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Jake Blount - "The Downward Road" (ft. Demeanor) (Official Audio)

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2022-09-08T13:21:24.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_45N6g4P-YDA

Beautiful Winter Gardens - Let's Talk Gardens

Creator:
Smithsonian Gardens  Search this
Type:
YouTube Videos
Uploaded:
2020-10-14T17:00:22.000Z
YouTube Category:
Education  Search this
Topic:
Gardens  Search this
See more by:
SmithsonianGardens
Data Source:
Smithsonian Gardens
YouTube Channel:
SmithsonianGardens
EDAN-URL:
edanmdm:yt_fSzPYPSMT_w

Holiday Wreaths & Evergreen Decorations - Let's Talk Gardens

Creator:
Smithsonian Gardens  Search this
Type:
YouTube Videos
Uploaded:
2020-12-07T22:33:28.000Z
YouTube Category:
Education  Search this
Topic:
Gardens  Search this
See more by:
SmithsonianGardens
Data Source:
Smithsonian Gardens
YouTube Channel:
SmithsonianGardens
EDAN-URL:
edanmdm:yt_67kphdY0WPc

Poinsettias & Holiday Trees - Let's Talk Gardens

Creator:
Smithsonian Gardens  Search this
Type:
YouTube Videos
Uploaded:
2020-12-15T18:30:01.000Z
YouTube Category:
Education  Search this
Topic:
Gardens  Search this
See more by:
SmithsonianGardens
Data Source:
Smithsonian Gardens
YouTube Channel:
SmithsonianGardens
EDAN-URL:
edanmdm:yt_aw7ZXrfeHf8

Clouded Leopard Cubs Born

Creator:
National Zoo  Search this
Type:
YouTube Videos
Uploaded:
2010-05-07T18:23:18.000Z
YouTube Category:
Pets & Animals  Search this
Topic:
Zoology;Animals;Veterinary medicine;Animal health  Search this
See more by:
SmithsonianNZP
Data Source:
National Zoo
YouTube Channel:
SmithsonianNZP
EDAN-URL:
edanmdm:yt_rcdGbUSChXs

Healing through Native Creativity: Artist Conversation with Peter Boome

Creator:
National Museum of the American Indian  Search this
Type:
YouTube Videos
Uploaded:
2021-08-11T20:06:43.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_KCcmZLbE7Ko

A Promise Kept: 10 – Tina Kuckkahn-Miller, Esq.

Creator:
National Museum of the American Indian  Search this
Type:
Symposia
YouTube Videos
Uploaded:
2019-09-25T19:57:42.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_hr6vmsZKSLI

A Promise Kept: 12 – Panel Three Discussion

Creator:
National Museum of the American Indian  Search this
Type:
Symposia
YouTube Videos
Uploaded:
2019-09-25T20:01:42.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_wCXP2u8M0RI

Bulbophyllum lepidum

Life Form:
Epiphytic
Bloom Characteristics:
Inflorescence is 6-9" (15.25-22.7 cm) long, shiny and purple, with 11-13 flowers. Flowers are 1" (2.5 cm) across.
Range:
Indo-China to Hainan and W and C Malesia
Habitat:
Semi-deciduous and evergreen forests; 985-3600ft (300-1100m)
Topic:
Orchids  Search this
Living Collections  Search this
Common Name:
Fan of Venus Bulbophyllum
The Beautiful Bulbophyllum
Group:
[vascular plants]
Class:
Equisetopsida
Subclass:
Magnoliidae
Superorder:
Lilianae
Order:
Asparagales
Family:
Orchidaceae
Subfamily:
Epidendroideae
Genus:
Bulbophyllum
Species:
lepidum
Accession Number:
2008-1093A
Restrictions & Rights:
CC0
See more items in:
Smithsonian Gardens Orchid Collection
Data Source:
Smithsonian Gardens
GUID:
http://n2t.net/ark:/65665/ax741dbd47f-ccde-4fc1-b65b-488a6abee29e
EDAN-URL:
edanmdm:ofeo-sg_2008-1093A
Online Media:

Bulbophyllum lepidum

Life Form:
Epiphytic
Bloom Characteristics:
Inflorescence is 6-9" (15.25-22.7 cm) long, shiny and purple, with 11-13 flowers. Flowers are 1" (2.5 cm) across.
Range:
Indo-China to Hainan and W and C Malesia
Habitat:
Semi-deciduous and evergreen forests; 985-3600ft (300-1100m)
Topic:
Orchids  Search this
Living Collections  Search this
Common Name:
Fan of Venus Bulbophyllum
The Beautiful Bulbophyllum
Group:
[vascular plants]
Class:
Equisetopsida
Subclass:
Magnoliidae
Superorder:
Lilianae
Order:
Asparagales
Family:
Orchidaceae
Subfamily:
Epidendroideae
Genus:
Bulbophyllum
Species:
lepidum
Accession Number:
2011-2497B
Restrictions & Rights:
CC0
See more items in:
Smithsonian Gardens Orchid Collection
Data Source:
Smithsonian Gardens
GUID:
http://n2t.net/ark:/65665/ax74215ff02-031a-4b6e-9cd5-153b0ce5d763
EDAN-URL:
edanmdm:ofeo-sg_2011-2497B
Online Media:

Bulbophyllum lepidum

Life Form:
Epiphytic
Bloom Characteristics:
Inflorescence is 6-9" (15.25-22.7 cm) long, shiny and purple, with 11-13 flowers. Flowers are 1" (2.5 cm) across.
Range:
Indo-China to Hainan and W and C Malesia
Habitat:
Semi-deciduous and evergreen forests; 985-3600ft (300-1100m)
Topic:
Orchids  Search this
Living Collections  Search this
Common Name:
Fan of Venus Bulbophyllum
The Beautiful Bulbophyllum
Group:
[vascular plants]
Class:
Equisetopsida
Subclass:
Magnoliidae
Superorder:
Lilianae
Order:
Asparagales
Family:
Orchidaceae
Subfamily:
Epidendroideae
Genus:
Bulbophyllum
Species:
lepidum
Accession Number:
2012-0806A
Restrictions & Rights:
CC0
See more items in:
Smithsonian Gardens Orchid Collection
Data Source:
Smithsonian Gardens
GUID:
http://n2t.net/ark:/65665/ax7597cb55f-95ef-4f82-b892-e8b1d244ca71
EDAN-URL:
edanmdm:ofeo-sg_2012-0806A
Online Media:

Bulbophyllum lepidum

Life Form:
Epiphytic
Bloom Characteristics:
Inflorescence is 6-9" (15.25-22.7 cm) long, shiny and purple, with 11-13 flowers. Flowers are 1" (2.5 cm) across.
Range:
Indo-China to Hainan and W and C Malesia
Habitat:
Semi-deciduous and evergreen forests; 985-3600ft (300-1100m)
Topic:
Orchids  Search this
Living Collections  Search this
Common Name:
Fan of Venus Bulbophyllum
The Beautiful Bulbophyllum
Group:
[vascular plants]
Class:
Equisetopsida
Subclass:
Magnoliidae
Superorder:
Lilianae
Order:
Asparagales
Family:
Orchidaceae
Subfamily:
Epidendroideae
Genus:
Bulbophyllum
Species:
lepidum
Accession Number:
2014-0999A
Restrictions & Rights:
CC0
See more items in:
Smithsonian Gardens Orchid Collection
Data Source:
Smithsonian Gardens
GUID:
http://n2t.net/ark:/65665/ax771ade089-d9f8-471c-82d2-1eb658729039
EDAN-URL:
edanmdm:ofeo-sg_2014-0999A
Online Media:

