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Max and Dorothea Ernst letters relating to Max Ernst's American citizenship status, [ca. 1957]

Creator:
Ernst, Max, 1891-1976  Search this
Tanning, Dorothea, 1910-2012  Search this
Subject:
Frank, John Paul  Search this
Record number:
(DSI-AAA_CollID)7118
(DSI-AAA_SIRISBib)209252
AAA_collcode_ernsmax
Theme:
Art Movements and Schools
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209252

John Wilde papers

Creator:
Wilde, John, 1919-2006  Search this
Names:
Andrew Balkin Editions  Search this
Tandem Press  Search this
Abercrombie, Gertrude, 1909-1977  Search this
Bouras, Harry  Search this
Colescott, Warrington, 1921-  Search this
Cozzolino, Robert, 1970-  Search this
Economou, George  Search this
Ernst, Max, 1891-1976  Search this
Fein, Sylvia  Search this
Gardetto, Helga  Search this
Gardetto, Peter  Search this
Glasier, Marshall, 1902-  Search this
Hamady, Walter  Search this
Huppler, Dudley, 1917-1988  Search this
Karidis, Jerome  Search this
Laird, Mary Louise, 1948-  Search this
Lindbergh, Reeve  Search this
Littleton, Harvey K.  Search this
Minasian, Khatchik  Search this
Priebe, Karl J., 1914-1976  Search this
Seefeldt, Michael  Search this
Terkel, Studs, 1912-2008  Search this
Whitney, J. D.  Search this
Wolff, Theodore F.  Search this
Extent:
21.3 Linear feet
0.008 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sketches
Sketchbooks
Diaries
Photographs
Collages
Drawings
Interviews
Illustrated letters
Scrapbooks
Date:
1935-2011
Summary:
The papers of Wisconsin painter, educator, and draftsman John Wilde measure 21.3 linear feet and 0.008 GB and date from 1935 to 2011. The papers consist of biographical material, correspondence, interviews, writings and notes, 27 journals, personal business records, exhibition files, two scrapbooks, photographic materials, six sketchbooks, artwork, and nearly 90 limited edition, letterpress artist collaboration books – many that include artwork contributed by Wilde.
Scope and Contents:
The papers of Wisconsin painter, educator, and draftsman John Wilde measure 21.3 linear feet and 0.008 GB and date from 1935 to 2011. The papers consist of biographical material, correspondence, interviews, writings and notes, 27 journals, personal business records, exhibition files, two scrapbooks, photographic materials, six sketchbooks, artwork, and nearly 90 limited edition, letterpress artist collaboration books – many that include artwork contributed by Wilde.

Biographical materials include certificates and awards, a diploma from the University of Wisconsin, curriculum vitae, memorials, and membership files. Correspondence is with family and friends, and colleagues Karl Priebe, Gertrude Abercrombie, Sylvia Fein, Dudley Huppler, Marshall Glasier, Robert Cozzolino, Theodore Wolff, Peter and Helga Gardetto, Andrew Balkin Editions, Warrington Colescott, Tandem Press, Harvey Littleton, and others. Letters from Walter Hamady are access restricted and housed separately.

There are interviews with Wilde from Harry Bouras' radio show Critics Choice, as well as an interview with Gertrude Abercrombie by Studs Terkel's for Terkel's WFMT radio show broadcast in Chicago.

Wilde discusses his artwork and other topics in 27 journals spanning seven decades. Additional writings by Wilde include term papers, his thesis titled "A Survey of the Development of Surrealism in Painting and Its Chief Innovations with Special Emphasis on the Life and Work of Max Ernst," transcriptions for gallery talks and speeches, notes, and various other writings. Writings about Wilde are by Theodore Wolff, Michael Seefeldt, and other authors. Wilde's personal business records include account books, appraisals, donation papers, inventory books and lists, and a draft of Wilde's last will and testament.

There are exhibition files for Leaders in Wisconsin Art (1982), John Wilde: Drawings 1940-1984 (1984), Wildeworld: The Art of John Wilde (1999), John Wilde: Recent Work (2003), With Friends: Six Magical Realists (2005), and others.

Printed materials include art auction catalogs, calendars, clippings, exhibition catalogs and announcements, invitations, magazines and journals, poetry booklets, press releases, programs, and an annual report. There are also two scrapbooks containing clippings and other printed materials compiled by Wilde. There are photographs of Wilde, his studio and estate, his close friends and fellow artists, and of works of art by Wilde and others. Few photographs are in digital format.

A series of nearly 90 artists collaboration books, many illustrated by Wilde, include Five Poems by Khatchik Minasian, Poems for Self Therepy by George Economou, Six Poems by J.D. Whitney, John's Apples by Reeve Lindbergh and 44 Wilde 1944, What His Mother's Son Hath Wrought (WHMSHW), The Story of Jane and Joan, and A Hamady Wilde Sampler/Salutations 1995. Other books are by Walter Hamady, Mary Laird Hamady, and others.

