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Millard Sheets papers

Creator:
Sheets, Millard, 1907-1989  Search this
Names:
Dalzell Hatfield Galleries  Search this
Millard Sheets & Associates Designs  Search this
Sheets, Mary Baskerville  Search this
Extent:
27.6 Linear feet
Type:
Collection descriptions
Archival materials
Slides (photographs)
Photographs
Date:
circa 1907-2000
Summary:
The Millard Sheets papers comprise 27.6 linear feet of material dating from circa 1907 to 2000 with bulk dates spanning 1956 to 1981. The collection documents Sheets's career as a designer, painter, and muralist, and his personal and professional interests through correspondence, writings, lectures, printed material, drawings, slides, photographs, and ephemera. A small addition donated 2018 by Carolyn Owen-Toole, Sheet's daughter. There is a 4.6 linear foot unprocessed addition to this collection donated 2018 that includes writings; sketchbooks and sketches; photographs and negatives of works of art, images of Millard Sheets and others; printed material, including two scrapbooks; and scattered correspondence regarding Sheet's projects.
Scope and Content Note:
The personal papers of Millard Sheets (1907-1990) measure 27.6 linear feet and date from circa 1907-2000, with bulk dates of 1956-1981. The collection reflects Sheets's career as a designer, painter, and muralist, as well as his other personal and professional interests, through correspondence, writings, lectures, clippings, blueprints, drawings, slides, photographs, and ephemera.

The Project Files comprise the largest group of materials in the collection and document design work undertaken by Sheets through his company Millard Sheets & Associates Designs. Sheets and his associates produced concept drawings and blueprints and supervised the construction for a wide range of design projects that ranged in scale from architectural plans for private residences to bid proposals for shopping malls and financial institutions located in California and the Southwest.

Sheets designed interior and exterior plans for over forty Home Savings and Loan bank branches in California. The distinctive modular design which Sheets created and then customized by integrating interior and exterior art elements that highlighted local historical events or natural features became synonymous with the image of Home Savings and Loan. Sheets also teamed up with the architect Edward Durrell Stone to produce a proposal for the Capitol Mall Project, an urban renewal project for the Redevelopment Agency of the City of Sacramento. Researchers will find correspondence, job costs and billing statements, and notes that trace the development of these and other building construction projects. In some instances the documents are supplemented by blueprints, photographs, and/or drawings of the project, but in many cases, visual documentation is missing.

The Project Files also document work done by Millard Sheets on public projects such as the Family of Man mural in the Los Angeles City Hall Annex, a mosaic dome in the National Shrine of the Immaculate Conception, Washington, D.C., and the Word of Life mural at the University of Notre Dame, Ind., along with numerous other murals and mosaics created for private individuals and corporations.

The Correspondence Series primarily reflects the interaction between Sheets and his clients, colleagues, and personal acquaintances. These files will prove valuable to researchers who are interested in the way that Sheets's beliefs about the role of art in everyday life impacted the way he conducted business and managed both large and small design projects. The correspondence also reflects Sheets's interest in popular American culture, travel, political issues of the day, and art collecting.

The Membership Files document the wide variety of interests that Sheets maintained through active membership in associations and organizations. The material in this series consists primarily of correspondence, minutes of meetings, and notes which Sheets created or used as he served as a board member or trustee on a number of organizational boards, such as the California Institute of the Arts, the Claremont Colleges, Virginia Steele Scott Foundation, Webb School of California, and Goodwill Industries of Southern California.

Also found in this series is material that documents his interest and participation in various recreational and professional organizations. Sheets maintained a long association with the Economic Roundtable, a group of businessmen who met regularly to give presentations and share discussion on contemporary political and social issues. Sheets was a frequent speaker and his talks given at the Economic Roundtables can be found in Lectures and Speeches, a subseries of the Writings Series.

Included in the Millard Sheets & Associates Designs, Inc. series are records that reflect the day-to-day operations of Sheets's design firm. Found here are chronological copies of correspondence that were sent out, files Sheets maintained on various independent contractors that the design firm frequently used, resumes and letters of recommendation that Sheets received regarding potential employees, as well as records relating to the cost and maintenance of Sheets's office building.

The Teaching and Workshop Files document the instructional activities undertaken by Sheets throughout his career in the arts. Although Sheets became pivotal in establishing a regionally recognized art department at Scripps College in Claremont, California, the files that reflect his academic position there are limited in scope and depth. Researchers will find more substantive the files that he maintained on the numerous art demonstrations and paintings workshops that he conducted privately throughout his career. Sheets traveled extensively around the world through his teaching activities and the files in this series track his path.

Closely related to the Teaching and Workshop Files is the Painting Trips series. The material in these files document Sheets's service as an American Specialist in the Bureau of Educational and Cultural Affairs of the USIS, Department of State. Sheets served two times as a cultural arts representative in Turkey in 1960 and in the former USSR in 1961. Sheets also made numerous trips to South East Asia, which had proved an area of fascination for him since his experiences as a war correspondent in Burma and India in World War II. The files in this series document his painting trips to Tahiti, the Pacific Ocean Rim, and Hawaii. Also found are files that detail his painting activities in Mexico.

The Exhibition Files reflect the records that Sheets maintained regarding his participation in art exhibitions, as well as his files on art shows that he personally directed or organized for public or private groups or organizations. Although Sheets exhibited his work predominantly in the West and Southwest, the files in this series demonstrate that he exhibited both nationally and internationally as well.

Also found within the records for this series are files relating to Sheets's representation of his artwork through established galleries and art agents. The Dalziel Hatfield Galleries of Los Angeles, California, served as his primary agent for most of his painting career. Correspondence between Sheets and the Hatfields provide insight into Sheets's development into a regionally and nationally significant watercolorist and painter. The files relating to the Kennedy Galleries in New York and the Circle Gallery in Chicago reflect Sheets's efforts to maintain a national presence in the arts community.

The Jury Files document Sheets's involvement as a juror in regional, as well, as national shows. The files reveal the great variety of professional watercolor and painting exhibitions in which Sheets participated as either a jury panelist or solo judge.

The Writings Files provide an excellent source for researchers interested in Sheets's philosophical beliefs about the relationship between art and everyday life. His articles, lectures, and speeches predominantly address the role of the artist, the relationships that exist between artists and the community, and the role that art can play in making a fuller, more productive life. Also found in the files of this series are articles written by others about Sheets.

The Biographical Material series provides a short introduction to Millard Sheets. The files consist of the calendars maintained by Sheets and his wife and staff, which were used to coordinate his many commitments and appointments. Also found in the files of this series are family chronologies that were created by Mary Baskerville Sheets. Medical records and resumes provide personal information about Sheets's background and health. A small file of military memorabilia provides information about Sheets's contributions to the war effort in World War II.

The Printed Matter series documents family activities and personalities through publicity clippings. Also found are exhibition catalogs and announcements that Sheets saved regarding other artists. Miscellaneous interests and activities of Sheets are found through magazine articles, brochures, and flyers.

The Photographs series includes photographic documentation for Sheets's artwork, horses, and major projects. A small group of photographs of Sheets are also in this series.

The files in the Artwork series include original drawings by Mary Baskerville Sheets and Millard Sheets.

There is a 4.6 linear foot unprocessed addition to this collection donated 2018 that includes writings; sketchbooks and sketches; photographs and negatives of works of art, images of Millard Sheets and others; printed material, including two scrapbooks; and scattered correspondence regarding Sheet's projects.
Arrangement:
The collection is arranged into fifteen series. Small series, such as Biographical Material are generally based on type of document. Larger series, such as Correspondence or Project Files, are arranged alphabetically by name of correspondent or project. General correspondence has been made into its own series, but other series or subseries may also contain some correspondence. Within particular series, materials have been further divided into subseries which represent particular aspects of the project or event. For example, the Writings Series is further divided into subseries of books and articles, eulogies, and lectures and speeches. An outline listing series and subseries titles and dates follows.

Series 1: Biographical Material, 1907-1982, undated (boxes 1-2; 1.25 linear ft.)

Series 2: Correspondence, 1929-1990, undated (boxes 2-4; 2.75 linear ft.)

Series 3: Personal Business Records, 1933-1980, undated (boxes 5-6; 1.25 linear ft.)

Series 4: Membership Files, 1946-1982, undated (boxes 6-8; 2.5 linear ft.)

Series 5: Millard Sheets & Associates Designs, 1934-1982, undated (boxes 8-9; 1.0 linear ft.)

Series 6: Project Files, 1956-1981, undated (boxes 9-18; 8.25 linear ft.)

Series 7: Teaching and Workshop Files, 1932-1982 (box 18; 0.5 linear ft.)

