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Kathyanne White journals

Creator:
White, Kathyanne  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
0.3 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Date:
2000-2001
Summary:
The journals of mixed-media artist Kathyanne White measure 0.3 linear feet and date from 2000 to 2001. The collection consists of two journals containing photographs of White's work, clippings of inspirational quotations, and written journal entries describing her current projects, aspirations as an artist, her studio, exhibitions, and professional opportunities.
Scope and Contents:
The journals of mixed-media artist Kathyanne White measure 0.3 linear feet and date from 2000 to 2001. The collection consists of two journals containing photographs of her work, clippings of inspirational quotations, and written journal entries describing her current projects, aspirations as an artist, her studio, exhibitions, and professional opportunities.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Kathyanne White is a mixed-media artist in Prescott, Arizona, who uses materials such as metals and beads in her work.

White has exhibited her work at the Museum of Arts and Design in New York, the Fort Wayne Museum of Art in Indiana, the Vale Craft Gallery in Chicago, and other galleries in the United States and abroad.
Provenance:
The collection was donated in 2004 by Kathyanne White as part of the Nanette L. Laitman Documentation Project for Craft and Decorative Art in America.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Mixed-media artists -- Arizona -- Prescott  Search this
Topic:
American studio craft movement  Search this
Genre/Form:
Diaries
Citation:
Kathyanne White journals, 2000-2001. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.whitkath
See more items in:
Kathyanne White journals
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw923834be0-fecc-4c17-a413-0396d90691b9
EDAN-URL:
ead_collection:sova-aaa-whitkath

Alma Thomas papers

Creator:
Thomas, Alma  Search this
Names:
Art in Embassies Program (U.S.)  Search this
Martha Jackson Gallery  Search this
Bader, Franz, 1903-1994  Search this
Breeskin, Adelyn Dohme, 1896-1986  Search this
Johnson, Nathalie J. Cole  Search this
Sarg, Tony, 1882-1942  Search this
Tarbary, Celine  Search this
Taylor, Joshua Charles, 1917-  Search this
Thomas, J. Maurice (John Maurice), 1900 or 1901-  Search this
Extent:
5.5 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Audiocassettes
Video recordings
Photographs
Date:
circa 1894-2001
Summary:
The papers of Washington, D.C. painter and art educator Alma Thomas, date from circa 1894-2001 and measure 5.5 linear feet. The papers document Thomas's work as a teacher, and her development and success as a painter of the Washington Color School, through biographical material, letters, notes and writings, personal business records, exhibition files, printed materials, scrapbooks, photographs, an audio recording, and two video recordings.
Scope and Contents note:
The papers of Washington, D.C. painter and art educator Alma Thomas, date from circa 1894-2001 and measure 5.5 linear feet. The papers document Thomas's work as a teacher, and her development and success as a painter of the Washington Color School, through biographical material, letters, notes and writings, personal business records, exhibition files, printed materials, scrapbooks, photographs, an audio recording, and two video recordings.

Biographical material includes identity cards, chronologies, an audio recording including a biographical account, and scattered documentation of Thomas's education and teaching careers with D.C. Public Schools, Howard University, and Thomas Garrett Settlement in Wilmington, Delaware. Also found are records relating to Thomas's participation in a summer marionette class taught by Tony Sarg in 1934, and a tour of European art centers which Thomas took in 1958.

Letters relate primarily to the exhibition of Thomas's work and related events and are from galleries, museums, other art institutions, colleagues, and friends including Franz Bader, Adelyn Breeskin, Corcoran Gallery of Art, Howard University Gallery of Art, Martha Jackson Gallery, Nathalie J. Cole Johnson, Vincent Melzac, Celine Tabary, and Joshua Taylor.

Notes and writings include four notebooks and autobiographical writings by Thomas, a "Birthday Book," and an annotated engagement calendar. J. Maurice Thomas's writings about Alma Thomas, her research for a bibliography on James Weldon Johnson, and writings by others, including Jacob Kainen, about Alma Thomas, are also found here.

