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Benjamin, Tritobia Hayes, "What is More Far Reaching Than Beauty?: From Academic Representation to Poetic Abstraction in the Art of Alma Woodsey Thomas"

Collection Creator:
Thomas, Alma  Search this
Container:
Box 2, Folder 34
Type:
Archival materials
Date:
circa 1998
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Alma Thomas papers, circa 1894-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Alma Thomas papers
Alma Thomas papers / Series 3: Notes and Writings / 3.3: By Others
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw970259d33-d961-4051-a92e-46af8239db8b
EDAN-URL:
ead_component:sova-aaa-thomalma-ref790
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Outterbridge, John

Collection Creator:
White, Charles, 1918-1979  Search this
Container:
Box 3, Folder 29
Type:
Archival materials
Date:
circa 1969-circa 1982
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Charles W. White papers, 1933-1987. Archives of American Art, Smithsonian Institution.
See more items in:
Charles W. White papers
Charles W. White papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9440ad6a4-03fe-4787-bde4-a4e109afd272
EDAN-URL:
ead_component:sova-aaa-whitchar-ref103
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Inez Wheeler papers, 1910-1925 and [undated]

Creator:
Wheeler, Inez, 1891-1978  Search this
Type:
Drawings
Citation:
Inez Wheeler papers, 1910-1925 and [undated]. Archives of American Art, Smithsonian Institution.
Topic:
Commercial art -- United States  Search this
Women artists  Search this
Women designers  Search this
Theme:
Women  Search this
Architecture & Design  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8737
(DSI-AAA_SIRISBib)210918
AAA_collcode_wheeinez
Theme:
Women
Architecture & Design
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210918

Larry Aldrich papers, 1949-1973

Creator:
Aldrich, Larry, 1906-2001  Search this
Subject:
Larry L. Aldrich Foundation, Inc.  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Whitney Museum of American Art  Search this
Aldrich Museum of Contemporary Art (Ridgefield, Conn.)  Search this
Citation:
Larry Aldrich papers, 1949-1973. Archives of American Art, Smithsonian Institution.
Topic:
Art patronage  Search this
Art -- Endowments  Search this
Art -- Private collections  Search this
Art -- Collectors and collecting  Search this
Theme:
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)9517
(DSI-AAA_SIRISBib)211716
AAA_collcode_aldrlarr
Theme:
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211716

Lillian Desow-Fishbein interview, 1984 Aug. 8

Creator:
Desow-Fishbein, Lillian, 1921-2004  Search this
Levin, Blossom  Search this
Type:
Sound recordings
Interviews
Citation:
Lillian Desow-Fishbein interview, 1984 Aug. 8. Archives of American Art, Smithsonian Institution.
Topic:
Jewish art and symbolism  Search this
Art, American  Search this
Women artists  Search this
Women painters  Search this
Theme:
Women  Search this
Chicago's Art-Related Archival Materials: A Terra Foundation Resource  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)10292
(DSI-AAA_SIRISBib)213480
AAA_collcode_desolill
Theme:
Women
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213480

Julia Santos Solomon papers, 1977-2008

Creator:
Santos Solomon, Julia, 1956-  Search this
Subject:
Calamari, Barbara  Search this
Dye, Alice  Search this
Dye, Pete  Search this
Parsons School of Design  Search this
Type:
Drawings
Scrapbooks
Sketchbooks
Video recordings
Place:
Altos de Chavón (Dominican Republic)
Citation:
Julia Santos Solomon papers, 1977-2008. Archives of American Art, Smithsonian Institution.
Topic:
Golf courses  Search this
Latino and Latin American artists  Search this
Theme:
Latino and Latin American  Search this
Diaries  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)16297
(DSI-AAA_SIRISBib)373772
AAA_collcode_santjuli
Theme:
Latino and Latin American
Diaries
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_373772

Oral history interview with Patti Warashina, 2005 September 8

Interviewee:
Warashina, Patti, 1940-  Search this
Interviewer:
Jeck, Doug, 1963-  Search this
Subject:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Patti Warashina, 2005 September 8. Archives of American Art, Smithsonian Institution.
Topic:
Decorative arts  Search this
Asian American art  Search this
Asian American artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Asian American sculptors  Search this
Asian American ceramicists  Search this
Women artists  Search this
Theme:
Asian American  Search this
Craft  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)12864
(DSI-AAA_SIRISBib)255215
AAA_collcode_warash05
Theme:
Asian American
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_255215
Online Media:

