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National Council of Negro Women brochure

Creator:
National Council of Negro Women  Search this
Collection Collector:
Whitehead, Henry P. (Prenton), 1917-2002  Search this
Extent:
1 Document (8 1/2 x 3 3/4 inches)
Type:
Archival materials
Documents
Brochures
Date:
1946
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
The Henry P. Whitehead collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Topic:
African American women  Search this
Genre/Form:
Brochures
Collection Citation:
Henry P. Whitehead collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Michael A. Watkins.
See more items in:
Henry P. Whitehead collection
Henry P. Whitehead collection / Series 3: Tomlinson D. Todd / 3.7: Subject Files / National Council of Negro Women
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-06-042-ref1895
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Fifteenth St. Presbyterian Church Mass Meeting flyer

Creator:
Institute on Race Relations (Washington, D.C.)  Search this
Collection Collector:
Whitehead, Henry P. (Prenton), 1917-2002  Search this
Type:
Archival materials
Fliers (printed matter)
Place:
Washington, D.C. -- history
Date:
1944 October 20
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
The Henry P. Whitehead collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Topic:
Race relations -- Washington (D.C.)  Search this
Genre/Form:
Fliers (printed matter)
Collection Citation:
Henry P. Whitehead collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Michael A. Watkins.
See more items in:
Henry P. Whitehead collection
Henry P. Whitehead collection / Series 3: Tomlinson D. Todd / 3.1: Institute on Race Relations / Flyers
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-06-042-ref1967
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Rockwell Kent papers, [circa 1840]-1993, bulk 1935-1961

Creator:
Kent, Rockwell 1882-1971  Search this
Subject:
Cleland, T. M (Thomas Maitland) 1880-1964  Search this
Chamberlain, J. E  Search this
Freuchen, Peter 1886-1957  Search this
Hartley, Marsden 1877-1943  Search this
Hays, Lee 1914-1981  Search this
Jones, Dan Burne  Search this
Keller, Charles 1914-2006  Search this
Miller, Kenneth Hayes 1876-1952  Search this
Reeves, Ruth 1892-1966  Search this
Ruggles, Carl 1876-1971  Search this
Stefansson, Vilhjalmur 1879-1962  Search this
Untermeyer, Louis 1885-1977  Search this
Zigrosser, Carl 1891-  Search this
Robeson, Paul 1898-1976  Search this
Rasmussen, Knud 1879-1933  Search this
Phillips, Duncan 1886-1966  Search this
Pach, Walter 1883-1958  Search this
Chase, William Merritt 1849-1916  Search this
Daniel, Charles 1878-1971  Search this
Seeger, Pete 1919-2014  Search this
Davies, Arthur B (Arthur Bowen) 1862-1928  Search this
Gottlieb, Harry 1895-  Search this
Gellert, Hugo 1892-1985  Search this
Henri, Robert 1865-1929  Search this
DuBois, W.E.B (William Edward Burghardt) 1868-1963  Search this
Roosevelt, Franklin D (Franklin Delano) 1882-1945  Search this
Wildenstein, Felix 1883-1952  Search this
Boyesen, Bayard  Search this
Nearing, Scott 1883-1983  Search this
Nearing, Helen  Search this
Fitzgerald, James 1899-1971  Search this
Artists' Union (New York, N.Y.)  Search this
Federal Art Project  Search this
Macbeth Gallery  Search this
Federal Writers' Project  Search this
United Office and Professional Workers of America  Search this
Artists League of America  Search this
Citizens' Committee for Government Arts Projects  Search this
National Farmers' Union (U.S.)  Search this
Farmers Union of the New York Milk Shed  Search this
National Maritime Union of America  Search this
United Scenic Artists  Search this
United American Artists  Search this
International Workers Order  Search this
American Artists' Congress  Search this
Physical description:
89.8 linear feet
1 rd
Type:
Drawings
Collection descriptions
Place:
United States
Date:
1840
1993
circa 1840-1993
bulk 1935-1961
20th century
Topic:
Art and war  Search this
Commercial art  Search this
Dairy farms  Search this
Federal aid to the arts  Search this
Illustration of books  Search this
Mural painting and decoration  Search this
Art, Modern--Political aspects  Search this
Politics and culture  Search this
World War, 1939-1945--Art and the war  Search this
World War, 1939-1945--Civilian relief  Search this
Local number:
aaa 5153-5256 and 5740-5741
AAA kentrock
Restrictions & Rights:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information
Plattsburgh State University of New York Art Museum may hold copyright to portions of the collection
See more items in:
Rockwell Kent papers, [circa 1840]-1993, bulk 1935-1961
Rockwell Kent papers [circa 1840]-1993 [Kent, Rockwell 1882-1971]
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:siris_arc_211757

Facts and Fascism, Seldes, George, book

Collection Creator:
Coughlin, Charles E. (Charles Edward), 1891-1979  Search this
Container:
Box 7
Type:
Archival materials
Date:
1943
Collection Restrictions:
Collection is open for research.
Collection Rights:
Reproduction restricted due to copyright or trademark. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Charles E. Coughlin Collection, Archives Center, National Museum of American History.
See more items in:
Father Charles E. Coughlin Collection
Father Charles E. Coughlin Collection / Series 3: Periodicals and Publications
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-1389-ref614

Forerunners of American Fascism, Swing, Raymond Gram, book

Collection Creator:
Coughlin, Charles E. (Charles Edward), 1891-1979  Search this
Container:
Box 9
Type:
Archival materials
Date:
1935
Collection Restrictions:
Collection is open for research.
Collection Rights:
Reproduction restricted due to copyright or trademark. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Charles E. Coughlin Collection, Archives Center, National Museum of American History.
See more items in:
Father Charles E. Coughlin Collection
Father Charles E. Coughlin Collection / Series 3: Periodicals and Publications
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-1389-ref627

