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Saul Zalesch collection of artists' letters and documents

Collector:
Zalesch, Saul E.  Search this
Names:
Brooklyn Art Association  Search this
Society of American Artists  Search this
Baldridge, C. LeRoy  Search this
Bearden, Romare, 1911-1988  Search this
Bellows, George, 1882-1925  Search this
Benton, Thomas Hart, 1889-1975  Search this
Betts, Louis, 1873-1961  Search this
Bishop, Isabel, 1902-1988  Search this
Champney, James Wells, 1843-1903  Search this
Church, Frederic Edwin, 1826-1900  Search this
Church, Frederick S. (Frederick Stuart), 1842-1924  Search this
Doughty, Thomas, 1793-1856  Search this
Duveneck, Frank, 1848-1919  Search this
Duveneck, Josephine W. (Josephine Whitney), 1891-1978  Search this
Fenollosa, Ernest Francisco, 1853-1908  Search this
Foster, Ben, 1852-1926  Search this
Gardner, Isabella Stewart, 1840-1924  Search this
Gropper, William, 1897-1977  Search this
Hassam, Childe, 1859-1935  Search this
Henri, Robert, 1865-1929  Search this
Indiana, Robert, 1928-  Search this
La Farge, John, 1835-1910  Search this
La Farge, John, 1835-1910  Search this
Lage, William Potter  Search this
Lichtenstein, Roy, 1923-1997  Search this
Lippold, Richard, 1915-2002  Search this
Martin, Homer Dodge, 1836-1897  Search this
Merry, C. M.  Search this
Millet, Francis Davis, 1846-1912  Search this
Opper, Frederick Burr, 1857-1937  Search this
Pennell, Joseph, 1857-1926  Search this
Redfield, Edward Willis, 1869-1965  Search this
Rogers, John, 1829-1904  Search this
Sargent, John Singer, 1856-1925  Search this
Stankiewicz, Richard, 1922-1983  Search this
Story, Franklin H.  Search this
Story, William Wetmore, 1819-1895  Search this
Sully, Thomas, 1783-1872  Search this
Teal, William P.  Search this
Vedder, Elihu, 1836-1923  Search this
Weir, Julian Alden, 1852-1919  Search this
Williams, Gluyas, 1888-  Search this
Extent:
58 Items ((portions microfilmed on 1 reel))
Type:
Collection descriptions
Archival materials
Date:
1834-1973
Scope and Contents:
Artists' letters and documents collected by Zalesch and letters written to him in response to inquiries concnering autographs and biographical information.
REEL 3097: Twenty-six letters (1845-1973) written by George Bellows, Thomas Hart Benton, Isabel Bishop, Frederick Stuart Church, Thomas Doughty, Ernest Fenollosa, Ben Foster, Isabella Stewart Gardner, Childe Hassam, Robert Henri, John La Farge, Homer Dodge Martin, Joseph Pennell, Edward Willis Redfield, John Rogers, John Singer Sargent, Richard Stankiewicz, Thomas Sully, and Elihu Vedder. Also included are a Harvard University bond for William Wetmore Story's tuition signed by Franklin H. Story (1834) and a biographical questionnaire completed by John La Farge for The Cyclopedia of American Biography (1925).
UNMICROFILMED: Letters written by Roy Lichtenstein, William Gropper, Gluyas Williams, Ordway Partridge, Frederick Burr Opper, James Wells Champney, C. Gray Parker, Ben Foster, Louis Betts, Cyrus Le Roy Baldridge, Richard Lippold, Romare Bearden, Isabel Bishop, Thomas Hart Benton, Richard Stankiewicz, and others; a brochure for a work of art by Robert Indiana; a certificate from The Brooklyn Art Association for one share of capital stock in the name of William Potter Lage; one page of correspondence documenting a decision made for the Society of American Artists containing a note from Francis D. Millet to J. Alden Weir, followed by a note from Weir to Frederic Church, signed "O.K." by Church.
Vol. XXVI, no. 5, Feb. 1924 periodical, Old Hughes, published by the students of Hughes High school in Cincinnati, Ohio containing a published exchange of letters between principal C. M. Merry and Josephine W. Duveneck, daughter-in-law of painter Frank Duveneck about the Hughes High School purchasing a painting by Duveneck, and a reminiscence of Duveneck by William P. Teal, head of the art department at Hughes High School.
Biographical / Historical:
Saul Zalesch, an art historian, began collecting artists' letters around 1981.
Provenance:
This collection of letters was lent for microfilming by Zalesch in 1984 (reel 3097). Zalesch donated an additional three letters in 1993, twenty-five in 1999, one letter in 2008, and a publication in 2009.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- United States  Search this
Topic:
Art, American  Search this
Identifier:
AAA.zalesaul
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-zalesaul

Theodore Wores papers

Creator:
Wores, Theodore, 1858-1939  Search this
Names:
Bohemian Club (San Francisco, Calif.)  Search this
Duveneck, Frank, 1848-1919  Search this
Gray, Percy, 1869-1952  Search this
Keith, William, 1838-1911  Search this
Peck, Orrin, 1860-1921  Search this
Peters, Charles Rollo, 1862-1928  Search this
Russel, Alexander, Mrs  Search this
Sandona, Matteo, b. 1883  Search this
Shenson, A. Jess  Search this
Tilden, Douglas, 1860-1935  Search this
Extent:
296 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1881-1967
Scope and Contents:
Letters received, 1884-1967, concern Wores' art work, the Bohemian Club, the work of sculptor Douglas Tilden, and other matters. William Keith writes of his own work and choice of subject matter. Other correspondents include Orrin Peck, Frank Duveneck, Charles Rollo Peters, Mrs. Alexander Russel, Matteo Sandona, and Percy Gray. In addition, there are two scrapbooks, 1881-1938; a typescript of CALIFORNIA ART RESEARCH, 1937-Abstract from WPA Project 2874, which is a monograph on Wores with penciled corrections by him; and 5 articles from THE CENTURY ILLUSTRATED MAGAZINE, 1889-1899, 4 of them written by Wores, and 1 illustrated by him.
Biographical / Historical:
Landscape painter, portrait painter, illustrator, teacher. Year of birth also cited as 1860. Born in San Francisco, resided many places.
Provenance:
Lent for microfilming April 1974 by A. Jess Shenson, M.D., along with his brother Ben who spent many years researching Wores.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Portrait painters  Search this
Illustrators  Search this
Landscape painters  Search this
Topic:
Painting, Modern -- 19th century -- United States  Search this
Painting, Modern -- 20th century -- United States  Search this
Identifier:
AAA.woretheo
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-woretheo

Bessie Hoover and Herman Henry Wessel papers

Creator:
Wessel, Bessie Hoover, 1889-1973  Search this
Wessel, Herman Henry, 1878-1969  Search this
Names:
Duveneck, Frank, 1848-1919  Search this
Extent:
140 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1914-1972
Scope and Contents:
Mostly photographs of portraits by Bessie Wessel. Also included is a scrapbook of clippings about the Wessels, articles on Frank Duveneck and the Cincinnati Art Club (of which Herman Wessel was president), a biography of Bessie Wessel, three sketches by Herman Wessel, two typed class lectures by Robert Henri, and miscellany.
Biographical / Historical:
Painters; Cincinnati, Ohio. The Wessels studied under Frank Duveneck and others at the Cincinnati Art Academy. Herman Wessel was also an etcher and instructor.
Provenance:
Lent 1974 by Robert Wessel, the Wessels' son.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Art teachers -- Ohio -- Cincinnati  Search this
Painters -- Ohio -- Cincinnati  Search this
Portrait painters -- Ohio -- Cincinnati  Search this
Topic:
Women painters -- Ohio -- Cincinnati  Search this
Identifier:
AAA.wessbess
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-wessbess

