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Oral history interview with Edith Gregor Halpert

Interviewee:
Halpert, Edith Gregor, 1900-1970  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington), 1920-  Search this
Names:
C.W. Kraushaar Art Galleries  Search this
Daniel Gallery  Search this
Downtown Gallery (New York, N.Y.)  Search this
Ferargil Galleries  Search this
Grand Central Art Galleries  Search this
M. Knoedler & Co.  Search this
Montross Gallery  Search this
New Gallery (New York, N.Y.)  Search this
Bacon, Peggy, 1895-1987  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Barrie, Erwin S., 1886-1983  Search this
Benton, Thomas Hart, 1889-1975  Search this
Brackman, Robert, 1898-  Search this
Bridgman, George Brant, 1864-1943  Search this
Brixey, Richard de Wolfe  Search this
Cahill, Holger, 1887-1960  Search this
Calder, Alexander, 1898-1976  Search this
Cary, Elisabeth Luther, 1867-1936  Search this
Chase, William Merritt, 1849-1916  Search this
Coleman, Glenn O., 1887-1932  Search this
Crowninshield, Frank, 1872-1947  Search this
Daniel, Charles, 1878-1971  Search this
Davis, Stuart, 1892-1964  Search this
Demuth, Charles, 1883-1935  Search this
Deskey, Donald, 1894-  Search this
Dove, Arthur Garfield, 1880-1946  Search this
Dudensing, F. Valentine, 1892-1967  Search this
Fergusson, John Duncan, 1874-1961  Search this
Field, Hamilton Easter  Search this
Force, Juliana, 1876-1948  Search this
Ford, Ford Madox,, 1873-1939  Search this
Frost, Robert, 1874-1963  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-1983  Search this
Goodyear, A. Conger (Anson Conger), 1877-1964  Search this
Greenberg, Clement, 1909-1994  Search this
Halpert, Samuel, 1884-1930  Search this
Hartley, Marsden, 1877-1943  Search this
Hirsch, Stefan, 1899-1964  Search this
Hopkinson, Charles, 1869-1962  Search this
Hopper, Edward, 1882-1967  Search this
Johns, Jasper, 1930-  Search this
Kline, Franz, 1910-1962  Search this
Knox, Seymour H., 1898-1990  Search this
Kroll, Leon, 1884-1974  Search this
Kuhn, Walt, 1877-1949  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Laurent, Robert, 1890-1970  Search this
Lawrence, Jacob, 1917-2000  Search this
Levine, Jack, 1915-2010  Search this
Levy, Julien  Search this
Locke, Charles, 1899-  Search this
Luks, George Benjamin, 1867-1933  Search this
Léger, Fernand, 1881-1955  Search this
Marin, John, Jr., 1915?-1988  Search this
McBride, Henry, 1867-1962  Search this
Mellon, Paul  Search this
Mercer, Henry Chapman  Search this
Montross, N. E. (Newman E), 1849-1932  Search this
Noguchi, Isamu, 1904-1988  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Pascin, Jules, 1885-1930  Search this
Picasso, Pablo, 1881-1973  Search this
Pollock, Jackson, 1912-1956  Search this
Pound, Ezra, 1885-1972  Search this
Rivera, Diego, 1886-1957  Search this
Robinson, Edward G., 1893-1973  Search this
Rockefeller, Abby Aldrich  Search this
Saarinen, Aline B. (Aline Bernstein), 1914-1972  Search this
Saklatwalla, Beram K.  Search this
Sandburg, Carl, 1878-1967  Search this
Shahn, Ben, 1898-1969  Search this
Sheeler, Charles, 1883-1965  Search this
Siporin, Mitchell, 1910-1976  Search this
Soutine, Chaim, 1893-1943  Search this
Steichen, Edward, 1879-1973  Search this
Stein, Gertrude, 1874-1946  Search this
Stella, Frank  Search this
Stern, Louis E., 1886-1962  Search this
Stieglitz, Alfred, 1864-1946  Search this
Tannahill, Robert Hudson  Search this
Vollard, Ambroise, 1867-1939  Search this
Weber, Max, 1881-1961  Search this
Whitney, Gertrude Vanderbilt, 1875-1942  Search this
Williams, William Carlos, 1883-1963  Search this
Wittenberg, Philip, 1895-1987  Search this
Zerbe, Karl, 1903-1972  Search this
Zorach, Marguerite, 1887-1968  Search this
Zorach, William, 1887-1966  Search this
Extent:
436 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Date:
1962-1963
Scope and Contents:
An interview of Edith Halpert conducted 1962-1963, by Harlan Phillips, for the Archives of American Art.
Halpert speaks of her childhood in Russia and growing up in New York City; working at Bloomindale's, Macy's, Stern Brothers, and Cohen Goldman; her marriage to artist Sam Halpert, his health, and living in Paris in 1925; becoming an art student at the Academy of Design and feeling that Leon Kroll was an excellent art teacher until he began to correct her drawings; when George Bridgman thought she was ruining his class; the Lincoln Square Arcade, when she and Ernest Fiener and Robert Brackman would rent Conan's studio evenings and bring in instructors; how Newman Montross influenced her more than anybody about showing her art that she loved; burning all of her work because Kroll said she had no talent; receiving a painting from John Marin; her friendship and working relationship with Abby Rockefeller and other family members.
She recalls opening the Downtown Gallery, in Greenwich Village, in 1926; a brief history of modern art; many artists helping decorate the new Daylight Gallery in 1930 and the first show being called "Practical Manifestations of Art"; meeting Robert and Sonia Delaunay in France; when she refused to allow Ezra Pound to speak at one of the gallery lectures because of his anti-Semite remarks and William Carlos Williams and Ford Madox Ford argued with her over it; experiencing jealousy and professional attacks from other dealers; the successful "Pop" Hart show and book in 1929; the "Thirty-three Moderns" show in 1930 at the Grand Central Galleries; the Jules Pascin show in 1930; in America, most of the art buyers supporters of culture were women, until the WPA and World War II, when it became fashionable for men to be involved; Ambroise Vollard's advice on selling art; handling the frustrations of working in the art field; friendships with Stuart Davis,Charles Sheeler, and Ben Shahn; how artists work through dry periods in their creativity and the "Recurrent Image" show; a discussion on modern art galleries of New York City, such as Daniel, Knoedler, Ferargil, the New Gallery, 291, the Grand Central, Kraushaar, and Montross; her travels through Pennsylvania and Maine for good examples of folk art for the gallery; the "The Artist Looks at Music" show; the non-competitive spirit of the early modern American artists; of being saved financially in 1940 by selling a William Harnett painting to the Boston Museum and then renting new space for the gallery.
Also, Mitchell Siporin bringing Halpert and Edmund Gurry to Mitchell Field during World War II for a camouflage show and consequently Downtown Gallery artists and others were enlisted in the camouflage corps for the U.S. Air Force; Charles Sheeler and his wife find Halpert a house in Newtown, Conn.; her decision in 1933 to push folk art for acquisition by the William Rockhill Nelson Gallery in Kansas City, Missouri; her great concern about what to do with her folk art literature collection; dismay and that no one writes about the history of folk art and those responsible for its creation and popularity; Louis Stern hiring her to organize a municipal exhibit in Atlantic City, N.J., with Donald Deskey designing the furniture and Holger Cahill managing the publicity; Joe Lillie helping her meet Fiorello La Guardia and Joe McGoldrick in 1934 about a municipal show in New York City, but it is moved to Radio City Music Hall through Nelson Rockefeller; the "Salons of America" show; wanting articles written about art for love rather than art for investment; working with Aline Saarinen on her book, "Proud Possessors;" letters from Stuart Davis, William Zorach and others that hurt her feelings; enjoying giving educational lectures and considering retirement because of ill health; the desire to write a book on the history of trade signs in folk art; feeling that the young artists are being ruined by too much support without working for it; planning to write a book entitled, "Unsung Heroes," about artists brave enough to experiment; organizing a show in Russia at her own expense; later representing the U.S. in art at the "American National Exposition"; the agitators and success of the exposition; Alfred Stieglitz and Georgia O'Keeffe.
Halpert also recalls Juliana Force, Gertrude Vanderbilt Whitney, Yasuo Kuniyoshi, Buckminster Fuller, George Luks, Edsel Ford, Max Weber, Danny Diefenbacker, Hamilton Easter Field, Frank Stella, Glenn Coleman, Margaret Zorach, Diego Rivera, Frida Kahlo, Henry Mercer, Romany Marie, Edward G. Robinson, Paul Mellon, Charles Pollet, Alex Brook, Lunca Curass, Dorothy Lambert, Duncan Candler, Frank Rhen, Louis Rittman, Bea Goldsmith, Arthur Craven, Robert Frost, Philip Wittenberg, Caesar de Hoke, Richard deWolfe Brixey, Seymour Knox, Walt Kuhn, Elisabeth Luther Cary, Charles Locke, Duncan Fergusson, Mrs. Solomon Guggenheim, Bob Tannahill, David Thompson, Marsden Hartley, Erwin Barrie, Robert Laurent, Conger Goodyear, Henry McBride, Edward Hopper, Charles Daniel, William Merritt Chase, Charles Hopkinson, Thomas Hart Benton, Frank Crowninshield, Alfred Barr, Lord Duveen, Jacob Lawrence, John Marin Jr., Karl Zerbe, Franz Kline, Arthur Dove, Julian Levy, Jack Levine, Valentine Dudensing, Peggy Bacon, Stefan Hirsch, Gertrude Stein, Isamu Noguchi, Jasper Johns, Chaim Soutine, B. K. Saklatwalla; Fernand Leger, Pablo Picasso, Ben Shahn, Charles Demuth, Alexander Calder, Jackson Pollock, Edward Steichen, Carl Sandburg, Clement Greenberg, and others.
Biographical / Historical:
Edith Halpert (1900-1970) was an art dealer from New York, N.Y.
General:
Originally recorded on 7 tape reels. Reformatted in 2010 as 27 digital wav files. Duration is 32 hrs., 27 min.
Provenance:
This interview is part of the Archives of American Art History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others. The transcript was microfilmed in 1996.
Topic:
Art -- Economic aspects  Search this
Art dealers -- New York (State) -- New York -- Interviews  Search this
Camouflage  Search this
Folk art -- Collectors and collecting  Search this
Function:
Art galleries, Commercial -- New York (State) -- New York
Identifier:
AAA.halper62
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-halper62