Six sketchbooks contain drawings and studies, as well as sketches of himself, his friends, and of his first wife Helen. Interspersed througout the sketchbooks are lists of artworks, accounting notes, and other notes and writings. Additional artwork includes files marked as preparatory drawings by Wilde, a large collage by Jerome Karidis titled Homage to the Queen Gertrude Abercrombie, and a few drawings by others.
Arrangement:
The collection is arranged as 13 series.

Series 1: Biographical Materials, 1939-2006 (0.5 linear feet; Box 1)

Series 2: Correspondence, 1935-2011 (9.6 linear feet; Boxes 1-9, 21, 25-27)

Series 3: Interviews, circa 1959-circa 1975 (0.2 linear feet; Box 9)

Series 4: Journals, 1935-2006 (1.5 linear feet; Boxes 9-11)

Series 5: Writings and Notes, 1936-2006 (0.5 linear feet; Box 11)

Series 6: Personal Business Records, 1940-2006 (0.5 linear feet; Box 12)

Series 7: Exhibition Files, 1963-2010 (0.5 linear feet; Boxes 12-13)

Series 8: Printed Materials, 1940-2010 (0.5 linear feet; Boxes 13-14, 21)

Series 9: Scrapbooks, 1948-1963 (0.4 linear feet; Box 21)

Series 10: Photographic Materials, circa 1940-2000s (3.5 linear feet; Boxes 14-17, 21, 0.008 GB; ER01)

Series 11: Artists Collaboration Books, circa 1970-circa 2000 (4.0 linear feet; Box 17-20, 22)

Series 12: Sketchbooks, 1940-1985 (0.2 linear feet; Box 20, 22)

Series 13: Artwork, circa 1943-circa 2000 (0.3 linear feet; Box 20, OVs 23-24)
Biographical / Historical:
John Wilde (1919-2006) was a painter, educator, and draftsman who specialized in silver point and was associated with Magic Realism. He lived and worked in Wisconsin.

Wilde was born near Milwaukee, Wisconsin on December 12, 1919. He lived his whole life in Wisconsin except when he served in the U.S. Army during World War II. He attended the University of Wisconsin in Madison for his bachelor and master degrees in art and art history. While at university, Wilde, along with Marshall Glasier, Sylvia Fein, Karl Priebe, Dudley Huppler, and Gertrude Abercrombie, formed a close-knit circle of friends who shared similar ideas on art and painted in the style of Magic Realism. They often met at Priebe's studio in Milwaukee or Abercrombie's house in Chicago. Wilde also met his first wife and fellow art student, Helen Ashman, during this time. Wilde later married Shirley Grilley after Helen's death in 1966.

Wilde completed artwork for several books published by Perishable Press, a publishing company owned by Walter Hamady. He contributed illustrations to John's Apples by Reeve Lindbergh, 1985- The Twelve Months by Hamady, and Five Poems by Khatchik Minasian. Wilde also wrote and illustrated 44 Wilde 1944, What His Mother's Son Hath Wrought (WHMSHW), The Story of Jane and Joan, and co-authored A Hamady Sampler, Salutations 1995 with Hamady. In addition to his collaborations with Perishable Press, Wilde worked with Warrington Colescott, Harvey Littleton, Tandem Press, and Andrew Balkin Editions on various projects.

The Elvehjem Museum of Art, now the Chazen Museum of Art, located at the University of Wisconsin in Madison where Wilde taught art for 35 years, held several exhibitions of Wilde's work including John Wilde: Drawings 1940-1984 (1984), Wildeworld: The Art of John Wilde (1999), and With Friends: Six Magical Realists (2005).

The Tory Folliard Gallery in Milwaukee, Wisconsin began representing Wilde in 1993 and continued to represent Wilde's work after his death in Cooksville, Wisconsin on March 9, 2006.
Related Materials:
An interview with John Wilde conducted in 1979 by Michael Danoff for the Archives of American Art and the collection, Maurice W. Berger correspondence with John Wilde, 1952-1959, are also found in the Archives of American Art.
Separated Materials:
Also avaialbe at the Archives of American Art are materials lent for microfilming (reel 5661 and 4710) including letters from Walter Hamaday. Lent material was returned to the lender and is not described in the collection container inventory.

