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Oral history interview with George Biddle, 1963

Interviewee:
Biddle, George, 1885-  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington),, 1920-  Search this
Subject:
Bacon, Peggy  Search this
Benton, Thomas Hart  Search this
Billings, Henry  Search this
Bruce, Edward  Search this
Cahill, Holger  Search this
Demuth, Charles  Search this
Evergood, Philip  Search this
Grosz, George  Search this
Halpert, Edith Gregor  Search this
Hartley, Marsden  Search this
Marsh, Reginald  Search this
Miller, Kenneth Hayes  Search this
Orozco, José Clemente  Search this
Rivera, Diego  Search this
Robinson, Boardman  Search this
Siqueiros, David Alfaro  Search this
Sterne, Maurice  Search this
Stieglitz, Alfred  Search this
Tamayo, Rufino  Search this
Weber, Max  Search this
Zorach, William  Search this
Cassatt, Mary  Search this
Pascin, Jules  Search this
Poor, Henry Varnum  Search this
Curry, John Steuart  Search this
Bouché, Louis  Search this
Kroll, Leon  Search this
Zorach, William  Search this
Public Works of Art Project  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with George Biddle, 1963. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Censorship  Search this
Federal aid to the arts  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Sculptors -- New York (State) -- Interviews  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)12696
(DSI-AAA_SIRISBib)213269
AAA_collcode_biddle63
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213269
Online Media:

Oral history interview with George Biddle

Interviewee:
Biddle, George, 1885-1973  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington), 1920-  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
New Deal and the Arts Oral History Project  Search this
Public Works of Art Project  Search this
Bacon, Peggy, 1895-1987  Search this
Benton, Thomas Hart, 1889-1975  Search this
Billings, Henry, 1901-  Search this
Bouché, Louis, 1896-1969  Search this
Bruce, Edward, 1879-1943  Search this
Cahill, Holger, 1887-1960  Search this
Cassatt, Mary, 1844-1926  Search this
Curry, John Steuart, 1897-1946  Search this
Demuth, Charles, 1883-1935  Search this
Evergood, Philip, 1901-1973  Search this
Grosz, George, 1893-1959  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Hartley, Marsden, 1877-1943  Search this
Kroll, Leon, 1884-1974  Search this
Marsh, Reginald, 1898-1954  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Orozco, José Clemente, 1883-1949  Search this
Pascin, Jules, 1885-1930  Search this
Poor, Henry Varnum, 1887-1970  Search this
Rivera, Diego, 1886-1957  Search this
Robinson, Boardman, 1876-1952  Search this
Siqueiros, David Alfaro  Search this
Sterne, Maurice, 1878-1957  Search this
Stieglitz, Alfred, 1864-1946  Search this
Tamayo, Rufino, 1899-  Search this
Weber, Max, 1881-1961  Search this
Zorach, William, 1887-1966  Search this
Zorach, William, 1887-1966  Search this
Extent:
239 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1963
Scope and Contents:
An interview of George Biddle conducted in 1963, by Harlan Phillips, for the Archives of American Art.
Biddle speaks of his background in Philadelphia; his Harvard education in preparation for a law career; literary acquaintances; travel; the beginning of his art career; his preoccupation with portraiture; his tragic and pleasant works; the importance of mood; his drawing techniques; drawing from nature; color experimentation; Stieglitz's circle; the susceptibility of artists to change during the 1930s; his involvement with the Public Works of Art Project; government censorship of his murals; his involvement with artists overseas during World War II; and his aesthetic philosophy. He recalls Max Weber, Maurice Sterne, George Grosz, William Zorach, Kenneth Hayes Miller, Peggy Bacon, Marsden Hartley, Charles Demuth, Edith Halpert, Boardman Robinson, Reginald Marsh, Thomas Hart Benton, Henry Billings, Ned Bruce, Holger Cahill, Philip Evergood, Diego Rivera, Jose Clemente Orozco, David Siqueiros, and Rufino Tamayo.
Biographical / Historical:
George Biddle (1885-1973) was a painter and sculptor, in Croton-on-Hudson, New York.
General:
Originally recorded 3 sound tape reels. Reformatted in 2010 as 9 digital wav files. Duration is 13 hr., 56 min.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
This interview is open for research. Contact Reference Services for more information.
Topic:
Art -- Censorship  Search this
Federal aid to the arts  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Sculptors -- New York (State) -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.biddle63
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bb4fdb2d-29ab-4c56-bcef-655c27a0afb8
EDAN-URL:
ead_collection:sova-aaa-biddle63
Online Media:

Botanical line drawing 200 step-by-step flowers, leaves, cacti, succulents, and other items found in nature Peggy Dean

Author:
Dean, Peggy  Search this
Distributor:
OverDrive, Inc  Search this
Physical description:
1 online resource
Type:
Electronic resources
Electronic books
Date:
2018
Topic:
Botanical illustration--Technique  Search this
Drawing--Technique  Search this
Illustration botanique--Technique  Search this
Dessin--Technique  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1156968

Thomas Nast letters, 1874-1896

Creator:
Nast, Thomas, 1840-1902  Search this
Subject:
Hart, Charles Henry  Search this
Moore, William A.  Search this
Citation:
Thomas Nast letters, 1874-1896. Archives of American Art, Smithsonian Institution.
Topic:
Drawing -- Technique  Search this
Engraving -- Technique  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)10318
(DSI-AAA_SIRISBib)213520
AAA_collcode_nastthom
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213520

Gifford Beal sketches, sketchbooks, and papers, 1889-2001, bulk 1900-1954

Creator:
Beal, Gifford, 1879-1956  Search this
Subject:
Davies, Arthur B. (Arthur Bowen)  Search this
Kent, Rockwell  Search this
Beal, Maud Ramsdell  Search this
Cox, Edward  Search this
Bruce, Edward  Search this
Watson, Forbes  Search this
Wortman, Denys  Search this
Hancock, Walker Kirtland  Search this
Pennell, Joseph  Search this
Rowan, Edward Beatty  Search this
Federal Art Project  Search this
Type:
Scrapbooks
Sketchbooks
Sketches
Travel diaries
Love letters
Drawings
Prints
Diaries
Paintings
Photographs
Citation:
Gifford Beal sketches, sketchbooks, and papers, 1889-2001, bulk 1900-1954. Archives of American Art, Smithsonian Institution.
Topic:
Drawing -- Technique  Search this
Mural painting and decoration -- 20th century -- Pennsylvania -- Allentown  Search this
Muralists -- New York (State) -- New York  Search this
Theme:
Sketches & Sketchbooks  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)10981
(DSI-AAA_SIRISBib)214824
AAA_collcode_bealgiff
Theme:
Sketches & Sketchbooks
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214824
Online Media:

Leonard Bocour papers and business records, 1933-1993

Creator:
Bocour, Leonard, 1910-1993  Search this
Subject:
Bocour Artist Colors (Firm)  Search this
Type:
Interviews
Diaries
Citation:
Leonard Bocour papers and business records, 1933-1993. Archives of American Art, Smithsonian Institution.
Topic:
Collectors and collecting -- New York (State) -- New York  Search this
Paint industry and trade -- New York (State) -- New York  Search this
Drawing -- Technique  Search this
Painting -- Technique  Search this
Painting -- Equipment and supplies  Search this
Theme:
Diaries  Search this
Art instruction and services  Search this
Record number:
(DSI-AAA_CollID)6446
(DSI-AAA_SIRISBib)215590
AAA_collcode_bocoleon
Theme:
Diaries
Art instruction and services
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215590
Online Media:

Jay P Kinney primers on drawing, 1890-1906

Creator:
Kinney, Jay P, b. 1875-1975  Search this
Citation:
Jay P Kinney primers on drawing, 1890-1906. Archives of American Art, Smithsonian Institution.
Topic:
Drawing -- Study and teaching -- United States  Search this
Drawing -- Technique  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)6037
(DSI-AAA_SIRISBib)239315
AAA_collcode_kinnjay
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_239315

Audio Log Sheets

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2017 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
See more items in:
Smithsonian Folklife Festival records: 2017 Smithsonian Folklife Festival
Smithsonian Folklife Festival records: 2017 Smithsonian Folklife Festival / Series 2: Circus Arts / Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5fb09f8a5-50dd-4258-9dce-a788032b1865
EDAN-URL:
ead_component:sova-cfch-sff-2017-ref1017
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Audio Log Sheets digital asset number 1