What is American Fascism, Cannon, Joseph P. and Hansen, Joseph

Collection Creator:
Coughlin, Charles E. (Charles Edward), 1891-1979  Search this
Container:
Box 5, Folder 7
Type:
Archival materials
Date:
1976
Collection Restrictions:
Collection is open for research.
Collection Rights:
Reproduction restricted due to copyright or trademark. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Charles E. Coughlin Collection, Archives Center, National Museum of American History.
See more items in:
Father Charles E. Coughlin Collection
Father Charles E. Coughlin Collection / Series 3: Periodicals and Publications
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-1389-ref695

Partial transcription and abstract of group interview of wine collectors conducted by Smithsonian's Nanci Edwards and Paula Johnson

Collection Interviewer:
Edwards, Nanci  Search this
Fleckner, John A., 1941-  Search this
Green , Rayna, Curator, 1942-  Search this
Johnson, Paula, Curator  Search this
Collection Creator:
National Museum of American History (U.S.)  Search this
Container:
Box 1, Folder 4
Box 1, Folder 8
Type:
Archival materials
Audio
Date:
2001-03-30
Scope and Contents:
This interview with five of the ten collectors present at the event was conducted by Smithsonian's National Museum of American History staff Nanci Edwards and Paula Johnson on March 30, 2001. (1 of 2) Partial transcription and abstract by Cindy Ott.

Abstract

Over the weekend of March 30-31, 2001 the Stag's Leap Wine Cellars organized a wine tasting to commemorate the 25th anniversary of the "Paris Tasting," in which American wines stunningly upstaged European vintages in a blind tasting by experts in the field. Participants of the 2001 event included some of the top American wine collectors. Coming from a broad range of professions, including dentistry, international business, and the movie industry, the group was brought together by their passion for wines and their reputation as collectors. The ten individuals were selected by Dennis Foley, participant and wine auctioneer, who stated that he chose people he knew who lived in different parts of the country.

Among the myriad of weekend activities, which included the tasting of contemporary wines donated by producers as well as wines from the "classic" period in California winemaking, dating from1933 to1985, donated by the collectors themselves, were interviews conducted by Smithsonian staff. They form a part of the National Museum of American History's project to document the history and culture of American wine. The interviews were held at the Culinary Institute of America's Greystone campus at St. Helena, California in Napa Valley, the site of most of the weekend activities. The collectors were divided into two groups of five. This group included the collectors Dennis Foley, Tom Black, Keith Browning, Dr. Steven Mandy, and James Orr. Ron Kuhn, who participated in the event as a winning bidder of the SLWC lot at the 2000 Napa Valley Wine Auction, sat in on the second part of the discussion. A short biography of each participant is provided in one of the event booklets that form part of this sub-collection. The fact that only men were among the collectors is a reflection of the nature of the business, which is currently almost solely a male domain. Smithsonian curator Paula Johnson and museum project manager Nanci Edwards led these interviews.

The discussions, spurred by questions posed by the Smithsonian staff, centered around the origins, intentions and styles of the participants' wine collections and collecting habits. Topics addressed include forms of documentation used to track their holdings, acquisition and storage methods, and the most significant bottles in their collections. The groups also raised issues relating more broadly to the wine industry, including the influence of wine critics (which one participant refers to as "wine critic's fascism"), the importance of wine's heritage and history, the effects of re-corking older wines, the social and gender aspects of wine collecting, the impact of terroirs, the differences between old and current wines (especially in regard to the New World "fruit bombs"), and the relationship between American wines and national identity. The conversations provide insights into patterns of American consumerism, recreation, and product marketing.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
American Wine Documentation Project, 1976-2002, Archives Center, National Museum of American History.
See more items in:
American Wine Documentation Project
American Wine Documentation Project / Series 2: Collections Event / 2.2: Interviews and Abstracts
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0817-ref49

Partial transcription and abstract of group interview of wine collectors conducted by Smithsonian's Rayna Green and John Fleckner,

Collection Interviewer:
Edwards, Nanci  Search this
Fleckner, John A., 1941-  Search this
Green , Rayna, Curator, 1942-  Search this
Johnson, Paula, Curator  Search this
Collection Creator:
National Museum of American History (U.S.)  Search this
Extent:
2 Copies (derivative objects)
Container:
Box 1, Folder 5, Item 817.1
Type:
Archival materials
Copies (derivative objects)
Date:
2001 March 30
Scope and Contents:
This interview with five of the ten collectors present at the event was conducted by Smithsonian's National Museum of American History staff Rayna Green and John Fleckner on March 30, 2001. (2 of 2) Partial transcription and abstract by Cindy Ott.

Abstract

Over the weekend of March 30-31, 2001 the Stag's Leap Wine Cellars organized a wine tasting to commemorate the 25th anniversary of the "Paris Tasting," in which American wines stunningly upstaged European vintages in a blind tasting by experts in the field. Participants of the 2001 event included some of the top American wine collectors. Coming from a broad range of professions, including dentistry, international business, and the movie industry, the group was brought together by their passion for wines and their reputation as collectors. The ten individuals were selected by Dennis Foley, participant and wine auctioneer, who stated that he chose people he knew who lived in different parts of the country.

Among the myriad of weekend activities, which included the tasting of contemporary wines donated by producers as well as wines from the "classic" period in California winemaking, dating from1933 to1985, donated by the collectors themselves, were interviews conducted by Smithsonian staff. They form a part of the National Museum of American History's project to document the history and culture of American wine. The interviews were held at the Culinary Institute of America's Greystone campus at St. Helena, California in Napa Valley, the site of most of the weekend activities. The collectors were divided into two groups of five. This group included the collectors Stephen Kaplan, Frank Komorowski, Ron Light, George Linton, and Stan Winston. Ron Kuhn, who participated in the event as a winning bidder of the SLWC lot at the 2000 Napa Valley Wine Auction, sat in on the first part of the discussion. A short biography of each participant is provided in one of the event booklets that form part of this sub-collection. The fact that only men were among the collectors is a reflection of the nature of the business, which is currently almost solely a male domain. Smithsonian curator Rayna Green and archivist John Fleckner led these interviews.