Oral history interview with Patti Warashina

Interviewee:
Warashina, Patti, 1940-  Search this
Interviewer:
Jeck, Doug, 1963-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
42 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2005 September 8
Scope and Contents:
An interview of Patti Warashina conducted 2005 September 8, by Doug Jeck, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home and studio, in Seattle, Washington.
Warashina discusses her childhood in Spokane, Washington, as the youngest of three children of Japanese immigrants; her first experience with art, which was working on murals in elementary school; getting through school by doing visual art projects, including one on fashion design for a French class; her great-grandmother who sold pottery and rice off a cart in her native Japan; her working processes and moving from high-fire to low-fire glazes, as well as dealing with color and decoration in her work; making increasingly larger pieces and thus discovering more surfaces on which to paint; learning how to make hand-built pieces, and in general learning how to control her material; spending her early years working in a vacuum because she was busy raising a family during the day and working in the studio all night; the influence of Surrealism, the Funk movement, and the Chicago Hairy Who on her work; her love of clay as a medium because it presents challenges and technical variables that keep the work interesting; the status of clay as a valid artistic material, and how that has changed over the course of art history; her own personal definition of art as something that "raises your blood pressure," and what makes a "a good pot into a work of art instead of just a pot"; the difference between her early and later work, which she calls cumulative process; her move to the figure, which came naturally out of her earlier work and was in keeping with the Surrealist images to which she was so attracted; recent series of her work, including Mile Post Queens, and Sake Sets: The Drunken Power Series; the role of the figure in her work and the unique challenges they present; being a self-proclaimed "news junkie" and listening to jazz while she works; spending 30 years teaching and the influence it had on her career; her mother as a strong influence and role model in her life, as well as her mother's interest in crafts and gardening; and the influence of artists such as Hieronymous Bosch, René Magritte and Joan Miró on her work. Warashina recalls Robert Sperry, Fred Bauer, Peter Voulkos, Robert Arneson, Toshiko Takaezu, Henry Takemoto, Garth Clark, Howard Cotler, Matthew Kangas, Warren McKenzie, Nan McKinnell, Bernard Leach, Shoji Hamada, Soetsu Yanagi, and others.
Biographical / Historical:
Patti Warashina is a Japanese American ceramicist and sculptor. She was born in 1940 as Masae Patricia Warashina in Spokane, Washington to third generation Japanese emigrants. She received her undergraduate degree from the University of Washington, Seattle, where she studied with sculptors Robert Sperry, Harold Myers, Rudy Autio, Shoji Hamada, Shinsaku Hamada, and Ruth Penington. She received her first solo exhibition in 1962 at the Phoenix Art Gallery in Seattle the same year she graduated with an M.F.A. from the University of Washington. Warashina later married fellow student Fred Bauer and from 1964 to 1970 exhibited as Patti Bauer.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 5 digital wav files. Duration is 1 hr., 54 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Ceramicists -- Washington (State) -- Seattle  Search this
Topic:
Decorative arts  Search this
Asian American art  Search this
Asian American artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Asian American sculptors  Search this
Asian American ceramicists  Search this
Women artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.warash05
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95bb0c061-8162-4c68-ba10-4674346eafbd
EDAN-URL:
ead_collection:sova-aaa-warash05
Online Media:

Oral history interview with Larry Aldrich, 1972 April 25-June 10

Interviewee:
Aldrich, Larry, 1906-2001  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Subject:
Antonakos, Stephen  Search this
Baker, Richard Brown  Search this
Barr, Alfred H., Jr.  Search this
Castelli, Leo  Search this
Hartigan, Grace  Search this
Hopkins, Budd  Search this
Indiana, Robert  Search this
Johns, Jasper  Search this
Lieberman, William Slattery  Search this
Miller, Dorothy Canning  Search this
Myers, John Bernard  Search this
Rauschenberg, Robert  Search this
Smithson, Robert  Search this
Stella, Frank  Search this
Virginia Museum of Fine Arts  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Larry Aldrich, 1972 April 25-June 10. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Collectors and collecting -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12596
(DSI-AAA_SIRISBib)216586
AAA_collcode_aldric72
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216586
Online Media:

Oral history interview with William Morris, 2009 July 13-14

Interviewee:
Morris, William, 1957-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Benaroya, Jack  Search this
Benaroya, Rebecca  Search this
Campbell, Joseph  Search this
Carpenter, James  Search this
Chihuly, Dale  Search this
Demarco, Ricky  Search this
Graves, Nancy Stevenson  Search this
Hauberg, John H. (John Henry)  Search this
Hydman-Vallien, Ulrica  Search this
Jung, C. G. (Carl Gustav)  Search this
Karan, Donna  Search this
Kirkpatrick, Joey  Search this
Libenský, Stanislav  Search this
Lipofsky, Marvin  Search this
Lipski, Donald  Search this
Mace, Flora  Search this
Marioni, Dante  Search this
Moore, Benjamin P.  Search this
Oppenheim, Dennis  Search this
Pfaff, Judy  Search this
Saxe, Dorothy  Search this
Saxe, George  Search this
Scanga, Italo  Search this
Seguso, Livio  Search this
Signoretto, Pino  Search this
Smith, Kiki  Search this
Stroemple, George R.  Search this
Tagliapietra, Lino  Search this
Vallien, Bertil  Search this
California State University, Chico  Search this
Central Washington University  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
San Carlos Borromeo Basilica (Carmel, Calif.)  Search this
Type:
Interviews
Sound recordings
Place:
British Isles -- Description and travel
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with William Morris, 2009 July 13-14. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Study and teaching  Search this
Ceramics -- Study and teaching  Search this
Glass artists -- Washington (State) -- Interviews  Search this
Sculptors -- Washington (State) -- Interviews  Search this
Record number:
(DSI-AAA_CollID)15699
(DSI-AAA_SIRISBib)283555
AAA_collcode_morris09
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_283555
Online Media:

Oral history interview with William Morris

Interviewee:
Morris, William, 1957-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
California State University, Chico -- Students  Search this
Central Washington University -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
San Carlos Borromeo Basilica (Carmel, Calif.)  Search this
Benaroya, Jack, 1921-2012  Search this
Benaroya, Rebecca  Search this
Campbell, Joseph, 1904-1987  Search this
Carpenter, James, 1949-  Search this
Chihuly, Dale, 1941-  Search this
Demarco, Ricky  Search this
Graves, Nancy Stevenson, 1940-1995  Search this
Hauberg, John H. (John Henry), 1916-  Search this
Hydman-Vallien, Ulrica, 1938-2018  Search this
Jung, C. G. (Carl Gustav), 1875-1961  Search this
Karan, Donna, 1948-  Search this
Kirkpatrick, Joey  Search this
Libenský, Stanislav, 1921-2002  Search this
Lipofsky, Marvin, 1938-2016  Search this
Lipski, Donald, 1947-  Search this
Mace, Flora, 1949-  Search this
Marioni, Dante, 1964-  Search this
Moore, Benjamin P.  Search this
Oppenheim, Dennis, 1938-2011  Search this
Pfaff, Judy, 1946-  Search this
Saxe, Dorothy  Search this
Saxe, George  Search this
Scanga, Italo, 1932-2001  Search this
Seguso, Livio, 1930-  Search this
Signoretto, Pino, 1944-  Search this
Smith, Kiki, 1954-  Search this
Stroemple, George R.  Search this
Tagliapietra, Lino  Search this
Vallien, Bertil, 1938-  Search this
Extent:
7 Items (Sound recording: 7 wav files (5 hr., 5min.), digital)
105 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
British Isles -- Description and Travel
Date:
2009 July 13-14
Scope and Contents:
An interview of William Morris conducted 2009 July 13-14, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Morris' home, in Stanwood, Washington.
William Morris speaks of his decision to stop working in glass in 2005; his deep connection to the natural world; working now with stone; the longstanding theme of man and nature in his work; his influence on the studio glass movement; use of installations; relationship to the greater art world; Cache [1993]; the importance of working in a team, particularly with Jon Ormbrek; studio practice and philosophy of working in the studio; series Man Adorned and first use of the human form; how his work evolves artistically; the influence of his travels on his work and his particular affinity for Mesoamerican culture; the process of choosing his subjects; growing up in Carmel, California, and frequenting the museum at the Carmel Mission Basilica; his early fascination with Native American artifacts and history in the museum; childhood spent hiking in the hills around Carmel and youth spent camping and rock-climbing; art instruction during childhood; ceramics work in high school; introduction to ideas of Carl Jung and Joseph Campbell by his high school teacher, Lloyd Baskerville; undergraduate work at California State University, Chico, working with Vernon Patrick; first experience with glass in high school, through the Fort Ord military base crafts department; brief studies at Central Washington University in Ellensburg, Washington; arriving at Pilchuck Glass School, Stanwood, Washington, in 1977 as a shop assistant/maintenance person; his first encounter with Dale Chihuly; 10 years as Chihuly's main assistant and de facto apprenticeship; his greater overall technical education at Pilchuck; the development of his own team as he continued to work with Chihuly; working with Chihuly and Italo Scanga; the synergy of working in a group and artistic cross-pollination at Pilchuck; the influence and mentorship of Judy Pfaff; working with Italian glass masters at Pilchuck; the influence of Pino Signoretto; his trip with Chihuly to the British Isles, which inspired his series Stone Vessels and series Standing Stones in the mid-1980s; his practice of working in series; series Petroglyph Vessels, and the beginning of narrative in his work; the importance of naiveté, experimentation, and a "confidence in innocence"; series Artifacts; the influence of Donald Lipski on Morris' installations; series Burial Urns and series Burial Rafts; series Canopic Jars; commissions for George Stroemple; the genesis of the series Rhyton; the transcendental/mythic qualities in his work; series Crow and Raven; more discussion of series Man Adorned; series Rattles; collaboration with fashion designer Donna Karan; the importance of glass as a material, and the importance of "play"; the value of an apprentice-type program; his work in bronze and with Nancy Graves; series Cinerary Urns and coming to terms with the deaths of close friends; series Mazorca; series Idolo and Idolito; series Native Species (2006); series Fish Traps; more discussion of his decision to leave glassworking; documentary film Creative Nature, 2008; "Myth, Object, and the Animal" exhibition; the adventurous spirit of the American studio glass movement, particularly in the early years; his preference for short workshops rather than longer teaching sessions; the aesthetic continuity of his work throughout his career; his appreciation of the community of collectors of glass art. He also recalls Ken Wiese, Robert and Terrie Kvenild, Bertil and Ulrica Vallien, Gary Galbraith, Stan Price, Dennis Oppenheim, Kiki Smith, Dante Marioni, Livio Seguso, Marvin Lipofsky, Benjamin Moore, Jamie Carpenter, Checco Ongaro, Lino Tagliapietra, Ricky DeMarco, Flora Mace, Joey Kirkpatrick, Trumaine Mason, Karen Willenbrink, Ross Richmond, Randy Walker, John Hauberg, Stanislav Libenský, Graham Graham, Charlie Cowles, George and Dorothy Saxe, and Jack and Rebecca Benaroya.
Biographical / Historical:
William Morris (1957- ) is a glass artist in Stanwood, Washington.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 7 digital wav files. Duration is 5 hr., 5 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art -- Study and teaching  Search this
Ceramics -- Study and teaching  Search this
Glass artists -- Washington (State) -- Interviews  Search this
Sculptors -- Washington (State) -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.morris09
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a2dba5aa-31b2-4202-84d2-bae39f6d7c97
EDAN-URL:
ead_collection:sova-aaa-morris09
Online Media:

Liberman Interview by Oscar de la Renta, Council of Fashion Designers of America Award

Collection Creator:
Liberman, Alexander, 1912-1999  Search this
Container:
Box 6, Folder 1
Type:
Archival materials
Date:
1985-1986
Scope and Contents note:
Oversized material housed in Box 56, Folder 3
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. research center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Alexander Liberman Papers, circa 1912-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Alexander Liberman papers
Alexander Liberman papers / Series 3: Interviews
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94f528ca1-edb1-453b-970d-edada4d9917b
EDAN-URL:
ead_component:sova-aaa-libealex-ref249

Oversized items from Liberman Interview by Oscar de la Renta, Council of Fashion Designers of America Award, Box 6, Folder 1