Si li dan qing Ming Qing ke xiu shu hua te ji = Painting with threads : Kesi and embroidery during the Ming and Qing dynasties Shanghai bo wu guan zhu

Title:
丝理丹青 : 明清缂绣书画特集 = Painting with threads : Kesi and embroidery during the Ming and Qing dynasties / 上海博物馆著
Painting with threads : Kesi and embroidery during the Ming and Qing dynasties
Ming Qing ke xiu shu hua te ji
明清缂绣书画特集
Author:
Shanghai bo wu guan  Search this
Physical description:
221 pages color illustrations 31 cm
Type:
Exhibitions
Expositions
Exhibition catalogs
History
Place:
China
Chine
Date:
2021
Ming-Qing dynasties, 1368-1912
1368-1912 (Dynastie des Ming et dynastie mandchoue)
Topic:
Embroidery--History  Search this
Embroidery in art  Search this
Broderie--Histoire  Search this
Broderie dans l'art  Search this
Embroidery--Ming-Qing dynasties  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1147046

Oral history interview with Robert Beverly Hale, 1984 Mar. 7

Interviewee:
Hale, Robert Beverly, 1901-1985  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Barr, Alfred H., Jr.  Search this
Bridgman, George Brant  Search this
Coyle, Terence  Search this
Duchamp, Marcel  Search this
Geldzahler, Henry  Search this
Hirshhorn, Joseph H.  Search this
Huxley, Julian  Search this
Klonis, Stewart  Search this
McNulty, William Charles  Search this
Peirce, Waldo  Search this
Pollock, Jackson  Search this
Priest, Alan Reed  Search this
Rockefeller, David  Search this
Root, Edward Wales  Search this
Rorimer, James J. (James Joseph)  Search this
Russell, Bertrand  Search this
Art Students League (New York, N.Y.)  Search this
Columbia University  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Robert Beverly Hale, 1984 Mar. 7. Archives of American Art, Smithsonian Institution.
Topic:
Arts administrators -- New York (State) -- New York -- Interviews  Search this
Drawing -- Technique  Search this
Record number:
(DSI-AAA_CollID)13205
(DSI-AAA_SIRISBib)212259
AAA_collcode_hale84
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212259
Online Media:

Oral history interview with Robert Beverly Hale

Interviewee:
Hale, Robert Beverly, 1901-1985  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Art Students League (New York, N.Y.)  Search this
Columbia University -- Students  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Bridgman, George Brant, 1864-1943  Search this
Coyle, Terence  Search this
Duchamp, Marcel, 1887-1968  Search this
Geldzahler, Henry  Search this
Hirshhorn, Joseph H.  Search this
Huxley, Julian, 1887-1975  Search this
Klonis, Stewart, 1901-1989  Search this
McNulty, William Charles, 1884-1963  Search this
Peirce, Waldo, 1884-1970  Search this
Pollock, Jackson, 1912-1956  Search this
Priest, Alan Reed  Search this
Rockefeller, David, 1915-  Search this
Root, Edward Wales, d. 1956  Search this
Rorimer, James J. (James Joseph), 1905-1966  Search this
Russell, Bertrand, 1872-1970  Search this
Extent:
23 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1984 Mar. 7
Scope and Contents:
An interview of Robert Beverly Hale conducted 1984 Mar. 7, by Robert F. Brown, for the Archives of American Art.
Hale speaks of his childhood years living a bohemian life; personal and family friend Marcel Duchamp; his time as a student at the Columbia School of Architecture; being a biology student at Columbia University; studying painting in Paris at Fontainebleau; assisting Waldo Pierce as a secretary; the gold medal from the American Poetry Society; running the publicity department of the Arts Students League; connection to the Metropolitan Museum of Art; Art News magazine critic in 1930s; tenure in the American wing of the Met; friend Jackson Pollack and the art scene at East Hampton; discussion of drawing the planes of the human body; and writing a book on figure drawing. Hale also recalls Bertrand Russell, Julian Huxley, Henry Oliver Walker, Phil Wiley, George Bridgman, William McNulty, Stuart Klonis, Sam Lewis, Edward Root, Walter Baker, Joseph Hirshhorn, Alan Priest, Albert Gardner, Henry Geldzahler, James Rorimer; David Rockefeller, Alfred Barr, and Terrance Coyle.
Biographical / Historical:
Robert Beverly Hale (1901-1985) was an administrator, instructor, and art historian from New York, N.Y.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 7 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Art teachers -- Interviews  Search this
Topic:
Arts administrators -- New York (State) -- New York -- Interviews  Search this
Drawing -- Technique  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.hale84
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fc7b4b75-f7eb-44c8-8463-d8cdc43707af
EDAN-URL:
ead_collection:sova-aaa-hale84
Online Media:

Andre Joseph Villard

Artist:
David Boudon, Swiss, born Geneva, Switzerland 1748-died 1816; last known residence Chillicothe  Search this
Sitter:
Andre Joseph Villard  Search this
Medium:
silverpoint and watercolor on paper
Dimensions:
sight 2 7/8 x 2 1/4 in. (7.3 x 5.7 cm) oval
Type:
Painting-Miniature
Date:
1810-1812
Topic:
Portrait male\bust  Search this
Credit Line:
Smithsonian American Art Museum, Gift of Frederick W. Cron
Object number:
1961.9.1
Restrictions & Rights:
CC0
See more items in:
Smithsonian American Art Museum Collection
Department:
Painting and Sculpture
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7837b3e21-f3df-4da0-b54d-eb957944fb9d
EDAN-URL:
edanmdm:saam_1961.9.1

Sketch of Egyptian Jackals

Artist:
Paul Manship, born St. Paul, MN 1885-died New York City 1966  Search this
Medium:
watercolor, gouache and pencil on paper
Dimensions:
sheet: 6 3/4 x 12 in. (17.1 x 30.6 cm)
Type:
Drawing
Date:
1924
Topic:
Study  Search this
Animal\jackal  Search this
Study\sculpture study  Search this
Credit Line:
Smithsonian American Art Museum, Bequest of Paul Manship
Object number:
1966.47.237
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk76a8e108d-c4fc-4afd-8221-d922922fd445
EDAN-URL:
edanmdm:saam_1966.47.237

Flower painting techniques / Heather Schofield ; technical photographs by Frank Schofield

Author:
Schofield, Heather  Search this
Physical description:
167 pages, [4] leaves of plates : illustrations (some color) 26 cm
Type:
Books
Date:
1978
©1978
Topic:
Botanical illustration  Search this
Flowers in art  Search this
Drawing--Technique  Search this
Painting--Technique  Search this
Watercolor painting--Technique  Search this
Call number:
NC815 .S36 1979
NC815.S36 1979
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_121192

Oral history interview with Saul Steinberg, 1971

Interviewee:
Steinberg, Saul, 1914-1999  Search this
Interviewer:
Glueck, Grace  Search this
Type:
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Saul Steinberg, 1971. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Painting, Modern -- 20th century -- History -- New York (State) -- New York  Search this
Caricatures and cartoons  Search this
Record number:
(DSI-AAA_CollID)12966
(DSI-AAA_SIRISBib)213137
AAA_collcode_steinb71
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213137

Press Releases

Collection Creator:
Woman's Building (Los Angeles, Calif.)  Search this
Container:
Box 10, Folder 50
Type:
Archival materials
Date:
1985-1987
Collection Citation:
Woman's Building records, 1970-1992. Archives of American Art, Smithsonian Institution.
See more items in:
Woman's Building records
Woman's Building records / Series 2: Education Programs / 2.1: Administrative Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90cd41293-1f32-474b-91a9-c26f0f1a79c3
EDAN-URL:
ead_component:sova-aaa-womabuil-ref483

Winslow Homer collection

Creator:
Homer, Winslow, 1836-1910  Search this
Names:
Clarke, Thomas B. (Thomas Benedict), 1848-1931  Search this
Prang, Louis, 1824-1909  Search this
Salinger, Emil  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1863, 1877-1945
Summary:
The Winslow Homer collection measures 0.2 linear feet with material from 1863 and 1877 to 1945. The collection documents Homer's career as a painter and lithographer through letters, printed material, family records, and photographs.
Scope and Content Note:
The Winslow Homer collection measures 0.2 linear feet with material that dates from 1863 and 1877 to 1945. The collection documents Homer's career as a painter and lithographer through letters, printed material, family records, and photographs.

