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E.P. (Edgar Preston) and Constance Richardson papers

Creator:
Richardson, Edgar Preston, 1902-1985  Search this
Richardson, Constance, 1905-  Search this
Names:
Archives of American Art  Search this
Castano Galleries (Boston, Mass.)  Search this
Detroit Institute of Arts  Search this
Henry Francis du Pont Winterthur Museum  Search this
Historical Society of Pennsylvania  Search this
Macbeth Gallery  Search this
National Collection of Fine Arts (U.S.)  Search this
National Portrait Gallery (Smithsonian Institution)  Search this
Pennsylvania Academy of the Fine Arts  Search this
Philadelphia Museum of Art  Search this
White House (Washington, D.C.)  Search this
Peale family  Search this
Allen, Joseph  Search this
Allston, Washington, 1779-1843  Search this
Andrews, Wayne  Search this
Aram, Siegfried F.  Search this
Bishop, Isabel, 1902-1988  Search this
Bostick, William A.  Search this
Bouché, Louis, 1896-1969  Search this
Boyd, Julian P. (Julian Parks), 1903-  Search this
Castano, Giovanni, 1896-1978  Search this
Cohn, Harold  Search this
Copeland, Lammot du Pont  Search this
Culver, Charles B. (Charles Beach), 1908-1967  Search this
Fleischman, Lawrence A. (Lawrence Arthur), 1925-1997  Search this
Flexner, James Thomas, 1908-2003  Search this
Frankenstein, Alfred V. (Alfred Victor), 1906-1981  Search this
Fredericks, Marshall M., 1908-1998  Search this
Freeman, Michael W.  Search this
Garrison, Eve Josephson, 1903-2003  Search this
Groce, George C., 1899-  Search this
Hardy, Jeremiah Pearson, 1800-1889  Search this
Heil, Walter, 1890-1973  Search this
Hopper, Edward, 1882-1967  Search this
Jungwirth, Irene G. (Irene Gayas), 1913-  Search this
Krentzin, Earl, 1929-  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Lee-Smith, Hughie  Search this
Lewis, W. S. (Wilmarth Sheldon), 1895-1979  Search this
Lynes, Russell, 1910-1991  Search this
Marsh, Reginald, 1898-1954  Search this
Mast, Gerald, 1908-1971  Search this
McDermott, John Francis, 1902-  Search this
Middeldorf, Ulrich Alexander, 1901-  Search this
Morse, John D., 1906-  Search this
Moser, Liselotte, 1906-1983  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Oliver, Andrew, 1906-  Search this
Peale, Charles Willson, 1741-1827  Search this
Pleasants, J. Hall (Jacob Hall), 1873-1957  Search this
Ripley, Sidney Dillon, 1913-2001  Search this
Rockefeller, John D., 1906-  Search this
Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979  Search this
Rutledge, Anna Wells  Search this
Sellers, Charles Coleman, 1903-  Search this
Sheeler, Charles, 1883-1965  Search this
Simper, Fred, 1914-  Search this
Simpson, Corelli C. W.  Search this
Soria, Regina, 1911-  Search this
Spark, Victor D. (Victor David), 1898-1991  Search this
Speck, Walter, 1895-  Search this
Stevens, William B.  Search this
Valentiner, Wilhelm Reinhold, 1880-1958  Search this
Vose, Robert C. (Robert Churchill), 1911-1998  Search this
Watkins, Franklin Chenault, 1894-1972  Search this
Wedda, John  Search this
Woolfenden, William E. (William Edward), 1918-1995  Search this
Wyeth, Andrew, 1917-2009  Search this
Extent:
28.7 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Manuscripts
Interviews
Diaries
Transcripts
Sketches
Lectures
Place:
Detroit (Mich.)
Date:
1814-1996
bulk 1921-1996
Summary:
The papers of art historian E. P. Richardson measure 28.7 linear feet and date from 1814-1996, with the bulk of the materials dating from 1921-1996. Within the papers are scattered biographical materials; acquisition files for Richardson's personal art collection; professional and personal correspondence with colleagues, art historians and critics, artists, museums, galleries, and dealers; numerous writings, including manuscripts and research files for his published books, articles, and lectures; general research notebooks and files compiled by Richardson on a wide variety of art-related topics and artists; professional and committee files; as well as a smaller amount of Constance C. Richardson's papers.
Scope and Contents:
The papers of art historian E. P. Richardson measure 28.7 linear feet and date from 1814-1996, with the bulk of the materials dating from 1921-1996. Within the papers are scattered biographical materials; acquisition files for Richardson's personal art collection; professional and personal correspondence with colleagues, art historians and critics, artists, museums, galleries, and dealers; numerous writings, including manuscripts and research files for his published books, articles, and lectures; general research notebooks and files compiled by Richardson on a wide variety of art-related topics and artists; professional and committee files; as well as a smaller amount of Constance C. Richardson's papers.

Biographical materials include certificates, awards, and honorary degrees, membership information, personal and family photographs, a few sketches, and a transcript of an oral history Interview with E.P. Richardson conducted by the National Endowment for the Humanities in 1982.

There are acquisitions files for the Richardsons' personal art collection that invoices, photographs, correspondence with galleries and collectors, appraisals, price lists, and artwork examination forms.