Edwin Coupland Shaw papers

Creator:
Shaw, Edwin Coupland, 1863-1941  Search this
Names:
Akron Art Institute  Search this
Carrig-Rohane Shop (Boston, Mass.)  Search this
E.& A. Milch, Inc  Search this
Ferargil Galleries  Search this
Gorham Company. Dept. of Sculpture (New York, N.Y.)  Search this
Grand Central Art Galleries  Search this
Hatfield & Clark (Firm: Chicago, Ill.)  Search this
Howard Young Galleries (New York, N.Y.)  Search this
J.W. Young (Gallery)  Search this
M. Knoedler & Co.  Search this
Macbeth Gallery  Search this
Montross Gallery  Search this
R.C. & N.M. Vose (Firm)  Search this
Robert C. Vose Galleries  Search this
Thomas Whipple Dunbar Art Galleries (Milwaukee, Wis.)  Search this
Thurber Art Galleries (Chicago, Ill.)  Search this
Barrie, Erwin S., 1886-1983  Search this
Batts, J. E.  Search this
Beckwith, J. Carroll (James Carroll), 1852-1917  Search this
Benson, Frank Weston, 1862-1951  Search this
Blakelock, Ralph Albert, 1847-1919  Search this
Carlsen, Emil, 1853-1932  Search this
Chase, William Merritt, 1849-1916  Search this
Cole, Timothy, 1852-1931  Search this
Daingerfield, Elliott, 1859-1932  Search this
Dallin, Cyrus E. (Cyrus Edwin), 1861-1944  Search this
Davis, Charles H. (Charles Harold), 1856-1933  Search this
Davis, Warren, 1865-1928  Search this
Derujinsky, Gleb W., 1888-1975  Search this
Dewey, Charles M., 1849-1937  Search this
Dewing, Thomas Wilmer, 1851-1938  Search this
Dougherty, Paul, 1877-1947  Search this
Dunbar, Thomas Whipple  Search this
Duveneck, Frank, 1848-1919  Search this
Eaton, Charles Warren, 1857-1937  Search this
Frieseke, Frederick C. (Frederick Carl), 1874-1939  Search this
Fuller, George, 1822-1884  Search this
Genth, Lillian Mathilde, 1876-1953  Search this
Gerrity, Thomas F., 1873-1935  Search this
Hassam, Childe, 1859-1935  Search this
Hatfield, D. H.  Search this
Hawthorne, Charles Webster, 1872-1930  Search this
Hunt, William Morris, 1824-1879  Search this
Inness, George, 1825-1894  Search this
Johansen, John C. (John Christen), 1876-1964  Search this
Konti, Isidore, 1862-1938  Search this
La Farge, John, 1835-1910  Search this
Lathrop, William Langson, 1859-1938  Search this
MacMonnies, Frederick William, 1863-1937  Search this
MacNeil, Hermon Atkins, 1866-1947  Search this
Metcalf, Willard Leroy, 1858-1925  Search this
Milch, Albert, 1881-1951  Search this
Minns, Hervey W.  Search this
Montross, N. E. (Newman E), 1849-1932  Search this
Murphy, Hermann Dudley, 1867-1945  Search this
Murphy, John Francis, 1853-1921  Search this
Price, F. Newlin (Frederic Newlin)  Search this
Proctor, Alexander Phimister, 1862-1950  Search this
Purdy, W. Frank, 1865-1943  Search this
Ranger, Henry Ward, 1858-1916  Search this
Ritschel, William, 1864-1949  Search this
Russell, T. H. (Thomas H)  Search this
Russman, Felix, 1888-1962  Search this
Ryder, Albert Pinkham, 1847-1917  Search this
Sellstedt, Lars Gustaf, 1819-1911  Search this
Sherman, Frederic Fairchild, 1874-1940  Search this
Shonnard, Eugenie Frederica, 1886-1978  Search this
Torrey, Elliot, 1867-1949  Search this
Tryon, Dwight William, 1849-1925  Search this
Turner, Helen Maria, 1858-1958  Search this
Twachtman, John Henry, 1853-1902  Search this
Vedder, Elihu, 1836-1923  Search this
Vonnoh, Bessie Potter, 1872-1955  Search this
Vonnoh, Robert William, 1858-1933  Search this
Walker, Horatio, 1858-1938  Search this
Weir, Julian Alden, 1852-1919  Search this
Williams, Frederick Ballard, 1871-1956  Search this
Wolf, Henry, 1852-1916  Search this
Young, J. W.  Search this
Extent:
3 microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1864-1937
Scope and Contents:
Correspondence with dealers, artists, museums, publishers, photography studios, and others regarding art purchases, loans, and Shaw's collection; and 16 v. of scrapbooks containing photographs, letters, and biographical information on artists. Much of the correspondence with artists relates to Shaw's requests for the information which was then used in the scrapbooks. Also included is one volume compiled in 1947 outlining the contents of the scrapbooks.
REELS 1124-1125: 16 vol. of scrapbooks, 1864-1930, relating to artists represented in Shaw's collection, containing letters, many from artists, photographs of artists and their work, biographical data, clippings and articles, and comments on their work; and 1 v., "Notes: Edwin C. Shaw Collection of Paintings," compiled in 1947, and annotated "Used at Women's Art League Meeting at Miss Shaw's in 1947 by Mrs. [Jane S.] Barnhardt, who compiled it, and then given to the Art Institute Library," containing an outline of the contents of the 16 v. of scrapbooks.
Artists represented in the scrapbooks include J. Carroll Beckwith, Frank W. Benson, Ralph Blakelock, Emil Carlsen, William Merritt Chase, Timothy Cole, Elliott Daingerfield, Cyrus B. Dallin, Charles Davis, Warren Davis, Gleb Derujinsky, Charles M. Dewey, Thomas W. Dewing, Paul Dougherty, Frank Duveneck, Charles Eaton, Frederick Frieseke, George Fuller, Lillian Genth, Childe Hassam, Charles Hawthorne, William Morris Hunt, George Inness, John Johansen, Isidore Konti, John La Farge, William Lathrop, Frederick MacMonnies, Hermon A. MacNeil, Willard Metcalf, Herman Dudley Murphy, J. Francis Murphy, A. Phimister Proctor, Henry Ward Ranger, William Ritschel, Felix Russmann, Albert P. Ryder, Eugenie F. Shonnard, Lars Gustaf Sellstedt, Elliot Torrey, Dwight Tryon, Helen M. Turner, John Twachtman, Elihu Vedder, Bessie P. Vonnoh, Robert Vonnoh, Horatio Walker, J. Alden Weir, Frederick Ballard Williams, Henry Wolf and "The Ten."
REEL 4597: Correspondence, ca. 1916-1941, concerning art acquisitions with dealers Erwin S. Barrie of Grand Central Art Galleries; Thomas Whipple Dunbar; Frederic Newlin Price and T.H. Russell of Ferargil Galleries; W. Frank Purdy of the Gorham Co. Dept. of Sculpture and later the School of American Sculpture; D.H. Hatfield of Hatfield & Clark; Thomas Gerrity of M. Knoedler & Co.; Robert Macbeth, Robert McIntyre and Henry Miller of the Macbeth Gallery; Albert Milch of E.& A. Milch, Inc.; Newman Montross of Montross Gallery; J.E. Batts of the Thurber Art Galleries; Robert C. Vose of R.C. & N.M. Vose and Vose Galleries, and their frame shop, Carrig-Rohane; Howard Young of Howard Young Galleries; and J.W. Young; correspondence with artists and/or their families requesting the artist's portrait, biographical information and background, including letters from Elliot Daingerfield, Charles Dewey, Thomas Wilmer Dewing, John C. Johansen, Willard Leroy Metcalf, Hervey W. Minns, Hermann Dudley Murphy, A.P. Proctor, Eugenie Shonnard, Elliot Torrey, Dwight W. Tryon, Helen M. Turner, and Horatio Walker, and the families of J. Carroll Beckwith, George Inness, Lars Gustaf Sellstedt, John Henry Twachtman and J. Alden Weir; correspondence with the Dayton Art Museum and the Metropolitan Museum of Art regarding works lent for exhibition; with publisher Frederic Fairchild Sherman; with photography studios; and other miscellaneous correspondence.
Biographical / Historical:
Art collector; Akron, Ohio. Shaw, a BF Goodrich executive and avid collector of post-Civil War American art, was one of the founders of the Akron Art Institute, now the Akron Art Museum.
Provenance:
Lent for microfilming 1976 and 1992 by the Akron Art Museum. Shaw bequethed his art collection and papers to the Museum, then named the Akron Art Institute.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Topic:
Art, American -- Collectors and collecting  Search this
Ten American Painters (New York, N.Y.)  Search this
Art -- Collectors and collecting  Search this
Function:
Art galleries, Commercial -- United States
Identifier:
AAA.shawedwi
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-shawedwi

Kraushaar Galleries records

Creator:
Kraushaar Galleries  Search this
Names:
Art Institute of Chicago  Search this
Carnegie Institute  Search this
Cleveland Museum of Art  Search this
Ernest Brown and Co.  Search this
Museum of Modern Art (New York, N.Y.)  Search this
New Britain Institute. Art Museum  Search this
Toledo Museum of Art  Search this
University of Nebraska--Lincoln. Department of Art  Search this
Whitney Museum of American Art  Search this
Wichita Art Museum  Search this
Albrizio, Humbert, 1901-1970  Search this
Allard, J.  Search this
Arnest, Bernard, 1917-  Search this
Bacon, Peggy, 1895-1987  Search this
Beal, Gifford, 1879-1956  Search this
Beal, Reynolds, 1866-1951  Search this
Bignou, Etienne  Search this
Bouché, Louis, 1896-1969  Search this
Brueming, Karen  Search this
Cantene, David  Search this
Cowles, Russell, 1887-1979  Search this
DeLonga, Leonard  Search this
Demuth, Charles, 1883-1935  Search this
Evett, Kenneth Warnock, 1913-  Search this
Fausett, Dean, 1913-  Search this
Flannery, Vaughn  Search this
Glackens, Edith  Search this
Glackens, William J., 1870-1938  Search this
Guillaume, Paul, 1891-1934  Search this
Halberstadt, Ernst, 1910-1987  Search this
Hardy, Thomas, 1921-  Search this
Harrison, Preston  Search this
Hartell, John  Search this
Heliker, John, 1909-2000  Search this
Juley, Peter A., 1862-1937  Search this
Kirsch, Frederick D. (Frederick Dwight), b. 1899  Search this
Kraushaar, Antoinette M., 1902-1992  Search this
Kraushaar, John F., 1871-1946  Search this
Kuhn, Walt, 1877-1949  Search this
Lachaise, Gaston, 1882-1935  Search this
Lasker, Joe  Search this
Laurent, Robert, 1890-1970  Search this
Lechay, James  Search this
Luks, George Benjamin, 1867-1933  Search this
Miller, Harriette  Search this
Morris, Carl, 1911-1993  Search this
Murdock, Roland P. -- Art collections  Search this
Navas, Elizabeth S., 1885-1979  Search this
Penney, James, 1910-1982  Search this
Phillips, Duncan, 1886-1966  Search this
Prendergast, Charles, 1863-1948  Search this
Prendergast, Maurice Brazil, 1858-1924  Search this
Robinson, Boardman, 1876-1952  Search this
Ruellan, Andrée, 1905-2006  Search this
Schnakenberg, H. E. (Henry Ernest), 1892-1970  Search this
Sloan, John, 1871-1951  Search this
Smalley, David, 1940-  Search this
Smith, Vernon, 1894-1969  Search this
Stanley, Alix W.  Search this
Williams, Esther, 1907-1969  Search this
Wilson, Ralph L.  Search this
Extent:
91.9 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketches
Drawings
Exhibition catalogs
Financial records
Notes
Sketchbooks
Date:
1877-2006
Summary:
The records of New York City Kraushaar Galleries measure 91.9 linear feet and date from 1877 to 2006. Three-fourths of the collection documents the gallery's handling of contemporary American paintings, drawings, and sculpture through correspondence with artists, private collectors, museums, galleries, and other art institutions, interspersed with scattered exhibition catalogs and other materials. Also included are John F. Kraushaar's estate records; artists' files; financial ledgers documenting sales and gallery transactions; consignment and loan records; photographs of artwork; sketchbooks and drawings by James Penney, Louis Bouché, and others; and two scrapbooks.
Scope and Content Note:
The records of New York City Kraushaar Galleries measure 91.9 linear feet and date from 1877 to 2006. Three-fourths of the collection documents the gallery's handling of contemporary American paintings, drawings, and sculpture through correspondence with artists, private collectors, museums, galleries, and other art institutions, interspersed with scattered exhibition catalogs and other materials. Also included are John F. Kraushaar's estate records; artists' files; financial ledgers documenting sales and gallery transactions; consignment and loan records; photographs of artwork; sketchbooks and drawings by James Penney, Louis Bouché, and others; and two scrapbooks.

The collection reflects all activities conducted in the day-to-day administration of the business and relates to the acquisition, consignment, loan, sale, and exhibition of art by twentieth-century American artists and European artists of the nineteenth and early twentieth centuries. The records document specific arrangements for loans and exhibitions, artist-dealer relations, relationships with public and private collectors, interaction with the art dealer community, and routine requests for information.

Much of the artist correspondence relates to practical arrangements for exhibitions of artwork, but in many cases also documents the development of individual artists and the effect of their relationship with the galleries on their ability to produce marketable work. Many of the artists represented in the collection also wrote lengthy letters, particularly to Antoinette Kraushaar, describing their attitudes to their work and providing insight into how that work was shaped by events in their personal lives.

The bulk of the correspondence with museums and institutions concerns practical arrangements for loans of artwork and provides detailed information about market prices and insurance values. It offers insight into the general climate of opinion toward particular artists and styles at any given time. Correspondence with other galleries and dealers also concerns loans and sales of artwork but, due to the typically cordial and cooperative nature of relations between the Kraushaars and their contemporaries, may also provide a more extensive and personal view of relationships and trends in the art dealer community. Similarly, while a portion of the correspondence with private collectors concerns routine requests for information and loans of art on approval, there is also substantive correspondence documenting the development of the artistic vision of collectors such as Preston Harrison, Elizabeth S. Navas, and Duncan Phillips.

From 1917 to the mid-1930s correspondence was handled mainly by John Kraushaar, and the bulk of that relating to European galleries and European art can be found during these years. Although there are only a handful of materials before 1926, records from the 1920s and 1930s document Kraushaar Galleries' growing commitment to American artists and the climate of the market for their work. The financial hardships of the Depression are vividly depicted in the numerous letters written during the 1930s seeking payment on accounts receivable and requesting extensions on accounts payable.

From the mid-1930s to 1968 correspondence was conducted primarily by Antoinette Kraushaar and, to some degree, by her assistants in later years. As the galleries' focus on American art increased, so did the volume of correspondence with artists, and the collection is particularly rich during the 1940s and early 1960s. In later years to 2006, most of the correspondence was conducted by Carol Pesner and gallery assistants.

The exhibition catalogs included in the collection do not represent a complete set. Those found are working copies used by the galleries in preparation for exhibitions and are often annotated with prices or insurance values. Additional exhibition catalogs can be found on the microfilm described in the Administrative Information section of this finding aid.

The majority of Kraushaar Galleries' insurance records can be found in files relating to the company Wm. E. Goodridge & Son, later known as Wm. E. Goodridge, Inc. Shipping and transportation records are generally filed under the names of the companies used for such transactions and can primarily be found under Davies, Turner & Co., Hudson Forwarding & Shipping Co., Railway Express Agency, Inc., and W. S. Budworth & Son, and to a lesser degree under American Railway Express Company, Arthur Lenars & Cie., C. B. Richard & Co., De La Rancheraye & Co., Hayes Storage, Packing & Removal Service, Inc., and Willis, Faber & Co. Ltd.

The 2008-2009 accretion includes additional correspondence similar in content and with correspondents as described above, as well as some artists' Christmas cards. However, the bulk of the additional correspondence dates from 1965-2006, with a handful of miscellaneous correspondence from 1877 to the mid-twentieth century. Also found are financial and business records including records from the closing of the John F. Kraushaar estate; over 40 ledgers providing nearly complete documentation of the gallery's sales and transactions from its establishment to 1946; incoming consignment records, including account statements and correspondence with artists, from the 1940s to 2006; and outgoing consignment and loan records from 1899-2006. The gallery's representation of its stable of artists is documented through artists' files containing printed materials, exhibition catalogs and announcements, price lists, and biographical information, as well as containers of photographs and negatives of artwork. Also found is a 1933 sketchbook by James Penney, drawings and sketchbooks by Louis Bouché, and two scrapbooks.

See Appendix for a list of Kraushaar Galleries exhibitions
Arrangement:
Kraushaar Galleries generally filed all types of records together with correspondence in a combination of alphabetical and chronological files. Thus financial records, insurance records, receipts, photographs, and exhibition catalogs can be found interfiled with general correspondence in Series 1-3. A group of photographs of artwork maintained separately by Kraushaar Galleries constitutes Series 4. Series 6 was minimally processed separately from Series 1-5, and the arrangement reflects the original order of the addition for the most part.

Records in Series 1-3 were originally filed alphabetically by name of correspondent and then by month, by a span of several months, or by year. The alphabetical arrangement has been retained, but to facilitate access the collection was rearranged so that correspondence was collated by year. From 1901 to 1944 outgoing letters and incoming letters are filed separately; in 1945 some outgoing letters are filed separately, with the bulk of the material filed together as correspondence; from 1946 to 1968 incoming and outgoing letters are filed together as correspondence.

For Series 1-3 organizations or individuals represented by at least 15 letters are filed in separate file folders. All other correspondents are arranged in general files by letters of the alphabet, with selected correspondents and subjects noted in parentheses after the folder title.

