives of American Art, Smithsonian Institution.
See more items in:
Galerie Chalette records
Galerie Chalette records / Series 6: Legal Records / Lebenstein v. Lejwa (31325.002)
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-galechal-ref531

Gimpel Fils, Ltd.

Collection Creator:
Avery, Milton, 1885-1965  Search this
Container:
Box 2, Folder 15
Type:
Archival materials
Date:
1973-1976
Collection Restrictions:
The collection has been digitized and is available online via the Archives of American Art's website.
Collection Rights:
The Milton Avery papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Milton Avery papers, 1926-1982. Archives of American Art, Smithsonian Institution.
See more items in:
Milton Avery papers
Milton Avery papers / Series 3: Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-avermilt-ref71

Gimpel-Fils

Collection Creator:
Herbert, David, 1920-1995  Search this
Container:
Box 5, Folder 22-24
Type:
Archival materials
Date:
1950s-1960s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D. C. Research Center. Contact Reference Services for more information.
Collection Rights:
The David Herbert papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
David Herbert papers, circa 1909-1996. Archives of American Art, Smithsonian Institution.
See more items in:
David Herbert papers
David Herbert papers / Series 8: Printed Material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-herbdavi-ref181

Gimpel Fils

Collection Creator:
James Graham & Sons  Search this
Container:
Box 6, Folder 20
Type:
Archival materials
Date:
1954-1957
Collection Restrictions:
Use of original papers requires an appointment. Artwork Files (Boxes 63-71, 94) and some photographic materials (Box 93 and 101) require written permission to access.
Collection Rights:
The James Graham & Sons records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
James Graham & Sons records, 1815, 1821, circa 1896-2011, bulk 1950s-1980s. Archives of American Art, Smithsonian Institution.
See more items in:
James Graham & Sons records
James Graham & Sons records / Series 1: Alphabetical Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-jamegras-ref199

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