The discussions, spurred by questions posed by the Smithsonian staff, centered around the origins, intentions and styles of the participants' wine collections and collecting habits. Topics addressed include forms of documentation used to track their holdings, acquisition and storage methods, and the most significant bottles in their collections. The groups also raised issues relating more broadly to the wine industry, including the influence of wine critics (which one participant refers to as "wine critic's fascism"), the importance of wine's heritage and history, the effects of re-corking older wines, the social and gender aspects of wine collecting, the impact of terroirs, the differences between old and current wines (especially in regard to the New World "fruit bombs"), and the relationship between American wines and national identity. The conversations provide insights into patterns of American consumerism, recreation, and product marketing.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
American Wine Documentation Project, 1976-2002, Archives Center, National Museum of American History.
See more items in:
American Wine Documentation Project
American Wine Documentation Project / Series 2: Collections Event / 2.2: Interviews and Abstracts
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0817-ref50

Leo Baekeland Diary Volume 55

Author:
Baekeland, L. H. (Leo Hendrik), 1863-1944  Search this
Collection Creator:
Baekeland, L. H. (Leo Hendrik), 1863-1944  Search this
Extent:
1 Item (6.0" x 3.5")
Container:
Box 21, Folder 9
Type:
Archival materials
Diaries
Date:
1935 January 1- 1935 December 31
1935 June 1- 1935 December 31
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Family -- 20th century  Search this
Genre/Form:
Diaries -- 20th century
Collection Citation:
Leo Baekeland Papers, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Leo H. Baekeland Papers
Leo H. Baekeland Papers / Series 4: Diaries
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0005-ref344
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Leo Baekeland Diary Volume 57

Author:
Baekeland, L. H. (Leo Hendrik), 1863-1944  Search this
Collection Creator:
Baekeland, L. H. (Leo Hendrik), 1863-1944  Search this
Extent:
1 Item (6.0" x 3.5")
Container:
Box 22, Folder 1
Type:
Archival materials
Diaries
Date:
1936 May 18-1937 March 27
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Family -- 20th century  Search this
Genre/Form:
Diaries -- 20th century
Collection Citation:
Leo Baekeland Papers, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Leo H. Baekeland Papers
Leo H. Baekeland Papers / Series 4: Diaries
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0005-ref346
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  • View Leo Baekeland Diary Volume 57 digital asset number 1

Meserole, Darwin J.

Collection Creator:
Kent, Rockwell, 1882-1971  Search this
Container:
Reel 5211, Frame 1426-1449
Type:
Archival materials
Date:
1951-1952
Scope and Contents note:
(typescript of article on fascism in the U.S., and related correspondence)
Collection Restrictions:
The microfilm of this collection has been digitized and is available online via AAA's website. Use of material not microfilmed or digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Rockwell Kent papers, circa 1840-1993, bulk 1935-1961. Archives of American Art, Smithsonian Institution.
See more items in:
Rockwell Kent papers
Rockwell Kent papers / Series 1: Alphabetical Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-kentrock-ref2522

Radical Groups--Fascism--American League Against War and Fascism

Collection Creator:
Kent, Rockwell, 1882-1971  Search this
Container:
Reel 5227, Frame 517-560
Type:
Archival materials
Date:
1936-1937
Scope and Contents note:
(inquiries about magazine cover designs, lectures, invitations to events, form letters and other printed matter)
Collection Restrictions:
The microfilm of this collection has been digitized and is available online via AAA's website. Use of material not microfilmed or digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Rockwell Kent papers, circa 1840-1993, bulk 1935-1961. Archives of American Art, Smithsonian Institution.
See more items in:
Rockwell Kent papers
Rockwell Kent papers / Series 1: Alphabetical Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-kentrock-ref3155

Writings

Collection Creator:
Kent, Rockwell, 1882-1971  Search this
Extent:
Reels 5249-5252, 5741
Type:
Archival materials
Date:
1906-1978, undated
Scope and Contents note:
Writings, art work, miscellaneous items, and photographs were received from the Estate of Sally Kent Gorton in 2001. Although not physically integrated with the main portion of the collection, this addition to the Rockwell Kent papers is described with the appropriate series in the online edition of the finding aid.

Writings consist of Kent's continuation of his autobiography It's Me, O Lord! (1995). The unpublished 185 page manuscript written between 1955 and 1971 recounts the artist's travels, exhibitions, and political activities during the 1950s and 1960s. Among the art work there are many drawings and sketches in pencil and ink, of miscellaneous subjects and various projects circa 1920-1939 including figure studies, landscapes and illustrations for various books by Kent. Also included are a color lithograph study for a war poster, circa 1941, and Kent's 1968 costume and set designs for Benjamin Britten's opera Peter Grimes, along with a recording of Peter Grimes and its libretto. Photographs of people include formal and informal portraits of Rockwell Kent, Kent with others, and each of his wives; other individuals portrayed are Ted R. Lambert and Eugene Vuchatich. Other subjects include views of Asgaard Farm, the rebuilt Kent house at AuSable Forks, NY, and Kent's grave.

Kent presented the manuscripts for most of his books to the USSR, along with the Kent Collection. Included in this series are drafts, notes, and completed manuscripts for monographs, articles, speeches, book reviews, catalog texts and introductory essays, and miscellaneous writings (often unidentified) by Kent. Manuscripts are arranged chronologically, with undated items arranged alphabetically by title. Also included at the end of the series are a small number of manuscripts by other authors.

The unpublished continuation of Kent's autobiography It's Me, O Lord! was received from the estate of his widow, Sally Kent Gorton, 2001.