Letters in the collection primarily document Homer's later career between 1890 and 1909. Included are an illustrated letter to the art collector George G. Briggs concerning frames, and twenty-six letters to art collector and friend, Thomas B. Clarke, discussing Homer's artwork, exhibitions, sale of his work, and his family. Many of the Clarke letters are transcribed. Also found are twelve letters to Louis Prang, a friend and successful chromolithographer, concerning Homer's drawing techniques and making drawings for Prang's use. Miscellaneous letters include a letter to cellist Emil Salinger, art editor Florence Fuller, and others, discussing his artwork. Marie "Midie" W. Blanchard was Homer's cousin and the folder of her letters includes a letter from Homer to her, and two letters from her to others about Homer.

This collection also contains photograph copies of four pages from the "Family Record" in the Homer family Bible, which records births, deaths, marriages, and locations of family members. The "Century Loan Exhibition" catalog is annotated throughout with notes regarding the exhibition and contains an introduction by Booth Tarkington. Also found is a newspaper clipping about Homer's artwork. Photographs include twenty albumen and cyanotype photographs, on two pages from a photo album, of Winslow Homer and family in various activities.
Arrangement:
Due to the small size of this collection, items are categorized into one series consisting of twelve folders. Items are arranged chronologically within each folder.
Biographical Note:
Winslow Homer was born in Boston, Massachusetts, in 1836. He was raised in Cambridge, where he developed a love of art and the outdoors. At the age of 19 he began his career as an illustrator, apprenticing at the J.H. Bufford lithographic firm in Boston. He then decided to become a freelance illustrator. In 1859 Homer moved to New York to work for Harper's Weekly, serving as artist-correspondent for the magazine during the Civil War. After taking some art classes at the National Academy of Design, he decided to focus on oil painting. He quickly gained international recognition as a painter, and in 1866 made his first trip to Europe. In 1873 he decided to work in watercolor and found great success in his experimentation with light and color in this medium. In the mid-1880s Homer moved permanently to Prout's Neck, Maine, an isolated area where he built a studio and focused his paintings on man's struggle with nature. Also during the 1880s he worked on a series of etchings based on his paintings. Homer continued to paint for the next twenty years, vacationing summers in places such as the Adirondacks and the Bahamas to capture varied landscapes, until his death in 1910.
Related Material:
Also found in the Archives of American Art are the Winslow Homer letters to M. Knoedler & Company, 1900-1904.
Provenance:
Items in this collection are gifts of various donors. The exhibition catalog was donated by Lawrence Fleischman in 1954, the photographs donated by Dorothy Adlow in 1961, and the Marie Blanchard letters and news clipping donated by Carlotta Claflin in 1976. Other letters were donated by Charles Feinberg in 1959, Joyce Tyler in 1979, Lawrence Fleischman in 1959, Jean Meissner and William T. Campbell in 1966, Katherine H. Coudon in 1989, and Edgar Salinger in 1961. The bible pages were a 1977 anonymous donation. Items were microfilmed shortly after receipt.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Maine  Search this
Topic:
Art -- Collectors and collecting  Search this
Painting, American  Search this
Citation:
Winslow Homer collection, 1863, 1877-1945. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.homewinl
See more items in:
Winslow Homer collection
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ae0d3910-2c03-4ce4-bc60-b12406f9a56b
EDAN-URL:
ead_collection:sova-aaa-homewinl
Online Media:

Serra, Richard, Fabrication

Collection Creator:
Leo Castelli Gallery  Search this
Container:
Box 52, Folder 85
Type:
Archival materials
Date:
1986-1992
Scope and Contents:
Oversized material housed in OV 240.
Collection Restrictions:
Use of original records requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Leo Castelli Gallery records
Leo Castelli Gallery records / Series 3: Exhibition Files / 3.5: Solo Shows
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e7c85b96-961c-4b70-99e5-f739d19f14d9
EDAN-URL:
ead_component:sova-aaa-leocast-ref10110

Biographical Sketches

Collection Creator:
Shahn, Ben, 1898-1969  Search this
Container:
Box 1, Folder 2
Type:
Archival materials
Date:
circa 1947-1961
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ben Shahn papers, 1879-1990, bulk 1933-1970. Archives of American Art, Smithsonian Institution.
See more items in:
Ben Shahn papers
Ben Shahn papers / Series 1: Biographical and Family Records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9502c0fb0-3856-4a02-9c19-a02a46d276c0
EDAN-URL:
ead_component:sova-aaa-shahben-ref17
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  • View Biographical Sketches digital asset number 1

