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Education, Massachusetts School of Art Records

Collection Creator:
Daley, William, 1925-2002  Search this
Container:
Box 1, Folder 22
Type:
Archival materials
Date:
1948-1950
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
William P. Daley papers, 1905-2004 (bulk 1951-2001). Archives of American Art, Smithsonian Institution.
See more items in:
William P. Daley papers
William P. Daley papers / Series 1: Biographical Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw935ac6cf4-6bfc-4509-99d8-e712a6569292
EDAN-URL:
ead_component:sova-aaa-dalewill-ref33

Notebook, (Perspective, Color, Design, Art Education), Massachusetts College of Art

Collection Creator:
Hallam, Beverly, 1923-2013  Search this
Container:
Box 7, Folder 32
Type:
Archival materials
Date:
1943
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Beverly Hallam Papers, 1899-2013. Archives of American Art, Smithsonian Institution.
See more items in:
Beverly Hallam papers
Beverly Hallam papers / Series 4: Writings / 4.3: Beverly Hallam Student Work
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f8dda7a4-543e-4aed-9d3a-c9975fa1f26d
EDAN-URL:
ead_component:sova-aaa-hallbeve-ref196

Teaching Material

Collection Creator:
Hallam, Beverly, 1923-2013  Search this
Extent:
0.7 Linear feet (Box 11)
Type:
Archival materials
Date:
circa 1944-1962
Scope and Contents:
Teaching materials date back to Hallam's earliest lessons delivered while obtaining her bachelor's degree of education Massachusetts College of Art, and include her work at Lassell Junior College and her tenure teaching at Massachusetts College of Art.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Beverly Hallam Papers, 1899-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hallbeve, Series 6
See more items in:
Beverly Hallam papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93b35dc18-8dfd-4985-8d9f-377bfef55a95
EDAN-URL:
ead_component:sova-aaa-hallbeve-ref6

Oral history interview with Dorothy Lake Gregory Moffett

Interviewee:
Moffett, Dorothy Lake Gregory, 1893-1975  Search this
Interviewer:
Brown, Robert F.  Search this
Extent:
1 Item (wav file (18 min.), digital)
11 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1972 Sept. 22
Scope and Contents:
An interview with Dorothy Lake Gregory Moffett conducted 1972 Sept. 22, by Robert F. Brown, for the Archives of American Art.
Biographical / Historical:
Dorothy Lake Gregory Moffett (1893-1975) was a painter, printmaker, and educator from Provincetown, Mass. Moffet was married to Ross Moffett.
General:
Originally recorded on 1 tape reel. Reformatted in 2010 as 1 digital wav file. Duration is 18 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Educators -- Massachusetts -- Provincetown  Search this
Painters -- Massachusetts -- Provincetown  Search this
Printmakers -- Massachusettes -- Provincetown  Search this
Topic:
Women artists  Search this
Women printmakers  Search this
Women painters  Search this
Women educators  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.moffet72
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw958391d40-99b7-41da-ba47-0c644e73ed08
EDAN-URL:
ead_collection:sova-aaa-moffet72
Online Media:

Tony Vevers papers

Creator:
Vevers, Tony  Search this
Names:
Long Point Gallery (Provincetown, Mass.)  Search this
Provincetown Art Association  Search this
Purdue University -- Faculty  Search this
Sun Gallery (Provincetown, Mass.)  Search this
Andersen, Yvonne  Search this
Dickinson, Edwin Walter, 1891-1978  Search this
Falcone, Dominic  Search this
Grooms, Red  Search this
Halvorsen, Elspeth  Search this
Hofmann, Hans, 1880-1966  Search this
L'Engle, Lucy, 1889-1978  Search this
L'Engle, William, 1884-1957  Search this
Motherwell, Robert  Search this
Smith, Houghton Cranford, 1887-1983  Search this
Stout, Myron, 1908-1987  Search this
Tworkov, Jack  Search this
Vevers, Tabitha  Search this
Webster, E. Ambrose (Edwin Ambrose), 1869-1935  Search this
Yamamoto, Gwen  Search this
Yamamoto, Taro  Search this
Extent:
3.4 Linear feet
Type:
Collection descriptions
Archival materials
Prints
Photographs
Portraits
Watercolor paintings
Place:
Provincetown (Mass.) -- Description and Travel
Date:
1947-2008
bulk 1960-1999
Summary:
The papers of painter and art historian Tony Vevers measure 3.4 linear feet and date from 1947 to 2008, with the bulk of materials dating from 1960 to 1999. The collection concerns his career as a painter and teacher and his research and writings about the history of art in Provincetown, Massachusetts. Found within the papers are correspondence, writings, subject files, printed material, and photographs.
Scope and Contents:
The papers of painter and art historian Tony Vevers measure 3.4 linear feet and date from 1947 to 2008, with the bulk of materials dating from 1960 to 1999. The collection concerns his career as a painter and teacher and his research and writings about the history of art in Provincetown, Massachusetts. Found within the papers are correspondence, writings, subject files, printed material, and photographs.

Among the biographical materials are résumés, a personal statement, the transcript of Tabitha Vevers's 1986 "Conversation with My Father," and applications for grants to study Provincetown artists and the history of the Provincetown art community from the 1920s to the 1950s. Personal and professional includes some letters to his wife Elspeth.

The collection as a whole—and especially Vevers's writings and subject files–focuses on the Provincetown art community, its history and significance. Vevers's writings include many lectures prepared for classes he taught at Purdue University and the Provincetown Art Association and Museum, catalog essays, and notes. There are notes and research materials about artists Houghton Cranford Smith, E. Ambrose Webster, Edwin Dickinson, and Lucy and William L'Engle, and subject files about the Provincetown Art Association and Museum, Long Point Gallery, and other galleries in the area, as well as a file of Provincetown-related obituaries and eulogies for Hans Hofmann, Robert Motherwell, and Jack Tworkov, with Vevers's eulogies for Tworkov and Myron Stout.

Printed materials consist mainly of clippings, exhibition catalogs and announcements relating to Vevers and his art interests. Artwork consists of a small print and watercolor, probably by Vevers, as well as a pen-and-ink portrait by an unidentified artist.

Photographs are mainly of artwork by Vevers. The two images of Vevers show him as a young boy and in 1984 at work in his studio. There are several photographs of exhibition installations at the Sun Gallery in Provincetown, 1958-1959, identified artists are: Yvonne Andersen, Dominic Falcone, Red Grooms, Taro and Gwen Yamamoto.
Arrangement:
The collection is arranged in 7 series:

Missing Title

Series 1: Biographical Materials, 1962-2000 (Box 1; 1 folder)

Series 2: Correspondence, 1950s-2006 (Box 1; 0.1 linear foot)

Series 3: Writings, 1947-2008 (Boxes 1-2; 1.9 linear feet)

Series 4: Subject Files, 1954-2006 (Boxes 2-3; 0.7 linear foot)

Series 5: Printed Material, 1960s-2008 (Boxes 3-4; 0.7 linear foot)

Series 6: Artwork, circa 1950s-circa 2005 (Box 4; 2 folders)

Series 7: Photographs, circa 1950s-1984 (Box 4; 0.1 linear foot)
Biographical / Historical:
Painter and art historian, Tony Vevers (1926-2008) and his artist wife Elspeth Halvorsen (b. 1929) lived and worked in Provincetown, Massachusetts, as year-round or summer residents from 1955 to 2006. From 1964 to 1988, Vevers taught art and art history at Purdue University in Indiana. An active participant in the Provincetown art community, he was also an historian of the Provincetown art scene.

Vevers was born in London, England and immigrated to the United States in 1940, graduating from the Hotchkiss School in Lakeville, Connecticut and Yale University. Following college he studied in Florence, Italy, and with Hans Hofmann in New York City, where he met his wife Elspeth Halvorsen. The couple had two daughters, one of whom, Tabitha is also an artist.

Vevers, active in the Abstract Expressionist movement, had several one-man exhibitions and participated in over one hundred group exhibitions. His works are in the Hirshhorn Museum in Washington, DC, the Delgardo Museum in New Orleans and many universities, corporate, and private collections in the United States and abroad.

