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Festival Recordings: Virgin Islands Marketplace: Jibaros de Santa Cruz; Moko Jumbie Workshop; Calypso

Creator:
Smithsonian Institution. Festival of American Folklife. Virgin Islands Program 1990 Washington, D.C.  Search this
Greer, Diane (recorder)  Search this
Performer:
George, Cecile, 1914-  Search this
McCleverty, John, 1949-  Search this
John, Willard, 1951-  Search this
Jibaros de Santa Cruz (Musical group)  Search this
Pleneros de Santa Cruz (Musical group)  Search this
Lord Blakie  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Americans  Search this
Virgin Islands  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
Virgin Islands of the United States
Puerto Rico
Date:
1990 July 4
Track Information:
101 Jibaro Music / Jibaros de Santa Cruz (Musical group), Pleneros de Santa Cruz (Musical group). Cuatro,Pandereta (Drum),Guitar,Bongo. Spanish language.

102 Moko Jumbie Workshop / Cecile George, John McCleverty, Willard John. English language.

103 Calypso / Lord Blakie. English language,Creole dialects.
Local Numbers:
FP-1990-CT-0205
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 4, 1990.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Jibaro (Music)  Search this
Dance  Search this
Narratives  Search this
Calypso (Music)  Search this
Cuatro  Search this
Pandereta (Drum)  Search this
Guitar  Search this
Bongo  Search this
Stilts  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1990 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1990, Item FP-1990-CT-0205
See more items in:
Smithsonian Folklife Festival records: 1990 Festival of American Folklife
Smithsonian Folklife Festival records: 1990 Festival of American Folklife / Series 4: U.S. Virgin Islands / 4.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5bf9b69e7-c901-4d33-bda0-419c6bbea9c0
EDAN-URL:
ead_component:sova-cfch-sff-1990-ref711

Howard University College of Medicine

Subseries Creator:
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Scurlock Studio (Washington, D.C.)  Search this
Container:
Box 12
Type:
Archival materials
Date:
1970
Scope and Contents note:
Subject/Sitter: George, John P. A.
General note:
Notes: sitting number 85
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.6: Black and white negatives in cold storage arranged by client
Scurlock Studio Records, Subseries 4.6: Black and white negatives in cold storage arranged by client / 4.6.1: Black and white negatives Part 1
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep87a75f2d0-a5a5-4831-9c6c-505623edc44f
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-06-ref4636

Howard University College of Medicine

Subseries Creator:
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Scurlock Studio (Washington, D.C.)  Search this
Container:
Box 12
Type:
Archival materials
Date:
1970
Scope and Contents note:
Subject/Sitter: George, John P. A.
General note:
Notes: sitting number 85
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.6: Black and white negatives in cold storage arranged by client
Scurlock Studio Records, Subseries 4.6: Black and white negatives in cold storage arranged by client / 4.6.1: Black and white negatives Part 1
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8072daf43-7bfe-42f7-a47b-597667eed63e
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-06-ref4639

Gregory Battcock papers, 1952-circa 1980

Creator:
Battcock, Gregory 1937-1980  Search this
Uniform title:
Trylon & perisphere  Search this
Subject:
Battcock, Elizabeth  Search this
Beker, Gisela  Search this
Brown, Cee  Search this
Burton, Scott 1939-1989  Search this
Calder, Alexander 1898-1976  Search this
Carsman, Jon 1944-  Search this
Christo 1935-  Search this
Dalí, Salvador 1904-  Search this
Dreva, Jerry  Search this
Frank, Peter 1950-  Search this
George, John  Search this
Glusberg, Jorge  Search this
Goldstein, Al  Search this
Halbert, Jacques  Search this
Hess, Emil 1889-1945  Search this
Levine, Les 1935-  Search this
Livingston, Braniff  Search this
McGeehan, Robert 1933-  Search this
Morley, Malcolm 1931-  Search this
Nakagawa, Naoto 1944-  Search this
Neri, Julio  Search this
Paik, Nam June 1932-  Search this
Partch, Harry 1901-1974  Search this
Peña, Rolando 1942-  Search this
Picard, Lil  Search this
Pocock, Philip  Search this
Schult, HA 1939-  Search this
Van Baron, Judith  Search this
Varble, Stephen  Search this
Warhol, Andy 1928-1987  Search this
Wechter, Vivienne Thaul  Search this
Whyte, Ron  Search this
Bronx Museum of the Arts  Search this
International Association of Art Critics  Search this
William Paterson College of New Jersey Faculty  Search this
Physical description:
10.6 linear feet
Type:
Interviews
Collection descriptions
Photographs
Scrapbooks
Video recordings
Place:
New York (State)
New York
Date:
1952
1952-1980
1952-circa 1980
20th century
Topic:
Art  Search this
Art, Modern--Study and teaching  Search this
Art thefts  Search this
Constructivism (Art)  Search this
Minimal art  Search this
Local number:
AAA
AAA battgreg
Restrictions & Rights:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center
See more items in:
Gregory Battcock papers, 1952-circa 1980
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:siris_arc_214742