Series 8: Painting Trips, 1959-1980, undated (box 18; 16 folders)

Series 9: Exhibition Files, 1932-1937, 1951-1988, undated (box 19; 0.75 linear ft.)

Series 10: Jury Files, 1941-1982 (boxes 19-20; 42 folders)

Series 11: Writings, 1936-1988, undated (boxes 20-22; 2.5 linear ft.)

Series 12: Printed Matter, 1936-1922, undated (boxes 22-23; 20 folders)

Series 13: Photographs, 1934-1983, undated (box 23; 17 folders)

Series 14: Artwork, circa 1929, undated (box 23; 2 folders)

Series 15: Unprocessed Addition, circa 1930-2000 (boxes 24, 26-30, OV25: 4.6 linear ft.)
Biographical Note:
"Your painting is a measure of your mind"-Millard Sheets

Millard Sheets, as one of the founding members of the "California Scene Painters," exerted a lasting influence upon subsequent generations of Western painters. He and the small group of painters who worked in California during the 1930s and 1940s, developed a new style of watercolor painting that was at the forefront of the American watercolor movement of the time, and that later gave rise to a subsequent generation of painters who became known as the California Regionalist school.

Sheets was born in Pomona, California on June 24, 1907. His mother died in childbirth, and his father, John Sheets, unprepared to raise a baby alone, sent Millard to Pomona, California to be raised by his maternal grandparents, Lewis and Emma Owen. Sheets's grandfather proved to be a guiding force in his life, and when Sheets's father remarried and offered Millard the opportunity to return to the Sheets household, Millard chose instead to remain with his grandparents.

Sheets's love of horses can be directly traced back to his childhood years spent living at his grandfather's horse ranch. Millard rode his first horse when he was three years old. Throughout his life, Sheets returned to the theme of horses in his paintings, as well as maintaining a private stable of horses, and raising and breeding racehorses.

His interest in art also began in childhood. When he was still a young boy, his two maternal aunts encouraged him to play with crayons and pencils. Sheets took his first painting lesson from a neighbor at the age of seven, and by 1919 he had already submitted artwork to the copy division of the Los Angeles County Fair fine arts show competition. He submitted a drawing he had copied of a tinted photograph of Lake KIlarney, California. Sheets won first prize in his division.

It was through this competition that Millard met Theodore B. Modra, a Polish artist who had retired to the Pomona area. After giving Sheets a lecture on the evils of copying art, Modra offered to give him art lessons.

Sheets continued to pursue his interest in art and enrolled in the Choinard School of Art in Los Angeles, California. By the time that he graduated in 1929, Sheets had also managed to come to the attention of Dalzell and Ruth Hatfield of the Dalzell Hatfield Galleries in Los Angeles, California. The Hatfields were one of the most influential art dealers in Southern California, and that same year, they sponsored Sheets in his first one-man exhibition in 1929. The exhibition brought Sheets to the attention of Western Coast art critics and launched Sheets on his painting career.

In 1929 Sheets also learned that he had won second place in the annual Edgar B. Davis art competition held in San Antonio, Texas. The award came with a cash prize and Sheets made plans to travel to Europe to study and paint. Shortly before his departure, however, he met an art student, Mary Baskerville, and they began a whirlwind romance. With Baskerville's enthusiastic support for European plans, and with her promise that she would wait for him, Sheets departed for New York and then Europe.

While overseas during 1929 and 1930, Sheets studied under Dorfinant, a master printer in Paris. Through his work at this studio workshop, he met Henri Matisse.

Five months after Millard returned to the California in 1930, Sheets and Mary Baskerville married. Sheets worked as the director of the Fine Arts Exhibition of the Los Angeles County Fair. In 1932 Sheets returned to school to study art and humanities at Scripps College in Claremont, California. After graduating from Scripps, school officials approached Sheets with an offer to set up a separate fine arts program and asked him to chair the new department. This was the beginning of a twenty year association with the school. In 1938, he also became the Director of Art at Claremont Graduate School.

Sheets left the school during the years of World War II to serve as a war-time artist and journalist for Life magazine, and from 1943-1944 was stationed on the Burma-India Front. His experiences in Asia appeared to affect him deeply. In contrast to his earlier works which featured backgrounds with neutral tones and brilliant shades that highlighted and punctuated the compositions, the paintings from the wartime featured somber tones. Sheets remarked of this time:

During the fighting and the time I spent in the C-B-1 theater, I was too shaken and intellectually stunned to do any complete paintings. I made many, many sketches, though, as well as a real effort to remember each scene that particularly affected me. Then, once I returned to America, I painted frantically, for months, exorcising demons. [Lovoos, Janice and Edmund F. Penney, Millard Sheets: One-Man Renaissance, Northland Press, Flagstaff, AZ, 1984]

Sheets returned from the war in 1944 and resumed his position at Scripps College until 1955 when he was approached by the Los Angeles County Board of Supervisors and asked to overhaul the fledgling Los Angeles County Art Institute. Sheets accepted the position and spent the next five years reshaping the mission and format of the school, renaming it the Otis Art Institute. In the years after Sheets left the directorship, the school eventually became part of the Parson's School of Design on the West Coast.

In 1953 Sheets founded the Millard Sheets Designs company. He hired between twenty-five and thirty artisans for large projects, with Susan Hertel, a former student of his, serving as his assistant in all the operations of the design studio. The working staff included engineers, registered architects, draftsmen, and artists, and the projects that the firm produced included murals, mosaics, stained glass, and sculpture for private homes and public and commercial businesses.

The design studio completed several major architectural projects throughout the late 1950s through the mid 1970s, including the design and construction of Cal Aero, a flight training school for the US Air Force, the National American Insurance Company offices for the California financier, Howard Ahmanson, Ahmanson Bank and Trust Company in Beverly Hills, many Home Savings and Loan Association Buildings, private residences, and the Scottish Rite Memorial Temples in Los Angeles and San Francisco, among many other projects.

Sheets also designed and completed mural and mosiac work for numerous public buildings in the Los Angeles area, as well as across the nation. Many of the murals and mosiacs were for those buildings designed by his firm while others were done as independent commissions.

In 1968 Sheets first proposed the murals he designed for the Los Angeles City Hall. His design was approved and he was awarded a commission to complete The Family of Man murals over the two main entrances to the Los Angeles City Hall. The murals were completed in 1971 and installed in 1972. Sheets also designed mosiacs and murals for the Mayo Clinic in Minnesota, the Library at Notre Dame University, the Scottish Rite Masonic Temple in Los Angeles, several Home Savings and Loan Association buildings in the Los Angeles area, the Detroit Public Library, and the Dome of the National Shrine of the Immaculate Conception in Washington, DC.

During the early 1960s Sheets participated in the American Specialist Program of the US Department of State. His first assignment was to Turkey in 1960, where he served as a visiting artist. The following year he went to the USSR in the same capacity.

During the early to mid 1950s Sheets became involved with Columbia Pictures and was technical advisor and production designer for a few years.

Millard Sheets was a member of the National Watercolor Society, the American Watercolor Society, the National Academy of Design, the Society of Motion Picture Art Directors, and the Century Association. Sheets actively promoted his own work and was a businessman, an active and prolific artist, instructor, and designer. Millard Sheets died on March 31, 1989 in Gualala, California.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reels LA 10) including a biographical sketch, career resume, and a list of sheets' work prepared in 1964. Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Millard Sheets lent material for microfilming in 1965. Mary B. Sheets, Millard's widow, donated the papers to the Archives of American Art in 1992. Carolyn Owen-Toole, Sheet's daughter, gave a small addition of material in 2018.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Millard Sheets papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Study and teaching  Search this
Art -- California  Search this
Art and society  Search this
Horses -- Breeding  Search this
Watercolorists -- California  Search this
Muralists -- California  Search this
Art -- Philosophy  Search this
Designers -- California  Search this
Genre/Form:
Slides (photographs)
Photographs
Citation:
Millard Sheets papers, circa 1907-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.sheemill
See more items in:
Millard Sheets papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sheemill
Online Media:

James Brooks and Charlotte Park papers, 1909-2010, bulk bulk 1930-2010

Creator:
Brooks, James, 1906-1992  Search this
Park, Charlotte, 1918-2010  Search this
Subject:
Gottlieb, Adolph  Search this
Bolotowsky, Ilya  Search this
Park, Charlotte  Search this
King, William  Search this
Guston, Philip  Search this
New York University  Search this
Southern Methodist University  Search this
United States  Search this
Kootz Gallery (N.Y.)  Search this
Type:
Sketchbooks
Sound recordings
Transcripts
Interviews
Drawings
Photographs
Diaries
Topic:
World War, 1939-1945  Search this
Painters -- New York (State) -- New York  Search this
Abstract expressionism  Search this
Record number:
(DSI-AAA_CollID)8955
(DSI-AAA_SIRISBib)211142
AAA_collcode_broojame
Theme:
Lives of American Artists
Government Sponsorship of the Arts
Audio - Visual
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211142
Online Media:

WASPs Binder: Pictures of Life and Training of the Women's Air Force Service Pilots

Creator:
Haydu, Bernice Falk  Search this
Names:
Avenger Field -- Sweetwater, TX  Search this
United States. Army Air Forces  Search this
United States. Army. Air Corps  Search this
Women Airforce Service Pilots (U.S.)  Search this
Cochran, Jacqueline  Search this
Haydu, Bernice Falk  Search this
Extent:
0.23 Cubic feet ((1 flatbox) (1 slim legal document box))
Type:
Collection descriptions
Archival materials
Songbooks
Photographs
Date:
1942-1944
Summary:
This collection, compiled by Bernice Falk Haydu, a former WASP 44-7, contains original photographs, photocopies of photographs, class rosters, graduation data, copies of certification, a WASP songbook, an original Miss Fifinella color sketch by Walt Disney, and other related material. The photographs are all captioned with information from Mrs. Cliff Deaton, Chief Staff Executive Officer of the WASPs at Avenger Field, Sweetwater, Texas. The material has been grouped in a binder under the following subheadings: Avenger Field; Life on Base; Wishing Well: Flight Training School; Physical Education and Marching; Graduations; VIPs; and a Miscellaneous file.
Scope and Contents:
This collection compiled by Bernice Falk Haydu, a former WASP 44-7, contains original photographs, photocopies of photographs, class rosters, graduation data, copies of certification, a WASP songbook, an original Miss Fifinella color sketch by Walt Disney, and other related material. The photographs are all captioned with information from Mrs. Cliff Deaton, Chief Staff Executive Officer of the WASPs at Avenger Field, Sweetwater, TX. The material has been grouped in a binder under the following subheadings: Avenger Field; Life on Base; Wishing Well: Flight Training School; Physical Education and Marching; Graduations; VIPs; and a Miscellaneous file.

Note: The digital images in this finding aid were repurposed from scans made by an outside contractor for a commercial product and may show irregular cropping and orientation in addition to color variations resulting from damage to and deterioration of the original objects.
Arrangement:
The WASPs Binder: Pictures of Life and Training of the Women's Air Force Service Pilots Collection is arranged in its original order.
Biographical / Historical:
The WASPs (Women's Airforce Service Pilots) learned to fly US Army Air Corps aircraft during WWII. Jacqueline Cochran was director of the 1074 women who earned wings and flew 60 million miles for the US Army Air Corps between November 17, 1942 and December 7, 1944. From light aircraft, the WASPs advanced quickly to fly every air corps aircraft in use at the time. With the exception of aerial gunnery and formation flying, these women received the same training as the male pilots. WASPs ferried planes, towed targets, flew tracking, simulated bombing missions, performed radio control, flight tested aircraft, gave instrument instruction and performed many other duties. Their work allowed more men to participate in aviation combat roles.
General:
NASMrev
Provenance:
Bernice Falk Haydu, Gift, 1989, 1989-0123, NASM
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
Topic:
Aeronautics, Military  Search this
World War, 1939-1945 -- Aerial operations  Search this
World War, 1939-1945  Search this
Women and the military  Search this
Women in aeronautics  Search this
Aeronautics  Search this
Miss Fifinella (Fictitious character)  Search this
Works of art  Search this
Genre/Form:
Songbooks
Photographs
Citation:
WASPs Binder: Pictures of Life and Training of the Women's Air Force Service Pilots, Acc. NASM.1989.0123####, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.1989.0123
See more items in:
WASPs Binder: Pictures of Life and Training of the Women's Air Force Service Pilots
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_collection:sova-nasm-1989-0123
Online Media:

James Brooks and Charlotte Park papers

Creator:
Brooks, James, 1906-1992  Search this
Names:
Kootz Gallery (N.Y.)  Search this
New York University -- Students  Search this
Southern Methodist University -- Students  Search this
United States. Army  Search this
Bolotowsky, Ilya, 1907-1981  Search this
Gottlieb, Adolph, 1903-1974  Search this
Guston, Philip, 1913-1980  Search this
King, William, 1925-2015  Search this
Park, Charlotte  Search this
Extent:
20.1 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Sound recordings
Transcripts
Interviews
Drawings
Photographs
Diaries
Date:
1909-2010
bulk 1930-2010
Summary:
The papers of Abstract Expressionist painters James Brooks and Charlotte Park measure 18.7 linear feet and are dated 1909-2010, bulk 1930-2010. Correspondence, subject files, personal business records, printed material, and a sound recording document his painting career, interests, professional and personal activities. Also found are biographical materials, interviews, writings, and art work. The collection also includes papers of his wife, Abstract Expressionist painter Charlotte Park, regarding her painting career, personal life, activities as executor of James Brooks' estate, and some material concerning the James Brooks and Charlotte Park Brooks Foundation. There is a 1.4 linear foot addition to this collection donated in 2017 that includes 58 "week-at-a-glance" appointment books, three journals and one address/ telephone book of Charlotte Park; a hand written chronology with significant dates and notes; postcards and exhibition announcements sent to Charlotte and James; doodles; and a sketch, possibly by Don Kingman.
Scope and Contents:
The papers of Abstract Expressionist painters James Brooks and Charlotte Park measure 18.7 linear feet and are dated 1909-2010, bulk 1930-2010. Correspondence, subject files, personal business records, printed material, and a sound recording document his painting career, interests, professional and personal activities. Also found are biographical materials, interviews, writings, and art work. The collection also includes papers of his wife, Abstract Expressionist painter Charlotte Park, regarding her painting career, personal life, activities as executor of James Brooks' estate, and some material concerning the James Brooks and Charlotte Park Brooks Foundation. There is a 1.4 linear foot addition to this collection donated in 2017 that includes 58 "week-at-a-glance" appointment books, three journals and one address/ telephone book of Charlotte Park; a hand written chronology with significant dates and notes; postcards and exhibition announcements sent to Charlotte and James; doodles; and a sketch, possibly by Don Kingman.

Biographical materials include biographical notes and documents such as copies of birth and death certificates, curricula vitae, family history. Educational records are from Southern Methodist University and documentation of flight training courses at New York University. Brooks' military service in World War II is well documented by United States Army records with related correspondence. Also found is extensive documentation of his death and funeral.

Professional and personal correspondence is addressed to Brooks, the couple, and to Charlotte Park during the later years of Brooks' life when she managed his affairs. A significant amount of correspondence is categorized as art, autograph requests, personal, and teaching; also include is general correspondence that overlaps all categories. Art correspondence with museums, galleries, collectors, artists, and friends concerns exhibitions, Brooks' work, and invitations to exhibit, speak, or serve as a juror. Of note is the correspondence with Samuel M. Kootz Gallery. The personal correspondence is mainly social, and teaching correspondence consists largely of requests that he teach in summer programs, serve as a visiting artist/critic.

Six interviews with James Brooks are in the form of published and unpublished transcripts; a seventh is a sound recording with no known transcript. Charlotte Park participates in one interview.

Writings by Brooks are statements about his work and a tribute to Ilya Bolotowsky. Among the writings by others about Brooks are a catalog essay, academic papers, and lecture; also found are a few short pieces on miscellaneous topics. Three diaries include brief entries regarding his work, exhibitions, and activities.

Subject files maintained by Brooks concerning organizations, exhibitions, mural projects, a commission and teaching document his professional activities, relationships and interests. Personal business records concern appraisals, conservation, gifts, insurance, loans, sales, shipping, and storage of artwork. Gallery records include agreements, consignments, lists, and receipts. Also, there are accounts for lettering work and personal income tax returns.

Printed material is mostly exhibition announcements, invitations, catalogs, and checklists, as well as articles and reviews. The majority are about/mention Brooks or include reproductions of his work; some concern artist friends, former students, and others.

Artwork by Brooks consists of pencil and ink drawings, two sketchbooks, and "telephone doodles." Other artists include Adolph Gottlieb (ink drawing of sculpture), Philip Guston (three pencil drawings of Brooks), and William King (two silhouettes of Brooks).