Portions of the loaned material on reel 4710 were subsequently donated, but a comparison of the film and papers was not completed.
Provenance:
The John Wilde papers were donated incrementally between 1975 and 2015 by John Wilde and his estate. Portions were previously lent for microfilming. Additional letters from Walter Hamady were lent for microfilming by John Wilde in December 1999.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. One box of letters from Walter Hamady is ACCESS RESTRICTED; use requires written permission. The Walter Hamady letters microfilmed on 2539a, 4710a, and 5661 are also ACCESS RESTRICTED.
Rights:
The John Wilde papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Draftsmen (artists) -- Wisconsin  Search this
Art teachers -- Wisconsin  Search this
Topic:
Art -- Wisconsin  Search this
Surrealism  Search this
Magic realism (Art)  Search this
Painters -- Wisconsin  Search this
Genre/Form:
Sketches
Sketchbooks
Diaries
Photographs
Collages
Drawings
Interviews
Illustrated letters
Scrapbooks
Citation:
John Wilde Papers, 1935-2011. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.wildjohn
See more items in:
John Wilde papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-wildjohn

Thomas M. Messer papers

Creator:
Messer, Thomas M.  Search this
Names:
Solomon R. Guggenheim Foundation  Search this
Bacon, Francis, 1909-1992  Search this
Barnet, Will, 1911-2012  Search this
Bell, Larry, 1939-  Search this
Burri, Alberto, 1915-  Search this
Bury, Pol, 1922-2005  Search this
Chagall, Marc, 1887-  Search this
Chryssa, 1933-  Search this
Dubuffet, Jean, 1901-  Search this
Ernst, Max, 1891-1976  Search this
Flavin, Dan, 1933-  Search this
Frankenthaler, Helen, 1928-2011  Search this
Giacometti, Alberto, 1901-1966  Search this
Hamilton, Richard, 1922-  Search this
Hélion, Jean, 1904-1987  Search this
Knowlton, Grace, 1932-  Search this
Koczy, Rosemarie, 1939-2007  Search this
Kolář, Jiří, 1914-2002  Search this
Kuh, Katharine  Search this
Martin, Agnes, 1912-2004  Search this
Moore, Henry, 1898-1986  Search this
Rickey, George  Search this
Simonds, Charles, 1945-  Search this
Still, Clyfford, 1904-1980  Search this
Tworkov, Jack  Search this
Extent:
4.6 Linear feet
Type:
Collection descriptions
Archival materials
Transcripts
Diaries
Date:
1949-2010
Summary:
The papers of New York museum director and independent curator Thomas M. Messer measure 4.6 linear feet and date from 1949-2010. Material includes correspondence, a diary transcript, and printed material that reflect Messer's long career, primarily as director of the Solomon R. Guggenheim Foundation. Correspondence comprises the bulk of the collection and documents the relationships he built with artists, art historians, curators, and others colleagues. Notable correspondents include Francis Bacon, Will Barnet, Larry Bell, Alberto Burri, Pol Bury, Marc Chagall, Chryssa, Jean Dubuffet, Max Ernst, Dan Flavin, Helen Frankenthaler, Alberto Giacometti, Richard Hamilton, Jean Hélion, Grace Knowlton, Rosemarie Koczy, Jirí Kolár, Katharine Kuh, Agnes Martin, Henry Moore, George Rickey, Charles Simonds, Clyfford Still, Jack Tworkov, and many others.
Scope and Contents:
The papers of New York museum director and independent curator Thomas M. Messer measure 4.6 linear feet and date from 1949-2010. Material includes correspondence, a diary transcript, and printed material that reflect Messer's long career, primarily as director of the Solomon R. Guggenheim Foundation. Correspondence comprises the bulk of the collection and documents the relationships he built with artists, art historians, curators, and others colleagues. Notable correspondents include Francis Bacon, Will Barnet, Larry Bell, Alberto Burri, Pol Bury, Marc Chagall, Chryssa, Jean Dubuffet, Max Ernst, Dan Flavin, Helen Frankenthaler, Alberto Giacometti, Richard Hamilton, Jean Hélion, Grace Knowlton, Rosemarie Koczy, Jirí Kolár, Katharine Kuh, Agnes Martin, Henry Moore, George Rickey, Charles Simonds, Clyfford Still, Jack Tworkov, and many others.
Arrangement:
The collection is arranged as three series

Series 1: Correspondence, 1962-2010 (4 linear feet; Box 1-4)

Series 2: Diary Transcript, 2007-2009 (0.02 gigabytes; ER01)