See Appendix for an itemized list of writings from Series 2.
Arrangement note:
The bulk of this series has been scanned. Poems and political statements written by other authors have not been scanned.
Appendix: Writings from Series 2:
Writings by Rockwell Kent"Men as Animals," 1906-1912

"The False Life," 1906-1912

"True Life," 1906-1912

"A Tragedy of Newfoundland," 1914 (with 1961 revision)

"Alaska Drawings by Rockwell Kent, With a letter from Rockwell Kent to Christian Brinton, M. Knoedler & Co.," 1919

"Greenland for the Painters," 1919

"Art," 1919

"The Tierra del Fuego Journal of Rockwell Kent," 1922

"Voyaging," 1924

"Tristan and Iseult," 1927

"George W. Bellows: His Lithography," 1927

"A Social Evolutionist's View of the War," 1928

Introduction to book about Patagonia, 1931

"Alias Kent by Hogarth, Jr.." 1933

"Rockwellkentiana," 1933

Greenland journal in the form of letters to Frances, 1934-1935

"What Is an American?," 1936

"In the Name of the Great Jehovah," 1936

Van Loon Review, 1937

"What Is an American?" (revised version), 1938

"People's Platform," 1938

"Good Old Loyalty," 1938

"Original Etchings, Lithographs and Woodcuts by American Artists published by the American Artists Group, Inc." (review), 1938

"Fascism versus Civilization," 1938

"On Earth Peace, Good Will Toward Men," 1938

"Death Notice" (Dan Cohen), 1938

"Shall We Limit Free Speech?," 1939

"Let's Talk It Over," 1939

"Enemies of Democracy," 1939

"Art Is for Everyone," 1939

"Art for Your Sake!", 1939

"By these pages...," 1940

"First Rough Draft Greenland Article," 1940

"Greenland: An Obligation," 1940

"The Trapper"

"Art in 1940, 1st Draft"

"Art in 1940," 1940

"World's Fair Reporter" (Bill Bernbach, WNYC, interview of Rockwell Kent), 1940

"Introduction by Rockwell Kent to 'Story of the White Collar Worker' by Giacomo Patri," 1940

Introduction to "Portinari and His Art," 1940

"Rockwell Kent: A Short Autobiography," 1940

"Rockwell Kent at Bookshop," 1940

"Statement by Rockwell Kent," 1940

"Introduction to Book on the Work of Candido Portinari," 1940

"Louis Untermeyer," 1940

Love poem to Sally (untitled, illustrated), 1940

"Outline of Address Delivered by Rockwell Kent," 1940

"To Louis and Esther" (poem), 1940

"Christmas 1940" (poem), 1940

"Review of -- Kabloona -- by Gontran de Poncins," 1941

"Portion of Address for Delivery June 5th at National Conference of Social Work, by Rockwell Kent," 1941

"Radio Address, by Rockwell Kent, to Be Delivered at Progressive Librarians Council Broadcast, Sunday, June 22nd," 1941

"Statement on Nazi-Soviet War, by Rockwell Kent," 1941

" 'The Intent of the Artist,' reviewed by Rockwell Kent," 1941

"A Northern Christmas," 1941

"Outline of Address for Fourth American Writers Congress," 1941

"Editorial for -- Junior Guide -- of International Workers Order," 1941

"Introduction to Book-Plate Catalog," 1941

"Article for Adirondack Mountain Club, Inc. Year Book," 1941

"Introduction for Catalog of American Library of Color Slides," 1941

"Statement for American Council on Soviet Relations," 1941

"To Sally" (illustrated poem), 1941

"Article for UOPWA News," 1942

"Introduction to Catalog of Rockwell Kent Exhibition at the Wildenstein Galleries," 1942

"Tierra del Fuego," 1942

Article for -- Script -- , 1942

"Introduction to Democracy," 1942

"Statement for Use of Artists League of America," 1942

"Introduction by Rockwell Kent to 'Silk Screen Stenciling as a Fine Art,'" 1942

"On Earth Peace," 1942

"Foreword by Rockwell Kent to -- American Pioneer Arts & Artists -- by Carl Drepperd," 1942

"Article for Use of American Russian Cultural Association Inc. in -- Novosselye -- ," 1942

"WQXR Broadcast 'Other Peoples's Business Program,'" 1943

"Article for Use of the Alumni of the Columbia School of Architecture," 1943

"Art and the People," 1943

"Article for AAA News," 1943

"Statement to AP, UP, -- Herald Tribune, Times, Daily Worker -- on Death of Art Young," 1943

"To Sally" (poem), 1943

"Statement by Rockwell Kent, Famous Landscape and Figure Painter and Wood Engraver, on the Presentation of His Mural-- -- Airplane View of America at Peace-- -- to the Committee on Interstate and Foreign Commerce"

"Article on Art Young, For Use of -- New Masses -- Memorial Number," 1944

"Article for Use of the American Artists Group," 1944

"Memorandum on the Proposed Organization for the Publication of Reproductions of American Art," 1944

" -- Arctic Fish Story -- by Otto Wm. Geist" (book review), 1944

"Article for Use of -- Tomorrow -- ," 1944

"Review of -- Horizon Is Calling -- by Taro Yashima," 1944

"Opening Address, Seventh General Convention, IWO," 1944

Obituary of mother, Sarah Holgate Kent, 1944

"Statement for Use of Philadelphia Council of American-Soviet Friendship," 1944

"To Voters of the Thirty-Third New York Congressional District," 1944

"Introduction ALA Fourth Annual Exhibition Catalog," 1944

"Introduction by Rockwell Kent, -- Drawings by American Artists -- ," 1944

" -- Mathematical Basis of the Arts -- , by Joseph Schillinger, Reviewed by Rockwell Kent," 1944