Esther Baldwin Williams and Esther Williams papers

Creator:
Williams, Esther Baldwin, 1867-1964  Search this
Names:
Grace Horne Galleries  Search this
Kraushaar Galleries  Search this
Eilshemius, Louis M. (Louis Michel), 1864-1941  Search this
Finck, Furman J., 1900-  Search this
Kroll, Leon, 1884-1974  Search this
Prendergast, Charles, 1863-1948  Search this
Prendergast, Maurice Brazil, 1858-1924  Search this
Williams, Esther, 1907-1969  Search this
Williams, Nadia, 1910-  Search this
Extent:
2.1 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Diaries
Sketchbooks
Sketches
Place:
Massachusetts -- Boston -- Description and Travel
France -- Paris -- Description and Travel
Date:
1887-1984
Summary:
The papers of Boston area painters Esther Baldwin Williams and daughter Esther Williams measure 2.1 linear feet and date from 1887 to 1984. The scattered papers of both women include biographical information, personal business records, correspondence, writings and notes, two diaries, four sketchbooks, printed materials, photographs, and one photograph album.
Scope and Content Note:
The papers of Boston and New York area painters Esther Baldwin Williams and daughter Esther Williams measure 2.1 linear feet and date from 1887 to 1984. The scattered papers of both women include biographical information, personal business records, correspondence, writings and notes, two diaries, four sketchbooks, printed materials, photographs, and one photograph album.

For clarity, Esther Baldwin Williams and Esther Williams are referred to by their proper names throughout this finding aid.

Biographical information includes a membership card to the Rockport Art Association for Esther Williams and a biographical sketch of Esther Baldwin Williams

Personal business records include receipts for purchases of artwork by Esther Baldwin Williams, banking documents, exhibition entry forms and sales receipts for Esther William's works.

Correspondence includes incoming letters and drafts of outgoing letters. The majority of the correspondence is that of Esther Williams, including a considerable amount of letters to her parents. There are letters to Esther Williams from her friends Louis Eilshemius, Furman J. Finck, and Leon Kroll, and both Grace Horne Galleries and Kraushaar Galleries. Esther Baldwin Williams' correspondence includes personal letters from Maurice Prendergast.

Writings and notes include two diaries kept by Esther Baldwin Williams that date from 1892 until 1902 and cover her life in Paris and later in Boston. Some of the diary pages are illustrated with sketches. The series also includes scattered notes, including Charles Prendergast's Notes on Formula of Ebonizing Technique.

There are four sketchbooks, likely by Esther Baldwin Williams, of pencil and watercolor sketches of cats, babies and children, orchestral scenes, portraits, and architecture.

Scattered printed materials include a copy of Cezanne's Studio given to Esther Baldwin Williams by Maurice Prendergast, a copy of a family history by Nadia Williams, exhibition announcements and catalogs, clippings, and miscellany.

There is one photograph of an unidentified work of art and a circa 1900 family photo album with mostly unidentified photos of babies, children, and family members.
Arrangement:
The collection is arranged as 7 series:

Missing Title

Series 1: Biographical Materials, 1942-1979 (2 folders; Box 1)

Series 2: Personal Business Records, 1893-1966 (9 folders; Box 1)

Series 3: Correspondence, 1887-1961 (0.7 linear feet; Boxes 1-2)

Series 4: Writings and Notes, 1892-1947 (0.2 linear feet; Box 2)

Series 5: Sketchbooks and Sketches, circa 1900 (0.2 linear feet; Boxes 2-3)

Series 6: Printed Material, 1883-1984 (0.2 linear feet; Box 3)

Series 7: Photographs, circa 1900-circa 1920 (0.3 linear feet; Boxes 3-4)
Biographical Note:
Esther Baldwin Williams (1867-1964) and her daughter Esther Williams (1907-1969) were painters active in Boston, Paris, and New York City.

Esther Baldwin Williams was born Esther Mabel Baldwin on December 11, 1867 to a prominent Boston family of artists. She began her art education under her uncle Joseph Foxcroft Cole and worked with her cousin Adelaide Chase Cole. Adelaide and Esther shared a studio in Greenwich Village in 1888. The two cousins also traveled to Paris in 1877 and 1891 to paint. Esther Baldwin concentrated on portraiture and often painted the women in her social circle.