Tony Vevers died in Chatham, Massachusetts on March 2, 2008 following complications from pneumonia.
Related Materials:
Also found in the Archives of American Arts are two oral history interviews with Tony Vevers, one conducted by Dorothy Seckler 1965 September 9, the second conducted by Robert F. Brown in 1998 July 9 and August 25.
Provenance:
The papers were donated to the Archives of American Art in 2013 by Elspeth Halvorsen-Vevers the widow of Vevers.
Restrictions:
Use of original materials requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Massachusetts -- Provincetown  Search this
Art historians -- Massachusetts  Search this
Topic:
Transcripts  Search this
Artists' studios -- Photographs  Search this
Art -- History -- Study and teaching  Search this
Art, Modern -- 19th century  Search this
Art -- Study and teaching  Search this
Abstract expressionism  Search this
Educators -- Massachusetts  Search this
Genre/Form:
Prints
Photographs
Portraits
Watercolor paintings
Citation:
Tony Vevers papers, 1947-2008, bulk 1960-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.vevetony
See more items in:
Tony Vevers papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97a6ef0cb-3446-4e9b-9d4d-c34188ac23c6
EDAN-URL:
ead_collection:sova-aaa-vevetony

Boston, Mass.: Young ladies of Simmons college selling toy balloons for the benefit of a Freshman fund. 5/22/26. 1896 photonegative

Publisher:
Underwood & Underwood  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (4" x 5")
Type:
Archival materials
Photographs
Place:
Boston (Mass.) -- 1920-1930
Massachusetts
Simmons College
Date:
1926
Local Numbers:
RSN 18376
General:
Currently stored in box 3.1.70 [227A].
Copy and Version Identification Note:
A-204
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
advertising -- 1890-1900 -- Massachusetts  Search this
Balloons -- Massachusetts  Search this
Education -- Massachusetts  Search this
Sports -- 1920-1930 -- Massachusetts  Search this
Students -- Massachusetts  Search this
Genre/Form:
Photographs -- 1900-1910 -- Black-and-white negatives -- Glass
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.1: Underwood and Underwood Negatives / RSN Numbers 18289-18412
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8b35bf717-8028-48f4-bed2-7377c65157d4
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref14803

Erudite, Entrancing Editors of "The Radcliffe Daily" take duties seriously. [photonegative]

Publisher:
Underwood & Underwood  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (4" x 5")
Type:
Archival materials
Photographs
Place:
Cambridge (Mass.)
Massachusetts
Radcliffe
Date:
9/29/1927
Scope and Contents:
[Three Radcliffe coed graduates pose outdoors in caps and gowns.] caption: "Cambridge Mass. - The ambitious and attractive editors of "The Radcliffe Daily," the new and interesting seven-times-a-week paper at Radcliffe College, are on the job and taking their arduous duties with becoming seriousness. They are, left to right, Charlotte Hickey, Frances Cooper, and Travas Small. Miss Hickey hails from Arlington, Mass., and Misses Cooper and Small are from Brookline, same state".
Local Numbers:
RSN 18538

Video number 17852
General:
Company catalog card included.
U&U caption in file box: 2010-A907.
Currently stored in box 3.1.71 [227B].
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Education -- Massachusetts  Search this
Commencement ceremonies -- Massachusetts  Search this
Students -- Massachusetts  Search this
Universities and colleges -- Massachusetts  Search this
Genre/Form:
Photographs -- 1920-1930 -- Black-and-white negatives -- Glass.
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.1: Underwood and Underwood Negatives / RSN Numbers 18538-18639
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8ddeef4c3-97bf-4492-968d-0f88199a7c16
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref14958

First woman to be head of a Boston school. [photonegative]

Publisher:
Underwood & Underwood  Search this
Names:
Dickson, Myrtle C.  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (4" x 5")
Type:
Archival materials
Photographs
Black-and-white negatives
Place:
Boston (Mass.) -- 1920-1930
Massachusetts
Date:
06/03/1926
Scope and Contents:
Caption: "Boston, Mass- Miss. Myrtle C. Dickson, is the first woman in Boston to be selected as head master of a Boston high school. The appointment carries with it a salary of {dollar}4464 with yearly increases until it is {dollar}5328. Photo shows Miss. Dickson with flowers presented to her by her pupils."
Local Numbers:
RSN 18555

Video number 17869
General:
Company catalog card included.
U&U caption in file box: 2020-A204.
Currently stored in box 3.1.71 [227B].
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Education -- Massachusetts  Search this
Portraits -- Massachusetts  Search this
Schools -- Massachusetts  Search this
Genre/Form:
Photographs -- 1920-1930 -- Black-and-white negatives -- Glass.
Black-and-white negatives -- Glass -- 1920-1930
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.1: Underwood and Underwood Negatives / RSN Numbers 18538-18639
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8ab3524d7-01e3-4ccd-b897-e843dec52b61
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref14974

[Seated woman posing in school in Massachusetts.] 2021 photonegative

Publisher:
Underwood & Underwood  Search this
Names:
Dickson, Myrtle C.  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (4" x 5")
Type:
Archival materials
Photographs
Black-and-white negatives
Place:
Boston (Mass.) -- 1920-1930
Massachusetts
Date:
1926
Local Numbers:
RSN 18558

Video number 17872
General:
Company catalog card included.
Currently stored in box 3.1.71 [227B].
Copy and Version Identification Note:
A-204
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Education -- Massachusetts  Search this
Portraits -- Massachusetts  Search this
Schools -- Massachusetts  Search this
Genre/Form:
Photographs -- 1920-1930 -- Black-and-white negatives -- Glass.
Black-and-white negatives -- Glass -- 1920-1930
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.1: Underwood and Underwood Negatives / RSN Numbers 18538-18639
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep811f8a265-30c5-4244-b4ac-8b199165241a
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref14977

It's freshman week at simmons college: rules are rules and surveillance is strict. [photonegative]

Publisher:
Underwood & Underwood  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (4" x 5")
Type:
Archival materials
Photographs
Place:
Boston (Mass.) -- 1920-1930
Massachusetts
Simmons College
Date:
10/04/1927
Scope and Contents:
Caption: "Boston Mass. - Meekly, with lowered heads, the Freshmen at Simmons are attending their classes, fearing to raise an eyebrow lest it be considered against the rules. Freshman week is on, and with it the youngest class is given definite rules a[s] to the behaviour which is deemed proper for 'green children.' Freshies are watched closely by the seniors, who are shown here inspecting rigidly. Photo shows, Left to right:- Helen Hunt, of Bridgewater Mass., Shimae Shimada, of Kobe Japan, Florence Aliber, of Keene, N.H., Miriam Finsterwald, of Detriot, Marian Hendrigues, of Havana, Cuba, and Elizabeth Drummond, of Auburn N.Y. The first and the last mentioned young ladies are seniors."
Local Numbers:
RSN 18560

Video number 17874
General:
Company catalog card included.
U&U caption in file box: 2022-A907.
Currently stored in box 3.1.71 [227B].
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Education -- Massachusetts  Search this
Students -- Massachusetts  Search this
Universities and colleges -- Massachusetts  Search this
Genre/Form:
Photographs -- 1920-1930 -- Black-and-white negatives -- Glass.
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.1: Underwood and Underwood Negatives / RSN Numbers 18538-18639
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8448485fd-acdd-42da-9e07-5f08091ac7f7
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref14979

Art school students construct weird masks and even their sweethearts wouldn't recognize 'em. [photonegative]

Publisher:
Underwood & Underwood  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (4" x 5".)
Type:
Archival materials
Photographs
Place:
Boston (Mass.) -- 1920-1930
Massachusetts
Veker George School
Date:
06/04/1926
Scope and Contents:
Caption: "Boston, Mass-- Girl art students of the Veker George School, as a part of their art course are taught how to make masks. They are shown here wih a trio of masks weird and fantastic. Left to right a Russian Peasant Mask; Queen Guenivere and a fantastic mask shown by students of the school."
Local Numbers:
RSN 18564

Video number 17876
General:
Company catalog card included.
U&U caption in file box: 2023-A204.
Currently stored in box 3.1.71 [227B].
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Art -- Massachusetts  Search this
Education -- Massachusetts  Search this
Masks -- Massachusetts  Search this
Students -- Massachusetts  Search this
Genre/Form:
Photographs -- 1920-1930 -- Black-and-white negatives -- Glass.
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.1: Underwood and Underwood Negatives / RSN Numbers 18538-18639
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep89de47aeb-c95f-47ed-bcb8-dcf23ddabd0e
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref14983

Brookline High School students in annual Class Day exercises. [photonegative]