Series 3: Printed Material, 1949-1987 (0.6 linear feet; Box 5-6)
Biographical / Historical:
Thomas Messer (1920-2013) was a museum director and independent curator in New York, New York. Born and raised in Czechoslovakia, Messer became a United States citizen in 1944 and served in the United States Army in World War II. He earned his bachelor's degree from Boston University and studied at the Sorbonne in France before returning to the United States to study art history and museology at Harvard University. After obtaining his graduate degree, Messer was the director of the Roswell Museum in Roswell, New Mexico and then of the Institute of Contemporary Art in Boston. In 1961, Messer became the director of the Solomon R. Guggenheim Foundation, which includes the Guggenheim Museum in New York and the Peggy Guggenheim Collection in Venice, Italy. Messer retired from his position there in 1988 and became a freelance curator, teacher, writer, and arts consultant.
Related Materials:
Also found in the Archives of American Art are two oral history interviews with Thomas Messer conducted by Paul Cummings in 1970 and by Andrew Decker in 1994-1995.
Provenance:
Donated to the Archives of American Art in 1995 by Thomas Messer and in 2016 by the Thomas Messer estate via Adam Lehner, executor.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of electronic records requires advance notice.
Rights:
The Thomas M. Messer papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Art museum directors -- United States  Search this
Topic:
Curators -- New York (State) -- New York  Search this
Genre/Form:
Transcripts
Diaries
Citation:
Thomas M. Messer papers, 1949-2010. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.messthom
See more items in:
Thomas M. Messer papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-messthom

Byron Gallery records

Creator:
Byron Gallery  Search this
Names:
Galleria dell'Ariete  Search this
Antonakos, Stephen, 1926-2013  Search this
Calder, Alexander, 1898-1976  Search this
Consagra, Pietro, 1920-  Search this
Copley, Alfred L.  Search this
De Chirico, Giorgio, 1888-  Search this
Ernst, Max, 1891-1976  Search this
Friedeberg, Pedro, 1937-  Search this
Gilliam, Sam  Search this
Goeritz, Mathias, 1915-1990  Search this
Grilo, Sarah  Search this
Matta Echaurren, Roberto Sebastián, 1911-  Search this
Meadmore, Clement  Search this
Nivola, Costantino, 1911-1988  Search this
Sleigh, Sylvia  Search this
Talman, Paul  Search this
Youngerman, Jack, 1926-  Search this
Extent:
16.3 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Date:
circa 1950s-1991
Summary:
The records of New York Byron Gallery measure 16.3 linear feet and date from circa 1950s-1991, with the bulk of the material dating from 1960-1971. The records document the gallery's representation and exhibition of Surrealist and contemporary American artists, as well as the occasional pre-Columbian and Old Masters artwork. Found are over ten linear feet of artists and subject files, fifty-seven exhibition scrapbooks, exhibition catalogs, and sales records. There are also exhibitions catalogs of the Milan Galleria Dell'Arieti.
Scope and Content Note:
The records of New York Byron Gallery measure 16.3 linear feet and date from circa 1950s-1991, with the bulk of the material dating from 1960-1971. The records document the gallery's representation and exhibition of Surrealist and contemporary American artists, as well as the occasional pre-Columbian and Old Masters artwork. Found are extensive artists and subject files, exhibition files and scrapbooks, exhibition catalogs, and sales records. There are also exhibitions catalogs of the Milan Galleria Dell'Arieti.

Artist and subject files comprise over one-half of the records and contain business correspondence, sales information, photographs and transparencies, catalogs, and exhibit reviews for each artist either represented or sold by the gallery, or participated in an exhibition organized by the gallery. Particularly rich files are found for Alcopley, Stephen Antonakos, Alexander Calder, Pietro Consagra, Giorgio De Chirico, Max Ernst, Pedro Friedeberg, Sam Gilliam, Mathias Goeritz, Sarah Grilo, Roberto Sabastiano Matta, Clement Meadmore, Constantino Nivola, Sylvia Sleigh, Paul Talman, and Jack Youngerman.

Fifty-seven exhibition scrapbooks in binder sleeves represent a complete documentary record of Byron Gallery exhibits from 1963-1970. The scrapbook contain a wide variety of materials, including correspondence, catalogs, price lists, installation photographs and slides, printed reproductions of exhibited art work, and newspaper clippings and reviews. Additional printed materials include exhibition catalogs and invitations. There is also a near-complete run of catalogs from the Galleria Dell'Arieti, a contemporary gallery in Milan, Italy, 1961-1970.

Financial and business records are contained in a series of invoices from 1963-1971, and a card file of artwork sold or returned.
Arrangement:
The collection is arranged as 5 series:

Series 1: Artist and Subject Files, circa 1950s-1991, undated (Box 1-10, 17; 10.2 linear feet)

Series 2: Exhibition Scrapbooks, 1963-1970 (Box 11-14, 17; 4.1 linear feet)

Series 3: Printed Material, 1961-1970 (Box 15; 0.5 linear foot)

Series 4: Invoices, 1963-1971 (Box 15; 0.5 linear foot)

Series 5: Card Files, circa 1960s-1970s (Box 16; 1 linear foot)
Historical Note:
The Byron Gallery was founded in 1961 by Charles Byron (b. 1918) and located on Madison Avenue in New York, New York. The gallery primarily showed Surrealist masters and up-and-coming contemporary American painters and sculptures, as well as an occasional ancient and Old Masters exhibit.

