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Lucy R. Lippard papers

Creator:
Lippard, Lucy R.  Search this
Names:
Addison Gallery of American Art  Search this
Alliance for Cultural Democracy  Search this
Art Workers Coalition  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Political Art Documentation/Distribution (Organization)  Search this
Printed Matter, Inc.  Search this
Studio International (Firm)  Search this
University of Colorado -- Faculty  Search this
Women's Caucus for Art  Search this
Andre, Carl, 1935-  Search this
Chicago, Judy, 1939-  Search this
Darboven, Hanne  Search this
Edelson, Mary Beth  Search this
Hammond, Harmony  Search this
Henes, Donna  Search this
Johnson, Ray, 1927-  Search this
Judd, Donald, 1928-  Search this
LeWitt, Sol, 1928-2007  Search this
Pearson, Henry, 1914-2006  Search this
Stevens, May  Search this
Extent:
56.5 Linear feet
0.454 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sound recordings
Interviews
Photographs
Date:
1930s-2007
bulk 1960-1990
Summary:
The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 56.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico.
Scope and Contents:
The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 56.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico.

A small amount of biographical material comprises resumes and an address book.

Correspondence files document all aspects of Lippard's professional life including her relationships with artists such as Carl Andre, Judy Chicago, Hanne Darboven, Ray Johnson, Sol LeWitt, and Henry Pearson; feminist artists including Mary Beth Edelson, Harmony Hammond, Donna Henes, and May Stevens; political and art-related activist groups such as Alliance for Cultural Democracy, Art Workers Coalition, Political Art Documentation/Distribution, Printed Matter, and Women's Caucus for Art; galleries and museums including Addison Gallery of American Art and the Museum of Modern Art, and publishers including Art International and Art Forum. The series also traces the development of Lippard's involvement in activist causes including censorship and the rights of artists, Central America and the impact of U.S. policy on the region, and equality and reproductive rights for women, as well as her interest in conceptual and minimalist art. The series includes scattered artwork and photographs of artists.

Writings are primarily by Lippard and include correspondence, manuscript drafts, extensive notes, and publication records for some of her best-known books such as The Graphic Work of Philip Evergood (1966), Six Years: The Dematerialization of the Art Object (1973), Eva Hesse (1976), Ad Reinhardt (1985), and Mixed Blessings: New Art in a Multicultural America (1990), as well as essays for publications such as Art Forum and Studio International and contributions to exhibition catalogs. Also found are edited transcripts from conferences, symposia and interviews conducted by and of Lippard, some audio recordings of interviews and symposia, including an interview with Donald Judd, and notes and typescripts for lectures and speeches.

A small number of files document Lippard's teaching work during the 1970s and 1980s, primarily at the University of Colorado, Boulder where she taught several courses and seminars.

Exhibition files document Lippard's involvement with exhibitions she helped to organize or curate such as A Different War: Vietnam in Art (1989-1991) 557,087 and 955,000 (1969, 1970), 2,972, 453 (1971) c.7,500 (1973-1974) and those for which she wrote catalog contributions.

Printed material includes a collection of articles written by Lippard and a small amount of material concerning events, such as speaking engagements, in which Lippard was involved. Other printed material reflects Lippard's wide range of artistic, political and activist interests and documents exhibitions and performances and the activities of art-related and political groups. Material includes many exhibition catalogs, announcements, invitations, printed posters, news clippings, journal articles, brochures, pamphlets and other publications.

Artwork includes sixteen items by unidentified artists, including two by children. Photographs consist primarily of photographs of works of art in addition to a small number of photos of exhibition installations.
Arrangement:
The collection is arranged as eight series:

Series 1: Biographical Material, circa 1960s-circa 1980s (Box 1; 2 folders)

Series 2: Correspondence, 1950s-2006 (Boxes 1-28, 51, OVs 54-63; 28.8 linear feet)

Series 3: Writings, 1930s-1990s (Boxes 28-41, 51-52, OVs 64-66; 13.24 linear feet, ER01; 0.454 GB)

Series 4: Teaching Files, 1966-1993 (Boxes 41, 52; 0.76 linear feet)

Series 5: Exhibitions, 1960s-1990s (Boxes 42-45, 52, OVs 67-68; 4.2 linear feet)

Series 6: Printed Material, 1940s-2007 (Boxes 45-49, 52, OVs 69-77; 5.3 linear feet)

Series 7: Artwork and Ephemera, circa 1960s-circa 1990s (Boxes 50, 53; 4 folders)

Series 8: Photographs, 1950s-circa 1990s (Boxes 50, 53, OV 71; 1.0 linear foot)
Biographical / Historical:
New York and New Mexico writer and art critic, Lucy R. Lippard, is the curator of numerous exhibitions and the author of over twenty-four books and other writings that trace the emergence of minimalist and conceptual art and document Lippard's commitment to feminism and political activism.