Gregory Battcock papers

Creator:
Battcock, Gregory, 1937-  Search this
Names:
Bronx Museum of the Arts  Search this
International Association of Art Critics  Search this
Trylon & perisphere  Search this
William Paterson College of New Jersey -- Faculty  Search this
Battcock, Elizabeth  Search this
Beker, Gisela  Search this
Brown, Cee  Search this
Burton, Scott  Search this
Calder, Alexander, 1898-1976 -- Photographs  Search this
Carsman, Jon, 1944-  Search this
Christo, 1935-  Search this
Dalí, Salvador, 1904-  Search this
Dreva, Jerry  Search this
Frank, Peter, 1950-  Search this
George, John  Search this
Glusberg, Jorge  Search this
Goldstein, Al  Search this
Halbert, Jacques  Search this
Hess, Emil, 1889-1945  Search this
Levine, Les, 1935-  Search this
Livingston, Braniff  Search this
McGeehan, Robert, 1933-  Search this
Morley, Malcolm, 1931-  Search this
Nakagawa, Naoto, 1944-  Search this
Neri, Julio  Search this
Paik, Nam June, 1932-2006  Search this
Partch, Harry, 1901-1974  Search this
Peña, Rolando, 1942-  Search this
Picard, Lil  Search this
Pocock, Philip  Search this
Schult, Ha, 1939-  Search this
Van Baron, Judith  Search this
Varble, Stephen  Search this
Warhol, Andy, 1928-  Search this
Wechter, Vivienne Thaul  Search this
Whyte, Ron  Search this
Extent:
10.6 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Scrapbooks
Diaries
Photographs
Interviews
Date:
1952-circa 1980
Summary:
The papers of New York art critic, writer, educator, and painter, Gregory Battcock, measure 10.6 linear feet and date from 1952 to circa 1980. The collection includes biographical material, correspondence, published and unpublished writings, artists' files, personal business records, printed materials, scrapbooks, photographic materials, and artifacts that detail his involvement in both the mainstream and fringe art scenes of the 1970s.
Scope and Contents:
The papers of New York art critic, writer, educator, and painter, Gregory Battcock, measure 10.6 linear feet and date from 1952 to circa 1980. The collection includes biographical material, correspondence, published and unpublished writings, artists' files, personal business records, printed materials, scrapbooks, photographic materials, and artifacts that detail his involvement in both the mainstream and fringe art scenes of the 1970s.

Biographical materials contain address lists, six appointment books, a diploma and certificate, family history, identification documents, interviews, resumes, obituaries, a William Paterson College of New Jersey teaching file, and membership files for The Bronx Museum, International Association of Art Critics, and other organizations. Correspondence is with Battcock's mother, Elizabeth; friends and colleagues Peter Frank, John George, Al Goldstein, Braniff Livingston, Robert McGeehan, Julio Neri, Judith Van Baron, Ron Whyte, and others regarding social events, reprint permissions, book projects, travel arrangements, real estate, and freelance work.

Writings and notes include personal journal entries, drafts for articles and essays, manuscripts for published and unpublished works including "The Story of Film" and Breaking the Sound Barrier: A Critical Anthology of the New Music, his dissertation titled "Constructivism and Minimal Art: Some Critical, Theoretical and Aesthetic Correlations," book proposals, lectures, limericks, restaurant reviews, notes and writings by Jorge Glusberg and Vivienne Thaul Wechter.

Files for artists contain mostly printed material on Gisela Beker, Cee Brown, Jon Carsman, Christo, Jerry Dreva, Jacques Halbert, Emil Hess, Les Levine, Naoto Nakagawa, Nam Jun Paik, Harry Partch, Lil Picard, Philip Pocock, HA Schult, Andy Warhol, and others. The file for Salvador Dalí contains one video recording. Battcock's personal business records include contracts and payments for his writing, real estate papers, business agreements, papers regarding his father's estate, a loan agreement for Andy Warhol's "Self Portrait," and files detailing the theft of two painting by Malcom Morley from Battcock's residence.

