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William Cushing Loring papers, 1899-1961

Creator:
Loring, William Cushing, 1879-  Search this
Subject:
Loring, Robert  Search this
Loring, Stanton D.  Search this
Loring, Helen  Search this
Loring, Elizabeth  Search this
Alma-Tadema, Lawrence, Sir  Search this
Millet, Francis Davis  Search this
Sargent, John Singer  Search this
Chickering, Elmer  Search this
National Gallery  Search this
Musée du Louvre  Search this
Rhode Island School of Design  Search this
Type:
Sketches
Paintings
Photographs
Illustrated letters
Topic:
Expatriate painters -- France -- Paris  Search this
Art -- Study and teaching -- France -- Paris  Search this
Expatriate artists -- England -- London  Search this
Artists' studios -- France -- Paris -- Photographs  Search this
Art -- Study and teaching -- England -- London  Search this
Educators -- United States  Search this
Painters -- Massachusetts  Search this
Record number:
(DSI-AAA_CollID)5957
(DSI-AAA_SIRISBib)208801
AAA_collcode_loriwill
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208801
Online Media:

A.G. (Abel George) Warshawsky papers

Creator:
Warshawsky, A. G. (Abel G.), 1883-1962  Search this
Names:
Warshawsky, Ruth  Search this
Extent:
3.8 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Sketches
Scrapbooks
Sketchbooks
Photograph albums
Prints
Photographs
Place:
Paris (France)
Date:
circa 1900-1988
Summary:
The papers of A.G. (Abel George) Warshawsky date from circa 1900 to 1988 and measure 3.8 linear feet. the papers contain biographical materials; scattered correspondence, most of which consists of letters from Warshawsky to his wife Ruth; writings, including versions of Warshawsky's autobiography; printed materials; two scrapbooks; photographs and eight photo albums; twenty-six sketchbooks; and artworks by Warshawsky and others.
Scope and Contents:
The papers of A.G. (Abel George) Warshawsky date from circa 1900 to 1988 and measure 3.8 linear feet. The papers contain biographical materials; scattered correspondence, most of which consists of letters from Warshawsky to his wife Ruth; writings, including versions of Warshawsky's autobiography; printed materials; two scrapbooks; photographs and eight photo albums; twenty-six sketchbooks; and artworks by Warshawsky and others.

Biographical materials consist of passports, an identification card, and a Who's Who entry. Correspondence is scattered and contains letters written by A.G. Warshawsky to his wife Ruth. There are also telegrams of congratulations for the Warshawskys' 1941 marriage and a few letters from museums and institutions regarding Warshawsky's art.

Writings and notes include three versions of Warshawsky's autobiography entitled: "My Brush with Life," "Adventures with Color and Brush," and "Warshawsky's Autobiography." The autobiography concerns his life in Paris, activities, and acquaintances as a young art student in Paris. Also found are other writings about art and a notebook.

Printed material includes exhibition catalogs, xeroxed copies of news clippings and a clippings file concerning Warshawsky's career, published material, and reproductions of works of art. Also found is a printed portfolio comprised of an introduction to Warshawsky and reproductions of his paintings.

There is one original and one xeroxed scrapbook, containing news clippings, and exhibition materials from 1913 to 1960.

Photographs includes eight photo albums and photographs of Warshawsky, of family and friends, and of works of art. The bulk of the photo albums contain photographs of works of art. Two photo albums consist of personal photos of Warshawsky and his wife Ruth in their home in California. Other photographs are of Warshawsky painting in his studio, with his art, and of his wife, family, friends, and artist models.

Twenty-six sketchbooks are primarily in pencil and are undated or unidentified. Some sketchbooks include place names such as Monterey and Carmel, California, Mexico, and Paris.

Additional artwork includes loose sketches and a print by Warshawsky. Also found are prints and drawings by others, including Goya, Edwin Kaufman, and Paul de Lassence.
Arrangement:
The collection is arranged as 8 series.

Series 1: Biographical Material, 1923-circa 1940 (3 folders; Box 1)

Series 2: Correspondence, 1941-1964 (4 folders; Box 1)

Series 3: Writings and Notes, circa 1930-circa 1950 (0.4 linear feet; Box 1)

Series 4: Printed Material, 1920-1964 (0.2 linear feet; Box 1, 6, OV 12)

Series 5: Scrapbooks, 1913-1960 (0.3 linear feet; Box 1, 9)

Series 6: Photographs, circa 1910-1988 (1.4 linear feet; Box 1-2, 5, 7-8, OV 10)

Series 7: Sketchbooks, circa 1910-circa 1950 (1.0 linear feet; Box 2-3, 5-6)

Series 8: Artwork, circa 1900-1951 (0.5 linear feet; Box 3-5, OV 11)
Biographical / Historical:
Impressionist painter A.G. Warshawsky (1883-1962) was active in Paris and Monterey, California.

Abel George "Buck" Warshawsky was born in Sharon, Pennsylvania in 1883. He spent his childhood in Cleveland, Ohio where he studied at the Cleveland Art Institute. Warshawsky moved to New York where he studied at the Art Students League and the National Academy of Design. His brother, Alexander also became an artist.

In 1909, Abel Warshawsky left the U.S. for Paris where he remained for thirty years. There, he developed his unique style, combining Impressionism and Realism. He returned to the United States annually, mostly to sell his paintings, but remained active in the Parisian art scene until 1939. He exhibited his works in Cleveland, New York, Chicago, San Francisco, Los Angeles, and Paris.

Before the start of World War II, Warshawsky left Paris and settled in Monterey, California. Warshawsky married Ruth Tate in 1941. He died from heart failure in 1962. His works are in the permanent collections of the Akron Art institute, the Cleveland museum of Art, the Luxembourg Museum, the De Young Museum, the Petit Palais, and the Los Angeles County Museum of Art.
Separated Materials:
The Western Reserve Historical Society in Cleveland, Ohio holds the Abel G. Warshawsky Family papers.
Provenance:
The bulk of the A.G. Warshawsky papers were donated in 1996 by Froma Goldberg, Warshawsky's niece. In 1978, Ruth Warshawsky donated a typescript copy of her husband's autobiography, "My Brush with Life."
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington D.C. Research Facility. Contact Reference Services for more information.
Rights:
The A.G. (Abel George) Warshawsky papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artists' studios -- Photographs  Search this
Impressionism (Art)  Search this
Art students -- France -- Paris  Search this
Art -- Study and teaching -- France -- Paris  Search this
Painters -- California -- Los Angeles  Search this
Expatriate painters -- France -- Paris  Search this
Genre/Form:
Drawings
Sketches
Scrapbooks
Sketchbooks
Photograph albums
Prints
Photographs
Citation:
A.G. (Abel George) Warshawsky papers, circa 1900-1988. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.warsabel
See more items in:
A.G. (Abel George) Warshawsky papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-warsabel
Online Media:

William Cushing Loring papers

Creator:
Loring, William Cushing, 1879-  Search this
Names:
Musée du Louvre  Search this
National Gallery (Great Britain)  Search this
Rhode Island School of Design  Search this
Alma-Tadema, Lawrence, Sir, 1836-1912  Search this
Loring, Elizabeth  Search this
Loring, Helen  Search this
Loring, Robert  Search this
Loring, Stanton D.  Search this
Millet, Francis Davis, 1846-1912  Search this
Sargent, John Singer, 1856-1925  Search this
Photographer:
Chickering, Elmer  Search this
Extent:
0.7 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Paintings
Photographs
Illustrated letters
Date:
1899-1961
Summary:
The papers of American portrait painter William Cushing Loring (1897-1959) measure 0.7 linear feet and date from 1899-1961. The majority of the collection consists of correspondence, including letters which document Loring's artistic education in Paris and London 1900-1904. Also found within the collection are letters from other Loring family members, printed materials which document Loring's artistic career, and photographs of the artist and his work.
Scope and Contents:
The William Cushing Loring papers measure 0.7 linear feet and date from 1899-1961. The collection documents Loring's artistic education in Paris and London and his career as an artist and instructor through correspondence, printed materials, and photographs.

