This subseries includes photographs of the André Emmerich Gallery at 41 East 57th Street in the Fuller Building, the downtown gallery at 420 West Broadway, and Galerie André Emmerich in Zurich. They are arranged chronologically.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Leon Levy Foundation.
The André Emmerich Gallery records and André Emmerich papers measure 311.4 linear feet and date from 1929 to 2009. The collection documents the business of the André Emmerich Gallery as well as André Emmerich's life and activities related to the business of selling art. Gallery records include correspondence; appointment books; administrative and subject files; exhibition files; artist files and accounts; inventory, sales, purchase, and consignment records; chronological files; financial and legal records; printed materials; original artwork; photographic and audiovisual materials. Also found are personal papers and records relating to André Emmerich. TheA small addition received in 2014 includes general correspondence, administrative files, exhibition files, artists' files, inventory records, consignment records, printed material, photographic materials, and André Emmerich personal papers and records.
Scope and Content Note:
The André Emmerich Gallery records and André Emmerich papers measure 311.4 linear feet and date from 1929 to 2009. The collection documents the business of the André Emmerich Gallery as well as André Emmerich's life and activities related to the business of selling art. Gallery records include correspondence; appointment books; administrative and subject files; exhibition files; artist files and accounts; inventory, sales, purchase, and consignment records; chronological files; financial and legal records; printed materials; original artwork; photographic and audiovisual materials. Also found are personal papers and records relating to André Emmerich.
The records document the gallery's daily business operations, exhibitions, and relationships with artists, dealers, clients, galleries, and museums. Artists particularly well-represented throughout the collection include Anthony Caro, Sam Francis, Helen Frankenthaler, David Hockney, Hans Hofmann, Morris Louis, Kenneth Noland, Jules Olitski, and Beverly Pepper.
Records pre-dating the gallery's establishment in 1954 are primarily newspaper and magazine clippings related to artists, personal photographs and photographs of artists, an original etching, and some of André Emmerich's personal records including biographical materials, correspondence, writings, and legal and financial records. Records post-dating the gallery's closure in 1998 are primarily residual business records related to the final disposition of artwork, clippings, photographs of André Emmerich and gallery staff, biographical materials, personal correspondence, writings, legal and financial records, and condolences received by Emmerich's wife upon his death in 2007.
Correspondence is primarily with galleries, museums and clients about business matters. Correspondence files also cover topics such as appraisals, authentications, offers of sale, artists seeking representation, image requests, job applications and recommendations. Also included are the New York gallery's copies of correspondence between the New York staff and the Zurich staff.
André Emmerich's appointment books document appointments, notes, and reminders about Emmerich's business and personal activities. Four appointment books relating to the birth of Emmerich's three sons and second marriage were kept by the family. The appointment books are access restricted and require written permission to use.
Administrative files include corporate records establishing the Andre Emmerich gallery's structure, records documenting the gallery's daily operations, advertising and publicity material, and records about the Sotheby's acquisition. There are also materials related to Top Gallant Farm, from its establishment to its closure. Travel records relate to André Emmerich's business trips and vacations along with some files on the travels of a several staff members at the gallery. Files about the operations of the Galerie André Emmerich in Zurich, Switzerland are included in the series as well.
Subject files relate to Emmerich's gallery business as well as personal and political interests, such as antiquities, art fairs and exhibitions, lecture research, art associations, and sculpture parks. There are several files on the art critic Clement Greenberg and former president of Gay Men's Health Crisis, Nathan Kolodner, who was also an art dealer and director of the Andre Emmerich Gallery.
Exhibition files contain numerous exhibition catalogs and printed materials related to exhibitions held or organized by the André Emmerich Gallery in Manhattan and Galerie André Emmerich in Zurich. The files contain materials ranging such as exhibition invitations, posters, printed materials, press releases, and guest books. Photographs of exhibitions can be found in the Photographic Materials series.
Artist files include biographical materials, clippings, correspondence, mailing lists, price lists, printed materials, and occasionally lectures, writings, and audiovisual materials for many of the artists represented or shown by André Emmerich Gallery. The General Correspondence files might contain duplicates or expanded versions of some of the correspondence. Photographs of artists can be found in the Photographic Materials series.
Artist accounts comprise account statements prepared periodically by the gallery documenting each artist's expenses and sales. Ledgers and general accounting files can be found in the Other Financial and Legal Records series.