Series 2 and several boxes in Series 3 contain a variety of notes and receipts received and created by Kraushaar Galleries that were originally unfoldered. The notes can be found in folders adjacent to the receipts and include handwritten notes of customer names and addresses, financial notes and calculations, catalogs of exhibitions, invitations and announcements to exhibitions frequently used as note paper, and other miscellany. Although most of the miscellaneous notes are undated, they are filed, with the receipts, at the end of the year to which they appear to relate. For the years 1929 and 1930 Kraushaar Galleries created separate alphabetical files for some of the billing statements received from other businesses. These have been filed adjacent to "Miscellaneous Notes" and "Receipts" in the appropriate years.

Kraushaar Galleries tended to file correspondence with businesses alphabetically according to the letter of the last name: for example, Wm. E. Goodridge & Son would be filed under G rather than W.

Series 1: Outgoing Letters, 1920-1945 (boxes 1-9; 9 linear ft.)

Series 2: Incoming Letters (boxes 10-26; 16.25 linear ft.)

Series 3: Correspondence, 1945-1968 (boxes 26-53; 27.75 linear ft.)

Series 4: Photographs, undated (box 54; 0.5 linear ft.)

Series 5: Artwork, [1926, 1938] (box 53; 2 items)

Series 6: Addition to the Kraushaar Galleries Records, 1877-2006 (boxes 55-99, BV100; 38.4 linear feet)
Historical Note:
Charles W. Kraushaar established Kraushaar Galleries in 1885 as a small store on Broadway near Thirty-first Street in New York City. Initially the store sold artist materials, photogravures, and reproductions. Drawing on his previous experience working with William Schause, a leading dealer in European paintings, Kraushaar soon progressed to selling original watercolors, paintings, and engravings by European artists, primarily landscapes of the Barbizon School.

In 1901 Kraushaar moved the business to 260 Fifth Avenue and with the assistance of his brother, John F. Kraushaar, began adding more modern French and American painters to the inventory. Of particular interest to John Kraushaar was the group of American realists known as "The Eight," who had held a self-selected, self-organized exhibition at the Macbeth Gallery in 1908. The Eight were Arthur B. Davies, William Glackens, Robert Henri, Ernest Lawson, George Luks, Maurice Prendergast, Everett Shinn, and John Sloan. Luks, whom John Kraushaar met around 1902, was probably the first major American artist represented at Kraushaar Galleries. In 1917 John Sloan was invited to hold his first one-person show at the galleries despite accusations that his exhibition at the Whitney Studio the previous year had represented a brutal depiction of life that lacked subtlety and sensitivity.

When Charles Kraushaar died suddenly in 1917, John assumed control of the galleries and soon enlisted the assistance of his daughter, Antoinette Kraushaar. Antoinette had suffered a bout of pneumonia during the influenza epidemic of 1918 that cut short her education; grooming her for a career in the galleries was a logical step. Following the end of the First World War, Kraushaar resumed his buying trips to Europe, often accompanied by Antoinette, and exhibited works by European artists such as André Derain, Henri Matisse, Amedeo Modigliani, Pablo Picasso, Henri de Toulouse-Lautrec, and Vincent Van Gogh. However, it was the increasing commitment to contemporary American artists for which the galleries would become best known. In addition to The Eight, the Kraushaars developed their inventory of American paintings and etchings with exhibitions of work by artists such as Gifford Beal, Charles Demuth, Guy Pène Du Bois, Gaston Lachaise, Jerome Myers, Charles Prendergast, and Henry Schnakenberg.

Returning from a buying trip to Europe in 1929, John Kraushaar wrote to California collector Preston Harrision on July 26 that "the prices over there, especially for modern pictures are astounding." Nevertheless, Kraushaar believed that investing in modern art would yield benefits within the next five years, and he refused to be influenced by museums and critics outside of New York who were reluctant to agree. He exhibited a healthy disrespect for museum directors in general, whom he referred to in his letters to Harrision as "dead heads" who ought to be sent to different art centers of the world in order to "get in touch with what is going on there" (March 11, 1929).

Like most of its contemporaries, Kraushaar Galleries suffered considerably during the Depression of the 1930s and struggled to collect and, in turn, pay accounts due. On October 5, 1931, John Kraushaar confessed to H. S. Southam, "Business is very bad with us, and I know that you will treat it confidentially when I tell you that I have had to sacrifice a good part of my personal holdings to provide cash for my own business." By 1934 the rent on the galleries' current location at 680 Fifth Avenue, where Kraushaar had moved in 1919, was out of all proportion to the amount of business that was being generated. In 1936, a timely move to 730 Fifth Avenue allowed the family to effect substantial economies without a disproportionate loss of business.

During the 1930s, John Kraushaar's health began to fail, and he was frequently absent from the galleries. Consequently, Antoinette Kraushaar took on greater responsibility for the operation of the business with the assistance of her brother Charles. Although Antoinette was one of few women to hold such a prominent position in the art business at that time, there is no evidence in the records to suggest that artists or customers who had been accustomed to dealing with John Kraushaar had any difficulty accepting the transition in management from father to daughter.

Nevertheless, collecting accounts remained difficult, and although business had improved by 1938 it was now stymied by the threat of war in Europe. The warmth of relations between the Kraushaars and the artists they handled, and their colleagues, was crucial to Antoinette during these years. She repeatedly expressed her gratitude for their understanding and assistance in her letters as she struggled to meet financial obligations and operate the business in her father's absence, experimenting with different strategies as she evolved an approach that would sustain the business. In a letter to Gifford Beal dated August 6, 1941, she spoke of "hellish times" and stressed, "I have learned a great many things during the past few years and hope that we are groping our way towards a working solution of our own affairs at least."

While there is no question that Antoinette Kraushaar shared her father's genuine interest in contemporary American artists, the growing commitment to these artists that was forged during these years was driven in large part by necessity. By increasing her stock of American art and adding "younger painters of promise," she was able to sell work in a much broader price range. Consequently she could reach a wider audience and increase the likelihood that the business would remain solvent. This method of business also suited her personality far more than having a very specialized inventory of highly priced work, an approach that she confessed to J. Lionberger Davis on December 3, 1940, "requires a particular kind of temperament, and frankly I neither like it nor believe in it."

Throughout her career Antoinette imbued the business with her personal style. She understood that elitism alienated art buyers of moderate income, who constituted her bread and butter, and believed strongly that the gallery environment should not be intimidating to potential customers. She corresponded at length with old and new clients alike, patiently offering advice when asked and maintaining liberal policies for those who wished to borrow artwork on approval. She also participated in events that promoted efforts to make art available to a wider audience, such as a 1951 exhibition and seminar at the Florida Gulf Coast Art Center that addressed problems of buying and selling art. She was a two-time board member of the Art Dealers Association of America and considered the organization to be an important source of support for the gallery community.

In her dealings with other commercial galleries and art institutions, Antoinette Kraushaar exhibited a strong spirit of cooperation and enthusiasm, consistently lending art to small, locally owned businesses and community organizations as well as to more established galleries and world-class museums. She also developed long and mutually beneficial associations with the art departments of many educational institutions across the country, which proved to be fertile ground for young and upcoming artists.

Antoinette Kraushaar exhibited the same honesty and fairness in dealing with artists as her father had, expressing her opinions of their work in a forthright manner and maintaining a policy of always looking at the work of any artist who came to her. She understood the inherent difficulties of dealing with living artists but relished the excitement of encouraging their work and watching them develop. On November 14, 1947, in reply to a letter from the artist Bernard Arnest, in which Arnest apologized for burdening her with his worries, she reminded him, "One of the functions of a dealer is to act as a safety valve. Didn't you know?"

Although she would not retain artists indefinitely if she felt their work had deteriorated in quality, Antoinette often stressed that she was prepared to accept little or no initial financial return on the work of artists who showed promise or whose work held a particular appeal for her. In a letter of December 30, 1940, she reassured Walt Dehner that the lack of sales from his recent exhibition would not lead her to withdraw his work from the galleries. In typically unassuming style she advised Dehner to "go on painting whatever interests you. We have found that there is no recipe for success, either artistic or material."

In the early 1940s Antoinette Kraushaar implemented two changes to her inventory. Sensing that interest in sculpture was growing, she rearranged the space to give that medium more room and attention. The market for etchings had been declining since the late 1930s, and as she reduced this part of her inventory she also acted on her personal passion for drawings by opening a small gallery devoted to contemporary American drawings that were priced well within the range of most customers.

By the time Kraushaar Galleries moved to 32 East Fifty-seventh Street, late in 1944, American art had become the main focus of the business. While the long-standing interest in The Eight and other artists of that period continued, the galleries also handled contemporaries such as Louis Bouché, Samuel Brecher, John Heliker, Andrée Ruellan, and Karl Schrag. When John Kraushaar died in December 1946, Antoinette and Charles legally assumed control of the business. This partnership continued until 1950, when Antoinette assumed sole ownership of the gallery.

In 1955 the galleries moved uptown to smaller quarters at 1055 Madison Avenue, and Antoinette Kraushaar gave up the greater part of her print business. She was inundated with requests from artists to be allowed a chance to show her their work, and the galleries' exhibition schedule was always full. Contemporary artists she now represented included Bernard Arnest, Peggy Bacon, Russell Cowles, Kenneth Evett, William Dean Fausett, William Kienbusch, Joe Lasker, and George Rickey, and she continued to exhibit artwork by Charles Demuth, William Glackens, George Luks, Maurice Prendergast, Boardman Robinson, and John Sloan.

By the late 1950s the artists of the generation that her father had promoted in the early part of the century had died, but Antoinette Kraushaar had the pleasure of seeing his faith in them come to fruition. In a letter to Ralph Wilson dated October 20, 1958, she stated with satisfaction, "The Boston Museum is taking (at long last) a deep interest in (Maurice) Prendergast, and they will probably do an important show within the next year." Her correspondence with William Glackens's son Ira in the 1960s reveals the extent to which Glackens's popularity had grown since his death in 1938, and the market for John Sloan's work had been increasing steadily since the late 1920s. In 1962 James Penney summed up Kraushaar Galleries' success in the foreword of a catalog for an exhibition of paintings and sculpture the galleries had organized with the Munson-Williams-Proctor Institute at Hamilton College:

1854 -- Charles W. Kraushaar born

1871 -- John F. Kraushaar born

1885 -- Kraushaar Galleries established on Broadway near Thirty-first Street

1901 -- Galleries moved to 260 Fifth Avenue

1902 -- Antoinette Kraushaar born

1917 -- Charles W. Kraushaar died; John Kraushaar assumed control of the business, increasing inventory of modern American and European artists; first John Sloan exhibition

1919 -- Galleries moved to 680 Fifth Avenue

[1920] -- Antoinette Kraushaar began assisting with the business

1924 -- Maurice Prendergast died

1936 -- Galleries moved to the Heckscher Building at 730 Fifth Avenue

1938 -- William J. Glackens died

1944 -- Galleries moved to the Rolls Royce Building at 32 East Fifty-seventh Street; American art now the main focus of the business

1946 -- John Kraushaar died; Antoinette and Charles Kraushaar assumed control of the business

1948 -- Charles Prendergast died

1950 -- Antoinette Kraushaar assumed sole ownership of Kraushaar Galleries

1951 -- John Sloan died

1955 -- Galleries moved to 1055 Madison Avenue

1959 -- Carole Pesner joined Kraushaar Galleries

1964 -- Galleries extended into adjacent building

1981 -- Galleries moved to 724 Fifth Avenue

1986 -- Katherine Kaplan joined Kraushaar Galleries

1988 -- Antoinette Kraushaar retired from day-to-day management of the business

1992 -- Antoinette Kraushaar died
Appendix: List of Kraushaar Galleries Exhibitions:
The Archives of American Art does not hold a complete collection of catalogs from exhibitions held at Kraushaar Galleries; therefore the dates and titles of exhibitions provided in this appendix are inferred from a variety of sources including correspondence, notes, artists' files, and requests for advertising. Italics indicate that the exact title of an exhibition is known.