Correspondence consists primarily of letters from William Cushing Loring to other Loring family members, including Stanton D. Loring, his father; Mrs. Stanton D. Loring, his mother; Robert Loring, his brother; and Elizabeth and Helen Loring, his sisters. Letters document Loring's life as an artist living abroad in Paris and London. He writes of visits to the studios of John Singer Sargent, Francis David Millet, and Lawrence Alma-Tadema; trips to museums and galleries; excursions to copy paintings in the Louvre and the London National Gallery; evening entertainment; and accounts of daily expenses. Some letters addressed to his parents include illustrations, sketches in ink and graphite, as well as miniature paintings. Letters from Helen Loring and Robert Loring to their parents, as well as unidentified letters, are also present. Envelopes are for the most part matched to letters, but fragment envelopes and letters are integrated within collection.

Printed materials include exhibition catalogs, newspaper obituary clippings for William Cushing Loring, bulletins for Rhode Island School of Design alumni, a holiday card for Loring's studio, and business cards.

Photographic material includes photographs of works of art by William Cushing Loring and photographs of the artist. Photographs of the artist include portraits and photographs of Loring with his family. Included among photographs of works of art are photos by Elmer Chickering.
Arrangement:
The collection is arranged as three series.

Series 1: Correspondence, 1899-1904 (0.5 linear feet; Box 1-2)

Series 2: Printed Material, circa 1905-1961(4 folders; Box 2)

Series 3: Photographic Material, circa 1905 (4 folders; Box 2, OV 3)
Biographical / Historical:
William Cushing Loring (1897-1959) was an American painter and teacher born in Newton Center, MA. He studied at Boston Museum of Fine Arts, Chase's Art School in New York, Academie Colarossi and Academie Delecluse in Paris, and for two years in Holland and London. Loring was best known for his portraiture. He was appointed head of the painting and drawing department at the Rhode Island School of Design in 1905, and taught at La Salle Junior College in Auburn, Massachusetts from 1921 to 1939.
Provenance:
The collection was donated by William Loring Cushing, Jr., son of the artist, in 1985.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The William Cushing Loring papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Expatriate painters -- France -- Paris  Search this
Art -- Study and teaching -- France -- Paris  Search this
Expatriate artists -- England -- London  Search this
Artists' studios -- France -- Paris -- Photographs  Search this
Art -- Study and teaching -- England -- London  Search this
Educators -- United States  Search this
Painters -- Massachusetts  Search this
Genre/Form:
Sketches
Paintings
Photographs
Illustrated letters
Citation:
William Cushing Loring papers, 1899-1961. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.loriwill
See more items in:
William Cushing Loring papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-loriwill
Online Media:

Michael Brenner papers

Creator:
Brenner, Michael, 1885-1969  Search this
Names:
Washington Square Gallery  Search this
Coady, Robert J., 1881-1921  Search this
Extent:
0.4 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1888-1976
Summary:
The papers of the sculptor Michael Brenner measure 0.4 linear feet and date from 1888 to 1976. The collection includes letters, scrapbooks, drawings, photographs and other materials documenting Michael Brenner's career, the activities of members of the Brenner family, and the colony of expatriate American artists flourishing in Paris in the early twentieth century.
Scope and Contents:
The papers of the sculptor Michael Brenner measure 0.4 linear feet and date from 1888 to 1976. The collection includes letters, scrapbooks, drawings, photographs and other materials documenting Michael Brenner's career, the activities of members of the Brenner family and the colony of expatriate American artists flourishing in Paris in the early twentieth century.

Letters are written to family members and associates and include exchanges between Brenner's sister Miriam (Fanny) and her brothers Michael, Morris, Samuel, and Victor (Dave) Brenner concerning their health, family business, work, and other art-related activities. Several of Michael Brenner's letters mention his dissatisfaction with Robert Coady's handling of consignments, dealings with Mr. Kahnweiler, and exhibitions of colleagues Michel Kikoine and Pinchus Kremegne. Other correspondents include Alexandre Charpentier and (Louis) Oscar Roty.

Scrapbooks are comprised of material related to the life and career of Michael Brenner. The first scrapbook contains a photocopy of a letter written to Michael Brenner from Gertrude Stein where she describes her travels with Alice B. Toklas and mentions the bust Brenner made of her likeness. Other materials include a 1953 exhibition catalog for Chaim Soutine at Perls Galleries, letters written to Mrs. Michael Brenner concerning the sale of her husband's artwork, and photographs of Michael Brenner, Miriam Brenner, other family members, and works of art.

Photographs are of artwork and show Brenner family members, Victor Brenner and his studio, Michael Brenner with Chaim Soutine and pictures of Brenner's close friend, I. C. Rubin and Albert Einstein.

Art work is comprised of twenty-seven figure drawings.

Printed materials consists of clippings about Abraham Lincoln, reproductions of works of art, a bookplate for Marion Kean Lopez, and an essay entitled "Instead of an Introduction" by Sadakichi Hartmann praising the American landscape artist, Leon Dabo. Also found is an 1899 announcement for a "Seance Publique Annuelle," a photocopy of an article about Brenner by Cathy Turrill, a list of objects borrowed and photographed by Turrill in 1974, a photocopy of a photograph of Robert Coady, and the cover of an Avant-Garde catalog.

Other materials includes notes and a subject file on a life-long friend and physician, I. C. Rubin (1922-1975). There are letters from Rubin about his travels and photographs of Brenner and Rubin as young men, Brenner with his son, and Brenner with painter Isaac Pailes.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Michael Brenner (1885-1969) was a sculptor who emigrated from Lithuania to New York with his family in 1890. In 1900, Brenner moved to Paris, France, entering the Ecole des Beaux-Arts and the Academie Julian. He studied under his brother, Victor Brenner, and Augustus Saint-Gaudens. Brenner established a studio in Paris and was included in Gertrude Stein's circle of friends. He was associated with a small artist colony of Russian Jews which included Chaim Soutine, Michel Kikoine, Pinchus Kremegne, and Isaac Pailes. In 1914, with his American friend, Robert Coady, Brenner established the Washington Square Gallery in New York for which he acted as European agent.
Provenance:
The papers of Michael Brenner were donated by his widow in 1976.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Sculptors -- New York (State) -- New York  Search this
Topic:
Expatriate painters -- France -- Paris  Search this
Citation:
Michael Brenner papers, 1888-1976. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.brenmich
See more items in:
Michael Brenner papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-brenmich

