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Olav Hammarstrom papers, 1939-1980

Creator:
Hammarstrom, Olav, 1906-2002  Search this
Hammarstrom, Olav, 1906-2002  Search this
Subject:
Strengell, Marianne  Search this
Type:
Drawings
Topic:
Furniture design -- United States  Search this
Finnish Americans  Search this
Theme:
American Art and Artists in a Global Context  Search this
Craft  Search this
Architecture & Design  Search this
Record number:
(DSI-AAA_CollID)7327
(DSI-AAA_SIRISBib)209480
AAA_collcode_hammolav
Theme:
American Art and Artists in a Global Context
Craft
Architecture & Design
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209480
Online Media:

Terence Harold Robsjohn-Gibbings papers, 1915-1977

Creator:
Robsjohn-Gibbings, Terence Harold, 1905-1976  Search this
Robsjohn-Gibbings, Terence Harold, 1905-1976  Search this
Subject:
Dunn, Alan  Search this
Richter, Gisela Marie Augusta  Search this
Petty, Mary  Search this
Hadrian, Emperor of Rome (Homes and Haunts)  Search this
Hadrian's Villa (Tivoli, Italy)  Search this
Robsjohn-Gibbings (Firm)  Search this
Type:
Scrapbooks
Sketchbooks
Photographs
Topic:
Furniture design -- United States  Search this
Furniture designers -- New York (State) -- New York  Search this
Interior decorators -- New York (State) -- New York  Search this
Decorative arts  Search this
Theme:
Lives of American Artists  Search this
Craft  Search this
Architecture & Design  Search this
Record number:
(DSI-AAA_CollID)9205
(DSI-AAA_SIRISBib)211400
AAA_collcode_robstere
Theme:
Lives of American Artists
Craft
Architecture & Design
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211400
Online Media:

Olav Hammarstrom papers

Creator:
Hammarstrom, Olav, 1906-2002  Search this
Names:
Strengell, Marianne, 1909-1998  Search this
Extent:
0.7 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Date:
1939-1980
Summary:
The scattered papers of architect and furniture designer Olav Hammarstrom measure 0.7 linear feet and date from 1939 to 1980. The bulk of the collection consists of project files of architectural works in the United States and around the world. Project files may include correspondence, drawings and architectural renderings, photographs, and printed material.
Scope and Contents:
The scattered papers of architect and furniture designer Olav Hammarstrom measure 0.7 linear feet and date from 1939 to 1980. The bulk of the collection consists of project files of architectural works in the United States and around the world. Project files may include correspondence, drawings and architectural renderings, photographs, and printed material.
Biographical / Historical:
Olav Hammarstrom (1906-2002) was a Finnish-born architect active in Bloomfield Hills, Michigan and Wellfleet, Massachusetts.

Born in Heinola, Finland in 1906, Olav Hammarstrom studied and began his career as an architect in Helsinki. In 1948, Hammarstrom came to the United States to work on a project with Alvar Aalto in Massachusetts. He stayed in the United States after marrying textile artist Marianne Strengell and settled in Bloomfield Hills, Michigan.

Together, Strengell and Hammarstrom served as consultants for the United States government and the United Nations and reported on the cottage industry of weaving in the Philippines and Jamaica. After Strengell retired from the Cranbrook Academy of Art, she and Olav moved to Wellfleet, Massachusetts where Hammarstrom took many commissions.

Olav Hammarstrom died in 2002 in Wellfleet, Massachusetts.
Related Materials:
The Archives of American Art also holds an oral history interview with Olav Hammarstrom, conducted 1982 October 21-1983 March 10 by Robert F. Brown. The Cranbrook Archives also holds a collection of Olav Hammarstrom's papers.
Provenance:
Olav Hammarstrom donated his papers to the Archives of American Art in 1983.
Restrictions:
The collection is open for research. Access to original papers requires an appointment and is limited to the Archive's Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Architects -- Massachusetts -- Wellfleet  Search this
Architects -- Michigan -- Bloomfield Hills  Search this
Furniture designers -- Massachusetts -- Wellfleet  Search this
Furniture designers -- Michigan -- Bloomfield Hills  Search this
Topic:
Furniture design -- United States  Search this
Finnish Americans  Search this
Genre/Form:
Drawings
Citation:
Olav Hammarstrom papers, 1939-1980. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hammolav
See more items in:
Olav Hammarstrom papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9768a1d19-55a1-427b-88af-196870d33b78
EDAN-URL:
ead_collection:sova-aaa-hammolav