Edwin Coupland Shaw papers

Creator:
Shaw, Edwin Coupland, 1863-1941  Search this
Names:
Akron Art Institute  Search this
Carrig-Rohane Shop (Boston, Mass.)  Search this
E.& A. Milch, Inc  Search this
Ferargil Galleries  Search this
Gorham Company. Dept. of Sculpture (New York, N.Y.)  Search this
Grand Central Art Galleries  Search this
Hatfield & Clark (Firm: Chicago, Ill.)  Search this
Howard Young Galleries (New York, N.Y.)  Search this
J.W. Young (Gallery)  Search this
M. Knoedler & Co.  Search this
Macbeth Gallery  Search this
Montross Gallery  Search this
R.C. & N.M. Vose (Firm)  Search this
Robert C. Vose Galleries  Search this
Thomas Whipple Dunbar Art Galleries (Milwaukee, Wis.)  Search this
Thurber Art Galleries (Chicago, Ill.)  Search this
Barrie, Erwin S., 1886-1983  Search this
Batts, J. E.  Search this
Beckwith, J. Carroll (James Carroll), 1852-1917  Search this
Benson, Frank Weston, 1862-1951  Search this
Blakelock, Ralph Albert, 1847-1919  Search this
Carlsen, Emil, 1853-1932  Search this
Chase, William Merritt, 1849-1916  Search this
Cole, Timothy, 1852-1931  Search this
Daingerfield, Elliott, 1859-1932  Search this
Dallin, Cyrus E. (Cyrus Edwin), 1861-1944  Search this
Davis, Charles H. (Charles Harold), 1856-1933  Search this
Davis, Warren, 1865-1928  Search this
Derujinsky, Gleb W., 1888-1975  Search this
Dewey, Charles M., 1849-1937  Search this
Dewing, Thomas Wilmer, 1851-1938  Search this
Dougherty, Paul, 1877-1947  Search this
Dunbar, Thomas Whipple  Search this
Duveneck, Frank, 1848-1919  Search this
Eaton, Charles Warren, 1857-1937  Search this
Frieseke, Frederick C. (Frederick Carl), 1874-1939  Search this
Fuller, George, 1822-1884  Search this
Genth, Lillian Mathilde, 1876-1953  Search this
Gerrity, Thomas F., 1873-1935  Search this
Hassam, Childe, 1859-1935  Search this
Hatfield, D. H.  Search this
Hawthorne, Charles Webster, 1872-1930  Search this
Hunt, William Morris, 1824-1879  Search this
Inness, George, 1825-1894  Search this
Johansen, John C. (John Christen), 1876-1964  Search this
Konti, Isidore, 1862-1938  Search this
La Farge, John, 1835-1910  Search this
Lathrop, William Langson, 1859-1938  Search this
MacMonnies, Frederick William, 1863-1937  Search this
MacNeil, Hermon Atkins, 1866-1947  Search this
Metcalf, Willard Leroy, 1858-1925  Search this
Milch, Albert, 1881-1951  Search this
Minns, Hervey W.  Search this
Montross, N. E. (Newman E), 1849-1932  Search this
Murphy, Hermann Dudley, 1867-1945  Search this
Murphy, John Francis, 1853-1921  Search this
Price, F. Newlin (Frederic Newlin)  Search this
Proctor, Alexander Phimister, 1862-1950  Search this
Purdy, W. Frank, 1865-1943  Search this
Ranger, Henry Ward, 1858-1916  Search this
Ritschel, William, 1864-1949  Search this
Russell, T. H. (Thomas H)  Search this
Russman, Felix, 1888-1962  Search this
Ryder, Albert Pinkham, 1847-1917  Search this
Sellstedt, Lars Gustaf, 1819-1911  Search this
Sherman, Frederic Fairchild, 1874-1940  Search this
Shonnard, Eugenie Frederica, 1886-1978  Search this
Torrey, Elliot, 1867-1949  Search this
Tryon, Dwight William, 1849-1925  Search this
Turner, Helen Maria, 1858-1958  Search this
Twachtman, John Henry, 1853-1902  Search this
Vedder, Elihu, 1836-1923  Search this
Vonnoh, Bessie Potter, 1872-1955  Search this
Vonnoh, Robert William, 1858-1933  Search this
Walker, Horatio, 1858-1938  Search this
Weir, Julian Alden, 1852-1919  Search this
Williams, Frederick Ballard, 1871-1956  Search this
Wolf, Henry, 1852-1916  Search this
Young, J. W.  Search this
Extent:
3 microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1864-1937
Scope and Contents:
Correspondence with dealers, artists, museums, publishers, photography studios, and others regarding art purchases, loans, and Shaw's collection; and 16 v. of scrapbooks containing photographs, letters, and biographical information on artists. Much of the correspondence with artists relates to Shaw's requests for the information which was then used in the scrapbooks. Also included is one volume compiled in 1947 outlining the contents of the scrapbooks.
REELS 1124-1125: 16 vol. of scrapbooks, 1864-1930, relating to artists represented in Shaw's collection, containing letters, many from artists, photographs of artists and their work, biographical data, clippings and articles, and comments on their work; and 1 v., "Notes: Edwin C. Shaw Collection of Paintings," compiled in 1947, and annotated "Used at Women's Art League Meeting at Miss Shaw's in 1947 by Mrs. [Jane S.] Barnhardt, who compiled it, and then given to the Art Institute Library," containing an outline of the contents of the 16 v. of scrapbooks.
Artists represented in the scrapbooks include J. Carroll Beckwith, Frank W. Benson, Ralph Blakelock, Emil Carlsen, William Merritt Chase, Timothy Cole, Elliott Daingerfield, Cyrus B. Dallin, Charles Davis, Warren Davis, Gleb Derujinsky, Charles M. Dewey, Thomas W. Dewing, Paul Dougherty, Frank Duveneck, Charles Eaton, Frederick Frieseke, George Fuller, Lillian Genth, Childe Hassam, Charles Hawthorne, William Morris Hunt, George Inness, John Johansen, Isidore Konti, John La Farge, William Lathrop, Frederick MacMonnies, Hermon A. MacNeil, Willard Metcalf, Herman Dudley Murphy, J. Francis Murphy, A. Phimister Proctor, Henry Ward Ranger, William Ritschel, Felix Russmann, Albert P. Ryder, Eugenie F. Shonnard, Lars Gustaf Sellstedt, Elliot Torrey, Dwight Tryon, Helen M. Turner, John Twachtman, Elihu Vedder, Bessie P. Vonnoh, Robert Vonnoh, Horatio Walker, J. Alden Weir, Frederick Ballard Williams, Henry Wolf and "The Ten."
REEL 4597: Correspondence, ca. 1916-1941, concerning art acquisitions with dealers Erwin S. Barrie of Grand Central Art Galleries; Thomas Whipple Dunbar; Frederic Newlin Price and T.H. Russell of Ferargil Galleries; W. Frank Purdy of the Gorham Co. Dept. of Sculpture and later the School of American Sculpture; D.H. Hatfield of Hatfield & Clark; Thomas Gerrity of M. Knoedler & Co.; Robert Macbeth, Robert McIntyre and Henry Miller of the Macbeth Gallery; Albert Milch of E.& A. Milch, Inc.; Newman Montross of Montross Gallery; J.E. Batts of the Thurber Art Galleries; Robert C. Vose of R.C. & N.M. Vose and Vose Galleries, and their frame shop, Carrig-Rohane; Howard Young of Howard Young Galleries; and J.W. Young; correspondence with artists and/or their families requesting the artist's portrait, biographical information and background, including letters from Elliot Daingerfield, Charles Dewey, Thomas Wilmer Dewing, John C. Johansen, Willard Leroy Metcalf, Hervey W. Minns, Hermann Dudley Murphy, A.P. Proctor, Eugenie Shonnard, Elliot Torrey, Dwight W. Tryon, Helen M. Turner, and Horatio Walker, and the families of J. Carroll Beckwith, George Inness, Lars Gustaf Sellstedt, John Henry Twachtman and J. Alden Weir; correspondence with the Dayton Art Museum and the Metropolitan Museum of Art regarding works lent for exhibition; with publisher Frederic Fairchild Sherman; with photography studios; and other miscellaneous correspondence.
Biographical / Historical:
Art collector; Akron, Ohio. Shaw, a BF Goodrich executive and avid collector of post-Civil War American art, was one of the founders of the Akron Art Institute, now the Akron Art Museum.
Provenance:
Lent for microfilming 1976 and 1992 by the Akron Art Museum. Shaw bequethed his art collection and papers to the Museum, then named the Akron Art Institute.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Topic:
Art, American -- Collectors and collecting  Search this
Ten American Painters (New York, N.Y.)  Search this
Art -- Collectors and collecting  Search this
Function:
Art galleries, Commercial -- United States
Identifier:
AAA.shawedwi
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-shawedwi

