United States of America -- Arizona -- Maricopa County -- Phoenix
General:
"Garden consists of five areas: (1) outer yard, (2) inner yard with lawn and swimming pool, (3) formal parterre with gazebo, topiary and flower beds, (4) informal Japanese Garden with pool, stepping stones, pagoda and shrubs, (5) shade/bonsai with display pedestals and benches for potted plants."
"In 1959, the house was designed by Frank Lloyd Wright associate Blaine Drake, who set it in a grove of mature orange and grapefruit trees."
"Little thought, though, was given to maintenance or to coping with invasions of native weeds so, perhaps, inevitably, their efforts seemed unimpressive in contrast to the natural environment's awesome grandeur. That and a growing awareness that environmental conditions were not necessarily hostile led to experimentation with non-native plants. Chrysanthemum, it was discovered, grew as readily as the maize and cotton cultivated by Arizona's prehistoric peoples. A successful but boring initial scheme for growing chrysanthemums in straight rows was soon abandoned for a modest parterre that reflected plans of European gardens the gardeners admired. Neat geometric beds were disposed with studied formality between and arcaded gazebo backed by towering oleanders and a "wall" of privet with central niche establishing the axis of a composition held together further by paths of decomposed granite."
"A consequence of the original interest in chrysanthemums was the creation of a small Japanese-style garden with the geometrical symmetry of the parterre was replaced with informal, "natural" arrangements of shrubs and plants around a pool with raised stepping stones through plantings of spuria and Dutch iris, substitutes for Japanese iris unable to survive Arizona's climate. Another successful substitution has been the several varieties of creeping thyme that imitate carpets of moss in the garden of Kyoto. The garden is separated from the parterre by a high hedge, but the two are joined, not inappropriately, by a moongate formed by training privet to a circular frame."
Persons associated with the property include: Blaine Drake (architect in 1960); Gary Slater (sculptor in 1975).
Related Materials:
Broadley Garden related holdings consist of 1 folder (13 35 mm. slides)
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Krafft A. Ehricke Papers, Accession 2003-0025, National Air and Space Museum, Smithsonian Institution.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Type:
Archival materials
Introduction:
Events in the Louisiana program at the Festival spoke to the context created by the unique history and geography of that part of the continent, where rich forms of creolization, or cultural mixture, have flourished. Creative blending of cultural aesthetics and repertoires has also occurred in other places in our country, but in few places to as great an extent and with the public vitality of the traditional cultures of Louisiana. To hear the diversity of musical styles, to see the varied dance and craft traditions, and to taste the renowned foods of the region should all lead one to reflect on the social and environmental conditions that brought Africans, American Indians, Anglo Americans, French, Spanish and other groups together in ways that led to the rich mixtures of language and culture distinctive of "The Creole State."
The Louisiana program at the Festival of American Folklife presented the best of traditional life to show how folk cultural resources can help sustain the State in the future if properly encouraged. Previous festivals showed Louisiana folk culture primarily in terms of Cajun and New Orleans musical traditions. The 1985 Festival attempted to correct this imbalance by presenting the traditions of the entire State: south Louisiana, north Louisiana, the Florida Parishes and New Orleans
Perhaps because Louisiana as a whole still speaks with diverse and contrasting voices of tradition, the State was just beginning to recognize and support programs that conserve and promote its folk cultures at the time of the Festival. In 1985 the legislature in Baton Rouge was considering first-time funding for the Louisiana Folklife Program. The efforts of the Smithsonian Institution and other groups over the preceding 20 years through fieldwork, sound recordings and festival presentation had done much to assist the conservation and renaissance of Cajun culture. Those presenting New Orleans culture had long emphasized tourist promotion but with less attention to the conservation of what some have called "the cultural wetlands" of the city, that is, its root traditions and communities. But the cultures of the Florida Parishes and north Louisiana had remained virtually ignored until quite recently. Festival planners hoped that the celebratory mingling of all the regions and cultures of Louisiana at the 1985 Festival would bring them their due applause that could be heard back home.
Susan Levitas and Larry Deemer served as Louisiana Program Coordinators, with Kate Porterfield as Assistant Coordinator, and Nicholas Spitzer as Consultant.
The Louisiana program was made possible by the Louisiana Department of Culture, Recreation, and Tourism through the Louisiana Office of Tourism and private donations through the Louisiana Heritage Foundation.