Terence Harold Robsjohn-Gibbings papers

Creator:
Robsjohn-Gibbings, Terence Harold, 1905-  Search this
Names:
Hadrian's Villa (Tivoli, Italy)  Search this
Robsjohn-Gibbings (Firm)  Search this
Dunn, Alan, 1900-  Search this
Hadrian, Emperor of Rome, 76-138 (Homes and Haunts) -- Italy -- Tivoli  Search this
Petty, Mary  Search this
Richter, Gisela Marie Augusta, 1882-1972  Search this
Extent:
14.4 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Sketchbooks
Photographs
Date:
1915-1977
1898
Summary:
The papers of furniture and interior designer Terence Harold Robsjohn-Gibbings measure 14.4 linear feet and date from 1898 to 1977 with the bulk of material dating from 1915 to 1977. Found within the papers are biographical material, correspondence, writings, project files, printed materials, artwork including 4 sketchbooks, 30 scrapbooks documenting Robsjohn-Gibbings career, and photographs of Robsjohn-Gibbings and his work.
Scope and Contents:
The papers of furniture and interior designer Terence Harold Robsjohn-Gibbings measure 14.4 linear feet and date from 1898 to 1977, with the bulk of material dating from 1915 to 1977. Found within the papers are biographical material, correspondence, writings, project files, printed materials, artwork including 4 sketchbooks, 30 scrapbooks documenting Robsjohn-Gibbings career, and photographs of Robsjohn-Gibbings and his work.

Biographical materials consist of a key to the city of San Francisco, an award certificate, a photograph of a table from Robsjohn-Gibbings' personal art collection, and a ring design.

Correspondence is primarily with Robsjohn-Gibbings' friends, business associates, and scholarly researchers discussing relationships, business commissions, and his professional work. Correspondents of note include illustrators Alan Dunn and Mary Petty, and classical art historian Gisela Richter.

Writings by Robsjohn-Gibbings consist of 13 essays, 2 copies of the draft manuscript The Cuckoo Sings, 2 manuscript drafts of Furniture of Classical Greece, and a notebook of collected inspirational quotations. There is also a translation of a selection of Heinz Kahler's Hadrian und Seine Villa Bei Tivoli.

Project files include photographs and portfolios of 28 commercial and residential commissions; photographs and watercolor renderings of designs produced by Robsjohn-Gibbings Ltd.; photographs and portfolios of designs for Widdicomb Furniture Company; and printed material and research related to the furniture designs for Saridis of Athens. The series also includes portfolios of residences photographed by Ezra Stoller Associates, and photographs and notes for a 25 year Interior Design retrospective exhibition.

Printed material includes published books by Robsjohn-Gibbings, annotated books on Hadrian's Villa and decorative sculpture, catalogs, clippings, press releases, and miscellaneous printed material.

Photographs are of Robsjohn-Gibbings, his friends, his New York office and Athens apartment, and photo shoots for Life and Look magazines.

There are 24 volumes documenting Robsjohn-Gibbings career from 1936 to 1963, an additional 4 volumes of press coverage of his books, and 2 more volumes documenting European art and historical interior design.

Artwork includes 4 sketchbooks of classical Greek and Roman furniture designs rendered in graphite and watercolor by Robsjohn-Gibbings.
Arrangement:
The collection is arranged as 8 series.

Missing Title

Series 1: Biographical Materials, 1942-1970 (4 folders, Box 1)

Series 2: Correspondence, circa 1940-1976 (0.2 linear feet; Box 1)

Series 3: Writings, circa 1930-1976 (0.5 linear feet; Box 1, BV 12)

Series 4: Project Files, circa 1930-1976 (4 linear feet; Box 1-2, Box 6-8, BV 13-16, OV 42-53, OV 55)

Series 5: Printed Material, 1898-1977 (1.9 linear feet, Box 2-4, Box 9)

Series 6: Photographic Materials, 1915-1976 (0.3 linear feet; Box 4, Box 9, OV 54)

Series 7: Scrapbooks, 1936-1970 (5.9 linear feet, Box 9-11, BV 17-41)

Series 8: Artwork, circa 1930-1976 (0.5 linear feet; Box 4-5, Box 9)
Biographical / Historical:
Terence Harold Robsjohn-Gibbings (1905-1976) was a furniture and interior designer who lived and worked in New York City and Athens, Greece.

Robsjohn-Gibbings was born in England and studied architecture at London University. In 1930, he immigrated to America, and six years later opened his own interior decorating firm, Robsjohn-Gibbings Ltd., on Madison Avenue. Throughout the 1940s and 50s, he was one of the most recognized decorators in America and designed homes for Doris Duke, Alfred Knopf, and Thelma Chrysler Foy. One of his earliest commissions was Hilda Boldt Weber's 43 room Casa Encantada mansion in Bel-Air, for which he created more than 200 custom pieces of furniture between 1934 and 1938.

From 1943 to 1956, Robsjohn-Gibbings was the principal designer for the Widdicomb Furniture Company in Grand Rapids, Michigan. These residential furnishings reflected an elegant, simplistic aesthetic and were regularly showcased in the magazines Town and Country, Interior Design, Vogue, and House Beautiful.

He was a critic of the prevailing taste in Bauhaus modernism and Queen Anne, Georgian, and Spanish extravagance and expressed these views on design and aesthetics in the books Goodbye, Mr. Chippendale (1944), Mona Lisa's Moustache (1947), and Homes of the Brave (1953).

