Skip to main content Smithsonian Institution

Search Results

Collections Search Center
23 documents - page 1 of 2

Oral history interview wih Clara Diament Sujo

Interviewee:
Diament Sujo, Clara  Search this
Interviewer:
Berman, Avis  Search this
Creator:
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Names:
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Córdova, Arturo de, 1908-1973  Search this
D'Harnoncourt, Rene, 1901-1968  Search this
De Kooning, Willem, 1904-1997  Search this
Duchamp, Marcel, 1887-1968  Search this
Hughes, Langston, 1902-1967  Search this
Johns, Jasper, 1930-  Search this
Kuh, Katharine  Search this
Lam, Wifredo  Search this
Marisol, 1930-2016  Search this
Messer, Thomas M.  Search this
Miller, Dorothy Canning, 1904-2003  Search this
Otero Rodríguez, Alejandro  Search this
Perón, Juan Domingo, 1895-1974  Search this
Pollock, Jackson, 1912-1956  Search this
Rauschenberg, Robert, 1925-2008  Search this
Reverón, Armando, 1889-1954  Search this
Romero Brest, Jorge  Search this
Soto, Jesús Rafael, 1923-2005  Search this
Sterne, Hedda, 1910-2011  Search this
Valera, Víctor, 1927-  Search this
Extent:
98 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2010 June 8-16
Scope and Contents:
An interview of Clara Diament Sujo conducted 2010 June 8-16, by Avis Berman, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, at Sujo's home, in New York, New York.
Diament speaks of her childhood in Argentina; her father's early influence; working with Abbott Industries; her travels with her father as a child to Punta del Este in Urguay, and Mar del Plata; her experiences in the United States; life under Juan Perón and how political events helped shape her education; teaching in Venezuela; collecting art for the Venezuelan science museum; her views on art; the artists that she has worked with and represented; the opening of her first gallery in Venezuela; her gallery in New York City; the influence of Jorge Romero Brest; and her work with the museum network to represent Latin American artists. She recalls Katharine Kuh, Jackson Pollock, Willem de Kooning, Richard Wright, Langston Hughes, Jesus Rafael Soto, Arturo de Cordova, Alejandro Otero, Victor Valera, Armando Reverón, Mercedes Pardo, Wilfredo Lam, Alfred Barr, Rene d'Harnoncourt, Dorothy Miller, Thomas Messer, Marcel Duchamp, Hedda Sterne, Robert Rauschenberg, Jasper Johns, Marisol Escobar, and others.
Biographical / Historical:
Clara Diament Sujo (1921-) is an Argentinian born owner and director of CDS Gallery in New York, New York. Avis Berman (1949-) is a scholar in New York, New York.
General:
Originally recorded on 1 compact disc. Reformatted in 2010 as 3 digital wav files. Duration is 5 hr., 10 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Gallery owners -- New York (State) -- New York  Search this
Gallery directors -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York  Search this
Collectors -- New York (State) -- New York  Search this
Topic:
Art -- Collectors and collecting  Search this
Latino and Latin American artists  Search this
Women art dealers  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.diamen10
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96d7f23a5-df3f-460a-9e75-6c53a343b5e5
EDAN-URL:
ead_collection:sova-aaa-diamen10
Online Media:

Oral history interview with John Coplans, 1975 April 4-1977 August 4

Interviewee:
Coplans, John Rivers, 1920-2003  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Subject:
Alloway, Lawrence  Search this
Blum, Irving  Search this
Fried, Michael  Search this
Hopps, Walter  Search this
Leider, Philip  Search this
Rose, Barbara  Search this
Artforum  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with John Coplans, 1975 April 4-1977 August 4. Archives of American Art, Smithsonian Institution.
Topic:
Art publishing -- New York (State) -- New York  Search this
Arts administrators -- New York (State) -- New York -- Interviews  Search this
Educators -- New York (State) -- New York -- Interviews  Search this
Museum curators -- New York (State) -- New York -- Interviews  Search this
Gallery directors -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12787
(DSI-AAA_SIRISBib)212318
AAA_collcode_coplan75
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212318
Online Media:

Oral history interview with Phillip A. Bruno

Interviewee:
Bruno, Phillip A.  Search this
Creator:
McElhinney, James Lancel, 1952-  Search this
Names:
Barnes Foundation  Search this
Columbia University -- Students  Search this
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
Grace Borgenicht Gallery  Search this
La Napoule Art Foundation, Henry Clews Memorial  Search this
Marlborough Gallery  Search this
Weyhe Gallery  Search this
World House Galleries  Search this
Avery, Milton, 1885-1965  Search this
Bacon, Francis, 1909-1992  Search this
Baskin, Leonard, 1922-2000  Search this
Bertoia, Harry  Search this
Bravo, Claudio, 1936-2011  Search this
Brown, Joan, 1938-1990  Search this
Calder, Alexander, 1898-1976  Search this
Clews, Henry, 1876-1937  Search this
Crawford, Ralston, 1906-1978  Search this
Cuevas, José Luis, 1934-  Search this
Ernst, Max, 1891-1976  Search this
Estes, Richard, 1932-  Search this
Giacometti, Alberto, 1901-1966  Search this
Hefner, Hugh M. (Hugh Marston), 1926-  Search this
Hirshhorn, Joseph H.  Search this
Katz, Alex, 1927-  Search this
Koenig, Fritz, 1924-  Search this
Kubach, Wolfgang, 1936-  Search this
Kubach-Wilmsen, Anna Maria, 1937-  Search this
Matisse, Henri, 1869-1954  Search this
Morgan, Randall, 1920-  Search this
Nagare, Masayuki, 1923-  Search this
Neuberger, Roy R.  Search this
Nevelson, Louise, 1899-1988  Search this
Park, David, 1911-1960  Search this
Peterdi, Gabor  Search this
Rothko, Mark, 1903-1970  Search this
Schapiro, Meyer, 1904-  Search this
Staempfli, George W.  Search this
Willard, Charlotte  Search this
Extent:
46 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2009 January 13-21
Scope and Contents:
An interview of Phillip A. Bruno conducted 2009 January 13-21, by James McElhinney, for the Archives of American Art, at the Archives of American Art, in New York, New York.
Bruno speaks of some his earliest impressions of art while growing up in New York and Paris; attending Columbia University, where he majored in the history of painting and architecture and studied under Meyer Schapiro; his first job at the Weyhe Gallery as a gallery assistant; helping create the Grace Borgenicht Gallery, where he served as director for five years; traveling to Mexico, meeting Jose Cuevas and exhibiting his work at the Edward Loeb Gallery in Paris; traveling to Brazil and meeting a family of naturalist painters who emphasized the importance of painting outdoors, unlike many painters from the New York school; working with Henry Clews and the La Napoule Art Foundation; selling a piece of Salvador Dali jewelry made by Carlos Alamanni to Hugh Hefner, founder of Playboy Magazine; working as director of The World House Gallery and selling works by Fancis Bacon and Max Ernst to clients such as Joseph Hirshhorn and Roy Neuberger; organizing a exhibition of artists shown at the Brussels World Fair in 1958 at World House and meeting George Staempfli through the artist Joan Brown; moving from World House to the Staempfli Gallery in 1960 to work as co-director; the Staempfli Gallery's role in the international art world; an original drawing by Leonard Baskin inscribed to Phillip in 1954; selling the work of artists such as Harry Bertoia, Fritz Koening, and David Park; meeting Henri Matisse in Paris at the age of 21; visiting the studios of Alexander Calder and Mark Rothko; the difference between galleries that can spot new talent and galleries that sell certain artists well; the art market becoming less idealistic and more commercial; the rising importance of auction houses and the possibility of their taking the place of traditional art galleries; the move of the Staempfli Gallery to the SoHo neighborhood and soon after, leaving Staempfli for Marlborough, where he was one of the New York directors for 18 years; his appreciation for the creativity of others, retirement and current plans to write his memoirs. Bruno also recalls Milton Avery, Gabor Peterdi, Hans Muller, Ralston Crawford, Randall Morgan, Charlotte Willard, Dorthy Satterlee, Masayuki Nagare, Claude Bemardin, Kubach-Wilmsen, Louise Nevelson, Cladio Bravo, Lopez Garcia, Alberto Giacometti, The Barnes Foundation, Richard Estes, Alex Katz, and Neil Wlliver.
Biographical / Historical:
Phillip A. Bruno (1930- ) is an art collector and director of Marlborough Gallery, New York, New York.
General:
Originally recorded on 2 sound discs. Reformatted in 2010 as 2 digital wav files. Duration is 2 hr., 45 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Gallery directors -- New York (State) -- New York  Search this
Topic:
Collectors and collecting -- New York (State) -- New York  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.bruno09
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bf4b64eb-4ca4-4b97-b4b0-e6ec495fe004
EDAN-URL:
ead_collection:sova-aaa-bruno09
Online Media:

Oral history interview with Alanna Heiss

Interviewee:
Heiss, Alanna  Search this
Interviewer:
McElhinney, James Lancel, 1952-  Search this
Creator:
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Names:
Biennale di Venezia  Search this
Clocktower Gallery  Search this
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Institute for Art and Urban Resources  Search this
Lawrence University  Search this
Museum of Modern Art (New York, N.Y.)  Search this
New Museum (New York, N.Y.)  Search this
P.S. 1 Contemporary Art Center  Search this
University of Chicago -- Students  Search this
Callahan, Harry M.  Search this
Finkelpearl, Tom  Search this
Gill, Brendan, 1914-1997  Search this
Highstein, Jene, 1942-2013  Search this
Matta-Clark, Gordon, 1943-1978  Search this
Nonas, Richard, 1936-  Search this
Extent:
80 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2010 June 15-October 28
Scope and Contents:
An interview of Alanna Heiss conducted 2010 June 15 and October 28, by James McElhinney, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, at Art International Radio, on Leonard Street, in New York, New York.
Heiss speaks of the Clocktower Gallery and the AIR offices; New York galleries and museums and the economic depression of the 1970s; art shows in Germany, France, Switzerland, and England and the role of foreign and West Coast curators in New York shows during the 1960s; founding the Institute for Art and Urban Resources with Brendan Gill; her lack of interest in collecting and the problems she feels it poses for organizations showing art; her attitudes about displaying art in the 1970s; growing up in a small town in Southern Illinois; spending summers as a child in South Dakota; her musical training; art in relation to Midwestern cultural values; her work on the exhibition "Stalin's Choice: Soviet Socialist Realism, 1932-1956" in 1993; her degree in music and the philosophy of aesthetics from Lawrence University; taking classes at the University of Chicago; moving to New York and deciding to focus on visual arts; her time in Europe and the various jobs she took while abroad including teaching, inspecting monuments for the Society for Ancient Buildings and Monuments, writing about animals, selling and transporting used cars, and serving as an artist liaison; and the exhibitions she saw during her travels.
Heiss also discusses trips she made across the United States after returning from Europe; working as a band road crew manger; her work in 1993 on the John Cage tribute show for the Venice Biennale called "Il Suono Rapido delle Cose" and the album produced in conjunction with the show called Caged/Uncaged - A Rock/Experimental Homage To John Cage; her marriage to the artist Jene Highstein and their friendships with the artists Richard Nonas and Gordon Matta-Clark; her return to New York from Europe around 1970 and her use of old or abandoned real estate as locations for contemporary art exhibitions; her first show, "Under the Brooklyn Bridge" in 1971; founding PS1; her work as a parole officer and her exposure to the culture of Harlem; the various shows held at PS1; urban art spaces in New York including the New Museum and the Coney Island Sculpture Museum; her exhibition space on Bleecker Street in New York; her disenchantment with the idea of community art; her work with Tom Finkelpearl; the way she publicized exhibitions; the underground culture of the 1970s; and the relationship between the Museum of Modern Art and PS1 and their eventual merger.
Biographical / Historical:
Alanna Heiss (1943-) is director of Art International Radio in New York, New York. James McElhinney (1952-) is an artist and educator in New York, New York.
General:
Originally recorded on 1 sound disc. Reformatted in 2010 as 4 digital wav files. Duration is 3 hr., 39 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Gallery directors -- New York (State) -- New York  Search this
Arts administrators -- New York (State) -- New York  Search this
Curators -- New York (State) -- New York  Search this
Topic:
Women arts administrators  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.heiss10
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99e6f2c82-e682-4784-9927-1a9582dc615e
EDAN-URL:
ead_collection:sova-aaa-heiss10
Online Media:

Oral history interview with John Coplans

Interviewee:
Coplans, John  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Artforum  Search this
Alloway, Lawrence, 1926-1990  Search this
Blum, Irving, 1930-  Search this
Fried, Michael  Search this
Hopps, Walter  Search this
Leider, Philip, 1929-  Search this
Rose, Barbara  Search this
Extent:
133 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1975 April 4-1977 August 4
Scope and Contents:
An interview of John Coplans conducted 1975 April. 4-1977 August 4, by Paul Cummings, for the Archives of American Art, in New York City.
Coplans speaks of his educational background; the founding and development of ARTFORUM magazine; ARTFORUM staff writers including Lawrence Alloway, Michael Fried, Philip Leider, and Barbara E. Rose; and the influence of Irving Blum and Walter Hopps on California artists and collectors. Coplans also discusses the art market in New York and in California, and talks about his career as a teacher, editor, gallery director, critic, and museum curator.
Biographical / Historical:
John Coplans (1920- 2003) was an art administrator, editor, photograph, and educator of New York, New York. Born in London, England; died in Manhattan, New York.
General:
Originally recorded on 4 sound tape reel. Reformatted in 2010 as 8 digital wav files. Duration is 8 hr., 6 min.
Provenance:
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Editors -- New York (State) -- New York -- Interviews  Search this
Topic:
Art publishing -- New York (State) -- New York  Search this
Arts administrators -- New York (State) -- New York -- Interviews  Search this
Educators -- New York (State) -- New York -- Interviews  Search this
Museum curators -- New York (State) -- New York -- Interviews  Search this
Gallery directors -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.coplan75
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ade983e1-5d0e-470f-9cec-7583edf9c27e
EDAN-URL:
ead_collection:sova-aaa-coplan75
Online Media:

Oral history interview with Ivan C. Karp

Creator:
Karp, Ivan C., 1926-2012  Search this
Brach, Paul, 1924-  Search this
Interviewer:
Cohen, Ronny  Search this
Names:
Leo Castelli Gallery  Search this
O.K. Harris Gallery (New York, N.Y.)  Search this
Extent:
3 Sound cassettes
87 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Interviews
Sound recordings
Date:
1986 April 17-1988 October 18
Scope and Contents:
An interview of Ivan C. Karp conducted 1986 April 17-1988 October 18, by Ronny Cohen for the Archives of American Art.
Karp discusses his background, working at the Leo Castelli Gallery from 1959 to 1969; the process of opening the OK Harris Gallery in 1969 in the SoHo neighborhood of New York City; his perception of art collectors and the nature of art collecting; the New York art scene from the 1960s through the 1980s; how art work is priced; artists he considers to be overvalued; and how one knows which art works have value. He mentions Leo Castelli, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, David Salle, Mark Rothko, and Anselm Kiefer.
Paul Henry Brach (painter, New York, New York) joins the discussion on the third tape recorded on October 18, 1988.
Biographical / Historical:
Ivan C. Karp (1926-2012) was an art dealer and director of the OK Harris Gallery, New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Occupation:
Art dealers -- New York (State) -- New York  Search this
Gallery directors -- New York (State) -- New York  Search this
Topic:
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.karp86
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a3cf2811-185b-4d51-9ac8-da872084a04b
EDAN-URL:
ead_collection:sova-aaa-karp86
Online Media:

Oral history interview with John Clancy

Interviewee:
Clancy, John C., 1897-1981  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Frank K. M. Rehn Galleries  Search this
Burchfield, Charles Ephraim, 1893-1967  Search this
Hopper, Edward, 1882-1967  Search this
Rehn, Frank Knox Morton, 1848-1914  Search this
Watkins, Franklin Chenault, 1894-1972  Search this
Extent:
26 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1970 July 10
Scope and Contents:
Interview of John Clancy conducted 1970 July 10, by Paul Cummings, for the Archives of American Art. Clancy speaks of Frank K. M. Rehn and his background; the beginnings of the Rehn Gallery; his own background; joining the gallery and working for Frank Rehn; artists associated with the gallery; the effect of the Depression on the gallery; how artists and works of art were selected; reasons for the success of the Rehn Gallery; the gallery's future. He recalls Edward Hopper, Charles Burchfield, and Franklin Watkins.
Biographical / Historical:
John C. Clancy (1897-1981) was the director of the Rehn Gallery in New York, New York.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 16 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Gallery directors -- New York (State) -- New York  Search this
Topic:
Art, American  Search this
Depressions -- 1929  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.clancy70
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94c530e57-2f93-4414-a8df-be9c8827b5af
EDAN-URL:
ead_collection:sova-aaa-clancy70
Online Media:

Oral history interview with Ivan C. Karp

Interviewee:
Karp, Ivan C., 1926-2012  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Club (New York, N.Y.)  Search this
Hansa Gallery (New York, N.Y.)  Search this
O.K. Harris Gallery (New York, N.Y.)  Search this
Richard Green Gallery (New York, N.Y.)  Search this
Artschwager, Richard, 1923-2013  Search this
Bellamy, Richard  Search this
Castelli, Leo  Search this
Johns, Jasper, 1930-  Search this
Lichtenstein, Roy, 1923-1997  Search this
Rauschenberg, Robert, 1925-2008  Search this
Rosenquist, James, 1933-  Search this
Scull, Robert C.  Search this
Sonnabend, Ileana  Search this
Twombly, Cy, 1928-  Search this
Warhol, Andy, 1928-1987  Search this
Extent:
1 Sound tape reel (Sound recordings: (2 hours 30 min.), 7 in.)
78 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1969 March 12
Scope and Contents:
An interview of Ivan C. Karp conducted 1969 March 12, by Paul Cummings, for the Archives of American Art at the Leo Castelli Gallery.
Karp discusses the invention of the names "OK Harris" and "Green Gallery"; his work for Leo Castelli including gallery exhibitions, expenses, collectors, critics and staff; the work of Richard Artschwager, Jasper Johns, Roy Lichtenstein, Robert Rauschenberg, James Rosenquist, Cy Twombly, Gerry Vanderweil, Andy Warhol, and others; The Club; "soft art"; and the art market. He recalls Richard Bellamy, Ileana Sonnabend, Robert C. Scull, and others. Karp speaks of growing up in the boroughs of New York City, his reading and writing interests, commercial film making, his work for the Hansa Gallery and Martha Jackson, summers in Provincetown, Massachusetts, and the art scene in New York City in the late 1950s.
Biographical / Historical:
Ivan C. Karp (1926- ) is an art dealer and director of the OK Harris Gallery in New York, New York.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Art dealers -- New York (State) -- New York  Search this
Gallery directors -- New York (State) -- New York  Search this
Topic:
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Optical art  Search this
Pop art  Search this
Soft sculpture -- United States  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.karp69
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw937490cff-69fe-4cbc-b150-25706f2b3bb9
EDAN-URL:
ead_collection:sova-aaa-karp69
Online Media:

Jock Truman papers

Creator:
Truman, Jock, 1920-2011  Search this
Names:
Betty Parsons Gallery  Search this
Truman Gallery  Search this
Green, Eric  Search this
Extent:
4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1852-2011
Summary:
The papers of gallery director and art collector Jock Truman measure 4.0 linear feet and date from 1852 to 2011. Found within the collection are biographical material; correspondence with friends, family, artists, and others; records of the short-lived Truman Gallery; a few writings by Truman; printed material; artwork by Truman and others; and photographs of Truman, his partner Eric Green, friends, family, and the Truman-Green collection of artwork. A small amount of material documents his work at the Betty Parsons Gallery.
Scope and Contents:
The papers of gallery director and art collector Jock Truman measure 4.0 linear feet and date from 1852 to 2011. Found within the collection are biographical material; correspondence with friends, family, artists, and others; records of the short-lived Truman Gallery; a few writings by Truman; printed material; artwork by Truman and others; and photographs of Truman, his partner Eric Green, friends, family, and the Truman-Green collection of artwork. A small amount of material documents his work at the Betty Parsons Gallery.
Arrangement:
This collection is arranged as 7 series.

Missing Title

Series 1: Biographical Material, circa 1914-2006 (0.4 linear feet; Box 1)

Series 2: Correspondence, 1929-2011 (0.6 linear feet; Box 1)

Series 3: Truman Gallery Records, 1975-1979 (9 folders; Boxes 2, 6)

Series 4: Writings, circa 1970s-2005 (1 folder; Box 2)

Series 5: Printed Material, 1852, 1940s-2010 (0.5 linear feet; Boxes 2, 6, OV 7)

Series 6: Artwork, 1860-1995 (0.3 linear feet; Boxes 2, 6, OV 7)

Series 7: Photographs, circa 1860s-2009 (1.9 linear feet; Boxes 2-6, OV 7)
Biographical / Historical:
Jock Truman (1920-2011) was an art collector, dealer, and gallery owner in New York, New York. Truman was born in Minneapolis, Minnesota, the son of Curtis Truman and Athelyn Amundsen Truman. He attended the University of Cincinnati from 1938 to 1941 and served in the U.S. Armed Forces in Brazil from 1942 to 1946. From 1946 to 1950 he attended the Harvard Graduate School of Design where he studied with Josef Albers, Gyorgy Kepes, and Hyman Bloom. During the 1950s he owned Thirty-Five River St. Inc., a Boston firm specializing in architectural and interior design.