Collection Creator:
Liberman, Alexander, 1912-1999  Search this
Container:
Box 56, Folder 3
Type:
Archival materials
Date:
1985-1986
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. research center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Alexander Liberman Papers, circa 1912-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Alexander Liberman papers
Alexander Liberman papers / Series 3: Interviews
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9663eacd4-4fd6-4713-9371-0ba1b2fdb1d3
EDAN-URL:
ead_component:sova-aaa-libealex-ref266

Mock-up of a dress design

Creator:
Saarinen, Loja  Search this
Subject:
Knoll Bassett, Florence  Search this
Type:
Artworks
Date:
1935
Citation:
Loja Saarinen. Mock-up of a dress design, 1935. Florence Knoll Bassett papers, 1932-2000. Archives of American Art, Smithsonian Institution.
Topic:
Fashion design  Search this
Record number:
(DSI-AAA)12956
See more items in:
Florence Knoll Bassett papers, 1932-2000
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12956
Online Media:

Moby Dick silk scarf designed by Rockwell Kent

Creator:
Kent, Rockwell, 1882-1971  Search this
Subject:
Melville, Herman  Search this
Associated American Artists  Search this
Type:
Artifacts
Date:
1947
Citation:
Rockwell Kent. Moby Dick silk scarf designed by Rockwell Kent, 1947. Papers relating to Rockwell Kent and Lynd Ward, 1917-1982. Archives of American Art, Smithsonian Institution.
Topic:
Animals  Search this
Fashion design  Search this
Record number:
(DSI-AAA)14840
See more items in:
Papers relating to Rockwell Kent and Lynd Ward, 1917-1982
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14840

Moby Dick silk scarf designed by Rockwell Kent

Creator:
Kent, Rockwell, 1882-1971  Search this
Subject:
Melville, Herman  Search this
Associated American Artists  Search this
Type:
Artifacts
Date:
1947
Citation:
Rockwell Kent. Moby Dick silk scarf designed by Rockwell Kent, 1947. Rockwell Kent papers, circa 1840-1993. Archives of American Art, Smithsonian Institution.
Topic:
Animals  Search this
Fashion design  Search this
Record number:
(DSI-AAA)14841
See more items in:
Rockwell Kent papers, circa 1840-1993, bulk 1935-1961
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14841

Rockwell Kent letter to J. N. Cameron

Creator:
Kent, Rockwell, 1882-1971  Search this
Cameron, J. N.  Search this
Type:
Correspondence
Date:
1947 Dec. 3
Citation:
Rockwell Kent. Rockwell Kent letter to J. N. Cameron, 1947 Dec. 3. Rockwell Kent papers, circa 1840-1993. Archives of American Art, Smithsonian Institution.
Topic:
Fashion design  Search this
Record number:
(DSI-AAA)15323
See more items in:
Rockwell Kent papers, circa 1840-1993, bulk 1935-1961
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_15323

Interview with Cathy Hardwick

Creator:
Hardwick, Cathy  Search this
Gruen, John Jonas, 1926-2016  Search this
Subject:
Architectural Digest  Search this
Type:
Sound Recording
Place:
Fire Island, N.Y.
Date:
1984 March 3
Citation:
Cathy Hardwick and John Jonas Gruen. Interview with Cathy Hardwick, 1984 March 3. John Jonas Gruen and Jane Wilson papers, 1909-2016. Archives of American Art, Smithsonian Institution.
Topic:
Fashion designers  Search this
Record number:
(DSI-AAA)19435
See more items in:
John Jonas Gruen and Jane Wilson papers, 1909-2016
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_19435

Robert Kushner and friends eat their clothes

Creator:
Kushner, Robert, 1949-  Search this
Type:
Videorecording
Date:
1972 December
Citation:
Robert Kushner. Robert Kushner and friends eat their clothes, 1972 December. Robert Kushner papers, 1967-2011. Archives of American Art, Smithsonian Institution.
Topic:
Performance art  Search this
Record number:
(DSI-AAA)21016
See more items in:
Robert Kushner papers, 1967-2011
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_21016

Christo's wedding dress design notes

Subject:
Christo  Search this
Type:
Photographs
Date:
1967
Citation:
Christo's wedding dress design notes, 1967. Joan Kron papers, 1959-1971. Archives of American Art, Smithsonian Institution.
Topic:
Fashion design  Search this
Weddings  Search this
Women  Search this
Record number:
(DSI-AAA)8056
See more items in:
Joan Kron papers, 1959-1971
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_8056

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