In 1960, he and his collaborator, Carlton Pullin, met the Greek furniture makers Susan and Eleftherios Saridis, who commissioned Robsjohn-Gibbings to design a line for their company, Saridis of Athens. These pieces were modeled after classical Greek forms and aesthetics, and are detailed in Robsjohn-Gibbings' Furniture of Classical Greece (1963).

In 1965, Robsjohn-Gibbings moved to Athens, Greece and continued designing residential and commercial spaces until his death in 1976.
Provenance:
Portions of the Terence Robsjohn-Gibbings papers were donated by the artist in 1966. In 1977, Margaret Carson donated a manuscript copy of The Cuckoo Sings. Later in 1977, the bulk of additional material in the collection was donated to the Archives of American Art by Robsjohn-Gibbing's associate and executor, Carlton Pullin.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Furniture design -- United States  Search this
Furniture designers -- New York (State) -- New York  Search this
Interior decorators -- New York (State) -- New York  Search this
Decorative arts  Search this
Genre/Form:
Scrapbooks
Sketchbooks
Photographs
Citation:
Terence Harold Robsjohn-Gibbings papers, 1898, 1915-1977. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.robstere
See more items in:
Terence Harold Robsjohn-Gibbings papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b2b2f9a4-755e-4d40-97fb-b6b97e020fff
EDAN-URL:
ead_collection:sova-aaa-robstere
Online Media:

Donald Deskey collection

Creator:
Deskey, Donald, 1894-  Search this
Names:
Brunswick-Balke-Collender Company  Search this
Centre de recherche en économie et statistique (Paris, France)  Search this
Charak Furniture Company  Search this
Cooper-Hewitt Design Archive  Search this
Deskey Associates, Inc.  Search this
Deskey-Vollmer, Inc.  Search this
Donald Deskey Associates, Inc.  Search this
Johnson & Johnson, Inc.  Search this
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
Procter & Gamble Company  Search this
Radio City Music Hall (New York, N.Y.)  Search this
Widdicomb Furniture Company  Search this
Deskey, Donald, 1894-  Search this
Extent:
75 Cubic feet
Type:
Collection descriptions
Archival materials
Proposals
Labels
Clippings
Renderings
Slides
Stationery
Letters patent
Financial records
Photographs
Drawings
Client lists
Correspondence
Organizational charts
Reviews
Patents
Lantern slides
Technical reports
Date:
1927-1989
Summary:
Project files containmagazine and newspaper clippings, reviews, correspondence, renderings, floor plans, perspective drawings, site plans, sketches, preliminary drawings, patents, stationery, labels, and technical reports. There is an extensive collection of photographs and slides of many of Deskey's packaging designs, interiors, furnishings, and exhibition installations. The files of Donald Deskey Associates include organizational charts, client files, proposals, and financial records. Some of Deskey's personal correspondence, speeches, articles, and family photographs are included. Materials cover the period from 1927-1975.
Arrangement note:
Arranged into six records groups: 1) architecture/interiors projects; 2)Donald Deskey Associates; 3) industrial design projects; 4) reference; 5) Donald Deskey's personal papers; and 6) photographs. A special collection of more than one thousand slides of Deskey's work are boxed separately.
Biographical/Historical note:
Industrial, interior, and packaging designer. Born Blue Earth, Minnesota, November 23, 1894. By 1943, he had established Donald Deskey Associates in New York. Along with Dreyfuss, Bel Geddes, and Loewy, Deskey was one of the great industrial design pioneers in the 1930s.

He is best known for his designs for the furnishings and interiors of Radio City Music Hall in 1932, and for his work for companies such as: Widdicomb Furniture Company, Grand Rapids, Michigan; W & J Sloane, New York; and Estey Manufacturing Company, Owosso, Michigan. Deskey is also known for his familiar packaging designs for Procter & Gamble products, such as Crest toothpaste, Prell shampoo, and Tide detergent.

Donald Deskey Associates also was responsible for lamppost #10, the streetlight still in use today in New York City. Materials from this archival collection were featured in Cooper-Hewitt's 1994 exhibition and accompanying book, "Packaging the New: Design and the American Consumer, 1925- 1975."
Location of Other Archival Materials Note:
Cooper-Hewitt, National Design Museum, Drawings and Prints Department. Approximately 3,000 drawings for furniture and textile designs.
Cooper-Hewitt, National Design Museum, Applied Arts Department. Two tables, handles, and a glass bottle and box designed by Deskey.
Cooper-Hewitt, National Design Museum, Textiles Department. One textile designed by Deskey.
Other sources of archival information on Deskey include, the Procter & Gamble Archive, Cincinnati, Ohio, and Deskey Associates, New York City.
Provenance:
The Deskey collection was donated to the museum in three installments.