Truman worked at Robert Isaacson Gallery for four years before moving to Betty Parsons Gallery, where he worked from 1961 to 1974. There he gained specialist knowledge regarding the work of Ad Reinhardt and assisted Reinhardt's widow in the evaluation of artworks after the artist's death. In 1974 he served as director of Parsons Gallery and he and Betty Parsons opened the Parsons-Truman Gallery, which operated as a joint venture from 1975 to 1976. In 1976 he opened Truman Gallery at 38 East 57th St. The gallery closed in 1979.

In 1989 Truman and his companion of over 30 years, Eric Green, moved to Miami. Truman and Green had a large collection of art which they donated to various museums including the Bass Museum of Art and the Museum of Contemporary Art in North Miami.
Provenance:
The collection was donated in 1982 and 2005-2006 by Jock Truman and 2011 by Truman via Eric Kane, Executor.
Restrictions:
Use of original papers requires an appointment and is limited to Archives' Washington D.C. center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art dealers -- New York (State) -- New York  Search this
Gallery directors -- New York (State) -- New York  Search this
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Citation:
Jock Truman papers, 1852-2011. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.trumjock
See more items in:
Jock Truman papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw983ee699a-251b-4589-badf-4f23e8e23437
EDAN-URL:
ead_collection:sova-aaa-trumjock

Bertha Schaefer papers and gallery records

Creator:
Schaefer, Bertha, 1895-1971  Search this
Names:
Bertha Schaefer Gallery (New York, N.Y.)  Search this
New Bertha Schaefer Gallery (New York, N.Y.)  Search this
Barnet, Will, 1911-2012  Search this
Ben-Zion, 1897–1987  Search this
Duchamp, Marcel, 1887-1968  Search this
Greene, Balcomb, 1904-1990  Search this
Picasso, Pablo, 1881-1973  Search this
Pollock, Jackson, 1912-1956  Search this
Reinhardt, Ad, 1913-1967  Search this
Vasilieff, Nicholas  Search this
Zóbel, Fernando  Search this
Extent:
4.6 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Sketches
Date:
1909-1975
bulk 1940-1965
Summary:
The Bertha Schaefer papers and gallery records measure 4.6 linear feet and date from 1909-1975, with the bulk of the material dating from 1940-1965. The collection documents the Bertha Schaefer Gallery as well as Bertha Schaefer, the interior designer, through correspondence with artists and galleries, artist files, client files, exhibition material, printed material, financial material, biographical material, photographs, and six scrapbooks.
Scope and Contents:
The Bertha Schaefer papers and gallery records measure 4.6 linear feet and date from 1909-1975, with the bulk of the material dating from 1940-1965. The collection documents the Bertha Schaefer Gallery as well as Bertha Schaefer, the interior designer, through correspondence with artists and galleries, artist files, client files, exhibition material, printed material, financial material, biographical material, photographs, and six scrapbooks. Also found here are oversized blue prints and sketched plans of interior design projects, as well as a number of oversized photographic prints and stereo slides. Correspondence contains handwritten notes by many notable artists, including Marcel Duchamp, Pablo Picasso, Jackson Pollock, Ad Reinhardt, and Fernando Zobel, with a bulk of the letters from Balcomb Greene.

Separated into three series, the Bertha Schaefer Gallery records document the artists represented by and function of the Bertha Schaefer Gallery. The Bertha Schaefer papers pertain to Bertha Schaefer as an interior designer through a large number of photographic materials and client files. Six scrapbooks document artists Will Barnet, Ben-Zion, Balcomb Greene, and Nicolai Vasilieff, as well as the Bertha Schaefer gallery and the New Bertha Schaefer Gallery.
Arrangement:
This collection is arranged as 3 series. Records are generally arranged by material type and chronologically thereafter.

Missing Title

Series 1: Bertha Schaefer Gallery Records, 1909-1971 (0.8 linear feet; Box 1)

Series 2: Bertha Schaefer Papers, 1914-1971 (2.6 linear feet; Boxes 1-3, 6-7, OV 8-9)

Series 3: Scrapbooks, 1944-1975 (1.2 linear feet; Boxes 3-5)
Biographical / Historical:
Bertha Schaefer (1895-1971) was an interior designer and director of the Bertha Schaefer Gallery in New York, New York. Schaefer was born in Yazoo City, Mississippi to Emil and Julia (Marx) Schaefer. She received her B.A. on June 1, 1914 from Mississippi State College for Women, and received a diploma for interior decorating from the Parsons School of Design in New York City. In 1924, after living in Paris for 5 months, she opened Bertha Schaefer Interiors in New York. In 1944, she opened the Bertha Schaefer Gallery of Contemporary Art, which featured American and European paintings and sculpture. "The Modern House Comes Alive" (1947-1948) is one of the key exhibitions she created. Schaefer designed furniture for Joe Singer of M. Singer and Sons Furniture Company in New York, 1950-1961.

Schaefer won design awards from the Museum of Modern Art (1952) and the Decorators Club of New York (1959). In 1958, she was given an award of recognition from the U.S. Department of State for her gallery's assistance in the American program for the Brussels Universal and International Exhibition, and an outstanding achievement in interior design award from the American Institute of Interior Designers. She was a member of several design organizations, including: the American Institute of Decorators, the Home Lighting Forum, the Illuminating Engineers Society, the American Federation of the Arts, and the Art Dealers Association of America. She was the president of the Decorators Club of New York from 1947-1948 and 1955-1957.

Schaefer was one of the first people to use fluorescent lighting in domestic spaces, with Percy Block as her first client, in 1939. In honor of Edison's birthday in 1953, she designed a bathroom for General Electric, applying new developments in lighting. She died on May 24, 1971, after which the gallery was renamed the New Bertha Schaefer Gallery.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Bertha Schaefer conducted by Paul Cummings, April 20-22, 1970.
Separated Materials:
The Archives of American Art also holds material lent for microfilming. Reel N69-115 is comprised of papers concerning Alfred H. Maurer, including a scrapbook about Maurer from 1946 to 1969. Reel N70-60 contains material concerning Hale Woodruff, including correspondence, sketches and drawings, articles, photographs, catalogs, announcements, clipping, notes kept while a student of Diego Rivera, and a scrapbook. Lent material was returned to the lender and is not described in the collection container inventory.
Provenance:
The Bertha Schaefer papers and gallery records were donated in several installments from 1969 to 1974 by Bertha Schaefer and Bertha Schaefer Gallery Inc. She also loaned material for microfilming in 1970. Paul Creamer donated three scrapbooks from the Bertha Schaefer Gallery and the New Bertha Schaefer Gallery in 1979. Additional material was donated in 1984 by Syracuse University.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Gallery directors -- New York (State) -- New York  Search this
Interior designers  Search this
Topic:
Interior decoration  Search this
Art, Modern -- 20th century -- New York (State) -- New York  Search this
Function:
Art galleries, Commercial -- New York (State)
Genre/Form:
Scrapbooks
Sketches
Citation:
Bertha Schaefer papers and gallery records, 1909-1975, bulk 1940-1965. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.schabert
See more items in:
Bertha Schaefer papers and gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9837e3fbe-5623-4258-9014-b2d8c0ac6857
EDAN-URL:
ead_collection:sova-aaa-schabert