Among the artists represented by the gallery were Alcopley, Herbert Bayer, Albert Kotin, Clement Meadmore, Richard Merkin, Constantino Nivola, Brian O'Doherty, and Hans Richter. Additional artists handled by the gallery or given shows were Max Ernst, Sam Gilliam, Robert Sebastian Matta, Renee Magritte, Sylvia Sleigh, and Jack Youngerman. The gallery also sold work by artists represented by other galleries, or from the secondary market.

Several prescient group shows were organized by the gallery, including the Box Show in 1965, featuring the work of over 100 artists, including Arakawa, Lee Bontecou, Chryssa, Joseph Cornell, Alcopley, Walter De Maria, Dan Flavin, Donald Judd, Edward Kienholz, Sol Lewitt, Louise Nevelson, Constantino Nivola, Robert Rauschenberg, Michell Stuart, and Andy Warhol. The Paris Review show in 1965 was another stellar event, with contributions from Richard Anuszkiewicz, Allan D'Arcangelo, Jim Dine, Helen Frankenthaler, Robert Indiana, Alex Katz, Ellsworth Kelly, Lindner, Richard Robert Motherwell, Louise Nevelson, Estaban Vicente, and Andy Warhol. In 1964, the gallery also organized an exhibition of over 40 American landscape artists, American Landscapes. The gallery also exhibited two shows based on Pre-Columbian objects, and, in the late 1960s, held two major exhibitions, 400 Years of Italian Art: Florentine Relief Fund Art Show (1967) and Greek Gold Exhibition (1967-1968).
Provenance:
The Byron Gallery papers were donated to the Archives of American Art by gallery owner Charles Byron in 1999.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Byron Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Surrealism  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Scrapbooks
Citation:
Byron Gallery records, circa 1950s-1991, bulk 1960-1971. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.byrogall
See more items in:
Byron Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-byrogall
Online Media:

Jimmy Ernst papers

Creator:
Ernst, Jimmy, 1920-1984  Search this
Names:
Brooklyn College  Search this
Ernst, Dallas  Search this
Ernst, Max, 1891-1976  Search this
Pozzatti, Rudy, 1925-  Search this
Extent:
16.3 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Sound recordings
Video recordings
Date:
1802-2010
bulk 1930-2005
Summary:
The papers of painter Jimmy Ernst measure 16.3 linear feet and date from 1802 to 2010, with the bulk of the records dating from the 1930s to 2005. The collection documents Ernst's work as a professional artist, educator and lecturer, and his involvement with the abstract expressionist art movement in the United States through biographical material, correspondence, writings, some personal business papers, teaching materials and lecture notes, printed material, photographs as well as sound and video recordings. Also found is a series of research material, drafts, notes, publicity, correspondence, and interviews pertaining to the writing of Ernst's memoir, A Not So Still-Life (1984).
Scope and Contents:
The papers of painter Jimmy Ernst measure 16.3 linear feet and date from 1802 to 2010, with the bulk of the records dating from the 1930s to 2005. The collection documents Ernst's work as a professional artist, educator and lecturer, and his involvement with the abstract expressionist art movement in the United States through biographical material, correspondence, writings, some personal business papers, teaching materials and lecture notes, printed material, photographs as well as sound and video recordings. Also found is a series of research material, drafts, notes, publicity, correspondence, and interviews pertaining to the writing of Ernst's memoir, A Not So Still-Life (1984).

Biographical material is comprised of resumes and other summaries of Ernst's career; documents such as passports, will and estate records, contact lists, and school papers from his childhood in Germany; records of the awards Ernst received; and sound and video recordings, including interviews.

Correspondence includes Ernst's letters to and from family, friends, colleagues, and organizations. Topics concern artwork, some political and philosophical issues, services, and personal matters. Also included are a few files of Dallas Ernst's correspondence.

Writings include essays and short writings by Ernst concerning politics, art, poetry, and his own life experiences. Also found are drafts of writings that would later go on to be published, such as his "Freedom of Expression in the Arts" (1964) and "A Letter to the Artists of the Soviet Union" (1961). Additionally, there are a few files that contain writings by Dallas Ernst as well as drafts, essays, M.A. theses, and reviews by other artists, students, and critics in regards to Ernst's art, exhibitions, and career. Papers pertaining to the writing of Ernst's memoir, A Not So Still-Life (1984) include research material, drafts, notes, photographs, publicity material, correspondence, and interviews.