"We Hold These Truths," 1944

"Review for the -- New Masses -- of Steffanson's -- Greenland -- ," 1944

"Synopsis: -- This Is My Own -- by Rockwell Kent," 1944

"Story for -- Readers Digest -- 'Life in America' Series," 1944

"Greetings to the Red Army & Navy," 1944

"Introduction for -- This Is Our War -- Catalog," 1944

"Art with a Little a," 1944

"Small Town War," 1944

"How Not to Get a Seeder," 1944

"Statement for use of International Workers Order," 1945

"Introduction for Exhibition Catalog," 1945

"Shadows of Evening," 1945

"Stories for -- Readers Digest -- 'Life in America' Series," 1945

"Article for Use of Vet," 1946

"Statement for Use of Artists for Action," 1946

"The Artist in America Today," 1946

"Rockwell Kent Biographical Sketch for Use of General Electric Company," 1946

"Statement for Use of International Workers Order," 1947

"John Trumbull" and "Frederick Remington," supplementary text for -- World Famous Paintings -- , 1947

"To Thee" (history of the Rahr Malting Co.), 1947

"We Hold These Truths" (articles for use of -- Fraternal Outlook -- ), 1948

" -- The Mathematical Basis of the Arts -- , by Joseph Schillinger, Reviewed by R.K. for -- Music News -- ," 1948

"Radio Script--O. John Rogge Program, Tuesday, July 12, 1948, Introduction by Rockwell Kent," 1948

"An Artist in Politics," 1948

"Text of Address to Be Given by Rockwell Kent at Meeting of Business and Professional Women's Club, Plattsburgh, N.Y.," 1948

"Radio Script, Rockwell Kent Address at Skidmore College Forum," 1948

"Radio Address to Be Given by Rockwell Kent, American Labor Party Candidate for Congress, 33d District, New York," 1948

"Radio Script, Christmas Greetings from Rockwell Kent for Arthur Gaeth Program," 1948

"Wallace Speech," 1948

"To Voters of the Thirty-Third New York Congressional District," 1948

"Rsum of Still-Born Address to World Congress for Peace, Paris, 1949," 1949

"Statement on Conviction of the Twelve by Rockwell Kent (for Use of the International Workers Order)," 1949

"We Hold These Truths" (articles for use by -- Fraternal Outlook -- ), 1949

"Introduction by Rockwell Kent to -- Southern Cross -- , by Lawrence O. Hyde," 1950

"We Hold These Truths" (article for use of the -- Fraternal Outlook -- ), 1950

"Article for Use of VOKS," 1950

"Copy for Sabattis Ranch Booklet (Rough Draft)," 1950

"Radio Address Delivered by Rockwell Kent Sunday, April 15, 1950, Croton-on-Hudson, N.Y.," 1950

"Greetings from Rockwell Kent to the Congress of the Peoples for Peace," 1952

Article for Use of International Workers Order, 1952

"Stenographic Record of a Meeting of the VOKS Section of Fine Arts," 1953

"Statement by Rockwell Kent" (re: McCarthy hearings), 1953

"Christmas Record 1953," 1953

"Place Card Poems--New Year's Eve, 1953," 1953

"Silas Timberman -- , by Howard Fast, Reviewed by Rockwell Kent for Use of -- New World Review -- ," 1954

"Realism in Art by Sidney Finkelstein, Reviewed by Rockwell Kent for Use of -- Masses & Mainstream -- ," 1954

Unpublished continuation of autobiography, -- It's Me, O Lord! -- (1955), recounting the artist's travels, exhibitions and political activities during the 1950s and 1960s, circa 1955-1971

"Article for Publication in the USSR," 1957

"Article for Use of -- New World Review -- ," 1957

"Article for Use of -- New World Review -- ," 1958

Trip Book (diary detailing trip to USSR), 1958

"Article for Use of -- Standard Times -- (New Bedford, Mass.)," 1959

"Of Men and Mountains," 1959

"Remarks for Tolstoi Jubilee," 1960

"Gift of Peace--An Account of Rockwell Kent's Presentation of a Collection of His Works to the People of the Soviet Union," 1961

"Article for Use of -- New World Review -- ," 1962

"Statement for November 26th Meeting, NCASF, by Rockwell Kent," 1962

"To Major Gherman Titov, Greeting!" 1962

"World Conference on Disarmament and Peace--Statement by Rockwell Kent," 1962

"Your Money or Your Life," 1962

"Kent-Feild Ms., Kent Chapters," [1965]

"Books Make the Home," [1965]

"Love Letter to a Friend," 1965

"Rough Draft-- -- Voyaging -- , Introduction for USSR Edition," 1965

"Introduction to -- Voyaging -- USSR Edition," 1965

"Article for Use of -- New Times-- -- New Year's Issue" (draft and final), 1966

"Greetings to Soviet People from Rockwell Kent" (for use of TASS)

"Introduction for Excerpts from -- It's Me, O Lord -- " (to be used as text book in the Leningrad Conservatory), 1966

"Introduction for Soviet Edition of Rockwell Kent's -- Greenland Journal -- ," 1966

Letter to the Editor, -- National Guardian -- , 1966

"Rough--Message for Bulgarian Radio," 1966

"Message for Use of Bulgarian Radio," 1966

Poems, 1966

"Preface to Grosset & Dunlap Edition of -- Voyaging -- ," 1967

Poems, 1968

"Abridgement of Kremlin Speech (Excerpt from Radio Address, Delivered in Croton)," undated

"After Long Years" (draft), undated

"After Long Years," undated

"Anecdote for Use of Compton Advertising in -- Songs My Mother Taught Me -- ," undated

"Announcement," undated

"Art"

"Article for Use in -- Art and Advertising -- ," undated

"Article for Use of American Russian Cultural Association, Inc. in -- Novosselye -- ," undated

"Article for Use in -- The Blue Book of Peace -- ," undated

"Article for Use in -- The Blue Book of Peace -- " (draft), undated

"Article for Use of -- The Christian Register -- ," undated

"Article for Use of IWO in Souvenir Journal of the Ukrainian Societies' Cultural Festivals," undated

"Article for Use of -- The Key -- ," undated

"Article for Use of Local Papers, AuSable," undated

"Article for Use of -- Moscow News -- (Man and War Forum)," undated

"Copy, Article for Use of -- Moscow News -- (Man and War Forum)," undated

"Article for Use of -- Pravda -- ," undated

"Article for Use of Professor Guy Gayler Clark in -- Art and Advertising -- ," undated

