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William Anderson Coffin papers, 1886-1924

Creator:
Coffin, William A. (William Anderson), 1855-1925  Search this
Subject:
Stella, Joseph  Search this
Warren, Whitney  Search this
Mauer, Alfred  Search this
Benson, Frank Weston  Search this
Blashfield, Edwin Howland  Search this
Zorach, William  Search this
Gay, Walter  Search this
Gussow, Bernard  Search this
Bouché, Louis  Search this
Cortissoz, Royal  Search this
Pan-American Exposition (1901: Buffalo, N.Y.)  Search this
Société des artistes français  Search this
Exposition d'artistes de l'école Américaine (1919 : Paris, France)  Search this
American Rights Committee  Search this
American Artists' Committee of One Hundred  Search this
Lotos Club (New York, N.Y.)  Search this
Musée d'histoire et d'art (Luxembourg)  Search this
Committee for the Exhibition of American Painting and Sculpture (Paris, France)  Search this
Type:
Scrapbooks
Photographs
Citation:
William Anderson Coffin papers, 1886-1924. Archives of American Art, Smithsonian Institution.
Topic:
Harper's Weekly  Search this
New York Post  Search this
Art Exhibitions France Paris  Search this
Landscape painters -- New York (State) -- New York  Search this
Art, American  Search this
World War, 1914-1918  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)7476
(DSI-AAA_SIRISBib)209634
AAA_collcode_coffwill
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209634
Online Media:

Gary A. Reynolds papers

Creator:
Reynolds, Gary A.  Search this
Names:
Grey Art Gallery & Study Center  Search this
Audubon, John James, 1785-1851  Search this
Boldini, Giovanni, 1842-1931  Search this
Browere, A. D. O. (Alburtis Dell Orient), 1814-1887  Search this
Gay, Walter, 1856-1937  Search this
Morse, Samuel Finley Breese, 1791-1872  Search this
Sargent, John Singer, 1856-1925  Search this
Tiffany, Louis Comfort, 1848-1933  Search this
Wiles, Irving Ramsay, 1861-1948  Search this
Extent:
3 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1973-1990
Scope and Contents:
Research material for exhibitions curated by Reynolds at the Grey Art Gallery, for articles, essays, and his graduate studies; and miscellaneous correspondence and subject files.
Files on exhibitions curated by Reynolds at the Grey Art Gallery, including Louis Comfort Tiffany: The Paintings (1979), John James Audubon and His Sons (1982), Samuel F.B. Morse and the Grand Style (1983), Giovannie Boldini and Society Portraiture (1984), and Walter Gay, 1856-1937 (1984), containing correspondence with owners of works of art, galleries, auction houses and museums; issues of the Grey Art Gallery Bulletin containing writings by Reynolds; files relating to published and unpublished writings, including Reynolds' master's thesis on A.D.O. Browere and other writings done as a graduate student at Brooklyn College, articles, essays, and other writings on Theodore Wores, Irving Wiles, Leopold Seyffert, John Singer Sargent, the architecture of the Brooklyn Museum, and other subjects.
Also included are writings by others; miscellaneous correspondence; printed material; photographs of works of art; and files regarding Reynolds' participation in New York State funded art projects, including New York: The State of Art (1977), Metropolitan Transportation Authority, Arts For Transit (1981-1985), and the New York State Council on the Arts' Museum Aid panel (1983-1986). Some of the Grey Art Gallery exhibition files contain related correspondence added by Reynolds after the exhibition.
Biographical / Historical:
Art historian; New York, N.Y. and Newark, N.J. Born 1949. Died 1990. Curator of painting and sculpture at the Newark Museum, N.J., 1983-1990; the Grey Art Gallery and Study Center, New York University, 1977-1983, and curatorial assistant at the Brooklyn Museum, 1972-1977. Specialized in 19th and 20th century American painting. Wrote numerous articles on art.
Provenance:
Donated 1991 by the Gary Reynolds estate, via Paul Himmelstein, executor.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Art historians  Search this
Museum curators  Search this
Art museum curators  Search this
Identifier:
AAA.reyngary
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93e8a5c54-6823-4c8f-89a1-e9f8a9a319d4
EDAN-URL:
ead_collection:sova-aaa-reyngary