John Rettig papers

Creator:
Rettig, John, 1858-1932  Search this
Names:
Duveneck, Frank, 1848-1919  Search this
Potthast, Edward, 1857-1927  Search this
Rodin, Auguste, 1840-1917  Search this
Extent:
900 Items ((on 1 microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
[ca. 1840-1965]
Scope and Contents:
Biographical materials including passport, business card, and membership cards; correspondence, ca. 1887-1965, including letters from Frank Duveneck and Auguste Rodin; writings; inventories of works of art; lists of picture owners and exhibition visitors; list of contents of his Dutch room in Ohio; one painting by Rettig and a sketch of Rettig by Edward Henry Potthast; 2 sketchbooks; financial records, ca. 1902-1909; exhibition catalogs, ca. 1896-1965; 15 reproductions of his art works; 5 theater programs featuring Rettig's set designs; newspaper clippings and magazine articles featuring Rettig and others, ca. 1840-1957; printed miscellany; and photographs of Rettig in his studios, in Holland with his models, and of his art work.
Biographical / Historical:
Painter, set designer; Cincinnati, Ohio. Best known for his elaborate set designs and Dutch paintings. Attended the Cincinnati Art School receiving a diploma in decorative design in 1875. Traveled widely and utilized knowledge gained abroad for the creation of his historical shows, such as "The Fall of Babylon" and "Montezuma or the Conquest of Mexico." Some were produced under contract with Barnum and Bailey. During the latter part of his life, he and his wife frequently visited Volendam, Holland; sights there figure in his paintings of the period. After years of collecting Dutch artifacts, the Rettigs created an authentic Dutch room in their home in Ohio.
Provenance:
Lent for microfilming 1985 by Elizabeth Youssef, niece of Rettig.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Designers -- Ohio -- Cincinnati  Search this
Painters -- Ohio -- Cincinnati  Search this
Identifier:
AAA.rettjohn
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-rettjohn

James C. Nichols scrapbooks

Creator:
Nichols, James C.  Search this
Names:
Chaffee, Oliver Newberry, 1881-1944  Search this
Currier, J. Frank (Joseph Frank), 1843-1909  Search this
Duveneck, Frank, 1848-1919  Search this
Homer, Winslow, 1836-1910  Search this
James McNeill Whistler, 1834-1903  Search this
Juergens, Alfred, 1866-1934  Search this
Sargent, John Singer, 1856-1925  Search this
Twachtman, John Henry, 1853-1902  Search this
Extent:
0.6 Linear feet ((on 2 microfilm reels))
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
1885-1975
Scope and Contents:
Scrapbooks containing printed material, photographs and correspondence relating to Oliver Newberry Chaffee and Alfred Juergens.
REEL 991: Two scrapbooks compiled by Nichols on Alfred Juergens including correspondence between Nichols and Juergens concerning his work, and between Nichols and Francis Tikalsky, Juergens' biographer and friend, mentioning Frank Currier, Frank Duveneck, Winslow Homer, John Singer Sargent and James McNeill Whistler, and letters to Juergens from A. Chatain and J.H. Guest; biographical information; photographs of Juergens, his wife, his work, of Currier and his work and of Duveneck's portrait of Currier; sketches from Munich and Rothenberg (not all microfilmed); lists of works in exhibitions and collections; and clippings and obituaries.
REEL 2299: A scrapbook compiled by Nichols in 1975 on Oliver Newberry Chaffee containing mainly photocopies of: letters to Chaffee and Nichols; exhibition catalogs and clippings; biographical material; 3 photographs of paintings by Chaffee; and a list of paintings.
Biographical / Historical:
Art dealer; Kalamazoo, Michigan.
Provenance:
The two Juergens scrapbooks were lent for microfilming by Nichols in 1975. He later donated it with the Chaffee scrapbook in 1979. The Juergens scrapboook was assembled in preparation for an exhibition. [Some of the Juergens sketches were not microfilmed.]
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art dealers -- Michigan -- Kalamazoo  Search this
Painters -- Germany -- Munich  Search this
Topic:
Painting, Modern -- 20th century -- Massachusetts -- Provincetown  Search this
Painting, Modern -- 20th century -- United States  Search this
Genre/Form:
Scrapbooks
Identifier:
AAA.nichjame
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-nichjame

Frank Duveneck papers

Creator:
Duveneck, Frank, 1848-1919  Search this
Names:
Beatty, John W. (John Wesley), 1851-1924  Search this
Couper, William, 1853-1942  Search this
Duveneck, Elizabeth Boott, 1846-1888  Search this
French, Daniel Chester, 1850-1931  Search this
Hunt, William Morris, 1824-1879  Search this
Rolshoven, Julius, 1858-1930  Search this
Shirlaw, Florence M.  Search this
Welch, Thaddeus, 1844-1919  Search this
Wores, Theodore, 1858-1939  Search this
Extent:
0.2 Linear feet ((on a partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1845-1919
Scope and Contents:
Correspondence, 1845-1919, of Duveneck and his wife, Elizabeth Boott Duveneck. Included are two letters from Duveneck to Theodore Wores and 7 letters from Julius Rolshoven. Other correspondents include John W. Beatty, William Couper, Daniel Chester French, Mrs. Walter Shirlaw, and Thad Welch. Many of the letters from Elizabeth Boott were written from Europe, including 11 to William Morris Hunt's painting class (1876-1880), and a lengthy account of her travels written to her father (1881).
Biographical / Historical:
Painter and teacher; Munich, Germany and Cincinnati, Ohio. Married his student, Elizabeth Boott, 1886. Following her death in 1888, Duveneck returned to the United States to teach at the Cincinnati Art Academy.
Provenance:
Donated 1974 by Cincinnati Historical Society; photocopies discarded after microfilming.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Art teachers  Search this
Painters  Search this
Topic:
Munich school of painting  Search this
Painting, American  Search this
Identifier:
AAA.duvefrap
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-duvefrap

Photograph of Frank Duveneck

Creator:
Duveneck, Frank, 1848-1919  Search this
Extent:
1 Item ((on a partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
circa 1918
Scope and Contents:
One 11" x 15" black and white profile portrait of Frank Duveneck. The photograph is accompanied by a cancelled check (1918) signed by Duveneck and affixed to the bottom of the photograph.
Biographical / Historical:
Painter and teacher; Munich, Germany and Cincinnati, Ohio. Born in Covington, Kentucky, he used the surname Decker until 1886. He began his career painting in midwestern Catholic churches. In 1870, Duveneck went to Munich, where he shared a studio with William Merritt Chase, studied with Wilhelm von Diez, and was influenced by the style of the Munich School. After travel to Venice and America, Duveneck opened his own school in Munich and in the Upper Bavarian village of Polling in 1878. His students, known as the "Duveneck Boys", included Otto Bacher, Julius Rolshoven, John Twachtman, and Herman Wessel. He married one of his students, Elizabeth Boott, in 1886. Following his wife's death in 1888, Duveneck returned to the United States to teach at the Cincinnati Art Academy.
Provenance:
Donated by Freda Schutze.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art teachers  Search this
Painters  Search this
Identifier:
AAA.duvefrph
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-duvefrph