Jock Truman papers, 1852-2011

Creator:
Truman, Jock C. (Jock Curtis), 1920-2011  Search this
Subject:
Green, Eric  Search this
Truman Gallery  Search this
Betty Parsons Gallery  Search this
Type:
Photographs
Citation:
Jock Truman papers, 1852-2011. Archives of American Art, Smithsonian Institution.
Topic:
Art dealers -- New York (State) -- New York  Search this
Gallery directors -- New York (State) -- New York  Search this
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Theme:
Art Market  Search this
Record number:
(DSI-AAA_CollID)13347
(DSI-AAA_SIRISBib)250494
AAA_collcode_trumjock
Theme:
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_250494
Online Media:

Thomas S. Holman research materials on Reginald Marsh, 1970-1989

Creator:
Holman, Thomas S., 1953-2015  Search this
Subject:
Demuth, Charles  Search this
Marsh, Reginald  Search this
Sheeler, Charles  Search this
David Winton Bell Gallery (Brown University)  Search this
Minnesota Museum of American Art  Search this
Citation:
Thomas S. Holman research materials on Reginald Marsh, 1970-1989. Archives of American Art, Smithsonian Institution.
Topic:
Gallery directors -- New York (State) -- New York  Search this
Curators -- New York (State) -- New York  Search this
Mural painting and decoration  Search this
Record number:
(DSI-AAA_CollID)16103
(DSI-AAA_SIRISBib)361881
AAA_collcode_holmthom
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_361881
Online Media:

Anna Walinska papers

Creator:
Walinska, Anna  Search this
Names:
Guild Art Gallery  Search this
Avery, Milton, 1885-1965  Search this
Beata, Welsing  Search this
Hacohen, Bracha  Search this
Littlefield, William Horace, 1902-1969  Search this
Nevelson, Louise, 1899-1988  Search this
Walinsky, Louis Joseph, 1908-2001  Search this
Extent:
2.1 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Interviews
Photographs
Scrapbooks
Sketchbooks
Sketches
Transcripts
Travel diaries
Place:
Europe -- description and travel
Israel -- Description and Travel
Date:
1927-2002
bulk 1935-1980
Summary:
The papers of New York-based painter, teacher and art director Anna Walinska measure 2.1 linear feet and date from 1927 to 2002, with the bulk of material from 1935 to 1980. The papers include biographical material, correspondence, writings, travel diaries, printed material, scrapbooks, artwork, sketchbooks, and photographs.
Scope and Contents:
The papers of New York-based painter, teacher and art director Anna Walinska measure 2.1 linear feet and date from 1927 to 2002, with the bulk of material from 1935 to 1980. The papers include biographical material, correspondence, writings, travel diaries, printed material, scrapbooks, artwork, sketchbooks, and photographs.

Biographical material consists of awards, certificates, curriculum vitae, biographical outlines, exhibition lists, passports and other material. There is a partial transcript from a radio interview of Anna Walinska. Also included are limited financial records.

Correspondence includes Anna Walinska's letters to her family from her 1954-1955 trip abroad to multiple countries in Asia, the Middle East, and Europe. There is personal and professional correspondence with friends, artists and art institutions. Notable correspondents include Milton Avery, Louise Nevelson, Beata Welsing, Bracha Hacohen, William Littlefield, and Walinska's brother Louis Walinsky.

Writings consist of Walinska's notes, notebooks, lectures, essays, and a handwritten prospectus for Guild Art Gallery. There is one folder of writings by others about Walinska at the end of the series. There are four travel diaries that describe Walinska's trip around the world from 1954-1955, during which she traveled to many countries, and later trips to locations such as Israel and Trinidad.

Printed Material include clippings about Anna Walinska, group and solo exhibition catalogs, announcements, event invitations, and course catalogs for the Master Institute of United Art in New York City, where Walinska taught painting and drawing classes.

There are three scrapbooks: one scrapbook is about Guild Art Gallery, the second scrapbook is about the Holocaust exhibition, the third oversized scrapbook documents Walinska's career and activities overall.

Artwork consists of two bound sketchbooks as well as drawings and sketches in a variety of mediums from pencil and ink to watercolors and oils.

Photographs are of Walinska, friends, family, artists, artwork, exhibition installations, and other subjects. One album includes photos of Anna Walinska and her travels, along with images of friends and colleagues. The second album includes photographs of Walinska's solo exhibition at Sunken Meadow Gallery (1959). There is also one folder of photocopies of photos of assorted artwork by Walinska.
Arrangement:
The collection is arranged as 8 series.

Series 1: Biographical Material, 1927-2002 (Box 1; 11 folders)

Series 2: Correspondence, 1949-1995 (Box 1; 0.4 linear feet)

Series 3: Writings, circa 1935-circa 1983 (Box 1; 8 folders)

Series 4: Travel Diaries, 1954-1973 (Box 1; 0.2 linear feet)

Series 5: Printed Material, 1942-2002 (Boxes 1-2; 0.4 linear feet)

Series 6: Scrapbooks, circa 1929-1980 (Boxes 2, 4; 0.5 linear feet)

Series 7: Artwork, circa 1929-1963 (Box 3; 5 folders)

Series 8: Photographs, circa 1932-1980 (Box 3; 0.3 linear feet)
Biographical / Historical:
Anna Walinska (1906-1997) was a New York artist, teacher and gallery director who traveled widely and is most well known for her paintings related to the subject of the Holocaust.

Anna Walinska was born in London, England in 1906 to labor organization leader Ossip Walinsky and poet Rosa Newman Walinska. She had two siblings, Emily and Louis. The family immigrated to New York City in 1914, and Anna Walinska began studying at the Art Students League in 1918. In 1926, she travelled to Paris and studied art at the Academie de Grande Chaumier with Andre L'Hote. France was her primary residence until 1930.

In 1935, Walinska and artist Margaret Lefranc co-founded the Guild Art Gallery at West 57th Street in New York and gave Arshile Gorky his first solo exhibition in the city. The gallery closed its doors in 1937. In 1939, Walinska was the Assistant Creative Director of the Contemporary Art Pavilion at the New York World's Fair. During this time, Walinska also pursued her own art and exhibited work in numerous group shows.

From 1954 to 1955, Walinska traveled around the world, visiting the capitals and major cities of many countries in Asia, the Middle East and Europe. Places she went included Japan, Burma (now known as Myanmar), Pakistan, Greece, Italy, France and Spain. During her four month stay in Burma, she painted a portrait of Prime Minister U Nu and she later became a highly respected portrait artist who painted numerous illustrious subjects such as First Lady Eleanor Roosevelt, artists Louise Nevelson and Mark Rothko, and many others.

In 1957, Walinska became the artist-in-residence at the Riverside Museum where she also taught and exhibited with other artists. That same year, she had her first retrospective at the Jewish Museum in New York City.

Walinska exhibited widely and often. Holocaust: Paintings and Drawings, 1953-1978, which opened at the Museum of Religious Art at the Cathedral of St. John the Divine in New York City, is probably the most well-known of her exhibitions and it traveled across the country to several other sites such as the War Memorial Building in Baltimore and Mercy College of Detroit. Works from this exhibition were acquired by multiple museums to become part of their permanent collections.