Alexander family papers relating to Henry Ossawa Tanner

Creator:
Alexander family  Search this
Names:
Mother Bethel African Methodist Episcopal Church (Philadelphia, Pa.)  Search this
Alexander, Raymond Pace, 1898-1974  Search this
Alexander, Sadie Tanner Mossell, 1898-1989  Search this
Tanner, Henry Ossawa, 1859-1937  Search this
Extent:
1 microfilm reel
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1912-1985
Scope and Contents:
This microfilm collection consists of the Alexander family papers relating to African American painter Henry Ossawa Tanner. The collection includes correspondence between Tanner and Raymond Alexander (1924-1937) and court documents concerning Tanner's legal action against the Bethel A.M.E Church. Included in the Sadie Aleander materials are personal letters from Tanner; correspondence from museums discussing exhibition loans and the discovery of Tanner paintings; printed material, including catalogs and clippings; and materials related to the Tanner commemorative stamp.
Biographical / Historical:
Raymond Pace Alexander (1897-1974) and Sadie Tanner Mossell Alexander (1898-1989) were prominent African American lawyers in Philadelphia, Pennsylvania. Sadie Alexander was Henry Ossawa Tanner's niece. Raymond Alexander represented Tanner in his legal suit against the Mother Bethel A.M.E. Church in Philadelphia regarding nonpayment for a bust of Richard Allen.
Related Materials:
The Archives of American Art also holds the Henry Ossawa Tanner papers, 1860s-1978; the Henry O. Tanner letters to the Pennsylvania Academy of the Fine Arts, 1885-1909; and the Marcia M. Mathews papers relating to Henry Ossawa Tanner, 1937-1969. The Atlanta University Center, Robert W. Woodruff Library holds the Henry Ossawa Tanner collection, 1907-1937.
Provenance:
Microfilmed in 1990 as part of AAA's Philadelphia Arts Documentation Project. Only those parts of the Alexander family papers relating to Henry Ossawa Tanner were filmed; the entire collection is available at the University of Pennsylvania Archives and Records Center (Alexander Family Papers, 1817-2005).
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Lawyers -- Pennsylvania -- Philadelphia  Search this
Topic:
African American lawyers -- Pennsylvania -- Philadelphia  Search this
Artists' contracts -- Pennsylvania -- Philadelphia  Search this
Expatriate painters -- France -- Paris  Search this
African American artists  Search this
Identifier:
AAA.alexande
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-alexande

Walter Gay papers

Creator:
Gay, Walter, 1856-1937  Search this
Names:
Gay, Matilda Travers  Search this
Extent:
1.2 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Sketchbooks
Photographs
Date:
1870-1937
1980
Summary:
The papers of expatriate painter Walter Gay measure 1.2 linear feet and date from 1870-1937 with some photocopied items and a photograph dated 1980. The collection includes photocopies of two letters, scrapbooks assembled by Gay's wife, Matilda Gay, with correspondence, photographs, exhibition catalogs, price lists for artwork, and clippings, photocopies of a scrapbook of clippings, four of Gay's sketchbooks, three photographs of Gay and a photograph of a painting by Gay.
Scope and Contents:
The papers of expatriate painter Walter Gay measure 1.2 linear feet and date from 1870-1937 with some photocopied items and a photograph dated 1980. The collection includes photocopies of two letters, scrapbooks assembled by Gay's wife, Matilda Gay, with correspondence, photographs, exhibition catalogs, price lists for artwork, and clippings, photocopies of a scrapbook of clippings, four of Gay's sketchbooks, three photographs of Gay and a photograph of a painting by Gay.
Arrangement:
Due to the small size of the collection the papers are arranged as one series.

Series 1: Walter Gay Papers, 1870-1937, 1980 (Boxes 1-4; 1.2 linear feet)
Biographical / Historical:
Expatriate painter Walter Gay (1856-1937) was born in Hingham, Massachusetts. He married heiress Matilda E. Travers, and in 1876 the couple moved to Paris where Gay became a pupil of Leon Bonnat. The couple lived in an apartment on the Left Bank and in 1907 purchased Chatea Le Breau near the Forest of Fontainebleau.

Gay painted figure studies of French peasant life but was best known for his interiors of turn of the century private homes furnished by decorators such as Elsie de Wolfe and novelist Edith Wharton, who formed part of the large and stylish circle of friends in which the Gays circulated.

Gay received honorable mention in the Paris Salon of 1885 and a gold medal in 1888. He became an Officer of the Legion of Honor and his works can be found in the Boston Museum of Fine Arts, the Metropolitan Museum of Art, and the Tate Gallery, London.
Provenance:
The Walter Gay papers were donated in two 1980 accessions. Scrapbooks, transcripts and photographs of Gay were donated by Mrs Bronson (Sophie Gay) Griscom, niece of Walter Gay. Sketchbooks, photocopies of a scrapbook, photocopies of letters, and a photograph of artwork were donated by John Gay, nephew of Walter Gay.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Walter Gay papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study and scholarship. The collection is subject to all copyright laws.
Topic:
Painters -- France -- Paris  Search this
Expatriate painters -- France -- Paris  Search this
Genre/Form:
Scrapbooks
Sketchbooks
Photographs
Citation:
Walter Gay papers, 1870-1937, 1980. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.gaywaltp
See more items in:
Walter Gay papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-gaywaltp
Online Media:

Henry Ossawa Tanner papers

Creator:
Tanner, Henry Ossawa, 1859-1937  Search this
Names:
Académie Julian  Search this
Art Institute of Chicago  Search this
Grand Central Art Galleries  Search this
Old American Art Club (Paris, France)  Search this
Carpenter, J.S.  Search this
Curtis, Atherton  Search this
Tanner, Jesse O., 1903-  Search this
Tanner, Jessie O., 1873-1925  Search this
Taverty, J.J.  Search this
Extent:
2.3 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Photographs
Date:
1860s-1978
bulk 1890-1937
Summary:
The papers of the expatriate African American painter Henry Ossawa Tanner measure 2.3 linear feet and date from the 1860s to 1978, with the bulk of the material dating from 1890 to 1937. Found in the papers are scattered biographical, family, and legal materials; twenty-seven folders of correspondence with family, friends, patrons, and galleries; writings and notes by Tanner and others; a small amount of printed material; numerous photographs of Tanner, his studio in Paris and home in Trepied, Normandy, his family, friends, fellow artists, and his artwork. Additional photographs include a circa 1890 shot of Tanner with fellow students at the Académie Julian and another depicting Tanner with members of the American Art Club in Paris, circa 1900. Also found are a few sketches and drawings.
Scope and Content Note:
The papers of the expatriate African American painter Henry Ossawa Tanner measure 2.3 linear feet and date from the 1860s to 1978, with the bulk of the material dating from 1890 to 1937. Found in the papers are scattered biographical, family, and legal materials; twenty-seven folders of correspondence with family, friends, patrons, and galleries; writings and notes by Tanner and others; a small amount of printed material; numerous photographs of Tanner, his family, friends, his artwork, and the galleries at the Chicago Art Institute; and a few sketches and drawings.