Gifford Beal sketches, sketchbooks, and papers

Creator:
Beal, Gifford, 1879-1956  Search this
Names:
Federal Art Project  Search this
Beal, Maud Ramsdell  Search this
Bruce, Edward, 1879-1943  Search this
Cox, Edward  Search this
Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this
Hancock, Walker Kirtland, 1901-1998  Search this
Kent, Rockwell, 1882-1971  Search this
Pennell, Joseph, 1857-1926  Search this
Rowan, Edward Beatty, 1898-1946  Search this
Watson, Forbes, 1880-1960  Search this
Wortman, Denys, 1887-1958  Search this
Extent:
7.7 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Sketchbooks
Sketches
Travel diaries
Love letters
Drawings
Prints
Diaries
Paintings
Photographs
Date:
1889-2001
bulk 1900-1954
Summary:
The papers of painter and muralist Gifford Beal measure 7.7 linear feet and date from 1889 to 2001. The bulk of the collection consists of artwork, in addition to correspondence, writings, printed matter, including one scrapbook, pictorial subject files, photographs, and two scrapbooks of photographs of works of art. Artwork is primarily in the form of sketches and seventy-eight sketchbooks in a wide variety of media. Among the loose sketches are twenty-eight oil paintings on wood board or panel, and fourteen large pastel drawings on canvas depicting dancing figures in a romantic style. Artwork by other artists in the collection include prints by Arthur B. Davies, Rockwell Kent, and Denys Wortman.
Scope and Content Note:
The papers of painter and muralist Gifford Beal measure 7.7 linear feet and date from 1889 to 2001. The bulk of the collection consists of artwork, in addition to correspondence, writings, printed matter, including one scrapbook, pictorial subject files, photographs, and two scrapbooks of photographs of works of art. Artwork is primarily in the form of sketches and seventy-eight sketchbooks in a wide variety of media. Among the loose sketches are twenty-eight oil paintings on wood board or panel, and fourteen large pastel drawings on canvas depicting dancing figures in a romantic style. Artwork by other artists in the collection include prints by Arthur B. Davies, Rockwell Kent, and Denys Wortman.

Biographical materials include membership certificates, a marriage certificate, and a travel journal kept by Beal's wife, Maud Ramsdell Beal, on their honeymoon. Personal correspondence consists primarily of love letters between Beal and Maud Ramsdell Beal. Three folders of professional correspondence contain letters from Joseph Pennell (1925); Federal Art Project staff from the Treasury Department including Ed Rowan, Edward Bruce, and Forbes Watson (1938); Walker Hancock (1951); and a series of letters signed "Hyde," from Crow Island, Massachusetts, which may have been written by Edward Hyde Cox (1953-1954).

Also found among the papers are printed materials such as exhibition catalogs, clippings, and reproductions of artwork, both loose and in a scrapbook from the 1920s; subject files containing clippings, photographs, and other pictorial references to common subjects of Beal's artwork; a few personal photographs; and photographs of works of art. Notes and writings are found among Beal's sketchbooks, including one long autobiographical essay which may have been for a lecture, a few diary entries from 1942, and extensive notes on the color, form, and lighting of his sketching subjects. In addition to a scrapbook relating to Beal exhibitions, there are also two scrapbooks containing photographs of works of art.
Arrangement:
The collection is arranged as 7 series:

Missing Title

Series 1: Biographical Materials, 1900-1909, 1942, 1953 (0.2 linear feet; Boxes 1 and 5, OV 10)

Series 2: Correspondence, 1906-1954 (0.4 linear feet; Box 1)

Series 3: Printed Materials, 1900-2001 (0.4 linear feet; Boxes 1, 5, OVs 11, 16)

Series 4: Subject Files, 1889-1953 (0.4 linear feet; Boxes 1-2, OV 10-12)

Series 5: Photographs, 1908-1950 (0.2 linear feet; Box 2, OV 10)

Series 6: Artwork, 1900-1951 (3.3 linear feet; Boxes 2-9; OV 10, 13-20 and rolled documents 21 and 22)