Publisher:
Underwood & Underwood  Search this
Names:
Brookline High School (Brookline, Mass.)  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (4" x 5".)
Type:
Archival materials
Photographs
Place:
Boston (Mass.) -- 1920-1930
Massachusetts
Date:
06/06/1926
Scope and Contents:
Caption: "Boston Mass. - Photo shows: - The student body of Brookline High School leaving building in parade formation to participate in the Annual Class Day exercises. The girl seniors dressed in old fashioned costumes, whereas the undergrads dressed in the modern athletic type costume. Unlike other class days, there was no dancing of the quaint folk dances, but instead, the girls went thru a series of drills, and parades."
Local Numbers:
RSN 18610

Video number 17914
General:
Company catalog card included.
U&U caption in file box: 2024-A204.
Currently stored in box 3.1.71 [227B].
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Ceremonies -- Massachusetts  Search this
Education -- Massachusetts  Search this
Students -- Massachusetts  Search this
Genre/Form:
Photographs -- 1920-1930 -- Black-and-white negatives -- Glass.
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.1: Underwood and Underwood Negatives / RSN Numbers 18538-18639
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep839cfc5be-44fe-4d86-939c-b35a33500f76
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref15027

[Student outdoor ceremonies at Brookline High School in Massachusetts.] 2043 Photonegative

Publisher:
Underwood & Underwood  Search this
Names:
Brookline High School (Brookline, Mass.)  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (4" x 5")
Type:
Archival materials
Photographs
Place:
Boston (Mass.) -- 1920-1930
Massachusetts
Date:
1926
Local Numbers:
RSN 18613

Video number 17916
General:
Company catalog card included.
U&U caption in file box.
Currently stored in box 3.1.71 [227B].
Copy and Version Identification Note:
A-204
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Ceremonies -- Massachusetts  Search this
Education -- Massachusetts  Search this
Parades -- Massachusetts  Search this
Students -- Massachusetts  Search this
Genre/Form:
Photographs -- 1920-1930 -- Black-and-white negatives -- Glass.
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.1: Underwood and Underwood Negatives / RSN Numbers 18538-18639
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8796686ef-6c91-4dec-a45f-1bfb51c4dd86
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref15030

Dimitri Hadzi papers

Creator:
Hadzi, Dimitri, 1921-2006  Search this
Names:
Harvard University -- Faculty  Search this
Foundry, Nicci  Search this
Extent:
37.2 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Interviews
Sound recordings
Video recordings
Diaries
Motion picture film
Date:
1910s-2007
Summary:
The papers of Greek American sculptor and educator Dimitri Hadzi measure 37.2 linear feet and date from 1910s-2007, with the bulk of records dating 1936-2007. The collection documents Hadzi's career through biographical material such as education records, World War II files, and some interviews; correspondence with family, artists, art historians, architects, and professional organizations; diaries, notebooks, and other writings; exhibition, gallery and museum, teaching, and project files; personal business records; clippings, exhibition ephemera, invitations, and other printed material; photographs of Hadzi, events and exhibitions, installations, foundries, and studios; some artwork; and audio recordings and motion picture films.
Scope and Contents:
The papers of Greek American sculptor and educator Dimitri Hadzi measure 37.2 linear feet and date from 1910s-2007, with the bulk of records dating 1936-2007. The collection documents Hadzi's career through biographical material; correspondence; diaries, notebooks, and other writings; exhibition, gallery and museum, teaching, and project files; personal business records; printed material; photographs, some artwork, audio recordings, and motion picture films.

Biographical material includes files pertaining to Hadzi's education at Cooper Union (1946-1950) and Polytechnion in Athens, Greece (1950-1951) as well as his high school years at Brooklyn Technical High School (1936-1940); years enlisted in the Army Air Force (1942-1946); and his hobbies of music, mineral collecting, and geology. Also found are address books, honors and awards, interviews, and resumes. Hadzi's professional correspondents include artists, art historians, architects, and professional organizations. Also found is personal correspondence with family, friends, and acquaintances, most extensively during his years in the military.

Diaries and notebooks consist of memoranda books, travel logs, and annotated calendars. Writings include drafts, correspondence, and some printed material from Dimitri Hadzi (1996) by Peter Selz. Material gathered for his incomplete memoir, artist statements, and writings about Hadzi are also present.

Exhibition files shed light on various group and solo exhibitions of Hadzi's work. The files mostly consist of shipping records, correspondence, press releases and other printed matter, photographs, and loan documents. Gallery and museum files include loan and sale agreements, price lists, clippings, newsletters, shipping information, and some papers related to exhibitions.

Project files include sketches and blueprints, correspondence, legal documents, shipping information, and some audiovisual material regarding the installation of Hadzi's sculptures. The files also pertain to recasted sculptures, small-scale projects, and unexecuted commissions. Teaching Files include administrative correspondence, clippings, lecture and discussion notes, course descriptions, and correspondence from Hadzi's tenure as Visual and Environmental Studies professor at Harvard University. Papers related to instructor positions, employment opportunities, and lectures outside of Harvard are also present. Personal business records include sales, inventories, and other financial material; correspondence, shipping information, and price lists from foundries and material distributors; studio logs, correspondence, and notes.

Printed materials consist of exhibition invitations, announcements, post cards, and books; news clippings and articles; printed matter from special events, exhibitions of other artists, press releases, and newsletters. Photographs include portraits and snapshots of Hadzi, depicting him working in studios and foundries, at installation sites and events, and with his family. Also included are photographs of other artists, Hadzi's travel in Japan, and his artwork. Artwork found in this collection consists of six sketchbooks, several small drawings, and one woodblock.

Audiovisual material is extensive and includes documentation of the creation, installation, and exhibition of some of Hadzi's work. The majority of the footage centers on the creation and installation of the Thermopylae sculpture in front of the JFK Federal Building in Boston, Massachusetts in 1968.
Arrangement:
The collection is arranged as 13 series.

Series 1: Biographical Material, 1910s, bulk 1936-2004 (Box 1-3, 33; 2.7 linear feet)

Series 2: Correspondence, 1943-2007 (Box 3-6; 3 linear feet)

Series 3: Diaries and Notebooks, 1939-2006 (Box 6-9; 3 linear feet)

Series 4: Writing Files, 1945-2003 (Box 9; 10 folders)

Series 5: Exhibition Files, 1958-2002 (Box 9-10; 1.2 linear feet)

Series 6: Project Files, 1957-2002 (Box 11-15, 33; 4.7 linear feet)

Series 7: Teaching Files, 1955-2000 (Box 15-16; 12 folders)

Series 8: Museum and Gallery Files, 1947-2008 (Box 16-17; 1.8 linear feet)

Series 9: Personal Business Records, 1949-2007 (Box 17-20; 2.5 linear feet)

Series 10: Printed Material, 1949-2007 (Box 20-24, 33; 3.7 linear feet)

Series 11: Photographs, circa 1930s-2006 (Box 24-25, 33; 1.5 linear feet)

Series 12: Artwork, circa 1939-1998 (Box 25; 11 folders)

Series 13: Audiovisual Material (Box 26-40; 11.1 linear feet)
Biographical / Historical:
Dimitri Hadzi (1921-2006) was an Greek American sculptor who lived and worked in Rome from the 1950s to 1975, and then in Cambridge, Massachusetts from 1975 to 2006. Born to Greek immigrants, Hadzi attended Brooklyn Technical High School before enlisting in the Army Air Force in 1942. After the World War II, Hadzi studied painting and sculpture at Cooper Union and graduated with honors in 1950. He was awarded a Fulbright fellowship to study at the Polytechnion, Athens, Greece, and subsequently moved to Rome where he remained until the mid-1970s. Hadzi worked mostly with stone and bronze, from which he created semi-abstract shapes and structures drawn from his Greek heritage. His work was selected for the Venice Biennale in 1956, and and his first solo-exhibition came two years later at the Galeria Schneider, Rome, Italy. Throughout his career, Hadzi held solo exhibitions at the Massachusetts Institute of Technology, The Philips Collection, Athens Gallery in Greece, Rikugie Gallery in Japan, and many others. His group exhibitions include Recent Sculptor USA (1959), Museum of Modern Art, New York; Annual Exhibition, The Whitney Museum (1961); Seven Sculptors at Harvard, Harvard University (1983); and American Academy of Arts & Letters Centennial Portfolio, Pace Prints, New York (1998). Hadzi's public commissions include those at the Massachusetts Institute of Technology (1963), St. Paul's Church, Rome, Italy (1966-1976), Dallas Center, Texas (1980). His artwork is held in permanent collections of the Hirshhorn Museum and Scultpure Garden, Solomon R. Guggenheim Museum, Hakone Museum of Sculpture in Japan, and the Montreal Museum of Art, among others. Hadzi was professor of Visual and Environmental Studies at Harvard University from 1975-1989, and was named Professor Emeritus in 1989.
Provenance:
Donated 1989 and 1998 by Dimitri Hadzi and in 2008 and 2011 by Cynthia Hadzi, Dimitri Hadzi's widow.
Restrictions:
The collection is open for research. Archival audiovisual recordings must be digitized for research access. Researchers may access digitized audiovisual materials in the Archives' Washington, D.C. or New York, N.Y. Research Centers by appointment. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Educators -- Massachusetts -- Cambridge  Search this
Sculptors -- Italy -- Rome  Search this
Sculptors -- Massachusetts -- Cambridge  Search this
Topic:
Sculpture, Modern -- 20th century  Search this
World War, 1939-1945  Search this
Genre/Form:
Drawings
Interviews
Sound recordings
Video recordings
Diaries
Motion picture film
Citation:
Dimitri Hadzi papers, 1910s-2003. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hadzdimi
See more items in:
Dimitri Hadzi papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cee20746-bba7-4f55-9b4d-68aa26f19cc0
EDAN-URL:
ead_collection:sova-aaa-hadzdimi