Born in New York City in 1937, Lippard earned a B.A. from Smith College in 1958 and an M.A. in 1962 from New York University's Institute of Fine Arts. In the 1960s she began writing art criticism for the journals Art International and Artforum. In 1966 she curated the landmark exhibition Eccentric Abstraction at the Fischbach Gallery in New York City. Lippard then curated the first of four defining conceptual art exhibitions that became known as her "numbers" shows, each titled after the populations of the cities in which they took place, with catalogs in the form of a set of 10 x 15 cm index cards. Opening at the Seattle Art Museum in 1969, 557,087 was followed by 955,000 in Vancouver, Canada, a few months later. 2,972,453 was held at the Centro de Arte y Comunicacíon in Buenos Aires in 1971 and c.7500 opened in Valencia, California, in 1973-1974 before traveling to several other venues in the United States and Europe.

Lippard's first book, The Graphic Work of Philip Evergood was published in 1966, followed by Pop Art the same year, and a collection of her early essays, Changing, in 1971. Six Years: The Dematerialization of the Art Object (1973) and From the Center: Feminist Essays on Women's Art (1976) documented the emergence of conceptual art and the early years of feminist art respectively. In 1976 Lippard published her seminal book on the life and work of Eva Hesse.

Between 1977 and 1978 Lippard lived on a farm in Devon, England, and worked on a novel, The First Stone, about the role of politics in the lives of three generations of women. During her walks across the English countryside she became interested in landscape art and conceived of her book Overlay: Contemporary Art and the Art of Prehistory which was subsequently published in 1983. Other books include Get the Message?: A Decade Of Art For Social Change (1984), Ad Reinhardt (1985), and Mixed Blessings: New Art in a Multicultural America (1990). Lippard has also written regular columns on art and politics for the Village Voice, In These Times and Z Magazine, and has been a contributing editor of Art in America.

Lippard was radicalized during a trip to Argentina in 1968 when she was invited to be a juror at the Museo Nacional de Bellas Artes in Buenos Aires. On her return to the United States she became heavily involved in anti-war activities and the Art Workers Coalition. She is a co-founder of several feminist and artist organizations including the feminist collective Heresies, which produced Heresies: A Feminist Journal on Art and Politics from 1977-1992, Ad Hoc Women Artists, Alliance for Cultural Democracy, Artists Call Against U.S. Intervention in Central America, Women's Action Coalition, and Women's Art Registry. In 1976 she was a founder of Printed Matter, a New York nonprofit dedicated to producing artists' publications. She also worked closely with Franklin Furnace, an artist-run space devoted to the promotion of artists' books, installation art, and video and performance art, and served on the organization's International Committee.

Lippard has been a visiting professor at the School of Visual Arts, the University of Colorado, Boulder, and the University of Queensland, Australia, and was Eminent Artist in Residence at the University of Wyoming Department of Art in 2015. She has received honorary doctorates in fine arts from Maine College of Art, the Massachusetts College of Art, Moore College of Art, San Francisco Art Institute, and others, and awards including a Guggenheim Fellowship, two National Endowment for the Arts grants in criticism, the Smith College Medal, the ArtTable Award for Distinguished Service to the Visual Arts, and the Bard College Center for Curatorial Studies Award for Excellence.

Lippard has lived in New Mexico since 1992 and works as a freelance writer and speaker.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Lucy Lippard conducted in 2011 March 15, by Sue Heinemann, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, funded by a grant from the A G Foundation.
Provenance:
Lucy R. Lippard donated her papers in several increments between 1972-1995, and 2006.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Lucy R. Lippard papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Curators -- New York (State) -- New York  Search this
Art -- Study and teaching  Search this
Art, Modern -- 20th century  Search this
Artists -- Political activity  Search this
Authors -- New York (State) -- New York  Search this
Conceptual art  Search this
Art criticism -- New York (State) -- New York  Search this
Feminism  Search this
Art critics  Search this
Minimal art  Search this
Genre/Form:
Sound recordings
Interviews
Photographs
Citation:
Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lipplucy
See more items in:
Lucy R. Lippard papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lipplucy
Online Media:

[Trade catalogs from J.W. Towers & Co., Ltd.]