Jan., 1912 -- Paintings by Gustave Courbet and Henri Fantin-Latour

Apr., 1912 -- Paintings by Frank Brangwyn and Henri Le Sidaner

Jan., 1913 -- Paintings by Ignacio Zuloaga

May, 1913 -- Etchings by Seymour Haden

June, 1913 -- Paintings and Lithographs by Henri Fantin-Latour

Oct., 1913 -- Etchings by Frank Brangwyn

Jan., 1914 -- Ignacio Zuloaga

Mar., 1914 -- Paintings by Alphonse Legros

Apr., 1914 -- George Luks

May, 1914 -- Seven Modern Masterpieces including Gustave Courbet, Henri Fantin-Latour, Alphonse Legros, Matthew Maris, and James McNeill Whistler

undated, 1915 -- Paintings by John Lavery

Jan.-Feb., 1917 -- James McNeill Whistler's White Girl

Feb.-Mar., 1917 -- Paintings by Augustus Vincent Tack

Mar.-Apr., 1917 -- Paintings and Etchings by John Sloan

Summer, 1917 -- Works by French artists including A. L. Bouche, Josef Israels, Gaston La Touche, and Alphonse Legros

Oct., 1917 -- Monoprints by Salvatore Antonio Guarino

Nov., 1917 -- Etchings and Mezzotints by Albany E. Howarth

Jan., 1918 -- Recent Paintings by John Lavery

Jan.-Feb., 1918 -- Paintings and Watercolors by George Luks

Feb.-Mar., 1918 -- Paintings by Augustus Vincent Tack

Mar., 1918 -- Paintings by John Sloan

Apr.-May, 1918 -- Paintings by A. L. Bouche

May, 1918 -- War Paintings by J. Mortimer Block, Charles S. Chapman, Guy Pène Du Bois, H. B. Fuller, George Luks, W. Ritschell, John Sloan, and Augustus Vincent Tack

Oct., 1918 -- Oil Paintings by William Scott Pyle

Nov., 1918 -- Paintings by Gustave Courbet, Henri Fantin-Latour, Alphonse Legros, Edouard Manet, Antoine Vollon, James McNeill Whistler, and Ignacio Zuloaga, and bronzes by Antoine Louis Bayre, Emile Antoine Bourdelle, and Mahonri Young

Apr., 1919 -- Paintings and Monoprints by Salvatore Anthonio Guarino

Jan.-Feb., 1919 -- Decorative Panels and Other Paintings by Augustus Vincent Tack

Mar., 1919 -- Paintings and Drawings by John Sloan

May, 1919 -- Paintings by George Luks, Monticelli, and A. P. Ryder

Sept., 1919 -- Work by Jean Louis Forain

Oct., 1919 -- Etchings and Lithographs by Alphonse Legros

Jan., 1920 -- Recent Paintings by George Luks

Feb., 1920 -- Recent Paintings by John Sloan

Feb., 1920 -- Paintings by William Scott Pyle

Mar., 1920 -- Recent Paintings by Gifford Beal

Apr., 1920 -- Recent Paintings by Augustus Vincent Tack

Apr., 1920 -- Paintings by Henri Le Sidaner

Apr., 1920 -- Paintings and Drawings by Jean Louis Forain

Apr.-May, 1920 -- Paintings and Drawings by Jerome Myers

May, 1920 -- Paintings by Henrietta M. Shore

Jan., 1921 -- Paintings by French and American Artists

Jan.-Feb., 1921 -- Paintings by George Luks

Feb., 1921 -- New Paintings by Augustus Vincent Tack

Apr., 1921 -- John Sloan Retrospective

Summer, 1921 -- French and American Artists

Oct., 1921 -- Paintings of Mountford Coolidge

Oct., 1921 -- Works by Henri Fantin-Latour and Henri Le Sidaner

Nov., 1921 -- Frank Van Vleet Tompkins

Dec., 1921 -- Paintings and Bronzes by Modern Masters of American and European Art

Jan., 1922 -- Exhibition of Recent Paintings and Watercolors by George Luks

Feb., 1922 -- Paintings by Augustus Vincent Tack

Mar., 1922 -- Paintings and Watercolors by Gifford Beal

Apr., 1922 -- Exhibition of Paintings by Guy Pène Du Bois

Summer, 1922 -- Paintings by Modern Masters of American and European Art

Oct., 1922 -- Recent Paintings of the Maine Coast by George Luks

Jan., 1923 -- Exhibition of Paintings by George Luks

Feb., 1923 -- Paintings and Decorative Panels by Augustus Vincent Tack

Mar., 1923 -- Landscapes by Will Shuster

Mar., 1923 -- Paintings by Samuel Halpert

Apr., 1923 -- Marine Figures and Landscapes by Gifford Beal

Apr.-May, 1923 -- Paintings by John Sloan

May, 1923 -- Paintings by Frank Van Vleet Tompkins

June, 1923 -- Etchings by Marius A. J. Bauer

Oct., 1923 -- American Watercolors by Gifford Beal, Reynolds Beal, George Luks, Maurice Prendergast, and William Zorach

Dec., 1923 -- Etchings and Lithographs by Alphonse Legros

Dec., 1923 -- Paintings, Drawings, and Pastels by Charles Adolphe Bischoff

Jan., 1924 -- Paintings by Celebrated American Artists

Mar., 1924 -- Paintings and Drawings by Guy Pène Du Bois

Apr., 1924 -- New Paintings by George Luks

May, 1924 -- Paintings by Marjorie Phillips

Summer, 1924 -- French and American Modern Artists

Oct., 1924 -- Painting, Watercolors, and Sculpture by William Zorach

Nov., 1924 -- Watercolors by Seven Americans

Dec., 1924 -- French Paintings

Jan., 1925 -- Paintings by John Sloan

Jan.-Feb., 1925 -- Maurice Prendergast Memorial Exhibition

Mar., 1925 -- Plans and Photographs of Work in Landscape Architecture by Charles Downing Lay

Apr., 1925 -- Paintings by William J. Glackens

Dec., 1925 -- Watercolors by Gifford Beal, Reynolds Beal, Carl Broemel, Richard Lahey Jerome Myers, Maurice Prendergast, Henry E. Schnakenberg, Abraham Walkowitz, and William Zorach

undated, 1926 -- Lower Broadway by W. Walcot

Feb., 1926 -- Paintings by Paul Burlin

Feb., 1926 -- Portraits of Duncan Phillips, Esq. Charles B. Rogers, Esq. & The Hon. Elihu Root Painted by Augustus Vincent Tack

Mar., 1926 -- Paintings, Watercolors, and Drawings by Gifford Beal

Apr., 1926 -- John Sloan

Sept.-Oct., 1926 -- Exhibition of Etchings by C. R. W. Nevinson

Oct., 1926 -- Drawings, Etchings, and Lithographs by Nineteenth-Century French Artists

Oct., 1926 -- Paintings and Drawings by Mathieu Verdilhan

Dec., 1926 -- Exhibition of Watercolors by Gifford Beal, Reynolds Beal, Carl Broemel, Guy Pène Du Bois, Ernest Fiene, Samuel Halpert, Henry Keller, Louis Kronberg, Richard Lahey, Charles Lay, Jerome Myers, Maurice Prendergast, Henry

Dec., 1926 -- Schnakenberg, A. Walkowitz, Martha Walters, William Zorach

Jan., 1927 -- French Drawings and Prints

Feb., 1927 -- Paintings, Drawings, Etchings, and Lithographs by John Sloan

Mar., 1927 -- Gifford Beal

Mar.-Apr., 1927 -- Decorative Panels and Watercolors by Margarett Sargent

Mar.-Apr., 1927 -- Exhibition of Drawings and Lithographs of New York by Adriaan Lubbers

Apr., 1927 -- Paintings and Etchings by Walter Pach

Apr.-May, 1927 -- Paintings and Watercolors by Leopold Survage

Apr.-May, 1927 -- Etchings and Woodcuts by D. Galanis

May, 1927 -- Paintings by Guy Pène Du Bois

Summer, 1927 -- Paintings by American Artists

Summer, 1927 -- Paintings, Watercolors, and Drawings by Georges Braque, Honoré Daumier, Edgar Degas, André Derain, Henri Fantin-Latour, Jean Louis Forain, Constantin Guys, Henri de Toulouse-Lautrec, Edouard Manet, Henri Matisse, Amedeo Modigliani, Claude Monet, Morissot, Pablo Picasso, Camille Pissarro, Odilon Redon, Segonzac, and Georges Seurat

Oct.-Nov., 1927 -- Exhibition of Etchings in Color by Bernard Boutet de Monvel

Nov., 1927 -- Exhibition of Paintings, Drawings, Lithographs, and Watercolors by Ernest Fiene

Dec., 1927 -- Watercolors by American Artists including Gifford Beal, Reynolds Beal, Carl Broemel, Charles Demuth, Guy Pène Du Bois, Ernest Fiene, Henry G. Keller, Richard Lahey, Charles Downing Lay, Howard Ashman Patterson, [Maurice] Prendergast, Henry E. Schnakenberg, Abraham Walkowitz, Frank Nelson Wilcox, and [William] Zorach

Dec., 1927 -- Paintings by Guy Pène Du Bois

Dec., 1927 -- Paintings, Sculpture, and Decorative Media by George Biddle

Jan.-Feb., 1928 -- Paintings by S. J. Peploe

Feb., 1928 -- Drawings by Henri Fantin-Latour

Feb., 1928 -- Pastels and Drawings by Margarett Sargent

Feb., 1928 -- Drawings for Balzac's Les Contes Drolatiques by Ralph Barton

Feb.-Mar., 1928 -- Sculpture by William Zorach

Mar., 1928 -- Recent Paintings by Marjorie Phillips

Mar.-Apr., 1928 -- Exhibition of Paintings by William Glackens

Apr., 1928 -- Paintings, Drawings and Lithographs by R. H. Sauter of London, England

Oct., 1928 -- Modern French Paintings, Watercolors and Drawings

Oct.-Nov., 1928 -- Paintings, Watercolors, Drawings, Etchings, and Lithographs by Richard Lahey

Nov., 1928 -- Exhibition of Paintings and Sculpture by J. D. Fergusson

Nov.-Dec., 1928 -- Paintings, Drawings and Etchings by Walter Pach

Dec., 1928 -- Paintings and Watercolors by Abraham Walkowitz

Jan., 1929 -- Exhibition of Paintings by Margarett Sargent

Jan., 1929 -- Watercolors by Rodin

Jan.-Feb., 1929 -- Exhibition of Sculpture by Arnold Geissbuhler

Feb., 1929 -- Paintings and Watercolors by Guy Pène Du Bois

Feb.-Mar., 1929 -- Paintings by Gifford Beal

Mar., 1929 -- Exhibition of Paintings by Adriaan Lubbers

Mar.-Apr., 1929 -- Exhibition of Etchings by Gifford Beal, Frank W. Benson, Childe Hassam, Kenneth Hayes Miller, and John Sloan

Apr., 1929 -- Exhibition of Paintings by Arnold Friedman

Apr., 1929 -- Sculpture by Harriette G. Miller

May, 1929 -- Paintings by Howard Ashman Patterson

May, 1929 -- Paintings by William Meyerowitz

Oct., 1929 -- Exhibition of Modern French Paintings, Watercolors and Drawings

Nov., 1929 -- Modern French and American Paintings, Watercolors, Prints, and Sculpture (at Gage Galleries in Cleveland)

Jan., 1930 -- Paintings by Paul Bartlett

Feb., 1930 -- Watercolors by Auguste Rodin

Feb.-Mar., 1930 -- Paintings by Guy Pène Du Bois

Summer, 1930 -- Paintings by American Artists

Oct., 1930 -- Paintings and Watercolors by Maurice Prendergast

Nov., 1930 -- Paintings by Ruth Jonas

Nov., 1930 -- Sculpture by Harriette G. Miller

Jan., 1931 -- Paintings and Watercolors by Richard Lahey

Jan.-Feb., 1931 -- Paintings by Erle Loran Johnson

Feb.-Mar., 1931 -- Paintings, Watercolors and Etchings by Gifford Beal

Mar., 1931 -- Paintings and Watercolors by Walter Pach

Mar.-Apr., 1931 -- Paintings, Drawings, and Etchings by Rudolf H. Sauter

May, 1931 -- Exhibition of Watercolors by John La Farge, Gifford Beal, H. E. Schnakenberg, Maurice Prendergast, Guy Pène Du Bois, Richard Lahey

Fall, 1931 -- Modern French Paintings, Watercolors, and Drawings

Dec., 1931 -- Exhibition of Drawings and Watercolors by D. Y. Cameron, Joseph Gray, Henry Rushbury, Muirhead Bone, Edmund Blampied, Gwen John

Dec., 1931 -- Lithographs and Posters by H. de Toulouse-Lautrec

Jan., 1932 -- Watercolors by Pierre Brissaud

Feb., 1932 -- Paintings and Drawings by A. S. Baylinson

Mar., 1932 -- Watercolors and Pastels by French and American Artists

Apr., 1932 -- Paintings by Nan Watson

May, 1932 -- Sculpture by Behn, Bourdelle, Geissbuhler, Lachaise, Maillol, Miller, Nadelman, Renoir, Young, Zorach; Decorative Panels by Max Kuehne, and Charles Prendergast

June-Aug., 1932 -- Paintings and Watercolors by American Artists

Oct.-Nov., 1932 -- Paintings, Watercolors, and Drawings by Various Artists

Jan., 1933 -- Paintings by Paul Bartlett

Jan.-Feb., 1933 -- Lithographs by Henri Fantin-Latour

Feb., 1933 -- Etchings of Dogs by Bert Cobb

Feb.-Mar., 1933 -- Paintings by American Artists

Feb.-Apr., 1933 -- Paintings by Contemporary Americans

Apr., 1933 -- Paintings by Maurice Prendergast

Oct., 1933 -- Exhibition of French Paintings, Watercolors, and Drawings

Oct.-Nov., 1933 -- Drawings by Emily W. Miles

Oct.-Nov., 1933 -- Exhibition of Etchings and Lithographs

Nov., 1933 -- Paintings and Watercolors by Henry E. Schnakenberg

Dec., 1933 -- Watercolors by Gifford Beal

Jan., 1934 -- Exhibition of Drawings by Denys Wortman for "Metropolitan Movies"

Summer, 1934 -- Paintings by Gifford Beal, Reynolds Beal, Isabel Bishop, Ann Brockman, Preston Dickinson, Guy Pène Du Bois, William J. Glackens, Richard Lahey, Ernest Lawson, George Luks, Harriette Miller, Maurice Prendergast, Henry E. Schnakenberg, and John Sloan

Oct.-Nov., 1934 -- Exhibition of Etchings and Lithographs

Nov.-Dec., 1934 -- Paintings by Gifford Beal

Mar., 1935 -- Complete Collection of Etchings by Mahonri Young

July-Aug., 1935 -- Paintings by American Artists including Gifford Beal, Reynolds Beal, Ann Brockman, Guy Pène Du Bois, William J. Glackens, Max Kuehne, Richard Lahey, Ernest Lawson, George Luks, Harriette G. Miller, Maurice Prendergast, Henry E. Schnakenberg, John Sloan, and Abraham Walkowitz

Oct.-Nov., 1935 -- Decorative Panels by Charles Prendergast

Nov., 1935 -- Exhibition of Paintings by H. E. Schnakenberg

Mar., 1936 -- Paintings by Louis Bouché

Apr., 1936 -- Paintings by Gifford Beal

Oct.-Nov., 1936 -- Loan Collection of French Paintings

Dec., 1936 -- Monotypes in Color by Maurice Prendergast

Jan., 1937 -- Recent Watercolors by H. E. Schnakenberg

Jan., 1937 -- Paintings of Flowers by William J. Glackens

Feb., 1937 -- Etchings by John Sloan

Feb., 1937 -- A Group of American Paintings

Sept., 1937 -- A Group of Paintings by Gifford Beal, Louis Bouché, Guy Pène Du Bois, William J. Glackens, Ernest Lawson, George Luks, Maurice Prendergast, Theodore Robinson, John Sloan, J. Alden Weir