Albert Duveen art reference files

Creator:
Duveen, Albert  Search this
Names:
Centurion (Firm)  Search this
Holland House Corporation of the Netherlands  Search this
Alexander, Francis, 1800-1880  Search this
Allston, Washington, 1779-1843  Search this
Bartlett, W. H. (William Henry), 1809-1854  Search this
Ben-Zion  Search this
Birch, Thomas, 1779-1851  Search this
Blackburn, Joseph, fl. 1753-1763  Search this
Blakelock, Ralph Albert, 1847-1919  Search this
Blauvelt, Charles F., 1824-1900  Search this
Blume, Peter, 1906-1992  Search this
Branchard, Emile Pierre, 1881-1938  Search this
Browere, A. D. O. (Alburtis Dell Orient), 1814-1887  Search this
Brown, John George, 1831-1913  Search this
Buddington, Jonathan  Search this
Buttersworth, James Edward, 1817-1894  Search this
Carter, Dennis Malone, 1827-1881  Search this
Cassatt, Mary, 1844-1926  Search this
Catlin, George, 1796-1872  Search this
Chabor, Moura  Search this
Chagall, Marc, 1887-1985  Search this
Chambers, Thomas, b. 1807 or 8  Search this
Charlot, Jean, 1898-1979  Search this
Cole, Thomas, 1801-1848  Search this
Constable, John, 1776-1837  Search this
Cope, George, 1855-1929  Search this
Copley, John Singleton, 1738-1815  Search this
Crawford, Ralston, 1906-1978  Search this
Cropsey, Jasper Francis, 1823-1900  Search this
Cézanne, Paul, 1839-1906  Search this
Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this
Despiau, Charles, 1874-1946  Search this
Detre, Roland, 1903-  Search this
Dibble, Thomas R. (Thomas Reilly), 1898-  Search this
Donati, Enrico, 1909-2008  Search this
Doriani, William, 1891-  Search this
Doughty, Thomas, 1793-1856  Search this
Drew-Bear, Jessie, 1877?-1962  Search this
Duncanson, Robert S., 1821-1872  Search this
Durand, Asher Brown, 1796-1886  Search this
Durrie, George Henry, 1820-1863  Search this
Duveneck, Frank, 1848-1919  Search this
Duyckinck, Evert A. (Evert Augustus), 1816-1878  Search this
Eakins, Thomas, 1844-1916  Search this
Eichholtz, Jacob, 1776-1842  Search this
Eilshemius, Louis M. (Louis Michel), 1864-1941  Search this
Elliott, Charles Loring, 1812-1868  Search this
Field, Robert, 1769?-1819  Search this
Ganso, Emil, 1895-1941  Search this
Gargallo, Pablo, 1881-1934  Search this
Gelb, Jan, 1906-1978  Search this
Gillman, Paul  Search this
Gullager, Christian  Search this
Hall, George Henry, 1825-1913  Search this
Harding, Chester, 1792-1866  Search this
Harnett, William Michael, 1848-1892  Search this
Harvey, George W., 1855-  Search this
Hays, William Jacob, 1830-1875  Search this
Healy, G. P. A. (George Peter Alexander), 1813-1894  Search this
Henry, Edward Lamson, 1841-1919  Search this
Hesselius, John, 1728-1778  Search this
Hicks, Edward, 1780-1849  Search this
Hicks, Thomas, 1823-1890  Search this
Homer, Winslow, 1836-1910  Search this
Hudson, Samuel Adams, 1813-1894  Search this
Huntington, Daniel, 1816-1906  Search this
Inman, Henry, 1801-1846  Search this
Inness, George, 1825-1894  Search this
Jarvis, John Wesley, 1780-1840  Search this
Johnson, Eastman, 1824-1906  Search this
Johnston, Henrietta  Search this
Johnston, John Bernard, 1847-1886  Search this
Kayn, Hilde B., 1903-1950  Search this
Kelekian, Dikran, 1868-1951  Search this
Lane, Fitz Hugh, 1804-1865  Search this
Lawson, Ernest, 1873-1939  Search this
Lefferts, M. F.  Search this
Leigh, William Robinson, 1866-1955  Search this
Lincoln, Abraham, 1809-1865  Search this
Luks, George Benjamin, 1867-1933  Search this
Malbone, Edward Greene, 1777-1807  Search this
Maurer, Alfred Henry, 1868-1932  Search this
Maurer, Louis, 1832-1932  Search this
Miller, Alfred Jacob, 1810-1874  Search this
Moeller, Louis, 1855-1930  Search this
Morse, Samuel Finley Breese, 1791-1872  Search this
Neagle, John, 1796-1865  Search this
Organ, Donald  Search this
Otis, Bass, 1784-1861  Search this
Pach, Walter, 1883-1958  Search this
Peale, Charles Willson, 1741-1827  Search this
Peale, James, 1749-1831  Search this
Peale, Rembrandt, 1778-1860  Search this
Penn, William, 1644-1718  Search this
Perry, E. W. (Enoch Wood), 1831-1915  Search this
Philippoteaux, Fʹelix Emmanuel Henri, 1815-1884  Search this
Polk, Charles Peale, 1767-1822  Search this
Pope, T. B. (Thomas Benjamin), d. 1891  Search this
Porter, Rufus, 1792-1884  Search this
Prior, William Matthew, 1806-1873  Search this
Quirt, Walter, 1902-  Search this
Ranney, William Tylee, 1813-1857  Search this
Remington, Frederic, 1861-1909  Search this
Robins, Louisa Winslow, 1898-1962  Search this
Roesen, Severin, ca. 1815-ca. 1872  Search this
Rosenthal, Albert, 1863-1939  Search this
Rossiter, Thomas Prichard, 1818-1871  Search this
Rothermel, Peter Frederick, 1812-1895  Search this
Russell, Charles M. (Charles Marion), 1864-1926  Search this
Saint-Mémin, Charles Balthazar Julien Fevret de, 1770-1852  Search this
Savage, Edward, 1761-1817  Search this
Sawitzky, William, 1880-1947  Search this
Schattenstein, Nikol, 1877-1954  Search this
Schussele, Christian, 1826?-1879  Search this
Serres, D.  Search this
Sharples, James, ca. 1751-1811  Search this
Shulman, Morris  Search this
Smibert, John, 1688-1751  Search this
Soudeikine, Serge  Search this
Soutine, Chaim, 1893-1943  Search this
Spencer, Frederick R., 1806-1875  Search this
Stewart, Albert T., 1900-1965  Search this
Street, Robert, 1796-1865  Search this
Strong, William J.  Search this
Stuart, Gilbert, 1755-1828  Search this
Sullivan, Charles, 1794-1867  Search this
Sully, Thomas, 1783-1872  Search this
Tait, Arthur Fitzwilliam, 1819-1905  Search this
Tirrell, G.  Search this
Trumbull, John, 1756-1843  Search this
Vanderlyn, John, 1775-1852  Search this
Vanderlyn, Pieter, ca. 1687-1778  Search this
Von Schlegell, William, 1877-1950  Search this
Waldo, Samuel, 1783-1861  Search this
Walkowitz, Abraham, 1880-1965  Search this
Washington, George, 1732-1799  Search this
Weinberg, Elbert, 1928-  Search this
Weir, Julian Alden, 1852-1919  Search this
Welch, Thomas B., 1814-1874  Search this
Wertmüller, Adolph Ulric, 1751-1811  Search this
West, Benjamin, 1738-1820  Search this
Whitney, Anne, 1821-1915  Search this
Wiltz, Arnold, 1889-1937  Search this
Winner, W. E. (William E), -1883  Search this
Wood, S.  Search this
Wood, Thomas Waterman, 1823-1903  Search this
Extent:
5 microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
[ca. 1831-1950]
Scope and Contents:
Files on ca. 150 American artists and art subjects, selected from Duveen's art reference files. Included are photographs of paintings in other collections, auction and exhibition catalogs, miscellaneous publications.
Files include: Francis Alexander, Washington Allston, William H. Bartlett, Ben-Zion, Thomas Birch, Joseph Blackburn, Ralph A. Blakelock, Charles F. Blauvelt, Peter Blume, Emile Branchard, Albertis D. O. Browere, John G. Brown, Jonathan Buddington, James E. Buttersworth, Carra, Dennis M. Carter, Mary Cassatt, George Catlin, Centurion, Paul Cezanne, Moura Chabor, Marc Chagall, T. Chambers, Jean Charlot, Thomas Cole, John Constable, George Cope, John S. Copley, Ralston Crawford, Jasper F. Cropsey, Arthur B. Davies, Charles Despiau, Roland Detre, Thomas R. Dibble, Enrico Donati, William Doriani, Thomas Doughty, Jessie Drew-Bear, Robert S. Duncanson, Dunlap, Asher B. Durand, George H. Durrie, Frank Duveneck, Evert Duyckinck, Thomas Eakins, Jacob Eichholtz, Louis M. Eilshemius, Charles L. Elliott, Robert Field, Emil Ganso, Pablo Gargallo, Jan Gelb, Paul Gillman, Christian Gullager, George H. Hall, Chester Harding, William M. Harnett, George Harvey, William J. Hays, George P. A. Healy, Edward L. Henry, John Hesselius, Edward Hicks, Thomas Hicks, Holland House, Charles Fevret de Saint-Memin, Winslow Homer, S. A. Hudson, Daniel Huntington, Henry Inman, George Inness, John W, Jarvis, Eastman Johnson, Henrietta Johnston, John Johnston, Hilde B. Kayn, Dikran K. Kelekian, Fitz Hugh Lane, Ernest Lawson, M. F. Lefferts, William R. Leigh, Abraham Lincoln, George B. Luks, Edward G. Malbone, Alfred H. Maurer, Louis Maurer, McKay, Alfred J. Miller, Louis C. Moeller, Samuel F. B. Morse, John Neagle, Donald Organ, Bass Otis, Walter Pach, Charles W. Peale, James Peale, Rembrandt Peale, William Penn, Enoch W. Perry, F. E. H. Philippoteaux, Charles P. Polk, T. B. Pope, Rufus Porter, William M. Prior, Walter Quirt, William T. Ranney, Reinhardt, Frederic Remington, Louisa Robins, Severin Roesen, Thomas P. Rossiter, Peter F. Rothermel, Charles M. Russell, Edward Savage, William Sawitzky, Nikol Schattenstein, Christian Schussele, D. Serres, James Sharples, Morris Shulman, John Smibert, Sergei Soudeikin, Haim Soutine, Frederick R. Spencer, Albert Stewart, Robert Street, William J. Strong, Gilbert Stuart, C. (Charles ?) Sullivan, Thomas Sully, Arthur F. Tait, G. Tirrell, John Trumbull, John Vanderlyn, Pieter Vanderlyn, William Von Schlegell, Samuel L. Waldo, Abraham Walkowitz, George Washington, Elbert Weinberg, Julian A. Weir, Thomas B. Welch, Adolph U. Wertmuller, Benjamin West, Anne Whitney, Arnold Wiltz, William E. Winner, S. Wood, and Thomas W. Wood.
The Saint-Memin, Stuart, B. West and Wertmuller files contain material from Albert Rosenthal relating to the above artists.
Arrangement:
Files are arranged alphabetically by artist and subject, rolls NDU1-NDU3; publications and other miscellany were filmed on rolls NDU4-NDU5.
Biographical / Historical:
Albert Duveen was an art dealer and collector with offices in New York, N.Y., specializing in early American art. He was a cousin to Joseph Duveen (1869-1939), 1st Baron Duveen, president of Duveen Brothers art dealers.
Provenance:
Lent for microfilming 1958 by Duveen.
Restrictions:
The Archives does not own the original papers. Microfilmed materials must be consulted on microfilm.
Topic:
Art, American  Search this
Identifier:
AAA.duvealbe2
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-duvealbe2