Correspondence is with colleagues, art dealers, collectors, museums and museum curators, foreign scholars, organizations, galleries, artists, art historians and critics, publishers, editors, librarians, friends, and family. Topics regard purchasing art for various collections, consultations about art and collecting including authentications and attributions, publishing, general art history, lectures, and personal matters, among other topics. There is correspondence with the Archives of American Art, Castano Galleries, Lawrence Fleischman, James Thomas Flexner, Alfred V. Frankenstein, George Croce, Walter Heil, Earl Krentzin, Wilmarth Lewis, Russel Lynes, John Francis McDermott, Philadelphia Museum of Art, J. Hall Pleasants, Anna Rutledge, Charles Sellers, Smithsonian Institution, Regina Soria, Victor Spark, William Stevens, Robert Vose, William Woolfenden, and many others. Scattered correspondence with artists is with Isabel Bishop, Louis Bouche, William Bostick, Eve Garrison, Edward Hopper, Irene Jungwirth, Yasuo Kuniyoshi, Hughie Lee-Smith, Reginald Marsh, Gerald Mast, Georgia O'Keefe, Charles Sheeler, Walt Speck, and John Wedda, among many others. The greatest extent of correspondence is with Andrew Wyeth, Harold Cohn, and Frederick Simper. There is also personal correspondence with family and friends, and between E.P. and Constance Richardson.

E.P. Richardson's prominence as an art historian, writer, and expert on collecting is well documented through his prolific writings. Materials include drafts, notes, typescripts, and outlines for articles, exhibition catalog essays, and lectures. Also found are research files and publishing documentation for Richardson's books, including Washington Allston: A Study of the Romantic Artist in America (1948), Painting in America (1956), Charles Willson Peale and his World (1983), and American Romantic Painting (1944). There are also miscellaneous notes and four diaries. Two of the diaries comment on the social and cultural life of Detroit; the authenticity of paintings; Richardson's reflections on contemporary American painting, thoughts about museums, dealers, artists, and art historians (especially Wilhelm R. Valentiner); and travel.

Notebooks compiled by Richardson on a wide variety art-related topics cover nearly six decades. There are also numerous research files organized Richardson about individual artists and art history. And, the art collector files contain reference materials about art collectors and their collections including Lamont du Pont Copeland, Michael W. Freeman, Nelson Rockefeller, Mr. and Mrs. Joseph Allen, and the Marquis de Somerlous. There are three index card file boxes containing bibliographic data on published books and articles.

Professional and committee files document Richardson's professional and consulting work for the Art Quarterly, Detroit Institute of Arts, National Collection of Fine Arts, the National Portrait Gallery, the Pennsylvania Academy of Fine Arts, the John D. Rockefeller III collection, Winterthur Museum, the White House, and the Historical Society of Pennsylvania.

Constance C. Richardson's papers include business and professional correspondence with various institutions, most extensively with the Macbeth Gallery. In addition, there is a smaller amount of personal correspondence, photographs and slides of her artworks, printed materials, two illustrated notebooks on her work, and miscellaneous notes. Also included is Constance's artist palette.
Biographical / Historical:
Art historian, museum director, and writer E. P. (Edgar Preston) Richardson (1902-1985) served as director of the Detroit Institute of Arts (1945-1962) and Winterthur Museum (1963-1966). He was also a board member of the Pennsylvania Academy of the Fine Arts from 1966-1977 and, in 1954, co-founded the Archives of American Art, Smithsonian Institution.

E. P. Richardson was born in 1902 in Glens Falls, New York and died in Philadelphia in 1985. He graduated from Williams College in Massachusetts in 1925 and studied painting at the Pennsylvania Academy of the Fine Arts for the three years following graduation. In 1930 he became educational secretary at the Detroit Institute of Arts, was quickly named assistant director in 1933, and served as director from 1945 to 1962. He left Detroit to take the position of director of the Winterthur Museum, where he remained until 1966. Richardson married Constance Coleman in 1931. Born in Berlin, Germany in 1905, Constance Coleman Richardson was an award-winning and widely exhibited realist style painter of American landscapes. She gave up painting in the 1960s and died in 2002.

While at the Detroit Institute of Arts, E. P. Richardson co-founded the Archives of American Art with Lawrence Fleischman, and served as the Archives' first director. Richardson was also art advisor to John D. Rockefeller III for over ten years, editor of Art Quarterly from 1938 to 1967, and a member of various boards, including the Historical Society of Pennsylvania, the Smithsonian Arts Commission, and the National Portrait Gallery. He authored numerous books including ones on artists Washington Allston and Charles Willson Peale, and The Way of Western Art: American Romantic Painting (1939), Painting in America: The Story of Four Hundred and Fifty Years (1956), A Short History of Painting in America (1963), and American Art, an Exhibition of the Collection of Mr. and Mrs. John D. Rockefeller, 3d (1976).
Related Materials:
Related collections among the holdings of the Archives of American Art include an interview with E.P. Richardson dated February 6, 1978 conducted by Linda Downs; and several miscellaneous manuscripts that include an E.P. Richardson Letter to Rockwell Kent, June 15 1959; E.P. Richardson letters to Lawrence Arthur Fleischman, May 13, 1962 and August 22 1954; and a Yasuo Kunioshi letter to E.P. Richardson, July 25 1948.