Inventory records include inventory cards describing artwork entering and leaving the gallery and files containing various gallery inventories. Artist inventory cards, representing artists from both the New York and Zurich galleries, list the artist, title, date, media and measurements of an artwork. The cards also indicate whether the work was ultimately sold, returned to the artist, consigned, etc., and divided into categories accordingly. Inventory files show various gallery inventories.
Sales records document gallery sales and include paid invoices, records relating to Zurich sales, general sales records such as price lists and canceled sales, and Sotheby's Parke-Bernet auction reports. There are gaps in sales invoices in 1961-1964 and 1969-1971.
Purchase records include correspondence and invoices related to purchases and offers; annotated invoices for works of art bought by the gallery; André Emmerich, Inc. related purchase records; "Non-Modern" art related purchase records.
Consignment records include correspondence and consignment agreements documenting consignments to and from the André Emmerich Gallery; consignments from other galleries to André Emmerich, Inc.; and general consignment records.
Chronological files include copies of invoices or cover letters documenting the movement of artwork into and out of the gallery through sales, consignments, loans, and approvals. Records dating January through August 1968, January through March 1969, and September 1969 through July 1971 are missing.
Financial and legal records include client and partner account statements, resale and exempt organization certificates, accounting ledgers, and legal files related to disputes involving or of interest to the gallery.
Printed materials include auction catalogs and reports, books, and clippings describing André Emmerich, the galleries in New York and Zurich, Top Gallant Farm, and the art world. Also included is a large scrapbook created by the gallery containing clippings and gallery announcements dated 1955-1958. Clippings relating to particular artists can be found in the Artists Files series.
There are two pieces of original artwork in the collection. One is a 1974 print of a 1933 composite etching by Esther Dick Gottlieb, Adolphe Gottlieb, Edgar Levy, Lucille Corcos Levy, David Smith, and Dorothy Dehner Smith. The second is a 1998 lithograph by Louise Bourgeoise, called The Face of the Critic. The artist gave the lithograph as a gift in honor of Robert Hughes and the Archives of American Art and is numbered 61 out of a series of 300.
Photographic materials include prints, slides, negatives, and transparencies. Subjects include artists, André Emmerich, gallery installations, Top Gallant Farm, events, artists' studios, gallery staff, gallery space, and artwork. Photographs which show André Emmerich are indicated as such in the finding aid.
Audiovisual materials includes videocassettes and one audiocassette related to the art world. Videocassettes related to specific artists can be found in the Artists Files series. Videocassettes related to André Emmerich can be found in the André Emmerich Personal Papers and Records series. Videocassettes related to Top Gallant Farm and Sotheby's can be found in the Administrative Files series.
Personal papers and records relating to André Emmerich include biographical materials, personal correspondence, writings and lectures, and legal and financial records. The biographical materials include an address book, interviews and identifying documents. Writings include articles, edits, dissertations, lectures, etc. There are also some miscellaneous correspondence which is organized chronologically.
The small addition received in 2014 includes general correspondence, administrative files, exhibition files, artists' files, inventory records, consignment records, printed material, photographic materials, and André Emmerich personal papers and records.
Arrangement:
The collection is arranged as 19 series:
Missing Title
Series 1: General Correspondence Files, 1958-2006 (boxes 1-18, OV 314-315; 18.2 linear feet)
Series 2: André Emmerich Appointment Books, 1954-2007 (boxes 19, 325, 326; 1.7 linear feet)
Series 3: Administrative Files, 1954-2003 (boxes 20-31, 306, OV 314, OV 316-319; 11 linear feet)
Series 4: Subject Files, 1958-1967, 1971-2000 (boxes 31-32, 306, OV 318, OV 320; 2 linear feet)
Series 5: Exhibition Files, circa 1954-1998 (boxes 32-40, 306, 307, OV 318-322; 8.5 linear feet)
Series 6: Artists Files, 1929-1932, 1938-2007 (boxes 40-68, 307, 308, OV 320-323; 28 linear feet)
Series 7: Artist Accounts, 1958-1998 (boxes 68-81; 13.5 linear feet)
Series 8: Inventory Records, circa 1954-2000(boxes 82-128; 46.5 linear feet)
Series 9: Sales Records, 1959-1998 (boxes 128-168; 40 linear feet)
Series 10: Purchase Records, 1961-1966, 1972-1994 (boxes 168-170; 2 linear feet)
Series 11: Consignment Records, 1961-2002 (boxes 170-177; 7.7 linear feet)
Series 12: Chronological File of Incoming and Outgoing Artwork, 1968-1998 (boxes 178-185; 8 linear feet)
Series 13: Other Financial and Legal Records, 1956-1999 (boxes 186-202; 16.5 linear feet)
Series 14: Printed Materials, 1955-1960, 1965-2008 (boxes 202-204, 308, 309; 3 linear feet)
Series 15: Original Artwork, 1933, 1974, 1998 (box 205, 310; 0.7 linear feet (2 folders))
Series 16: Photographic Materials, circa 1930-1935, 1941-1998, circa 2005 (Boxes 205-296, 311-313, OV 324; 92.8 linear feet)
Series 17: General Audio and Video Recordings, 1985, 1990-1995 (Boxes 297-298; 1.3 linear feet)
Series 18: André Emmerich Personal Papers and Records, 1937-1940, 1946-2008 (Boxes 298-305, OV 321, OV 323; 7.7 linear feet)
Series 19: Addition to the The André Emmerich Gallery records and André Emmerich papers, 1956-2009 (Boxes 328-329, OV 330; 2.1 linear feet)
Historical Note:
André Emmerich (1924-2007) was one of America's most noted contemporary art dealers and opened the André Emmerich Gallery in New York in 1954. The gallery showcased contemporary art, particularly Color Field painting and monumental sculpture.