Gay, Walter

Collection Creator:
Jacques Seligmann & Co  Search this
Container:
Box 186, Folder 3
Type:
Archival materials
Date:
1929
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Seligmann & Co. records
Jacques Seligmann & Co. records / Series 2: Collectors Files / 2.1: Collectors
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98f23ce9c-a03a-401c-995c-281b4096492d
EDAN-URL:
ead_component:sova-aaa-jacqself-ref13346

Artist Files

Collection Creator:
Robert Schoelkopf Gallery  Search this
Extent:
(boxes 1-23, 23 linear ft.)
Type:
Archival materials
Date:
1851-1991, undated
Scope and Contents note:
This series forms the core of the collection and comprises files relating to more than three hundred artists whose work the gallery represented or handled at some point. The main types of material that can be found here include correspondence with artists and clients interested in borrowing, consigning, or purchasing their work; printed material documenting exhibitions of individual artists at the Robert Schoelkopf Gallery and related events; general reference material about gallery artists; photographic images of works of art dealt with by the gallery; and photographs of artists. Items of particular interest are noted in parentheses after the folder title.

Individual artists are represented by groups of material ranging from a single file to several linear feet of files, depending on the gallery's level of involvement with their work. Groups of files of particular interest are described in greater detail below. A list of all known group and one-person exhibitions held at the gallery is provided as an appendix and can be used to identify the dates of exhibitions for specific artists.

Relations with many of the gallery's contemporary artists are particularly well documented in this series. The gallery's interest in figurative painting that incorporated elements of allegory, myth, fantasy, and dreams is evinced in files relating to artists such as Milet Andrejevic, Bruno Civitico, Martha Mayer Erlebacher, and David Ligare. Gabriel Laderman, another artist who worked extensively with allegorical themes, is also well represented in this series, and of particular interest are his letters describing his experiences living and working in Malaysia. Correspondence files relating to the painter Caren Canier contain personal letters from the artist that detail her attitude to her work and her relationships with her husband, artist Langdon Quin, and their two children. Paul Wiesenfeld, a realist painter who specialized in portraits and finely detailed interiors, also wrote to the gallery from Germany disclosing aspects of his personal life that affected his work. Correspondence with sculptor Isabel McIlvain contains detailed explanations by the artist of her attitudes to her work and her sculpting methods. McIlvain's files also chronicle her commission to produce a sculpture of John F. Kennedy that was unveiled in Boston in 1990.

Files relating to William Bailey record many aspects of his relationship with the Schoelkopfs. Correspondence files primarily comprise letters to and from clients interested in Bailey's work but are interspersed with correspondence with Bailey and his wife that often details personal aspects of their lives as well as providing insight into Bailey's artistic development and his experiences living in Italy, where he and his family resided much of the time. Consignments and sales of Bailey's work are well documented here, as is the gallery's role in the compilation and publication of three books about the artist. An extensive collection of news clippings records various stages of his career and the growth of his commercial success.

Two substantial groups of files document the gallery's representation of painter Louisa Matthiasdottir and her husband, Leland Bell. Correspondence with Bell includes mention of his time spent in Europe and his teaching experiences, and reveals his sardonic wit.

Several files of correspondence with Miyako Ito offer rich insight into a short period during the artist's life. The bulk of the material comprises letters written by Ito to Robert Schoelkopf in 1960 and 1961, occasionally on a daily basis and often of a very poetic and deeply reflective and emotional nature.

Folders relating to Joseph Cornell contain some correspondence with the artist that offers insight into his personality. They also record Schoelkopf's bid, albeit in vain, to represent the artist's estate following his death in 1972 and the gallery's commitment to Cornell through continued consignment of his work.