Biographical material contains identification documents, awards, family and personal bibles, scattered records of his membership in the Societe Artistique de Picardie and the American Expeditionary Forces, address books, family history, a file concerning a lawsuit against the Bethel A.M.E. Church, and a few records documenting the sale of his artwork. Tanner's personal and professional correspondence is with his wife Jessie, his family, friends, patrons, art galleries, and others. Letters are from various family members, his closest friend Atherton Curtis and his wife Ingeborg, friend J.S. Carpenter who was president of the Des Moines Association of Fine Arts and arranged for sales of Tanner's work in the mid-west, Grand Central Art Galleries in New York, and J.J. Taverty who purchased Tanner's work for the High Museum in Atlanta. Topics of note covered in the correspondence include the sale and exhibition of his artwork and his work for the Red Cross.

Writings and Notes by Tanner include two small notebooks, one of which he kept during his travels in Europe and Palestine in 1897. Also found are his scattered loose writings, jottings, and other notes on various subjects, including autobiographical notes. Writings by others include notes and an essay by his wife Jessie, and a manuscript, "The Life and Works of Henry O. Tanner," by his son Jesse. Printed Materials document Tanner's career and other interests through exhibition announcements, news clippings, printed reproductions of artwork, a published autobiographical essay, and other miscellaneous items. The collection includes numerous photographs of Tanner, family and friends, his studio in Paris, his home in Trepied and in Spain, travels, and artwork. Additional photographs include a circa 1890 shot of Tanner with students at the Académie Julian and another depicting Tanner with members of the American Art Club in Paris, circa 1900. Artwork consists of an ink drawing of a Paris studio and pencil sketches by Tanner.
Arrangement:
The collection is arranged into 6 series:

Series 1: Biographical Material, circa 1890-1937 (Box 1, 4, OV 5; 0.8 linear feet)

Series 2: Correspondence, circa 1890-1978 (Box 1, OV 5; 0.6 linear feet)

Series 3: Writings and Notes, 1897-circa 1950s (Box 1-2, OV 5; 9 folders)

Series 4: Printed Material, 1897-1975 (Box 2, OV 5; 9 folders)

Series 5: Photographs, 1860s-1943 (Box 3, OV 5; 0.4 linear feet)

Series 6: Artwork, 1891-1893 (Box 3; 2 folders)
Biographical Note:
African American painter Henry Ossawa Tanner (1859-1937) was born in Pittsburgh, Pennsylvania to Benjamin Tucker Tanner, a college-educated teacher and minister, and Sarah Miller Tanner, a former slave. Benjamin Tanner was very active in the African Methodist Episcopal (A. M. E.) Church, eventually becoming a bishop, and the family often moved while Henry was a small child. They settled in Philadelphia, and as a teenager, Tanner spent his free time painting, drawing, and visiting art galleries. In 1880 he enrolled in the Pennsylvania Academy of the Fine Arts, where he studied under several master art instructors, including Thomas Eakins who greatly influenced his early work.

Tanner moved to Atlanta, Georgia in 1888 and opened a photography gallery which was not very successful. After teaching briefly at Clark College, a sponsorship from his patrons Bishop and Mrs. Joseph Crane Hartzell allowed him to travel to Europe in 1891 and study at the Académie Julian in Paris. There he was taught by Jean Joseph Benjamin-Constant and Jean-Paul Laurens. After returning to Philadelphia in late 1892, he painted many works depicting African American subjects, including The Banjo Lesson (1893). He returned to Paris in 1894. There, his work began to receive favorable reviews, particularly at the Paris Solon for his biblical scenes. Tanner began to specialize in painting bible imagery and scenes, and traveled to Palestine in 1897 and 1898 and later to Morocco to study costumes, customs, and cityscapes.

In 1899 Tanner married Jessie Macauley Olssen, a young woman from San Francisco living in Paris. Also around this time reproductions of his artwork were published in a few popular American magazines, and Tanner began to receive praise for his artwork in the United States. Tanner, however, objected to being labeled as "Negro artist". Despite their misgivings, the couple moved back to the United States for a short time. Their son, Jesee Ossawa Tanner was born in 1903. One year later Tanner and his wife returned to Paris and made it their lifelong permanent home, only occasionally visiting the United States for exhibitions of his work. They also maintained a leisure farm in Trepied, Normandy.

Tanner continued to exhibit his work in Paris, develop his painting technique and imagery, and travel, becoming friends with many artists throughout Europe. In 1913 he became president of the Societe Artistique de Picardie and during World War I he worked for the American Red Cross in France. In 1923 he was made a chevalier of the Legion of Honor in France for his work as an artist. Tanner became affiliated with Grand Central Art Galleries and other dealers in the United States and had great success there during the 1920s. When Jessie Tanner died in 1925 Henry was grief stricken and remained in poor health for the remainder of his life. He continued to paint occasionally until his death in 1937.
Related Material:
Also found at the Archives of American Art are the Marcia M. Mathews papers relating to Henry Ossawa Tanner, 1937-1969, available on microfilm reels 64 and 3268. Archives of American Art microfilm reel 4399 contains the Alexander family papers relating to Henry Ossawa Tanner, 1912-1985, the originals of which are housed in the University of Pennsylvania Archives. Microfilm reel 4397 is a copy of the the Henry O. Tanner letters to the Pennsylvania Academy of the Fine Arts, 1885-1909, loaned for microfilming by the Academy.
Provenance:
The Henry Ossawa Tanner papers were donated in several increments by his son, Jesse O. Tanner, between 1967 to 1978. Additional papers were donated by Jesse O. Tanner through Marcia M. Mathews, who was in possession of Tanner's papers to write Tanner's biography. Four medals were transferred to the Archives from the National Museum of African Art.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Henry Ossawa Tanner papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Painters -- France -- Paris  Search this
Painters -- United States  Search this
Topic:
Expatriate painters -- France -- Paris  Search this
Art -- Economic aspects  Search this
African American artists  Search this
Genre/Form:
Sketches
Photographs
Citation:
Henry Ossawa Tanner papers, 1860s-1978 (bulk 1890-1937). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.tannhenr
See more items in:
Henry Ossawa Tanner papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-tannhenr
Online Media:

Marcia M. Mathews papers relating to Henry Ossawa Tanner

Creator:
Mathews, Marcia M.  Search this
Names:
Glackens, Edith  Search this
Tanner, Henry Ossawa, 1859-1937  Search this
Tanner, Jesse O., 1903-  Search this
Tough, Charles C.  Search this
Extent:
54 Items
Type:
Collection descriptions
Archival materials
Date:
1937-1969
bulk, 1963-1969
Scope and Contents:
The Marcia M. Mathews papers relating to Henry Ossawa Tanner consist of 54 items and date from 1937 to 1969, with the bulk of the materials dating from 1963 to 1969. The collection primarily consists of correspondence preceding Mathew's 1969 book Henry O. Tanner, American Artist and related printed material.

REEL 64: 26 letters, January 21, 1966 through March 5, 1968, to Mathews from Jesse O. Tanner, son of Henry Ossawa Tanner, conveying information about his father and particular art works; as well as a letter from Edith D. [Mrs. William] Glackens, August 7, 1937, to Charles C. Tough, Jesse O. Tanner's uncle, advising with regard to Tough's plans of selling Henry O. Tanner's paintings. Also included is a biographical questionnaire completed by Henry O. Tanner for the Art League Publishing Company.

REEL 3268: 23 letters to Mathews regarding her book and exhibitions of Tanner's work; and printed material, 1968-1969. Correspondents include Jesse O. Tanner, Erwin S. Barrie, Romare H. Bearden, George Biddle, Mrs. Samuel M. Bryant, Benjamin Mays, James A. Porter, and Warren Robbins.
Biographical / Historical:
Marcia M. Mathews is a writer and art historian in Durham, North Carolina.