Esther Baldwin became engaged to Oliver Williams in 1898. They married and moved to 96 Beacon Street in Boston where they raised their children, Oliver, Thomas, and Esther. Around 1900, the Williams met Maurice and Charles Prendergast. Esther became a friend and patron of Maurice and the two shared a studio for some time and exchanged letters. Esther Baldwin continued to work in portraiture, focusing her work on her children and relatives and did not pursue a professional career. In addition to painting, Esther Baldwin and Oliver Williams inspired a passion for music in their children.

Born in 1907, Esther Williams inherited her mother's interest in the arts. Unlike her mother, she desired a professional career as a painter. She first studied at the Museum of Fine Arts School, Boston in 1925 and later went to Paris to study under Andre Lhote. Upon returning to the United States, she moved to New York City and enrolled with the Art Students League. She married Roland Joseph McKinney, director of the Baltimore Museum of Art and the Los Angeles County Museum.

Esther Williams is known for her portraits, paintings of flowers, circus and orchestra scenes, and for her impressionistic style. She was represented by Grace Horne Gallery in the 1930s and switched to Kraushaar Galleries in 1940.

Esther Baldwin Williams died in 1964. Her daughter, Esther Williams died shortly thereafter in 1969.
Related Material:
Among the holdings of the Archives of American Art are the papers of Esther William's husband Roland Joseph McKinney.
Provenance:
The Esther Baldwin Williams and Esther Williams papers were donated in two installments by Peter McKinney, step-son of Esther Williams in 1974 and by Nadia Williams, Esther Baldwin William's daughter-in-law in 1985.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Painters -- Massachusetts -- Boston  Search this
Topic:
Expatriate painters -- France -- Paris  Search this
Painting -- Technique  Search this
Art -- Study and teaching -- France -- Paris  Search this
Women artists  Search this
Women painters  Search this
Genre/Form:
Photographs
Diaries
Sketchbooks
Sketches
Citation:
Esther Baldwin Williams and Esther Williams papers, 1887-1984. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.willesth
See more items in:
Esther Baldwin Williams and Esther Williams papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw993a92787-2cf6-410d-898b-0db3e93ba678
EDAN-URL:
ead_collection:sova-aaa-willesth
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  • View Esther Baldwin Williams and Esther Williams papers digital asset number 1
Online Media:

Jackson Pollock and Lee Krasner papers

Creator:
Pollock, Jackson, 1912-1956  Search this
Krasner, Lee, 1908-1984  Search this
Names:
Betty Parsons Gallery  Search this
Martha Jackson Gallery  Search this
Benton, Thomas Hart, 1889-1975  Search this
Brooks, James, 1906-1992  Search this
Burkhardt, Rudy  Search this
Cavaliere, Barbara  Search this
Davis, Bill  Search this
De Kooning, Willem, 1904-1997  Search this
Dehner, Dorothy, 1901-1994  Search this
Eames, Ray  Search this
Forge, Andrew  Search this
Friedman, B. H. (Bernard Harper), 1926-  Search this
Glaser, Jane R.  Search this
Gray, Cleve  Search this
Greenberg, Clement, 1909-1994  Search this
Gruen, John  Search this
Holmes, Doloris  Search this
Isaacs, Reginald R., 1911-  Search this
Janis, Sidney, 1896-1989  Search this
Johnson, Philip, 1906-2005  Search this
Kadish, Reuben, 1913-1992  Search this
Maddox, Charles  Search this
Matter, Mercedes  Search this
McCoy, Sanford, Mrs.  Search this
Miller, Daniel  Search this
Miller, Robert, 1932 Apr. 17-  Search this
Motherwell, Robert  Search this
Namuth, Hans  Search this
Ossorio, Alfonso, 1916-1990  Search this
Pollock, Charles C.  Search this
Pollock, Jackson, 1912-1956 -- Photographs  Search this
Rose, Barbara  Search this
Rouche, Burton  Search this
Smith, Tony, 1912-  Search this
Still, Clyfford, 1904-  Search this
Valliere, James  Search this
Wasserman, Tamara E.  Search this
Wright, William  Search this
Zogbaum, Wilfrid, 1915-1965  Search this
Extent:
16.1 Linear feet
Type:
Collection descriptions
Archival materials
Motion pictures (visual works)
Video recordings
Photographs
Interviews
Sound recordings
Scrapbooks
Sketchbooks
Transcripts
Date:
circa 1914-1984
bulk 1942-1984
Summary:
The papers of abstract expressionist painters Jackson Pollock and wife Lee Krasner measure 16.1 linear feet and date from circa 1914 to 1984, with the bulk of the material dating from 1942 to 1984. The collection documents their personal and professional lives, as well as the legacy of Jackson Pollock's work after his death. Found are biographical material, correspondence, writings by Krasner and others, research material, business and financial records, printed material, scrapbooks, artwork by others, photographs, interview transcripts, audio and video recordings, and motion picture film.
Scope and Content Note:
The papers of abstract expressionist painters Jackson Pollock and wife Lee Krasner measure 16.1 linear feet and date from circa 1914 to 1984, with the bulk of the material dating from 1942 to 1984. The collection documents their personal and professional lives, as well as the legacy of Jackson Pollock's work after his death. Found are biographical material, correspondence, writings by Krasner and others, research material, business and financial records, printed material, scrapbooks, artwork by others, photographs, interview transcripts, audio and video recordings, and motion picture film.