Found in printed materials are clippings, exhibition announcements and catalogs, flyers, post cards, magazines, press releases, issues of Trylon & Perisphere and Gay magazines, and other material that features Battcock's writings. Additional clippings of Battcock's writings that appeared in the New York Free Press, New York Review of Sex and Politics, Domus, The Soho Weekly News, New York Arts Journal, Gay, and other publications are contained in ten scrapbooks.

Photographs are of Battcock, colleagues and friends, works of art from his personal collection, travel, and artists Alexander Calder, Andy Warhol, Nam Jun Paik, Julio Neri, Rolando Peña, Stephen Varble, and Scott Burton. Several keys with a detached keychain labeled 'studio' are in artifacts.
Arrangement:
This collection is arranged as 9 series.

Missing Title

Series 1: Biographical Materials, 1958-1980 (0.4 linear feet; Box 1)

Series 2: Correspondence, 1960s-circa 1980 (2.7 linear feet; Boxes 1-3, 12)

Series 3: Writings and Notes, 1966-1980 (2.7 linear feet; Boxes 4-6)

Series 4: Artists' Files, 1960s-1980 (0.6 linear feet; Box 6)

Series 5: Personal Business Records, 1966-1980 (0.5 linear feet; Box 6-7)

Series 6: Printed Materials, 1952-1980 (1.4 linear feet; Boxes 7-8, 12-13)

Series 7: Scrapbooks, 1959-1980 (1.1 linear feet; Boxes 8-9, 12)

Series 8: Photographic Materials, 1960s-1980 (1.0 linear feet; Boxes 9-11)

Series 9: Artifacts, circa 1970s (0.1 linear feet; Box 11)
Biographical / Historical:
Gregory Battcock (1937-1980) was an art critic, writer, educator, and painter from New York, N.Y. He attended Michigan State University, the Accademia di Belle Arti in Rome, and Hunter College for his undergraduate and graduate studies before receiving his Ph.D. from New York University in 1978. His dissertation was titled "Constructivism and Minimal Art: Some Aesthetic, Theoretical and Critical Correlations."

Battcock was a prolific writer and wrote numerous articles as a correspondent for Art & Artists and Domus magazines. His column, "The Last Estate," appeared in Gay magazine as well as other publications. In 1977, Battcock co-founded the short-lived magazine, Trylon & Perisphere, with his close friend, playwright Ron Whyte. Even though only three issues were printed, the magazine exhibited Battcock's predilection for art society gossip, and provocative imagery and prose. E.P. Dutton & Co., Inc. published several of Battcock's books including Why Art: Casual Notes on the Aesthetics of the Immediate Past, Breaking the Sound Barrier: A Critical Anthology of the New Music, and Idea Art: A Critical Anthology. In addition to his writing career, Battcock taught fine art at William Paterson College of New Jersey, was art critic for New York Free Press from 1967 to 1970, Editor-in-Chief of Arts Magazine from 1973 to 1975, and appeared in the Andy Warhol films The Illiac Passion, Horse, and Batman Dracula.

Battcock was murdered in Puerto Rico on December 25, 1980. At the time of his death he was working on "The Story of Film," which remains unpublished, and The Art of Performance: A Critical Anthology, which was published posthumously in 1984.
Related Materials:
Also found at the Archives of American Art is an audio interview recorded on December 11, 1969 with Gregory Battcock for the University Roundtable radio series. The recording forms part of the WFUV radio interviews relating to art, 1969-1973 collection.
Provenance:
The Gregory Battcock papers were donated in 1992 by Nancy Mahl, an artist who occupied a studio in Jersey City, N.J. that had formerly been leased by a moving and storage company, and who came upon Battcock's papers in the building. The papers had been shipped to the Jersey City building without the knowledge of Ron Whyte (executor of Battcock's estate) and the Rev. Paul William Bradley, who had arranged to have Battcock's papers stored after his death. Additional papers were donated 2003 by Rev. Paul W. Bradley, who inherited the papers after the death of his partner Ron Whyte.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- New York (State) -- New York  Search this
Topic:
Constructivism (Art)  Search this
Educators -- New York (State) -- New York  Search this
Minimal art  Search this
Painters -- New York (State) -- New York  Search this
Art -- New York (State) -- New York  Search this
Art, Modern -- 20th century -- Study and teaching  Search this
Art thefts  Search this
Authors -- New York (State) -- New York  Search this
Genre/Form:
Video recordings
Scrapbooks
Diaries
Photographs
Interviews
Citation:
Gregory Battcock Papers, 1952-circa 1980. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.battgreg
See more items in:
Gregory Battcock papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9173ed1ab-2aac-4e20-85fe-1a96e7acf785
EDAN-URL:
ead_collection:sova-aaa-battgreg
Online Media:

George, John

Collection Creator:
Battcock, Gregory, 1937-  Search this
Container:
Box 1, Folder 53
Type:
Archival materials
Date:
1974-1975
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Gregory Battcock Papers, 1952-circa 1980. Archives of American Art, Smithsonian Institution.
See more items in:
Gregory Battcock papers
Gregory Battcock papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw962c5cc8f-148e-4e02-9b04-2e4da3baf767
EDAN-URL:
ead_component:sova-aaa-battgreg-ref70

Keep It Coming "We Must Not Only Feed Our Soldiers at the Front but the Millions of Women & Children Behind Our Lines" Gen. John J. Pershing Waste Nothing

Issuing body:
United States Food Administration  Search this
Artist:
Illian, George John  Search this
Sponsor:
United States Food Administration  Search this
Collection Creator:
Princeton University  Search this
Extent:
1 Poster (1/2 size; Multi-color, 74 x 53.5 cm)
Container:
Map-folder 4/10/23
Type:
Archival materials
Posters
Place:
United States
Date:
circa 1918
Image:
Main Image: Convoy of food trucks moving forward through snow
Local numbers:
Princeton Poster# 6808
General:
Issued by: United States Food Administration

Artist(s): George John Illian
Series:
No. 14
Printing Info:
Printer: W.F. Powers Co. Litho., New York
Related Materials:
Duplicates: 6808, 9947

Condition differs: Yes
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Conservation/Food production  Search this
World War, 1914-1918  Search this
Conservation of natural resources  Search this
Food conservation  Search this
International relief  Search this
World War, 1914-1918 -- Posters -- United States  Search this
Genre/Form:
Posters
Posters -- World War, 1914-1918 -- United States
Collection Citation:
Princeton University Posters Collection, Archives Center, National Museum of American History.
See more items in:
Princeton University Poster Collection
Princeton University Poster Collection / Series 2: World War One / United States
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep855fad371-bf35-42e9-9bb0-36bfaf203197
EDAN-URL:
ead_component:sova-nmah-ac-0433-ref7939

Keep It Coming "We Must Not Only Feed Our Soldiers at the Front but the Millions of Women & Children Behind Our Lines" Gen. John J. Pershing Waste Nothing

Issuing body:
United States Food Administration  Search this
Artist:
Illian, George John  Search this
Sponsor:
United States Food Administration  Search this
Collection Creator:
Princeton University  Search this
Extent:
1 Poster (1/2 size; Multi-color, 74 x 53.5 cm)
Container:
Map-folder 267
Type:
Archival materials
Posters
Place:
United States
Date:
circa 1918
Image:
Main Image: Convoy of trucks labeled "Food" moving across snow covered road while a soldier directs them
Local numbers:
Princeton Poster# 9947
General:
Issued by: U.S. Food Administration

Artist(s): George John Illian
Series:
No. 14
Printing Info:
Printer: The W.F. Powers Co. Litho.
Related Materials:
Duplicates: 6808, 9947

Condition differs: Yes
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Conservation/Food production  Search this
World War, 1914-1918  Search this
Conservation of natural resources  Search this
Food conservation  Search this
International relief  Search this
World War, 1914-1918 -- Posters -- United States  Search this
Genre/Form:
Posters
Posters -- World War, 1914-1918 -- United States
Collection Citation:
Princeton University Posters Collection, Archives Center, National Museum of American History.
See more items in:
Princeton University Poster Collection
Princeton University Poster Collection / Series 2: World War One / United States
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep85a4a4240-3ba5-44d8-82fd-b7bbb5cbe845
EDAN-URL:
ead_component:sova-nmah-ac-0433-ref7940

Technology Review

Collection Creator:
Brooks, Arthur Raymond, 1895-1991  Search this
Container:
Box 10, Folder 17
Type:
Archival materials
Date:
November 1961
1961-05
1930-07
Scope and Contents:
Massachusetts Institute of Technology, vol. 32, no. 8, July 1930; vol. 63, no. 7, May 1961; and vol. 64, no. 1, November 1961.
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Arthur Raymond Brooks Collection, NASM.1989.0104, National Air and Space Museum, Smithsonian Institution.
See more items in:
Arthur Raymond Brooks Collection
Arthur Raymond Brooks Collection / Series 1: Professional Materials / 1.8: Magazines
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg288ce95ba-ac2d-47f0-b0ac-10a81731849a
EDAN-URL:
ead_component:sova-nasm-1989-0104-ref314
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Technology Review digital asset number 1