Oct.-Nov., 1937 -- Decorative Panels by Charles Prendergast

Dec., 1937 -- American Watercolors

Jan.-Feb., 1938 -- Paintings by Gifford Beal

Feb.-Mar., 1938 -- Drawings by William Glackens, Guy Pène Du Bois, John Sloan, Denys Wortman

Apr., 1938 -- Paintings by Louis Bouché

May, 1938 -- Paintings and Pastels by Randall Davey

Oct., 1938 -- Selected Paintings by Modern French and American Artists

Nov., 1938 -- Paintings by Guy Pène Du Bois from 1908 to 1938

Nov., 1938 -- Paintings and Sculpture by Harriette G. Miller

Dec., 1938 -- Watercolors by Prendergast, Keller, Demuth, Wilcox and Others

Jan., 1939 -- Paintings by H. H. Newton

Oct., 1939 -- French and American Paintings

Oct.-Nov., 1939 -- Drawings by William Glackens of Spanish-American War Scenes

Nov., 1939 -- Paintings and Watercolors by Russell Cowles

Jan.-Feb., 1940 -- Recent Paintings by Louis Bouché

Feb.-Mar., 1940 -- Paintings by Henry Schnakenberg

Mar.-Apr., 1940 -- Paintings by Maurice Prendergast

Apr.-May, 1940 -- Watercolors by Charles Kaeselau

May-June, 1940 -- A Group of Recent Paintings by Gifford Beal, Russell Cowles, John Koch, Henry Schnakenberg, Esther Williams, Louis Bouché, Guy Pène Du Bois, Harriette G. Miller, John Sloan, Edmund Yaghjian

Oct., 1940 -- Drawings by American Artists

Nov., 1940 -- Walt Dehner

Mar., 1941 -- John Koch

May-June, 1941 -- Watercolors and Small Paintings by Gifford Beal

Oct.-Nov., 1941 -- Recent Paintings by Russell Cowles

Nov.-Dec., 1941 -- Paintings and Watercolors by Henry E. Schnakenberg

Dec., 1941 -- Charles Prendergast

Jan., 1942 -- Paintings by Samuel Brecher

Jan.-Feb., 1942 -- Recent Paintings by Guy Pène Du Bois

Mar.-Apr., 1942 -- Recent Paintings by Louis Bouché

Mar.-Apr., 1942 -- Illustrations by Boardman Robinson Commissioned by the Limited Editions Club for Edgar Lee Masters' "Spoon River Anthology"

Dec., 1942 -- Paintings from the Period of the Last War

Feb., 1943 -- Paintings and Watercolors by William Dean Fausett

Mar., 1943 -- Paintings by John Hartell

May-July, 1943 -- Watercolors by Contemporary American Artists

Feb.-Mar., 1944 -- Samuel Brecher

Feb.-Mar., 1944 -- Paintings, Gouaches, and Drawings by Andrée Ruellan

Mar., 1944 -- Vaughn Flannery

Mar.-Apr., 1944 -- Recent Paintings by Russell Cowles

Apr.-May, 1944 -- Recent Paintings by Louis Bouché

May-June, 1944 -- Retrospective Exhibition of Paintings and Watercolors by Henry G. Keller

Oct., 1944 -- Esther Williams

Nov.-Dec., 1944 -- Paintings and Watercolors of France by Maurice Prendergast

Dec., 1944 -- William J. Glackens Sixth Memorial Exhibition

Dec., 1944 -- Kraushaar Galleries Sixtieth Anniversary Exhibition of Paintings by William J. Glackens, Ernest Lawson, George Luks, Maurice Prendergast, and John Sloan

Jan.-Feb., 1945 -- Paintings by Gifford Beal

Feb.-Mar., 1945 -- Paintings by Andrée Ruellan

Apr.-May, 1945 -- Charles Locke

May-June, 1945 -- William Dean Fausett

Oct., 1945 -- Paintings by John Hartell

Nov.-Dec., 1945 -- Recent Watercolors by Marion Monks Chase

Nov.-Dec., 1945 -- Gouaches by Cecil Bell

Dec., 1945 -- Memorial Exhibition of Paintings and Watercolors by Ann Brockman

undated, 1946 -- Russell Cowles

Jan.-Feb., 1946 -- Richard Lahey

Feb., 1946 -- John Koch

Feb.-Mar., 1946 -- Paintings by Ernst Halberstadt

Mar., 1946 -- Paintings of Mexico and Guatemala by Henry E. Schnakenberg

Mar., 1946 -- Iver Rose

Apr., 1946 -- Louis Bouché

Apr.-May, 1946 -- Russell Cowles

May-June, 1946 -- Paintings by Bernard Arnest, Charles Harsanyi, Irving Katzenstein, Anna Licht, James Penney, Etienne Ret, and Vernon Smith

Sept., 1946 -- Retrospective Exhibition of the Work of Boardman Robinson

Nov., 1946 -- Guy Pène Du Bois

Nov.-Dec., 1946 -- William J. Glackens Eighth Memorial Exhibition

Jan., 1947 -- Karl Schrag

Feb.-Mar., 1947 -- Sculpture by Robert Laurent

Feb.-Mar., 1947 -- Paintings by Iver Rose

Feb.-Mar., 1947 -- Recent Paintings by Vernon Smith

Apr., 1947 -- Charles Prendergast

Apr., 1947 -- Louis Bouché

Apr.-May, 1947 -- Esther Williams

Oct.-Nov., 1947 -- Anna Licht

Nov., 1947 -- William J. Glackens Ninth Memorial Exhibition, with Works by Lenna Glackens

Mar., 1948 -- Russell Cowles

Apr.-May, 1948 -- Bernard Arnest

Aug.-Sept., 1948 -- New York Paintings and Watercolors

Oct.-Nov., 1948 -- Kenneth Evett

Nov.-Dec., 1948 -- Watercolors and Pastels by Harriette G. Miller

Jan.-Feb., 1949 -- John Hartell

Sept.-Oct., 1949 -- Contemporary American Watercolors and Gouaches

Oct., 1949 -- Contemporary Paintings

Jan., 1950 -- Maurice Prendergast Retrospective of Oils and Watercolors

Jan.-Feb., 1950 -- James Penney

Feb.-Mar., 1950 -- Paintings by Karl Schrag

Mar.-Apr., 1950 -- Russell Cowles

Jan.-Feb., 1951 -- William Sommer

Feb., 1951 -- Prints and Drawings by Various Artists

Feb., 1951 -- Paintings by Louis Bouché

Mar., 1951 -- Kenneth Evett

Apr.-May, 1951 -- Paintings by Gallery Artists

May-July, 1951 -- Contemporary American Watercolors

July-Aug., 1951 -- Paintings on the Summer Theme

Sept.-Oct., 1951 -- Vaughn Flannery

Oct.-Nov., 1951 -- Recent Paintings by Gallery Artists

Nov., 1951 -- Paintings by John Koch

Nov.-Dec., 1951 -- Joe Lasker

Dec., 1951 -- Small Prints and Drawings

Jan., 1952 -- Recent Gouaches by William Kienbusch

Jan., 1952 -- John Sloan: Recent Etchings from 1944-1951, and Etchings and Drawings Selected from All Periods of His Career

Feb.-Mar., 1952 -- Andrée Ruellan

Mar.-Apr., 1952 -- Bernard Arnest

Apr.-May, 1952 -- Recent Sculpture by Robert Laurent

May, 1952 -- Recent Paintings by Contemporary American Artists

May-June, 1952 -- Watercolors by Joseph Barber, Edward Christiana, Walt Dehner, Sidney Eaton, Wray Manning, and Woldemar Neufeld

July-Aug., 1952 -- Color Prints (Woodcuts, Etchings, and Lithographs) by Eleanor Coen, Caroline Durieux, Max Kahn, Tom Lias, Woldemar Neufeld, James Penney, George Remaily, Ann Ryan, and Karl Schrag

Nov., 1952 -- Karl Schrag

Dec., 1952-Jan. 1953 -- Eight Oregon Artists

Jan., 1953 -- Charles Prendergast Memorial Exhibition

Jan.-Feb., 1953 -- John Hartell

May, 1953 -- John Heliker

June, 1953 -- Humbert Alberizio, Vaughn Flannery, William Kienbusch, George Rickey, Andrée Ruellan, and Karl Schrag

Sept., 1953 -- Works by Gifford Beal, Kenneth Evett, Tom Hardy, John Koch, and James Lechay

Sept.-Oct., 1953 -- Paintings by Glackens, Lawson, Prendergast, Sloan

Oct.-Nov., 1953 -- Paintings by E. Powis Jones

Oct.-Nov., 1953 -- Recent Works by John Koch

Nov., 1953 -- Kenneth Evett: Drawings from Greek Mythology

Nov.-Dec., 1953 -- Recent Metal Sculptures by Tom Hardy

Nov.-Dec., 1953 -- Pastels, Drawings and Prints by Peggy Bacon

Nov.-Dec., 1953 -- Recent Paintings by Ralph Dubin

Feb.-Mar., 1954 -- Russell Cowles

Mar.-Apr., 1954 -- James Penney

Nov.-Dec., 1954 -- Tom Hardy: Metal Sculptures

Jan., 1955 -- Mobiles, Machines, and Kinetic Sculpture by George Rickey

Jan.-Feb., 1955 -- James Lechay

Feb., 1955 -- Mobiles by George Rickey

Feb.-Mar., 1955 -- Drawings, Etchings, and Lithographs by John Sloan (with a selection of prints by artists whose work influenced him in his early years: Rembrandt, Hogarth, Goya, Rops, Daumier, Rowlandson and others, to mark the publication of John Sloan: A Painter's Life by Van Wyck Brooks)

Mar.-Apr., 1955 -- Jane Wasey

Apr., 1955 -- Recent Work by Joe Lasker

May-June, 1955 -- Sculpture and Drawings by Contemporary American Artists

Jan., 1956 -- Carl Morris

Jan.-Feb., 1956 -- John Laurent

Feb.-Mar., 1956 -- William Kienbusch

Mar., 1956 -- Andrée Ruellan

Mar.-Apr., 1956 -- Karl Schrag

Apr.-May, 1956 -- John Heliker

May, 1956 -- Monotypes by Maurice Prendergast

Oct., 1956 -- The Eight

Jan.-Feb., 1957 -- Paintings by John Hartell

Apr., 1957 -- James Penney

Apr.-May, 1957 -- John Heliker

May-June, 1957 -- Fourteen Painter-Printmakers (American Federation of Arts exhibition)

June-July, 1957 -- 20th Century American Artists

Nov., 1957 -- William Glackens and His Friends (based on the book by Ira Glackens)

Nov., 1957 -- Marguerite Zorach

Jan., 1958 -- Gouches, Drawings and Small Glyphs by Ulfert Wilke

Jan.-Feb., 1958 -- Tom Hardy

Feb.-Mar., 1958 -- John Koch

Feb.-Mar., 1958 -- Still Life Exhibition with Works by William J. Glackens and Maurice Prendergast

Feb.-Mar., 1958 -- Cecil Bell

Mar., 1958 -- Karl Schrag

Mar., 1958 -- Carl Morris

Mar.-Apr., 1958 -- Louis Bouché

Apr., 1958 -- Paintings and Drawings by Joe Lasker

Apr.-May, 1958 -- Paintings and Drawings by Walter Feldman

Apr.-May, 1958 -- Sculpture by Henry Mitchell

May-June, 1958 -- Works in Casein and Gouache by Bernard Arnest, William Kienbusch, Carl Morris, and Karl Schrag

July, 1958 -- Still Life Paintings and Watercolors by American Artists

Oct.-Nov., 1958 -- Kenneth Evett

Nov., 1958 -- Elsie Manville

Nov.-Dec., 1958 -- John Laurent

Jan., 1959 -- Kinetic Sculpture by George Rickey

Jan.-Feb., 1959 -- Bernard Arnest

Mar., 1959 -- Karl Schrag

Mar.-Apr., 1959 -- Paintings by Joe Lasker

Apr.-May, 1959 -- Henry Mitchell

Sept.-Oct., 1959 -- Robert Searle

Oct.-Nov., 1959 -- Russell Cowles

Nov., 1959 -- Caseins and Paintings by William Kienbusch

Dec., 1959 -- Paintings by Vaughn Flannery

Feb., 1960 -- James Lechay

Apr., 1960 -- Landscapes by John Sloan

Apr.-May, 1960 -- John Guerin

May-June, 1960 -- Drawings and Small Sculpture by Gallery Artists

Oct., 1960 -- Ainslie Burke

Oct.-Nov., 1960 -- Leon Goldin

Nov.-Dec., 1960 -- Ulfert Wilke

Jan., 1961 -- Leonard DeLonga

Jan., 1961 -- Kenneth Evett

Jan.-Feb., 1961 -- Walter Feldman

Feb.-Mar., 1961 -- Watercolors and Pastels by Early Twentieth-Century American Artists

Mar., 1961 -- Paintings by Ralph Dubin

Mar.-Apr., 1961 -- James Penney

Apr.-May, 1961 -- John Koch

June, 1961 -- Works by Humbert Albrizio, Bernard Arnest, Cecil Bell, Louis Bouché, Ralph Dubin, Kenneth Evett, Walter Feldman, John Hartell, John Heliker, William Kienbusch, John Koch, Robert Laurent, James Lechay, Elsie Manville, Henry Mitchell, James Penney, George Rickey, Andrée Ruellan, Henry E. Schnakenberg, Karl Schrag, Jane Wasey, and Marguerite Zorach