Fieldworkers:
Barry Ancelet, Ray Brassieur, Joel Gardner, H.F. Gregory, Joyce Jackson, Allison Kaslow, Ulysses Ricard, Jr., Susan Roach-Lankford, Nicholas Spitzer
Foodways fieldworkers
Ulysses S. Ricard, Jr., Susan Roach-Lankford, Nicholas Spitzer
Presenters:
Barry Ancelet, Ifama Arsan, Maida Bergeron, Ray Brassieur, Joel Gardner, Joyce Jackson, Allison Kaslow, Sue Manos Nahwooksy, Ulysses Ricard, Susan Roach-Lankford, Kalamu ya Salaam, Nicholas Spitzer
Foodways presenters
Ulysses S. Ricard, Jr., Susan Roach-Lankford
Participants:
Crafts
Bel Abbey, blowgun, toy maker, Elton
David Allen, 1925-, walking stick maker, Homer
Rosie Lee Allen, 1929-, quilter, Homer
Barry Barth, float builder, New Orleans
Joseph Barth, III, 1951-, float builder, New Orleans
Tana Barth, float builder, New Orleans
Marjorie Wilma Battise, 1942-, pine straw basket maker, Elton
Hezekiah and the Houserockers, -- river blues -- Hezekiah and the Houserockers, river bluesJames Baker, guitar player, St. JosephHezekiah Early, 1934-, drums, harmonica player, vocalist, Natchez, MississippiPee Wee Whittaker, trombone player, Ferriday
The Ott Family, -- urban gospel -- The Ott Family, urban gospelE. L. Ott, 1936-, second lead, AvondaleElijah Ott, 1963-, tenor, AvondaleJerry Ott, Sr., 1943-, alto, MetairiePatricia Ann Roberts Ott, 1964-, tenor, soprano, AvondalePurvis Lorenzo Ott, 1961-, alto, AvondaleSolomon Ott, 1957-, bass, Avondale
St. Landry Playboys, -- zydeco music -- St. Landry Playboys, zydeco musicCalvin Carrière, fiddle player, OpelousasPhillip Carrière, drummer, OpelousasJ.C. Gallow, 1944-, frottoir player, MamouR.L. Joubert, 1935-, guitar player, OpelousasNolton Semien, 1939-, accordion player, Church Point
White Cloud Hunters, -- Mardi Gras Indians -- White Cloud Hunters, Mardi Gras IndiansCharles Taylor, 1954-, "Chief", New OrleansKeith Barnes, 1956-, "Spyboy", New OrleansTony Guy, 1969-, "Lil' Chief", New OrleansGeorge Harden, 1955-, "Flagboy", New Orleans Lionel Oubichon, "Uncle Bird", 1925-1995, New OrleansAlbert Richardson, "Al", 1913-, New Orleans
Young Tuxedo Brass, -- New Orleans jazz -- Young Tuxedo Brass, New Orleans jazzCharles Barbarin, bass drum player, New OrleansLucien Barbarin, 1956-, tuba player, New OrleansDavid Grillier, tenor saxophone player, New OrleansScotty Hill, trombone player, New OrleansAwood Johnson, trombone player, New OrleansGreg Stafford, coronet player, New OrleansJoseph Torregano, clarinet player, New OrleansMichael White, clarinet player, New Orleans
Zion Travelers, -- old-time gospel -- Zion Travelers, old-time gospelAdo Dyson, 1926-2005, first tenor, Baton RougeJames Harvey, 1937-, baritone, Baton RougeJoel Harvey, 1913-1991, bass, Baton RougeRobert McKinnis, 1953-, first tenor, Baton RougeBurnell James Offlee, second tenor, lead, Baton Rouge
Oliver Anderson, 1926-1986, tap dancer, parade marshal, New Orleans
Curt Blackwell, old-time fiddler, Covington
Clifford Blake, cotton press caller, Natchitoches
Thomas Edison "Brownie" Ford, cowboy skills, ballads singer, Hebert
Pleasant "Cousin" Joseph, old-time blues piano player, New Orleans
Issac Mason, tap dancer, New Orleans
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1985 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
New York Airways Collection, Acc. NASM.1992.0052, National Air and Space Museum, Smithsonian Institution.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Sally K. Ride Papers, Acc. 2014-0025, National Air and Space Museum, Smithsonian Institution.