Additional E.P. Richardson papers are found at the Detroit Institute of Arts and in the archives of the Henry Francis du Pont Winterthur Museum.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reel D46) including E.P. Richardson's research material on Jeremiah P. Hardy. These materials are housed at the Smithsonian American Art Museum Library and are not described in the collection container inventory.
Provenance:
Edith Wilkinson first donated a letter to E. P. Richardson from herself in 1957. E.P. Richardson donated papers to the Archives of American Art in 1958 and 1960 and lent materials for microfilming in 1961. Addition material was donated by Constance Richardson in 1985, and by Martha Fleischman in 2003.
Restrictions:
Use of original material requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact References Services for more information.
Rights:
The E.P. (Edgar Preston) and Constance Richardson papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study and scholarship. The collection is subject to all copyright laws.
Occupation:
Authors -- Michigan -- Detroit  Search this
Topic:
Art -- Collectors and collecting  Search this
Painting, American  Search this
Art, American  Search this
Romanticism in art  Search this
Art -- History -- Study and teaching  Search this
Art historians -- United States  Search this
Genre/Form:
Photographs
Manuscripts
Interviews
Diaries
Transcripts
Sketches
Lectures
Citation:
Edgar P. Richardson papers, 1814-1996, bulk 1921-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.richedga
See more items in:
E.P. (Edgar Preston) and Constance Richardson papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-richedga
Online Media:

John Haberle papers

Creator:
Haberle, John, 1856-1933  Search this
Names:
Benjamin-Constant, 1845-1902  Search this
Clairin, Georges, 1843-1919  Search this
Frankenstein, Alfred V. (Alfred Victor), 1906-1981  Search this
Gérôme, Jean Léon, 1824-1904  Search this
Munkácsy, Mihály, 1844-1900  Search this
Rochegrosse, Georges, 1859-1938  Search this
Extent:
1.1 Linear feet ((partially microfilmed on 2 reels))
Type:
Collection descriptions
Archival materials
Date:
1882-1985
bulk 1882-1931
Scope and Contents:
Biographical material, letters, notes and writings, a monograph design, printed material, a scrapbook, and photographs.
REEL 2813: Eighteen letters to Haberle regarding the exhibition and sale of his work, 1891-1901; and a letter from J. William Middendorf to Haberle's son-in-law, Victor Demmer, concerning a Haberle exhibition at the Whitney Museum of Art, 1966.
REEL 3753: 176 drawings, 1882-1931, and 24 commercially printed greeting cards.
UNMICROFILMED: Biographical material; an autobiographical account, 1925; letters to Haberle from colleagues discussing his work, 1870-1915; letters from Haberle to his wife Sarah "Sadie" Haberle, 1893-1898, and his daughter Vera, 1898; and letters to Vera and Victor Demmer and Gladys Haberle Fresnada concerning Haberle's work, 1960-1971, from Alfred Frankenstein and others; notes and writings including poems, 1925, musical annotations, a card file on writing, 8 pages from a travel journal, 1931, and "directions for finishing the painting donated to New Britain."
Also included are a monogram design, 1903; photographs of Haberle, members of his family, 1894, works of art, 1888, views of 2 houses, 1960, and artists in their studios including Georges Clairin, Benjamin Constant, Jean Léon Gérome, Mihaly Munkacsy, and Georges Rochegrosse; clippings, 1887-1970; a scrapbook containing greeting cards and stickers; and printed material, 1874-1932.
Biographical / Historical:
Still-life painter, art instructor; New Haven, Conn. Haberle was apprenticed to a lithography and engraving company during the 1870s, studied at the National Academy of Design between 1884 and 1885 and later founded the New Haven Sketch Club, where he also taught. He specialized in trompe l'oeil still-life paintings, producing most of this work between 1887 and 1900. Deteriorating eyesight caused him to paint broader, more traditional still-lifes and landscapes in later life.
Provenance:
Material on reel 2813 was donated 1969 by Mrs. Vera Haberle Demmer, the daughter of John Haberle. Material on reel 3753 lent, and unmicrofilmed material donated 1986 by James and Claudia Mize, descendants of Haberle.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm.
Occupation:
Painters -- Connecticut -- New Haven  Search this
Topic:
Artists' studios -- Photographs  Search this
Trompe l'oeil painting  Search this
Painting, American  Search this
Still-life painting  Search this
Identifier:
AAA.habejohn
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-habejohn

Oral history interview with Alfred Victor Frankenstein

Interviewee:
Frankenstein, Alfred V. (Alfred Victor), 1906-1981  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Extent:
3 Sound tape reels (Sound recording, 5 in.)
88 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1978-1979
Scope and Contents:
An interview of Alfred Victor Frankenstein conducted in 1978-1979, by Paul Karlstrom, for the Archives of American Art. Frankenstein discusses his family, education, early interest in music and his position in the music department at the University of Chicago, his move to San Francisco and career as art and music critic for the SAN FRANCISCO CHRONICLE.
Biographical / Historical:
Alfred Victor Frankenstein (1906-1981) was an art critic and art historian from San Francisco, Calif.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Art, American  Search this
Art critics -- California -- San Francisco -- Interviews  Search this
Art historians -- California -- San Francisco -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.franke78
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-franke78