Series 7: Scrapbook, circa 1919-circa 1951 (1.1 linear ft; Boxes 7, 23)
Biographical Note:
Painter and muralist Gifford Beal was born in New York City in 1879, the youngest of six children. Beal began his art training at 13, when he accompanied his older brother, Reynolds Beal, to the Shinnecock School of Art for classes with William Merritt Chase. Gifford Beal continued to study with Chase for ten years at Shinnecock, the Tenth Street Studio building in New York City, and the New York School of Art. Beal attended college at Princeton University from 1896 to 1900, and from 1901 to 1903 he also took classes at the Art Students League with George Bridgman and Frank Vincent DuMond. In 1908, Beal married Maud Ramsdell of Newburgh, New York, where the Beal family also had an estate. They had two sons, William (b. 1914) and Gifford, Jr. (b. 1917).

Beal received all of his training in the United States at a time when European art training was the norm among his peers. Beal's earliest subject matter was taken from the familiar worlds of New York City and the Hudson River Valley, where he frequently spent his summers. Later work would depict other summer homes, including Provincetown, Rockport, and Gloucester, Massachusetts. Throughout his career he explored a variety of styles in his approach to these and other representational subjects such as garden parties, the circus, Central Park scenes, and coastal scenes in the Northeast and the Caribbean.

Beal exhibited at the National Academy of Design's annual exhibition almost continuously from 1901 to 1956, was a member of the Academy from 1914, and won at least seven awards given by the Academy over the course of his career. He won his first award in 1903 from the Worcester Art Museum. He exhibited regularly in major annual exhibitions and world expositions, including the Panama Pacific Exposition of 1915, where he won a gold medal.

Gifford and Reynolds Beal exhibited in a two-man show in 1907 at Clausen Galleries, and the two brothers were both eventually represented by Kraushaar Galleries, where Gifford Beal had his first one-man show in 1920. Beal served as president of the Art Students League from 1916 until 1930, the longest term of any president, and taught there in 1931 and 1932.

Beal was commissioned by the Section on Painting and Sculpture of the Works Progress Administration to paint ten murals for the Allentown, Pennsylvania post office in the late 1930s. The Allentown murals depicted American revolutionaries hiding the liberty bell at Allentown. In 1941, he completed two murals in the Department of the Interior building in Washington, DC: North Country, and Tropical Country, and he painted seven panels at Princeton University in 1943 depicting the life of the nineteenth-century engineer Joseph Henry. He was awarded an honorary Masters degree by Princeton in 1947.

Retrospective exhibitions were held at the Century Club, San Francisco Museum, Des Moines Art Center, and Butler Institute in the early 1950s. Upon his death in 1956, a memorial exhibition was held at the American Academy of Arts and Letters, where Beal became a member in 1943.
Provenance:
Papers were donated to the Archives by Gifford Beal's descendants in three separate accessions. Beal's sons, William and Gifford R. Beal, Jr., donated sketches and sketchbooks in 1992 and 1993. Richard and Lewis Goff, Margaret Beal Alexander, and Telka Beal donated additional sketches, sketchbooks, and materials from Beal's studio in 2000 through the Cape Ann Savings Bank, facilitated by Kraushaar Galleries.

Margaret Beal Alexander, Beal's granddaughter, also donated personal papers of her grandparents via Kraushaar Galleries in 2000. Additional sketchbooks and a poster illustrated by Beal were donated by Beal's Estate via Kraushaar Galleries in 2007. Two scrapbooks of photographs of works of art were donated by Beal's Estate via Kraushaar Galleries in 2015.
Restrictions:
The bulk of the collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State)  Search this
Topic:
Drawing -- Technique  Search this
Mural painting and decoration -- 20th century -- Pennsylvania -- Allentown  Search this
Muralists -- New York (State) -- New York  Search this
Genre/Form:
Scrapbooks
Sketchbooks
Sketches
Travel diaries
Love letters
Drawings
Prints
Diaries
Paintings
Photographs
Citation:
Gifford Beal sketches, sketchbooks, and papers, 1889-2001. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bealgiff
See more items in:
Gifford Beal sketches, sketchbooks, and papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98a8f006f-eed4-4440-a7f2-661e8073d4f6
EDAN-URL:
ead_collection:sova-aaa-bealgiff
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