Teaching and lecture material consists of correspondence, drafts of speeches, notes, and videos of talks given by Ernst. Documentation covers the periods that Ernst taught at Brooklyn College's Department of Design from 1951 to 1977, lectured at museums and universities in the United States and Europe, and gave commencement speeches to the graduates of Silvermine College of Art in 1969 and Long Island University in 1982.

Exhibition papers include one video, correspondence, ephemera, and lists of artworks shown in solo and group exhibitions in the United States and Europe from 1951 to 1999. After Ernst's death in 1984, his wife Dallas Ernst handled the exhibiting of his art.

Personal business papers document the handling, sale, and consignments of Ernst's artwork. The material is predominantly correspondence with galleries that represented Ernst, although there are files containing receipts, tax documents, and acknowledgements for services and donated artwork. There is also one file concerning Dallas' involvement in the reproduction of sculptures done by Max Ernst.

Printed material includes clippings, newsletters, bulletins, periodicals, and books concerning Ernst's life and career; exhibitions catalogs and announcements; miscellaneous clippings and printed material, some of which were collected by Ernst and annotated; and some reproductions of Ernst's artwork.

Photographs and slides document Ernst's personal and professional life. They include images of the Ernst family both in the United States and Europe, snapshots taken at events and during trips, images of Max and Jimmy Ernst's artwork.
Arrangement:
The collection is arranged as 9 series.

Series 1: Biographical Material, circa 1802-2005, bulk 1931-2005 (2.0 linear feet; Boxes 1-2)

Series 2: Correspondence, 1941-1998 (1.5 linear feet; Boxes 2-4)

Series 3: Writings, circa 1954-2005 (0.8 linear feet; Box 4)

Series 4: -- A Not So Still-Life -- (1984), circa 1920-1995 (2 linear feet; boxes 5-6)

Series 5: Exhibitions, circa 1954-2000 (1 linear foot; Box 7)

Series 6: Teaching and Lectures, 1948-1983 (0.5 linear feet; Box 8)

Series 7: Personal Business Records, 1953-1993 (13 folders; Boxes 8-9)

Series 8: Printed Material, circa 1940-2010 ( 7.5 linear feet; Boxes 9-17)

Series 9: Photographs, circa 1890-2010 (0.5 linear feet; Box 16)
Biographical / Historical:
Jimmy Ernst (1920-1984) was a painter and educator in East Hampton, New York.

Ernst was born Hans-Ulrich Ernst in Cologne, Germany. After Ernst's parents divorced in 1922, Ernst spent the next 11 years living in Cologne with his mother, art historian and journalist Louise Straus-Ernst. Ernst ultimately left Germany to live with family elsewhere in Europe, including his father Max Ernst, surrealist and founder of the Dada movement in Paris. Ernst moved to New York in 1938 and held positions at Warner Brothers, the film library at the Museum of Modern Art (MoMA), New York, and eventually as director of Peggy Guggenheim's gallery-museum Art of This Century.

It was not until after Ernst moved to the United States that he began focusing on his own art. In 1944 Ernst had his first one-man exhibition at the Norlyst Gallery, and since has been the subject of solo exhibitions at the Museum of Fine Arts, Houston (1956), Kolnischer Kunstverein, Cologne (1963), Tampa Museum of Art (1994), Museum of Fine Arts, Saint Petersburg, Florida (1998), and the Sprengel Museum, Hannover, Germany (1999); and has been featured in many group exhibitions including shows at MoMA (1951); Art Institute of Chicago (1960); and the Guggenheim Museum (1954, 1961).

In addition to his career as an artist, Ernst was also a professor in the design department at Brooklyn College from 1951 to 1977, and in 1963 Ernst and a fellow artist, Rudy Pozzatti, participated in an art lecture tour in the U.S.S.R and Germany. Ernst's accolades include the Brandeis University Creative Arts Award, membership in the National Institute of Arts and Letters, an honorary doctorate from Long Island University, and was awarded numerous prizes and fellowships from museums such as the Art Institute of Chicago, Guggenheim Museum, and the Whitney Museum.

Jimmy Ernst married Edith Dallas Bauman (known as Dallas, 1923-2011) in 1947. Dallas served as an assistant to Jimmy by managing the transfer and handling of art work to and from exhibitions, galleries, and buyers; Dallas even presented one of Jimmy's lectures in his place in 1964 due to a health emergency. After Jimmy's death, Dallas continued the business of dealing and exhibiting his artwork. Jimmy and Dallas had two children, Eric and Amy, also artists.
Related Materials:
Also found in the Archives are the Max and Dorothea Ernst letters concerning Max Ernst's American citizenship status (photocopies) microfilmed on reel 3829
Provenance:
This collection was donated in 2012 by Amy Ernst, Jimmy Ernst's daughter.
Restrictions:
This collection is access restricted; written permission is required. Contact Reference Services for more information.