Frank Duveneck and Elizabeth Boott Duveneck papers

Creator:
Duveneck, Frank, 1848-1919  Search this
Names:
Couper, William, 1853-1942  Search this
Duveneck, Elizabeth Boott, 1846-1888  Search this
Duveneck, Josephine W. (Josephine Whitney), 1891-1978  Search this
French, Daniel Chester, 1850-1931  Search this
Wessel, Bessie Hoover, 1889-1973  Search this
Extent:
1.2 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Sketches
Sketchbooks
Photographs
Date:
1851-1972
bulk 1851-1919
Summary:
The papers of painter and teacher Frank Duveneck and his wife and painter Elizabeth Boott Duveneck measure 1.2 linear feet and date from 1851-1972, bulk 1851-1919. Aspects of the lives and work of the artists are documented in correspondence, creative writings, research notes, scrapbooks, newspaper clippings, magazine articles, ephemera, sketches and sketchbooks, and vintage photographs.
Scope and Content Note:
The papers of painter and teacher Frank Duveneck and his wife, painter Elizabeth Boott Duveneck measure 1.2 linear feet and date from 1851-1972, bulk 1851-1919. Aspects of the lives and work of the artists are documented in correspondence, creative writings, research notes, scrapbooks, newspaper clippings, magazine articles, ephemera, sketches and sketchbooks, and vintage photographs.

The limited amount of correspondence in this collection includes separate letters from Frank Duveneck and Elizabeth Duveneck, primarily to family members, which describe studies and travel abroad, works in progress, exhibitions, and after their marriage, reports on family life. Frank Duveneck's correspondence also includes a letter from sculptor William Couper concerning the marble for a memorial to Elizabeth Boott Duveneck. There is also a folder of letters to and from Mr. and Mrs. Francis B. Duvencek, the son and daughter-in-law of the artist couple, that include reminiscences about Frank Duveneck from former student Bessie Wessel and a letter to Francis Duveneck from Daniel Chester French requesting permission to make a bronze from the plaster cast of the Duveneck's effigy of Elizabeth at the Metropolitan Museum of Art.

Writings include Elizabeth Boott Duveneck's diary, a typescript of a speech attributed to Frank Duveneck, and research notes compiled by daughter-in-law Josephine Duveneck in preparation for her biography of her father-in-law.

Printed materials consist primarily of newspaper clippings and magazine articles on Frank Duveneck, but also include his Munich Royal Academy card and copy certificate from the Ministry of Florence, Italy. Newspaper clippings may also be found in the Scrapbook series, including Elizabeth Boott Duveneck's scrapbook of exhibition reviews of her paintings, and two folders of clippings pertaining to Frank Duveneck compiled by Josephine Duveneck. Frank Duveneck's scrapbook contains printed illustrations compiled by the artist while he was studying art in Munich.

Sketchbooks and sketches consist of four sketchbooks by Elizabeth Boott Duvenck and three by Frank Duveneck that document their growth as artists as they span several decades (particularly in the case of Elizabeth) of their respective careers. There are also two folders of loose, mostly early, portrait sketches by Elizabeth Boott Duveneck.

Vintage photographs depict Frank Duveneck alone, with family and friends, Elizabeth Boott Duveneck, Francis Boott with his daughter, John Twachtman, art classes including one of Wilhelm von Diez's classes in Munich, and a group photograph of the jury of the 1915 Panama-Pacific exposition. There is only one photograph that includes both Frank and Elizabeth Duveneck together along with her father Francis Boott and nurse Ann Shenston.
Arrangement:
The collection is arranged into 6 series:

Series 1: Correspondence, 1856-1971 (Box 1; 4 folders)

Series 2: Writings and Notes, circa 1873-1970 (Box 1; 4 folders)

Series 3: Printed Material, 1871-1972 (Box 1; 6 folders)

Series 4: Scrapbooks, 1871-1962 (Box 1; 4 folders)

Series 5: Sketchbooks and Sketches, circa 1857-1886 (Box 1; 0.3 linear feet)

Series 6: Photographs, circa 1851-1970 (Boxes 1-2; 0.4 linear feet)
Biographical Note:
Painter, etcher, and one of the most influential American art instructors of the nineteenth century, Frank Duveneck was born Frank Decker to German immigrants Bernard and Katherine Decker on October 9, 1848 in Covington, Kentucky. He acquired the name Duveneck from his stepfather after his father's death and mother's remarriage. Family and friends recognized his artistic talents early on and he was apprenticed to local German artisans who decorated churches through most of the 1860s. In 1870 he traveled to Munich to study at the prestigious Konigliche Akademie (Royal Academy), where he was quickly promoted to life classes and the painting class of Wilhelm von Diez. He quickly earned a reputation as the leading American artist in the Academy. Duveneck was only 24 in 1872 when painted one of his most well-known paintings, Whistling Boy.

Due to dwindling funds and a cholera epidemic in Europe, Duveneck returned to the United States in 1873 and began teaching at the Ohio Mechanics Institute in Cincinnati the following year, where John H. Twachtman was among his students. An 1875 exhibition of his paintings at the Boston Art Club met with critical and public acclaim. He also attracted the attention of William Morris Hunt, novelist Henry James, and his future wife, Elizabeth Boott, who was one among those who deeply admired his work, although the pair were not to meet for another three years. After his return to Munich later that year, he became part of a tightly knit group of other American artists including Frank Currier, William Merritt Chase, and Walter Shirlaw. All four artists exhibited their work in the United States in such venues as the National Academy of Design's annual exhibition of 1877, and the first exhibition of the Society of American Artists in 1878, which may have contributed to the increased popularity of the Royal Academy in Munich as a destination for young American artists. As enrollment rose, classes became overcrowded and Duveneck began teaching in Munich. A group of younger students, including John Alexander, and John H. Twachtman, who had followed the artist from Cincinnati to Munich, became known as the "Duveneck Boys." He also had acquired a private female student, Elizabeth Boott, who had traveled to Munich to study with him.

The painter Elizabeth Boott, known primarily as "Lizzie," was born in Cambridge, Massachusetts on April 13, 1846 and was raised by her widowed father, the prominent Bostonian Francis Boott. The pair moved to Florence, Italy, when Lizzie was just a year old, after the death of her mother and brother from tuberculosis. Similar to Duveneck, Lizzie Boott's talent for drawing was recognized and encouraged at an early age. Early drawings preserved by her father consist of portraits of their well-known Anglo-American friends including Robert Browning, Nathanial Hawthorne, and Henry Higginson, founder of the Boston Symphony Orchestra. The Bootts briefly returned to Boston in 1865, at which time Lizzie met the novelist Henry James, who became a close life-long friend of both her and her father. Through James, she learned of the artist William Morris Hunt, and entered his class in Boston for women artists. She established close friendships with several of the women whom she met through Hunt's class, and they traveled together through Italy and Spain, took classes with the French artist Thomas Couture, and studied at the Académie Julian in Paris. They also made up the group of female students that formed a class of women artists taught by Duveneck, whom Lizzie had persuaded to teach in Florence in 1879. Duveneck, along with a band of "Duveneck Boys" embarked upon a two year stay in Florence and Venice.