Photographic materials (photographs, digital prints, negatives, slides, and color transparencies) provide extensive documentation of Brooks' artwork and, to a lesser extent, exhibitions.There are pictures of Brooks as a very young boy, though the most views of him date from the 1930s through 1980s, and with friends. Places include Brooks' homes and studios in Montauk, New York and the Springs, East Hampton, New York; travel to Maine, Oregon and California. Views of the Middle East from World War II show Brooks with colleagues, local people engaged in daily activities, and scenery. Also of note are a copy print of "The Irascibles" by Nina Leen, and attendees at the dedication of Flight dining in view of Brook's LaGuardia Ariport mural.

Charlotte Park papers document the professional career and personal life of the Abstract Expressionist painter, art teacher, and wife of James Brooks through correspondence, personal business records, exhibition records, printed material, and photographs. In addition, this series documents artwork in the estate of James Brooks and posthumous exhibitions. Twelve years younger than her husband, Park began handling business matters for him as he aged and developed Alzheimer's disease. She also served as his executor. In the 1990s, a curator assumed management of the artwork and loans for exhibitions. After the James Brooks and Charlotte Park Brooks Foundation was established in 2000, its director handled most business activities. Some copies of Foundation minutes and correspondence are found among Park's papers.
Arrangement:
The collection is arranged in 11 series:

Series 1: Biographical Materials, 1924-1995 (Box 1, OV 19; 0.6 linear feet)

Series 2: Correspondence, 1928-1995 (Boxes 1-3; 1.7 linear feet)

Series 3: Interviews, 1965-1990 (Box 3; 0.2 linear feet)

Series 4: Writings, 1952-1999 (Box 3; 0.4 linear feet)

Series 5: Diaries, 1975-1984 (Box 3; 0.1 linear feet)

Series 6: Subject Files, 1926-2001 (Boxes 3-5, OV 20; 2.0 linear feet)

Series 7: Personal Business Records, 1932-1992 (Boxes 5-6; 1.0 linear feet)

Series 8: Printed Material, 1928-1992 (Boxes 6-11, OV 21-OV 22; 4.8 linear feet)

Series 9: Artwork, 1930s-1992 (Box 11; 0.2 linear feet)

Series 10: Photographic Materials, 1909-2000s (Boxes 11-15; 4.1 linear feet)

Series 11: Charlotte Park papers, 1930s-2010 (Boxes 15-18, OV 23; 3.6 linear feet)

Series 12: Unprocessed Additition, circa 1930-2010 (Boxes 25-26; 1.4 linear feet)
Biographical / Historical:
James Brooks (1906-1992) and Charlotte Park (1919-2010) were Abstract Expressionist painters in East Hampton, N.Y. A native of St. Louis, Missouri, Brooks spent his childhood in Colorado, Oklahoma, Illinois, and Texas. He begn drawing as a young boy, finding inspiration in magazine illustrations and comic strips. Before moving to New York City in 1926, he studied at Southern Methodist University (1923-1924) and at the Dallas Art Institute.

In New York, Brooks studied illustration at the Grand Central Art School. After exposure to museums led him to differentiate between illustration and fine art, Brooks enrolled at Art Students League. During this period he supported himself by doing lettering for magazine advertisements. From 1936-1942 he participated in the WPA Federal Art Project, executing murals at Woodside Library, Queens, New York (destroyed); the Post Office, Little Falls, New Jersey; and his famous Flight at LaGuardia Airport's Marine Air Terminal (painted over in the 1950s and restored in 1980).

During World War II Brooks served in the United States Army as an art correspondent in Cairo. When at the Office of Special Services, Washington, DC, he met Charlotte Park who worked there as a graphic artist and later became his wife. The couple moved to New York City in 1945 and married in 1947. Brooks resumed friendships with artists he knew from the WPA including Philip Guston, Bradley Walker Tomlin, and Jackson Pollock. Brooks and Park were especially close with Pollock and Lee Krasner; after they moved to Long Island, Brooks and Park, soon followed, first to Montauk and later to the Springs, East Hampton, New York.

By the late 1940s, Brooks had turned away from figural painting in the social realist style and moved toward abstraction. In the early 1950s, he was experimenting with enamel, gouache, and diluted oil paints, staining various grounds in ways that produced interesting shapes, adding spontaneous splashes of color over which he painted more deliberately. In the 1960s he switched to acrylics, leading to wider use of color and broader strokes.

Peridot Gallery presented Brooks' first solo exhibition in 1949. He helped organize and participated in the famous Ninth Street Show of 1951, earning critical acclaim. This assured him a place in two of the Museum of Modern Art's most important exhibitions of the period, Twelve Americans (1956) and New American Painting (1958). He showed at the Stable Gallery, Kootz Gallery, Martha Jackson Gallery and others. During his lifetime Brooks enjoyed five traveling retrospective exhibitions.

Prizes and awards included Carnegie Institute's Pittsburgh International Exhibition 5th prize for painting (1952), The Art Institue of Chicago's 62nd American Exhibition Logan Medal and Prize for Painting (1957) and 64th American Exhibition Harris Prize (1961), The National Arts Club Medal (1985), and a citation of appreciation for Flight from The North Beach Club Marine Air Terminal, LaGuardia Airport (1986).

Brooks taught for nearly three decades: drawing at Columbia University (1947-1948) and lettering at Pratt Institute (1948-1955); was a visiting critic, Yale University (1955-1960), University of Pennsylvania (1971-1972), and Cooper Union (1975); and served on the Queens College faculty (1966-1969). In addition, he was an artist-in-residence at The American Academy in Rome (1963), the recipient of a Guggenheim Fellowship (1969), and a National Endowment for the Humanities Grant (1973).

Brooks developed Alzheimer's disease around 1985 and died in East Hampton, New York in 1992.

Charlotte Park graduated from the Yale School of Fine Art (1939) and during World War II, when working in Washington, D.C., she met James Brooks. They moved to New York City in 1945, where she studied with Australian artist Wallace Harrison. Park taught children's art classes at several private schools in the early 1950s and at the Museum of Modern Art, 1955-1967.

Park's approach to Abstract Expressionism featured curved or linear shapes with vibrant colors and dynamic brushstrokes. Tanager Gallery presented her first solo show in 1957 and her work was included in numerous group exhibitions from the 1950s through 2000s, mainly in New York City and Long Island. After Park's second solo exhibition, held in 1973 at Elaine Benson Gallery, Bridgehampton, New York, interest in her work revived; other one-person shows followed at Guild Hall (1979), Ingber Gallery (1980), and paired with James Brooks at Louise Himelfarb Gallery. The National Institute of Arts and Letters honored Park with its Art Award in 1974. Her work is in the permanent collections of the Parrish Art Museum, Guild Hall Museum, Telfair Museum of Art, and in many private collections.

Charlotte Park died in 2010.
Related Materials:
Also among the Archives of American Art's holdings are letters from James Brooks and Sean Scully, 1980-1989 addressed to Theodora ["Teddy"] S. Greenbaum, and an oral history interview with James Brooks conducted by Dorothy Seckler, 1965 June 10 and June 12.
Separated Materials:
Correspondence, interview transcripts, photographs, and printed material were loaned by James Brooks for microfilming in 1969 (reel N69-132). With the exception of an address book, a scrapbook, and a few photographs, Brooks donated almost all of the loan in 1979.
Provenance:
The majority of the collection was donated in 2013 by the James Brooks and Charlotte Brooks Foundation and an additional 1.4 linear feet donated 2017 by the Foundation. In 1979 James Brooks donated most of the material lent for microfilming in 1969.
Restrictions:
ACCESS RESTRICTED: Use of original material requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access requires written permission from The James Brooks and Charlotte Park Brooks Foundation. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The James Brook and Charlotte Park papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
World War, 1939-1945  Search this
Painters -- New York (State) -- New York  Search this
Abstract expressionism  Search this
Genre/Form:
Sketchbooks
Sound recordings
Transcripts
Interviews
Drawings
Photographs
Diaries
Citation:
James Brooks and Charlotte Park papers, 1909-2010, bulk 1930-2010. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.broojame
See more items in:
James Brooks and Charlotte Park papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-broojame