Files concerning Manierre Dawson document the gallery's representation of the artist's estate and arrangements for the first one-person exhibition of his paintings in New York only a few months before his death in the summer of 1969. The files include correspondence with Dawson in which he discusses preparations for the exhibition, supplies information concerning dates and locations of his paintings, and expresses concerns about his illness. Letters from Dawson's wife, Lillian, written immediately after his death, can also be found here as well as several marked-up copies of the catalog for the 1969 exhibition that includes an introduction written by the artist. The Dawson files document the activities of the partnership formed by Frank J. McKeown, Jr., Dr. Lewis Obi, and Lefferts L. Mabie, Jr., to purchase paintings from the Dawson estate and provide details of how the partnership worked with Schoelkopf as the sole gallery agency for Dawson's paintings. The files also record the distribution of loans and gifts from the partnership to various art institutions.

More than two feet of records offer detailed coverage of Robert Schoelkopf's interest in Gaston Lachaise and his involvement in the administration of the Lachaise Foundation. Correspondence files chronicle relations among Schoelkopf, John B. Pierce, Jr. (trustee of the foundation), and Felix Landau and record decisions taken regarding publications about the artist, policies for casting and limiting editions of his sculpture, and strategies for promoting Lachaise through exhibitions. The traveling exhibition that opened in September 1967 and was still circulating in 1991 is well documented here, as are other practical concerns such as maintaining accounting and storage records of the artist's work.

Files relating to Ethel Myers include correspondence with the artist's daughter, Virginia Downes, and document Schoelkopf's handling of Myers's estate and his involvement in exhibitions to promote her work. The files include one undated letter and one copy of a letter from Myers to Downes, dated 1941, and a copy of a letter from Henry McBride to Myers from 1913. Copies of autobiographical notes written by Myers about her childhood, artists she knew, her marriage to Jerome Myers, and the outbreak of war in Europe can also be found here.

Several files document the appointment and activities of Robert Schoelkopf and Felix Landau as exclusive agents for the sale of works of art from the estate of Elie Nadelman.

A substantial group of files relating to Joseph Stella chronicle Schoelkopf's involvement with Michael and Sergio Stella, trustees of Joseph Stella's estate, and his representation of the estate from 1963 until 1971, when he withdrew from the position following a dispute over commissions. The gallery continued to consign work from the Stella estate until 1991, and these files contain details of those consignments and reflect Schoelkopf's lifelong commitment to promoting Stella's work.

Files relating to John Henry Bradley Storrs document Schoelkopf's relationship with the artist's daughter, Monique Storrs Booz, who designated Schoelkopf as the new agent for works of art from her father's estate when her contract with the Downtown Gallery was terminated in 1969. Schoelkopf continued to represent Storrs's work when Monique Storrs Booz died in 1985, leaving the estate in the hands of two of the artist's grandchildren. Details of the gallery's relationship with Noel Frackman, who conducted important research on Storrs, can also be found here. Of additional interest are two sets of photographs attributed to John Storrs: a group of eleven platinum prints (apparently there were originally thirteen), primarily portraits of children, and a group of twenty-seven silver gelatin prints of rural and coastal scenes.

Another significant component of this series is the number of files documenting the gallery's relationship with various contemporary photographers. Files of correspondence concerning Brassaï contain substantial correspondence with the photographer himself, who frequently wrote to the gallery in French. Records relating to Walker Evans detail Evans's consignments to the gallery and include some letters from him of a more personal nature, such as one describing his observations during a trip to London in 1966. Photographer Giséle è wrote regularly to the gallery, and her letters include detailed descriptions of the processes she employed in printing her work.

Correspondence relating to Julia Margaret Cameron contains several items of interest including a letter from Cameron dated August 10, 1873, to a Mrs. Way concerning photographs of Way's daughter, and an article on Cameron by Charles Harvard with notes containing biographical details about the photographer.

Within its artist files the gallery retained a group of files marked "Miscellaneous." These files contain small amounts of material, often only one or two pieces, relating to various artists for whom an individual file was not maintained or who were unidentified. These records are placed at the end of the alphabetical files and contain primarily copy prints, transparencies, and slide transparencies. Material is arranged alphabetically by name of artist, with records relating to unidentified artists placed at the beginning. To retain the alphabetical arrangement various media formats are filed together and dated material is interfiled with undated material, which forms the bulk of the contents.