Richard E. Filipowski papers

Creator:
Filipowski, Richard, 1923-2008  Search this
Names:
Bauhaus  Search this
Boston Arts Festival  Search this
Harvard University -- Faculty  Search this
Institute of Design (Chicago, Ill.)  Search this
Massachusetts Institute of Technology -- Faculty  Search this
Agoos, Herbert M., 1915-1992  Search this
Anderson, Lawrence B. (Lawrence Bernhart)  Search this
Belluschi, Pietro, 1899-1994  Search this
Davis, Stuart, 1892-1964  Search this
Eckbo, Garrett  Search this
Gropius, Walter, 1883-1969  Search this
Kepes, Gyorgy, 1906-2001  Search this
Kepes, Gyorgy, 1906-2001  Search this
Moholy-Nagy, László, 1895-1946  Search this
Extent:
4.1 Linear feet
Type:
Collection descriptions
Archival materials
Christmas cards
Photographs
Sketchbooks
Sketches
Slides (photographs)
Sound recordings
Date:
circa 1940-1998
Summary:
The papers of Massachusetts-based designer, sculptor, painter, filmmaker, and educator Richard E. Filipowski measure 4.1 linear feet and date from circa 1940 to 1998. The papers document his career through biographical material, correspondence, writings, teaching files, project files, printed material, photographic material, artwork, and a sound recording.
Scope and Contents:
The papers of Massachusetts-based designer, sculptor, painter, filmmaker, and educator Richard E. Filipowski measure 4.1 linear feet and date from circa 1940 to 1998. The papers document his career through biographical material, correspondence, writings, teaching files, project files, printed material, photographic material, artwork, and a sound recording.

Biographical material consists of a Bauhaus questionnaire, marriage license, various identification documents, Canadian selective service documents, resumes, and other miscellaneous material.

Correspondence mostly relates to Filipowski's teaching and sculpture, including letters from Herbert M. Agoos, Lawrence B. Anderson, Pietro Belluschi, Stuart Davis, Garrett Eckbo, Walter Gropius, Gyorgy Kepes, Laszlo Moholy-Nagy, and others.

Writings consist of Filipowski's lectures on art, notes, and other material. There is also one sound recording of a lecture.

Teaching files are mostly from the Institute of Design, Harvard University, and Massachusetts Institute of Technology. The series includes syllabi, faculty meeting minutes, notes and drafts for lectures, school catalogs and schedules, and files on student exhibitions and projects, including two films, Do Not Disturb and Hearts and Arrows.

Project files contain correspondence, business records, printed material, sketches and photographs on commissions in architecture, sculpture and furniture design. There are also files on programs which Filipowski assisted in planning and organizing, including the Boston Art Festival and a few exhibitions.

Printed material consists of exhibition catalogs, announcements, and clippings mostly about Filipowski.

Photographs, slides, and negatives are of Filipowski and others, sculpture, furniture designs, and works of art by his students from Harvard and MIT.

Art work includes sketches, sketchbooks, cardboard studies for sculptures, and Christmas card designs.
Arrangement:
This collection is arranged as eight series.

Series 1: Biographical Material, 1941-1974 (Box 1; 7 folders)

Series 2: Correspondence, 1941-1998 (Box 1, OV 6; 0.6 linear feet)

Series 3: Writings, 1951-1969 (Box 1; 0.4 linear feet)

Series 4: Teaching Files, 1943-1970 (Box 2, OV 6; 0.7 linear feet)

Series 5: Project Files, 1944-1976 (Boxes 2-3, OV 6-7; 0.6 linear feet)

Series 6: Printed Material, 1941-1989 (Box 3, OV 7; 0.4 linear feet)

Series 7: Photographic Material, circa 1940-1989 (Boxes 3-4, OV 8; 0.7 linear feet)

Series 8: Artwork, circa 1940-circa 1985 (Boxes 4-5, OV 6, 8; 0.7 linear feet)
Biographical / Historical:
Richard E. Filipowski (1923-2008) was a designer, sculptor, painter, filmmaker and educator mostly based in Massachusetts. Richard Filipowski was born in Poland in 1923 and he and his family moved to Ontario, Canada in 1927. He studied under Laszlo Moholy-Nagy at the Institute of Design (formerly known as the New Bauhaus) from 1942 to 1946 and taught there after graduating, 1946-1950. Filipowski was invited by Walter Gropius to organize and teach Design Fundamentals at Harvard University's Graduate School of Design where he stayed until 1952. He then taught as an Associate Professor of Visual Design in the Department of Architecture at the Massachusetts Institute of Technology, 1953-1989.

Filipowski also took on numerous commissions for sculptures and artwork. One especially noteworthy commission was a sculpture for an Ark created for the Temple B'Rith Kodesh in Rochester, New York. The sculpture was intricately wrought and welded from bronze and silver alloys and it remained a source of inspiration for other later sculptures and commissions which had a similar style of metal-working. Many of his works were also marked by his Bauhaus training. Filipowski passed away in 2008.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Richard E. Filipowski conducted by Roger Brown on September 25, 1989 through March 14, 1990.
Provenance:
The papers were donated to the Archives of American Art by Richard E. Filipowski in multiple installments from 1989 to 1998.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Art teachers -- Massachusetts  Search this
Design -- Study and teaching  Search this
Designers -- Massachusetts  Search this
Filmmakers -- Massachusetts  Search this
Painters -- Massachusetts  Search this
Sculptors -- Massachusetts  Search this
Topic:
Art -- Study and teaching  Search this
Art and industry  Search this
Industrial design  Search this
Educators -- Massachusetts  Search this
Industrial designers  Search this
Painting, Modern -- 20th century  Search this
Function:
Art commissions
Art festivals
Genre/Form:
Christmas cards
Photographs
Sketchbooks
Sketches
Slides (photographs)
Sound recordings
Citation:
Richard E. Filipowski papers, circa 1940-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.filirich
See more items in:
Richard E. Filipowski papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw922b24e6d-1307-4fb9-b848-aff2ef2acc1b
EDAN-URL:
ead_collection:sova-aaa-filirich

Reginald R. Isaacs papers

Creator:
Isaacs, Reginald R., 1911-  Search this
Names:
Bauhaus  Search this
Gropius, Walter, 1883-1969  Search this
Pollock, Jackson, 1912-1956  Search this
Extent:
22.54 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Scrapbooks
Exhibition catalogs
Writings
Photographs
Date:
circa 1842-1991
bulk 1928-1991
Summary:
The papers of Reginald R. Isaacs measure 22.54 linear feet and date from 1842 to 1991, with the bulk of the material from 1928 to 1991. The collection includes Isaacs's personal and professional papers, as well as extensive research material he collected and created for his two-volume biography, Walter Gropius: The Man and His Work.
Scope and Content Note:
The papers of of architect, instructor, writer, and city planner Reginald R. Isaacs (1911-1986) measure 22.54 linear feet and date from 1842 to 1991 with the bulk of the material dating from 1883 to 1985. The collection includes Isaacs's personal and professional papers, as well as extensive research material he collected and created for his two volume two-volume biography of Bauhaus architect, Walter Gropius: Walter Gropius: The Man and His Work. The bulk of Walter Gropius' papers are housed at the Busch Reisinger Museum at Harvard University, and the Bauhaus Archiv in Germany.