Exhibition files contain a wide variety of documentation for many group and solo exhibitions of Thomas's work from the early 1950s through a 1998-2000 traveling retrospective exhibition, including solo exhibitions at the Whitney Museum of American Art and the Corcoran Gallery of Art in 1972. The records include letters from Franz Bader Gallery, David Driskell at Fisk University, and Vincent Melzac. Photographs include Thomas with individuals including William Buckner, Jeff Donaldson, David Driskell, James W. Herring, and Vincent Melzac. Also found is a photograph of the 1951 Little Paris Studio Group picturing Lois Mailou Jones, Celine Tabary, Alma Thomas, and others. Two video recordings are of events related to the 1998-2000 retrospective at the Fort Wayne Museum of Art and the Columbus Museum of Art. Records documenting a 1981-1982 exhibition at the Smithsonian National Museum of American Art, A Life in Art: Alma Thomas, includes the script of a video written by Adolphus Ealey.

Personal business records include price lists, gift and loan receipts, and files concerning the Art in Embassies Program, the Martha Jackson Gallery, a benefit auction for the Corcoran School of Art, and the designation of the Thomas family home in Washington, D.C. as a historic property.

Eleven scrapbooks document Thomas's teaching career through the activities of the art classes she taught at Shaw Junior High School.

Printed materials include announcements and catalogs for exhibitions and other events; clippings which document Thomas's career and subjects of interest to her; Christmas cards featuring block prints designed by Thomas; and other programs and publications featuring Thomas.

Photographs are of Alma Thomas, family, and friends and colleagues including Sam Gilliam, James V. Herring, and Nathalie V. Cole Johnson; art classes taught by Thomas; Thomas's homes in Columbus, Georgia and Washington, D.C.; and exhibitions not documented in Series 4: Exhibition Files, including photographs of Alma Thomas at an opening at Barnett Aden Gallery with Alonzo Aden and others.
Arrangement note:
The papers have been arranged into 8 series:

Missing Title

Series 1: Biographical Material, 1911-2001 (Box 1; 0.5 linear feet)

Series 2: Letters, circa 1930-2001 (Boxes 1-2; 0.6 linear feet)

Series 3: Notes and Writings, circa 1920s-circa 1998 (Box 2; 0.7 linear feet)

Series 4: Exhibition Files, 1951-2000 (Boxes 2-3, OV 7; 0.8 linear feet)

Series 5: Personal Business Records, circa 1950s-1994 (Box 3; 0.2 linear feet)

Series 6: Printed Material, circa 1908-2000 (Boxes 3-5, OV 7; 1.8 linear feet)

Series 7: Scrapbooks, 1930-1946 (Box 5; 0.3 linear feet)

Series 8: Photographs, circa 1894-2001 (Boxes 5-6; 0.6 linear feet)
Biographical/Historical note:
Washington, D.C. painter and art educator Alma Thomas (1891-1978) was known for her abstract paintings filled with dense patterns of color, and was considered a major artist of the Washington Color School.

Thomas was born in Columbus, Georgia, in 1894, and was the eldest of the four daughters of John Harris Thomas and Amelia Cantey Thomas. The family moved to Washington, D.C. in 1906 and Thomas was first introduced to art classes at Armstrong Technical High School. Following her graduation in 1911 she took a course in kindergarten teaching at the Miner Normal School, and subsequently worked as a substitute teacher in the Washington, D.C. public school system until 1914, when she took a teaching position on the Eastern shore of Maryland. From 1916 to 1923 she taught kindergarten at Thomas Garrett Settlement House in Wilmington, Delaware.