The gallery tended to group various types of paper records together with correspondence in a single file. The term "correspondence" in this series, therefore, refers not only to incoming and outgoing letters but also to accounting and consignment records, reports (such as inventory lists), artists' résumés, exhibition lists, price lists, and other miscellaneous notes. In cases where a certain type of "correspondence" was originally filed separately from other material of this kind, and represents a significant amount of material, that material is filed in a separate folder (e.g., Accounting and Consignment Records).

Generally, arrangement of photographs in this series follows the system outlined under Organization and Arrangement, with some notable exceptions. Photographs of works of art by Gaston Lachaise and Elie Nadelman were originally arranged in a numbering system that is fairly consistent, and this basic original order has been retained. Also, for large groups of photographs of works of art, such as those by Gaston Lachaise, Joseph Stella, and John Henry Bradley Storrs, the gallery filed photographs by media in which the work of art was created; such delineations are reflected in the final arrangement.

The gallery maintained a collection of negatives, primarily of works of art by artists found in Series 1: Artist Files, in addition to other artists not represented there. There is also a small number of negatives of installation shots. The negatives are arranged alphabetically by artist name, with unknown artists at the beginning, and are stored, for preservation reasons, in containers separate from other records in the series. Negative numbers found on the original sleeves have been transcribed onto the paper enclosures now housing the negatives, so that they may be matched to prints in Series 1: Artist Files, in cases where prints exist. An appendix provides an alphabetical list of artists whose work is represented in the negative collection. In some cases, names of artists are incomplete because of insufficient information on the original negative sleeves.

See Appendix A for a list of artists represented in the negatives of works of art found in Series 1.
Appendix A: Artists Represented in Negatives of Works of Art:
Albright, Ivan

[Allston]

Anderson, Lennart

Andrejevic, Milet

Anshutz, Thomas Pollock

Aponovich, James

Bailey, William

Ballaine, G.

Balthus

Barye

Bazelon, Cecile Gray

Beauchamp

Beckwith

Bell, E.

Bell, Leland

Bellows, George

Benton, Thomas Hart

Bernard

Birch, Thomas

[Blauvelk]

Bluemner, Oscar

Blythe, David Gilmour

Bolles, Jesse H.

Bouvier, August

Bradford, William

Branchard, Emile Pierre

Brassaï

Bratby, John

Breckenridge, Hugh H.

Bricher, A. T.

Brook, Alexander

Brown, John George

Burchfield, Charles

Burra, Edward

Carles, Arthur B.

Carlsen

Cartier-Bresson, Henri

Charkow, Natalie

Chase, William Merritt

Chiriani, Richard

Civitico, Bruno

Clark, Alson Skinner

Codman, Charles

Cohen, Frederick

Cole, Thomas

Coleman, Glenn O.

Conrad, Kramer

Cornell, Joseph

Cropsey, Jasper Francis

Currier, [J. Frank]

Dallman, Daniel

Dalou, Jules

Dasburg, Andrew

Daugherty, James Henry

[Davidson]

Davidson, Jo

Davies, Arthur B.

Davis, Stuart

Dawson, Manierre

Degas, Edgar

De Kooning, Willem

Demuth, Charles

Dewing, Thomas Wilmer

Dickinson, Preston

Diederich, William Hunt

[Dix, Otto]

Du Bois, Guy Péne

Duchamp, Marcel

Duveneck, Frank

Eaton

Edmonson, Will

[Eilshemius]

Epstein, [Sir Jacob]

Erlebacher, Martha Mayer

Evans, Walker

Fellini

Fisher, M.

Fiske, Gertrude

Flannagan, John Bernard

Forbes, Charles

Frazier, John Robinson

Freckelton, Sondra

Frieseke, Frederick C.

Gallatin, A. E.

Gay, Walter

Gifford, R. Swain

Gifford, Sanford Robinson

Gignoux, R.

Glackens, William J.