"Article for Use of -- Soviet Culture -- ," undated

"Article for Use of -- Tomorrow -- ," undated

"The Artist in America Today," undated

"The Beasts," undated

"Bowden College Exhibition Catalog," undated

"Competition," undated

"Copy for Prospectus, Rockwell Kent Bookplates & Marks, Second Series," undated

"Editorial for -- Junior Guide -- of International Workers Order," undated

"The Entry of the Gods into Valhalla," undated

"Greenland: An Obligation," undated

"Interview Between Rockwell Kent & Andrei Melnkov on the Training and Subsequent Careers of Artists in the USSR," undated

"Introduction" [2 separate pieces], undated

"Introduction--Bookplate Book," undated

"Introduction by Rockwell Kent to a Portfolio of the Lithographs of Charles White," undated

"Introduction for Art Directors' Annual," undated

"Introduction to Book-Plate Catalog," undated

"Introduction to Enrico Glicenstein Memorial Publication," undated

"Introduction to -- Fifty Prints -- ," undated

"IWO Telephone Hook-Up Address," undated

"Lincoln Steffens Speaking" (book review), undated

"Message for November 28th Carnegie Hall Meeting of National Council of American-Soviet Friendship from Rockwell Kent," undated

"The Missing Lynx, New Light on Human Nature, Told by the Lynx. (`Might Is Right und Lynx Ist Rechts'.)," undated

"The Most Unforgettable Character I Have Ever Met," undated

"Notes by Rockwell Kent for Use of Miss Marie B. Ryan, Editor of the -- Sketch Book of Kappa pi -- in an Article Titled: `The Things I Wish They'd Taught Me'," undated

"Nuremberg--And After," undated

"On Being Famous," undated

"On the Writings of Rockwell Kent," undated

"Original Page of -- Salamina -- Manuscript," undated

"Preface," undated

"Preface to the Monhegan Edition," undated

"Proposal for the Solution of the Liquor Problem," undated

"Review, by Rockwell Kent, of -- The Game of Death -- ," undated

"Review of -- Eskimo -- , by Peter Freuchen," undated

"Rockwell Kent," undated

"Rockwell Kent Biographical Data," undated

" -- Salome -- , by Oscar Wilde. -- Inventions -- , by John Vassos. -- The Marriage of Heaven and Hell -- , by William Blake" (book review), undated

"A Second Preface--Eleven Years Later," undated

"Speech for Opening of Exhibition," undated

"Statement for November 26th Meeting, NCASF," undated

"Statement for Use of National Council for American-Soviet Friendship," undated

"Statement for Use of the Teachers Union," undated

"Statement on 'American Art Today,'" undated

"Statement on the Arrest of the Communist Leaders," undated

"Story for -- Reader's Digest -- 'Life in America' Series," undated

"Text for -- The Lovers -- , Wood Engraving by Rockwell Kent" undated

"Unpublished Manuscript," undated

"Vegetarianism," undated

"We Hold these Truths" (Article for Use of -- Fraternal Outlook -- , by Rockwell Kent), (2 separate articles), undated

"What Home Means to Me," undated

"When I Was a Teener," undated

"Winslow Homer at Prout's Neck" (draft of book review by Kent), undated

" -- Winslow Homer at Prout's Neck -- , by P. Beam," undated

Greenland Journal -- , undated

"A Voyager's Log, Part II," undated

Wilderness -- , undated

World Famous Paintings -- , undated

Untitled, undated

Poems, undated

Fragments and Miscellaneous Notes, undated

Writings by Sarah Holgate Kent [mother]"The Little I Know of My Ancestors. As Far Back As I Can Remember," 1941

Writings by Sally Kent (Gorton)"Monhegan Notebook," 1950

"Article for R.K. Memorial Booklet--First Rough Draft," 1971

"Article for Rockwell Kent Memorial Portfolio," 1971

" -- Bulgaria Today: The Land and the People -- , by William Cary" (review), 1971

"Greeting for World Peace Council Meeting, Budapest--First Rough," 1971

"Greeting in Memory of Rockwell Kent for World Peace Council, Meeting in Budapest--3d Best," 1971

"Greeting in Memory of Rockwell Kent for World Peace Council, Meeting in Budapest--2d Best," 1971

"The Happiest Day," 1971

Drafts of Memoir ("Introduction," "Living on and off--The Land!," "Memoirs," "Chapter I--Save, Use," "First Chapter--Passages to Add Perhaps," "Chapter 2," "1971 Later--31 Years Later," "Use," "July 3, 1972"), 1971

Memoir Notes ("Monhegan Notes," "Notes and Quotes for Use in Book--'Rockwell Kent--Some Fireside Reminiscences,' " "Possibly for Use," "Random Notes," "R.K. on Homes"), 1971

"Suggested Copy: -- New York Times -- Ad to Be Sponsored by Committee of Concerned Citizens" ("Rockwell Kent's Engagement with Life"--Draft), 1971

"Rockwell Kent's Engagement with Life for Use of -- American Dialogue -- ," 1971

"Rockwell Kent--Glimpses" (notes), 1971

"The Making of -- It's Me, O Lord -- , Draft," 1974

"The Making of -- It's Me, O Lord -- For Use in -- The Kent Collector -- ," 1974

"And Now Monhegan Again!," 1977

"The Jay Taxpayers Association in 1933: A Good Fight," 1977

"Muddling Through" (shorthand), 1978

"Dedication Words" (notes, some in shorthand), 1978

"Rockwell Kent Gallery Dedication Words," 1978

"Story" (shorthand), 1978

"Story 'In the Drawer' for Time Being," 1978

"The Happiest Day," undated

Poem, undated

Writings by Others About KentReviews of Books by Rockwell Kent, 1931-1941

Poems, undated

"The Beautiful American," undated

"Biographical Notes--Rockwell Kent," undated

" -- It's Me, O Lord -- , Introduction, On Rockwell Kent and His Autobiography," undated