The collection is divided into two series, the first of which focuses on Pollock and includes his scattered papers dating from circa 1914 to his death in 1956, as well as Krasner's papers dating from his death to 1984 about managing Pollock's legacy. This series includes biographical materials, including transcripts and audio recordings of an interview with William Wright in 1949; Pollock's and Krasner's correspondence with Thomas Hart Benton, Betty Parsons Gallery, Bill Davis, B. H. Friedman, Reginald Isaacs, Sidney Janis, Violet De Lazlo, Martha Jackson Gallery, Alfonso Ossorio, Tony Smith, and Clyfford Still, and with one another; Krasner's correspondence concerning Pollock's estate and artwork after his death; numerous writings about Pollock, including an original draft of Bryan Robertson's biography and an essay by Clement Greenberg.

James Valliere extensive research files on Pollock for a never-published biography were given to Krasner and filed in Series 1. These include scattered correspondence with Lee Krasner, and Pollock's family and friends, including Charles Pollock, Thomas Hart Benton, and Robert Motherwell. There are also transcripts of interviews Valliere conducted with Pollock's friends and colleagues, including James Brooks, Dorothy Dehner, Clement Greenberg, Reuben Kadish, Lee Krasner, Charles Maddox, Mrs. Sanford McCoy, Daniel T. Miller, Robert Miller, and Tony Smith. The original audio reels and duplicates exist for many and are filed here. Additional interviews were conducted with Willem de Kooning, Alfonso Ossorio, and Burton Rouche, but not transcribed - these are filed in Series 1.10, Audio Recordings and Motion Picture Film.

Also found in Series 1 are scattered business records documenting Krasner's handling of Pollock's estate and legacy; printed materials relating to Pollock, including published biographies, exhibition catalogs, and clippings; two scrapbooks; and a sketchbook by an unidentified artist. Numerous photographs of Pollock include childhood and family photographs, photographs of Pollock in his studio by Hans Namuth, Rudy Burckhardt, and Herbert Matter, photographs of Pollock with Lee Krasner, and exhibition photographs. Audio recordings and motion film in Series 1 include a 1964 16mm film about Pollock (VHS copies are available) and reel-to-reel recordings of untranscribed interviews of Pollock's friends and colleagues by James Valliere, including interviews with Willem de Kooning and Alfonso Ossorio. Additional transcribed interviews are filed in subseries 1.4.

Lee Krasner's papers documenting her own career are arranged in Series 2 and date from 1927-1984. Biographical materials include resumes and awards, school documents, family documentation, and exhibition lists. Her correspondence with artist friends and art colleagues is extensive and includes many letters from artists such as Philip Johnson, Ray Eames, Cleve Gray, and Hans Namuth. She also maintained correspondence with many art historians and critics, curators, gallery owners, collectors, arts-related and social organizations, admirers, and family members.