Oral history interview with Alfred Victor Frankenstein

Interviewee:
Frankenstein, Alfred V. (Alfred Victor), 1906-1981  Search this
Interviewer:
McChesney, Mary Fuller  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
Federal Art Project (Calif.)  Search this
Index of American Design  Search this
New Deal and the Arts Oral History Project  Search this
Bufano, Beniamino, 1898-1970  Search this
Extent:
1 Sound tape reel (Sound recording, 5 in.)
18 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1965 Nov. 9
Scope and Contents:
An interview of Alfred Victor Frankenstein conducted 1965 Nov. 9, by Mary McChesney, for the Archives of American Art's New Deal and the Arts Oral History Project.
Frankenstein speaks of the WPA mural project and its value; problems with the project; Hans Hofmann's influence; the influence of surrealism; the Coit Tower murals and the controversy surrounding them; the easel painting project and its value; political problems with the Federal Art Project; the project's relevance to current problems; art in architecture; the Index of American Design. He recalls Beniamino Bufano.
Biographical / Historical:
Alfred Victor Frankenstein (1906-1981) was an art historian from San Francisco, Calif.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Topic:
Art and state  Search this
Coit Memorial Tower (San Francisco, Calif.)  Search this
Art historians -- California -- Interviews  Search this
Federal aid to the arts  Search this
Mural painting and decoration  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.franke65
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-franke65

San Francisco Art Association and related organizational records

Creator:
San Francisco Art Dealers Association  Search this
Names:
California School of Design  Search this
Mark Hopkins Institute of Art  Search this
San Francisco Art Institute  Search this
San Francisco Museum of Art  Search this
Western Round Table of Modern Art (1949 : San Francisco, Calif.)  Search this
Bateson, Gregory  Search this
Boas, George, 1891-  Search this
Burke, Kenneth, 1897-  Search this
Duchamp, Marcel, 1887-1968  Search this
Frankenstein, Alfred V. (Alfred Victor), 1906-1981  Search this
Geddes, Norman Bel, 1893-1958  Search this
Goldwater, Robert John, 1907-1973  Search this
MacAgy, Douglas, 1913-  Search this
Milhaud, Darius, 1892-1974  Search this
Ritchie, Andrew Carnduff  Search this
Schoenberg, Arnold, 1874-1951  Search this
Tobey, Mark  Search this
Wright, Frank Lloyd, 1867-1959  Search this
Extent:
9 microfilm reels
9 Sound cassettes (Sound recordings)
Type:
Collection descriptions
Archival materials
Microfilm reels
Sound cassettes
Date:
1871-1978
bulk 1871-1920
Scope and Contents:
Primarily records of the San Francisco Art Association (1871-1920), but also of the California School of Design (1873-1905) (briefly called the Mark Hopkins Institute of Art in 1893), the Palace of Fine Arts (1915-1945), The Western Round Table on Modern Art (1949), the San Francisco Art Institute (1911-1978), the San Francisco Museum of Art (1921-1970), and the Douglas MacAgy papers (1944-1950).
REELS 1288-1289: 3 vol. containing minutes of board of trustees meetings of the Association and Institute, 1871-1915, and minutes of the meetings of the board of directors of the California School of Design, 1873-1905.
REELS 2429-2433: Historical data contains material relating to the museum. San Francisco Art Association records include correspondence; photographs; membership records; organizational and registrarial records; reports; printed material; and materials regarding the Palace of Fine Arts. San Francisco Museum of Art section includes correspondence; minutes of board meetings; reports; legal documents; clippings; and printed materials. "Western Round Table on Modern Art" conference sponsored by SFAA, April 8-10, 1949, includes letters to organizer Douglas MacAgy regarding arrangements, publicity, and comments, including several from participants Gregory Bateson, Kenneth Burke, George Boas, Marcel Duchamp, Alfred Frankenstein, Norman Bel Geddes, Robert Goldwater, Darius Milhaud, Andrew Ritchie, Arnold Schoenberg, Mark Tobey, and Frank Lloyd Wright; Abstract of Proceedings; transcripts of the meeting edited by participants; clippings; and photographs. The microfilm also includes papers of Douglas MacAgy; and correspondence, clippings, and photographs of artists' models for the San Francisco Art Institute.
REELS 4962-4963: Files, primarily correspondence, from the director, J. Nilsen Laurvik, from the 43rd (1919) and 44th (1920) San Francisco Art Association Annual Art Exhibition of the Works of American Artists, pertaining to its organization, promotion and administration; and additional material relating to the "Western Round Table on Modern Art," including transcripts from the Apr. 8th session edited by participants, some with notes and letters, and a final draft of an edited version; a scrapbook of publicity clippings on the Round Table; and 30 photographs taken during the conference.
Also included are 9 audio cassettes (copied from original Webcor wire recordings) of the entire proceedings of the "Western Roundtable."
Biographical / Historical:
The San Francisco Art Association (SFAA) was founded in 1871 and incorporated in 1889. The California School of Design was established under the auspices of SFAA in 1874, changing its name to the Mark Hopkins Institute of Art in 1893 after the Mark Hopkins mansion was given to SFAA. It became the San Francisco Institute of Art in 1907, and the California School of Fine Arts in 1917. From 1916-1924, SFAA retained the Palace of Fine Arts, which had been part of the Panama-Pacific International Exposition. In 1921, SFAA incorporated the San Francisco Museum of Art (SFMA) into its administration although each retained autonomy. In 1961, SFAA merged with the School and was renamed the San Francisco Art Institute. A change in the constitutional by-laws officially dissolved the SFAA in 1966, leaving the SFAI and the SFMA. In 1976, SFMA changed its name to the San Francisco Museum of Modern Art.
On April 8-10, 1949, the SFAA sponsored the Western Round Table of Modern Art, organized by Douglas MacAgy for the purpose of bringing together a representation of the best informed opinion to discuss questions about art of the day.
Provenance:
Lent for microfilming 1977-1987 by the San Francisco Art Institute. The sound recordings were borrowed from the San Francisco Art Institute, recorded on cassette in 1987 and then the orginal wire tapes were subsequently returned to the San Francisco Art Institute.
Restrictions:
Patrons must use microfilm copy.
Topic:
Art -- Study and teaching -- California -- San Francisco  Search this
Function:
Art museums -- California -- San Francisco
Arts facilities -- California -- San Francisco
Art Schools -- California -- San Francisco
Identifier:
AAA.sanfraaa
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sanfraaa