In 1975, Deskey deposited at Cooper-Hewitt, National Design Museum,, hundreds of drawings, 3 four-drawer file cabinets of material, and several oversized packages comprising the bulk of his papers covering the period from 1927-1965. These items were officially donated to the museum in 1988.

In 1992, Deskey Associates of New York made an additional gift consisting of, approximately 1,000 35mm slides that documented projects from the 1960s through 1980s, and focused primarily on designs for packaging.

In 1994, Donald Deskey's nephew, Robert Deskey presented the Museum with, 120 postcards, letters, and family photographs.
Restrictions:
Unrestricted research use onsite by appointment. Permission of staff required to photograph materials.
Occupation:
Packaging designers -- United States  Search this
Interior designers -- United States  Search this
Industrial designers -- United States  Search this
Topic:
Packaging -- Design  Search this
Street lighting -- New York (State) -- New York  Search this
Buildings, Prefabricated -- United States  Search this
Plastics -- Design  Search this
Interior decoration -- United States -- 20th century  Search this
Design, Industrial -- United States  Search this
Furniture design -- United States  Search this
Art deco -- United States  Search this
Genre/Form:
Proposals
Labels
Clippings
Renderings
Slides
Stationery
Letters patent
Financial records
Photographs
Drawings
Client lists
Correspondence
Organizational charts
Reviews
Patents
Lantern slides
Technical reports
Identifier:
SIL-CH.1975-11-77
Archival Repository:
Smithsonian Libraries
GUID:
https://n2t.net/ark:/65665/sc2dc69717a-7af5-4385-91a8-73b28e077a18
EDAN-URL:
ead_collection:sova-sil-ch-1975-11-77

Design Research, Inc. collection

Creator:
Design Research, Inc.  Search this
Names:
Benjamin Thompson and Associates  Search this
Cooper-Hewitt Design Archive  Search this
Design Research, Inc.  Search this
Marimekko Oy  Search this
Thompson, Benjamin, 1918-2002  Search this
Extent:
6.5 Cubic feet
Type:
Collection descriptions
Archival materials
Writings
Press releases
Legal correspondence
Resumes
Drawings
Clippings
Scrapbooks
Photographs
Speeches
Financial records
Correspondence
Date:
1953-1979
Summary:
This collection consists ofcorrespondence, scrapbooks, catalogs, brochures, original drawings, photographs, financial records, resumes, legal documents, magazine articles, business records, press releases, artwork, and samples of boxes, bags, and buttons. Files documenting the company's history include a statement of the company's philosophy and records pertaining to the establishment of new stores in various cities. Project files document the furniture, fabrics, rugs, and accessories imported and design by Design Research, Inc. Bound reprints of articles that appeared in Interiors and International Design magazines are included. Clippings and other records documenting the design and construction of D/R stores are provided in the files pertaining to Benjamin Thompson & Associates, Inc. Also found in these files is a printed and bound presentation copy of Thompson's address, "The Craft of Design and the Art of Building", along with other articles by and about Thompson. Additional information pertaining to D/R's association with Marimekko can be found in the Cooper- Hewitt Design Archive's Marimekko Collection.
Arrangement note:
Unprocessed. Consists of six record groups: 1) Company history; 2) Office records; 3) Project files; 4) Clippings and Scrapbooks; 5) Benjamin Thompson & Associates, Inc. for D/R; and 6) Photographs.
Biographical/Historical note:
Retail establishment and product design. Design Research, Inc. (D/R), founded in 1953 in Cambridge, Massachusetts, by architect Benjamin Thompson, specialized in the latest post-war products for the modern home. The displays in the stores were considered unique in that they were designed at domestic scale and the products were shown in realistic, homelike arrangements.

Products were sought and selected based on the anticipated preferences of customers, not on traditional retail buying patterns. At the time, the availability of "good design" was limited to wholesale firms such as Herman Miller and Knoll. Thompson was the first to introduce the work of many European and Asian designers to the American retail market, including the work of the design firm of Marimekko for which D/R was the exclusive U.S. represenative. The company also created many of its own products including chairs manufactured by Thonet. D/R later opened stores in New York City, San Francisco, and Philadelphia. Thompson's own architectural firm, Benjamin Thompson & Associates, Inc., designed all of the D/R stores. For the San Francisco store, Thomspon renovated the former Ghirardelli Chocolate factory. Even after the stores officially closed in 1978, D/R remained a model for many merchants.
Provenance:
The materials in this collection were donated to Cooper-Hewitt in 1995 by Benjamin and Jane Thompson.
Restrictions:
Unprocessed; access is limited. Permission of Library Director required for use.
Topic:
Furniture design -- United States -- History -- 20th century  Search this
Retail trade -- United States  Search this
Furniture store  Search this
Display of merchandise -- United States  Search this
House furnishings -- United States  Search this
Stores, Retail -- Design  Search this
Stores, Retail -- United States  Search this
Genre/Form:
Writings
Press releases
Legal correspondence
Resumes
Drawings
Clippings
Scrapbooks
Photographs
Speeches
Financial records
Correspondence
Identifier:
SIL-CH.1997-123-2
Archival Repository:
Smithsonian Libraries
GUID:
https://n2t.net/ark:/65665/sc22bbecb2f-c6ef-40e5-a13e-4a7c248ce152
EDAN-URL:
ead_collection:sova-sil-ch-1997-123-2