Variant company name:
Manchester ; Liverpool ; Stockton ; London  Search this
Company Name:
J.W. Towers & Co., Ltd.  Search this
Notes content:
Laboratory equipment : scientific apparatus and chemicals, analytical British balances, sintered glassware, graduated glassware, tube connectors, electric furnaces, electrically heated laboratory ovens and incubators, identification. Automatic Distillation Apparatus ; Sutomatic Rapid Distillation Apparatus ; laboratory news ; student balances...this comprises the uncataloged portion.
Includes:
Trade catalog and price lists
Black and white images
Physical description:
6 pieces; 3 boxes
Language:
English
Type of material:
Trade catalogs
Trade literature
Place:
Widnes, United Kingdom
Date:
1900s
Topic (Romaine term):
Laboratories and laboratory supplies and equipment  Search this
Topic:
"Laboratories -- Furniture, equipment, etc."  Search this
Record ID:
SILNMAHTL_39655
Collection:
Smithsonian Libraries Trade Literature Collections
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILNMAHTL_39655

Warthogs Have the Tools to Survive in a Drought

Creator:
Smithsonian Channel  Search this
Type:
YouTube Videos
Uploaded:
2019-12-26T16:30:01.000Z
YouTube Category:
Entertainment  Search this
See more by:
smithsonianchannel
Data Source:
Smithsonian Channel
YouTube Channel:
smithsonianchannel
EDAN-URL:
edanmdm:yt_Szg4-QoxhHs

This Leopard is Waiting for the Perfect Moment to Strike

Creator:
Smithsonian Channel  Search this
Type:
YouTube Videos
Uploaded:
2019-11-17T16:30:00.000Z
YouTube Category:
Entertainment  Search this
See more by:
smithsonianchannel
Data Source:
Smithsonian Channel
YouTube Channel:
smithsonianchannel
EDAN-URL:
edanmdm:yt_TxSaKNTJhUg

A Tour of Cassiopeia A

Creator:
Smithsonian Astrophysical Observatory  Search this
Type:
YouTube Videos
Uploaded:
2017-12-12T18:00:04.000Z
YouTube Category:
Science & Technology  Search this
Topic:
Astronomy  Search this
See more by:
cxcpub
Data Source:
Smithsonian Astrophysical Observatory
YouTube Channel:
cxcpub
EDAN-URL:
edanmdm:yt_-RYADIlW7vk

Making a Pocket-sized Planetesimal: Petrological Experiments on Meteorite Samples

Creator:
National Museum of Natural History  Search this
Type:
YouTube Videos
Uploaded:
2017-06-01T15:07:43.000Z
YouTube Category:
Education  Search this
Topic:
Natural History  Search this
See more by:
smithsonianNMNH
Data Source:
National Museum of Natural History
YouTube Channel:
smithsonianNMNH
EDAN-URL:
edanmdm:yt_WLdFwGmupdg

Poa compressa L.

Biogeographical Region:
78 - Southeastern U.S.A.  Search this
Collector:
F. R. Fosberg  Search this
Min. Elevation:
920  Search this
Place:
Shenandoah National Park. Blue Ridge Mountains. Vicinity of Pocosin Shelter, (5 mi. e. of Furnace) Green Co. Slope of broken rock and soil open ground or thin deciduous woods. Along trail on open e. slope., Virginia, United States, North America
Collection Date:
19 May 1940
Common name:
Canada blue grass
Canada bluegrass
flat-stemmed blue grass
Taxonomy:
Plantae Monocotyledonae Poales Poaceae Pooideae
Published Name:
Poa compressa L.
Barcode:
04056618
USNM Number:
2435357
See more items in:
Botany
Flowering plants and ferns
Data Source:
NMNH - Botany Dept.
GUID:
http://n2t.net/ark:/65665/3a9db7dfd-7a8c-42a6-8bf2-050c40fec827
EDAN-URL:
edanmdm:nmnhbotany_15854774

Phalaris arundinacea L.