Thomas originally enrolled at Howard University in Washington, D.C. as a home economics major in 1921, but after studying under Lois Mailou Jones amd James V. Herring in Herring's newly established art department, she earned a Bachelor's degree in Fine Art in 1924, and became the first person to graduate from the program. Thomas then began her teaching career at Shaw Junior High School in Washington, D.C. that lasted from 1924, until her retirement in 1960. During this time she established community arts programs that would encourage her students to develop an appreciation of fine arts. Activities included marionette programs, distribution of student-designed holiday menu cards for dinners given for soldiers at the Tuskegee Veterans' Hospital, art clubs, lectures, and student exhibitions. In 1943 she became the founding vice president of Barnett Aden Gallery, which was established by James V. Herring and Alonzo Aden and was the first integrated gallery in Washington, D.C.

In 1934 Thomas earned an M.A. degree in Art Education from Columbia University. At American University in Washington, D.C., she studied creative painting under Joe Summerford, Robert Gates, and Jacob Kainen from 1950 to 1960, and began to break away from representational painting and experiment more seriously with Abstract Expressionism. In 1958 she participated in a tour of the art centers of Western Europe under the auspices of the Tyler School of Fine Arts at Temple University in Philadelphia.

Following her retirement from teaching in 1960, Thomas devoted herself full-time to painting, and continued to develop her signature style. She was inspired by nature and the desire to express beauty through composition and color, and refused to be constrained by societal expectations related to her race, gender, and age, achieving her greatest success in the last decade of her life. Her work was exhibited at the Dupont Theatre Art Gallery, Franz Bader Gallery, and the Howard University Gallery of Art, before she was honored in 1972 with exhibitions at the Whitney Museum of American Art and the Corcoran Gallery of Art in Washington, D.C.

Thomas's work has been exhibited at the White House and can be found in the permanent collections of major museums, including the Metropolitan Museum of Art, the National Museum of Women in the Arts, and the Smithsonian American Art Museum.
Separated Materials note:
In 1979, J. Maurice Thomas loaned papers for microfilming. Most, but not all, of the loaned material was later donated and is described in this finding aid. Loaned materials not donated at a later date are available on reels 1541-1543 and are not described in the container listing of this finding aid.
Provenance:
J. Maurice Thomas, the artist's sister, loaned portions of the collection for microfilming in 1979. Most, but not all of this material was then later donated in several accretions by J. Maurice Thomas, between 1979 and 2004. Charles Thomas Lewis, Thomas' nephew, gave additional papers in 2010.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Washington (D.C.)  Search this
Educators -- Washington (D.C.)  Search this
Topic:
Painting, American  Search this
African American artists  Search this
Women artists  Search this
Washington Color School (Group of artists)  Search this
Women educators  Search this
Women painters  Search this
African American educators  Search this
African American painters  Search this
Genre/Form:
Scrapbooks
Audiocassettes
Video recordings
Photographs
Citation:
Alma Thomas papers, circa 1894-2001. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.thomalma
See more items in:
Alma Thomas papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98cd54656-ee02-4a0d-81ad-6db24f1be010
EDAN-URL:
ead_collection:sova-aaa-thomalma
Online Media:

Letters

Collection Creator:
Thomas, Alma  Search this
Extent:
0.6 Linear feet (Boxes 1-2)
Type:
Archival materials
Date:
circa 1930-2001
Scope and Contents:
This series consists primarily of incoming letters from colleagues and art institutions concerning the exhibition of Thomas's work and related activities; there are only three copies of outgoing letters written by Alma Thomas found in the folders for 1972, 1973, and 1977.

There are letters from individuals, galleries, museums, and educational institutions including Franz Bader and Franz Bader Gallery; Adelyn Breeskin and the Smithsonian National Museum of American Art; Harold Hart and Martha Jackson Gallery; Vincent Melzac and the Corcoran Gallery of Art; the Columbus Museum; Howard University Gallery of Art; Fisk University; and Fort Wayne Museum of Art.