Henry Ossawa Tanner (1859-1937) was an African American painter born in Pittsburgh, Pennsylvania who spent much of his life in Paris, France. His work often depicts biblical scenes. Tanner trained at the Pennsylvania Academy of Fine Arts under Thomas Eakins. In 1891, Tanner traveled to Europe and settled in Paris, where he remained for the rest of his life.
Related Materials:
The Archives of American Art also holds the Henry Ossawa Tanner papers, 1860s-1978; the Henry O. Tanner letters to the Pennsylvania Academy of the Fine Arts, 1885-1909; and the Alexander family papers relating to Henry Ossawa Tanner, 1912-1985. The Atlanta University Center, Robert W. Woodruff Library holds the Henry Ossawa Tanner collection, 1907-1937.
Provenance:
Donated 1969 and 1976 by Marcia Mathews.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Authors -- North Carolina -- Durham  Search this
Art historians -- North Carolina -- Durham  Search this
Topic:
Expatriate painters -- France -- Paris  Search this
Women art historians -- North Carolina  Search this
African American artists  Search this
Identifier:
AAA.mathmarc
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mathmarc

Henry O. Tanner letters to the Pennsylvania Academy of the Fine Arts

Creator:
Tanner, Henry Ossawa, 1859-1937  Search this
Names:
Pennsylvania Academy of the Fine Arts  Search this
Extent:
1 microfilm reel
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1885-1909
Scope and Contents:
This microfilm collection consists of the Henry O. Tanner letters to the Pennsylvania Academy of the Fine Arts. Correspondence in this collection concerns the purchase of a painting by African American artist Henry O. Tanner for the Academy collection and the exhibition of Tanner's work. Letters from Robert Ogden to the Academy were written on Tanner's behalf.
Biographical / Historical:
Henry Ossawa Tanner (1859-1937) was an African American painter born in Pittsburgh, Pennsylvania who spent much of his life in Paris, France. His work often depicts biblical scenes. Tanner trained at the Pennsylvania Academy of Fine Arts under Thomas Eakins. In 1891, Tanner traveled to Europe and settled in Paris, where he remained for the rest of his life.
Related Materials:
The Archives of American Art also holds the Henry Ossawa Tanner papers, 1860s-1978; the Alexander family papers relating to Henry Ossawa Tanner, 1912-1985; and the Marcia M. Mathews papers relating to Henry Ossawa Tanner, 1937-1969. The Atlanta University Center, Robert W. Woodruff Library holds the Henry Ossawa Tanner collection, 1907-1937.
Provenance:
Microfilmed in 1990 as part of AAA's Philadelphia Arts Documentation Project. The letters are part of the records of the Pennsylvania Academy of the Fine Arts.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Painters -- Pennsylvania  Search this
Painters -- France -- Paris  Search this
Topic:
Expatriate painters -- France -- Paris  Search this
African American artists  Search this
Identifier:
AAA.tannhenrl
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-tannhenrl

Katharine Livingston Bayard Johnson papers

Creator:
Johnson, Katharine Livingston Bayard, 1845-1906  Search this
Names:
Bellamy, Anna Muirson Johnson, 1839-1922  Search this
Severy, Robert B.  Search this
Extent:
0.01 Linear feet (ca. 1000 items (on 8 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1830-1976
Scope and Contents:
Correspondence, photographs, sketches, a scrapbook and printed material. Much of the collection is material sent to family members in the United States from Johnson in France. A family genealogy was compiled by Robert Bayard Severy, Johnson's great-nephew.
Reels 573-577: Family papers, 1839-1918 and 1976, including: correspondence; 11 sketchbooks of Johnson; records of books read by Johnson; and miscellany, including a genealogy of the Bayard family prepared by Robert Severy, 1976.
Reel 1079-1080: One letter from Johnson to William Bellamy, 1891, and a scrapbook collected by Johnson containing sketches by Anna Cabot Lowell Quincy, etchings by A.W. Warren, pressed flowers, and photographs, including several tintypes, ca. 1868-1874 of Johnson, friends, and relatives.
Reel 3471: A photograph of a self-portrait of Johnson and an exhibition catalog, 1898.
Biographical / Historical:
Painter; Paris, France. Born in the United States, Johnson lived in Europe for most of her life, and died in Paris, 1906. Her sister was Anna M. Johnson Bellamy.
Other Title:
Robert B. Severy [microfilm title, reel 3471]
Provenance:
Materials lent and donated 1976 & 1982 by Robert Bayard Severy, Johnson's great-nephew.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- United States  Search this
Painters -- France -- Paris  Search this
Topic:
Women artists  Search this
Expatriate painters -- France -- Paris  Search this
Identifier:
AAA.johnkath
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-johnkath

Ellerton and Edith Jetté research material on William S. Horton

Creator:
Jetté, Ellerton Marcel  Search this
Jetté, Edith Kemper  Search this
Names:
Horton, William S., 1865-1936  Search this
Extent:
0.2 Linear feet ((12 items on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1967-1969
Scope and Contents:
Typescripts, including excerpts of letters received from Horton's son, Colonel W. Gray Horton, writings on Horton by his son, reviews, articles and exhibition catalogs concerning Horton, and a London journal kept by the Jettés while doing research on Horton.
Also included are exhibition catalogs, an undated photograph of Horton, a Columbia University seminar report on Horton by Nicholas Fox Weber, and a letter to the Jettes from Weber concerning the report.
Biographical / Historical:
The Jettés were amateur art historians; Sebec, Maine. William S. Horton was an American painter who lived and worked in Paris.
Provenance:
Donated 1971 by Ellerton and Edith Jette.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- United States  Search this
Art historians -- Maine  Search this
Topic:
Expatriate painters -- France -- Paris  Search this
Identifier:
AAA.jettelle
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-jettelle

Esther Baldwin Williams and Esther Williams papers

Creator:
Williams, Esther Baldwin, 1867-1964  Search this
Names:
Grace Horne Galleries  Search this
Kraushaar Galleries  Search this
Eilshemius, Louis M. (Louis Michel), 1864-1941  Search this
Finck, Furman J., 1900-  Search this
Kroll, Leon, 1884-1974  Search this
Prendergast, Charles, 1863-1948  Search this
Prendergast, Maurice Brazil, 1858-1924  Search this
Williams, Esther, 1907-1969  Search this
Williams, Nadia, 1910-  Search this
Extent:
2.1 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Diaries
Sketchbooks
Sketches
Place:
Massachusetts -- Boston -- Description and Travel
France -- Paris -- Description and Travel
Date:
1887-1984
Summary:
The papers of Boston area painters Esther Baldwin Williams and daughter Esther Williams measure 2.1 linear feet and date from 1887 to 1984. The scattered papers of both women include biographical information, personal business records, correspondence, writings and notes, two diaries, four sketchbooks, printed materials, photographs, and one photograph album.
Scope and Content Note:
The papers of Boston and New York area painters Esther Baldwin Williams and daughter Esther Williams measure 2.1 linear feet and date from 1887 to 1984. The scattered papers of both women include biographical information, personal business records, correspondence, writings and notes, two diaries, four sketchbooks, printed materials, photographs, and one photograph album.