Biogeographical Region:
78 - Southeastern U.S.A.  Search this
Collector:
Harry Ardell Allard  Search this
Place:
On banks of Stony Creek near Columbia Furnace. Shenandoah County., Virginia, United States, North America
Collection Date:
30 May 1938
Common name:
reed canary grass
Taxonomy:
Plantae Monocotyledonae Poales Poaceae Pooideae
Published Name:
Phalaris arundinacea L.
Barcode:
04012497
USNM Number:
1787272
See more items in:
Botany
Flowering plants and ferns
Data Source:
NMNH - Botany Dept.
GUID:
http://n2t.net/ark:/65665/35f7d2100-9586-4104-86c8-dd885ef7057c
EDAN-URL:
edanmdm:nmnhbotany_15788697

Sphenopholis nitida (Biehler) Scribn.

Biogeographical Region:
75 - Northeastern U.S.A.  Search this
Collector:
H. Wilkens  Search this
Place:
Berks County. Dry wooded west slope of Sheep Hill. Near Olay Furnace, 1.5 miles north of Friedensburg., Pennsylvania, United States, North America
Collection Date:
27 May 1939
Common name:
shiny wedge grass
shiny wedgescale
Taxonomy:
Plantae Monocotyledonae Poales Poaceae Pooideae
Published Name:
Sphenopholis nitida (Biehler) Scribn.
Barcode:
04011561
USNM Number:
2436541
See more items in:
Botany
Flowering plants and ferns
Data Source:
NMNH - Botany Dept.
GUID:
http://n2t.net/ark:/65665/33b37104d-38a4-4217-952f-08e97264325d
EDAN-URL:
edanmdm:nmnhbotany_15787795

blast furnace, 1650, model

Object Name:
Blast Furnace, 1650, Model
ID Number:
AG.A.7627
Catalog number:
A.7627
Accession number:
209701
See more items in:
Work and Industry: Agriculture
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a6-ff1b-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_878573

Henry and Nancy Rosin Collection of Early Photography of Japan

Collector:
Rosin, Henry D., Dr.  Search this
Rosin, Nancy  Search this
Creator:
Lyman, Benjamin Smith, 1835-1920  Search this
Ueno, Hikoma, 1838-1904  Search this
Beato, Felice, b. ca. 1825  Search this
Stillfried, Raimund, Baron von, 1839-1911  Search this
Underwood & Underwood  Search this
Names:
Japanese tea ceremony  Search this
Meiji, Emperor of Japan, 1852-1912  Search this
Shōken, Empress, consort of Meiji, Emperor of Japan, 1850-1914  Search this
Extent:
616 Items (approximate count)
Type:
Collection descriptions
Archival materials
Mammoth plates
Photographs
Photograph albums
Stereographs
Cartes-de-visite
Photographic prints
Place:
Japan
Japan -- 1890-1900
Kyoto (Japan)
Tokyo (Japan)
Yokohama-shi (Japan)
Date:
1860 - ca. 1900
Scope and Contents:
Assembled by collectors Dr. Henry D. Rosin and Nancy Rosin to document nineteenth-century and early twentieth-century photography of Japan. Includes albumen prints, portions handcolored, some signed and numbered in the negative. Taken by photographers Felice Beato (b. ca. 1825), Baron Raimon von Stillfried (1938-1911), Kusakabe Kimbei (active 1880s), Ueno Hikoma (1838-1904), Ogawa Kazumasa (1860-1929) and unknown photographers to depict architecture, landscapes, formal studio portraits, and daily activities.
Arrangement:
Organized chronologically by the creators.
Biographical / Historical:
Henry and Nancy Rosin were collectors of Japanese photography of the nineteenth and twentieth centuries.
Local Numbers:
FSA A1999.35
Restrictions:
Collection is open for research.
Topic:
Ainu  Search this
Photography of women  Search this
Streets -- Japan  Search this
Temples -- Japan  Search this
Samurai  Search this
Sumo wrestlers  Search this
Religion  Search this
Genre/Form:
Mammoth plates
Photographs -- 1850-1900
Photograph albums
Stereographs -- 1860-1900
Cartes-de-visite
Photographic prints
Citation:
Henry and Nancy Rosin Collection of Early Photography of Japan. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Purchase and partial donation.
Identifier:
FSA.A1999.35
See more items in:
Henry and Nancy Rosin Collection of Early Photography of Japan
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_collection:sova-fsa-a1999-35
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Online Media:

[E. Howard Clock customer lists, Volume 1, book.]