During this period in Italy, Duveneck experimented with with hard ground etchings, creating Venetian scenes similar to those produced by James McNeil Whistler. His painting changed as he focused more on landscapes executed in a ligher, more highly keyed palette, perhaps influenced by Lizzie Boott, who painted vibrant watercolor Italian landscapes during this period and with whom he began an extended courtship in 1880. Although Francis Boott admired Duveneck's work and had acquired one his portraits during the artist's successful 1875 exhibition at the Boston Arts Club, neither he nor family friends approved of the bohemian artist as a husband for his accomplished patrician daughter. However the pair eventually married in March 1886, and had a son, Francis Boott Duveneck that December. Tragically, Lizzie Boott died of pneumonia on March 22, 1888. Although he was not a sculptor, one of Duvenecks' most admired works is the effigy that he created with the help of sculptor Clement J. Barnhorn, for his wife's tomb in Florence, casts of which may be viewed at the Museum of Fine Arts and the Metropolitan Museum of Art.

After his wife's death Duveneck returned to America, spending most of his time in his Cincinnati studio and teaching painting classes at the Cincinnati Art Museum. At the 1915 Panama-Pacific International Exposition, two galleries at the San Francisco Palace of Fine Arts, were allotted to Duveneck for a retrospective of his work. The jury awarded him a gold medal of honor to commemorate his contributions to American Art. Frank Duveneck died in Cincinnati on January 3, 1919.
Separated Material:
The Archives of American Art also holds microfilm of material lent for microfilming. Reel 792 includes a group of eighty-four pencil sketches and caricatures of his students by Frank Duveneck and four black and white photographic reproductions of works of art. Reel 1097 contains correspondence, 1845-1919, of Duveneck and his wife, Elizabeth Boott Duveneck. Included are two letters from Duveneck to Theodore Wores and seven letters from Julius Rolshoven. Other correspondents include John W. Beatty, William Couper, Daniel Chester French, Mrs. Walter Shirlaw, and Thad Welch. Many of the letters from Elizabeth Boott were written from Europe, including 11 to William Morris Hunt's painting class (1876-1880), and a lengthy account of her travels written to her father (1881). Reel 1151 contains exhibition catalogs that were donated to the Archives of American Art with the Frank Duveneck and Elizabeth Boott Duveneck papers. While this material was transferred to the Smithsonian American Art Museum and National Gallery Library in 1976, all other materials were returned to the lenders and are not described in the collection container inventory.
Provenance:
The papers of Frank Duveneck and Elizabeth Boott Duveneck were donated by Mr. and Mrs. Francis B. Duveneck, the son and daughter-in-law of Frank and Elizabeth Duveneck in 1974 with additional material lent for microfilming. In 1974, the Cincinnati Historical Society donated photocopies of original letters that were microfilmed and discarded. A portrait photograph of Frank Duveneck was donated in 1985 by Freda Schutze.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Frank Duveneck and Elizabeth Boott Duveneck papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art teachers -- Ohio -- Cincinnati  Search this
Painters -- United States  Search this
Munich school of painting -- Influence  Search this
Painting, American  Search this
Painters -- Germany  Search this
Painting, Modern -- 19th century -- United States  Search this
Art teachers -- Germany  Search this
Genre/Form:
Scrapbooks
Sketches
Sketchbooks
Photographs
Citation:
Frank Duveneck and Elizabeth Boott Duveneck papers, 1851-1972. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.duvefran
See more items in:
Frank Duveneck and Elizabeth Boott Duveneck papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-duvefran
Online Media:

Material relating to Josephine W. Duveneck

Creator:
Dickman, William J.  Search this
Names:
Hidden Villa Ranch (Los Altos Hills, Calif.)  Search this
Duveneck, Frank, 1848-1919  Search this
Duveneck, Josephine W. (Josephine Whitney), 1891-1978  Search this
Extent:
19 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
[ca.1969-1982]
Scope and Contents:
Letters, greeting cards, and printed material sent to William andIlka Dickman from and regarding Josephine W. Duveneck, her husband Frank, and her father-in-law, painter Frank Duveneck. Included are 10 letters and cards from Mr. and Mrs. Frank Boott and Josephine, regarding the Duveneck family, their ranch "Hidden Villa" in California, and their social and political activities. One card contains a photo of the Duvenecks, and another shows them with their family at their fiftieth wedding anniversary.
Also included are a letter from Elizabeth Goodman of Los Altos Hills, Calif., telling of Josephine Duveneck's death; a eulogy given by Wallace Stegner at Josephine Duveneck's memorial service; a letter from Stacy French, president of the Friends of Hidden Villa, to members regarding its future after Josephine Duveneck's death; a booklet, Hidden Villa Tales, written and autographed by Josephine Duveneck; a flyer promoting Josephine's autobiography; a catalogue (not filmed in its entirety) and an invitation for a 1972 exhibition of Frank Duveneck's work at the Chapellier Gallery, N.Y.; and 2 books (not microfilmed) by Josephine: Frank Duveneck-Painter,Teacher, and her autobiography, Life on Two Levels.
Biographical / Historical:
The Dickmans, of Alexandria, Va., were friends with Frank Boott and Josephine Whitney Duveneck of Los Altos, Calif. Frank Boott Duveneck was the son of the Cincinnati-based painter Frank Duveneck, and Josephine was the daughter of a prominent Boston family. Together, the Duveneck's lived on their ranch, "Hidden Villa," which was also used as a summer camp for poor, inner-city children and as a base for Josephine's social and environmental work. She wrote a biography of her father-in-law, Frank Duveneck, as well as an autobiography.
Provenance:
Donated by William J. Dickman, 1982.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- Ohio -- Cincinnati  Search this
Identifier:
AAA.dickwill
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dickwill

John M. Donaldson papers

Creator:
Donaldson, John M., 1854-1941  Search this
Names:
Beckwith, J. Carroll (James Carroll), 1852-1917  Search this
Donaldson, Bruce M., d. 1940  Search this
Duveneck, Frank, 1848-1919  Search this
Melchers, Gari, 1860-1932  Search this
Millet, Francis Davis, 1846-1912  Search this
Extent:
31 Items ((on one partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1873-1938
Scope and Contents:
A letter from Frank Duveneck, 1877; a sketch of Donaldson, ca. 1876, by [James] Carroll Beckwith, with a note from Beckwith, 1913; letters from Gari Melchers, some of which are illustrated; obituary clippings on Melchers; photographs, mostly of fellow art students in Munich, 1873-1877, including Francis Davis Millet and Frank Duveneck; and miscellany. Also included are several letters from Gari Melchers's wife Corrine to Donaldson's son, Bruce.
Biographical / Historical:
Architect (Detroit, Mich.). A friend of Gari Melchers. Donaldson's son Bruce (d. 1940) was chairman of the Art History Department at the University of Michigan at Ann Arbor.
Provenance:
Donated 1963 by Mrs. Alex G. Donaldson.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters  Search this
Identifier:
AAA.donajohn
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-donajohn

Nicolai Cikovsky papers

Creator:
Cikovsky, Nicolai, 1894-  Search this
Names:
Carnegie Institute  Search this
Department of the Interior Building (Washington, D.C.)  Search this
United States. Dept. of the Treasury. Section of Fine Arts  Search this
United States. Dept. of the Treasury. Section of Fine Arts  Search this
United States. Dept. of the Treasury. Section of Painting and Sculpture  Search this
Duveneck, Frank, 1848-1919  Search this
Extent:
80 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Sketchbooks
Date:
1939-1964
Scope and Contents:
Correspondence, 1941-1960; exhibition catalogs; clippings; a sketchbook (20.2 x 12.5 cm., 21 pages drawn), pencil, ink & watercolor on paper, signed, 1943; and photographs.
Among the photographs are 2 of Cikovsky, 1 of him in his studio which was once occupied by Frank Duveneck, 6 of exhibits at the Carnegie Institute, 1944-1950, and 40 of his art work, including 4 of the Treasury Dept. Fine Arts Project-sponsored Dept. of Interior murals and 3 of cartoons for that mural, 1938; 3 of the Treasury Dept. Section of Painting & Sculpture-sponsored mural painting entitled, "The Old Tavern," in the Silver Spring, Maryland post office, shown with Cikovsky and postmaster, 1936, and 5 of cartoons for the Treasury Dept. Section of Fine Arts-sponsored murals for the post office in Towson, Maryland, 1939.
Biographical / Historical:
Painter, muralist; New York, N.Y.
Provenance:
Donated 1966 by Nicolai Cikovsky.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Muralists -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Topic:
Artists' studios -- Photographs  Search this
Mural painting and decoration, American  Search this
Function:
Post office buildings -- Maryland
Genre/Form:
Sketchbooks
Identifier:
AAA.cikonico
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-cikonico