There are thirteen transcripts of interviews with Krasner by Bruce Glaser, Barbara Cavaliere, Andrew Forge, Emily Wasserman, Barbara Rose, and others. The original audio recordings for these transcripts are filed in series 2.10, along with other audio recordings for which there are no transcripts, including interviews by John Gruen, Delores Holmes, Mercedes Matter, the Martha Dean Radio Show, NBC Today Show, and WQXR radio. There are also audio recordings of Krasner's lectures in series 2.10.

Krasner's papers also include writings and reminiscences by Krasner; writings about Krasner; printed materials such as exhibition catalogs and clippings; and one scrapbook containing clippings and photographs. Numerous photographs are of Krasner, including portrait photographs taken by Hans Namuth; of Krasner with Jackson Pollock and family and friends, and of her exhibitions and artwork.

Users should note that Pollock's and Krasner's papers contain similar types of material that often overlap in subject matter, especially among the correspondence and photographs.
Arrangement:
The collection is arranged into 2 series:

Missing Title

Series 1: Jackson Pollock papers and Lee Krasner papers about Jackson Pollock, circa 1914-1984 (Box 1-7, 16, OV 18, FC 19-22; 7.4 linear feet)

Series 2: Lee Krasner papers, circa 1927-1984 (Box 7-15, 17; 8.6 linear feet)
Biographical Note:
Jackson Pollock was born in 1912, in Cody, Wyoming, the youngest of five sons. His family moved several times during his childhood, finally settling in Los Angeles. In 1930 he joined his older brother, Charles, in New York City, and studied with Regionalist painter Thomas Hart Benton at the Art Students League of New York. Pollock worked during the 1930s for the Works Progress Administration's Federal Art Project. During 1936 he worked in artist David Alfaro Siqueiros's Experimental Workshop. In 1938 he began psychiatric treatment for alcoholism, and his artwork was greatly influenced by Jungian analysis and the exploration of unconscious symbolism.

In 1943 Pollock had his first one-man exhibition at Peggy Guggenheim's New York gallery, Art of this Century, and continued to exhibit there over the next several years. A major turning point in Pollock's life and art was in 1945 when he married fellow artist Lee Krasner and moved to East Hampton, Long Island. There he developed his mature painting style, and became famous for his abstract pouring technique on large canvases. The height of his creativity spanned from 1947 to 1952, and his work was promoted by art critic Clement Greenberg. Along with other abstract expressionists including Hans Hofmann, Alfonso Ossorio, and Barnett Newman, he joined the Betty Parsons Gallery in 1947. He had his most successful one-man show in 1950 which was widely publicized and praised. This exhibition, combined with a 1949 feature article in LIFE magazine, made Pollock an American celebrity.

In 1952 Pollock moved his work to Sidney Janis Gallery and returned to earlier motifs in a search for new breakthroughs. The last few years of his life he suffered from mental and physical health problems, and in August, 1956 he died in a car accident. His wife, Lee Krasner, oversaw his estate and worked with many museums, including the Museum of Modern Art, on Pollock retrospective exhibitions.

Lee Krasner was born Lenore Krassner in 1908 in Brooklyn, New York to Russian immigrant parents. In 1926 she was admitted to the Women's Art School of The Cooper Union, and in 1928 she attended the Art Students League. After graduating from The Cooper Union in 1929, she attended the National Academy of Design until 1932. After briefly attending City College and Greenwich House, she worked for the Public Works of Art Project and the Temporary Emergency Relief Administration, and finally became an assistant in 1935 on the WPA Federal Art Project, Mural Division. From 1937 to 1940 she studied at the Hans Hofmann School of Fine Arts and began exhibiting with the American Abstract Artists group.