Don Wallance collection

Creator:
Wallance, Don, 1909-1990  Search this
Names:
Cooper-Hewitt Design Archive  Search this
Design Laboratory School (New York, N.Y.)  Search this
H.E. Lauffer Co.  Search this
Hard Manuacturing Company  Search this
Lincoln Center Theater (New York, N.Y.)  Search this
National Youth Administration  Search this
Towle Mfg. Company  Search this
United States. Army -- Barracks and quarters  Search this
Wallance, Don, 1909-1990  Search this
Extent:
6 Cubic feet
Type:
Collection descriptions
Archival materials
Correspondence
Clippings
Invoices
Patents
Photographs
Blueprints
Speeches
Press releases
Drawings
Articles
Sketches
Date:
1936-1990
Summary:
This collection documents Wallance's career from his enrollment in the Design Laboratory School in 1936 to his death in 1990.Included are his designs for tableware, furniture, and household accessories, as well as material on his research and writings. This collection consists of sketches, drawings, photographs, correspondence, and reference materials, in addition to publicity and promotional materials. Extensive documentation exists on Wallance's pioneering designs for stainless steel flatware for H. E. Lauffer Company and his experimental furniture for the U.S. Army, Philharmonic Hall at Lincoln Center, and the Hard Manufacturing Company. Thorough documentation of his research for his landmark book, "Shaping America's Products," is included. The collection also contains a substantial amount of information on the Design Laboratory School, the first industrial design school in the United States to be patterned after the Bauhaus.
Arrangement note:
This collection is arranged into eight record groups: 1) Industrial Design Projects; 2) "Shaping America's Products"; 3) Other Activities; 4) General Correspondence; 5) Business Records; 6) Biographical Material; 7) Reference Material; and 8) Photographs and Slides. Within each record group, materials are arranged by client, or in lieu of a client, by project name.

Letter size, legal size, and oversized materials, photographs, slides, film, and video are all boxed separately. Where possible, subjects have been cross referenced between the various sizes and types of material.
Biographical/Historical note:
Metalworker, furniture and industrial designer. Born New York City, September 26, 1909. Wallance graduated New York University in 1930 with a B.A. in English Literature. He traveled to northern Europe where he was exposed to the International Style in architecture and design. Upon returning to the United States, he went to work in his father's furniture store and saw the need for more inventive designs in retail furnishings. He attended Design Laboratory School in New York City from its inception in 1936 until it closed its doors in 1940.

From 1941-2, Wallance served as the state of Louisiana's technical and design director for the National Youth Administration, established in 1940 by President Roosevelt to help build a young, technically capable work force. During World War II, Wallance designed mass-produced furniture for servicemen's families living abroad for the Office of the Quartermaster General, Washington. He began designing tableware, cutlery, and accessories for H.E. Lauffer in 1951.

Among his most recognizable designs for Lauffer were Design One, a highly sculptural, brushed stainless steel flatware created in 1953, and Design Ten, a colored plastic flatware created in 1978-79. Both designs are now produced by Towle Manufacturing Company. ln addition, Wallance designed auditorium seating in steel and upholstered polyurethane foam for Philharmonic Hall at Lincoln Center in 1964 and hospital furniture in steel and plastics for Hard Manufacturing Company in 1965. Wallance is best known for his book, "Shaping America's Products", 1956, which remains a seminal study of the relationship of craftsmanship to industry.
Location of Other Archival Materials Note:
Cooper-Hewitt, National Design Museum, Applied Arts Department. Approximately 100 items, consisting of models, prototypes, and production pieces of flatware, cutlery, and other items.
Provenance:
These materials were donated to Cooper-Hewitt, National Design Museum, in 1991 by David M. and Gregory J. Wallance, sons of the designer.
Restrictions:
Unrestricted research use onsite by appointment. Permission of staff required to photograph materials.
Occupation:
Industrial designers -- United States  Search this
Furniture designers -- United States  Search this
Topic:
Design, Industrial -- United States  Search this
Shaping America's Products  Search this
Furniture design -- United States -- History -- 20th century  Search this
Cookware  Search this
Flatware -- United States  Search this
Stainless steel tableware  Search this
Genre/Form:
Correspondence
Clippings
Invoices
Patents
Photographs
Blueprints
Speeches
Press releases
Drawings
Articles
Sketches
Identifier:
SIL-CH.1991-81-1
Archival Repository:
Smithsonian Libraries
GUID:
https://n2t.net/ark:/65665/sc2c748cfca-efd6-4a03-85bc-1086ca3fd24d
EDAN-URL:
ead_collection:sova-sil-ch-1991-81-1