William Harnett sketches

Creator:
Harnett, William Michael, 1848-1892  Search this
Names:
Frankenstein, Alfred V. (Alfred Victor), 1906-1981  Search this
Extent:
13 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Sketchbooks
Date:
1870
Scope and Contents:
One sketchbook and twelve loose sketches, mostly ornamental designs.
Biographical / Historical:
Painter.
Provenance:
Donated 1978 by Alfred Frankenstein, who acquired the sketches while researching Harnett for his book AFTER THE HUNT.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters  Search this
Genre/Form:
Sketchbooks
Identifier:
AAA.harnwill
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-harnwill

Mark Green papers

Creator:
Green, Mark L., 1932-2004  Search this
Names:
Nanny Goat Hill Gallery (San Francisco, Calif.)  Search this
Albright, Thomas  Search this
Berman, Shirley  Search this
Berman, Wallace, 1926-1976  Search this
Coppola, Francis Ford, 1939-  Search this
DeFeo, Jay, 1929-1989  Search this
Eisenlord, William J., 1926-1997  Search this
Ferlinghetti, Lawrence  Search this
Frankenstein, Alfred V. (Alfred Victor), 1906-1981  Search this
Ginsberg, Allen, 1926-  Search this
Hull, Leonard  Search this
Johnson, Robert E. (Robert Emory), 1932-  Search this
Kauffman, Bob  Search this
Kerouac, Jack, 1922-1969  Search this
Kessler, Chester  Search this
Mitchell, J. Oliver  Search this
Rauschenberg, Robert, 1925-2008 -- Photographs  Search this
Rennie, Helen J., 1906-1989  Search this
Rigney, Francis J. (Francis Joseph), 1923-  Search this
Stauber, Jerome  Search this
Taylor, Edward Silverstone  Search this
Whalen, Philip  Search this
Extent:
1.1 Linear feet
Type:
Collection descriptions
Archival materials
Writings
Photographs
Date:
1954-1991
bulk 1954-1978
Summary:
The papers of San Francisco Beat era photographer, journalist, and poet Mark Green consist of correspondence, biographical information, photographs, Nanny Goat Hill Gallery exhibition announcements, printed materials, and exhibition files for "Rolling Renaissance" (1968) and "A Kind of Beatness: Photographs of a North Beach Era, 1950-1965" (1975) exhibitions that Green helped to organize. Photographs by Mark Green are of notable figures and places in the Beat movement, including Allen Ginsberg, Robert Rauschenberg, and Clyfford Still, as well as photographs by others of Lawrence Ferlinghetti, Mark Green, and Jack Kerouac among others.
Scope and Content Note:
The papers of San Francisco Beat photographer, journalist, and poet Mark Green consist of biographical information, correspondence, exhibition files, printed materials, scattered writings, and photographs. Photographs by Mark Green are of notable figures and places in the Beat movement, including Allen Ginsberg, Robert Rauschenberg, and Clyfford Still, as well as photographs by others of Lawrence Ferlinghetti, Mark Green, and Jack Kerouac among others.

One folder of correspondence includes letters from Jay DeFeo, Wallace and Shirley Berman, and Robert Emory Johnson. Exhibition files are found for two Beat exhibitions that Mark Green assisted in organizing: "Rolling Renaissance", 1968 and "A Kind of Beatness: Photographs of a North Beach Era, 1950-1965", 1975. Exhibition files contain correspondence, photographs of work exhibited and installation views, clippings, announcements and catalogs. Photographs are of Thomas Albright, Francis Ford Coppola, Allen Ginsberg, Leonard Hull, Robert Emory Johnson, Bob Kauffman, J. Oliver Mitchell, Francis Rigney, Jerome Stauber, and Edward Silverstone Taylor. Correspondents include include Thomas Albright, Wallace Berman, Bill Eisenlord, Alfred Frankensten, Allen Ginsberg, Helen Johnson of the Focus Gallery, Robert Emory Johnson, Chester Kessler, and Philip Whalen.

Mark Green's writings include a history of the Nanny Goat Hill Gallery, a statement about his photography, and various notes.

Printed materials consist of clippings, exhibition announcements for the San Francisco area and Nanny Goat Hill Gallery, and comic books.