Gleizes, Albers

Goodnough, Robert

Goodwin, Arthur Clifton

Gorky, Arshile

Gorsline

Graham, John

Graham, William

Grant

Grausman, Philip

Graves, Morris

Groz

Guglielmi, Louis

Guillaume

Halsall

Han, Raymond

Hardy, DeWitt

Hart, William

Hartley, Marsden

Hartman, Bertram C.

Harvey, Anne

Hatke, Walter

Hawthorne, Charles Webster

Heade, Martin Johnson

Henri, Robert

Hill, T.

Hirst, Claude R.

Hitchcock

Hohwiller, L. M.

Hopper, Edward

Horton, William S.

Johnson, David

Johnson, Eastman

Johnson, Lester

Jones, Bern

Kane, John

Karfunkle, David

Kelly, L.

Kensett, John Frederick

Klee, Paul

Klimt, Gustav

Kline, Franz

Knaths, Karl

[Kresch]

Kruger, Louise

Kuhn, Walt

Kuniyoshi, Yasuo

Lachaise, Gaston

Laderman, Gabriel

Lawrence, Jacob

Lawson, Ernest

Lechay, Myron

Leibowitz, Leonard

Leutz

Levinson, Abraham F.

Ligare, David

Lipchitz

Luks, George

MacDonald-Wright, Stanton

MacMonnies, Frederick William

Manolo

Manship, Paul

Manzu

Marin, John

Martin, Homer D.

Matthiasdottir, Louisa

Matulka, Jan

Maurer, Alfred Henry

McFee Henry

McIlvain, Isabel

Melchers

Metcalf, Willard Leroy

Mills

[Morandi, Giovanni]

Muybridge, Eadweard

Müller, Jan

Muller, Lisa

Myers, Jerome

Nadelman, Elie

Nakian, Reuben

Nevelson, Louise

Newman, A. L.

Nick, George Bentley

Of, George F.

O'Keeffe, Georgia

Orozco, José Clemente

Peterson, Jane

Peto, John Frederick

Pfreim, Bernard

Picasso, Pablo

Piccolo, Richard

Pollet, Joseph

Pollock, Jackson

Poor, H.

Powers, Hiram

Prendergast, Maurice Brazil

Price

Prior, William Matthew

Quin, Langdon

Raiselis, Richard

Ream, C. P.

Reid, Robert

Richards, William Trost

Rimmer, William

Robinson, T. W.

Rodin, Auguste

Romero, Orozco

Rummelspacher

Russell, Morgan

Ryan, Richard

[Ryder, Albert Pinkham]

Saint-Gaudens, Augustus

Salemme, Antonio

Salemme, Attilio

Sargent, John Singer

Schamberg, Morton L.

Schiele, Egon

Schmidt, Edward

Schultz, E. N.

Scott, J. W. A.

Shahn, Ben

Shaw, Sidney Dale

Sheeler, Charles

Shinn, Everett

Sklarski, Bonnie

Sloan, John

Smith, Hope

Staples, W. L.

Steene

Steichen, Edward

Stella, Joseph

Storrs, John Henry Bradley

Stuart, Frederick, T.

Suba, Miklos

Tamayo, Rufino

Tanguy, Yves

Tanner, Henry Ossawa

Taylor, Henry Fitch

Tillim, Sidney

Touster, Irwin

Turner, Helen

Twachtman, John Henry

Urness, Scott

[V., F.]

Van Beest

Van Everen, Jay

Vedder, Elihu

Vespignani

Vonnoh, Robert William

Walcutt, William

[Wall]

Weber, Max

Weir, Julian Alden

Weiss, George

Whistler, James McNeill

Whittredge, Worthington

Wiesenfeld, Paul

Woking

Wood, Thomas Waterman

Wyant, A. H.