Walinkska died on December 19, 1997 at the age of 91 in New York City. In 1999, there was a retrospective of her work titled Echoes of the Holocaust: Paintings, Drawings, and Collage, 1940-1989 held at Clark University's Center for Holocaust Studies. The Onisaburo Gallery at New York's Interfaith Center also held a solo exhibition titled Portraits of Faith (2000). Her art is part of the collections at the Denver Art Museum, National Portrait Gallery, National Museum of Women in the Arts, the Rose Art Museum, and other museums.
Related Materials:
The Archives of American Art also has the Guild Art Gallery records, which consists of material related to the gallery that was co-founded by Anna Walinska.
Provenance:
The papers were donated by Anna Walinska in two installations in 1976 and 1981. Rosina Rubin, Anna Walinska's niece, made a third donation of material in 2017.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., research center.
Occupation:
Gallery directors -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Topic:
Drawing--Study and teaching  Search this
Holocaust, Jewish (1939-1945), in art  Search this
Painting -- New York (State) -- New York  Search this
Asia--Description and travel  Search this
Middle East--Description and travel  Search this
Trinidad and Tobago--Description and travel  Search this
Women painters  Search this
Women artists  Search this
Women educators  Search this
Genre/Form:
Drawings
Interviews
Photographs
Scrapbooks
Sketchbooks
Sketches
Transcripts
Travel diaries
Citation:
Anna Walinska papers, 1927-2002, bulk 1935-1980. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.walianna
See more items in:
Anna Walinska papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9995d1f6a-668f-4e1e-8abe-bb24edfb016b
EDAN-URL:
ead_collection:sova-aaa-walianna
Online Media:

J. B. Neumann papers

Creator:
Neumann, J. B. (Jsrael Ber)  Search this
Names:
Artlover  Search this
Gehenna Press  Search this
New Art Circle (New York, N.Y.)  Search this
Albers, Josef  Search this
Baskin, Leonard, 1922-2000  Search this
Beckmann, Max, 1884-1950  Search this
Kandinsky, Wassily, 1866-1944  Search this
Morrison, Helen Balfour, 1901-1984  Search this
Namuth, Hans  Search this
Rattner, Abraham  Search this
Schmid, Elsa, 1897-  Search this
Photographer:
White, Clarence H., 1871-1925  Search this
Extent:
2.1 Linear feet (4 boxes)
Type:
Collection descriptions
Archival materials
Drawings
Photographs
Scrapbooks
Etchings
Date:
1905-1967
Summary:
The papers of gallery director, art dealer and publisher Jsrael Ber Neumann (1887-1961) measure 2.1 linear feet and date from 1905 to 1967. The papers document Neumann's career as the director of galleries in Berlin and Munich, Germany (1910-1924) as well as the New Art Circle gallery in New York City (1924-1952). Neumann was a respected art dealer, publisher of Artlover periodical, founder of Gehenna Press, and frequent lecturer. Found within his papers are correspondence with artists and museums, writings, printed materials mostly comprised of exhibition catalogues, artwork, and photographic materials.
Scope and Contents:
The papers of gallery director, art dealer and publisher Jsrael Ber Neumann (1887-1961) measure 2.1 linear feet and date from 1905 to 1967. The papers document Neumann's career as the director of galleries in Berlin and Munich, Germany (1910-1924) as well as the New Art Circle gallery in New York City (1924-1952). Neumann was a respected art dealer, publisher of Artlover periodical, founder of Gehenna Press, and frequent lecturer. Found within his papers are correspondence with artists and museums, writings, printed materials mostly comprised of exhibition catalogues, artwork, and photographic materials.

Correspondence is between Neumann and friends, colleagues, and museums. There is also correspondence with notable artists, including Josef Albers, Leonard Baskin, Max Beckmann, Wassily Kandinsky, and Abraham Rattner, among others. There are also condolence letters from friends and colleagues to Elsa Schmid, Neumann's wife.

Scattered writings consist of typescript drafts of Neumann's speeches and one article on expressionism. There is also one speech written by curator Richard Klein.

Printed materials comprise the bulk of the collection and include a bound gallery guest register, a disbound scrapbook, exhibition catalogs and announcements, brochures, magazines, posters, and news clippings. There are many exhibition catalogs from Neumann's galleries in Berlin and Munich as well as from the New Art Circle gallery in New York. Artwork consists of two etchings and one drawing by an unknown artist or artists.

Photographic materials include black and white photographs and negatives, including notable portraits of Neumann by photographers Helen Balfour Morrison, Clarence White, and Hans Namuth.
Arrangement:
This collection is arranged as 5 series.

Missing Title

Series 1: Correspondence, 1925-1961 (0.2 linear feet; Box 1)

Series 2: Writings, 1919, 1954-circa 1960 (5 folders; Box 1)

Series 3: Printed Materials, 1910-1967 (1.7 linear feet; Box 1-4)

Series 4: Artwork, 1919-circa 1960 (3 folders; Box 3-4)

Series 5: Photographic Materials, 1905-circa 1950 (0.2 linear feet; Box 3-4)
Biographical / Historical:
J. B. (Jsrael Ber) Neumann (1887-1961) was a gallery director, art dealer and publisher. After immigrating to the U.S., Neumann founded the New Art Circle Gallery in New York City. Before then, he had art galleries in Berlin, Munich, Dusseldorf and Bremen, Germany.

J. B. Neumann was born in Austria in 1887. His father was an oil and lumber dealer. Neumann initially studied business but later apprenticed to a book and picture dealer when he was nineteen. While working as a clerk in a large bookstore in London, Neumann had the opportunity to work at the rare book dealer's table in the British Museum. The job allowed him to assess and handle fine and rare books, starting a lifelong passion, and Neumann went on to amass a substantial personal library.

In 1910, Neumann returned to Berlin, Germany and in 1911 opened a book and art shop where he exhibited the work of Edvard Munch and others. Neumann had many friends who were artists and in 1915-1916 he was secretary to the Berlin Secession, a prominent German artist association. By 1922 Neumann had branch offices in Bremen, Dusseldorf and Munich.

Neumann immigrated to America in 1923 and left the Berlin gallery to the directorship of Karl Nierendorf and the Munich gallery to Günther Franke. Neumann settled in New York City and one year later he opened a 57th Street gallery and bookshop, first called J.B. Neumann's Print Room and later the New Art Circle gallery. He supported numerous artists, including Wassily Kandinsky, Max Beckmann, Paul Klee, and Georges Rouault. Elsa Schmid, Neumann's wife, was an artist who worked in mosaics.

Neumann also worked as a publisher. He created the printing company Gehenna Press and published a series of periodicals including Bilderhefte (Berlin, 1920-1922) and Artlover (New York, 1926-1945, 1959). The New Art Circle gallery closed circa 1952 and, after working as its director for nearly three decades, Neumann became a consultant for museums and collectors. He was also a lecturer and he frequently spoke about art at universities, museums and galleries.

Neumann died in Rye, New York on April 28, 1961. He is survived by his widow, Elsa Schmid (d. 1970); two sons, Peter and Albrecht; and a daughter, Mrs. Johanna Lam.
Related Materials:
The Archives of American Art also holds a collection of Josef Albers letters to J. B. Neumann, 1934-1947 on microfilm reel 911.