The series of photographs is particularly rich due to Green's thoughtful and informative reflections written on the back of many of the photographs. The majority of the photographs identify the photographer, sitter, date, and place. Many times, Green included his own recollections of the particular sitter or photographer as well. In addition to photographs of Mark Green, there are photographs taken by Green and others of important Beat Movement figures. There are also photographs of beatnick "hot-spots" including the Co-Existence Bagel Shop, The Cellar, and The Place.
Arrangement:
The collection is arranged into 6 series:

Series 1: Biographical Information, 1967-1970s (Box 1; 1 folder)

Series 2: Correspondence, 1959-1976 (Box 1, 3; 1 folder)

Series 3: Exhibition Files, 1954-1975 (Box 1, 3; 13 folders)

Series 4: Writings and Notes, 1974-1978 (Box 1; 3 folders)

Series 5: Printed Material, 1959-1978 (Box 1-3; 8 folders)

Series 6: Photographs, 1950s-1970s (Box 2-3; 0.3 linear feet)
Biographical Note:
Mark Green (1932-) moved to San Francisco and became active in the "Beat Movement" as a photographer, writer, and arts advocate. He helped organize two major group exhibitions of beat-era arts and also founded the Nanny Goat Hill Gallery in San Francisco.

Green was born in Cleveland Heights, Ohio in 1932, and attended the University of Miami, Florida from 1950-1952. After taking classes in journalism and philosophy, Green began a career in media and worked as a copy-boy, reporter, and correspondent at various newspapers throughout the United States until 1956.

In 1957, Green moved to San Francisco and worked as a bartender at the Co-Existence Bagel Shop, a local spot for Beat gatherings. It was during this time that Green became involved with the Beat Movement and the San Francisco Renaissance. Green became friends with "Beatnick" figures including Edward Silverstone Taylor and Patricia Marx who encouraged him to take up photography. Green's poems were published in Beatitude and The Real Bohemia.

A more prolific photographer than poet, Mark Green exhibited his photographs at Seven Arts Gallery, the Critic's Choice San Francisco Art Festival (1964), the Focus Gallery, and the "San Francisco Renaissance" at the Gotham Book Mart and Gallery (1975). He was active in organizing group exhibitions including the "Rolling Renaissance" (1968) and "A Kind of Beatness: Photographs of a North Beach Era, 1950-1965" (1975). Additionally, Green founded the Nanny Goat Hill Gallery (1972-1974) to give little-known artists an outlet to exhibit their works.
Related Material:
The Archives of American Art holds an oral history interview with Robert Emory Johnson by Paul Karlstrom on March 14, 1975 that details the history of the Rolling Renaissance exhibition organized in part by Mark Green.
Provenance:
Mark Green donated his papers in 1974, 1976, 1979, and 1991.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Mark Green papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Poets -- California -- San Francisco  Search this
Beat generation  Search this
Bohemianism -- California -- San Francisco  Search this
Photography -- Exhibitions -- California -- San Francisco  Search this
Photographers -- California -- San Francisco  Search this
Journalists -- California -- San Francisco  Search this
Photography -- California -- San Francisco  Search this
Genre/Form:
Writings
Photographs
Citation:
Mark Green papers, 1954-1991, bulk 1954-1978. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.greemark
See more items in:
Mark Green papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-greemark
Online Media:

Alfred Victor Frankenstein papers

Creator:
Frankenstein, Alfred V. (Alfred Victor), 1906-1981  Search this
Names:
American Arts Alliance  Search this
California Palace of the Legion of Honor  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
National Gallery of Art (U.S.)  Search this
San Francisco Chronicle (Firm)  Search this
Copley, John Singleton, 1738-1815  Search this
Decker, Joseph, 1853-1924  Search this
Haberle, John, 1856-1933  Search this
Harnett, William Michael, 1848-1892  Search this
Ives, Charles, 1874-1954  Search this
Jenkins, Paul, 1923-2012  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Mount, William Sidney, 1807-1868  Search this
Murdock, Roland P.  Search this
Peto, John Frederick, 1854-1907  Search this
Extent:
19.1 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Photographs
Sound recordings
Sketches
Scrapbooks
Date:
1875-1985
Summary:
The papers of art critic and historian Alfred Victor Frankenstein measure 19.1 linear feet and date from 1875 to 1985. The bulk of the collection consists of Frankenstein's research and writing files on American painting, particularly artists working in the nineteenth-century. There are extensive files on artists John Haberle, William Michael Harnett, and William Sidney Mount. The collection also includes biographical material, correspondence, general writings and notes, professional activities files, personal business records, printed materials, photographs, and unidentified sound recordings.
Scope and Contents:
The papers of art critic and historian Alfred Victor Frankenstein measure 19.1 linear feet and date from 1875 to 1985. The bulk of the collection consists of Frankenstein's research and writing files on American painting, particularly artists working in the nineteenth-century. There are extensive files on artists John Haberle, William Michael Harnett, and William Sidney Mount. The collection also includes biographical material, correspondence, general writings and notes, professional activities files, personal business records, printed materials, photographs, and unidentified sound recordings.

Biographical materials include awards, museum passes from the 1970s, school records, and a scrapbook documenting Frankenstein's career at the San Francisco Chronicle. Also found is his father's medical school diploma.