For clarity, Esther Baldwin Williams and Esther Williams are referred to by their proper names throughout this finding aid.

Biographical information includes a membership card to the Rockport Art Association for Esther Williams and a biographical sketch of Esther Baldwin Williams

Personal business records include receipts for purchases of artwork by Esther Baldwin Williams, banking documents, exhibition entry forms and sales receipts for Esther William's works.

Correspondence includes incoming letters and drafts of outgoing letters. The majority of the correspondence is that of Esther Williams, including a considerable amount of letters to her parents. There are letters to Esther Williams from her friends Louis Eilshemius, Furman J. Finck, and Leon Kroll, and both Grace Horne Galleries and Kraushaar Galleries. Esther Baldwin Williams' correspondence includes personal letters from Maurice Prendergast.

Writings and notes include two diaries kept by Esther Baldwin Williams that date from 1892 until 1902 and cover her life in Paris and later in Boston. Some of the diary pages are illustrated with sketches. The series also includes scattered notes, including Charles Prendergast's Notes on Formula of Ebonizing Technique.

There are four sketchbooks, likely by Esther Baldwin Williams, of pencil and watercolor sketches of cats, babies and children, orchestral scenes, portraits, and architecture.

Scattered printed materials include a copy of Cezanne's Studio given to Esther Baldwin Williams by Maurice Prendergast, a copy of a family history by Nadia Williams, exhibition announcements and catalogs, clippings, and miscellany.

There is one photograph of an unidentified work of art and a circa 1900 family photo album with mostly unidentified photos of babies, children, and family members.
Arrangement:
The collection is arranged as 7 series:

Series 1: Biographical Materials, 1942-1979 (2 folders; Box 1)

Series 2: Personal Business Records, 1893-1966 (9 folders; Box 1)

Series 3: Correspondence, 1887-1961 (0.7 linear feet; Boxes 1-2)

Series 4: Writings and Notes, 1892-1947 (0.2 linear feet; Box 2)

Series 5: Sketchbooks and Sketches, circa 1900 (0.2 linear feet; Boxes 2-3)

Series 6: Printed Material, 1883-1984 (0.2 linear feet; Box 3)

Series 7: Photographs, circa 1900-circa 1920 (0.3 linear feet; Boxes 3-4)
Biographical Note:
Esther Baldwin Williams (1867-1964) and her daughter Esther Williams (1907-1969) were painters active in Boston, Paris, and New York City.

Esther Baldwin Williams was born Esther Mabel Baldwin on December 11, 1867 to a prominent Boston family of artists. She began her art education under her uncle Joseph Foxcroft Cole and worked with her cousin Adelaide Chase Cole. Adelaide and Esther shared a studio in Greenwich Village in 1888. The two cousins also traveled to Paris in 1877 and 1891 to paint. Esther Baldwin concentrated on portraiture and often painted the women in her social circle.

Esther Baldwin became engaged to Oliver Williams in 1898. They married and moved to 96 Beacon Street in Boston where they raised their children, Oliver, Thomas, and Esther. Around 1900, the Williams met Maurice and Charles Prendergast. Esther became a friend and patron of Maurice and the two shared a studio for some time and exchanged letters. Esther Baldwin continued to work in portraiture, focusing her work on her children and relatives and did not pursue a professional career. In addition to painting, Esther Baldwin and Oliver Williams inspired a passion for music in their children.

Born in 1907, Esther Williams inherited her mother's interest in the arts. Unlike her mother, she desired a professional career as a painter. She first studied at the Museum of Fine Arts School, Boston in 1925 and later went to Paris to study under Andre Lhote. Upon returning to the United States, she moved to New York City and enrolled with the Art Students League. She married Roland Joseph McKinney, director of the Baltimore Museum of Art and the Los Angeles County Museum.

Esther Williams is known for her portraits, paintings of flowers, circus and orchestra scenes, and for her impressionistic style. She was represented by Grace Horne Gallery in the 1930s and switched to Kraushaar Galleries in 1940.

Esther Baldwin Williams died in 1964. Her daughter, Esther Williams died shortly thereafter in 1969.
Related Material:
Among the holdings of the Archives of American Art are the papers of Esther William's husband Roland Joseph McKinney.
Provenance:
The Esther Baldwin Williams and Esther Williams papers were donated in two installments by Peter McKinney, step-son of Esther Williams in 1974 and by Nadia Williams, Esther Baldwin William's daughter-in-law in 1985.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Esther Baldwin Williams and Esther Williams papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painting, American  Search this
Expatriate painters -- France -- Paris  Search this
Women painters -- Massachusetts  Search this
Women painters -- New York (State) -- New York  Search this
Painting -- Technique  Search this
Art -- Study and teaching -- France -- Paris  Search this
Genre/Form:
Photographs
Diaries
Sketchbooks
Sketches
Citation:
Esther Baldwin Williams and Esther Williams papers, 1887-1984. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.willesth
See more items in:
Esther Baldwin Williams and Esther Williams papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-willesth
Online Media:

Oral history interview with John Franklin Koenig

Interviewee:
Koenig, John Franklin, 1924-2008  Search this
Interviewer:
Cummings, Paul  Search this
Extent:
44 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1976 June 24-30
Scope and Contents:
An interview of John Franklin Koenig conducted 1976 June 24-30, by Paul Cummings, for the Archives of American Art.
Biographical / Historical:
John Franklin Koenig (1924-2008) was a painter in Paris, France.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 4 digital wav files. Duration is 4 hr., 13 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Use requires an appointment.
Topic:
Art, American  Search this
Expatriate painters -- France -- Paris -- Interviews  Search this
Painters -- United States -- Interviews  Search this
Painters -- France -- Paris -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.koenig76
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-koenig76

Henry Mosler papers

Creator:
Mosler, Henry, 1841-1920  Search this
Names:
Beard, James Henry, 1812-1893  Search this
Dupré, Julien, 1851-1910  Search this
Ferrier, Gabriel, 1847-1914  Search this
Flameng, François, 1856-1923  Search this
Howe, William Henry, 1846-1929  Search this
Hébert, Ernest, 1817-1908  Search this
Partridge, William Ordway, 1861-1930  Search this
Pelouse, L. G., 1838-1891  Search this
Read, Thomas Buchanan, 1822-1872  Search this
Extent:
4.8 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Diaries
Sketchbooks
Illustrated notebooks
Drawings
Sketches
Place:
United States -- History -- Civil War, 1861-1865 -- Personal narratives
United States -- History -- Civil War, 1861-1865 -- Journalists
Date:
1856-1929
Summary:
The papers of painter Henry Mosler (1841-1920), who began his career in Cincinnati, Ohio, lived in Germany and Paris for at least 2 decades, and finally settled in New York, measure 4.8 linear feet and date from 1856-1929. The collection documents Mosler's life and career through biographical material, personal and professional letters from members of the military, museums, family, friends and colleagues, writings including an 1862 Civil War diary, personal business records, printed material, artwork and sketchbooks, and photographs of Mosler, his family, colleagues and artwork.
Scope and Content Note:
The papers of painter Henry Mosler (1841-1920), who began his career in Cincinnati, Ohio, lived in Germany and Paris for at least 2 decades, and finally settled in New York, measure 4.8 linear feet and date from 1856-1929. The collection documents Mosler's life and career through biographical material, personal and professional letters from members of the military, museums, family, friends and colleagues, writings including an 1862 Civil War diary, personal business records, printed material, artwork and sketchbooks, and photographs of Mosler, his family, colleagues and artwork.