André Emmerich was born on October 11, 1924 in Frankfurt, Germany. From age 7 he was raised in Amsterdam before emigrating with his family to New York City in 1940. He studied at Oberlin College and developed an interest in pre-Columbian art and antiquities. After graduation, he spent ten years in Paris working as a writer and editor before returning to New York. He married Constance Emmerich and the couple had three sons, Adam, Noah, and Toby.
In 1954 Emmerich opened the André Emmerich Gallery at 18 East 77th Street and initially specialized in contemporary American and European art and pre-Columbian antiquities. In 1956, the gallery moved to 17 East 64th Street, and in 1959 to the Fuller Building at 41 East 57th Street. Emmerich wrote two books about pre-Columbian art, Art Before Columbus in 1963 and Sweat of the Sun, Tears of the Moon: Gold and Silver in Pre-Columbian Art in 1965.
In 1961, Emmerich learned that French and Company, a gallery advised by art critic Clement Greenberg, was closing its department of contemporary art. French and Company had represented Color Field painters Morris Louis, Kenneth Noland, and Jules Olitski. Emmerich immediately invited Louis and Noland to be represented by his gallery. In 1966 he extended the invitation to Olitski as well, and Helen Frankenthaler joined soon after. The gallery's reputation as one of the earliest and most important promoters of Color Field painters was launched.
In addition to Color Field painters, the gallery represented, among others, Pierre Alechinsky, Karel Appel, Milton Avery, Herbert Ferber, Sam Francis, John Graham, Al Held, David Hockney, Hans Hofmann, John Hoyland, Judy Pfaff, Miriam Schapiro, and Anne Truitt.
Until January 1983, sales of pre-Columbian art primarily went through an entity called André Emmerich Inc. (AE Inc.), while sales of contemporary went through the André Emmerich Gallery Inc. (AEG). In 1983, the two entities were merged and operated under the name André Emmerich Gallery Inc.
In 1971, Emmerich began operating a downtown gallery at 420 West Broadway, in SoHo, in space shared with Leo Castelli, Virginia Dwan, and Ileana Sonnabend. In 1972, Emmerich opened a branch of his gallery in Zurich. He incorporated the Galerie André Emmerich Gmbh primarily for the purpose of leasing gallery space in Zurich. Until February 1974, sales of Pre-Columbian art in Zurich were made by an entity called André Emmerich Gallery Inc., New York Filiale Zurich. The Galerie André Emmerich Gmbh was officially liquidated in May 1982. The Filiale was formally closed in October 1996. Galerie André Emmerich also enjoyed a short-lived joint venture with Gimpel & Hanover.
André Emmerich served as president of the Art Dealers Association of America from 1972-1974 and again from 1991-1994.
Emmerich opened a private 150 acre sculpture park, Top Gallant Farm, on his estate in Pawling, New York, in 1982, where he stored and exhibited monumental sculptures by artists his gallery represented including Anthony Caro, Beverly Pepper, Alexander Liberman, Alexander Calder, Mark di Suvero, George Rickey, and Keith Haring. David Hockney painted waves onto floor of the property's swimming pool in 1986. Emmerich operated the sculpture park until 1996.
Emmerich sold his gallery to Sotheby's in 1996. He continued to be affiliated with the gallery until Sotheby's closed the gallery in 1998. Emmerich then began work on his memoir, My Life With Art, excerpts of which have been published in Art News, the Wall Street Journal, and The New Criterion.