Additional J.B. Neumann papers are also located at the Museum of Modern Art in New York. The museum microfilmed a portion of these papers and donated a copy of that film to the Archives. This material may be viewed on reel NJBN5 at Archives of American Art offices, affliate centers, and via interlibrary loan.
Separated Materials:
Also available at the Archives of American Art are materials lent for microfilming (reels NJBN-1- NJBN-5) including correspondence with numerous artists, art critics, museum directors and others. The materials on reel NJBN-1- NJBN-4 were returned to Neumann's wife, Elsa Schmid and the original material on reel NJBN-5 is located at The Museum of Modern Art in New York, NY. Loaned material is not described in the collection container inventory.
Provenance:
Neuman's wife, Elsa Schmid and The Museum of Modern Art lent the Archives of American Art material for microfilming in 1966-1967. The rest of the J.B. Neumann papers were donated in several installments between 1973-2007 by Eva Lee (family friend), Joy Weber, Max Weber's daughter, Neil Richmond, and Hellie Neumann, J.B. Neumann's granddaughter.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Gallery directors -- New York (State) -- New York  Search this
Art directors -- New York (State) -- New York  Search this
Publishers -- New York (State) -- New York  Search this
Topic:
Art, Modern -- 20th century -- United States -- History  Search this
Art -- Periodicals  Search this
Genre/Form:
Drawings
Photographs
Scrapbooks
Etchings
Citation:
J. B. Neumann papers, 1905-1967. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.neumjsra
See more items in:
J. B. Neumann papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a841e037-5cca-486a-a45e-bb0239fc0adb
EDAN-URL:
ead_collection:sova-aaa-neumjsra
Online Media:

Herman J. Wechsler papers

Creator:
Wechsler, Herman Joel, 1904-  Search this
Names:
Far Gallery  Search this
Extent:
2 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Date:
1913-1976
Summary:
The papers of art historian and gallery director Herman J. Wechsler measure 2.0 linear feet and date from 1913-1976. The collection primarily documents Wechsler's art historical publications and to a lesser extent the activities of F.A.R. Gallery. Records include business and personal correspondence, drafts of published and unpublished writings, personal business records, printed material, loose scrapbook pages, and photographs of Wechsler and his family.
Scope and Contents:
The papers of New York art historian and gallery director Herman J. Wechsler measure 2.0 linear feet and date from 1913-1976. The collection primarily documents Wechsler's art historical publications and to a lesser extent the activities of F.A.R. Gallery. Records include business and personal correspondence, drafts of published and unpublished writings, personal business records, printed material, loose scrapbook pages, and photographs of Wechsler and his family.
Arrangement:
The collection is arranged as 6 series.

Series 1: Correspondence, 1950-1975 (Box 1; 0.2 linear feet)

Series 2: Writings, 1913-circa mid-1900s (Box 1; 0.8 linear feet)

Series 3: Personal Business Records, circa mis-1900s-1976 (Box 2; 6 folders)

Series 4: Printed Material, 1932-1976 (Box 2; 0.6 linear feet)

Series 5: Scrapbook, 1935-1940 (Box 2; 2 folders)

Series 6: Photographs, circa mid-1900s-1975 (Box 2; 3 folders)
Biographical / Historical:
Herman Joel Wechsler (1904-1976) was an art historian and gallery director in New York, New York. Wechsler founded the Fine Arts Reproductions (F.A.R.) Gallery in 1934 which remained in business for the remainder of his life. Wechsler is known for writing An Introduction to Prints and Print Making (published in 1960), French Impressionists (1955), Gods and Goddesses in Art and Legend (1950), and Great Prints and Printmakers (1967). Wechsler died in 1976 and was survived by his wife Rachelle and daughter Antonia.
Provenance:
Donated 1977-1981 by Mrs. Herman J. Wechsler, Wechsler's widow.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Gallery directors -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Art historians -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Scrapbooks
Citation:
Herman Wechsler papers, 1913-1976. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.wechherm
See more items in:
Herman J. Wechsler papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw924e49bf2-7357-4431-bb69-a50d37f16a3d
EDAN-URL:
ead_collection:sova-aaa-wechherm
Online Media:

R. Kirk Askew papers

Creator:
Askew, R. Kirk (Ralph Kirk), 1903-1974  Search this
Names:
Berman, Leonid, 1896-1976  Search this
Bloom, Hyman, 1913-  Search this
Blume, Peter, 1906-1992  Search this
Brown, Carlyle, 1919-1964  Search this
Durlacher Bros. (New York, N.Y.)  Search this
Fosburgh, James Whitney, 1910-1978  Search this
Greene, Stephen, 1918-1999  Search this
Melcarth, Edward, 1914-1973  Search this
Quirt, Walter, 1902-  Search this
Seligmann, Kurt, 1900-1962  Search this
Stein, Walter, 1924-1981  Search this
Stuempfig, Walter, 1914-1970  Search this
Wells, Cady, 1904-1954  Search this
Extent:
0.6 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1942-1958
Summary:
The papers of art dealer R. Kirk Askew, director of the New York branch of the Durlacher Bros. art firm, measure 0.6 linear feet and date from 1942 to 1958. The collection includes correspondence with artists Cady Wells, Walter Stuempfig, Walter Quirt, Edward Melcarth, Kurt Seligmann, Leonid Berman, Hyman Bloom, Peter Blume, Carlyle Brown, James W. Fosburgh, Stephen Greene, and Walter Stein.
Scope and Contents:
The papers of art dealer R. Kirk Askew, director of the New York branch of the Durlacher Bros. art firm, measure 0.6 linear feet and date from 1942 to 1958. The collection includes correspondence with artists Cady Wells, Walter Stuempfig, Walter Quirt, Edward Melcarth, Kurt Seligmann, Leonid Berman, Hyman Bloom, Peter Blume, Carlyle Brown, James W. Fosburgh, Stephen Greene, and Walter Stein.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
R. Kirk Askew (1903-1974) was an art dealer and manager of the Durlacher Bros. New York location from from 1927 to circa 1969.
Separated Materials:
Exhibition catalogs, 1928-1967, also donated by R. Kirk Askew, were tranferred to Smithsonian Institution Libraries in 1975. Catalogs are available on microfilm reel 148 at Archives of American Art offices and through interlibrary loan.
Provenance:
Donated 1969-1971 by R. Kirk Askew.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art dealers -- New York (State) -- New York  Search this
Gallery directors -- New York (State) -- New York  Search this
Citation:
R. Kirk Askew papers, 1942-1958. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.asker
See more items in:
R. Kirk Askew papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e57a48ad-c2d5-4514-a375-06c2cb4f84b8
EDAN-URL:
ead_collection:sova-aaa-asker
Online Media:

Oral history interview with Virginia M. Zabriskie

Interviewee:
Zabriskie, Virginia M., 1927-1991  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Galerie Zabriskie  Search this
Zabriskie Gallery  Search this
Extent:
2 Items (sound tape reels, 5 in.)
64 Pages (Transcript.)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1975 May 28-June 6
Scope and Contents:
An interview of Virginia Zabriskie conducted 1975 May 28-June 6, by Paul Cummings, for the Archives of American Art.
Biographical / Historical:
Virginia M. Zabriskie (1927-2019) was an art dealer and director of the Zabriskie Gallery in New York, New York.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 4 digital wav files. Duration is 3 hrs., 52 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
This interview is open for research. Contact Reference Services for more information.
Occupation:
Art dealers -- New York (State) -- New York  Search this
Gallery directors -- New York (State) -- New York  Search this
Topic:
Women art dealers  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.zabris75
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97da18401-4e8e-4501-bbc2-3ac7057fecef
EDAN-URL:
ead_collection:sova-aaa-zabris75
Online Media:

Emily A. Francis papers

Creator:
Francis, Emily A., 1879-1966  Search this
Contemporary Arts (Gallery)  Search this
Collectors of American Art (Firm)  Search this
Names:
Bishop, Isabel, 1902-1988  Search this
Holt, Roger  Search this
Lazzari, Pietro, 1898-1979  Search this
Logasa, Charles, 1883-1936  Search this
Mayer, Grace M.  Search this
Extent:
5.8 Linear feet ((on 5 microfilm reels))
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
1930-1964
Scope and Contents:
Organizational records of Francis's gallery, Contemporary Arts, and related gallery, Collectors of American Art. Includes correspondence with artists, museums, galleries, members, and others, including Isabel Bishop, Roger Holt, Pietro Lazzari, Charles Logasa, and Grace Mayer; annual reports; minutes of meetings; financial records; an address book; membership lists; typescripts of lectures and radio talks given by Francis; scrapbooks containing exhibition catalogs, clippings, photographs, and letters; copies of THE BULLETIN (1938-1948--incomplete run); leases and legal documents; and miscellaneous printed materials.
Biographical / Historical:
Art gallery director; New York, N.Y.
Provenance:
Donated 1965 by Emily A. Francis.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Gallery directors -- New York (State) -- New York  Search this
Genre/Form:
Scrapbooks
Identifier:
AAA.franemil
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw912d06104-e2bb-4fed-8814-3eec23a31275
EDAN-URL:
ead_collection:sova-aaa-franemil

Helen Appleton Read papers

Creator:
Read, Helen Appleton, 1897-1974  Search this
Names:
Portraits (Gallery: New York, N.Y.)  Search this
Henri, Robert, 1865-1929  Search this
Kent, Rockwell, 1882-1971  Search this
Speicher, Eugene Edward, 1883-1962  Search this
Extent:
1.6 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
[ca. 1920]-1974
Scope and Contents:
Correspondence, biographical data, writings, lectures, articles, printed material, scrapbooks, and photographs.
REEL N736: Five volumes of the Sunday art pages of the Brooklyn Daily Eagle, 1922-1935.
REELS 3094-3096: Biographical data; correspondence with Samuel Reyburn, President of Lord and Taylor, concerning an exhibition of modern French decorative art; letters from Eugene Speicher and others and one from Rockwell Kent, 1946, discussing his relationship with Robert Henri; a transcript from the New York School Art League broadcast "Meet the Artist" in which Read discusses portrait painting; notes, lectures and articles; 4 scrapbooks containing biographical data, letters, exhibition invitations and catalogs from Portraits, Inc. and other galleries, clippings, her articles for the Brooklyn Daily Eagle, Smith College memorabilia and photographs; photographs of portraits, Read, her friends and family; and lecture announcements.
Biographical / Historical:
Art critic for the Brooklyn Daily Eagle and gallery director of Portraits, Inc., Portrait Center of America, New York, N.Y.
Related Materials:
Materials of Helen Appleton Read, 1922-1972, are also located at Smith College.
Provenance:
Material on reels 3094-3096 donated by Helen Read Trent, Read's daughter, 1975. Scrapbooks on reel N736 lent for microfilming by Helen Appleton Read, 1967. Read subsequently donated them to Smith College.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm.
Occupation:
Art critics -- New York (State) -- New York  Search this
Art historians -- New York (State) -- New York  Search this
Gallery directors -- New York (State) -- New York  Search this
Topic:
Art and state  Search this
Art criticism -- New York (State) -- New York  Search this
Portrait painting, American -- New York (State) -- New York  Search this
Women art critics  Search this
Genre/Form:
Scrapbooks
Identifier:
AAA.readhele
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98f0702a6-5d55-4502-9066-cfb9082b2808
EDAN-URL:
ead_collection:sova-aaa-readhele

Thomas S. Holman research materials on Reginald Marsh

Creator:
Holman, Thomas S., 1953-2015  Search this
Names:
David Winton Bell Gallery (Brown University)  Search this
Minnesota Museum of American Art  Search this
Demuth, Charles, 1883-1935  Search this
Marsh, Reginald, 1898-1954  Search this
Sheeler, Charles, 1883-1965  Search this
Extent:
1.8 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1970-1989
Summary:
Curator, and gallery director Thomas S. Holman's research materials on Reginald Marsh, 1970-1989, measure 1.8 linear feet. Research materials consist of correspondence, notes, printed material, writings, and images accrued during the course of exhibition research that Holman pursued while he was curator of collections at the Minnesota Museum of American Art and director of the Bell Gallery, Brown University. Reginald Marsh research, mainly conducted from 1982-1983, comprises the vast majority of the collection. In addition, there are research files for proposed Charles Demuth and Charles Sheeler exhibitions. Grant research compiled in 1989 concerns a mural exhibition.
Scope and Contents:
Curator, and gallery director Thomas S. Holman's research materials on Reginald Marsh, 1970-1989, measure 1.8 linear feet. Research materials consist of correspondence, notes, printed material, writings, and images accrued during the course of exhibition research that Holman pursued while he was curator of collections at the Minnesota Museum of American Art and director of the Bell Gallery, Brown University. Reginald Marsh research, mainly conducted from 1982-1983, comprises the vast majority of the collection. In addition, there are research files for proposed Charles Demuth and Charles Sheeler exhibitions. Grant research compiled in 1989 concerns a mural exhibition.
Arrangement:
The collection is arranged as 1 series:

Missing Title

Series 1: Research Files, 1970-1989 (Boxes 1-3; 1.8 linear feet)
Biographical / Historical:
Art historian Thomas S. Holman has been a curator at the Norton Museum of Art and Minnesota Museum of American Art, and served as executive director of The Hudson River Museum and Marietta/Cobb Museum. He is now an art advisor and lives in New York City.

Reginald Marsh (1898-1954) was best known for his paintings of life in New York City during the Great Depression. Subjects included crowds on city streets and at Coney Island, women, hobos on the Bowery, vaudeville and other popular entertainments.
Provenance:
Donated by Thomas S. Holman in 2013.
Restrictions:
Use of original material requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Arts administrators -- New York (State) -- New York  Search this
Topic:
Gallery directors -- New York (State) -- New York  Search this
Curators -- New York (State) -- New York  Search this
Mural painting and decoration  Search this
Citation:
Thomas S. Holman research materials on Reginald Marsh, 1970-1989. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.holmthom
See more items in:
Thomas S. Holman research materials on Reginald Marsh
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9562e862e-4ac1-4bd8-aecd-2a4fce2eea31
EDAN-URL:
ead_collection:sova-aaa-holmthom

Modify Your Search







or


Narrow By
  • Archives of American Art