Biographical material includes passports for Mosler's travel during the Civil War and to the American West in 1875-1876, as well as identification cards and awards from Mosler's years in Germany and Paris, including the Ordre National Légion d'Honneur awarded to him in 1892.

Letters record Mosler's service as an aide-de-camp for the Army of Ohio and his activities as an artist correspondent for Harper's Weekly from 1861-1863 in the Western Theater of the Civil War. However, the bulk of the letters document Mosler's career from the 1880s onward. Found are letters from museums, art associations, government agencies including the Minsistere de l'Instruction Publique et des Beaux-Arts, and colleagues in Europe and the United States including artists James Henry Beard, Julien Dupré, Gabrier Ferrier, Ernest Hébert, William Henry Howe, William Ordway Partridge, and Leon Germain Pelouse, among others. There are also scattered letters from Mosler.

Writings and notes include an 1862 Civil War diary and two illustrated notebooks from 1862 and 1863 containing sketches, and travel and financial notes. Also found are two biographical accounts of Mosler's career and poems by various authors, many inspired by Mosler's paintings.

Personal business records include an account book documenting Mosler's income and expenses from 1869-1878 and 1886-1892, and Library of Congress copyright certificates for four of Mosler's pictures.

Printed material documents Mosler's career in the United States and Europe through news clippings, a brochure, and an exhibition catalog for an 1897 exhibition of his paintings at Galleries of Pape Bros.

Artwork and sketchbooks include six sketches and an engraving by Mosler, and two books containing sketches by Mosler and other artists including James Henry Beard. The series also contains one ink drawing each by Leon Germain Pelouse and E. Hillery.

Photographic material includes albums and individual photographs of Mosler in his studio and with others including his immediate and extended family, and students. Also found are photos of artists including Gabriel Ferrier, Ernest Hébert and Thomas Buchanan Read, Brigadier General R. W. Johnson and opera singers Emma Nevada Palmer and Renée Richards. Photographs of artwork are primarily found in 2 oversized albums dedicated by Mosler to his children, Edith Mosler and Gustave Henry Mosler respectively.
Arrangement:
The collection is arranged as 7 series:

Series 1: Biographical Material, 1863-1892, 1921 (Box 1, OV 10; 4 folders)

Series 2: Letters,1861-circa 1920 (Boxes 1-2; 1.3 linear feet)

Series 3: Writings and Notes, circa 1860-circa 1900 (Boxes 2-3, 6; 0.4 linear feet)

Series 4: Personal Business Records, 1869-1905 (Box 3; 4 folders)

Series 5: Printed Material, circa 1860s-1929 (Box 3; 10 folders)

Series 6: Artwork and Sketchbooks, 1856-1917 (Box 4, OVs 10-11; 0.5 linear feet)

Series 7: Photographic Material, 1860-circa 1910 (Boxes 5-9, BV 12; 2.0 linear feet)
Biographical Note:
Henry Mosler (1841-1920) worked primarily in Ohio, New York City, and Europe as a painter of portraits and scenes of rural life in Europe. Mosler served as an artist correspondent for Harper's Weekly during the Civil War.

Born in Silesia (Poland) in 1841, Henry Mosler immigrated to New York City with his family in 1849. In the early 1850s the family moved to Cincinnati, Ohio, where Mosler received art instruction from James Henry Beard, becoming an accomplished portrait painter and an active participant in the Cincinnati art scene.

Following the outbreak of the Civil War in 1861, Mosler became an artist correspondent for Harper's Weekly, documenting the Western Theater in Kentucky and Tennessee. He served as a volunteer aide-de-camp with the army of Ohio from 1861-1863 and was present at the engagement at Green River, and "present and under fire" at the battles of Shiloh and Perryville.

Immediately thereafter, Mosler relocated to Dusseldorf for two years and attended the Royal Academy, followed by six months in Paris where he studied with painter Ernest Hébert. In 1866 Mosler returned to Cincinnatti where his portraits and genre scenes enjoyed growing popularity.

In 1875 Mosler traveled to Munich and two years later settled in Paris from where he enjoyed critical and financial success both in Europe and in the United States. Mosler was known for his genre paintings of peasant life in rural Brittany and he became a regular participant in Salon exhibitions and won honorable mention in the Salon of 1879, when his painting Le Retour, became the first work by an American artist to be purchased by the French government. In 1888 he won the gold medal at the Paris Salon and in 1892 he was made chevalier de la Legion d'Honneur and officier de l'Académie.

Mosler returned to the United States temporarily during this period, including a trip in 1885-1886 to visit the West and collect material for paintings of Native American life.

In 1894 Mosler returned to the United States and settled in New York, where he became a popular teacher and an active participant in the New York art scene. In 1895 he was made an associate member of the National Academy of Design, and in his last decades took up landscape painting during summers in the Catskill mountains, and produced genre paintings depicting scenes from colonial and rural life. Mosler continued to enjoy widespread popularity until his death in 1920.
Provenance:
The bulk of the collection was donated to the Archives of American Art by J. F. McCrindle, a great-grandson of Mosler, in 1976 and 1977, having been previously lent to AAA for microfilming. A photograph album was donated in 1993 by Paul M. Hertzmann, a dealer who acquired it through purchase. Additional materials were donated in 2008 and 2009 by McCrindle via John T. Rowe, president and CEO of the Joseph F. McCrindle Foundation.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Henry Mosler papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artists' studios -- Photographs  Search this
Expatriate painters -- France -- Paris  Search this
Painters -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Diaries
Sketchbooks
Illustrated notebooks
Drawings
Sketches
Citation:
Henry Mosler papers, 1856-1929. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.moslhenr
See more items in:
Henry Mosler papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-moslhenr
Online Media:

Charles Pollock papers

Creator:
Pollock, Charles C.  Search this
Names:
Pollock, Jackson, 1912-1956  Search this
Extent:
3.1 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketches
Cartoons (humorous images)
Date:
1875-1994
Summary:
The papers of painter, muralist, and educator Charles Pollock measure 3.1 linear feet and date from 1875 to 1994. Found within the papers are biographical materials; family and personal correspondence; subject files on art and professional topics; writings; printed material; artwork, including political cartoons and figurative sketches; and photographs of Pollock, his family and friends, and his work.
Scope and Contents:
The papers of painter, muralist, and educator Charles Pollock measure 3.1 linear feet and date from 1875 to 1994. Found within the papers are biographical materials; family and personal correspondence; subject files on art and professional topics; writings; printed material; artwork, including political cartoons and figurative sketches; and photographs of Pollock, his family and friends, and his work.
Arrangement:
The collection is arranged as 7 series.

Series 1: Biographical Materials, 1945-1988 (7 folders; Box 1)

Series 2: Correspondence, 1927-1994 (1 linear foot; Boxes 1-2)

Series 3: Subject Files, 1931-1988 (0.8 linear feet; Box 2)

Series 4: Writings, 1935-1965 (2 folders; Box 2)

Series 5: Printed Material, 1930-1990 (4 folders; Box 2)

Series 6: Artwork, 1925-1949 (0.7 linear feet; Box 3, OV 5-8)

Series 7: Photographic Materials, 1875-1987 (0.4 linear feet; Boxes 3-4)
Biographical / Historical:
Painter, muralist, and educator Charles Pollock (1902-1988) lived and worked in East Lansing, Michigan, New York City, Detroit, and Paris, France and painted in a social realist style early in his career before transitioning to abstract works in the 1940s. He is also the eldest brother of the abstract expressionist Jackson Pollock.