Access, with permission, to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- East Hampton  Search this
Educators -- New York (State) -- East Hampton  Search this
Genre/Form:
Interviews
Sound recordings
Video recordings
Citation:
Jimmy Ernst papers, 1802-2010. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.ernsjimm
See more items in:
Jimmy Ernst papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ernsjimm

A disarming beauty the Venus de Milo in 20th century art curated by Suzanne Ramljak

Title:
Venus de Milo in 20th century art
Author:
Ramljak, Suzanne http://id.loc.gov/authorities/names/nr96045205 http://viaf.org/viaf/24366/  Search this
Salvador Dali Museum http://id.loc.gov/authorities/names/n90695300 http://viaf.org/viaf/128440737/  Search this
Subject:
Aphrodite http://viaf.org/viaf/59077912/ http://dbpedia.org/resource/Venus_(Marvel_Comics)  Search this
Arman 1928-2005 http://viaf.org/viaf/111915345/  Search this
Dalí, Salvador 1904-1989 http://viaf.org/viaf/64004109/  Search this
Dine, Jim 1935- http://viaf.org/viaf/61562057/ http://dbpedia.org/resource/Jim_Dine  Search this
Ernst, Max 1891-1976 http://viaf.org/viaf/44294144/ http://dbpedia.org/resource/Max_Ernst  Search this
Kusama, Yayoi 1929- http://viaf.org/viaf/22415110/ http://dbpedia.org/resource/Yayoi_Kusama  Search this
Page, Judith http://viaf.org/viaf/59208470/  Search this
Paschke, Ed 1939-2004 http://viaf.org/viaf/95794725/ http://dbpedia.org/resource/Ed_Paschke  Search this
Man Ray 1890-1976 http://viaf.org/viaf/49222341/  Search this
Tompkins, Betty http://viaf.org/viaf/96344527/  Search this
Physical description:
94 pages illustrations (chiefly color) 19 cm
Type:
Books
Exhibition catalogs
Date:
2001
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1111472

Max Ernst der 1000-jährige Astronaut

Title:
1000-jährige Astronaut
Tausendjährige Astronaut
Author:
Ernst, Max 1891-1976 Works Selections http://id.loc.gov/authorities/names/no2013049138 http://viaf.org/viaf/299990779/ http://dbpedia.org/resource/Max_Ernst  Search this
Writer of supplementary textual content:
Hildebrand-Schat, Viola http://id.loc.gov/authorities/names/nr2004037983 http://viaf.org/viaf/2721817/  Search this
Writer of foreword:
Schmidt, Manfred (Art-book and art collector)  Search this
Host institution:
Stedelijk Van Abbemuseum http://id.loc.gov/authorities/names/n79139080 http://viaf.org/viaf/100903160/  Search this
Subject:
Ernst, Max 1891-1976 http://dbpedia.org/resource/Max_Ernst  Search this
Schmidt, Manfred (Art-book and art collector) Art collections  Search this
Ernst, Max 1891-1976 http://dbpedia.org/resource/Max_Ernst  Search this
Schmidt, Manfred (Art-book and art collector) Collections d'art  Search this
Ernst, Max 1891-1976 http://id.worldcat.org/fast/fst00047247 http://dbpedia.org/resource/Max_Ernst  Search this
Physical description:
143 pages illustrations (chiefly color), facsimiles, portraits 28 cm
Type:
Exhibitions
Expositions
Exhibition catalogs
Place:
Germany
Allemagne
Date:
2018
20th century
16e siècle
Topic:
Illustration of books  Search this
Art--Private collections  Search this
Illustration des livres  Search this
Art--Collections privées  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1112257

Ernst, Max, 1891-1976

Collection Creator:
Rosenblum, Walter, 1919-2006  Search this
Extent:
6 Photographs
Container:
Binder 15
Type:
Archival materials
Photographs
Photographs
Collection Restrictions:
Researcher may use study prints on file in the Photograph Archives, Smithsonian American Art Museum. Advance appointments are required. Original negatives are stored off-site in cold storage and are not accessible to the public.
Collection Rights:
Copyright to photographs from the Walter Rosenblum Collection is held by the Smithsonian American Art Museum. Requests for permission to reproduce photographs from the collection must be submitted in writing to the Photograph Archives. Certain works of art, as well as photographs of those works of art, may be protected by copyright, trademark, privacy or publicity rights, or other interests not owned by the Smithsonian American Art Museum. It is the applicant's responsibility to ascertain whether any such rights exist, and to obtain any other permission necessary to reproduce and publish the image.
Collection Citation:
Walter Rosenblum Collection, Photograph Archives, Smithsonian American Art Museum
See more items in:
Walter Rosenblum photographs
Walter Rosenblum photographs / Series 1: Photographs of artists' works
Archival Repository:
Smithsonian American Art Museum, Research and Scholars Center
EDAN-URL:
ead_component:sova-saam-photo-ros-ref195