Tommi Parzinger collection

Creator:
Robsjohn-Gibbings, Terence Harold, b. 1905  Search this
Parzinger, Tommi, 1903-1981.  Search this
Names:
American Designers' Institute  Search this
Charak of Boston  Search this
Cooper-Hewitt Design Archive  Search this
Katzenbach & Warren  Search this
Norddeutscher Lloyd  Search this
Palumbo Gallery  Search this
Parzinger Originals (Firm)  Search this
Textile Workers Union of America  Search this
Cameron, Donald  Search this
Parzinger, Tommi, 1903-1981.  Search this
Robsjohn-Gibbings, Terence Harold, b. 1905  Search this
Rosenthal, Rena.  Search this
Tritt, Olga.  Search this
Widdicomb, William.  Search this
Extent:
5 Cubic feet
Type:
Collection descriptions
Archival materials
Photographic prints
Photographs
Clippings
Blueprints
Catalogs
Drawings
Awards
Articles
Sketches
Correspondence
Date:
1935-1981
Summary:
This collection does not represent the entire Parzinger archive. The German firm, K.P.M., has the drawings Parzinger produced for the line of ceramics and a part of the documentation for the work in the United States was damaged or lost in a 1951 flood in the Madison Avenue office. However, enough of the archive remains to document a significant part of the designer's work from the 1940s-1970s. Included in the collection are brochures, ad sheets, magazine pages, chart-like sheets of furniture designs, drawings or blueprints, clippings, photographs, press articles, and pages of notes. The collection does not include business papers which were deliberately excluded for space reasons.
Arrangement note:
Materials are arranged into ten record groups: I. Furniture Designs for Willow & Reed, Salterini, Parzinger Originals and others; II. Silver Design; III. Ceramic/China Design; IV. Designs for Objects made of non-precious metals; V. Objects of Miscellaneous or Obscure Materials; VI. Designs for Enamel Work; VII. Designs for Textiles and/or Wallcoverings; IX. Lighting Fixture Design (electric); and X. Miscellaneous Items. There are also seven 3-ring binders containing photographs of Parzinger's furniture, silver, ceramics, and metalwork from the 1930s--the 1970s. There are notes on the backs of many of the photographs. There are also sketches of his designs for clients. Binder 7 contains photographs of 63 furniture designs by T.H. Robsjohn-Gibbings.
Biographical/Historical note:
Tommi (Anton) Parzinger (1903-1981) was born in Munich and received professional design training there at the Kunstgewebeschule (School of Arts and Crafts).He began his career as a freelance designer in Germany and Austria, working in ceramics, wallpapers, lighting, textiles, and furniture. In 1932 he came to the United States as a prize for winning a poster contest for North German Lloyd, the steamship company. In 1935 he settled in New York and became associated with Rena Rosenthal ("smart furniture and accessories shop") as a designer of china, glassware and furniture. Furniture became is primary focus in 1938 he became a designer for Charak of Boston. In 1939 he formed his own business, Parzinger, Inc., 54 East 57th Street, designing silver as well as furniture. Renamed Parzinger Originals in 1946, the firm also had addresses at 32 East 57th Street; 601 Fifth Avenue and 441 Madison Avenue. Donald Cameron became his partner. In addition to his own firm, he designed furniture, fabrics, lighting and a range of accessories for other firms, including Salterini (wrought iron), Hofstatter (furniture), Dorlyn (brass), and Willow & Reed (rattan). He also produced custom designs for interior decorators and many private clients. In 1996 and 1998 his work was shown by Palumbo Gallery, 972 Lexington Avenue, New York City.
Separated Materials note:
The Cooper-Hewitt departments of Drawings and Prints, Applied Arts, and Textiles and Wallcoverings has additional materials on Parzinger in their collections.
Provenance:
All materials were donated to the museum by Donald Cameron in 1998.
Restrictions:
Unprocessed; access is limited; Permission of Library Director required; Policy.
Occupation:
Interior designers -- United States  Search this
Industrial designers -- Germany  Search this
Industrial designers -- United States  Search this
Furniture designers -- Germany  Search this
Furniture designers -- United States  Search this
Interior designers -- Germany  Search this
Topic:
Design -- History -- 20th century -- Sources  Search this
Genre/Form:
Photographic prints
Photographs
Clippings
Blueprints
Catalogs
Drawings
Awards
Articles
Sketches
Correspondence
Identifier:
SIL-CH.1998-19-1
Archival Repository:
Smithsonian Libraries
GUID:
https://n2t.net/ark:/65665/sc20637c760-9df0-474b-a2b6-2dac82acceb0
EDAN-URL:
ead_collection:sova-sil-ch-1998-19-1

