Levi, Julian E. (Julian Edwin), 1900-1982 Search this
Type:
Archival materials
Date:
1914-1981
Scope and Contents note:
Julian E. Levi's correspondence concerns professional and personal matters. It consists primarily of incoming letters (a few of which are addressed to his wife, Jean Laurent Levi) with a small number of drafts and carbon copies of letters written by Levi. There are a number of illustrated letters and greeting cards (primarily Christmas cards) with original artwork by Levi and others. Among his correspondents are museums and galleries including: Alan Gallery, Carnegie Institute, Corcoran Gallery of Art, Downtown Gallery and Edith Halpert, Guild Hall, National Academy of Design, Lee Nordness Gallery, Frank K. M. Rehn Inc., Whitney Museum of American Art and Juliana Force; the art schools where he taught: Art Students' League, New School for Social Research, and Pennsylvania Academy of the Fine Arts; art organizations such as: the American Academy in Rome, American Artists' Congress, An American Group, Inc., National Institute of Arts and Letters, and United American Artists; and friends and colleagues including: Leonard Baskin, George Biddle, Marc Blitzstein, Peter and Ebie Blume, Louis Bouché, Robert Coates, Ralston Crawford, Stuart and Roselle Davis, Marcel Duchamp, Philip Evergood, Alfred Frankenstein, C. Hartley Grattan, Hilaire Hiler, Joseph Hirsch, Leon Kelly, Patricia Kelly, Yasuo and Sara Kuniyoshi, Anthony Lauck, Jacob Lawrence, Dolores Milmoe, Arthur Moss, Gregorio Prestopino, Walter Quirt , Abraham Rattner, Man Ray, Ione Robinson, Francis Speight, Hervé Télémaque, Franklin C. and Ida Watkins, Max Weber, and Russell Wright.
Approximately 60 letters Levi wrote to his family from Paris circa 1927, survive. They comment on the activities of Franklin Watkins, Marc Blitzstein, and Hilaire Hiler; his own paintings and commissions, particularly for the nightclub, Chez Mister Finney; and his associations with other artists and writers including Ludwig Lewisohn, Roy Sheldon, Maruice Speiser, collector Otto Kahn, and Ford Madox Ford.
Additional correspondence, 1938-1939, concerning the Estate of Rosa Gomprecht (Julian Levi was a beneficiary) is filed with Financial Records (Series 5).
See Appendix for a list of selected correspondents from Series 2.1.
Appendix: Selected Correspondents from Series 2.1:
Included among Julian Levi's correspondence with museums and galleries, art schools, art organizations, artists, and friends and colleagues are the following correspondents.
Abbott, Berenice (1929-1930)
Alan Gallery (1955)
American Academy in Rome (1948-1949, 1958-1960, 1962-1963, 1967-1971)
American Artists' Congress (1937, 1940-1941, undated)
American Federation of Arts (1940, 1942-1944, 1953)
An American Group, Inc. (1933-1934, 1937, 1939-1941, 1947, 1950-1951, undated)
Arms, John Taylor (1946, 1949)
Art Institute of Chicago (1934, 1937-1938, 1940-1941, 1943)
Art Students' League (1948-1949, 1954, 1957-1958, 1960, 1962, 1964-1966, 1968-1970, 1972, 1977-1978, 1981, undated)
Associated American Artists (1941, 1943-1945, 1966, 1972)
Baskin, Leonard (1952, 1962)
Bearden, Romare (1974)
Biddle, George (1969, undated)
Blitzstein, Marc (1928, 1930, 1934)
Blume, Peter and Ebie (1935-1938, 1940, 1949, 1958-1960, 1962, 1967, 1971, undated)
Borie, Adolphe (1927)
Boulevard (see: Moss, Arthur)
Calder, Alexander (1941, 1943, 1945, 1962)
Carnegie Institute (1940-1941, 1943-1950)
Century Association (1963-1967, 1970-1973, 1978-1981)
Speight, Francis (1936, 1966, 1969, 1976, undated)
Telemaque, Herve (1960-1961, 1966, 1971, undated)
Treasury Department, Section of Fine Arts (1943)
United American Artists (1940-1941)
Watkins, Franklin C. and Ida (1926, 1937, 1941, 1964-1965, 1969, undated)
Weber, Max (1939, 1942, 1949)
Whitney Museum of American Art/Juliana Force (1935, 1937-1938, 1940-1942, 1944-1945, 1953, 1974)
Works Progress Administration (1936-1937, 1939-1940)
Wright, Russell (1940-1941)
Zorach, William (1943)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. office.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Julian E. Levi papers, 1846-1981. Archives of American Art, Smithsonian Institution.
Bulliet, C. J. (Clarence Joseph), 1883-1952 Search this
Container:
Box 11, Folder 16
Type:
Archival materials
Date:
1935-1941
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
The C. J. Bulliet papers, circa 1888-1959. Archives of American Art, Smithsonian Institution.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The donor has retained all intellectual property rights, including copyright, that they may own in the following material: all writings by Avis Berman.
Collection Citation:
Avis Berman research material on Juliana Force, 1857-circa 2010. Archives of American Art, Smithsonian Institution.
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marlene Park and Gerald E. Markowitz research material on New Deal art, circa 1974-1999. Archives of American Art, Smithsonian Institution.
Main Image: U.S. sailor carrying a bundle and giving a Victory sign to the reader
Local numbers:
Princeton Poster# 6997
General:
Issued by: Abbott Laboratories
Issued for: War Bonds
Artist(s): Ernest Fiene
Note:
Paragraph on back of poster giving information about the artist
Printing Info:
Property of Princeton [...] Received FEB 27 1945
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
World War, 1939-1945 -- Posters -- United States Search this
United States -- History -- World War, 1939-1945 Search this
Genre/Form:
Posters
Posters -- World War, 1939-1945 -- United States
Collection Citation:
Princeton University Posters Collection, Archives Center, National Museum of American History.
Sponsor:
Digitization of the Princeton University Poster Collection was a collaboration of Google Arts and Culture and the Smithsonian Institution's Digitization Program Office. Catalog records were transcribed by digital volunteers through the Smithsonian Institution Transcription Center.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
New York Artists Equity Association records, 1920-2012. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Smithsonian Institution's Collections Care and Preservation Fund.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
New York Artists Equity Association records, 1920-2012. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Smithsonian Institution's Collections Care and Preservation Fund.