Wyeth, Andrew

Zorach, [William]
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Schoelkopf Gallery records, 1851-1991, bulk 1962-1991. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.robeschg, Series 1
See more items in:
Robert Schoelkopf Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91abedf45-34c2-49e3-b4eb-079833b500d7
EDAN-URL:
ead_component:sova-aaa-robeschg-ref13

Gay, Walter, General

Collection Creator:
Robert Schoelkopf Gallery  Search this
Container:
Box 7, Folder 22
Type:
Archival materials
Date:
undated
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Schoelkopf Gallery records, 1851-1991, bulk 1962-1991. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Schoelkopf Gallery records
Robert Schoelkopf Gallery records / Series 1: Artist Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98de2cf5a-63f3-4422-af01-dc2c8a0bbe97
EDAN-URL:
ead_component:sova-aaa-robeschg-ref259

G; Gay, Edward 1837-1928; Gay, Walter 1856-1937; Geerarts, Marc; Glackens, William J.; Goodwin, Richard LaBarre 1840-1908; Graham, William; Gropper, William; Gullager, Christian 1759-1826

Collection Creator:
Richardson, Edgar Preston, 1902-1985  Search this
Richardson, Constance, 1905-  Search this
Container:
Box 20, Folder 31
Type:
Archival materials
Date:
circa 1934-1978
Collection Restrictions:
Use of original material requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Edgar P. Richardson papers, 1814-1996, bulk 1921-1996. Archives of American Art, Smithsonian Institution.
See more items in:
E.P. (Edgar Preston) and Constance Richardson papers
E.P. (Edgar Preston) and Constance Richardson papers / Series 6: Artist-Subject files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c6bb6a28-9c00-479c-b696-63bb616a73d9
EDAN-URL:
ead_component:sova-aaa-richedga-ref818

The Sculptor's Studio

Artist:
Walter Gay, 1856 - 1937  Search this
Sitter:
Unidentified Man  Search this
Medium:
Oil on wood panel
Dimensions:
Stretcher: 35.4 × 24.4cm (13 15/16 × 9 5/8")
Type:
Painting
Date:
1885
Topic:
Interior\Studio\Art  Search this
Equipment\Ladder  Search this
Artwork\Sculpture\Statue  Search this
Home Furnishings\Furniture\Cabinets  Search this
Unidentified Man: Male  Search this
Portrait  Search this
Credit Line:
Owner: Spencer Museum of Art
Object number:
00.647
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4f76fb2c2-5008-4b31-8113-c81dd24d0731
EDAN-URL:
edanmdm:npg_00.647

Untitled (Interior View)

Artist:
Walter Gay, born Hingham, MA 1856-died Breau, France 1937  Search this
Medium:
oil on paperboard
Dimensions:
18 x 14 7/8 in. (45.6 x 37.8 cm.)
Type:
Painting
Date:
n.d.
Topic:
Object\art object\painting  Search this
Object\furniture\chair  Search this
Architecture Interior\domestic  Search this
Credit Line:
Smithsonian American Art Museum, Gift of Mrs. Harper Fletcher in memory of Mr. and Mrs. James Wolcott Wadsworth
Object number:
1971.283
Restrictions & Rights:
CC0
See more items in:
Smithsonian American Art Museum Collection
Department:
Painting and Sculpture
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk702b3fea7-7a70-4479-940d-fac4c6598fa0
EDAN-URL:
edanmdm:saam_1971.283

Boudoir, Chateau de Chaalis

Artist:
Walter Gay, born Hingham, MA 1856-died Breau, France 1937  Search this
Medium:
oil on paperboard
Dimensions:
25 1/2 x 21 1/4 in. (64.9 x 53.9 cm)
Type:
Painting
Date:
1914
Topic:
Object\art object\painting  Search this
Object\furniture\chair  Search this
Object\furniture\couch  Search this
Architecture Interior\domestic\bedroom  Search this
Object\furniture\table  Search this
Architecture Interior\castle\Chateau de Chaalis  Search this
Homage\Watteau, Jean-Antoine  Search this
Credit Line:
Smithsonian American Art Museum, Gift of Mrs. Harper Fletcher in memory of Mr. and Mrs. James Wolcott Wadsworth
Object number:
1971.284
Restrictions & Rights:
CC0
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk73de35e21-d62a-40e4-8bf1-72e9dce2782f
EDAN-URL:
edanmdm:saam_1971.284