Alfons Bach Papers

Creator:
Bach, Alfons, 1904-1999  Search this
Names:
Bigelow-Sanford Carpet Company  Search this
Callaway Mills  Search this
Cooper-Hewitt Design Archive  Search this
General Electric Company  Search this
Heywood-Wakefield Company  Search this
Palm Trail Plaza  Search this
Philco Corporation  Search this
Ridgeway Center  Search this
Sach's New York  Search this
Seneca Textile Building  Search this
Extent:
6 Cubic feet (5 boxes)
Type:
Collection descriptions
Archival materials
Slides
Clippings
Aerial photographs
Sketches
Photographs
Plans
Proposals
Exhibition catalogs
Writings
Speeches
Awards
Scrapbooks
Certificates
Date:
1934 - 1992
Scope and Contents:
Biographical files cover the period from 1938-1989 and include resumes, clippings, correspondence, certificates, awards, speeches, brochures for exhibitions, and artwork. Project files cover the period from 1934-1961 and contain clippings, catalogs, brochures, and scrapbooks. This collection documents Bach's work as an industrial designer, architect, and painter from 1934-1992.

The files on the Ridgeway Center mall are particularly extensive. Photographs cover the period from 1937-1961 and document Bach's design projects, particularly the Ridgeway Center, his house in Stamford, and the Miami and New York offices of Callaway Mills. Portraits of Bach and his family are included as well. Glass lantern slides document of seven of Bach's interior and exterior design projects. Also included are several signed and numbered prints of Bach's watercolor scenes of the Riviera.
Arrangement:
Materials are arranged chronologically within four series.

Series 1: Biographical files, 1938-1989

Series 2: Project files, 1934-1961

Series 3: Photogaphs, 1937-1961

Series 4: Glass Slides
Biographical / Historical:
Industrial designer, architect, and painter. Born in Germany, 1904. Bach studied film directing and design in Europe. He turned to industrial design upon immigrating to the United States in 1926. His design work from 1932-53 include a Philco radio, furniture for Heywood-Wakefield, carpets for Bigelow-Sanford, and appliances for General Electric. Bach designed and built his own home in Stamford, Connecticut, in 1938.

In the late 1940s, he developed a plan for one of the first shopping malls in America, the Ridgeway Center of Stamford. He remodeled the interior and exterior of Sach's furniture store, 1948-49, and redesigned the Seneca Textile Building on 34th Street in Manhattan in 1952. Bach moved to Florida in 1959, where he designed the Palm Trail Plaza, a marina apartment complex in Delray Beach, completed in 1961. In addition, Bach was also a noted painter. His watercolors were featured in numerous exhibitions in the United States and Europe.
Related Archival Materials:
431 drawings of designs for furniture, textiles, lamps, pianos, clocks, appliances, and retail, office, and home interiors.,Cooper-Hewitt, National Design Museum, Drawings and Prints Department.
Provenance:
All materials were donated by Alfons Bach in 1993.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Occupation:
Industrial designers -- United States  Search this
Architects -- United States  Search this
Topic:
Design, Industrial -- United States  Search this
Display of merchandise  Search this
Furniture design -- United States  Search this
Radio -- Receivers and reception  Search this
Carpets -- United States  Search this
Interior decoration -- United States  Search this
Architecture -- Designs and plans  Search this
Shopping malls -- United States  Search this
Watercolor painting -- United States  Search this
Apartment houses  Search this
Genre/Form:
Slides
Clippings
Aerial Photographs
Sketches
Photographs -- 20th century
Plans
Proposals
Exhibition catalogs
Writings
Speeches
Awards
Scrapbooks
Certificates
Citation:
Alfons Bach Papers, 1934-1992, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1272
See more items in:
Alfons Bach Papers
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep86cb7a712-7b15-4d1a-aa64-98e3e57e1c61
EDAN-URL:
ead_collection:sova-nmah-ac-1272

Dan Friedman Papers

Creator:
Friedman, Dan, 1945-1995  Search this
Names:
Allgemeie Gewerbeschule  Search this
Anspach Grossman Portugal, Inc.  Search this
Bergdorf Goodman (New York, N.Y.)  Search this
Bonwit Teller & Co.  Search this
Citibank (New York, N.Y.)  Search this
Cooper Union for the Advancement of Science and Art  Search this
Cooper-Hewitt Design Archive  Search this
Gran Fury  Search this
Hochschule für Gestaltung (Ulm, Germany)  Search this
Jeffrey Deitch Art Advisory Services  Search this
National Public Radio (U.S.)  Search this
Neotu (Gallery)  Search this
Pentagram Design  Search this
State University of New York at Purchase  Search this
WilliWear (Firm)  Search this
Yale University  Search this
Deitch, Jeffrey  Search this
Haring, Keith  Search this
Extent:
16 Cubic feet
Type:
Collection descriptions
Archival materials
Stationery
Clippings
Statistics
Correspondence
Photographs
Lecture notes
Speeches
Sketches
Slides
Brochures
Mechanicals
Transparencies
Financial records
Articles
Date:
1967 - 1995
Scope and Contents:
General correspondence files contain all communications that do not pertain to a specific project. Because Friedman's personal life and business were so interconnected, many of his business associates also shared personal correspondence with the designer.,Materials in this collection document Friedman's work from 1967, as a student, until his death in 1995.

