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Oral history interview with Karl Schrag

Interviewee:
Schrag, Karl  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Art Students League (New York, N.Y.) -- Students  Search this
Atelier 17  Search this
Becker, Maurice, 1889-1975  Search this
Bissière, Roger, 1888-1964  Search this
Broner, Robert, 1922-  Search this
Cloar, Carroll  Search this
Farr, Fred, 1914-1973  Search this
Hayter, Stanley William, 1901-1988  Search this
Horak, Bohuslav, 1914-2004  Search this
Kienbusch, William, 1914-1980  Search this
Lhote, André, 1885-1962  Search this
Refregier, Anton, 1905-  Search this
Sloan, John, 1871-1951  Search this
Sternberg, Harry, 1904-2001  Search this
Tanguy, Yves, 1900-1955  Search this
Extent:
45 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1970 October 14-20
Scope and Contents:
Interview of Karl Schrag conducted 1970 October 14-20, by Paul Cummings, for the Archives of American Art. Schrag speaks of his childhood in Germany; how his parents were nervous about him becoming an artist; going to various art schools; studying with Bissiere; his first exhibition in Brussels; moving to America because of the political situation in Europe; enrolling in the Art Students League; getting involved with Atelier 17; how the mid-1940s were crucial in his development; American artists he found interesting; his thoughts on the Abstract Expressionists; how he started teaching; joining Tamarind workshop; his first retrospective, the Ford Foundation-A.F.A Show; being on the Fulbright jury; how his pictures relate to each other; his technique; and becoming the Director of Atelier 17. He recalls Andre L'Hote, Roger Bissiere, Harry Sternberg, Anton Refregier, William Kienbusch, Fred Farr, Carroll Cloar, John Sloan, Maurice Becker, Stanley William Hayter, Yves Tanguy, Bohuslav Horak, Robert Broner, Margaret Lowenbraun, and many others.
Biographical / Historical:
Karl Schrag (1912-1995) was a painter and printmaker from New York, N.Y.
General:
Tape 2 is mostly blank.
Originally recorded on 3 sound tape reels. Reformatted in 2010 as 8 digital wav files. Duration is 3 hr., 25 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript is available on the Archives of American Art's website.
Topic:
Art, American  Search this
Painters -- New York (State) -- Interviews  Search this
Printmakers -- New York (State) -- New York -- Interviews  Search this
Abstract expressionism  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.schrag70
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96f20ed28-9889-45fa-8ee4-33b962f5a0dc
EDAN-URL:
ead_collection:sova-aaa-schrag70
Online Media:

Antonio Sotomayor papers

Creator:
Sotomayor, Antonio, 1904-  Search this
Names:
Delphic Studios  Search this
Pan American Union  Search this
Entenza, John, 1903-  Search this
Farr, Fred, 1914-1973  Search this
Franco, Johan, 1908-  Search this
Fried, Alexander, 1902-1988  Search this
Gerstle, William Lewis, 1868-1947  Search this
Labaudt, Lucien, 1880-1943  Search this
Little, Philip, 1857-1942  Search this
Long, Emilie  Search this
Morley, Grace, 1900-1985  Search this
Moya del Pino, Jose, 1891-1969  Search this
Oldfield, Otis, 1890-1969  Search this
Orozco, José Clemente, 1883-1949  Search this
Pflueger, Timothy Ludwig, 1892-1946  Search this
Reed, Alma M.  Search this
Rivera, Diego, 1886-1957  Search this
Robinson, Elmer E. (Elmer Edwin), b. 1894  Search this
Salinger, Jehanne Bietry  Search this
Salinger, Pierre  Search this
Sauer, Carl Ortwin, 1889-  Search this
Sotomayor, Grace  Search this
Von Hagen, Victor Wolfgang, 1908-1985  Search this
Extent:
1.6 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Sketches
Photographs
Date:
circa 1920-1988
Summary:
The collection documents the career of Bolivian born painter and illustrator, Antonio Sotomayor, his interest in Latin American art and artists, and his association with the San Francisco arts community. Materials found in the collection include letters, writings, sketches and sketchbooks, printed material and photographs.
Scope and Content Note:
The collection documents the career of Bolivian born painter and illustrator, Antonio Sotomayor, his interest in Latin American art and artists, and his association with the San Francisco arts community.

The collection consists primarily of correspondence, writings, artwork, printed material, and photographs documenting Sotomayor's career, his interest in Latin American art and artists, and his association with the San Francisco arts community.
Arrangement:
The collection is arranged as six series:

Missing Title

Series 1: Correspondence, 1931-1988, undated (box 1, 21 folders)

Series 2: Writings, 1932-1946, undated (box 1, 11 folders)

Series 3: Artwork, 1935, undated (box 1, 23 folders)

Series 4: Printed Material, 1935-1987 (boxes 1-2, 12 folders)

Series 5: Photographs, circa 1920-1984, undated (box 2, 13 folders)

Series 6: Oversized Material, 1941, 1958, undated (2 OV folders)
Biographical Note:
Antonio Sotomayor was born in Bolvia and came to San Francisco in 1923. He was educated at the Escuela de Belleas Arts in La Paz and the Hopkins Institute of Art in San Francisco. Primarily known for his murals and paintings, Sotomayor was also an illustrator, caricaturist, designer, ceramicist, and educator. Over the course of his career his work was exhibited in the United States, France, Italy, Spain, Mexico, and South America and he became known as the popular "artist laureate" of San Francisco where he lived with his wife, Grace. He died of cancer in 1985 at the age of 82.
Provenance:
The Antonio Sotomayor papers were donated to the Archives of American Art by Grace Sotomayor in 1998.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California -- San Francisco  Search this
Cartoonists -- California -- San Francisco  Search this
Topic:
Muralists -- California -- San Francisco  Search this
Works of art  Search this
Caricatures and cartoons  Search this
Mural painting and decoration -- 20th century  Search this
Illustration of books  Search this
Illustrators -- California -- San Francisco  Search this
Art, Modern -- 20th century -- California -- San Francisco  Search this
Latino and Latin American artists  Search this
Genre/Form:
Sketchbooks
Sketches
Photographs
Citation:
Antonio Sotomayor papers, circa 1920-1988. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.sotoanto
See more items in:
Antonio Sotomayor papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9720668e9-bd70-4a75-8c58-f2546521f7d4
EDAN-URL:
ead_collection:sova-aaa-sotoanto

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