The impala is reddish-brown with white hair inside the ears, over each eye and on the chin, upper throat, underparts and buttocks. A narrow black line runs along the middle of the lower back to the tail, and a vertical black stripe appears on the back of each thigh. Impalas have unique brushlike tufts of black hair that cover a scent gland located just above the heel on each hind leg. Impalas are found at grassland and woodland edges, usually very close by water. The impala's social organization allows it to adapt to prevailing environmental conditions. When food is plentiful, males become territorial, shepherding females about their land. In dry periods, territories are abandoned as herds must travel farther to find food. Large, mixed tranquil herds of females and males form. This photograph was taken when Eliot Elisofon was on assignment for American Broadcasting Company and traveled to Africa from June 1966 to early August 1966.
Local Numbers:
V 4 MAM 8.2 EE 66
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
9
Frame value is 29.
Slide No. V 4 MAM 8.2 EE 66
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The impala is reddish-brown with white hair inside the ears, over each eye and on the chin, upper throat, underparts and buttocks. A narrow black line runs along the middle of the lower back to the tail, and a vertical black stripe appears on the back of each thigh. Impalas have unique brushlike tufts of black hair that cover a scent gland located just above the heel on each hind leg. Impalas are found at grassland and woodland edges, usually very close by water. The impala's social organization allows it to adapt to prevailing environmental conditions. When food is plentiful, males become territorial, shepherding females about their land. In dry periods, territories are abandoned as herds must travel farther to find food. Large, mixed tranquil herds of females and males form. This photograph was taken when Eliot Elisofon was on assignment for American Broadcasting Company and traveled to Africa from June 1966 to early August 1966.
Local Numbers:
V 4 MAM 8.3 EE 66
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
12
Frame value is 14.
Slide No. V 4 MAM 8.3 EE 66
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The impala is reddish-brown with white hair inside the ears, over each eye and on the chin, upper throat, underparts and buttocks. A narrow black line runs along the middle of the lower back to the tail, and a vertical black stripe appears on the back of each thigh. Impalas have unique brushlike tufts of black hair that cover a scent gland located just above the heel on each hind leg. Impalas are found at grassland and woodland edges, usually very close by water. The impala's social organization allows it to adapt to prevailing environmental conditions. When food is plentiful, males become territorial, shepherding females about their land. In dry periods, territories are abandoned as herds must travel farther to find food. Large, mixed tranquil herds of females and males form. This photograph was taken when Eliot Elisofon was on assignment for American Broadcasting Company and traveled to Africa from June 1966 to early August 1966.
Local Numbers:
V 4 MAM 8.5 EE 66
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
12
Frame value is 18.
Slide No. V 4 MAM 8.5 EE 66
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The impala is reddish-brown with white hair inside the ears, over each eye and on the chin, upper throat, underparts and buttocks. A narrow black line runs along the middle of the lower back to the tail, and a vertical black stripe appears on the back of each thigh. Impalas have unique brushlike tufts of black hair that cover a scent gland located just above the heel on each hind leg. Impalas are found at grassland and woodland edges, usually very close by water. The impala's social organization allows it to adapt to prevailing environmental conditions. When food is plentiful, males become territorial, shepherding females about their land. In dry periods, territories are abandoned as herds must travel farther to find food. Large, mixed tranquil herds of females and males form. This photograph was taken when Eliot Elisofon was on assignment for American Broadcasting Company and traveled to Africa from June 1966 to early August 1966.
Local Numbers:
V 4 MAM 8.6 EE 66
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
12
Frame value is 20.
Slide No. V 4 MAM 8.6 EE 66
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The impala is reddish-brown with white hair inside the ears, over each eye and on the chin, upper throat, underparts and buttocks. A narrow black line runs along the middle of the lower back to the tail, and a vertical black stripe appears on the back of each thigh. Impalas have unique brushlike tufts of black hair that cover a scent gland located just above the heel on each hind leg. Impalas are found at grassland and woodland edges, usually very close by water. The impala's social organization allows it to adapt to prevailing environmental conditions. When food is plentiful, males become territorial, shepherding females about their land. In dry periods, territories are abandoned as herds must travel farther to find food. Large, mixed tranquil herds of females and males form. This photograph was taken when Eliot Elisofon was on assignment for American Broadcasting Company and traveled to Africa from June 1966 to early August 1966.
Local Numbers:
V 4 MAM 8.7 EE 66
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
13
Frame value is 4.