Ankrum Gallery records

Creator:
Ankrum Gallery  Search this
Names:
Art Dealers Association of America  Search this
Black Arts Council (Washington, D.C.)  Search this
California Arts Council  Search this
Hirshhorn Museum and Sculpture Garden  Search this
Krannert Art Museum  Search this
Laguna Art Museum (Laguna Beach, Calif.)  Search this
Paramount Pictures  Search this
San Diego Museum of Art  Search this
Staempfli Gallery (New York, N.Y.)  Search this
Storm King Art Center  Search this
Almaraz, Carlos  Search this
Andrews, Benny, 1930-2006  Search this
Ankrum, Joan  Search this
Bauer, Richard, 1944-  Search this
Block, Irving  Search this
Broderson, Morris, 1928-2011  Search this
Caryl, Naomi  Search this
Casey, Bernie  Search this
Duveneck, Frank, 1848-1919  Search this
Feitelson, Lorser, 1898-1978  Search this
Groth, Bruno  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Herschler, David  Search this
Hirsch, Joseph, 1910-1981  Search this
Hirshhorn, Olga  Search this
Homer, Jessie  Search this
Jackson, Suzanne, 1944-  Search this
Johnson, Buffie  Search this
Lundeberg, Helen, 1908-1999  Search this
Mesches, Arnold, 1923-  Search this
Miller, Henry, 1891-  Search this
Palm Springs Desert Museum  Search this
Schuler, Melvin  Search this
Secunda, Arthur  Search this
Shores, Kenneth, 1928-  Search this
Varda, Jean  Search this
Zev  Search this
Extent:
41.5 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Photographs
Date:
circa 1900-circa 1990s
bulk 1960-1990
Summary:
The Ankrum Gallery records measure 41.5 linear feet and date from circa 1900 to circa 1990s, with the bulk of the records dating from 1960 to 1990. The papers include over 395 artists files, general gallery correspondence, project files, administrative records, exhibition files, collector and client files, financial material, printed material, 1 unbound scrapbook, and photographs. Also included are personal papers of gallery founder Joan Ankrum and her nephew, artist Morris Broderson.
Scope and Contents:
The Ankrum Gallery records measure 41.5 linear feet and date from circa 1900 to circa 1990s, with the bulk of the records dating from 1960 to 1990. The papers include over 395 artists files, general gallery correspondence, project files, administrative records, exhibition files, collector and client files, financial material, printed material, 1 unbound scrapbook, and photographs. Also included are personal papers of gallery founder Joan Ankrum and her nephew, artist Morris Broderson.

General correspondence is with artists, museums, collectors, and clients, and generally concerns sales, exhibitions, and consignments. Correspondents include Irving Block, Morris Broderson, Naomi Caryl, Suzanne Jackson, Joseph and Olga Hirshhorn, among many others. Correspondence is also found in the artists files and the collector/client files.

Project files document various events, benefits, and projects undertaken by the gallery, including a UNICEF benefit, "Up Against Hunger," the Exceptional Children's foundation, and the Young Art Patrons.

Administrative files document many activities of the gallery, such as the gallery's and Joan Ankrum's membership in the Black Arts Council, the California Arts Council, and the Art Dealers Association of California of which Joan Ankrum was a primary organizer. Also found are publicity files, a file on the history of the gallery, leases, floor plans, insurance documents, lists of graphics for sale, and other miscellany.

Exhbition files appear to be incomplete, but do include files for Huichol Indian's art, "The Art of African Peoples" (1973), "Five Contemporary Mexican Painters" (1977), Ethiopian Folk Painting (1978), San Diego Museum of Art Artists Guild All Media Exhibition (1982), "25th Anniversary Exhibition" (1985), among several others.

Extensive artists' files include correspondence, price lists, photographs and slides,resumes and biographical material, and sales invoices. Files are found for Benny Andrews, Carlos Almaraz, Richard Bauer, Irving Block, Naomi Caryl, Bernie Casey, Frank Duveneck, Lorser Feitelson, Bruno Groth, David Herschler, Jessie Homer, Suzanne Jackson, Buffie Johnson, Samella Lewis, Helen Lundeberg, Arnold Mesches, Henry Miller, Melvin Schuler, Arthur Secunda, Ken Shores, Jean Varda, and Zev, among many others. The Pat Alexander and Andy Nelson files also contain motion picture film.

Collector and client files document the gallery's relationship with over 115 collectors, museums, and art centers. Files may include correspondence and sales records and are found for Edith Halpert, Olga and Joseph Hirshhorn and the Hirshhorn Museum and Sculpture Garden, the Krannert Art Museum, Laguna Art Museum, Palm Spring Desert Museum, Paramount Pictures, San Diego Museum of Art, Staempfli Gallery, and Storm King Art Center, among many others.

Financial material documents sales through numbered invoices, consignments, loans, and insurance valuations. Printed material consists of exhibition catalogs and announcements, bulletins, periodicals, and newspaper clippings. One unbound scrapbook contains clippings and exhibition materials.

Photographs are of artwork, artists, and gallery openings. Additional photographs are found in the artists' files.

Joan Wheeler Ankrum personal papers document her personal and professional relationship with family, artists, and collectors. They include correspondence, personal writings, personal financial materials, printed material and loose scrapbook materials, family photographs and photographs of her as an actress, and artwork from various artists.

The papers of artist Morris Broderson, nephew of Joan Ankrum, document his professional relationship with the gallery as his primary dealer. Included are biographical materials, correspondence, publicity files, travel files, projects, exhibitions, collector/client files, financial material, printed material, photographs, and artwork.
Arrangement:
This collection is arranged as 12 series.

Series 1: Correspondence, 1961-1994 (0.5 linear feet; Box 1)

Series 2: Project Files, 1965-1987 (0.25 linear feet; Box 1)

Series 3: Administrative Records, 1961- circa 1990s (1 linear foot; Boxes 1-2)

Series 4: Exhibition Files, 1961-1991 (1 linear foot; Boxes 2-3)

Series 5: Artists' Files, 1957-1994 (22.5 linear feet; Boxes 3-25, 41-42, FC 43-45)

Series 6: Collector and Client Files, 1960-1994 (3.2 linear feet; Boxes 25-28)

Series 7: Financial Material, 1962-1990 (1.5 linear feet; Boxes 28-30)

Series 8: Printed Material, 1957-1994 (2 linear feet; Boxes 30-32, 41)

Series 9: Scrapbook, 1960-1988 (3 folders; Box 32)

Series 10: Photographs, circa 1960s-circa 1990s (0.35 linear feet; Boxes 32, 42)

Series 11: Joan Ankrum Personal Papers, circa 1900-1993 (2 linear feet; Boxes 32-34, 41)

Series 12: Morris Broderson Papers, 1941-1989 (7.2 linear feet; Boxes 34-42)
Biographical / Historical:
The Ankrum Gallery was established 1960 in Los Angeles by American film actress Joan Wheeler Ankrum and William Chalee. The gallery closed in 1989.

Joan Wheeler Ankrum and William Challee opened Ankrum Gallery on La Cienega Boulevard in Los Angeles in 1960 with a one-man show of Ankrum's nephew Morris Broderson. With a focus on contemporary California artists, Ankrum Gallery represented over 395 artists during its 30 years in operation, including Benny Andrews, Carlos Almaraz, Richard Bauer, Irving Block, Naomi Caryl, Bernie Casey, Frank Duveneck, Lorser Feitelson, Bruno Groth, David Herschler, Jessie Homer, Suzanne Jackson, Buffie Johnson, Samella Lewis, Helen Lundeberg, Arnold Mesches, Henry Miller, Melvin Schuler, Arthur Secunda, Ken Shores, Jean Varda, and Zev. In addition, the gallery was among the earliest to exhibit the work of black artists. The gallery also held exhibitions of world artists, which included "Art of African Peoples" (1973), "Yarn Paintings of the Huichol Indians" (1973), "Five Contemporary Mexican Painters" (1977), and "Ethiopian Folk Painting" (1978). Ankrum Gallery closed in 1989.