James Vernon Martin Papers

Creator:
Martin, James Vernon, 1885-1956  Search this
Names:
Aeromarine Plane & Motor Co.  Search this
Harvard Aeronautical Society  Search this
Harvard Boston Aero Meet  Search this
Manufacturers Aircraft Association  Search this
Martin Aeroplane Co (Martin, James Vernon)  Search this
Martin Aeroplane Factory (Martin, James Vernon)  Search this
United States. Merchant Marine  Search this
Martin, James Vernon, 1885-1956  Search this
Martin, Lilly Irvine  Search this
Extent:
2.25 Cubic feet ((5 legal document boxes))
Type:
Collection descriptions
Archival materials
Correspondence
Photographs
Publications
Drawings
Financial records
Date:
1885-1956
Scope and Contents:
This collection consists of material documenting Martin's life. The material includes letters, photos, and documents relating to his Merchant Marine career and his aircraft and aeronautical inventions. Also included are documents pertaining to his conspiracy charges against the government and aircraft industry.
Biographical / Historical:
James Vernon Martin (1885-1956) was an aviator and inventor during the early days of aviation. He joined the Merchant Marine (1900) before attending the University of Virginia and Harvard (graduate degree, 1912). While at Harvard he organized the Harvard Aeronautical Society (1910), served as its first director, and, through the Society, organized the first international air meet in the United States (1910). He traveled to England in January 1911 for flight training and received Royal Aero Club F.A.I. Certificate #55. After returning to the U.S. in June 1911, he traveled the exhibition circuit (1911-13) before rejoining the Merchant Marine as commander of USS Lake Frey (1914). During 1915 he flew flight test for the Aeromarine Co. In 1917, he formed the Martin Aeroplane Company in Elyria, OH on the strength of nine aeronautical patents, including his automatic stabilizer (1916) and retractable landing gear (1916). In 1920 he moved the concern to Dayton, OH as Martin Enterprises and offered free use of his patents to the American aeronautical industry. He moved to Garden City (Long Island), NY in 1922, called the company the Martin Aeroplane Factory, and, two years later, sued the United States government and the Manufacturers Aeronautical Association, claiming that they conspired to monopolize the aviation industry. The suit was dismissed in 1926, but Martin continued to press his claims of collusion through the 1930s. During World War II he again returned to the sea, commanding a troop transport in the Pacific. Afterwards he tried to raise interest in a large catamaran flying boat, the Martin 'Oceanplane', but failed in the face of the growth in commercial trans-ocean service by conventional aircraft.
General:
NASMrev
Provenance:
No donor information, gift, unknown, XXXX-0162, unknown
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
Topic:
Aeronautics -- Law and legislation  Search this
Aeronautics -- Exhibitions  Search this
Aeronautics -- Competitions  Search this
Aeronautics -- 1903-1916  Search this
Aircraft industry -- United States  Search this
Aircraft industry  Search this
Aeronautics  Search this
Periodicals  Search this
Genre/Form:
Correspondence
Photographs
Publications
Drawings
Financial records
Identifier:
NASM.XXXX.0162
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_collection:sova-nasm-xxxx-0162

Colonel Alexis B. McMullen Collection

Creator:
McMullen, Alexis B.  Search this
Names:
National Association of State Aviation Officials  Search this
United States. Army Air Forces. Air Transport Command. North African Division  Search this
Cody, Mabel  Search this
McMullen, Alexis B.  Search this
Extent:
28.15 Cubic feet (25 records center boxes; 2 legal document boxes; 1 flatbox)
Type:
Collection descriptions
Archival materials
Clippings
Maps
Publications
Photographs
Drawings
Manuscripts
Diaries
Correspondence
Date:
1915-1983
Scope and Contents:
This collection spans A.B. McMullen's aviation career and interests, from his involvement in WWI until his death. This collection includes correspondence, both personal and business, reports/material from his aviation corporations/distributorships and stint as Director of Florida Aviation and career in the NASAO. Also included are photographs, articles and newspaper clippings of his career as a barnstormer and of his military career.
Biographical / Historical:
Colonel Alexis B. McMullen participated in American aviation activities at the local, state and national level over a period of some 50 years, as well as international activities during two world wars. A.B. McMullen learned to fly during WWI, and he became an Aerobatic Flight Instructor and Base Engineering Officer. After the war, he barnstormed with Mabel Cody and owned/operated flying schools, aviation corporations and distributorships. In 1933 he became Florida's first State Director of Aviation. Under his leadership in this position, 84 new airports and flight strips were constructed and the first comprehensive state aviation map was published. From 1936-1942 McMullen served as Chief, Airports Section Bureau of Air Division. During WWII he actively served as Deputy Commander North African Division of Air Transport Command (ATC), stationed in Morocco. After the war he established the Washington, D.C. Headquarters of the National Association of State Aviation Officials (NASAO) which he continued to serve with until his retirement.
General:
NASMrev
Provenance:
Sarah Ann Lindsey, gift, 1990, 1990-0060, NASM
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
Topic:
Aeroanutics -- Florida  Search this
Aeronautics -- Law and legislation  Search this
Aeronautics, Military  Search this
Aeronautics, Commercial -- United States  Search this
Aeronautics, Commercial  Search this
Aeronautics -- Exhibitions  Search this
Aeronautics  Search this
Flight training  Search this
Periodicals  Search this
Genre/Form:
Clippings
Maps
Publications
Photographs
Drawings
Manuscripts
Diaries
Correspondence
Identifier:
NASM.1990.0060
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_collection:sova-nasm-1990-0060

Arthur Raymond Brooks Collection

Creator:
Brooks, Arthur Raymond, 1895-1991  Search this
Names:
Bell Telephone Laboratories  Search this
Florida Airways Corp  Search this
United States. Army. Air Service. 22nd Pursuit Group  Search this
United States. Department of Commerce. Aeronautics Branch  Search this
Brooks, Arthur Raymond, 1895-1991  Search this
Extent:
13.72 Cubic feet (31 boxes)
Type:
Collection descriptions
Archival materials
Correspondence
Financial records
Diaries
Drawings
Publications
Photographs
Videotapes
Date:
1910-1988
Summary:
This collection consists of the personal papers and memorabilia of Arthur Raymond Brooks. It includes photographs, correspondence, documents, and certificates relating to Brooks' aviation career, as well as personal correspondence, photographs, and diaries (1907-87).
Scope and Contents:
This collection consists of the personal papers of Arthur Raymond Brooks. These papers relate to his military career with the U.S. Army Air Service (1917-22), his years in both civilian government service and the private sector (1923-60), as well as a lifetime's involvement in numerous military, academic, aeronautical, and professional associations and organizations. Additionally, there are examples of correspondence and autographed photographs from such aerospace notables as Eddie Rickenbacker, Jimmy Doolittle, Billy Mitchell, Clayton Bissell, Reed Chambers, and Michael Collins.

The collection is arranged into two broad series. First, is the material relating to his professional life. This includes Brooks' official military documents (U.S. Army commission, discharge papers, etc.), correspondence, reports, photographs (mostly from his time spent as an Air Service officer in France and the U.S.), handbooks, manuals, brochures, programs, speeches, magazines, newsletters, newspaper clippings, and articles. The second series contains items pertaining mainly to his personal life. Included here are personal documents such as income tax receipts, last will and testament, correspondence, photographs (both largely from and of family and friends), diaries, biographical notes, transcripts from audio tape cassettes, logbooks, travel guides, and books. Miscellaneous materials retained by Brooks such as a commemorative medallion, prints, posters, publications, a stamp album, photograph albums, newspapers, and address books are also found in this series.

Brooks' papers are arranged both chronologically and alphabetically. Official military and personal documents, correspondence, reports, photographs, brochures, programs, newspaper clippings and articles, diaries and day timers, biographical notes, transcriptions, logbooks, travel guides, maps, atlases, timetables, and newspapers are organized by the former method. Handbooks, instructions, manuals, magazines, and newsletters are grouped alphabetically by title. The books are arranged alphabetically by author.
Arrangement:
Series 1: Professional material

1.1 Official military documents

1.2 Correspondence

1.3 Reports

1.4 Handbooks, instructions, and manuals

1.5 Photographs

1.6 Brochures

1.7 Programs

1.8 Magazines

1.9 Newsletters

1.10 Newspaper clippings and articles

Series 2: Personal materials

2.1 Personal documents

2.2 Correspondence

2.3 Diaries and day-timers

2.4 Photographs

2.5 Biographical notes

2.6 Transcripts

2.7 Logbooks

2.8 Travel guides, maps, atlases, and train/airline timetables

2.9 Books

2.10 Miscellaneous materials

2.11 Oversized materials

2.12 Posters, prints and maps

2.13 Newspapers and newspaper supplements
Biographical/Historical note:
Arthur Raymond Brooks (1895-1991) was a fighter pilot for the U.S. Army Air Service during World War I and later, a civil aviation pioneer. Born in Framingham, Massachusetts on November 1, 1895, Brooks graduated from the Massachusetts Institute of Technology (MIT) in 1917 with a Bachelor of Science degree in electrochemical engineering. In July of that year, he enlisted in the Aviation Section of the U.S. Army Signal Corps. His flight training was provided by the Royal Flying Corps' School of Military Aeronautics in Toronto, Ontario, Canada. He was then sent for further flight training to Fort Worth, Texas where he flew with the 139th Squadron, 2nd Pursuit Group. In March 1918, Brooks left for France and completed pursuit training at the 3rd Aviation Instruction Center, American Expeditionary Force (AEF), at Issoudun. The 139th was placed at the Vaucouleurs Aerodrome, Toul sector, where the squadron was equipped with SPAD VII aircraft. Brooks was eventually made its flight commander. By early August, he was assigned as flight commander of the 22nd Aero Squadron, 2nd Pursuit Group. His new squadron was supplied with SPAD XIII pursuit craft. Altogether, he flew 120 missions in four different aircraft. He named each of the aircraft Smith in honor of his fiancée (Ruth Connery) who was attending Smith College in Massachusetts. The final plane he flew in combat, the Smith IV, is on display at the Smithsonian Institution's National Air and Space Museum.