Slide No. V 4 MAM 8.7 EE 66
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The impala is reddish-brown with white hair inside the ears, over each eye and on the chin, upper throat, underparts and buttocks. A narrow black line runs along the middle of the lower back to the tail, and a vertical black stripe appears on the back of each thigh. Impalas have unique brushlike tufts of black hair that cover a scent gland located just above the heel on each hind leg. Impalas are found at grassland and woodland edges, usually very close by water. The impala's social organization allows it to adapt to prevailing environmental conditions. When food is plentiful, males become territorial, shepherding females about their land. In dry periods, territories are abandoned as herds must travel farther to find food. Large, mixed tranquil herds of females and males form. This photograph was taken when Eliot Elisofon was on assignment for American Broadcasting Company and traveled to Africa from June 1966 to early August 1966.
Local Numbers:
V 4 MAM 9.0 EE 66
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
13
Frame value is 8.
Slide No. V 4 MAM 9.0 EE 66
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The impala is reddish-brown with white hair inside the ears, over each eye and on the chin, upper throat, underparts and buttocks. A narrow black line runs along the middle of the lower back to the tail, and a vertical black stripe appears on the back of each thigh. Impalas have unique brushlike tufts of black hair that cover a scent gland located just above the heel on each hind leg. Impalas are found at grassland and woodland edges, usually very close by water. The impala's social organization allows it to adapt to prevailing environmental conditions. When food is plentiful, males become territorial, shepherding females about their land. In dry periods, territories are abandoned as herds must travel farther to find food. Large, mixed tranquil herds of females and males form. This photograph was taken when Eliot Elisofon was on assignment for American Broadcasting Company and traveled to Africa from June 1966 to early August 1966.
Local Numbers:
V 4 MAM 9.3 EE 66
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
17
Frame value is 36.
Slide No. V 4 MAM 9.3 EE 66
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The impala is reddish-brown with white hair inside the ears, over each eye and on the chin, upper throat, underparts and buttocks. A narrow black line runs along the middle of the lower back to the tail, and a vertical black stripe appears on the back of each thigh. Impalas have unique brushlike tufts of black hair that cover a scent gland located just above the heel on each hind leg. Impalas are found at grassland and woodland edges, usually very close by water. The impala's social organization allows it to adapt to prevailing environmental conditions. When food is plentiful, males become territorial, shepherding females about their land. In dry periods, territories are abandoned as herds must travel farther to find food. Large, mixed tranquil herds of females and males form. This photograph was taken when Eliot Elisofon was on assignment for American Broadcasting Company and traveled to Africa from June 1966 to early August 1966.
Local Numbers:
V 4 MAM 9.7 EE 66
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
18
Frame value is 5.
Slide No. V 4 MAM 9.7 EE 66
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The impala is reddish-brown with white hair inside the ears, over each eye and on the chin, upper throat, underparts and buttocks. A narrow black line runs along the middle of the lower back to the tail, and a vertical black stripe appears on the back of each thigh. Impalas have unique brushlike tufts of black hair that cover a scent gland located just above the heel on each hind leg. Impalas are found at grassland and woodland edges, usually very close by water. The impala's social organization allows it to adapt to prevailing environmental conditions. When food is plentiful, males become territorial, shepherding females about their land. In dry periods, territories are abandoned as herds must travel farther to find food. Large, mixed tranquil herds of females and males form. This photograph was taken when Eliot Elisofon was on assignment for American Broadcasting Company and traveled to Africa from June 1966 to early August 1966.
Local Numbers:
V 4 MAM 10.1 EE 66
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
19
Frame value is 15.
Slide No. V 4 MAM 10.1 EE 66
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The impala is reddish-brown with white hair inside the ears, over each eye and on the chin, upper throat, underparts and buttocks. A narrow black line runs along the middle of the lower back to the tail, and a vertical black stripe appears on the back of each thigh. Impalas have unique brushlike tufts of black hair that cover a scent gland located just above the heel on each hind leg. Impalas are found at grassland and woodland edges, usually very close by water. The impala's social organization allows it to adapt to prevailing environmental conditions. When food is plentiful, males become territorial, shepherding females about their land. In dry periods, territories are abandoned as herds must travel farther to find food. Large, mixed tranquil herds of females and males form. This photograph was taken when Eliot Elisofon was on assignment for American Broadcasting Company and traveled to Africa from June 1966 to early August 1966.
Local Numbers:
V 4 MAM 10.3 EE 66
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
19
Frame value is 15.