Series 1 to 12 contain contain biographical, legal, and financial material; personal and professional correspondence; project and subject files; writings and publications; teaching files; works of art; scrapbooks; printed material; and photographs relating to Isaacs' personal and professional career.

Series 13 forms the bulk of the collection and pertains specifically to the writing and publication of Isaacs' biography of Gropius. It contains research material, correspondence (much of it with Gropius), drafts of the manuscript, publication correspondence, photographs and illustrations, and printed material. Some of the research material, including some of the photographs and illustrations that were used in the biography, appear to have been original documents of Walter Gropius, while large portions of the material are photocopies of the originals, many of them in German.
Arrangement:
The collection is arranged into fourteen series. Glass plate negatives are housed separately and closed to researchers.

Missing Title

Series 1: Biographical Material, 1935-1986, undated (Boxes 1, 22; 8 folders)

Series 2: Legal Material, 1976-1984, undated (Box 1; 3 folders)

Series 3: Financial Material, 1945-1969 (Box 1; 2 folders)

Series 4: Correspondence, circa 1891, 1936-1986 (Boxes 1-2; 1.5 linear feet)

Series 5: Project Files, 1948-1980, undated (Box 2, OV 23; 0.5 linear feet)

Series 6: Subject Files, 1961-circa 1982, undated (Box 3; 2 folders)

Series 7: Writings, 1940-1986, undated (Boxes 3-4, 22; 2.0 linear feet)

Series 8: Teaching Files, 1954-1973 (Boxes 4-5; 1.0 linear foot)

Series 9: Works of Art, 1965-1967, undated (Box 5, OV 23; 3 folders)

Series 10: Scrapbooks, 1929-1969 (Box 5; 2 folders)

Series 11: Printed Material, 1842-1844, 1913-1986, undated (Box 5; 0.5 linear feet)

Series 12: Photographs, 1959-1981, undated (Boxes 5, 22; 7 folders)

Series 13: Walter Gropius Biography, circa 1880s-1991, undated (Boxes 6-22, OV 23, MGP 1, MGP 2, MGP 4; 16.0 linear feet)

Series 14: Unprocessed Addition, 1974-1985 (Box 24; 1.0 linear foot)
Biographical Note:
Born in Canada in 1911, Reginald R. Isaacs began working in architectural offices at age 14, later coming under the influence of "Beaux-Arts diplomes" at the University of Minnesota and Harvard and subsequently under that of Walter Gropius at Harvard University. He later studied sociology and planning at the University of Chicago under Louis Wirth and Rexford Guy Tugwell.

Isaacs served on the staffs of city planning commissions in Minneapolis, Syracuse, and Chicago, and in the federal government in the National Youth Agency, Public Housing Authority, and Housing and Home Finance Agency. His architectural practice in Minneapolis, Washington, D.C., Chicago, and other cities included the design of housing, colleges, and hospitals. He was director of planning and development for Michael Reese Hospital in Chicago, 1945-1953, where Walter Gropius, planner Walter Blucher, and sociologist Louis Wirth collaborated with him as consultants. He was a United Nations expert on regional planning in South America, and a planning consultant for the Ford Foundation, the U.S. State Department, Puerto Rico, and the Virgin Islands.

Recommended by Walter Gropius, Isaacs served as the Charles Dyer Norton Professor of Regional Planning at Harvard University from 1953-1978. He was also Chairman of the Graduate School of Design's Departments of City and Regional Planning as well as Landscape Architecture. Throughout his career he lectured at universities throughout the United States and in almost every country of Central and South America and in the Caribbean.

In 1962 Isaacs and Gropius began their collaboration on Walter Gropius: The Man and his Work, until the death of Gropius in 1969. The first volume of the biography was published in German in 1983, with the second volume following in 1984. Isaacs died of a massive heart attack in 1986, never realizing his goal to see an English-language edition which was published posthumously in 1991 by the Estate of Reginald Isaacs.

Missing Title

1911 -- Born in Winnipeg, Manitoba, Canada

1935 -- Received Bachelor of Architecture degree from the University of Minnesota

1939 -- Received Masters of Architecture degree from Harvard University, Graduate School of Design

1947-1950 -- Studied sociology and planning with Louis Wirth and Rexford Guy Tugwell at the University of Chicago

1945-1953 -- Director of planning at Michael Reese Hospital, Chicago, Illinois

1951-1953 -- Guest lecturer at Harvard University's Graduate School of Design with Walter Gropius and also served a two-year term as a member of the Board of Overseers Committee to Visit the Graduate School of Design

1953-1978 -- Named the Charles Dyer Norton Professor of Regional Planning

1953-1964 -- Chairman of the Department of City and Regional Planning

1953-1958 -- Chairman of the Department of Landscape Architecture

1962 -- Began collaboration with Walter Gropius on the biography Walter Gropius - The Man and his Work

1969 -- Walter Gropius dies

1983 -- Walter Gropius, Der Mensch und Sein Werk, Volume 1 published by Gebr. Mann Nerlag, Berlin

1984 -- Walter Gropius, Der Mensch und Sein Werk, Volume 2, published by Gebr. Mann Nerlag, Berlin

1986 -- Isaacs dies

1991 -- Walter Gropius: An Illustrated Biography of the Creator of the Bauhaus, published by the Estate of Reginald Isaacs. The Papers of Reginald R. Isaacs donated to the Archives of American Art by his son, Henry Isaacs.
Provenance:
The collection was donated to the Archives of American Art by Henry Isaacs, son of Reginald Isaacs, in January 1991. An additional 1.0 linear foot was donated by Merry White, daughter of Reginald Isaacs, in 1997.
Restrictions:
This collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Architecture and society  Search this
Schools of architecture  Search this
Architectural writing  Search this
Architecture, Modern  Search this
Architects and community  Search this
Architects and housing developers  Search this
Architects in government  Search this
Architects  Search this
International style (Architecture)  Search this
Authors  Search this
Industrial designers  Search this
City planning  Search this
Architecture, Modern -- 20th century  Search this
City planners  Search this
Educators -- Massachusetts  Search this
Genre/Form:
Sketches
Scrapbooks
Exhibition catalogs
Writings
Photographs
Citation:
Reginald R. Isaacs papers, circa 1842-1991, bulk 1928-1991. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.isaaregi
See more items in:
Reginald R. Isaacs papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99abacd2a-fa5c-419a-85f4-ac33498ce6c1
EDAN-URL:
ead_collection:sova-aaa-isaaregi
Online Media:

Gyorgy Kepes papers

Creator:
Kepes, Gyorgy, 1906-2001  Search this
Names:
Center for Advanced Visual Studies  Search this
Illinois Institute of Technology  Search this
Saidenberg Gallery  Search this
Triennale di Milano (Milan, Italy)  Search this
Arnheim, Rudolf  Search this
Bertoia, Harry  Search this
Blee, Michael  Search this
Boghosian, Varujan  Search this
Brazdys, Konslancija  Search this
Burgess, Lowry, 1940-  Search this
Burnham, Jack, 1931-  Search this
Calder, Alexander, 1898-1976  Search this
Chermayeff, Serge, 1900-  Search this
Dreyfuss, Henry, 1904-1972  Search this
Eames, Charles  Search this
Eames, Ray  Search this
Egawa, Kazuhiko  Search this
Entwhistle, Clive  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-  Search this
Gropius, Walter, 1883-1969  Search this
Hayter, Stanley William, 1901-1988  Search this
Hélion, Jean, 1904-1987  Search this
Johnson, Philip, 1906-2005  Search this
Kepes, Juliet  Search this
Kowalski, Piotry  Search this
Lynch, Kevin, 1918-1984  Search this
McLuhan, Marshall, 1911-1980  Search this
Mead, Margaret, 1901-1978  Search this
Moholy-Nagy, László, 1895-1946  Search this
Moholy-Nagy, Sibyl, 1905-  Search this
Nusberg, Lev, 1937-  Search this
Osborn, Robert Chesley, 1904-1994  Search this
Piene, Otto, 1928-  Search this
Read, Herbert Edward, Sir, 1893-1968  Search this
Richards, I. A. (Ivor Armstrong), 1893-1979  Search this
Rickey, George  Search this
Saarinen, Eero, 1910-1961  Search this
Sonfist, Alan  Search this
Steinberg, Saul  Search this
Tacha, Athena, 1936-  Search this
Takis, Vassilakis  Search this
Tange, Kenzō, 1913-  Search this
Thiel, Philip  Search this
Tovish, Harold, 1921-2008  Search this
Tsʻai, Wen-ying, 1928-  Search this
Wolff, Robert Jay, 1905-  Search this
Wurster, William Wilson  Search this
Zvilna, Jēkabs, 1913-1997  Search this
Faculty:
Massachusetts Institute of Technology  Search this
Extent:
21.2 Linear feet
Type:
Collection descriptions
Archival materials
Caricatures
Designs
Photographs
Sketchbooks
Sketches
Sound recordings
Place:
Times Square (New York, N.Y.)
Date:
1909-2003
bulk 1935-1985
Summary:
The papers of Hungarian-born artist, art theorist, and educator, Gyorgy Kepes, measure 21.2 linear feet and date from 1909-2003, with the bulk of the material dating from the 1935-1985. The papers document Kepes's career as an artist and educator, and as founder of the Center for Advanced Visual Studies (CAVS) at the Massachusetts Institute of Technology (M.I.T.), through biographical material, correspondence, writings by Kepes and others, project files, exhibition files, printed material, sketchbooks, artwork, sound recordings and motion picture films, and photographic material.
Scope and Contents:
The papers of Hungarian-born artist, art theorist, and educator, Gyorgy Kepes, measure 21.2 linear feet and date from 1909-2003, with the bulk of the material dating from the 1935-1985. The papers document Kepes's career as an artist and educator, and as founder of the Center for Advanced Visual Studies (CAVS) at the Massachusetts Institute of Technology (M.I.T.), through biographical material, correspondence, writings by Kepes and others, project files, exhibition files, printed material, sketchbooks, artwork, sound recordings and motion picture films, and photographic material.