Andre Emmerich died in New York 2007 and is survived by his second wife, Susanne Emmerich.
Related Material:
Among the holdings of the Archives of American Art is an oral history interview with André Emmerich conducted by Mona Hadler on January 18, 1993.
Provenance:
The André Emmerich Gallery records and André Emmerich papers were donated to the Archives of American Art by André Emmerich in eight accretions between 1999 and 2002. Two additional accretions were donated by Emmerich's wife Susanne in 2008 and 2009; and by James Yohe, Emmerich's former business partner, in 2009 and 2014.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Access of diaries and appointment books required written permission.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The records of the Carnegie Institute, Museum of Art measure 265.8 linear feet and date from 1883-1962, with the bulk of the material dating from 1885-1940. The collection includes extensive correspondence between the museum's founding director, John Beatty, and his successor, Homer Saint-Gaudens, with artists, dealers, galleries, collectors, museum directors, representatives abroad, shipping and insurance agents, and museum trustees. The collection also includes Department of Fine Arts interoffice memoranda and reports; loan exhibition files; Carnegie International planning, jury, shipping, and sale records; Department of Fine Arts letterpress copy books, and a copy of the original card catalog index to these records.
Scope and Contents:
The records of the Carnegie Institute, Museum of Art measure 265.8 linear feet and date from 1883-1962, with the bulk of the material dating from 1885-1940. The collection includes extensive correspondence between the museum's founding director, John Beatty, and his successor, Homer Saint-Gaudens, with artists, dealers, galleries, collectors, museum directors, representatives abroad, shipping and insurance agents, and museum trustees. The collection also includes Department of Fine Arts interoffice memoranda and reports; loan exhibition files; Carnegie International planning, jury, shipping, and sale records; Department of Fine Arts letterpress copy books, and a copy of the original card catalog index to these records.
This collection is a complete record of the museum's work, starting with the planning of the first loan exhibition in 1885 and ending with the cancellation of the International at the start of World War II in 1940. The museum's day-to-day relationships with all aspects of the contemporary art world are documented within the historical context of artists' reactions to World War I; the economic repercussions of the Great Depression on art sales and museum budgets; the ramifications of fascism on German, Italian, and European art; the impact of civil war on Spanish art; and the tensions introduced by the rise of 'radical' modernist art in Europe.
Correspondence (Series 1) is the largest series in the collection (152.5 linear feet) and is comprised of extensive correspondence between the Museum of Art and over 8700 correspondents, with over 3600 correspondents specifically related to art and artists.
Correspondents related to the art world include museum staff, artists, collectors, museums, galleries, dealers, shippers, insurance agencies, art directors, associations, societies, clubs, critics, press, and governments. These exchanges include general requests for information; requests related to the museum's exhibitions, including the International; letters regarding the museum's involvement in the events of other art organizations; loan, sales, and provenance information for specific works of art; and information regarding the events of other art organizations.
The correspondence of the museum's staff provides the greatest insight into understanding the museum's evolution into an international cultural institution. Both directors' correspondence touch on their personal opinions on art, their rationale behind policy decisions, and their understanding of the extent to which the museum's work was dependent on the good relations they maintained in the art world. Additionally, the extensive, opinionated correspondence between Saint-Gaudens' European agents and museum staff during the 1920s and 1930s provide a unique perspective on emerging art trends and the skill, growth, and personalities of individual artists.
The most prolific of the museum staff correspondents include museum directors John Beatty and Homer Saint-Gaudens, Board of Trustees president Samuel Harden Church, assistant director Edward Balken, and European agents Guillaume Lerolle , Ilario Neri, Arnold Palmer, Margaret Palmer, and Charlotte Weidler. Additional prominent staff members include Helen Beatty, Robert Harshe, Caroline Lapsley, Henry Jack Nash, John O'Connor, Charles Ramsey, George Shaw, George Sheers, August Zeller, and Fine Arts Committee members John Caldwell, William Frew, William Hyett, and John Porter.