In 1942 Krasner met Pollock as they were both preparing to exhibit work in the same show. Although they married and she became immersed in his career, she continued to exhibit her own work with other abstract artists and from 1946 to 1949 worked on the Little Image painting series. In 1953 she began working on collages, a medium she would come back to again later in her career. After Pollock's death her work was greatly influence by her sadness and anger, creating a visible evolution of her style.

For the rest of her career, Krasner consistently exhibited her work in both group and solo exhibitions. She had her first retrospective at Whitechapel Gallery, London, in 1965, and in 1966, she joined Marlborough Gallery, New York which represented Pollock's work as well. In the 1970s and early 1980s Krasner won many awards for her achievement in the visual arts, including the Augustus St. Gaudens Medal and the Chevalier de l'Ordre des Arts et des Lettres. She returned to the medium of collage, and in 1976 joined the Pace Gallery, New York. In 1981 she joined the Robert Miller Gallery, New York. Lee Krasner continued creating art until her death in 1984.
Related Material:
Found in the Archives of American Art are the Charles Pollock Papers, 1902-1990, which includes correspondence, photographs, and other files relating to his brother, Jackson Pollock. Other resources in the Archives are oral history interviews with Lee Krasner, including a series of interviews conducted by Dorothy Seckler between 1964 and 1968, and interviews conducted by Barbara Rose in 1966 and Doloris Holmes in 1972.
Provenance:
The papers of Jackson Pollock were donated in 1983 by Lee Krasner through Eugene V. Thaw shortly before her death. Additional material about Pollock and the papers of Lee Krasner were donated in 1985 by Eugene V. Thaw, executor of Lee Krasner's estate.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State)  Search this
Topic:
Art -- Economic aspects  Search this
Abstract expressionism  Search this
Women artists  Search this
Women painters  Search this
Genre/Form:
Motion pictures (visual works)
Video recordings
Photographs
Interviews
Sound recordings
Scrapbooks
Sketchbooks
Transcripts
Citation:
Jackson Pollock and Lee Krasner papers, circa 1914-1984. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.polljack
See more items in:
Jackson Pollock and Lee Krasner papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ac60d2fa-adb8-4919-9ebb-ddef5dfaa3f8
EDAN-URL:
ead_collection:sova-aaa-polljack
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Jackson Pollock and Lee Krasner papers digital asset number 1
Online Media:

Miscanthus sp.

Biogeographical Region:
36 - China  Search this
Collector:
Tibet-MacArthur  Search this
Dr. Jun Wen  Search this
Z. Nie  Search this
L. Xie  Search this
Y. Niu  Search this
G. Li  Search this
F. Yang  Search this
S. Lutz  Search this
J. Van De Veire  Search this
Microhabitat Description:
Evergreen and deciduous mixed forest.  Search this
Min. Elevation:
2160  Search this
Place:
Tongmai Township, near Tongmai Electrical Power Station, ca. 2 km south of Tongmai along Rt. 318., Bomi Xian, Xizang, China, Asia-Temperate
Collection Date:
24 Jun 2009
Taxonomy:
Plantae Monocotyledonae Poales Poaceae Panicoideae
Published Name:
Miscanthus sp.
Merostachys sp.
Barcode:
01061799
USNM Number:
3598990
See more items in:
Botany
Flowering plants and ferns
Data Source:
NMNH - Botany Dept.
GUID:
http://n2t.net/ark:/65665/3a64521e2-9551-4e51-be65-08bc6c5d2a47
EDAN-URL:
edanmdm:nmnhbotany_10244694

Indet. sp.

Biogeographical Region:
82 - Northern South America  Search this
Collector:
Lynn J. Gillespie  Search this
H. Persaud  Search this
Max. Elevation:
15  Search this
Microhabitat Description:
Partly inundated riparian forest. Dominated by tall evergreens.  Search this
Min. Elevation:
10  Search this
Preparation:
Bulky fruit
Place:
Essequibo R., between Omai and Dennison Mine Camp (near Kumaka River), Cuyuni-Mazaruni, Guyana, South America - Neotropics
Collection Date:
27 May 1989
Taxonomy:
Plantae Dicotyledonae Fabales Fabaceae Caesalpinioideae
Published Name:
Indet. sp.
Eperua falcata Aubl.
Elizabetha sp.
Barcode:
00518412
USNM Number:
3211019
See more items in:
Botany
Flowering plants and ferns
Guiana Shield
Data Source:
NMNH - Botany Dept.
GUID:
http://n2t.net/ark:/65665/3e4ac4733-775a-4330-9ada-687f7b0f186d
EDAN-URL:
edanmdm:nmnhbotany_10661408