Slide No. V 4 MAM 10.3 EE 66
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The impala is reddish-brown with white hair inside the ears, over each eye and on the chin, upper throat, underparts and buttocks. A narrow black line runs along the middle of the lower back to the tail, and a vertical black stripe appears on the back of each thigh. Impalas have unique brushlike tufts of black hair that cover a scent gland located just above the heel on each hind leg. Impalas are found at grassland and woodland edges, usually very close by water. The impala's social organization allows it to adapt to prevailing environmental conditions. When food is plentiful, males become territorial, shepherding females about their land. In dry periods, territories are abandoned as herds must travel farther to find food. Large, mixed tranquil herds of females and males form. This photograph was taken when Eliot Elisofon was on assignment for American Broadcasting Company and traveled to Africa from June 1966 to early August 1966.
Local Numbers:
V 4 MAM 10.5 EE 66
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
23
Frame value is 8.
Slide No. V 4 MAM 10.5 EE 66
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The impala is reddish-brown with white hair inside the ears, over each eye and on the chin, upper throat, underparts and buttocks. A narrow black line runs along the middle of the lower back to the tail, and a vertical black stripe appears on the back of each thigh. Impalas have unique brushlike tufts of black hair that cover a scent gland located just above the heel on each hind leg. Impalas are found at grassland and woodland edges, usually very close by water. The impala's social organization allows it to adapt to prevailing environmental conditions. When food is plentiful, males become territorial, shepherding females about their land. In dry periods, territories are abandoned as herds must travel farther to find food. Large, mixed tranquil herds of females and males form. This photograph was taken when Eliot Elisofon was on assignment for American Broadcasting Company and traveled to Africa from June 1966 to early August 1966.
Local Numbers:
V 4 MAM 10.8 EE 66
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
23
Frame value is 3.
Slide No. V 4 MAM 10.8 EE 66
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The impala is reddish-brown with white hair inside the ears, over each eye and on the chin, upper throat, underparts and buttocks. A narrow black line runs along the middle of the lower back to the tail, and a vertical black stripe appears on the back of each thigh. Impalas have unique brushlike tufts of black hair that cover a scent gland located just above the heel on each hind leg. Impalas are found at grassland and woodland edges, usually very close by water. The impala's social organization allows it to adapt to prevailing environmental conditions. When food is plentiful, males become territorial, shepherding females about their land. In dry periods, territories are abandoned as herds must travel farther to find food. Large, mixed tranquil herds of females and males form. This photograph was taken when Eliot Elisofon was on assignment for American Broadcasting Company and traveled to Africa from June 1966 to early August 1966.
Local Numbers:
V 4 MAM 11.0 EE 66
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
23
Frame value is 6.
Slide No. V 4 MAM 11.0 EE 66
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The impala is reddish-brown with white hair inside the ears, over each eye and on the chin, upper throat, underparts and buttocks. A narrow black line runs along the middle of the lower back to the tail, and a vertical black stripe appears on the back of each thigh. Impalas have unique brushlike tufts of black hair that cover a scent gland located just above the heel on each hind leg. Impalas are found at grassland and woodland edges, usually very close by water. The impala's social organization allows it to adapt to prevailing environmental conditions. When food is plentiful, males become territorial, shepherding females about their land. In dry periods, territories are abandoned as herds must travel farther to find food. Large, mixed tranquil herds of females and males form. This photograph was taken when Eliot Elisofon was on assignment for American Broadcasting Company and traveled to Africa from June 1966 to early August 1966.
Local Numbers:
V 4 MAM 11.2 EE 66
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
24
Frame value is 15.
Slide No. V 4 MAM 11.2 EE 66
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The impala is reddish-brown with white hair inside the ears, over each eye and on the chin, upper throat, underparts and buttocks. A narrow black line runs along the middle of the lower back to the tail, and a vertical black stripe appears on the back of each thigh. Impalas have unique brushlike tufts of black hair that cover a scent gland located just above the heel on each hind leg. Impalas are found at grassland and woodland edges, usually very close by water. The impala's social organization allows it to adapt to prevailing environmental conditions. When food is plentiful, males become territorial, shepherding females about their land. In dry periods, territories are abandoned as herds must travel farther to find food. Large, mixed tranquil herds of females and males form. This photograph was taken when Eliot Elisofon was on assignment for American Broadcasting Company and traveled to Africa from June 1966 to early August 1966.
Local Numbers:
V 4 MAM 11.3 EE 66
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
24
Frame value is 16.
Slide No. V 4 MAM 11.3 EE 66
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