"Kent--The Writer," undated

"Message by Y. A. Malik on the Occasion of the Opening of the Exhibition of Soviet and American Prints," undated

"Part One, Books Written and Illustrated by Rockwell Kent, by Dan Burne Jones," undated
Collection Restrictions:
The microfilm of this collection has been digitized and is available online via AAA's website. Use of material not microfilmed or digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Rockwell Kent papers, circa 1840-1993, bulk 1935-1961. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kentrock, Series 2
See more items in:
Rockwell Kent papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-kentrock-ref4388

American League Against War and Fascism (see: Radical Groups--Fascism)

Collection Creator:
Kent, Rockwell, 1882-1971  Search this
Container:
Reel 5155, Frame
Type:
Archival materials
Collection Restrictions:
The microfilm of this collection has been digitized and is available online via AAA's website. Use of material not microfilmed or digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Rockwell Kent papers, circa 1840-1993, bulk 1935-1961. Archives of American Art, Smithsonian Institution.
See more items in:
Rockwell Kent papers
Rockwell Kent papers / Series 1: Alphabetical Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-kentrock-ref179

Artists Talk on Art records

Creator:
Artists Talk on Art  Search this
Names:
Barnet, Will, 1911-2012  Search this
Bourgeois, Louise, 1911-2010  Search this
Christo, 1935-  Search this
De Niro, Robert, Sr., 1922-1993  Search this
Denes, Agnes  Search this
Goldberg, Michael, 1924-  Search this
Jeanne-Claude, 1935-2009  Search this
Longo, Robert  Search this
Mendieta, Ana, 1948-1985  Search this
Morris, Robert, 1931-2018  Search this
Murray, Elizabeth, 1940-  Search this
Neel, Alice, 1900-1984  Search this
Pavia, Philip, 1915-2005  Search this
Sleigh, Sylvia  Search this
Wilke, Hannah  Search this
Wojnarowicz, David  Search this
Extent:
64.4 Linear feet
317.43 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Sound recordings
Scrapbooks
Transcripts
Video recordings
Date:
circa 1974-2018
Summary:
The records of Artists Talk on Art (ATOA) measure 64.4 linear feet and 317.43 gigabytes and date from circa 1974-2018. The bulk of the records consist of extensive video and sound recordings of events organized by the group featuring artists, critics, historians, dealers, curators and writers discussing contemporary issues in the American art world in hundreds of panel discussions, open screenings, and dialogues held in New York City. Events began in 1975 and continue to the present; recordings in the collection date from 1977 and 2016. A smaller group of records include administrative files, panel flyers, three scrapbooks, as well as photographs, slides, and negatives of panel discussions and participants.
Scope and Contents:
The records of Artists Talk on Art (ATOA) measure 64.4 linear feet and 317.43 gigabytes and date from circa 1974-2018. The bulk of the records consist of extensive video and sound recordings of events organized by the group featuring artists, critics, historians, dealers, curators and writers discussing contemporary issues in the American art world in hundreds of panel discussions, open screenings, and dialogues held in New York City. Events began in 1975 and continue to the present; recordings in the collection date from 1977 and 2016. A smaller group of records include administrative files, panel flyers, three scrapbooks, as well as photographs, slides, and negatives of panel discussions and participants.

ATOA's recordings chronicle the American art world, covering critical discussions and significant art world issues over five decades. Thousands of artists such as Will Barnet, Louise Bourgeois, Christo and Jeanne-Claude, Robert De Niro, Agnes Denes, Michael Goldberg, Robert Longo, Ana Mendieta, Robert Morris, Elizabeth Murray, Alice Neel, Philip Pavia, Howardena Pindell, Larry Rivers, Sylvia Sleigh, Kahinde Wiley, Hannah Wilke, David Wojnarowicz, and others speak about their work. The original recordings exist in a variety of formats, including U-Matic and VHS videotape, MiniDVs, sound cassettes and sound tape reels. ATOA digitized most of the video and sound recordings prior to donating the collection.

The collection also includes printed histories, board and program committee meeting minutes, financial statements, general correspondence files of the president and chair, attendance statistics, grant files, panel participant release forms, sixteen panel transcripts, a complete set of panel flyers (many are annotated) and other printed materials, three dismantled scrapbooks, as well as photographs, slides, and negatives of panels and panel participants.
Arrangement:
The records are arranged into nine series.

Series 1: Adminstrative Files, 1974-2013 (0.4 linear feet, Box 1)

Series 2: Director's and Chairman's Correspondence, 1977-2006 (0.4 linear feet, Box 1)

Series 3: Grant Files, 1977-2009 (1 linear foot, Boxes 1-2)

Series 4: Panel Release Forms, 1978-2012 (1 linear foot, Boxes 2-3)

Series 5: Panel Transcripts, 1981, 1986, 1988, 2017-2018 (1 folder, Box 3; 0.002 GB, ER01)

Series 6: Printed Materials, 1975-2015 (0.8 linear feet, Boxes 3-4; 0.434 GB, ER02)

Series 7: Scrapbooks, 1975-1989 (0.2 linear feet, Box 4)

Series 8: Photographic Materials, circa 1975-circa 2000 (1 linear foot, Boxes 4-5)