Bellingham, WA: Correspondence

Collection Creator:
National Congress of American Indians  Search this
Container:
Box 2, Folder 13
Type:
Archival materials
Date:
1950
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Collection Title, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
National Congress of American Indians records
National Congress of American Indians records / Series 1: NCAI Conventions and Mid-year Conferences
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4d02a4cda-029c-42b3-851d-617d349fccce
EDAN-URL:
ead_component:sova-nmai-ac-010-ref53
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Bellingham, WA: Correspondence digital asset number 1

"The Life and Works of Peter Blume," by George John Seidel, College of Wooster

Collection Creator:
Blume, Peter, 1906-1992  Search this
Container:
Box 3, Folder 28
Type:
Archival materials
Date:
1967
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Peter Blume papers, 1870-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Peter Blume papers
Peter Blume papers / Series 3: Writings and Notes
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw902426f19-955d-4d53-94cd-416e6523acbb
EDAN-URL:
ead_component:sova-aaa-blumpete-ref276

The bowhead whale balaena mysticetus : biology and human interactions edited by J.C. George, J.G.M. Thewissen

Editor:
George, John C  Search this
Thewissen, J. G. M.,  Search this
Physical description:
1 online resource illustrations (colour)
Type:
Electronic resources
Electronic books
Place:
Arctic regions
Arctic Regions
Date:
2020
Topic:
Bowhead whale  Search this
Human-animal relationships  Search this
Call number:
QL706.2 .B694 2021 (Internet)
Restrictions & Rights:
1-user
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1153088

Diary

Collection Creator:
Craton, Forman H., 1902-1983  Search this
Container:
Box 1, Folder 9
Type:
Archival materials
Date:
1932-1933
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Forman H. Craton Collection, 1902-1983, Archives Center, National Museum of American History.
See more items in:
Forman H. Craton Papers
Forman H. Craton Papers / Series 1: Memoirs
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep810eee634-1f32-40eb-ad8f-1912a99466ac
EDAN-URL:
ead_component:sova-nmah-ac-0454-ref259
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  • View Diary digital asset number 1

Liston

Associated Name:
Gemrig, John H.  Search this
Tiemann, George  Search this
Maker:
John H. Gemrig  Search this
Measurements:
overall: 2.2 cm x 1.4 cm x 28.7 cm; 7/8 in x 9/16 in x 11 5/16 in
overall: 5/8 in x 13 3/4 in x 7/8 in; 1.5875 cm x 34.925 cm x 2.2225 cm
Object Name:
Knife
knife
surgical set
Place made:
United States: Pennsylvania, Philadelphia
Date made:
1861-1864
Related event:
Civil War  Search this
ID Number:
MG.316384.03
Accession number:
316384
Catalog number:
316384.03
See more items in:
Medicine and Science: Medicine
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a8-e646-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1028343
Online Media:

Memorial to first Catholic settlers in Virginia in 1647 at Aquia near Fredericksburg, Va.

Creator:
Bond, W.L.  Search this
Bond, W.L.  Search this
Subject:
Lober, Georg John  Search this
Type:
Printed Materials
Date:
19--
Topic:
Religious art  Search this
Record number:
(DSI-AAA)10564
See more items in:
Georg John Lober papers, [ca. 1915-1970]
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_10564
Online Media:

Unidentified people visiting the memorial to the first catholic settlers in Virginia

Type:
Photographs
Date:
ca. 1930
Record number:
(DSI-AAA)10565
See more items in:
Georg John Lober papers, [ca. 1915-1970]
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_10565

Unidentified people visiting the memorial to the first catholic settlers in Virginia

Type:
Photographs
Date:
ca. 1930
Record number:
(DSI-AAA)10566
See more items in:
Georg John Lober papers, [ca. 1915-1970]
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_10566

Wreath laying ceremony at the memorial to the first catholic settlers in Virginia

Type:
Photographs
Date:
ca. 1930
Record number:
(DSI-AAA)10567
See more items in:
Georg John Lober papers, [ca. 1915-1970]
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_10567
Online Media:

Inscription ceremony at the memorial to the first catholic settlers in Virginia

Type:
Photographs
Date:
ca. 1930
Record number:
(DSI-AAA)10568
See more items in:
Georg John Lober papers, [ca. 1915-1970]
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_10568
Online Media:

Georg J. Lober and art students

Subject:
Lober, Georg John  Search this
Type:
Photographs
Date:
ca. 1911
Topic:
Artists in groups  Search this
Sculpture  Search this
Record number:
(DSI-AAA)2475
See more items in:
Georg John Lober papers, [ca. 1915-1970]
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_2475
Online Media:

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