On July 29, 1918, Brooks achieved his first confirmed aerial victory by downing a German Fokker aircraft. Later, he destroyed two more Fokkers while flying over enemy lines on September 14. On that day, Brooks single-handedly engaged eight enemy aircraft in combat thus, earning him the Distinguished Service Cross. By the war's end, he had six confirmed kills to his credit.

Following the armistice of November 11, 1918, Brooks remained in France as the 22nd Squadron's commanding officer. His squadron was kept in reserve for possible German occupation duty. Upon his return to the United States in July 1919, Brooks was promoted to Captain. He decided to stay in the Air Service and was subsequently assigned as commanding officer for the 95th Pursuit Squadron, stationed at Kelly Field, Texas. From May 1920 to August 1921, he was put in charge of the 1st Pursuit Group at Ellington Field, Texas. Following that assignment, Brooks attended Air Service Field Officer's School, Langley Field, Virginia. After graduation, he stayed on duty at Langley Field until his resignation from the U.S. Army Air Service in December 1922. This action was spurred both by Brooks' frustration with being on the Army's stagnant promotion list and an interest in entering the private sector. During 1920-21, while in the service, he was involved in a failed Framingham-based commercial aviation business called the Brooks, Banks and Smith Corporation. Also in 1920, Brooks married Ruth. Their only child, Peter, was born in 1929.

Brooks' first job after his honorable discharge from the Air Service was as secretary for the National Automobile Association during 1923-24. During 1924-25, he worked in advertising sales for the financial magazine, United States Investor. Once again, his desire to be engaged in commercial aviation compelled him to become involved in establishing and organizing the Florida Airways Corporation from late 1925 into 1926. In time, Florida Airways became Eastern Airways. Brooks left this financially struggling enterprise and joined the Department of Commerce's Aeronautics Branch in August 1926. For the next seventeen months, he worked as an airway extension superintendent and associate airways engineer. His main task with the Aeronautics Branch was to survey air routes and supervise the installation of beacons to assist air mail pilots navigate the Appalachian Mountains from Virginia to Pennsylvania. He left government service in early 1928 and was hired by Bell Telephone Laboratories. He spent the next few decades working as a scientist, engineer and chief pilot for the company at Hadley Field, New Jersey. There, Brooks and his staff conducted pioneering research on ground-to-air radiotelephone communications and electronic aviation navigation equipment. During much of this period, he piloted a Fairchild FC2-W Wasp and a Ford Tri-Motor that operated as flying laboratories for the team's communications research. He was Bell's publications manager for New Jersey operations at the time of his retirement in 1960.

Brooks stayed active in aviation for the remainder of his life. Even in his nineties, he enjoyed flying all sorts of aircraft, including ultralights, gliders and hot-air balloons. He belonged to many aviation-related and professional associations and organizations such as the American Legion, Military Order of the World Wars, Combat Pilots Association, Order of Daedalians, OX-5 Aviation Pioneers Association, Telephone Pioneers of America, Cross and Cockade, Associate Fellow of the American Institute for Aeronautics and Astronautics, Quiet Birdmen, WWI Overseas Flyers and the American Fighter Aces Association. Brooks also remained involved with the alumni affairs of his alma mater – MIT. He attended numerous air shows and reunions, including the sixty-fifth, and final reunion, held for the Lafayette Flying Corps in Paris, France in 1983. In 1980, he was inducted into the Aviation Hall of Fame of New Jersey. Brooks lived long enough to see his Smith IV restored by the National Air and Space Museum during the 1980s. Brooks, the last surviving American World War I ace, died in Summit, New Jersey, on July 17, 1991.
General note:
Other materials: medals and memorabilia transferred to NASM Aeronautics Division.
Provenance:
A. Raymond Brooks, Gift, 1989, NASM.1989.0104
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Topic:
Fighter pilots  Search this
Works of art  Search this
SPAD XIII (S.13) "Smith IV"  Search this
Aeronautics  Search this
Periodicals  Search this
Aeronautics, Military  Search this
Genre/Form:
Correspondence
Financial records
Diaries
Drawings
Publications
Photographs
Videotapes
Citation:
Arthur Raymond Brooks Collection, NASM.1989.0104, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.1989.0104
See more items in:
Arthur Raymond Brooks Collection
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_collection:sova-nasm-1989-0104
Online Media:

George W. Beatty Collection

Creator:
Beatty, George W., -1955  Search this
Names:
Early Birds of Aviation (Organization).  Search this
Wright Flying School  Search this
Beatty, George W., -1955  Search this
Page, Handley  Search this
Wright, Orville, 1871-1948  Search this
Extent:
0.63 Linear feet
0.68 Cubic feet (1 legal document box; 1 20 x 24 x 3 flatbox; 1 slim legal document box)
Type:
Collection descriptions
Archival materials
Publications
Correspondence
Photographs
Drawings
Date:
1910-1955
bulk 1910-1912
Summary:
George W. Beatty (-1955) was an Early Bird, aviator, and instructor.
Scope and Contents:
The George W. Beatty Collection (accessions 1989-0013 and 1991-0069) contains approximately one cubic foot of material relating to the career of this pioneering aviator. The bulk of the material dates from 1910 to 1912 and includes an Early Birds plaque, several small banners from flying meets, and a 1928 letter from Orville Wright. The collection also includes correspondence, a great deal of photographic material, and scrapbooks.
Arrangement note:
Original order, when identified, has been maintained.

SERIES Series in the collection are as follows:

Series I: Documentary Material Series II: Photographic Material Series III: Oversized Materials
Biographical/Historical note:
Born in 1887 or 1888 in Whitehouse, New Jersey, George W. Beatty was employed as a young man as a linotype operator. He was shortly to enter the field that would define much of his life. In June of 1911 he enrolled at the Wright School at Nassau to be taught by Al Welsh. Soloing on July 23 of that year, he set a new two-man American altitude record on the same day. Throughout that summer, Beatty would set several more records, in altitude, weight-carrying and duration. On August 6, 1911, Beatty obtained license number 41 and subsequently attended meets where he was to break several American and world records. Also in that year, he would become the first to fly a plane in which air to ground communication was maintained throughout the flight.

Early in 1912, Beatty established a school on Long Island. Its proximity to New York allowed Beatty to become the first person to land on Manhattan when he flew over the city and into Central Park. He would soon need to take his skills elsewhere, however. After the unfortunate death of Al Welsh, Beatty took the place of his former instructor at College Park, Maryland, testing aircraft for the government.

The next year, Beatty shipped his Wright plane to England. The aircraft had by now been equipped with a GYRO seven-cylinder rotary motor. He formed a partnership with Handly-Page to establish a flying school at the Hendon Aerodrome, outside of London. This venture was highly successful and was to produce over one thousand fliers for the Royal Air Force. After the war, Beatty worked for a Parisian motorcycle manufacturer and remained in Europe for nineteen years.

In later life, Beatty was to return to the field of his youth, working for the Hughes Printing Company. On February 21, 1955, George W. Beatty, a member of the Early Birds and an outstanding figure in early aviation, passed away at 67.

George W. Beatty (-1955) was an Early Bird, aviator and instructor. After finishing school, Beatty became a mechanic and linotype operator. In 1909 he became interested in a New York gliding club and assisted in the construction of an unsuccessful home-built Santos-Dumont Demoiselle. In 1911 he entered the Wright Flying School and received his license in July of that year. He spent much of the remaining years before World War I carrying passengers, flying exhibitions, and instructing, both in England and the United States. In February 1914 he established a flying school at Hendon, near London, in cooperation with Handley Page and instructed military pilots during the war. Following the war he returned to the US and became superintendent of the Hughes Printing Company, where he remained until his death.
General note:
Other materials: Artifacts from this collection were transferred to the NASM Aeronautics Division; books were transferred to the NASM branch Library.
Provenance:
The National Air and Space Museum (NASM) received these materials in 1988, a donation from Louise Beatty.