Art dealer and gallery owner, Joan Wheeler Ankrum was an actress before establishing the Ankrum Gallery primarily to showcase the work of her deaf nephew, Morris Broderson. Born in 1913 in Palo Alto, California, she began acting at the Pasadena Playhouse where she met her first husband Morris Ankrum with whom she had two sons, David and Cary Ankrum. She married gallery co-owner and partner William Challee in 1984. She helped organize the Los Angeles Art Dealers Association and the Monday Night Art Walks on La Cienega Boulevard. She was a member of the relatively short-lived Black Arts Council. Joan Wheeler Ankrum died in 2001 at the age of 88.

Morris Broderson (1928-2011) was a deaf painter. His first one-man show was at the Stanford Museum in 1957, followed by the Santa Barbara Museum of Art. By 1959 he'd won two awards from the Los Angeles County Museum, and appeared in the Whitney Museum's "Young America" show in 1960. His travels influenced his work, including the hand gestures of Kabuki art in Japan. His work is in the collections of the Whitney Museum of American Art and the Hirshhorn Museum and Sculpture Garden, among others. Following Joan Ankrum's death in 2001, Broderson was represented by her son David Ankrum.
Related Materials:
Also found in the Archives of American Art are two oral history interviews with Joan Ankrum, one conducted by Betty Hoag, April 28, 1964, and a second by Paul Karlstrom, November 5, 1997-February 4, 1998. Additionally, there is an oral history interview with Morris Broderson conducted by Paul Karlstrom, March 11-13, 1998.
Provenance:
The Ankrum Gallery records were donated to the Archives of American Art by Joan Ankrum in 1995.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Ankrum Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art galleries, Commercial -- California -- Los Angeles  Search this
Artists -- California -- Los Angeles  Search this
Genre/Form:
Scrapbooks
Photographs
Citation:
Ankrum Gallery records, circa 1900-circa 1990s, bulk 1960-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.ankrgall
See more items in:
Ankrum Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ankrgall
Online Media:

Oral history interview with Philip Rhys Adams

Interviewee:
Adams, Philip Rhys, 1908-1993  Search this
Interviewer:
Bruner, Louise Katherine, 1910-  Search this
Names:
Cincinnati Art Museum  Search this
Dine, Jim, 1935-  Search this
Duveneck, Frank, 1848-1919  Search this
Francis, Henry Sayles, 1902-1994  Search this
Wesselmann, Tom, 1931-2004  Search this
Whittredge, Worthington, 1820-1910  Search this
Extent:
80 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1976 September 29
Scope and Contents:
An interview of Philip Rhys Adams conducted 1976 September 29, by Louise Bruner, for the Archives of American Art.
Adams discusses the development of the Cincinnati Art Museum and the arrangement of its collections; gifts to the Museum from John Josiah Emery, Mary Emery, Herbert Greer French, Mary Hanna and Mary Johnston; Cincinnati artists including Jim Dine, Frank Duveneck, Henry Francis, Tom Wesselman, and Worthington Whittredge; the expense of a loan exhibition versus museum purchases; and the Contemporary Arts Center and other educational programs. Adams also summarizes his educational background and career.
Biographical / Historical:
Philip Rhys Adams (1908-1993) was the museum director of Cincinnati Art Museum.
General:
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 5 digital wav files. Duration is 2 hrs., 39 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Museum directors -- Ohio -- Interviews  Search this
Function:
Art museums -- Ohio -- Cincinnati
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.adams76
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-adams76

Child with Light Red Hair

Artist:
Frank Duveneck, 9 Oct 1848 - 3 Jan 1919  Search this
Sitter:
Unidentified Child  Search this
Medium:
Oil on canvas
Dimensions:
Stretcher: 38.3 x 29cm (15 1/16 x 11 7/16")
Type:
Painting
Date:
c. 1885
Topic:
Portrait  Search this
Credit Line:
Owner: Cincinnati Art Museum
Website: www.cincinnatiartmuseum.org/
Object number:
1915.82 CAM
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm44dab76c8-e23d-4465-b413-a3046528f327
EDAN-URL:
edanmdm:npg_1915.82_CAM

Study of Child with Long Hair

Artist:
Frank Duveneck, 9 Oct 1848 - 3 Jan 1919  Search this
Sitter:
Unidentified Child  Search this
Medium:
Oil on canvas
Dimensions:
Accurate: 48.6 x 35.5cm (19 1/8 x 14")
Type:
Painting
Date:
c. 1880-1890
Topic:
Portrait  Search this
Credit Line:
Owner: Private collection
Object number:
CA140297
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4214fe6c8-e5d7-49d3-a143-89bd7b29ca15
EDAN-URL:
edanmdm:npg_CA140297

Theodore Wores papers, 1881-1967

Creator:
Wores, Theodore 1858-1939  Search this
Subject:
Duveneck, Frank 1848-1919  Search this
Gray, Percy 1869-1952  Search this
Keith, William 1838-1911  Search this
Peck, Orrin 1860-1921  Search this
Peters, Charles Rollo 1862-1928  Search this
Russel, Alexander Mrs  Search this
Sandona, Matteo b. 1883  Search this
Tilden, Douglas 1860-1935  Search this
Shenson, A. Jess  Search this
Bohemian Club (San Francisco, Calif.)  Search this
Physical description:
296 items (on partial microfilm reel)
Type:
Archival materials
Collection descriptions
Place:
United States
Date:
1881
1881-1967
19th century
20th century
Topic:
Painting, Modern  Search this
Local number:
AAA 691
AAA
AAA woretheo
Restrictions & Rights:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy
See more items in:
Theodore Wores papers, 1881-1967
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:siris_arc_210810

Bessie Hoover and Herman Henry Wessel papers, 1914-1972

Creator:
Wessel, Bessie Hoover 1889-1973  Search this
Wessel, Herman Henry 1878-1969  Search this
Subject:
Duveneck, Frank 1848-1919  Search this
Physical description:
140 items (on partial microfilm reel)
Type:
Archival materials
Collection descriptions
Place:
Ohio
Cincinnati
Date:
1914
1914-1972
Topic:
Women painters  Search this
Local number:
AAA 835
AAA
AAA wessbess
Restrictions & Rights:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy
See more items in:
Bessie Hoover and Herman Henry Wessel papers, 1914-1972
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:siris_arc_210871

Saul Zalesch collection of artists' letters and documents, 1834-1973

Collector:
Zalesch, Saul E  Search this
Subject:
Indiana, Robert 1928-  Search this
Lage, William Potter  Search this
Duveneck, Frank 1848-1919  Search this
Story, William Wetmore 1819-1895  Search this
Bishop, Isabel 1902-1988  Search this
Church, Frederick S (Frederick Stuart) 1842-1924  Search this
Doughty, Thomas 1793-1856  Search this
Fenollosa, Ernest Francisco 1853-1908  Search this
Foster, Ben 1852-1926  Search this
Gardner, Isabella Stewart 1840-1924  Search this
Hassam, Childe 1859-1935  Search this
Henri, Robert 1865-1929  Search this
La Farge, John 1835-1910  Search this
Martin, Homer Dodge 1836-1897  Search this
Merry, C. M  Search this
Pennell, Joseph 1857-1926  Search this
Redfield, Edward Willis 1869-1965  Search this
Rogers, John 1829-1904  Search this
Stankiewicz, Richard 1922-1983  Search this
Story, Franklin H  Search this
Sully, Thomas 1783-1872  Search this
Teal, William P  Search this
Vedder, Elihu 1836-1923  Search this
Bellows, George 1882-1925  Search this
Benton, Thomas Hart 1889-1975  Search this
Bearden, Romare 1911-1988  Search this
Williams, Gluyas 1888-  Search this
Lippold, Richard 1915-2002  Search this
Lichtenstein, Roy 1923-1997  Search this
Gropper, William 1897-1977  Search this
Opper, Frederick Burr 1857-1937  Search this
Champney, James Wells 1843-1903  Search this
Betts, Louis 1873-1961  Search this
Baldridge, C. LeRoy  Search this
Church, Frederic Edwin 1826-1900  Search this
Millet, Francis Davis 1846-1912  Search this
Weir, Julian Alden 1852-1919  Search this
Duveneck, Josephine W (Josephine Whitney) 1891-1978  Search this
Sargent, John Singer 1856-1925  Search this
Society of American Artists  Search this
Brooklyn Art Association  Search this
Physical description:
58 items (portions microfilmed on 1 reel)
Type:
Mixed archival materials
Collection descriptions
Date:
1834
1834-1973
Topic:
Art, American  Search this
Local number:
AAA 3097
AAA
AAA zalesaul
Restrictions & Rights:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information
See more items in:
Saul Zalesch collection of artists' letters and documents, 1834-1973
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:siris_arc_211035

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