Sept., 1961 -- Works by Contemporary Americans

Oct., 1961 -- George Rickey: Kinetic Sculpture

Oct.-Nov., 1961 -- Carl Morris

Nov.-Dec., 1961 -- Peggy Bacon

Dec., 1961 -- Selected Works by Twentieth-Century Americans

Jan., 1962 -- Polymer Resin and Sumi Ink Paintings by Kenneth Evett

Jan.-Feb., 1962 -- Louis Bouché

Feb.-Mar., 1962 -- Karl Schrag

Mar., 1962 -- Marguerite Zorach

Apr., 1962 -- John Laurent

Apr.-May, 1962 -- Sculpture by Tom Hardy

May-June, 1962 -- Drawings by Contemporary American Artists

July-Aug., 1962 -- Group Exhibitions - Paintings, Drawings and Sculpture by 20th Century American Artists

Oct., 1962 -- Bernard Arnest

Feb., 1963 -- William Kienbusch

Feb.-Mar., 1963 -- John Guerin

Mar., 1963 -- John Hartell

Sept.-Oct., 1963 -- Andrée Ruellan

Oct.-Nov., 1963 -- Ainslie Burke

Nov., 1963 -- Walter Feldman

Dec., 1963 -- Drawings by John Koch

Dec., 1963 -- Paintings by Contemporary Americans

Jan., 1964 -- Leonard DeLonga

Jan.-Feb., 1964 -- Joe Lasker

Feb.-Mar., 1964 -- Leon Goldin

Mar., 1964 -- Paintings by Ralph Dubin

Apr., 1964 -- Carl Morris

Apr.-May, 1964 -- Paintings and Drawings by John Heliker

Oct.-Nov., 1964 -- Louis Bouché

Nov.-Dec., 1964 -- Karl Schrag

Dec., 1964 -- Kenneth Evett

Feb., 1965 -- Russell Cowles

Feb.-Mar., 1965 -- James Lechay

Mar.-Apr., 1965 -- James Penney

Apr.-May, 1965 -- Gifford Beal

Feb., 1966 -- Dennis Leon

Feb.-Mar., 1966 -- Henry Schnakenberg

Mar.-Apr., 1966 -- John Hartell

Apr., 1966 -- Elsie Manville

Oct., 1966 -- Contrasts - Early and Late Works by Selected Contemporaries

Oct.-Nov., 1966 -- Tom Hardy

Nov.-Dec., 1966 -- Francis Chapin

Dec., 1966-Jan., 1967 -- Karl Schrag: Etchings and Lithographs

Jan.-Feb., 1967 -- Leonard DeLonga

Feb.-Mar., 1967 -- Carl Morris

Mar.-Apr., 1967 -- Ainslie Burke

Apr.-May, 1967 -- John Heliker: Paintings, Drawings, and Watercolors

May-June, 1967 -- William Glackens

Oct., 1967 -- Kenneth Callahan

Oct.-Nov., 1967 -- John Laurent

Jan.-Feb., 1968 -- Dennis Leon

Feb.-Mar., 1968 -- Robert La Hotan

Apr., 1968 -- John Guerin

Apr.-May, 1968 -- Leon Goldin

Sept.-Oct., 1968 -- Contemporary Sculpture and Drawings

Oct.-Nov., 1968 -- Karl Schrag

Nov.-Dec., 1968 -- James Lechay: Portraits and Landscapes

Dec., 1968-Jan., 1969 -- Group Exhibition

Jan., 1969 -- Elsie Manville

Mar., 1969 -- Kenneth Evett

Apr.-May, 1969 -- James Penney

Sept.-Oct., 1969 -- New Works by Contemporary Artists

Oct.-Nov., 1969 -- John Hartell: Exhibition

Nov., 1969 -- Peggy Bacon

Dec., 1969 -- Selected Examples by American Artists 1900-1930

Jan., 1970 -- Leonard DeLonga

Feb., 1970 -- Joe Lasker

Mar., 1970 -- Group Exhibition

Mar.-Apr., 1970 -- Dennis Leon

Apr.-May, 1970 -- Jerome Myers

Oct.-Nov., 1970 -- Tom Hardy

Jan.-Feb., 1971 -- Jane Wasey

Mar.-Apr., 1971 -- Kenneth Callahan

Oct., 1971 -- Ainslie Burke

Nov.-Dec., 1971 -- Karl Schrag

Feb.-Mar., 1972 -- John Koch

Mar.-Apr., 1972 -- Robert La Hotan

Apr.-May, 1972 -- Leon Goldin

May-June, 1972 -- Selected Works by 20th Century Americans

Sept.-Oct., 1972 -- Gallery Collection: American Watercolors and Drawings

Oct.-Nov., 1972 -- John Hartell

Nov.-Dec., 1972 -- Peggy Bacon

Dec., 1972 -- 20th Century Americans

Jan., 1973 -- Leonard DeLonga

Feb., 1973 -- Carl Morris

Mar., 1973 -- James Lechay

Mar.-Apr., 1973 -- Russell Cowles: Landscape Paintings

Apr.-May, 1973 -- Jerome Witkin

May-June, 1973 -- Kenneth Evett: Watercolors

Oct.-Nov., 1973 -- Kenneth Callahan

Jan., 1974 -- Joe Lasker

Jan.-Feb., 1974 -- Bernard Arnest

Feb.-Mar., 1974 -- Concetta Scaravaglione

Oct., 1974 -- Ainslie Burke

Oct.-Nov., 1974 -- James Penney

Jan., 1975 -- Tom Hardy

Jan.-Feb., 1975 -- Karl Schrag

Feb.-Mar., 1975 -- Robert La Hotan

Mar.-Apr., 1975 -- William Kienbusch

Apr., 1975 -- Elsie Manville

Apr.-May, 1975 -- Gifford Beal

Oct.-Nov., 1975 -- John Hartell

Nov., 1975 -- Daniel O'Sullivan

Mar., 1976 -- Jerome Witkin

May, 1976 -- Linda Sokolowski

Sept.-Oct., 1976 -- Joe Lasker, Illustrations from Merry Ever After

Oct., 1976 -- Leonard DeLonga

Nov.-Dec., 1976 -- Kenneth Callahan

Jan., 1977 -- James Lechay

Mar., 1977 -- Karl Schrag

Mar.-Apr., 1977 -- David Cantine

Oct.-Nov., 1977 -- John Hartell

Nov.-Dec., 1977 -- Ainslie Burke

Feb., 1978 -- Robert La Hotan

Apr., 1978 -- Elsie Manville

Oct., 1978 -- Tom Hardy

Oct.-Nov., 1978 -- Jerome Witkin

Jan.-Feb., 1979 -- Joe Lasker

Feb., 1979 -- Kenneth Evett

Feb.-Mar., 1979 -- Karl Schrag

Mar.-Apr., 1979 -- Carl Morris

Apr.-May, 1979 -- Linda Sokolowski

Oct.-Nov., 1979 -- Daniel O'Sullivan

Feb.-Mar., 1980 -- Kenneth Callahan

Mar., 1980 -- Ainslie Burke

Oct., 1980 -- John Hartell

Jan., 1981 -- Leonard DeLonga

Feb., 1981 -- James Lechay

Feb.-Mar., 1981 -- Robert La Hotan

Mar.-Apr., 1981 -- Jerry Atkins

Apr.-May, 1981 -- Ben Frank Moss

Jan.-Feb., 1982 -- Jerome Witkin

Feb.-Mar., 1982 -- Elsie Manville

Mar.-Apr., 1982 -- Karl Schrag

Apr.-May, 1982 -- Linda Sokolowski

May-June, 1982 -- David Cantine

Sept.-Oct., 1982 -- Kenneth Callahan

Oct.-Nov., 1982 -- Joe Lasker

Nov.-Dec., 1982 -- Daniel O'Sullivan

Jan.-Feb., 1983 -- William Kienbusch: Memorial Exhibition

Feb.-Mar., 1983 -- Jerry Atkins

Mar.-Apr., 1983 -- John Hartell

Apr.-May, 1983 -- John Heliker

May-June, 1983 -- Kenneth Evett

Oct., 1983 -- Concetta Scaravaglione

Oct.-Nov., 1983 -- Ben Frank Moss

Nov.-Dec., 1983 -- Russell Cowles

Dec., 1983-Jan., 1984 -- 20th Century Americans

Jan.-Feb., 1984 -- Marguerite Zorach: Paintings at Home and Abroad

Feb.-Mar., 1984 -- Robert La Hotan

Mar., 1984 -- David Smalley

Apr., 1984 -- Carl Morris

May, 1984 -- Karl Schrag

July, 1984 -- Drawings by 20th Century Americans

July-Aug., 1984 -- Collages and Drawings by Joseph Heil

Aug.-Sept., 1984 -- Drawings and Prints by Tom Hardy

Sept.-Oct., 1984 -- James Penney: Memorial Exhibition

Oct.-Nov., 1984 -- Paintings and Drawings by Leon Goldin

Nov.-Dec., 1984 -- Isabelle Siegel

Dec., 1984-Jan., 1985 -- Group Exhibition: Contemporary American Paintings and Sculpture

Jan.-Feb., 1985 -- James Lechay

Feb.-Mar., 1985 -- Ainslie Burke

Mar., 1985 -- Karen Breunig

Apr., 1985 -- Kenneth Callahan

Oct., 1985 -- Elsie Manville

Oct.-Nov., 1985 -- William Glackens

Jan.-Feb., 1986 -- Linda Sokolowski

Feb.-Mar., 1986 -- Jerry Atkins

Apr.-May, 1986 -- Jane Wasey

Oct.-Nov., 1986 -- John Hartell

Nov.-Dec., 1986 -- Karl Schrag

Feb.-Mar., 1987 -- Kenneth Evett

Apr.-May, 1987 -- Ben Frank Moss

May-June, 1987 -- David Smalley

Oct.-Nov., 1987 -- Isabelle Siegel

Feb.-Mar., 1988 -- Karen Breunig

Mar.-Apr., 1988 -- Leon Goldin

Sept.-Oct., 1988 -- Elsie Manville

Oct.-Nov., 1988 -- James Lechay

Jan.-Feb., 1989 -- Karl Schrag

Feb.-Mar., 1989 -- Linda Sokolowski

Jan.-Feb., 1990 -- Kenneth Callahan: Works of the Fifties

Jan.-Feb., 1990 -- Gifford Beal: Watercolors

Mar., 1990 -- Robert La Hotan: Recent Paintings

Mar.-Apr., 1990 -- Sonia Gechtoff: New Paintings

May-June, 1990 -- David Smalley: Recent Sculpture

May-June, 1990 -- Andrée Ruellan: Sixty Years of Drawing...

Oct., 1990 -- Isabelle Siegel

Nov., 1990 -- Leon Goldin

Jan.-Feb., 1991 -- Karl Schrag

Feb.-Mar., 1991 -- Joe Lasker

Apr., 1991 -- Ainslie Burke

Nov.-Dec., 1991 -- Linda Sokolowski: Oils, Collages, Monotypes

Dec., 1991-Jan., 1992 -- Elsie Manville: Small Works on Paper

Mar., 1992 -- Tabitha Vevers

May-June, 1992 -- Sonia Gechtoff

Oct.-Nov., 1992 -- James Lechay

Nov.-Dec., 1992 -- Karl Schrag

Mar., 1993 -- Leon Goldin: Works on Paper

Apr.-May, 1993 -- Robert La Hotan

Oct., 1993 -- David Smalley: Sculpture Inside and Out

Oct., 1993 -- Andrée Ruellan: Works on Paper 1920-1980

Mar.-Apr., 1994 -- Kenneth Evett: Travels: Themes and Variations (Watercolors of Italy, Greece, Arizona, Maine and California)

Mar.-Apr., 1994 -- Tabitha Vevers

Oct.-Nov., 1994 -- Linda Sokolowski

Nov.-Dec., 1994 -- Karl Schrag

Jan.-Feb., 1995 -- Langdon Quin

Mar.-Apr., 1995 -- Robert La Hotan

Sept.-Oct., 1995 -- Sonia Gechtoff

Jan.-Feb., 1996 -- Elsie Manville: Paintings and Works on Paper

Oct.-Nov., 1996 -- Karl Schrag: A Self Portrait Retrospective, 1940-1995

Jan.-Feb., 1997 -- Joe Lasker: Paintings and Watercolors

Mar.-Apr., 1997 -- Tabitha Vevers

Oct.-Nov., 1997 -- James Lechay

Feb.-Mar., 1998 -- Linda Sokolowski: Canyon Suite: Works from the Southwest

Mar.-Apr., 1998 -- Leon Goldin: Paintings on Paper

Sept.-Oct., 1998 -- Sonia Gechtoff: Mysteries in the Sphere

Oct.-Nov., 1998 -- Langdon Quin: Recent Paintings

Nov.-Dec., 1998 -- John Gill

Jan.-Feb., 1999 -- Robert La Hotan

Feb.-Mar., 1999 -- Ann Sperry: Where Is Your Heart

Nov.-Dec., 1999 -- Kathryn Wall

Jan.-Feb., 2000 -- Elsie Manville

Sept.-Oct., 2000 -- Joe Lasker

Oct.-Nov., 2000 -- James Lechay

Oct.-Nov., 2000 -- Tabitha Vevers

May-June, 2001 -- Kenneth Callahan: Drawings

Dec., 2001-Jan., 2002 -- Sur La Table: A Selection of Paintings and Works on Paper