Also found are scattered letters from Valliere Auzenne, poet Nathalie J. Cole Johnson, Celine Tabary, and Joshua Taylor. Following Alma Thomas's death, J. Maurice Thomas dealt with the various galleries interested in exhibiting her sister's work and annotated many of the letters in this series.
Arrangement:
Letters are arranged chronologically.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Alma Thomas papers, circa 1894-2001. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.thomalma, Series 2
See more items in:
Alma Thomas papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98a76380e-13e9-4e99-9721-4c747a0ae751
EDAN-URL:
ead_component:sova-aaa-thomalma-ref689

Exhibition Files

Collection Creator:
Thomas, Alma  Search this
Extent:
0.8 Linear feet (Boxes 2-3, OV 7)
Type:
Archival materials
Date:
1951-2000
Scope and Contents:
Exhibition files document Thomas's solo and group exhibitions through letters, lists of artwork, loan records, receipts, printed material such as clippings, exhibition announcements, and catalogs, and photographs.

Individual correspondents from this series include Franz Bader, David Driskell, and Vincent Melzac. In addition to photographs of installations, there are photographs of Thomas at exhibition openings, including her solo exhibition at the Whitney Museum, and photographs of her pictured with individuals including William Buckner, Jeff Donaldson, David Driskell, James W. Herring, and Vincent Melzac. Also found is a photograph of the 1951 Little Paris Studio Group including Lois Mailou Jones, Celine Tabary, and Thomas.

The file for Alma W. Thomas: A Retrospective of the Paintings contains two video recordings related to this exhibition at two separate locations: the Columbus Museum and the Fort Wayne Museum of Art.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Alma Thomas papers, circa 1894-2001. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.thomalma, Series 4
See more items in:
Alma Thomas papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99db92f4d-0990-4ef8-a66d-9eb4099204c7
EDAN-URL:
ead_component:sova-aaa-thomalma-ref691

Alma W. Thomas: A Retrospective of the Paintings (1998), Fort Wayne Museum of Art, Letters

Collection Creator:
Thomas, Alma  Search this
Container:
Box 3, Folder 18
Type:
Archival materials
Date:
1994-1997
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Alma Thomas papers, circa 1894-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Alma Thomas papers
Alma Thomas papers / Series 4: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c36e2002-4196-41d9-9167-b789c195c414
EDAN-URL:
ead_component:sova-aaa-thomalma-ref828

Alma W. Thomas: A Retrospective of the Paintings (1998), Fort Wayne Museum of Art, Letters

Collection Creator:
Thomas, Alma  Search this
Container:
Box 3, Folder 19
Type:
Archival materials
Date:
1997-1999
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Alma Thomas papers, circa 1894-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Alma Thomas papers
Alma Thomas papers / Series 4: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw929a1167f-ae3e-4d68-85b5-09594f367300
EDAN-URL:
ead_component:sova-aaa-thomalma-ref829

Alma W. Thomas: A Retrospective of the Paintings (1998), Fort Wayne Museum of Art, Printed Material

Collection Creator:
Thomas, Alma  Search this
Container:
Box 3, Folder 20
Type:
Archival materials
Date:
1998
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Alma Thomas papers, circa 1894-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Alma Thomas papers
Alma Thomas papers / Series 4: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw962beb568-1c60-42b7-83aa-b07fc8338386
EDAN-URL:
ead_component:sova-aaa-thomalma-ref830

Alma W. Thomas: A Retrospective of the Paintings (1998), Fort Wayne Museum of Art, Printed Material

Collection Creator:
Thomas, Alma  Search this
Container:
Box 3, Folder 21
Type:
Archival materials
Date:
1998
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Alma Thomas papers, circa 1894-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Alma Thomas papers
Alma Thomas papers / Series 4: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d711556f-61f1-449b-83bc-208b48d15f20
EDAN-URL:
ead_component:sova-aaa-thomalma-ref831

Alma W. Thomas: A Retrospective of the Paintings, Fort Wayne Museum of Art and Columbus Museum, Video Recordings