Largely professional in nature, Frankenstein's correspondence is with galleries, museums and institutions, colleges and universities, as well as art historians and museum colleagues including Paul Jenkins, Stanton MacDonald-Wright, and Thomas E. Ripley.

General writings are on subjects such as music, art, California, and the Ronald P. Murdock art collection. It is likely that some writings may be drafts for articles that later appeared in the San Francisco Chronicle. Also found are three notebooks, a recorded interview, recorded lectures by Frankenstein and by others.

The bulk of the collection consists of Frankenstein's extensive research files on American sill-life painting in the nineteenth-century. Research topics focus primarily on artists John Haberle (including sketches by Haberle), William Michael Harnett, William Sidney Mount, and John Frederick Peto; however, some files are found for collectors, dealers, and subjects. Files are found both for the research and writing of Frankenstein's books, After the Hunt (1953) and The World of Copley: 1738-1815 (1970). Contents of the research files vary but many contain correspondence, photographs, notes and writings, provenance research, printed materials, and photocopied and original primary documents. Additional research files are also found in Series 5, Exhibition Files.

Files concerning exhibitions curated or organized by Frankenstein include Artist Self-Portraits (1974) at the National Gallery of Art, an exhibition at the California Palace of the Legion of Honor, and the World's Fair Exposition exhibition, Our Land, Our Sky Our Water: an Exhibition of American and Canadian Art (1974). Files contain loan agreements, gallery plans, photographs, writings, correspondence, and printed materials.

Frankenstein's professional activities files include material about his job as a music critic at the San Francisco Chronicle, and records documenting his participation in the American Arts Alliance and the San Francisco Arts Commission. Also found are scattered student writings, lecture notes, and some correspondence from his teaching position at the University of California, Berkeley.

An appraisal for a Joseph Decker work, the estate records of Sylvia Frankenstein, general receipts for purchases and shipping records, and vehicle ownership records comprise Frankenstein's personal business records.

Printed materials include clippings, exhibition announcements and catalogs, magazines, and blank postcards. Also found are eight commercial audio recordings, including a musical piece by Charles Ives on cassette, and six phonograph records that are likely of music. A cassette entitled "Heritage of American Art" may be from an exhibition of the same title held at the Metropolitan Museum of Art in New York City in 1975. Personal photographs include snapshots of Frankenstein with his family and portraits of him, as well as a photocopy of a family photo album. The bulk of the photographs are of artwork.

There are six unidentified sound recordings.
Biographical / Historical:
Alfred Victor Frankenstein (1906-1981) was an art historian, writer, art and music critic, and educator active in San Francisco, California.

Frankenstein was born in 1906 in Chicago, Illinois. He studied at the University of Chicago but moved to San Francisco to take a job as a music critic for the San Francisco Chronicle . Later, the position expanded to include critiques of visual art and art exhibitions. He remained at the San Francisco Chronicle until 1979, concentrating only on art from 1965.

He was an expert on 19th century American still-life and his notable book, After The Hunt (1953), examined the American trompe-l'œil movement in late 19th century and early 20th-century through the work of painters William Harnett and John Frederick Peto. He also authored The World of Copley: 1738-1815 in 1970. Frankenstein curated several major exhibitions, including American Self-Portraits (1974) at the National Portrait Gallery and the 1974 World's Fair Exposition exhibition, Our Land, Our Sky Our Water: an Exhibition of American and Canadian Art..

An educator, Frankenstein was a professor of Art History at the University of California at Berkeley (1940-1974), Stanford University (1973-1981), and at Mills College (1945-1974), where he also taught American music.
Related Materials:
Also found among the holdings of the Archives of American Art are two oral histories with Alfred Frankenstein, one conducted by Mary McChesney on November 9th, 1965 and the other conducted by Paul Karlstrom from 1978 to 1979. Additionally, Frankenstein donated one sketchbook and twelve loose sketches that are cataloged as a separate collection: the William Harnett sketches, 1870.
Provenance:
Alfred Frankenstein donated some of his papers in 1972, and lent materials for microfilming in 1978. His estate, handled by his son John Frankenstein, donated the materials original loaned as well as additional records in 1981.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Alfred Victor Frankenstein papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art, American  Search this
Art -- Collectors and collecting  Search this
Art criticism -- United States  Search this
Art critics -- California -- San Francisco  Search this
Art historians -- California -- San Francisco  Search this
Genre/Form:
Interviews
Photographs
Sound recordings
Sketches
Scrapbooks
Citation:
Alfred Victor Frankenstein papers, 1875-1985. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.franalfr
See more items in:
Alfred Victor Frankenstein papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-franalfr
Online Media:

Peale, Rubens

Collection Creator:
Frankenstein, Alfred V. (Alfred Victor), 1906-1981  Search this
Container:
Box 10, Folder 20
Type:
Archival materials
Date:
1950s
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Alfred Victor Frankenstein papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Alfred Victor Frankenstein papers, 1875-1985. Archives of American Art, Smithsonian Institution.
See more items in:
Alfred Victor Frankenstein papers
Alfred Victor Frankenstein papers / Series 4: Research and Project Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-franalfr-ref100

Peto, John Frederick

Collection Creator:
Frankenstein, Alfred V. (Alfred Victor), 1906-1981  Search this
Container:
Box 11
Type:
Archival materials
Date:
1900-1950s
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Alfred Victor Frankenstein papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Alfred Victor Frankenstein papers, 1875-1985. Archives of American Art, Smithsonian Institution.
See more items in:
Alfred Victor Frankenstein papers
Alfred Victor Frankenstein papers / Series 4: Research and Project Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-franalfr-ref101

Pfleger

Collection Creator:
Frankenstein, Alfred V. (Alfred Victor), 1906-1981  Search this
Container:
Box 11, Folder 9
Type:
Archival materials
Date:
1947
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Alfred Victor Frankenstein papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Alfred Victor Frankenstein papers, 1875-1985. Archives of American Art, Smithsonian Institution.
See more items in:
Alfred Victor Frankenstein papers
Alfred Victor Frankenstein papers / Series 4: Research and Project Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-franalfr-ref102

Platt, George W.