Jan.-Feb., 2002 -- Karl Schrag: Theme and Variations II: The Meadow

undated, 2003 -- Ann Sperry

Jan.-Feb., 2003 -- Andrée Ruellan: Works on Paper from the 1920s and 1930s

Oct.-Nov., 2003 -- Joe Lasker: Muses and Amusements

Nov.-Dec., 2003 -- Tabitha Vevers

Mar.-Apr., 2004 -- Leon Goldin: Five Decades of Works on Paper

May-July, 2004 -- Anne Frank: A Private Photo Album

Jan.-Feb., 2005 -- John Gill: Ceramics

Sept.-Oct., 2005 -- Karl Schrag: The Painter of Bright Nights
Related Material:
An untranscribed oral history interview with Antoinette Kraushaar was conducted for the Archives of American Art by Avis Berman in 1982, and is available on five audio cassettes at the Archives' Washington D.C. research facility.
Separated Material:
In addition to the records described in this finding aid, the following materials were lent to the Archives for filming in 1956 and are available on microfilm reels NKR1-NKR3 and for interlibrary loan: a book of clippings from 1907 to 1930, primarily of exhibition reviews; loose clippings and catalogs of exhibitions from 1930 to 1946; and a group of photographs and clippings relating to George Luks and other artists. These materials were returned to Kraushaar Galleries after microfilming.
Provenance:
53.5 linear feet of records were donated to the Archives of American Art by Kraushaar Galleries in three separate accessions in 1959, 1994, and 1996. Katherine Kaplan of Kraushaar Galleries donated an additional 38.4 linear feet in 2008-2009.
Restrictions:
Use of originals requires an appointment. A fragile original scrapbook is closed to researchers.
Rights:
The Kraushaar Galleries records are owned by the Archives of American Art, Smithsonian Institution. The collection is subject to all copyright laws. Authorization to publish, quote or reproduce from the records requires written permission from: Katherine Kaplan, Kraushaar Galleries, 724 Fifth Avenue, New York, NY 10019.
Topic:
Works of art  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Art, American  Search this
Artists -- United States  Search this
Depressions -- 1929  Search this
Genre/Form:
Photographs
Sketches
Drawings
Exhibition catalogs
Financial records
Notes
Sketchbooks
Citation:
Kraushaar Galleries records, 1877-2006. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kraugall
See more items in:
Kraushaar Galleries records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kraugall

Augustus Fuller letters

Creator:
Fuller, Augustus, 1812-1873  Search this
Names:
Fuller, George, 1822-1884  Search this
Extent:
150 Items ((on 1 partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1824-1872
Scope and Contents:
Letters from Fuller to his parents, Mr. and Mrs. Aaron Fuller, in Deerfield, Mass., and to his brother George, written from various places in New England, detailing his work as an artist and his daily affairs.
Biographical / Historical:
Itinerant, deaf-mute portrait painter; New England. Worked primarily in New England and western New York. His half-brother, George Fuller, accompanied Augustus on a tour in the early 1840's, then embarked on his own painting career.
Provenance:
Lent for microfilming 1973 by Elizabeth Fuller, Fuller's grand-niece.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Portrait painters -- New England  Search this
Topic:
Deafness  Search this
Portrait painting -- New England  Search this
Folk art -- New England  Search this
Identifier:
AAA.fullaugu
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-fullaugu

George Fuller papers

Creator:
Fuller, George, 1822-1884  Search this
Extent:
2,775 Items ((on 5 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1832-1959
Scope and Contents:
Biographical and critical studies of Fuller; family correspondence; letters to Fuller from Sanford Gifford, William H. Ames, Edward T. Billings, Henry K. Brown, Linus Yale, Jr., William Dean Howells, and Henry G. Marquand; diaries, journals and essays by Fuller; a biographical study, "George Fuller, His Life and Work"; photographs; sketchbooks; exhibition material; and printed material.
Biographical / Historical:
Portrait, landscape and figure painter; Deerfield, Mass. His half-brother, Augustus Fuller, was a portrait painter, also.
Provenance:
Lent for microfilming 1973 by Elizabeth Fuller, Fuller's grandaughter and cannot be scanned.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Painters -- Massachusetts -- Boston  Search this
Portrait painters -- Massachusetts -- Boston  Search this
Topic:
Portrait painting -- Massachusetts -- Boston  Search this
Painting, Modern -- 19th century -- Massachusetts -- Boston  Search this
Identifier:
AAA.fullgeor
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-fullgeor

Martin Brimmer letters

Creator:
Brimmer, Martin, 1829-1896  Search this
Names:
Museum of Fine Arts, Boston  Search this
Fuller, George, 1822-1884  Search this
Higginson, Henry Lee, 1834-1919  Search this
Hunt, William Morris, 1824-1879  Search this
James McNeill Whistler, 1834-1903  Search this
La Farge, John, 1835-1910  Search this
Sargent, John Singer, 1856-1925  Search this
Whitman, Sarah  Search this
Wister, Owen, 1860-1938  Search this
Extent:
0.4 Linear feet ((45 items on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1880-1896
Scope and Contents:
Primarily letters written by Brimmer to Sarah Wyman Whitman, written from London, Paris, Rome, and elsewhere, and referring to the Museum of Fine Arts, Boston, and to contemporary artists such as George Fuller, John LaFarge, William Morris Hunt, John Singer Sargent, and James A. McNeill Whistler. In addition, there are letters from Henry Lee Higginson, Owen Wister, and other friends of Brimmer, referring to Brimmer's death; and a letter from Phillips Brooks to Sarah Wyman Whitman.
Biographical / Historical:
Brimmer was a collector and first president of the Museum of Fine Arts, Boston. Sarah Wyman Whitman was a Boston painter and patron of the arts, born in Baltimore in 1842. She died in Boston in 1904.
Provenance:
Donated 1956 by the Museum of Fine Arts, Boston via Mrs. Haven Parker, an Assistant in the Department of Paintings. The Museum owns several paintings by Whitman.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters  Search this
Identifier:
AAA.brimmart
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-brimmart

Henry Kirke Brown papers

Creator:
Brown, Henry Kirke, 1814-1886  Search this
Names:
United States.. Art Commission  Search this
Bush-Brown, Henry Kirke, 1857-1935  Search this
Catlin, George, 1796-1872  Search this
Fuller, George, 1822-1884  Search this
Gifford, Sanford Robinson, 1823-1880  Search this
Lambdin, James Reid, 1807-1889  Search this
Lang, Louis, 1814-1893  Search this
Palmer, Erastus Dow, 1817-1904  Search this
Powers, Hiram, 1805-1873  Search this
Stone, Horatio, 1808-1875  Search this
Udall, Lydia Louise  Search this
Extent:
1 Linear foot
Type:
Collection descriptions
Archival materials
Place:
Italy -- description and travel
Date:
1836-1893
Summary:
The papers of sculptor and portrait painter Henry Kirke Brown measure 1 linear feet and date from 1836 to 1893. The collection includes Brown's correspondence with his wife, Lydia Louise Udall, his nephew, Henry Kirke Bush-Brown, and other family members. Also included are letters from artists George Catlin, George Fuller, Sanford R. Gifford, James Reid Lambdin, Louis Lang, Erastus Dow Palmer, Hiram Powers, Horatio Stone, and others; five news clippings; and miscellaneous notes.
Scope and Contents:
The papers of sculptor and portrait painter Henry Kirke Brown measure 1 linear feet and date from 1836 to 1893. The collection includes Brown's correspondence with his wife, Lydia Louise Udall, his nephew, Henry Kirke Bush-Brown, and other family members. Also included are letters from artists George Catlin, George Fuller, Sanford R. Gifford, James Reid Lambdin, Louis Lang, Erastus Dow Palmer, Hiram Powers, Horatio Stone, and others; five news clippings; and miscellaneous notes.

Brown's lengthy letters to his wife reveal his devotion to her and the conflict he felt between his art and his personal life. He discusses his work, including progress on his statue of George Washington, located in Union Square, New York City. Letters to his family from Rome and Florence allude to his awe of Italy's monuments. Also included are letters from Washington, D.C. during Brown's tenure as a member of the U.S. Art Commission in the 1860s.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Henry Kirke Brown (1814-1886) was an American sculptor and portrait painter born in Leyden, Massachusetts and died in Newburgh, New York.
Provenance:
The Henry Kirke Brown papers were donated to the Archives of American in 1981 by Dorothy Young, who acquired the papers from her husband, an art dealer.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Portrait painters -- Massachusetts  Search this
Topic:
Sculptors--Massachusetts  Search this
Sculpture, Modern--19th century  Search this
Citation:
Henry Kirke Brown papers, 1836-1893. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.browhenr
See more items in:
Henry Kirke Brown papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-browhenr

Child with Bowl

Artist:
George Fuller, 17 Jan 1822 - 21 Mar 1884  Search this
Sitter:
Unidentified Child  Search this
Medium:
Oil on canvas
Dimensions:
Stretcher: 66.5cm x 46cm (26 3/16" x 18 1/8"), Accurate
Type:
Painting
Date:
c. 1840-c. 1882
Topic:
Portrait  Search this
Object number:
DLR01499
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm488e6cc05-673f-4895-bfa2-71854a93ad55
EDAN-URL:
edanmdm:npg_DLR01499

Williams & Everett exhibition catalogs, 1892-1900

Creator:
Williams & Everett (Gallery)  Search this
Subject:
Robinson, Theodore 1852-1896  Search this
Vedder, Elihu 1836-1923  Search this
Wendel, Theodore 1859-1932  Search this
Fuller, George 1822-1884  Search this
Physical description:
3 items
Type:
Archival materials
Date:
1892
1892-1900
Local number:
aaa
Restrictions & Rights:
Patrons must use microfilm copy
See more items in:
Miscellaneous art exhibition catalog collection 1887-1934 bulk 1915-1925
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:siris_arc_215543

Oral history interview with Edith Gregor Halpert, 1962-1963

Interviewee:
Halpert, Edith Gregor 1900-1970  Search this
Interviewer:
Phillips, Harlan B (Harlan Buddington) 1920-  Search this
Subject:
Bacon, Peggy 1895-1987  Search this
Barr, Alfred H. Jr. 1902-1981  Search this
Barrie, Erwin S. 1886-1983  Search this
Benton, Thomas Hart 1889-1975  Search this
Brackman, Robert 1898-  Search this
Bridgman, George Brant 1864-1943  Search this
Brixey, Richard de Wolfe  Search this
Cahill, Holger 1887-1960  Search this
Calder, Alexander 1898-1976  Search this
Cary, Elisabeth Luther 1867-1936  Search this
Chase, William Merritt 1849-1916  Search this
Coleman, Glenn O. 1887-1932  Search this
Crowninshield, Frank 1872-1947  Search this
Daniel, Charles 1878-1971  Search this
Davis, Stuart 1892-1964  Search this
Demuth, Charles 1883-1935  Search this
Deskey, Donald 1894-  Search this
Dove, Arthur Garfield 1880-1946  Search this
Dudensing, F. Valentine 1892-1967  Search this
Fergusson, John Duncan 1874-1961  Search this
Field, Hamilton Easter  Search this
Force, Juliana 1876-1948  Search this
Ford, Ford Madox 1873-1939  Search this
Frost, Robert 1874-1963  Search this
Fuller, R. Buckminster (Richard Buckminster) 1895-1983  Search this
Goodyear, A. Conger (Anson Conger) 1877-1964  Search this
Greenberg, Clement 1909-1994  Search this
Halpert, Samuel 1884-1930  Search this
Hartley, Marsden 1877-1943  Search this
Hirsch, Stefan 1899-1964  Search this
Hopkinson, Charles 1869-1962  Search this
Hopper, Edward 1882-1967  Search this
Johns, Jasper 1930-  Search this
Kline, Franz 1910-1962  Search this
Knox, Seymour H. 1898-1990  Search this
Kroll, Leon 1884-1974  Search this
Kuhn, Walt 1877-1949  Search this
Kuniyoshi, Yasuo 1889-1953  Search this
Laurent, Robert 1890-1970  Search this
Lawrence, Jacob 1917-2000  Search this
Léger, Fernand 1881-1955  Search this
Levine, Jack 1915-2010  Search this
Levy, Julien  Search this
Locke, Charles 1899-  Search this
Luks, George Benjamin 1867-1933  Search this
Marin, John Jr 1915?-1988  Search this
McBride, Henry 1867-1962  Search this
Mellon, Paul  Search this
Mercer, Henry Chapman  Search this
Montross, N. E (Newman E.) 1849-1932  Search this
Noguchi, Isamu 1904-1988  Search this
O'Keeffe, Georgia 1887-1986  Search this
Pascin, Jules 1885-1930  Search this
Picasso, Pablo 1881-1973  Search this
Pollock, Jackson 1912-1956  Search this
Pound, Ezra 1885-1972  Search this
Rivera, Diego 1886-1957  Search this
Rockefeller, Abby Aldrich  Search this
Robinson, Edward G. 1893-1973  Search this
Saarinen, Aline B (Aline Bernstein) 1914-1972  Search this
Saklatwalla, Beram K  Search this
Sandburg, Carl 1878-1967  Search this
Shahn, Ben 1898-1969  Search this
Sheeler, Charles 1883-1965  Search this
Siporin, Mitchell 1910-1976  Search this
Soutine, Chaim 1893-1943  Search this
Steichen, Edward 1879-1973  Search this
Stein, Gertrude 1874-1946  Search this
Stella, Frank  Search this
Stern, Louis E. 1886-1962  Search this
Stieglitz, Alfred 1864-1946  Search this
Tannahill, Robert Hudson  Search this
Vollard, Ambroise 1867-1939  Search this
Weber, Max 1881-1961  Search this
Wittenberg, Philip 1895-1987  Search this
Whitney, Gertrude Vanderbilt 1875-1942  Search this
Williams, William Carlos 1883-1963  Search this
Zerbe, Karl 1903-1972  Search this
Zorach, William 1887-1966  Search this
Zorach, Marguerite 1887-1968  Search this
C.W. Kraushaar Art Galleries  Search this
Daniel Gallery  Search this
Downtown Gallery (New York, N.Y.)  Search this
Ferargil Galleries  Search this
Grand Central Art Galleries  Search this
M. Knoedler & Co  Search this
Montross Gallery  Search this
New Gallery (New York, N.Y.)  Search this
Physical description:
Transcript: 436 p
Type:
Non-musical sound recordings
Interviews
Place:
New York (State)
New York
Date:
1962
1962-1963
Topic:
Art--Economic aspects  Search this
Art dealers  Search this
Camouflage  Search this
Folk art--Collectors and collecting  Search this
Local number:
aaa 5130
AAA halper62
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:siris_arc_214627