Series 9: Video and Sound Recordings of Events, 1977-2016 (59 linear feet, Boxes 6-65; 317.43 GB, ER03-ER04)
Biographical / Historical:
Established in 1974 and still active in New York, Artists Talk on Art is the art world's longest running and most prolific aesthetic panel discussion series organized by artists for artists. Founded by Lori Antonacci, Douglas I. Sheer, and Robert Wiegand, the forum has presented 6,000 artists in nearly 1,000 documented panels or dialogues. ATOA held its first panel, "Whatever Happened to Public Art," on January 10, 1975 and it drew a "crowd" of 77 people. In the decades that followed, ATOA presented dozens of panels or dialogues a year, tackling such diverse topics as "What is Happening with Conceptual Art," with Louise Lawler and Lawrence Weiner; "Painting and Photography: Defining the Difference," with Sarah Charlesworth, Jack Goldstein, Joseph Kosuth, Barbara Kruger, and Robert Mapplethorpe; "Organizing Arts Activism," with Lucy Lippard; "The Artist and the Epidemic—an information panel about AIDS"; "Cross-generational Views of Feminism"; and hundreds more.
Provenance:
The Artists Talk on Art (ATOA) records, including digital files of the video and sound recordings, were donated to the Archives in 2016 by Douglas Sheer, Chairman of ATOA.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics  Search this
Art dealers  Search this
Art historians  Search this
Artists  Search this
Topic:
Art, American  Search this
Historians  Search this
Genre/Form:
Photographs
Sound recordings
Scrapbooks
Transcripts
Video recordings
Citation:
Artists Talk on Art records, circa 1974-2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.artitalk
See more items in:
Artists Talk on Art records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-artitalk
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  • View Artists Talk on Art records digital asset number 1
Online Media:

Bestiality, fascism, & gratuitous gore… current trends in independent film & video

Collection Creator:
Artists Talk on Art  Search this
Extent:
2 Videocassettes (U-matic) (duration 01:44:45)
Type:
Archival materials
Videocassettes (u-matic)
Date:
1994 February 4
Scope and Contents:
Moderated by David Channon, with speakers, Harold Channer, L. (Libby) French, Rick Shore, and David Huberman.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Artists Talk on Art records, circa 1974-2018. Archives of American Art, Smithsonian Institution.
See more items in:
Artists Talk on Art records
Artists Talk on Art records / Series 9: Video and Sound Recordings of Events
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-artitalk-ref1690

Immigration Conversations: When Policy Meets the Personal

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (digital audio file)
Type:
Archival materials
Sound recordings
Date:
2017 July 04
Scope and Contents:
Perla Guerrera (presenter); Ted Gong; Brenda Perez; Kumera Genet; Perla Guerrero ;This session explores the cultural dimensions and personal impact of U.S. immigration policy on people's family histories and personal experiences. Session participants represent different generational perspectives and migration histories: Ted Gong from the 1882 Foundation, Kumera Genet from Kino Musica, and Brenda Pérez. How do migration experiences shape one's sense of identity, community, and personal choices?
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 2017 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.2017, Item SFF2017_0704_OTM_Story_Circle_0005
See more items in:
Smithsonian Folklife Festival records: 2017 Smithsonian Folklife Festival
Smithsonian Folklife Festival records: 2017 Smithsonian Folklife Festival / Series 4: On The Move / 4.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-2017-ref974
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Immigration Conversations: When Policy Meets the Personal digital asset number 1

The color line and the assembly line managing race in the Ford empire Elizabeth D. Esch

Author:
Esch, Elizabeth D  Search this
Physical description:
1 online resource (xvii, 257 pages)
Type:
Electronic resources
Electronic books
Place:
Michigan
Brazil
South Africa
Port Elizabeth
United States
Date:
2018
20th century
20th Century
Topic:
Racism in the workplace  Search this
Automobile industry and trade--Employees--Social conditions  Search this
BUSINESS & ECONOMICS--Labor  Search this
POLITICAL SCIENCE--Labor & Industrial Relations  Search this
HISTORY  Search this
Call number:
HD9710.U54 F27 2018 (Internet)
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1147339

Fascism

Collection Creator:
Ashton, Dore  Search this
Container:
Box 28, Folder 25
Type:
Archival materials
Date:
1998-2006
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dore Ashton papers, 1849, circa 1928-2014. Archives of American Art, Smithsonian Institution.
See more items in:
Dore Ashton papers
Dore Ashton papers / Series 8: Addition to the Dore Ashton Papers / 8.4: Writing Project and Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ashtdore-ref1366

1976 Gift

Collection Creator:
Criss, Francis, 1901-1973  Search this
Extent:
1.5 Linear feet (Boxes 2-6)
Type:
Archival materials
Date:
1935-1975, undated
Scope and Contents note:
Part 2 includes business correspondence regarding finances, contract work and membership in several arts organizations and with government agencies including the Works Project Administration that document Criss' involvement with the Federal Art Project during the 1930s and 1940s. Personal correspondence includes handwritten notes and greeting cards from students and colleagues expressing their get well wishes during Criss' illness in 1965. Also found are several letters of condolences to Criss' wife, Miriam after her husband's death in 1973. Writings consist of loose pages of Criss' handwritten notes for his art lectures and syllabi for illustration courses he taught between 1953 and 1957. Included are exhibition announcements and invitations from several art museums and galleries including the Corcoran Gallery of Art, National Gallery of Art, Pennsylvania Academy of Fine Arts, the Metropolitan Museum of Art, and other art institutions. Exhibition catalogs include Painting in the United States from a show hosted by the Carnegie Institute in 1944 and Eric Isenburger, an exhibition at M. Knoedler and Company in 1950. Also included is a list of works for an unidentified exhibition in which Criss' painting Fascism was among the works shown. Color and black and white photographs are of Criss' wife Miriam and their children and of work Criss created for the U.S. Army Medical Corps.

Found are three dismantled scrapbooks. Scrapbook #1 documents Criss' commercial art in the 1940s and contains a series of large scale reproductions of his illustrations. Scrapbooks #2 and #3 also include examples of Criss' commercial work, as well as illustrations by other artists, and Criss' handwritten notes and instructions on drawing and painting techniques. Miscellany includes several ledger pages detailing art supply expenses, a small unidentified collage, a copy of a 1957 appraisal report titled The Role of the School of Visual Arts, and other miscellaneous items.
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Francis Criss papers, 1916-1975 (bulk 1940-1969). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.crisfran, Series 2
See more items in:
Francis Criss papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-crisfran-ref39

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