Charity

Artist:
Henry Wolf, born Eckwersheim, Alsace 1852-died New York City 1916  Search this
Copy after:
Walter Gay, born Hingham, MA 1856-died Breau, France 1937  Search this
Publisher:
Century Magazine  Search this
Medium:
wood engraving on paper
Dimensions:
image: 6 1/8 x 5 1/4 in. (15.6 x 13.3 cm)
Type:
Graphic Arts-Print
Date:
1894
Topic:
Figure group  Search this
State of being\other\poverty  Search this
Architecture Interior  Search this
Credit Line:
Smithsonian American Art Museum, Transfer from the Archives of American Art, Smithsonian Institution
Object number:
1973.130.105
Restrictions & Rights:
CC0
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk71f8caf4c-6a46-44f9-9124-098f5628f0c6
EDAN-URL:
edanmdm:saam_1973.130.105

Novembre, Etaples

Artist:
Walter Gay, born Hingham, MA 1856-died Breau, France 1937  Search this
Medium:
oil on canvas
Dimensions:
43 1/2 x 64 1/2 in. (110.5 x 163.8 cm.)
Type:
Painting
Date:
ca. 1885
Topic:
Occupation\farm\harvesting  Search this
Figure female\full length  Search this
Landscape\season\autumn  Search this
Landscape\France\Etaples  Search this
Architecture Exterior\domestic\farmhouse  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase
Object number:
1977.111
Restrictions & Rights:
CC0
See more items in:
Smithsonian American Art Museum Collection
Department:
Painting and Sculpture
On View:
Smithsonian American Art Museum, 2nd Floor, East Wing
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7de9439e8-544e-4262-b92a-fac661ddc6a6
EDAN-URL:
edanmdm:saam_1977.111

Walter Gay: artist file, [photographs]

Artist:
Gay, Walter 1856-1937  Search this
Physical description:
1 folder
Type:
Photograph
Artist files
Topic:
Art, American  Search this
Image number:
VFM VF001175
See more items in:
Photograph Study Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_138814

(No Title Given) [art work] / (photographed by Peter A. Juley & Son)

Artist:
Gay, Walter 1856-1937  Search this
Type:
Photograph
Image number:
JUL J0053935
See more items in:
Photograph Study Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_53936

(No Title Given) [art work] / (photographed by Peter A. Juley & Son)

Artist:
Gay, Walter 1856-1937  Search this
Type:
Photograph
Image number:
JUL J0053936
See more items in:
Photograph Study Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_53937

Walter Gay, 1856-1937 [Folder]

Contents:
Folder(s) may include exhibition announcements, newspaper and/or magazine clippings, press releases, brochures, reviews, invitations, illustrations, resumes, artist's statements, exhibition catalogs.
Topic:
Artists  Search this
Location:
Art & Artist files at the Smithsonian American Art Museum/ National Portrait Gallery Library
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILAF_43621

Walter Gay papers, 1870-1937

Creator:
Gay, Walter, 1856-1937  Search this
Subject:
Gay, Matilda Travers  Search this
Type:
Scrapbooks
Sketchbooks
Photographs
Citation:
Walter Gay papers, 1870-1937. Archives of American Art, Smithsonian Institution.
Topic:
Painters -- France -- Paris  Search this
Expatriate painters -- France -- Paris  Search this
Theme:
Sketches & Sketchbooks  Search this
American Art and Artists in a Global Context  Search this
Record number:
(DSI-AAA_CollID)8963
(DSI-AAA_SIRISBib)211150
AAA_collcode_gaywaltp
Theme:
Sketches & Sketchbooks
American Art and Artists in a Global Context
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211150
Online Media:

A. E. (Albert Eugene) Gallatin papers (microfilm), 1898-1951

Creator:
Gallatin, A. E. (Albert Eugene), 1881-1952  Search this
Subject:
Freer, Charles Lang  Search this
Gay, Walter  Search this
Glackens, William J.  Search this
González, Julio  Search this
Hassam, Childe  Search this
McBride, Henry  Search this
Nevinson, C. R. W. (Christopher Richard Wynne)  Search this
Nicholson, Ben  Search this
Parrish, Maxfield  Search this
Pennell, Elizabeth Robins  Search this
Pennell, Joseph  Search this
Rosenberg, Léonce  Search this
Rothenstein, Michael  Search this
Wade, Allan  Search this
Wharton, Edith  Search this
Bluemner, Oscar  Search this
Calder, Alexander  Search this
Dawson, Warrington  Search this
Delaunay, Robert  Search this
Demuth, Charles  Search this
Gallery of Living Art  Search this
Museum of Living Art  Search this
Citation:
A. E. (Albert Eugene) Gallatin papers (microfilm), 1898-1951. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Collectors and collecting  Search this
Art and war  Search this
World War, 1914-1918  Search this
Art, Modern -- 20th century -- Collectors and collecting  Search this
Theme:
Art Market  Search this
Record number:
(DSI-AAA_CollID)10143
(DSI-AAA_SIRISBib)213070
AAA_collcode_galla
Theme:
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213070

Photographs of artists in their Paris studios, 1880-1890

Creator:
George Walter Vincent Smith Museum  Search this
Subject:
Bouguereau, William Adolphe  Search this
Bridgman, Frederick Arthur  Search this
Gay, Walter  Search this
Healy, G. P. A. (George Peter Alexander)  Search this
Puvis de Chavannes, Pierre  Search this
Munkácsy, Mihály  Search this
Cabanel, Alexandre  Search this
Rochegrosse, Georges  Search this
Aublet, Albert  Search this
Abbéma, Louise  Search this
Béraud, Jean  Search this
Boulanger, Gustave Clarence Rodolphe  Search this
Duez, Ernest-Ange  Search this
Carolus-Duran  Search this
Falguiére, Jean-Alexandre-Joseph  Search this
Gervex, Henri  Search this
Roll, Alfred Philippe  Search this
Storey, G. A. (George Adolphus)  Search this
Laurens, Jean-Paul  Search this
Lefebvre, Jules  Search this
Gérôme, Jean Léon  Search this
Courtois, Gustave  Search this
Bellcourt, Riene  Search this
Besnard, Paul Albert  Search this
Bompard, Maurice  Search this
Bonnat, Léon Joseph Florentin  Search this
Collin, Louis Joseph Rapheal  Search this
Cormon, Fernand  Search this
Dagnan, Pascal Adolphe Jean  Search this
Detaille, Jean Baptiste Edouard  Search this
Fleury, T. R.  Search this
Frappa, J.  Search this
Hebert, Antoine Auguste Ernest  Search this
Henner, Jean-Jacques  Search this
Jacques, Charles  Search this
Maignan, Albert  Search this
Merson, Luc Olivier  Search this
Morot, Aime Nicolas  Search this
de Neuville, Alphonse Wane  Search this
Stevens, Alfred  Search this
Benjamin-Constant  Search this
Clairin, Georges  Search this
Sargent, John Singer  Search this
Smith, George Walter Vincent  Search this
Citation:
Photographs of artists in their Paris studios, 1880-1890. Archives of American Art, Smithsonian Institution.
Topic:
Artists -- France -- Paris -- Photographs  Search this
Expatriate artists -- France -- Paris -- Photographs  Search this
Theme:
Audio - Visual  Search this
Record number:
(DSI-AAA_CollID)10228
(DSI-AAA_SIRISBib)213306
AAA_collcode_photartiparis
Theme:
Audio - Visual
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213306

Gary A. Reynolds papers, 1973-1990

Creator:
Reynolds, Gary A., 1949-1990  Search this
Subject:
Audubon, John James  Search this
Boldini, Giovanni  Search this
Browere, A. D. O. (Alburtis Dell Orient)  Search this
Gay, Walter  Search this
Morse, Samuel Finley Breese  Search this
Tiffany, Louis Comfort, 1848-1933  Search this
Wiles, Irving Ramsay  Search this
Sargent, John Singer  Search this
Grey Art Gallery & Study Center  Search this
Citation:
Gary A. Reynolds papers, 1973-1990. Archives of American Art, Smithsonian Institution.
Theme:
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)10802
(DSI-AAA_SIRISBib)214528
AAA_collcode_reyngary
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214528

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