Louise Beatty, gift, 1988, 1991, 1989-0013, 1991-0069, NASM
Restrictions:
No restrictions on access.
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit and Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Topic:
Aeronautics  Search this
Aeronautics, Commercial -- United States  Search this
Flight training  Search this
Aeronautics -- 1903-1916  Search this
Aeronautics -- Exhibitions  Search this
Aeronautics, Military  Search this
Genre/Form:
Publications
Correspondence
Photographs
Drawings
Citation:
George W. Beatty Collection, Acc. 1989-0013, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.1989.0013
See more items in:
George W. Beatty Collection
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_collection:sova-nasm-1989-0013
Online Media:

Flight Training School Müncheberg (Rumpler) to Pilot Replacement Department 4

Collection Creator:
Seypelt, Albert Willibald, -1966  Search this
Container:
Box 1, Folder 75
Type:
Archival materials
Text
Date:
1927
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
Collection Citation:
Albert Willibald Seypelt Collection, Acc. NASM.1985.0011####, National Air and Space Museum, Smithsonian Institution.
See more items in:
Albert Willibald Seypelt Collection
Albert Willibald Seypelt Collection / Aviation Certificates, Licenses, and Memorabilia
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-1985-0011-ref580

Pressure Suit, Sokol KV-2, Dennis Tito

Astronaut:
Dennis Tito  Search this
Manufacturer:
Zvezda  Search this
Materials:
Synthetic canvas (beta cloth), elasticized elbow and knees, Metal rings at neck and wrists
Dimensions:
Overall: 5ft 3 1/2in. x 2ft 4in. x 9in. (161.29 x 71.12 x 22.86cm)
Approximate (object on plex seated mount): 69.9 × 68.6 × 139.7cm, 10kg (27 1/2 × 27 × 55 in., 22lb.)
Type:
PERSONAL EQUIPMENT-Uniforms: Civil
Country of Origin:
Russia
Credit Line:
Gift of Dennis Tito
Inventory Number:
A20030122000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Location:
National Air and Space Museum in Washington, DC
Exhibition:
Moving Beyond Earth
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv9f4b039a6-0d89-496b-96ac-2173da7ba1df
EDAN-URL:
edanmdm:nasm_A20030122000
Online Media:

Paul MacCready Innovative Lives Presentation

Creator:
Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation.  Search this
Interviewee:
Judd, Michael  Search this
MacCready, Paul, 1925-  Search this
Extent:
0.25 Cubic feet (1 box)
Type:
Collection descriptions
Archival materials
Betacam sp (videotape format)
Oral history
Interviews
Videotapes
Date:
November 8, 2002
Scope and Contents:
Collection includes nine (9) original Beta Cam SP videos documenting interviews with Paul MacCready, the father of human powered flight. MacCready invented the Gossamer Condor and Gossamer Albatross.
Biographical / Historical:
Born September 25, 1925 in New Haven, Connecticut. He began flying in his teens and received formal flight training from the Navy during World War II. After the war, MacCready earned a physics degree from Yale University and a doctorate in aeronautical engineering from California Institute of Technology.
Provenance:
Created by the Innovative Lives Program of the Lemelson Center for the Study of Invention and Innovation, National Museum of American History.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Solar energy -- 20th century  Search this
Gliders (Aeronautics)  Search this
Physics -- 20th century  Search this
Engineering -- 20th century  Search this
Aeronautics -- 20th century  Search this
Genre/Form:
BetaCam SP (videotape format)
Oral history -- 2000-2010
Interviews -- 2000-2010
Videotapes
Citation:
Paul MacCready Innovative Lives Presentation, November 8, 2002, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0842
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0842

First women to attend flight training for U.S. Navy

Maker:
Associated Press  Search this
Physical Description:
paper (overall material)
Measurements:
overall: 6 1/8 in x 8 3/8 in; 15.5575 cm x 21.2725 cm
Object Name:
gelatin silver print
Date made:
1973-03-01
Subject:
U. S. Navy  Search this
Women  Search this
ID Number:
2013.0327.0963
Catalog number:
2013.0327.0963
Accession number:
2013.0327
See more items in:
Work and Industry: Photographic History
Military
Photography
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b2-c900-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1816131

Phyllis Diller’s Gag File

Manufacturer:
Art Steel Company, Inc.  Search this
Maker:
Diller, Phyllis  Search this
Art Steel Company, Inc.  Search this
Physical Description:
steel (overall material)
paper (overall material)
ink (overall material)
adhesive (overall material)
Measurements:
overall: 48 in x 40 in x 17 1/4 in; 121.92 cm x 101.6 cm x 43.815 cm
Object Name:
file
Place made:
United States: New York, New York City
Date made:
ca 1962 - 1994
Subject:
Humor  Search this
Comedians  Search this
Credit Line:
Gift of Phyllis Diller
ID Number:
2003.0289.01.01
Accession number:
2003.0289
Catalog number:
2003.0289.01.01
See more items in:
Cultural and Community Life: Entertainment
Popular Entertainment
Phyllis Diller
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ab-40b6-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1218385
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Eisenhower Jacket

Associated Name:
Eisenhower, Dwight D.  Search this
Physical Description:
wool (overall material)
Measurements:
overall: 24 in x 17 in; 60.96 cm x 43.18 cm
across shoulders: 17 in; x 43.18 cm
sleeves: 26 in; 66.04 cm
Object Name:
jacket
Associated Place:
United States
Date made:
ca 1944
Related event:
World War II  Search this
The Great Depression and World War II  Search this
ID Number:
1994.0388.01
Accession number:
1994.0388
Catalog number:
1994.0388.01
See more items in:
Political and Military History: Armed Forces History, Military
Military
ThinkFinity
Exhibition:
Price of Freedom
Exhibition Location:
National Museum of American History
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746aa-b9e1-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1218893

Coat, Service, French Air Service, Edwin Parsons

Owner:
Rear Admiral Edwin C. Parsons, 1892 - 1968  Search this
Materials:
Wool, cotton
Dimensions:
Clothing: 78.7 x 45.7cm (31 x 18 in.)
Type:
PERSONAL EQUIPMENT-Uniforms: Military
Country of Origin:
France
Credit Line:
Donated by Mrs. Edwin C. Parsons
Inventory Number:
A19772563000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv96312f532-fbef-4298-a247-bfaa4f8f6002
EDAN-URL:
edanmdm:nasm_A19772563000
Online Media:

William Ayers Campbell

Artist:
Betsy Graves Reyneau, 1888 - 1964  Search this
Sitter:
William Ayers Campbell, 12 Apr 1917 - 24 Apr 2012  Search this
Medium:
Oil on canvas
Dimensions:
106.7cm x 78.7cm (42" x 31"), Accurate
Type:
Painting
Date:
1944
Topic:
Exterior\Sky  Search this
Vehicle\Airplane  Search this
Equipment\Goggles  Search this
Costume\Headgear\Hat\Aviator  Search this
William Ayers Campbell: Male  Search this
William Ayers Campbell: Education\Educator\Professor  Search this
William Ayers Campbell: Science and Technology\Aviator  Search this
William Ayers Campbell: Military\Air Force\Officer\Pilot  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of the Harmon Foundation
Object number:
NPG.67.92
Restrictions & Rights:
Usage conditions apply
Copyright:
© Peter Edward Fayard
See more items in:
National Portrait Gallery Collection
Exhibition:
The Struggle for Justice
On View:
NPG, West Gallery 220
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4a56c167a-21f2-47dc-beaa-267ee6f884ed
EDAN-URL:
edanmdm:npg_NPG.67.92