Correspondence provides a wide range of documentation on all aspects of Kepes's career including his collaborations and friendships with artists, architects, writers, scientists, and fellow educators including Rudolf Arnheim, Alexander Calder, Henry Dreyfuss, Charles and Ray Eames, Clive Entwhistle, R. Buckminster Fuller, Walter Gropius, S. W. Hayter, Jean Hélion, Laszlo and Sibyl Moholy-Nagy, Lev Nussberg, Robert Osborn, George Rickey, Saul Steinberg, Kenzo Tange, Robert Jay Wolff, and Jekabs Zvilna. Correspondence also documents the evolution of Kepes's vision for the Center for Advanced Visual Studies, which he established in 1967, and his subsequent leadership of CAVS at M.I.T. Records document his collaborations with students and fellows including Lowry Burgess, Jack Burnham, Piotry Kowalski, Margaret Mead, Otto Piene, Alan Sonfist, Athena Tacha, Vassilakis Takis, Philip Thiel, Harold Tovish, and Wen-Ying Tsai. Correspondents also include people who contributed to Kepes's Vision + Value series, including Michael Blee, Kazuhiko Egawa, Jean Hélion, and others. Correspondence includes three motion picture films, including what appears to be an early version of Powers of Ten by Charles and Ray Eames.

Writings include notes and manuscripts for articles and essays in which Kepes explored ideas evident in his books The New Landscape and Language of Vision, and submitted to publications such as Daedalus, Design, Domus, and Leonardo. Writings also include manuscripts for lectures, and draft manuscripts documenting Kepes's collaborative work with fellow M.I.T. professor Kevin Lynch on city planning, which culminated in Lynch's research project "The Perceptual Form of the City."

A small group of "Times Square Project" files documents Kepes's proposal for a lightscape in Times Square that was ultimately not realized.

Teaching files include sound recordings of circa five symposia and discussions held at M.I.T., the Illinois Institute of Technology, and elsewhere, some featuring Kepes and including Philip Johnson, Eero Saarinen and others.

Exhibition files include documentation of three exhibitions, including Light as a Creative Medium (1968) and a Kepes exhibition at Saidenberg Gallery (1968). They also record Kepes's involvement in designing the 1968 Triennale di Milano.

Printed material includes a substantial collection of announcements and catalogs for Kepes exhibitions, lectures, and other events, and includes catalogs and announcements for scattered exhibitions of his wife, artist and illustrator, Juliet Kepes. Clippings from newspapers and magazines include articles about Kepes, and contain some copies of published writings and designs by him. The series also includes sound recordings and motion picture films containing original material for a CBS television series "The 21st Century," probably as part of the episode "Art for Tomorrow," which appear to feature M.I.T. fellows Jack Burnham and Vassilakis Takis. Another motion picture film of an Italian documentary "Operazione Cometa" can also be found here.

Two sketchbooks contain pen and ink and painted sketches by Kepes. Artwork by Kepes includes original poster designs, caricatures, and many pencil, and pen and ink sketches and paintings on paper and board, including designs for stained glass. Artwork by others includes ink on mylar sketches by D. Judelson and Konstancija Brazdys, and a sketch by Harold Tovish. Also found are circa seventeen motion picture films and four sound recordings, the majority of which are untitled and by unidentified artists, but include films by M.I.T. fellows Otto Piene, Vassilakis Takis, Philip Thiel, Harold Tovish, Wen-Ying Tsai, and others.

Photographs are of Kepes, Juliet Kepes, and other family members; students, colleagues, and friends, including R. Buckminster Fuller, Serge Chermayeff, Harry Bertoia, Varujan Boghosian, Alexander Calder, Marchall McLuhan, Margaret Mead, Herbert Read, I. A. Richards, Saul Steinberg, and William Wurster; and of Kepes in his studio. There are also photos of exhibition installations in which Kepes's work appeared or which he designed, and photos of his artwork and of images for publications which he wrote or edited. Photos by others include artwork by established artists and work by students, as well as photographs arranged by subjects such as cityscapes, forms found in nature, light patterns, mechanical devices, and photomicrographs. A collection of lantern slides with similar content to the photos of artwork and photos by subject is also found in this series and includes a lantern slide of Picasso creating a design with light.
Arrangement:
The collection is arranged as eleven series.

Series 1: Biographical Material, circa 1940-circa 1980 (0.25 linear feet; Boxes 1, 28)

Series 2: Correspondence, 1936-1984 (5.7 linear feet; Boxes 1-7, 28 OV 33, FCs 39-41)

Series 3: Interviews and Transcripts, 1954-1970 (4 folders; Box 7)

Series 4: Writings and Notes, 1948-circa 1980s (1.4 linear feet; Boxes 7-8, 28)

Series 5: Times Square Project Files, 1972-1974 (6 folders; Box 9)

Series 6: Teaching Files Sound Recordings, circa 1953-1972 (0.7 linear feet; Box 9)

Series 7: Exhibition Files, 1958-1973 (0.4 linear feet; Boxes 9-10)

Series 8: Printed Material, circa 1922-1989 (3.6 linear feet; Boxes 10-12, 28-29, OVs 35, 37, FCs 42-49)

Series 9: Sketchbooks, circa 1940s-circa 1970s (2 folders; Box 12)

Series 10: Artwork and Moving Images, circa 1924-2003 (2.5 linear feet; Boxes 12, 13, OVs 33-36, 38, FCs 50-62)

Series 11: Photographs, 1909-1988 (10.4 linear feet; Boxes 13-32)
Biographical / Historical:
Painter, designer, art theorist, and educator, Gyorgy Kepes (1906-2001), was born in Selyp, Hungary, and studied at the Royal Academy of Fine Arts, Budapest. He worked with Moholy-Nagy in Berlin and London before joining him at the New Bauhaus (later the Chicago Institute of Design) in 1937.

Kepes taught courses at the New Bauhaus from 1937 to 1945, and published Language of Vision in 1944, summarizing the educational ideas and methods he had developed during his time at the institute. In 1946 he accepted a teaching position at the Massachusetts Institute of Technology (M.I.T.) where he initiated a program in visual design.

In 1956 Kepes published The New Landscape in Art and Science, in which he presented images from nature that were newly accessible due to developments in science and technology, and explored his ideas for a common language between science and the visual arts.

In 1965, these ideas were apparent in Kepes's proposal of an expanded visual arts program at M.I.T., which would "build new as yet undetermined bridges between art and engineering and science," according to the minutes of an M.I.T. Art Committee meeting in March of that year. Kepes's vision dovetailed with M.I.T.'s vested interest in promoting the arts, and faculty and administrators were open to the argument that "The scientific-technical enterprise needs schooling by the artistic sensibilities." In 1967, they appointed Kepes Director of M.I.T.'s Center for Advanced Visual Studies (CAVS).