Physcia adscendens H.Olivier

Biogeographical Region:
75 - Northeastern U.S.A.  Search this
Collector:
W. C. Gates  Search this
Place:
Evergreen Cemetery, New Braintree, Worcester, Massachusetts, United States, North America
Collection Date:
28 Sep 1958
Taxonomy:
Fungi Ascomycota Lecanoromycetes Caliciales Physciaceae
Published Name:
Physcia adscendens H.Olivier
Barcode:
02759660
See more items in:
Botany
Bryophytes and Lichens
Data Source:
NMNH - Botany Dept.
GUID:
http://n2t.net/ark:/65665/37430d8ec-4c7a-4fb5-8062-c8d1a3b31201
EDAN-URL:
edanmdm:nmnhbotany_14251929

Physcia adscendens H.Olivier

Biogeographical Region:
75 - Northeastern U.S.A.  Search this
Collector:
Mason E. Hale Jr.  Search this
Place:
Evergreen beach, Presque Isle, Michigan, United States, North America
Collection Date:
10 Jul 1968
Taxonomy:
Fungi Ascomycota Lecanoromycetes Caliciales Physciaceae
Published Name:
Physcia adscendens H.Olivier
Barcode:
02759679
See more items in:
Botany
Bryophytes and Lichens
Data Source:
NMNH - Botany Dept.
GUID:
http://n2t.net/ark:/65665/37ace1aa2-c235-45c0-b879-b4a181c7ae69
EDAN-URL:
edanmdm:nmnhbotany_14253633

Pleurisanthes sp.

Biogeographical Region:
84 - Brazil  Search this
Collector:
Michael Harley Nee  Search this
Max. Elevation:
125  Search this
Microhabitat Description:
Secondary vegetation and pastures, formerly uplandtropical evergreen forest (mata de terra firme sobre latosolo amarelo).  Search this
Min. Elevation:
50  Search this
Place:
Ca. 80 km N de Manaus, Distrito Agropecuário da SUFRAMA, Rodovia BR 174, km 72, depois 6 km oeste da BR, Fazenda Dimona. Reserva no. 2107, Manaus, Amazônas, Brazil, South America - Neotropics
Collection Date:
13 Jul 1992
Taxonomy:
Plantae Dicotyledonae Icacinales Icacinaceae Icacinoideae
Published Name:
Pleurisanthes sp.
Barcode:
03468826
Other Numbers:
Duplicate distribution : NY;
See more items in:
Botany
Flowering plants and ferns
Reflora Project
Data Source:
NMNH - Botany Dept.
GUID:
http://n2t.net/ark:/65665/37f6d27bd-07ab-4fd3-a6b1-9e0474fb0fb1
EDAN-URL:
edanmdm:nmnhbotany_15229243

Punctelia rudecta (Ach.) Krog

Biogeographical Region:
75 - Northeastern U.S.A.  Search this
Collector:
Mason E. Hale Jr.  Search this
Place:
Evergreen beach, Presque Isle, Michigan, United States, North America
Collection Date:
10 Jul 1968
Taxonomy:
Fungi Ascomycota Lecanoromycetes Lecanorales Parmeliaceae
Published Name:
Punctelia rudecta (Ach.) Krog
Barcode:
03425611
See more items in:
Botany
Bryophytes and Lichens
Data Source:
NMNH - Botany Dept.
GUID:
http://n2t.net/ark:/65665/3258d15a7-fe6e-4140-a6d0-bd137017401a
EDAN-URL:
edanmdm:nmnhbotany_14474196

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