Collection Creator:
Frankenstein, Alfred V. (Alfred Victor), 1906-1981  Search this
Container:
Box 11, Folder 10
Type:
Archival materials
Date:
1948
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Alfred Victor Frankenstein papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Alfred Victor Frankenstein papers, 1875-1985. Archives of American Art, Smithsonian Institution.
See more items in:
Alfred Victor Frankenstein papers
Alfred Victor Frankenstein papers / Series 4: Research and Project Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-franalfr-ref103

Pollock, Jackson

Collection Creator:
Frankenstein, Alfred V. (Alfred Victor), 1906-1981  Search this
Container:
Box 11, Folder 13
Type:
Archival materials
Date:
circa 1970
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Alfred Victor Frankenstein papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Alfred Victor Frankenstein papers, 1875-1985. Archives of American Art, Smithsonian Institution.
See more items in:
Alfred Victor Frankenstein papers
Alfred Victor Frankenstein papers / Series 4: Research and Project Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-franalfr-ref104

Pope, Alexander

Collection Creator:
Frankenstein, Alfred V. (Alfred Victor), 1906-1981  Search this
Container:
Box 11, Folder 14-15
Type:
Archival materials
Date:
1967
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Alfred Victor Frankenstein papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Alfred Victor Frankenstein papers, 1875-1985. Archives of American Art, Smithsonian Institution.
See more items in:
Alfred Victor Frankenstein papers
Alfred Victor Frankenstein papers / Series 4: Research and Project Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-franalfr-ref105

Radio Programs

Collection Creator:
Frankenstein, Alfred V. (Alfred Victor), 1906-1981  Search this
Container:
Box 11, Folder 16
Type:
Archival materials
Date:
1948
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Alfred Victor Frankenstein papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Alfred Victor Frankenstein papers, 1875-1985. Archives of American Art, Smithsonian Institution.
See more items in:
Alfred Victor Frankenstein papers
Alfred Victor Frankenstein papers / Series 4: Research and Project Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-franalfr-ref107

Roesen, R.

Collection Creator:
Frankenstein, Alfred V. (Alfred Victor), 1906-1981  Search this
Container:
Box 11, Folder 18
Type:
Archival materials
Date:
1951-1953
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Alfred Victor Frankenstein papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Alfred Victor Frankenstein papers, 1875-1985. Archives of American Art, Smithsonian Institution.
See more items in:
Alfred Victor Frankenstein papers
Alfred Victor Frankenstein papers / Series 4: Research and Project Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-franalfr-ref108

Shinn, John Marion

Collection Creator:
Frankenstein, Alfred V. (Alfred Victor), 1906-1981  Search this
Container:
Box 11, Folder 19
Type:
Archival materials
Date:
1948-1949
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Alfred Victor Frankenstein papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Alfred Victor Frankenstein papers, 1875-1985. Archives of American Art, Smithsonian Institution.
See more items in:
Alfred Victor Frankenstein papers
Alfred Victor Frankenstein papers / Series 4: Research and Project Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-franalfr-ref109

Awards

Collection Creator:
Frankenstein, Alfred V. (Alfred Victor), 1906-1981  Search this
Container:
Box 1, Folder 1
Type:
Archival materials
Date:
1963-1976
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Alfred Victor Frankenstein papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Alfred Victor Frankenstein papers, 1875-1985. Archives of American Art, Smithsonian Institution.
See more items in:
Alfred Victor Frankenstein papers
Alfred Victor Frankenstein papers / Series 1: Biographical Material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-franalfr-ref11

Stereoscopic Photographs

Collection Creator:
Frankenstein, Alfred V. (Alfred Victor), 1906-1981  Search this
Container:
Box 11, Folder 20
Type:
Archival materials
Date:
1954
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Alfred Victor Frankenstein papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Alfred Victor Frankenstein papers, 1875-1985. Archives of American Art, Smithsonian Institution.
See more items in:
Alfred Victor Frankenstein papers
Alfred Victor Frankenstein papers / Series 4: Research and Project Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-franalfr-ref110

Stewart, Theodore

Collection Creator:
Frankenstein, Alfred V. (Alfred Victor), 1906-1981  Search this
Container:
Box 11, Folder 21-22
Type:
Archival materials
Date:
circa 1890-1960s
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Alfred Victor Frankenstein papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Alfred Victor Frankenstein papers, 1875-1985. Archives of American Art, Smithsonian Institution.
See more items in:
Alfred Victor Frankenstein papers
Alfred Victor Frankenstein papers / Series 4: Research and Project Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-franalfr-ref111

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