Kepes retired from the regular faculty at M.I.T. in 1967, to focus on his role as director of CAVS, where he worked to provide artists with opportunities for exploring new artistic forms on a civic scale through a working dialogue with scientists and engineers. Early fellows of the center included Maryanne Amacher, Joan Brigham, Lowry Burgess, Jack Burnham, Piotry Kowalski, Otto Piene, Vassilakis Takis, and Wen-Ying Tsai.

In 1965-1966 Kepes edited a six-volume series entitled Vision + Value, published by George Braziller, Inc. Each volume featured essays that centered around a core theme: The Education of Vision; Structure in Art and Science; The Nature and Art of Motion; Module, Symmetry, Proportion, Rhythm; Sign, Image, Symbol; and Man-Made Object. Contributions came from prominent artists, designers, architects, and scientists of the time including Rudolf Arnheim, Saul Bass, Marcel Breuer, John Cage, R. Buckminster Fuller, Johannes Itten, Marshall McLuhan, and Paul Rand.

Kepes experimented widely with photography, producing abstract images through the application of fluids and objects to photographic paper. He also took commercial work throughout his career, producing designs for all kinds of objects, including books and stained glass windows for churches. He returned to painting in the 1950s, and his development as a painter continued throughout his career at M.I.T., where he remained until his retirement in 1974, and beyond. His paintings, which were abstract and often incorporated organic shapes and hints of landscapes, can be found in museums such as the Brooklyn Museum of Art, the Corcoran Gallery of Art, and the Whitney Museum of American Art.

Kepes received many awards during his lifetime, including a Guggenheim Fellowship (1958); the Gold Star Award of the Philadelphia College of Art (1958); the National Association of Art Colleges Annual Award (1968); the California College of Art Award (1968); and the Fine Arts Medal from the American Institute of Architects (1968). In 1973 he was elected into the National Academy of Design as an associate member, and became a full academician in 1978. He was a member of the National Institute of Arts and Letters and Fellow of the American Academy of Arts and Sciences.
Related Materials:
Additional papers of Gyorgy Kepes can be found at Stanford University and the Massachusetts Institute of Technology Center for Advanced Visual Studies Special Collection.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reel 1211) including ninety-eight letters to Kepes from colleagues, 1946-1974. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Gyorgy Kepes lent papers for microfilming in 1974 and donated material to the Archives of American Art in a series of gifts between 1974 and 1993.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Rights:
Authorization to publish, quote, or reproduce requires written permission from Juliet Kepes Stone or Imre Kepes. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Philosophy  Search this
Artists' studios--Photographs  Search this
City planning  Search this
Educators--Massachusetts--Cambridge  Search this
Motion pictures (visual works)  Search this
Genre/Form:
Caricatures
Designs
Photographs
Sketchbooks
Sketches
Sound recordings
Citation:
Gyorgy Kepes papers, 1909-2003, bulk 1935-1985. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kepegyor
See more items in:
Gyorgy Kepes papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f863f285-f429-48f1-ba6e-fb74702c12ba
EDAN-URL:
ead_collection:sova-aaa-kepegyor

Nancy Spero interview

Creator:
Lanier, Jessica  Search this
Names:
Swarthmore College  Search this
Spero, Nancy, 1926-2009  Search this
Extent:
50 Items
Type:
Collection descriptions
Archival materials
Interviews
Date:
circa 1976-circa 1984
Summary:
The Nancy Spero interview dates from circa 1976-circa 1984 and comprises 50 items. The collection consists of a transcript of an interview conducted with Nancy Spero by Jessica Lanier in 1984, and related printed material regarding Spero and feminist art.
Scope and Contents:
The Nancy Spero interview dates from circa 1976-circa 1984 and comprises 50 items. The collection consists of a transcript of an interview conducted with Nancy Spero by Jessica Lanier in 1984, and related printed material regarding Spero and feminist art. Lanier's interview focuses on how Spero's life as an artist relates to her life as a woman, a wife, and a mother. The audio recording of the interview is not included in the collection.
Arrangement:
Due to the small size of the collection the papers are arranged as one series.
Biographical / Historical:
Jessica Lanier is a Professor of Art History at Salem State University, and a scholar in the area of aesthetics, gender, and trade during the Early Republic. She conducted this interview with Nancy Spero as part of her senior art history project at Swarthmore College. The interview was facilitated by Paul Golub, Spero's son and Lanier's close friend.
Related Materials:
The Archives of American Art also holds the papers of Nancy Spero, an oral history interview of Nancy Spero conducted 2008 February 6-July 24 by Judith Olch Richards, and the papers of Spero's husband, Leon Golub.
Provenance:
Donated in 2021 by Jessica Lanier.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Educators -- Massachusetts  Search this
Topic:
Women artists  Search this
Feminism and art  Search this
Genre/Form:
Interviews
Citation:
Nancy Spero interview, circa 1976-circa 1984
Identifier:
AAA.lanijess
See more items in:
Nancy Spero interview
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94828c5b6-cd26-4594-88e8-fa3eb475e477
EDAN-URL:
ead_collection:sova-aaa-lanijess

Patricia Hills papers

Creator:
Hills, Patricia  Search this
Names:
Women's Caucus for Art  Search this
Lawrence, Jacob, 1917-2000  Search this
Neel, Alice, 1900-1984  Search this
Sargent, John Singer, 1856-1925  Search this
Stevens, May  Search this
Extent:
39.1 Linear feet
0.113 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Date:
circa 1900-2015
bulk 1968-2009
Summary:
The papers of art historian, curator, and educator Patricia Hills measure 39.1 linear feet and 0.113 GB and date from circa 1900-2015, bulk 1968-2009. Central to this collection are project files documenting professional work that resulted in lectures, publications, exhibitions, art history courses on numerous artists including Alice Neel, Jacob Lawrence, May Stevens, Rudolf Baranik, and John Singer Sargent. These files and files documenting Hills's tenure at the Whitney Museum of American Art include planning documents, research files, correspondence, manuscripts and accompanying publications, as well as other printed materials. Some of this material is in digital format. The collection also contains correspondence with art historians, artists, curators, and others, notably Lawrence Alloway, Lowery Stokes Sims, Lucy R. Lippard, T.J. Clark, Leon Golub, and Donald Kuspit; professional files documenting grants and residencies awarded and consulting work; artist and subject files; other writings; and printed and digital material. Membership and affiliation records document Hills' service to the profession, including Women's Caucus for Art and the Visual Culture/Art History Caucus of the American Studies Association.
Scope and Contents:
The papers of art historian, curator, and educator Patricia Hills measure 39.1 linear feet and 0.113 GB and date from circa 1900-2015, bulk 1968-2009. Central to this collection are project files documenting professional work that resulted in lectures, publications, exhibitions, art history courses on numerous artists including Alice Neel, Jacob Lawrence, May Stevens, Rudolf Baranik, and John Singer Sargent. These files and files documenting Hills's tenure at the Whitney Museum of American Art include planning documents, research files, correspondence, manuscripts and accompanying publications, as well as other printed materials. Some material is in digital format. The collection also contains correspondence with art historians, artists, curators, and others, notably Lawrence Alloway, Lowery Stokes Sims, Lucy R. Lippard, T.J. Clark, Leon Golub, and Donald Kuspit; professional files documenting grants and residencies awarded and consulting work; artist and subject files; other writings; and printed and digital material. Membership and affiliation records document Hills' service to the profession, including Women's Caucus for Art and the Visual Culture/Art History Caucus of the American Studies Association.
Arrangement:
The collection is arranged as 12 series.