Born in Denver, Colorado to Stella McClure and LeRoy Pollock, Pollock received his early art training at the Otis Institute in Los Angeles, California. In 1926, he moved to New York City to attend the Art Students League where he studied under Thomas Hart Benton, with whom Jackson also studied after joining Charles in New York in 1930. In New York, he met and married his first wife, Elizabeth Feinberg Pollock, in 1931.

Pollock moved to Washington, D.C. in 1935 to work for the Resettlement Administration, and after two years, accepted a position as the political illustrator for the United Automobile Workers' newspaper in Detroit. After a short stint as the illustrator and layout editor for the paper, Pollock served as the supervisor of the Michigan WPA Mural Painting and Graphic Arts division from 1938 to 1942.

Upon completion of a three panel mural for Michigan State University in 1942, Pollock was invited to join the faculty of the art department, where he taught lettering, printmaking, typography, and design. During his twenty-five year tenure at the University, he also served as a book designer for the University's Press and continued to develop his abstract painting style. He met and married his second wife, Sylvia Winter Pollock, in 1957. Pollock served as the University of Pennsylvania's artist in residence in 1965 and 1967, and was the recipient of a National Foundation of Arts Grant (1967) and a Guggenheim Grant (1967-1968). The Pollocks moved to Paris in 1970, where Charles died of complications from a stroke in 1988.
Related Materials:
Also found in the Archives of American Art are the Elizabeth Feinberg Pollock memoirs and the Jackson Pollock and Lee Krasner papers.
Separated Materials:
Nine works of art included in the 1975 gift from Elizabeth Pollock were transferred to the Smithsonian American Art Museum, formerly the National Collection of Fine Arts, in 1976.
Provenance:
The papers were donated in 1975 by Pollock's first wife, Elizabeth Feinberg Pollock, with assistance from Charles Pollock on the selection of items. Additional materials were donated in 1988 by his second wife, Sylvia Winter Pollock. From 1991 to 1994, Elizabeth Pollock gifted additional correspondence and photographs to the Archives.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Charles Pollock papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Art teachers -- France  Search this
Muralists -- France -- Paris  Search this
Muralists -- Michigan  Search this
Painters -- Michigan  Search this
Topic:
Art teachers -- New York (State) -- New York  Search this
Muralists -- New York (State) -- New York  Search this
Art teachers -- Michigan  Search this
Painters -- France -- Paris  Search this
Painters -- New York (State) -- New York  Search this
Expatriate painters -- France -- Paris  Search this
Genre/Form:
Photographs
Sketches
Cartoons (humorous images)
Citation:
Charles Pollock papers, 1875-1994. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.pollchar
See more items in:
Charles Pollock papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-pollchar
Online Media:

Alexander family papers relating to Henry Ossawa Tanner, 1912-1985

Creator:
Alexander family  Search this
Subject:
Alexander, Raymond Pace  Search this
Alexander, Sadie Tanner Mossell  Search this
Tanner, Henry Ossawa  Search this
Mother Bethel African Methodist Episcopal Church (Philadelphia, Pa.)  Search this
Topic:
African American lawyers -- Pennsylvania -- Philadelphia  Search this
Artists' contracts -- Pennsylvania -- Philadelphia  Search this
Expatriate painters -- France -- Paris  Search this
African American artists  Search this
Record number:
(DSI-AAA_CollID)10243
(DSI-AAA_SIRISBib)213337
AAA_collcode_alexande
Theme:
African American
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213337

Henry Ossawa Tanner papers, 1860s-1978, bulk 1890-1937

Creator:
Tanner, Henry Ossawa, 1859-1937  Search this
Subject:
Carpenter, J.S.  Search this
Taverty, J.J.  Search this
Curtis, Atherton  Search this
Tanner, Jessie O.  Search this
Tanner, Jesse O.  Search this
Académie Julian  Search this
Art Institute of Chicago  Search this
Grand Central Art Galleries  Search this
Old American Art Club (Paris, France)  Search this
Type:
Sketches
Photographs
Topic:
Expatriate painters -- France -- Paris  Search this
Art -- Economic aspects  Search this
African American artists  Search this
Record number:
(DSI-AAA_CollID)9229
(DSI-AAA_SIRISBib)211424
AAA_collcode_tannhenr
Theme:
African American
American Art and Artists in a Global Context
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211424
Online Media:

Walter Gay papers, 1870-1937

Creator:
Gay, Walter, 1856-1937  Search this
Subject:
Gay, Matilda Travers  Search this
Type:
Scrapbooks
Sketchbooks
Photographs
Topic:
Painters -- France -- Paris  Search this
Expatriate painters -- France -- Paris  Search this
Record number:
(DSI-AAA_CollID)8963
(DSI-AAA_SIRISBib)211150
AAA_collcode_gaywaltp
Theme:
Sketches & Sketchbooks
American Art and Artists in a Global Context
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211150
Online Media:

Esther Baldwin Williams and Esther Williams papers, 1887-1984

Creator:
Williams, Esther Baldwin, 1867-1964  Search this
Williams, Esther, 1907-1969  Search this
Subject:
Williams, Esther  Search this
Prendergast, Maurice Brazil  Search this
Eilshemius, Louis M. (Louis Michel)  Search this
Finck, Furman J.  Search this
Williams, Nadia  Search this
Prendergast, Charles  Search this
Kroll, Leon  Search this
Grace Horne Galleries  Search this
Kraushaar Galleries  Search this
Type:
Photographs
Diaries
Sketchbooks
Sketches
Place:
Massachusetts -- Boston -- description and travel
France -- Paris -- description and travel
Topic:
Painting, American  Search this
Expatriate painters -- France -- Paris  Search this
Women painters -- Massachusetts  Search this
Women painters -- New York (State) -- New York  Search this
Painting -- Technique  Search this
Art -- Study and teaching -- France -- Paris  Search this
Record number:
(DSI-AAA_CollID)7339
(DSI-AAA_SIRISBib)209492
AAA_collcode_willesth
Theme:
Diaries
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209492
Online Media:

A.G. (Abel George) Warshawsky papers, circa 1900-1988

Creator:
Warshawsky, A. G. (Abel G.), 1883-1962  Search this
Subject:
Warshawsky, Ruth  Search this
Type:
Drawings
Sketches
Scrapbooks
Sketchbooks
Photograph albums
Prints
Photographs
Place:
Paris (France)
Topic:
Artists' studios -- Photographs  Search this
Impressionism (Art)  Search this
Art students -- France -- Paris  Search this
Art -- Study and teaching -- France -- Paris  Search this
Painters -- California -- Los Angeles  Search this
Expatriate painters -- France -- Paris  Search this
Record number:
(DSI-AAA_CollID)13406
(DSI-AAA_SIRISBib)215935
AAA_collcode_warsabel
Theme:
Diaries
American Art and Artists in a Global Context
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215935
Online Media:

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