Collection Creator:
Thomas, Alma  Search this
Extent:
2 Videocassettes (S-VHS)
Container:
Box 3, Folder 26
Type:
Archival materials
Moving Images [31027000830535]
Videocassettes (s-vhs)
Date:
1998-2000
Scope and Contents:
Video recording of the exhibition at the Fort Wayne Museum of Art in 1998; and a video recording of a lecture given by Sachi Yanaru-Rizzo at the opening of the exhibition in Columbus in October 2000.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Alma Thomas papers, circa 1894-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Alma Thomas papers
Alma Thomas papers / Series 4: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c13b7c42-6ea6-4e87-aec8-a3d31a274b5f
EDAN-URL:
ead_component:sova-aaa-thomalma-ref836

Fort Wayne Museum of Art

Container:
Box 43 of 55
Type:
Archival materials
Collection Rights:
Restricted for 15 years, until Jan-01-2019; Transferring office; 3/2/1988 memorandum, Massa to Fleckner; Contact reference staff for details.
Collection Citation:
Smithsonian Institution Archives, Accession 06-089, Archives of American Art, Departmental Records
See more items in:
Departmental Records
Departmental Records / Box 43
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa06-089-refidd1e14630

Fort Wayne Museum of Art

Collection Creator:
Dehner, Dorothy, 1901-1994  Search this
Container:
Box 2, Folder
Type:
Archival materials
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dorothy Dehner papers, 1920-1987 (bulk 1951-1987). Archives of American Art, Smithsonian Institution.
See more items in:
Dorothy Dehner papers
Dorothy Dehner papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw937612daf-42b0-4e64-ac02-aa3f7489a07c
EDAN-URL:
ead_component:sova-aaa-dehndoro-ref202

(Reel 796)

Collection Creator:
Dehner, Dorothy, 1901-1994  Search this
Container:
Box 2, Folder 29
Type:
Archival materials
Date:
1973-1974
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dorothy Dehner papers, 1920-1987 (bulk 1951-1987). Archives of American Art, Smithsonian Institution.
See more items in:
Dorothy Dehner papers
Dorothy Dehner papers / Series 2: Correspondence / Fort Wayne Museum of Art
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e1c2ab4c-9764-49fa-bd9f-174e07b91b4f
EDAN-URL:
ead_component:sova-aaa-dehndoro-ref203

(Reel 829)

Collection Creator:
Dehner, Dorothy, 1901-1994  Search this
Container:
Box 2, Folder 30
Type:
Archival materials
Date:
1974
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dorothy Dehner papers, 1920-1987 (bulk 1951-1987). Archives of American Art, Smithsonian Institution.
See more items in:
Dorothy Dehner papers
Dorothy Dehner papers / Series 2: Correspondence / Fort Wayne Museum of Art
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95d641c1b-083d-4a72-8dab-b1b7ac01237b
EDAN-URL:
ead_component:sova-aaa-dehndoro-ref204

(Reel 1269)

Collection Creator:
Dehner, Dorothy, 1901-1994  Search this
Container:
Box 2, Folder 31
Type:
Archival materials
Date:
1974-1975, undated
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dorothy Dehner papers, 1920-1987 (bulk 1951-1987). Archives of American Art, Smithsonian Institution.
See more items in:
Dorothy Dehner papers
Dorothy Dehner papers / Series 2: Correspondence / Fort Wayne Museum of Art
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw966d58cc2-030c-4032-be30-2227225fb91f
EDAN-URL:
ead_component:sova-aaa-dehndoro-ref205