Series 1: Correspondence, circa 1958-2019 (2.6 Linear Feet; Boxes 1-2, 25)

Series 2: Project Files, circa 1900-2011 (15.2 Linear Feet; Boxes 3-13, 25-30, OV24, 0.041 GB; ER01-ER02)

Series 3: Whitney Museum Files, circa 1900-2015, bulk 1973-1987 (4.1 Linear Feet; Boxes 13-16, 30)

Series 4: Boston University Files, circa 1974-2015 (1.3 linear feet; Boxes 30-31)

Series 5: Professional Files, circa 1959-2019 (2.4 linear feet; Boxes 17-18, 32)

Series 6: Membership and Affiliation Records, circa 1969-2013 (2 linear feet; Boxes 18-20, 32)

Series 7: Museum of Fine Arts Restructuring Files, circa 1997-2005 (1.2 linear feet; Boxes 32-33)

Series 8: Writings, circa 1962-2019 (5.4 linear feet; Boxes 20-21, 34-38, 0.068 GB; ER03, ER05)

Series 9: Teaching Files, circa 1974-2019 (0.9 linear feet; Box 39)

Series 10: Artist Files, circa 1958-2014 (0.9 Linear Feet; Box 21)

Series 11: Subject Files, circa 1961-2007 (1 Linear Feet; Box 22, 0.004 GB; ER04)

Series 12: Printed Material, circa 1970-2010 (1 Linear Feet; Box 23)
Biographical / Historical:
Patricia Hills (1936-) is an art historian, curator, and Professor Emerita of American Art and African American Art at Boston University. Hills obtained a B.A. from Stanford University in Modern European Literature, an M.A. from Hunter College in 1968, where she was advised by Leo Steinberg, and her PhD. from New York University's Institute of Fine Arts. Hills worked as Associate and later Adjunct Curator of 18th and 19th Century American Art at the Whitney Museum of American Art from 1972 until 1987. During that time she organized exhibitions including John Singer Sargent (1986) while progressively becoming more invested as an educator, with teaching positions at Hunter College and the Institute of Fine Arts. In February 2011 she received the Distinguished Teaching of Art History award from the College Art Association.

Hills served as the Director of the Boston University Art Gallery from 1980-1989, and began her tenure in the art history department as Associate Professor in 1978. She was co-founder of the Boston Chapter of the Women's Caucus for Art and was highly active in the College Art Association and American Studies Association. She has held fellowships at numerous institutions including the W.E.B. DuBois Institute for African and African American Research at Harvard University, the Smithsonian American Art Museum, the Georgia O'Keeffe Museum Research Center, and the Gilder Lehrman Institute of American History.

As a principal author she is responsible for organizing a number of monograph and exhibition catalog publishing efforts including Painting Harlem Modern: The Art of Jacob Lawrence (2010), May Stevens (2005), Eastman Johnson: Painting America (co-authored, 1999), John Singer Sargent (1986), Alice Neel (1983), Social Concern and Urban Realism: American Painting of the 1930s (1983), Turn-of-the-Century America: Paintings, Graphics, Photographs, 1890-1910 (1977), The Painters' America: Rural and Urban Life, 1810-1910 (1974), and The American Frontier: Images and Myths (1973). In addition, Patricia Hills has authored numerous articles for art publications, served as reviewer for College Art Association's CAA Reviews, and has contributed greatly as a peer reviewer and editor. From 1990 to 1999, she served as series editor for six books in the Cambridge Studies in American Visual Culture series, published by Cambridge University Press.
Provenance:
Donated in 2006, 2018 and 2019 by Patricia Hills.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Writings by Patricia Hills: The donor has retained all intellectual rights, including copyright, that she may own.
Occupation:
Educators -- Massachusetts -- Boston  Search this
Art historians -- Massachusetts -- Boston  Search this
Museum curators -- New York (State) -- New York  Search this
Topic:
African American artists  Search this
Art, American -- 19th century  Search this
Art -- Political aspects  Search this
Women artists  Search this
Women educators  Search this
Women art historians  Search this
Women museum curators  Search this
Citation:
Patricia Hills Papers, circa 1900-2019, bulk 1968-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hillspat
See more items in:
Patricia Hills papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94c3f79a5-92b6-4d74-8ddb-d1957923a415
EDAN-URL:
ead_collection:sova-aaa-hillspat

William Wyman papers

Creator:
Wyman, William, 1922-1980  Search this
Names:
Alfred University  Search this
Columbia University  Search this
Friedrich, Maria  Search this
Pappas, Marilyn  Search this
Extent:
6.8 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Sketchbooks
Sound recordings
Interviews
Date:
1914-2015
bulk 1946-1992
Summary:
The papers of ceramicist, educator, and sculptor William Wyman measure 6.8 linear feet and date from 1914 to 2015 with the bulk of the collection dating from 1946 to 1992. The collection documents Wyman's career through biographical materials, including a sound recording, personal and professional correspondence, writings and notes including notes on Wyman's glaze formulas, professional activity files documenting Wyman's exhibitions, projects, and teaching, personal business records documenting sales and consignments, printed material about Wyman's career, personal photographs and photos of works of art, and some artwork including sketchbooks.
Scope and Contents:
The papers of ceramicist, educator, and sculptor William Wyman measure 6.8 linear feet and date from 1914 to 2015 with the bulk of the collection dating from 1946 to 1992.

Biographical materials consist of address and appointment books, diplomas and certificates, identification and military records, and a sound recording of a conversation between Wyman and his apprentice Pamela Hoss. Correspondence is between Wyman and his wife Lisbeth Wyman, his partner Marilyn Pappas, colleagues, curators and collectors, and galleries regarding exhibitions, teaching, apprentices, and personal relationships.

Writings and notes include Wyman's glaze formulas, notebooks kept by Wyman while attending Columbia and Alfred Universities, and a few writings by others. Wyman's professional activity files include exhibition, membership, project, and teaching files. Personal business records include sales and consignment records, records of sales to collector Sandra Grotta, income and expense books, artwork transaction books, Maria Friedrich and the Impressions Gallery records, and files regarding Wyman's estate and other legal records.

Printed materials primarily relate to Wyman's exhibitions and career. Photographic materials include photos of Wyman and colleagues, personal photographs, and photos of works of art, along with three photo albums relating to Wyman's artwork and his time in the U.S. Marines during World War II. Artwork found in the collection includes a few prints, seven sketchbooks, drawings, and sketches of ceramics projects, portraits, figure drawings, and structural drawings.

Collection material created after Wyman's death was managed by Pappas and typically relates to articles about his career, sales and exhibitions of his artwork, and other business affairs.
Arrangement:
The collection is arranged as eight series.

Series 1: Biographical Materials, 1922-1992 (0.5 linear feet; Box 1)

Series 2: Correspondence, 1914-2015 (0.8 linear feet; Boxes 1-2)

Series 3: Writings and Notes, 1949-1980 (0.8 linear feet; Boxes 2-3, 8)

Series 4: Professional Activity Files, circa 1950-2014 (0.3 linear feet; Box 2, OV 10)

Series 5: Personal Business Records, 1946-2011 (2.0 linear feet; Boxes 2-4)

Series 6: Printed Materials, 1948-2001 (0.5 linear feet; Boxes 4-5, 8)

Series 7: Photographic Materials, circa 1939-circa 1980 (1.2 linear feet; Boxes 5-6, 8)

Series 8: Artwork, 1929-1979 (0.7 linear feet; Boxes 6-7, OV 9)
Biographical / Historical:
William Wyman (1922-1980) was a ceramicist, educator, and sculptor active in Massachusetts.

Wyman was born in Boston in 1922. After serving in World War II as a U.S. Marine, he enrolled in the Massachusetts College of Art graduating in 1950. He went on to receive his Master of Arts degree from Columbia University in 1951 and later attended Alfred University during their 1953 summer session. Wyman became a professional ceramicist after finishing his education, establishing Herring Run Pottery with Michael Cohen in 1962. In 1965, Wyman spent three months in Honduras as a consultant for the Agency for International Development (A.I.D.) to develop pottery. Wyman was later inspired by the Mayan ruins he saw in Honduras to create works he called "temples."

Wyman taught at the University of Maryland, DeCordova Museum, Massachusetts College of Art, School of the Museum of Fine Arts, Boston, and Florida International University, and was also an instructor for numerous workshops held across the country. From 1975 to 1978, Wyman was the recipient of National Endowment for the Arts grants to procure apprentices and to fund ceramic and sculpture projects.

Wyman died of a brain tumor in 1980.
Related Materials:
Also in the Archives of American Art is an oral history interview of Michael Cohen, cofounder of Herring Run Pottery, conducted August 11, 2001 at his home in Pelham, M.A. by Gerry Williams for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Provenance:
The William Wyman papers were donated in 1982, 1983, and 2017 by Marilyn R. Pappas, Wyman's friend and partner.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Ceramicists -- Massachusetts  Search this
Sculptors -- Massachusetts  Search this
Educators -- Massachusetts  Search this
Topic:
Ceramics  Search this
Genre/Form:
Drawings
Sketchbooks
Sound recordings
Interviews
Citation:
William Wyman papers, 1914-2015. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.wymawill
See more items in:
William Wyman papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw964f23e07-678c-4a88-86f3-3b52ce378e95
EDAN-URL:
ead_collection:sova-aaa-wymawill

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