Delegate

Published by:
MelPat Associates, American, 1965 - 1986  Search this
Created by:
C. Melvin Patrick, American, died 1985  Search this
Subject of:
United Negro College Fund, American, founded 1944  Search this
Billy Dee Williams, American, born 1937  Search this
National Association for Equal Opportunity in Higher Education, American, founded 1969  Search this
National Urban Affairs Council, American, founded 1971  Search this
National Association of Market Developers, American, founded 1953  Search this
Prince Hall Freemasonry, founded 1784  Search this
Opportunities Industrialization Center of America, Inc., American, founded 1964  Search this
Harold Washington, American, 1922 - 1987  Search this
National Newspaper Publishers Association, American, founded 1827  Search this
Top Ladies of Distinction, Inc., American, founded 1964  Search this
National Association for the Advancement of Colored People, American, founded 1909  Search this
Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this
Iota Phi Lambda Sorority, Inc., American, founded 1929  Search this
Chi Eta Phi Sorority, Inc., American, founded 1932  Search this
National Medical Association, American, founded 1895  Search this
National United Church Ushers Association of America, Inc., American, founded 1919  Search this
Morehouse College, American, founded 1867  Search this
Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this
Carats, Inc., American, founded 1959  Search this
National Bar Association, American, founded 1925  Search this
National Urban League, American, founded 1910  Search this
African Methodist Episcopal Church, American, founded 1816  Search this
National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this
Shriners International, American, founded 1870  Search this
Delta Sigma Theta Sorority, American, founded 1913  Search this
Omega Psi Phi Fraternity, Inc., American, founded 1911  Search this
National Pharmaceutical Association, American, founded 1947  Search this
National Sorority of Phi Delta Kappa, Inc., American, founded 1906  Search this
One Hundred Black Men, Inc., American, founded 1963  Search this
Arthur Ashe Jr., American, 1943 - 1993  Search this
Association for the Study of African American Life and History, American, founded 1915  Search this
People United to Save Humanity, American, founded 1971  Search this
369th Veterans Association, American  Search this
Eubie Blake, American, 1887 - 1983  Search this
Dance Theatre of Harlem, American, founded 1969  Search this
National Coalition of 100 Black Women, American, founded 1981  Search this
Medium:
ink on paper
Dimensions:
H x W x D: 10 13/16 × 8 7/16 × 1/2 in. (27.5 × 21.4 × 1.3 cm)
Type:
magazines (periodicals)
Place made:
Harlem, New York City, New York, United States, North and Central America
Place depicted:
Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America
Bahamas, Caribbean, North and Central America
Houston, Harris County, Texas, United States, North and Central America
Atlanta, Fulton County, Georgia, United States, North and Central America
Date:
1983
Topic:
African American  Search this
Advertising  Search this
Associations and institutions  Search this
Business  Search this
Communities  Search this
Fraternal organizations  Search this
Fraternities  Search this
Government  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Journalism  Search this
Labor  Search this
Mass media  Search this
Men  Search this
Political organizations  Search this
Politics (Practical)  Search this
Professional organizations  Search this
Religious groups  Search this
Social life and customs  Search this
Sororities  Search this
Travel  Search this
United States--History--1969-2001  Search this
Urban life  Search this
Women  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
Object number:
2012.167.17
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd516419a20-d7d3-4570-a5c9-78bd4c89cfee
EDAN-URL:
edanmdm:nmaahc_2012.167.17
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  • View <I>Delegate</I> digital asset number 1

Delegate

Published by:
MelPat Associates, American, 1965 - 1986  Search this
Created by:
C. Melvin Patrick, American, died 1985  Search this
Subject of:
Charles Richard Drew, American, 1904 - 1950  Search this
President Lyndon Baines Johnson, American, 1908 - 1973  Search this
Roy Wilkins, American, 1901 - 1981  Search this
National Pan-Hellenic Council, American, founded 1930  Search this
Hubert Horatio Humphrey Jr., American, 1911 - 1978  Search this
Dr. Martin Luther King Jr., American, 1929 - 1968  Search this
Dr. Benjamin Elijah Mays, American, 1894 - 1984  Search this
Ebenezer Baptist Church, American, founded 1886  Search this
Southern Christian Leadership Conference, American, founded 1957  Search this
Sen. Edward Brooke, American, born 1919  Search this
Joseph Davies Tydings, American, 1928 - 2018  Search this
Lawrence Warren Pierce, American, born 1924  Search this
Bertram L. Baker, American, 1898 - 1985  Search this
Wayne L. Morse, American, 1900 - 1974  Search this
Harry Belafonte Jr., American, born 1927  Search this
Coretta Scott King, American, 1927 - 2006  Search this
Rev. Ralph David Abernathy, American, 1926 - 1990  Search this
Gordon Parks, American, 1912 - 2006  Search this
Morehouse College, American, founded 1867  Search this
Percy Ellis Sutton, American, 1920 - 2009  Search this
Bayard Rustin, American, 1912 - 1987  Search this
Eugene Nickerson, American, 1918 - 2002  Search this
Leonard Farbstein, American, 1902 - 1993  Search this
Senator Robert F. Kennedy, American, 1925 - 1968  Search this
The Girl Friends, Inc., American, founded 1927  Search this
Floyd McKissick, American, 1922 - 1991  Search this
Interracial Council for Business Opportunity, American, founded 1963  Search this
National Association for the Advancement of Colored People, American, founded 1909  Search this
National Urban League, American, founded 1910  Search this
Harold Robert Perry, American, 1916 - 1991  Search this
Zeta Phi Beta Sorority, American, founded 1920  Search this
National Newspaper Publishers Association, American, founded 1827  Search this
Omega Psi Phi Fraternity, Inc., American, founded 1911  Search this
International Free and Accepted Modern Masons, Inc. and Order of the Eastern Star, American, founded 1950  Search this
Improved Benevolent and Protective Order of the Elks of the World, American, founded 1898  Search this
New York Jets, American, founded 1960  Search this
Ancient and Accepted Scottish Rite of Freemasonry  Search this
National Association of Negro Musicians, Inc., founded 1919  Search this
National Medical Association, American, founded 1895  Search this
National Dental Association, American, founded 1913  Search this
Joan Murray  Search this
Philippa Schuyler, American, 1931 - 1967  Search this
Berry Gordy Jr., American, born 1929  Search this
Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this
Shriners International, American, founded 1870  Search this
Sen. Edward Brooke, American, born 1919  Search this
Sidney Poitier, Bahamian American, born 1927  Search this
Kappa Alpha Psi Fraternity, Inc., American, founded 1911  Search this
Inez Yeargan Kaiser, American, 1918 - 2016  Search this
Pearl Bailey, American, 1918 - 1990  Search this
Alpha Kappa Alpha Sorority, Incorporated, founded 1908  Search this
National Council of Negro Women, founded 1935  Search this
Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this
National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this
National Funeral Directors and Morticians Association, Inc., American, founded 1924  Search this
Robert J. Mangum, American, 1920 - 2014  Search this
369th Veterans Association, American  Search this
National Association of Market Developers, American, founded 1953  Search this
Medium:
ink on paper
Dimensions:
H x W x D: 12 × 8 7/8 × 3/16 in. (30.5 × 22.5 × 0.5 cm)
Type:
magazines (periodicals)
Place made:
Harlem, New York City, New York, United States, North and Central America
Date:
1968
Topic:
African American  Search this
Advertising  Search this
Associations and institutions  Search this
Business  Search this
Communities  Search this
Football  Search this
Fraternal organizations  Search this
Fraternities  Search this
Funeral customs and rites  Search this
Government  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Journalism  Search this
Labor  Search this
Mass media  Search this
Men  Search this
Political organizations  Search this
Politics (Practical)  Search this
Professional organizations  Search this
Religious groups  Search this
Sororities  Search this
United States--History--1961-1969  Search this
Urban life  Search this
Women  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
Object number:
2012.167.3
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5f7b7586d-84ee-4f44-b24e-aa264dcdee1f
EDAN-URL:
edanmdm:nmaahc_2012.167.3
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  • View <I>Delegate</I> digital asset number 1

Sikorsky XR-5

Manufacturer:
Sikorsky Aircraft Company  Search this
Dimensions:
Rotor diameter 48 feet, height 13 feet, length 57 feet 1 inch.
Type:
CRAFT-Rotary Wing
Country of Origin:
United States of America
Credit Line:
Transferred from the U.S. Air Force
Inventory Number:
A19600308000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv9e0ea0250-ec7f-4262-bc93-c79ffe1d363f
EDAN-URL:
edanmdm:nasm_A19600308000
Online Media:

Helmet, Flying, Type HGU-84/P, United States Marine Corps

Pilot:
Captain Matthew T. Dwyer (USMC)  Search this
Manufacturer:
Gentex Corporation  Search this
Materials:
HAZMAT: Cadmium Plating
Synthetic Fabric
Kevlar
Graphite
StyrofoamPlastic
Non-Magnetic White Metal Alloy
Steel
Adhesive
Exterior Shell: Laminate Graphite/Nylon (Graphlon)
Interior Lining: styrofoam
Liner: Leather covered thermoplastic
Dimensions:
3-D (Helmet): 26.7 × 27.9 × 30.5cm (10 1/2 in. × 11 in. × 1 ft.)
Storage: 31.8 × 33 × 35.6cm (12 1/2 × 13 × 14 in.)
Type:
PERSONAL EQUIPMENT-Helmets & Headwear
Credit Line:
Donated by Capt. Matthew Dwyer (USMC)
Inventory Number:
A20130075000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv9359fd866-dcc4-4ccd-9eac-6d38a144c266
EDAN-URL:
edanmdm:nasm_A20130075000

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