Max Ernst, fragments of Capricorn and other sculpture : Sedona, Arizona, 1948 : Arnold Herstand & Company ... November 8-December 29, 1984

Author:
Ernst, Max 1891-1976  Search this
Arnold Herstand & Company  Search this
Subject:
Ernst, Max 1891-1976  Search this
Physical description:
35 pages : chiefly illustrations (some color) ; 30 cm
Type:
Books
Exhibitions
Exhibition catalogs
Date:
1984
[1984]
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_639804

Capricorn, (sculpture)

Sculptor:
Ernst, Max 1891-1976  Search this
Medium:
Bronze
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Menil Collection Houston Texas
Date:
Modeled 1948. Cast 1964
Topic:
Fantasy--Animal  Search this
Emblem--Zodiac  Search this
Control number:
IAS 62490001
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_301650

Arizona Frieze: Part II, (sculpture)

Sculptor:
Ernst, Max 1891-1976  Search this
Medium:
Bronze
Type:
Sculptures-Outdoor Sculpture
Sculptures-Relief
Sculptures-Architectural component
Sculptures
Owner/Location:
Administered by St. Lawrence University Richard F. Brush Art Gallery Romoda Drive Canton New York 13617 Accession Number: 80.66b
Located St. Lawrence University Entrance to Griffiths Sculpture Patio, on wall Canton New York
Date:
1948
Topic:
Abstract  Search this
Figure--Full length  Search this
Allegory--Place--Arizona  Search this
Control number:
IAS NY000851
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_338445

Mask [painting] / (photographed by Peter A. Juley & Son)

Artist:
Ernst, Max 1891-1976  Search this
Type:
Photograph
Date:
1947
Topic:
Dress--Costume--Mask  Search this
Image number:
JUL J0017470
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_17470

Masques et phantasmes [painting] / (photographed by Peter A. Juley & Son)

Artist:
Ernst, Max 1891-1976  Search this
Type:
Photograph
Date:
1929
Topic:
Abstract  Search this
Dress--Costume--Mask  Search this
State of Being--Phenomenon--Dream  Search this
Image number:
JUL J0003097
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_3097

Ohne Titel [painting] / (photographed by Peter A. Juley & Son)

Artist:
Ernst, Max 1891-1976  Search this
Type:
Photograph
Date:
1951
Topic:
Figure  Search this
Abstract  Search this
Image number:
JUL J0044902
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_44903

(No Title Given) [art work] / (photographed by Peter A. Juley & Son)

Artist:
Ernst, Max 1891-1976  Search this
Type:
Photograph
Image number:
JUL J0044927
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_44928

Brique de La Cadiere d'Azur [painting] / (photographed by Walter Rosenblum)

Title:
Brick from La Cadiere d'Azur [painting] / (photographed by Walter Rosenblum)
Artist:
Ernst, Max 1891-1976  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Date:
1929
Topic:
Contemporaries (New York, NY)  Search this
Abstract  Search this
Animal--Bird  Search this
Image number:
ROS R0002396
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_131848

Arbre et deux personnages [painting] / (photographed by Walter Rosenblum)

Artist:
Ernst, Max 1891-1976  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Date:
1941
Topic:
New Gallery  Search this
Landscape--Tree  Search this
Figure group  Search this
State of Being--Phenomenon--Surreal  Search this
Image number:
ROS R0004287
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_133733

Creatures of the Swamp [painting] / (photographed by Walter Rosenblum)

Artist:
Ernst, Max 1891-1976  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Date:
1945
Topic:
E. V. Thaw & Co., Inc  Search this
Fantasy--Animal  Search this
State of Being--Phenomenon--Surreal  Search this
Image number:
ROS R0004961
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_134397

The Tree [painting] / (photographed by Walter Rosenblum)

Artist:
Ernst, Max 1891-1976  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Date:
1941
Topic:
E. V. Thaw & Co., Inc  Search this
Landscape--Tree  Search this
State of Being--Phenomenon--Surreal  Search this
Image number:
ROS R0004962
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_134398

Paysage avec lac et chimeres [painting] / (photographed by Walter Rosenblum)

Artist:
Ernst, Max 1891-1976  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Date:
Ca. 1940
Topic:
E. V. Thaw & Co., Inc  Search this
Landscape--Lake  Search this
Mythology--Classical--Chimera  Search this
State of Being--Phenomenon--Surreal  Search this
Image number:
ROS R0004990
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_134426

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