Author:
E. Howard Clock Co.  Search this
Collection Creator:
Howard, Edward  Search this
E. Howard Clock Co.  Search this
Collection Donor:
Blackwell, Dana  Search this
Extent:
1 Item (Ink on paper, 14.5" x 9.1".)
Container:
Box 17
Type:
Archival materials
Ledgers (account books)
Place:
Massachusetts -- 19th century
Boston (Mass.) -- 19th century
Date:
Circa 1900
Scope and Contents:
Listing of custormer names.
Collection Restrictions:
The collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Clock and watch making  Search this
Clock and watch makers  Search this
Clocks and watches  Search this
Genre/Form:
Ledgers (account books) -- 20th century
Ledgers (account books) -- 19th century
Collection Citation:
E. Howard Clock Company Records, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
E. Howard Clock Company Records
E. Howard Clock Company Records / Series 10: Customer Lists for Clocks / Clocks, Customer Lists
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0776-ref658
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  • View [E. Howard Clock customer lists, Volume 1, book.] digital asset number 1
Online Media:

Heimburg, Karl

Collection Creator:
Neufeld, Michael J., 1951-  Search this
Extent:
3 Cassette tapes
Container:
Box 1
Type:
Archival materials
Audio
Cassette tapes
Date:
1989-11-09
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Peenemünde Interviews Project, Acc. 1999.0038, National Air and Space Museum, Smithsonian Institution.
See more items in:
Peenemünde Interviews Project
Peenemünde Interviews Project / Series 1: Cassettes
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-1999-0038-ref12
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Online Media:

[Alexander Van Valen Diary] [book], Jan. 1849 to August 1850

Author:
Van Valen, Alexander  Search this
Collection Creator:
Van Valen, Alexander  Search this
Extent:
1 Item (Ink on paper., 14.0" x 9.1")
Container:
Box 1, Folder 1
Type:
Archival materials
Books
Holographs
Diaries
Place:
San Francisco (Calif.)
California -- Gold discoveries
Date:
1849
Jan. 1849 to August 1850
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Gold  Search this
Gold mines and mining  Search this
Genre/Form:
Books -- 19th century
Holographs
Diaries -- 19th century
Collection Citation:
Alexander Van Valen Papers, 1849-1850, Archives Center, National Museum of American History.
See more items in:
Alexander Van Valen Papers
Alexander Van Valen Papers / Series 1: Personal Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0935-ref18
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  • View [Alexander Van Valen Diary] [book], Jan. 1849 to August 1850 digital asset number 1
Online Media:

Artist David Antonio Cruz in "Staging the Self" - National Portrait Gallery

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2015-02-18T16:12:44.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_IoDVgwfqeNE

How to Make Traditional Christmas Baubles

Creator:
Smithsonian Channel  Search this
Type:
YouTube Videos
Uploaded:
2019-12-23T16:30:00.000Z
YouTube Category:
Entertainment  Search this
See more by:
smithsonianchannel
Data Source:
Smithsonian Channel
YouTube Channel:
smithsonianchannel
EDAN-URL:
edanmdm:yt_WPwlB6OL4a4

Jordan L. Mott and Eliphalet Nott

Creator:
National Museum of American History  Search this
Type:
YouTube Videos
Uploaded:
2016-12-12T19:54:12.000Z
YouTube Category:
Education  Search this
Topic:
American History  Search this
See more by:
SmithsonianAmHistory
Data Source:
National Museum of American History
YouTube Channel:
SmithsonianAmHistory
EDAN-URL:
edanmdm:yt_VYx7yZ86aRY

Basque Ironworking (Burdinola)

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2016-07-03T20:27:02.000Z
YouTube Category:
Travel & Events  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolklife
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolklife
EDAN-URL:
edanmdm:yt_a3RuzXZo6Q8

Selections from Dokwaza: Last of the African Iron Masters

Creator:
National Museum of African Art  Search this
Type:
YouTube Videos
Uploaded:
2019-04-05T19:57:59.000Z
YouTube Category:
Education  Search this
Topic:
Art, African  Search this
See more by:
SmithsonianAfricanAr
Data Source:
National Museum of African Art
YouTube Channel:
SmithsonianAfricanAr
EDAN-URL:
edanmdm:yt_-H4G1iuXMqA

furnace, blast

Object Name:
Furnace, Blast
ID Number:
AG.A007627
Catalog number:
A007627
A007627
Accession number:
209701
See more items in:
Work and Industry: Agriculture and Natural Resources
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a6-fa5d-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_872919

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