Files that document his affiliations with Yale University and the State University of New York at Purchase include administrative memos, proposals, lecture outlines, syllabi, bibliographies, examples of students' work, and design projects Friedman did for each school. A copy of the goals and objectives of the Division of Visual Arts within the School of the Arts at SUNY Purchase written by Friedman is included.

Project files include business correspondence, invoices, sketches, contracts, clippings, photographs, and slides. In the case of his graphic projects, some samples of stationery and brochures are included. Extensive documentation exists for Friedman's projects for Citibank, WilliWear, National Public Radio, and Bonwit Teller. Some correspondence is in German. Friedman's lecture notes, proposals for articles and books, and drafts of many articles are included. Clippings of articles on the designer and his work are arranged chronologically.

Research files consist of articles and Friedman's notes on topics of interest to him, such as typography, structure, simultaneity, and information theory. Photographs, slides, and transparencies of many of Friedman's projects, his sources of inspiration, and the work of his students are included.
Arrangement:
Record Groups include:

1: General Correspondence

2: University Affiliations

3: Project Files

4: Lectures and Writings

5: Clippings

6: Research Materials

7: Photographs and Slides
Biographical / Historical:
Educator, graphic and furniture designer. Born in Cleveland, Ohio, 1945. Friedman recieved a BFA from Carnegie Institute of Technology, Pittsburg, PA. He studied graphic design at Hochschule fur Gestaltung, Ulm, and studied with Armin Hofmann and Wolfgang Weingart at Allgemeine Gewerbeschule, Basel. Friedman returned to America in 1969 and began his career as graphic designer for large corporations.

He worked with the firm Anspach Grossman Portugal as a senior designer from 1975 to 1977. Friedman contributed significantly to what came to be known as "post-modern" or "new wave" typography in the 1970s. He taught graphic design at Yale University, 1970-73. He became Assistant Professor and Chairman of the Board of Study in Design at the State University of New York at Purchase, 1972-1975. Friedman designed catalogs and brochures for both universities. Friedman worked with Pentagram Design in New York City from 1979 to 1984. He designed corporate identity programs, posters, publications, packaging, letterheads, and logos, for clients such as Citibank, and Williwear.

Friedman was a long-time friend of artist Keith Haring, and designed the book, "Keith Haring", 1982. He was the author of "Dan Friedman: Radical Modernism", 1994, and co-authored with Jeffrey Deitch, "Cultural Geometry", 1988, and "Artificial Nature", 1990. He designed the books "New Italian Design", 1990, and "Post Human", 1992. He also designed furniture, lighting, screens, wall elements, and interiors. Many of his furniture designs were done especially for Galerie Noetu in Paris. Among his best known furniture designs are the 1989 Virgin Screen, 1989 Zoid sofa and chair, and the Three Mile Island lamps.

Friedman served as the Frank Stanton Professor of Graphic Design at the Cooper Union in New York city, from 1994 until his death in 1995.
Related Materials:
Cooper-Hewitt, National Design Museum, Drawings and Prints Department

Hundreds of designs for letterheads, logos, business cards, invitations, greeting cards, furniture, lighting, screens, office interiors, shoppings bags and gift boxes, calendars, packaging, weather pattern diagrams and maps, book covers, and posters

Cooper-Hewitt, National Design Museum, Applied Arts Department

"U.S.A." table and dome-shaped floor lamp.,.

Friedman's work can be found in the collections of the following museums: Museum of Modern Art, New York City; Museum of Decorative Arts, Montreal, Canada; Art Institute of Chicago, Chicago, IL; Seibu, Tokyo; Virginia Museum of Fine Arts, Richmond, VA; and Israel Museum, Jerusalem.
Provenance:
This collection was donated to the museum by the designer's brother, Ken Friedman in 1995.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Occupation:
Graphic designers  Search this
Packaging designers  Search this
Topic:
Packaging -- Design  Search this
Design education -- United States  Search this
Graphic arts -- United States  Search this
Furniture design -- United States  Search this
Signs and symbols -- Design  Search this
Letterheads -- Design  Search this
Corporate image -- Design  Search this
Logos (Symbols) -- Design  Search this
Printing  Search this
Postmodernism -- United States  Search this
Posters -- Design  Search this
Book design -- United States  Search this
Genre/Form:
Stationery
Clippings
Statistics
Correspondence
Photographs -- 20th century
Lecture notes
Speeches
Sketches
Slides
Brochures
Mechanicals
Transparencies
Financial records
Articles
Citation:
Dan Friedman Papers, 1967-1995, Archives Center, National Museum of American History
Identifier:
NMAH.AC.1277
See more items in:
Dan Friedman Papers
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8c9370065-18f4-4795-a44a-a44bdc444b6b
EDAN-URL:
ead_collection:sova-nmah-ac-1277
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