Oral history interview with Edith Gregor Halpert, 1962-1963

Interviewee:
Halpert, Edith Gregor, 1900-1970  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington),, 1920-  Search this
Subject:
Steichen, Edward  Search this
Knox, Seymour H.  Search this
Kroll, Leon  Search this
Kuhn, Walt  Search this
Stein, Gertrude  Search this
Field, Hamilton Easter  Search this
Whitney, Gertrude Vanderbilt  Search this
Cahill, Holger  Search this
Fergusson, John Duncan  Search this
LÔeger, Fernand  Search this
Hartley, Marsden  Search this
Pascin, Jules  Search this
Noguchi, Isamu  Search this
Saarinen, Aline B. (Aline Bernstein)  Search this
Sandburg, Carl  Search this
Wittenberg, Philip  Search this
Fuller, R. Buckminster (Richard Buckminster),  Search this
Rivera, Diego  Search this
Hirsch, Stefan  Search this
Barrie, Erwin S.  Search this
Locke, Charles  Search this
Demuth, Charles  Search this
Cary, Elisabeth Luther  Search this
Weber, Max  Search this
Chase, William Merritt  Search this
Zorach, Marguerite  Search this
O'Keeffe, Georgia  Search this
Saklatwalla, Beram K.  Search this
Greenberg, Clement  Search this
Benton, Thomas Hart  Search this
Bacon, Peggy  Search this
Hopper, Edward  Search this
Force, Juliana  Search this
Brackman, Robert  Search this
Rockefeller, Abby Aldrich  Search this
Pollock, Jackson  Search this
Frost, Robert  Search this
Kuniyoshi, Yasuo  Search this
Halpert, Samuel  Search this
Davis, Stuart  Search this
Sheeler, Charles  Search this
Soutine, Chaim  Search this
Zerbe, Karl  Search this
Goodyear, A. Conger (Anson Conger),  Search this
Levine, Jack  Search this
Dudensing, F. Valentine  Search this
Williams, William Carlos  Search this
Stieglitz, Alfred  Search this
Vollard, Ambroise  Search this
Deskey, Donald  Search this
Picasso, Pablo  Search this
Robinson, Edward G.  Search this
Siporin, Mitchell  Search this
Daniel, Charles  Search this
Hopkinson, Charles  Search this
Ford, Ford Madox  Search this
Barr, Alfred H.  Search this
Luks, George Benjamin  Search this
Mellon, Paul  Search this
Shan, Benjamin  Search this
Coleman, Glenn O.  Search this
Bridgman, George Brant  Search this
Lawrence, Jacob  Search this
Dove, Arthur Garfield  Search this
Marin, John  Search this
Brixey, Richard de Wolfe  Search this
Levy, Julien  Search this
Pound, Ezra  Search this
Montross, N. E. (Newman E.),  Search this
Zorach, William  Search this
Stella, Frank  Search this
Mercer, Henry Chapman  Search this
Calder, Alexander  Search this
Johns, Jasper  Search this
Crowninshield, Frank  Search this
Stern, Louis E.  Search this
Laurent, Robert  Search this
McBride, Henry  Search this
Kline, Franz  Search this
Tannahill, Robert Hudson  Search this
M. Knoedler & Co.  Search this
Montross Gallery  Search this
Grand Central Art Galleries  Search this
C.W. Kraushaar Art Galleries  Search this
New Gallery (New York, N.Y.)  Search this
Downtown Gallery (New York, N.Y.)  Search this
Daniel Gallery  Search this
Ferargil Galleries  Search this
Topic:
Art  Search this
Art dealers  Search this
Folk art  Search this
Camouflage  Search this
Art galleries, Commercial  Search this
Record number:
(DSI-AAA_CollID)13220
(DSI-AAA_SIRISBib)214627
AAA_collcode_halper62
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214627
Online Media:

Edwin Coupland Shaw papers, 1864-1937

Creator:
Shaw, Edwin Coupland, 1863-1941  Search this
Subject:
Hawthorne, Charles Webster  Search this
Barrie, Erwin S.  Search this
Konti, Isidore  Search this
Fuller, George  Search this
Metcalf, Willard Leroy  Search this
Vonnoh, Bessie Potter  Search this
Beckwith, J. Carroll (James Carroll)  Search this
Sherman, Frederic Fairchild  Search this
Vonnoh, Robert William  Search this
Ritschel, William  Search this
Dewing, Thomas Wilmer  Search this
Hunt, William Morris  Search this
Daingerfield, Elliott  Search this
MacMonnies, Frederick William  Search this
Twachtman, John Henry  Search this
Dallin, Cyrus E. (Cyrus Edwin)  Search this
Batts, J. E.  Search this
Walker, Horatio  Search this
Chase, William Merritt  Search this
Murphy, Hermann Dudley  Search this
Turner, Helen Maria  Search this
Lathrop, William Langson  Search this
Weir, Julian Alden  Search this
Russman, Felix  Search this
Price, F. Newlin (Frederic Newlin)  Search this
Inness, George  Search this
Proctor, Alexander Phimister  Search this
Cole, Timothy  Search this
Frieseke, Frederick C. (Frederick Carl)  Search this
Hatfield, D. H.  Search this
Gerrity, Thomas F.  Search this
Young, J. W.  Search this
Murphy, John Francis  Search this
Ranger, Henry Ward  Search this
Genth, Lillian Mathilde  Search this
Milch, Albert  Search this
Davis, Charles H. (Charles Harold)  Search this
Wolf, Henry  Search this
Minns, Hervey W.  Search this
Dunbar, Thomas Whipple  Search this
Dewey, Charles M.  Search this
Carlsen, Emil  Search this
La Farge, John  Search this
Shonnard, Eugenie Frederica  Search this
Dougherty, Paul  Search this
Williams, Frederick Ballard  Search this
Purdy, W. Frank  Search this
Blakelock, Ralph Albert  Search this
Duveneck, Frank  Search this
Eaton, Charles Warren  Search this
Derujinsky, Gleb W.  Search this
Hassam, Childe  Search this
Montross, N. E. (Newman E.),  Search this
Benson, Frank Weston  Search this
Sellstedt, Lars Gustaf  Search this
Davis, Warren  Search this
Russell, T. H. Thomas H.  Search this
Ryder, Albert Pinkham  Search this
MacNeil, Hermon Atkins  Search this
Torrey, Elliot  Search this
Johansen, John C. (John Christen)  Search this
Tryon, Dwight William  Search this
Vedder, Elihu  Search this
M. Knoedler & Co.  Search this
Montross Gallery  Search this
Grand Central Art Galleries  Search this
Robert C. Vose Galleries  Search this
Carrig-Rohane Shop (Boston, Mass.)  Search this
Howard Young Galleries (New York, N.Y.)  Search this
Ferargil Galleries  Search this
Macbeth Gallery  Search this
Akron Art Institute  Search this
E.& A. Milch, Inc  Search this
Gorham Company.Dept. of Sculpture (New York, N.Y.)  Search this
Hatfield & Clark (Firm: Chicago, Ill.)  Search this
J.W. Young (Gallery)  Search this
R.C. & N.M. Vose (Firm)  Search this
Thomas Whipple Dunbar Art Galleries (Milwaukee, Wis.)  Search this
Thurber Art Galleries (Chicago, Ill.)  Search this
Topic:
Art  Search this
Art, American  Search this
Ten American Painters (New York, N.Y.)  Search this
Record number:
(DSI-AAA_CollID)8467
(DSI-AAA_SIRISBib)210643
AAA_collcode_shawedwi
Theme:
The Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210643

George Fuller papers, 1832-1959

Creator:
Fuller, George, 1822-1884  Search this
Topic:
Painting, Modern  Search this
Portrait painting  Search this
Record number:
(DSI-AAA_CollID)8923
(DSI-AAA_SIRISBib)211109
AAA_collcode_fullgeor
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211109

Martin Brimmer letters, 1880-1896

Creator:
Brimmer, Martin, 1829-1896  Search this
Subject:
Fuller, George  Search this
Hunt, William Morris  Search this
Sargent, John Singer  Search this
Higginson, Henry Lee  Search this
La Farge, John  Search this
Wister, Owen  Search this
Whistler, James McNeill  Search this
Whitman, Sarah de St. Prix Wyman  Search this
Museum of Fine Arts, Boston  Search this
Record number:
(DSI-AAA_CollID)6829
(DSI-AAA_SIRISBib)208956
AAA_collcode_brimmart
Theme:
Lives of American Artists
Government Sponsorship of the Arts
Communities, Organizations, Museums
Communities, Organizations, Museums
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208956

Henry Kirke Brown papers, 1836-1893

Creator:
Brown, Henry Kirke, 1814-1886  Search this
Subject:
Palmer, Erastus Dow  Search this
Udall, Lydia Louise  Search this
Lang, Louis  Search this
Bush-Brown, Henry Kirke  Search this
Powers, Hiram  Search this
Stone, Horatio  Search this
Fuller, George  Search this
Catlin, George  Search this
Gifford, Sanford Robinson  Search this
Lambdin, James Reid  Search this
United States.Art Commission  Search this
Topic:
Sculpture, Modern  Search this
Italy  Search this
Record number:
(DSI-AAA_CollID)6842
(DSI-AAA_SIRISBib)208969
AAA_collcode_browhenr
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208969

Augustus Fuller letters, 1824-1872

Creator:
Fuller, Augustus, 1812-1873  Search this
Subject:
Fuller, George  Search this
Topic:
Portrait painting  Search this
Deafness  Search this
Folk art  Search this
Record number:
(DSI-AAA_CollID)8922
(DSI-AAA_SIRISBib)211108
AAA_collcode_fullaugu
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211108

Patent Model for Cylindrical Slide Rule Invented by George Fuller

Patentee:
Fuller, George  Search this
Maker:
Fuller, George  Search this
Physical Description:
wood (overall material)
plastic (cursor material)
paper (part material)
Measurements:
overall: 4.2 cm x 24.5 cm x 4.2 cm; 1 21/32 in x 9 21/32 in x 1 21/32 in
Object Name:
calculating rule
slide rule
Place made:
United Kingdom: Belfast
Made at:
United Kingdom: Belfast, Belfast
Place patented:
United States: District of Columbia, Washington
Date made:
1878
Subject:
Engineering  Search this
Patent Models  Search this
Rule, Calculating  Search this
Mathematics  Search this
Credit Line:
Gift of L. Leland Locke
ID Number:
MA.311958
Accession number:
155183
Catalog number:
311958
See more items in:
Medicine and Science: Mathematics
Science & Mathematics
Mathematical Association of America Objects
Slide Rules
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a5-1a3a-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_690856
Online Media:

Keuffel & Esser 4015 Fuller's Spiral Cylindrical Slide Rule

Inventor:
Fuller, George  Search this
Retailer:
Keuffel & Esser Co.  Search this
Maker:
Stanley, William Ford  Search this
Physical Description:
paper (part material)
mahogany (overall material)
brass (part material)
tin (part material)
Measurements:
overall: 43 cm x 9 cm x 9 cm; 16 15/16 in x 3 17/32 in x 3 17/32 in
Object Name:
calculating rule
slide rule
Place made:
United Kingdom: England, London
Date made:
1901
Subject:
Engineering  Search this
Rule, Calculating  Search this
Fuller, George  Search this
Mathematics  Search this
Credit Line:
Gift of Sargent B. Child, American Library, London
ID Number:
MA.313751
Catalog number:
313751
Maker number:
1380/1901
Accession number:
179682
See more items in:
Medicine and Science: Mathematics
Science & Mathematics
Slide Rules
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a5-0f78-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_694149
Online Media:

The Home Preacher

Copyright holder:
Fuller, George L.  Search this
Maker:
Endicott and Company  Search this
Physical Description:
paper (overall material)
ink (overall material)
Measurements:
image: 20 in x 16 in; 50.8 cm x 40.64 cm
overall: 23 3/4 in x 21 11/32 in; 60.325 cm x 54.2036 cm
Object Name:
lithograph
Object Type:
Lithograph
Place made:
United States: New York, New York City
Date made:
1857
Subject:
Architecture  Search this
Related Publication:
Peters, Harry T.. America on Stone
Credit Line:
Harry T. Peters "America on Stone" Lithography Collection
ID Number:
DL.60.2489
Catalog number:
60.2489
Accession number:
228146
See more items in:
Cultural and Community Life: Domestic Life
Domestic Furnishings
Art
Peters Prints
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a1-9eb7-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_324805

Victor Papanek : the politics of design / editors, Mateo Kries, Amelie Klein, Alison J. Clarke

Title:
Papanek
Politics of design
Editor:
Kries, Mateo 1974-  Search this
Author of introduction:
Klein, Amelie  Search this
Author:
Clarke, Alison J.  Search this
Scott, Felicity Dale Elliston 1965-  Search this
Twemlow, Alice  Search this
Hunt, Jamer  Search this
Guffey, Elizabeth E.  Search this
Eisele, Petra 1966-  Search this
Halpern, Orit 1972-  Search this
Tonkinwise, Cameron  Search this
Boelen, Jan  Search this
Sacchetti, Vera  Search this
Papanek, Victor J. Do-It-Yourself Murder  Search this
Interviewer:
Tunstall, Dori  Search this
Buchori, Pak Imam  Search this
Abdulla, Danah  Search this
Ansari, Ahmed  Search this
Hertz, Garnet 1973-  Search this
Translator:
Albers, Philipp  Search this
Blum, Rebeccah  Search this
Engelmann, Herwig  Search this
Kotte, Claudia 1968-  Search this
Thietz, Kirsten  Search this
Interviewee:
Papanek, Victor J.  Search this
Designer:
Papanek, Victor J. Works Selections  Search this
Host institution:
Vitra Design Museum  Search this
Museu del Disseny de Barcelona  Search this
Publisher:
Universität für Angewandte Kunst Wien  Search this
Subject:
Papanek, Victor J  Search this
Papanek, Victor J Criticism and interpretation  Search this
Papanek, Victor J Themes, motives  Search this
Papanek, Victor J  Search this
Physical description:
399 pages : illustrations (chiefly color), facsimiles, portraits, photographs ; 25 cm
Type:
Exhibitions
Interviews
Exhibition catalogs
Essays
Illustrated works
Place:
United States
Date:
2018
20th century
Topic:
Sustainable design  Search this
Design--Political aspects  Search this
Design--Human factors  Search this
Design--Social aspects  Search this
Human engineering  Search this
Industrial design  Search this
Designers  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1098188

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