Marshall S. Mahurin

Artist:
Nina Walker, 1915 - Indeterminable  Search this
Sitter:
Marshall S. Mahurin, 1857 - 1939  Search this
Medium:
Bronze
Dimensions:
51cm x 25.5cm x 25cm (20 1/16" x 10 1/16" x 9 13/16"), Estimate
Type:
Sculpture
Date:
1968?
Topic:
Marshall S. Mahurin: Male  Search this
Marshall S. Mahurin: Visual Arts\Architect  Search this
Portrait  Search this
Credit Line:
Owner: Fort Wayne Museum of Art
Object number:
1970.10
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm412e8fc63-502c-4f87-8bcf-a765a9a84d82
EDAN-URL:
edanmdm:npg_1970.10

William Rockhill

Artist:
Unidentified Artist  Search this
Sitter:
William Rockhill, 1793 - 1865  Search this
Medium:
Oil on canvas
Dimensions:
59.2cm x 46.6cm (23 5/16" x 18 3/8"), Accurate
Type:
Painting
Date:
c. 1840-1850
Topic:
William Rockhill: Male  Search this
William Rockhill: Politics and Government\US Congressman  Search this
Portrait  Search this
Credit Line:
Owner: Fort Wayne Museum of Art
Object number:
1951.34
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm47fe88ac0-ad39-4429-b1a0-8ca13302a050
EDAN-URL:
edanmdm:npg_1951.34

Theodore Thieme

Artist:
Forrest F. Stark, 1903 - 1977  Search this
Studio:
Modern Art Foundry  Search this
Sitter:
Theodore Thieme, 1857 - 1949  Search this
Medium:
Bronze
Dimensions:
32cm x 20cm x 22cm (12 5/8" x 7 7/8" x 8 11/16"), Estimate
Type:
Sculpture
Date:
c. 1925-1949
Topic:
Theodore Thieme: Male  Search this
Theodore Thieme: Business and Finance\Businessperson  Search this
Portrait  Search this
Credit Line:
Owner: Fort Wayne Museum of Art
Object number:
1936.01
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm47d936fb3-0679-414a-904a-b5ca332a2665
EDAN-URL:
edanmdm:npg_1936.01

Samuel Hanna and Family

Artist:
Horace Rockwell, 1811 - 1877  Search this
Sitter:
Samuel Hanna and Family, 1798 - 1866  Search this
Medium:
Oil on canvas
Dimensions:
173cm x 161cm (68 1/8" x 63 3/8"), Accurate
Type:
Painting
Date:
1843?
Topic:
Portrait  Search this
Credit Line:
Owner: Fort Wayne Museum of Art
Object number:
1937.02
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm453888b99-9e9d-425f-9289-0ad71071eac5
EDAN-URL:
edanmdm:npg_1937.02

William Forsyth

Artist:
Forrest F. Stark, 1903 - 1977  Search this
Sitter:
William Forsyth, 1854 - 1935  Search this
Medium:
Bronze
Dimensions:
35cm x 18.5cm x 22cm (13 3/4" x 7 5/16" x 8 11/16"), Estimate
Type:
Sculpture
Date:
c. 1947
Topic:
William Forsyth: Visual Arts\Artist  Search this
William Forsyth: Male  Search this
William Forsyth: Visual Arts\Art Instructor  Search this
Portrait  Search this
Credit Line:
Owner: Fort Wayne Museum of Art
Object number:
1948.09
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4797c93e7-5c53-4a31-904e-6729070c39b4
EDAN-URL:
edanmdm:npg_1948.09

Oral history interview with Art Green, 2015 September 17-18

Interviewee:
Green, Art, 1941-  Search this
Green, Art, 1941-  Search this
Interviewer:
Silverman, Lanny, 1947-  Search this
Subject:
Chicago's Art-Related Archival Materials: A Terra Foundation Resource  Search this
Chicago Art and Artists: Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Art -- Illinois -- Chicago  Search this
Theme:
Chicago's Art-Related Archival Materials: A Terra Foundation Resource  Search this
Record number:
(DSI-AAA_CollID)16295
(DSI-AAA_SIRISBib)373761
AAA_collcode_green15
Theme:
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_373761
Online Media:

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