The most prolific artist correspondents include John White Alexander, George Grey Barnard, Cecilia Beaux, Frank Benson, George de Forest Brush, William Merritt Chase, William Coffin, Bruce Crane, Andre Dauchez, Charles H. Davis, Alfred East, Ben Foster, Daniel Garber, Charles P. Gruppe, John Johansen, Johanna Hailman, John McLure Hamilton, Birge Harrison, Childe Hassam, Winslow Homer, Laura Knight, John la Farge, Gaston la Touche, John Lavery, Henri le Sidaner, Jonas Lie, Hermon A. MacNeil, Antonio Mancini, Gari Melchers, Emile Menard, Henry R. Poore, Edward Redfield, W. Elmer Schofield, Leopold Seyffert, Lucien Simon, Eugene Speicher, Abbott Handerson Thayer, Robert Vonnoh, J. Alden Weir, Irving R. Wiles, and Ignacio Zuloaga. Other artists of note include: Edwin Austen Abbey, George Bellows, Edwin Blashfield, Frank Brangwyn, Mary Cassatt, Kenyon Cox, Thomas Wilmer Dewing, Thomas Eakins, William Glackens, Robert Henri, Eastman Johnson, Rockwell Kent, Paul Manship, Henry Ranger, John Singer Sargent, Edward Steichen, Alfred Stieglitz, Edmund Tarbell, James McNeil Whistler, N.C. Wyeth, and Charles Morris Young.
Frequent museum collaborators include the Art Institute of Chicago, Boston Museum of Fine Arts, Brooklyn Museum, Buffalo Fine Arts Academy, Cleveland Museum of Art, Corcoran Gallery of Art, Detroit Institute of Art, Metropolitan Museum of Art, Museum of Modern Art, Saint Louis Museum of Fine Arts, Toledo Museum of Art, and Worcester Art Museum.
Other prolific correspondents include collectors Chauncey Blair, Andrew Carnegie, Charles Lang Freer, George Hearn, Alexander Humphreys, Roy Hunt, Mrs. B.F. Jones, Burton Mansfield, Frank Nicola, Duncan Phillips, John Stevenson, and William Stimmel; dealers and galleries M. Knoedler, William Macbeth, Central Art Gallery, Charles A. Walker, C.W. Kraushaar Art Galleries, Downtown Gallery, Durand-Ruel and Sons, Ehrich Galleries, Ferargil Galleries, Frank Rehn, Frederick Keppel, Haseltine Art Gallery, R.C. Vose Galleries, and W. Scott Thurber Fine Arts; insurance agent Macomber Co.; and shippers Dicksee and Co., J.W. Hampton, P. Navel/R. Lerondelle, Stedman and Wilder, and W.S. Budworth and Son.
Correspondents not specifically related to the contemporary art world include businesses, educational institutions, libraries, and the general public. These exchanges detail the daily work of the museum, including the estimates and work orders of office suppliers, contractors, printers, and etc.; programming and research inquiries of k-12 and college/university institutions; acknowledgements of the receipt of Museum of Art publications; and general public inquiries regarding museum policies, exhibitions, and the permanent collection. Companies and institutions who worked particularly closely with the museum include Alden and Harlow (architects), Detroit Publishing Co., and Tiffany and Co.
Department of Fine Arts (Series 2) consists of art and artist lists, correspondence, memoranda, notes, and reports. These files were begun under John Beatty's tenure and streamlined under Homer Saint-Gaudens' directorship to track activities directly related to the museum's interoffice affairs. File headings continued under Saint-Gaudens focus on art considered and purchased for the permanent collection, employee records, exhibition proposals and loans, Fine Arts Committee minutes, museum programming, museum publications, press releases, requests for images, and requests for general information.
Under Saint-Gaudens, the Fine Arts Committee files contain voluminous impressions of contemporary European artists, which he composed during his annual studio tours of the continent in the early 1920s and late 1930s. These informal reports provide insight into the shaping of the International and include a running commentary on historical events of the time. The Fine Arts Committee files also document the artistic and budgetary compromises that were struck, particularly during the Great Depression and early run-up to World War II.
Exhibitions (Series 3) includes correspondence with collectors, museums, galleries, dealers, shippers, and many of the artists themselves. Additional documents include catalogs, lists, planning notes, and telegrams related to 185 traveling and loan exhibitions held at the Museum of Art from 1901 to 1940. Of these, over 100 are one-artist shows and 82 are group, survey, regional, or topical shows. The one-artist exhibitions tend to showcase contemporary artists of the time. Regional shows focused on American and European art, with two shows featuring the art of Canada and Mexico. Survey themes focused on animals, children, cities, gardens, landscapes, Old Masters, and portraitures. Many of the genre shows venture into art not typically collected by the Museum of Art, including architecture, crafts, engravings, figure studies, graphic arts, illustrations, miniatures, mural decorations, oriental rugs, prints, printed books, sculpture, small reliefs, stained glass, theater models, watercolors, and wood engravings.
The most important shows organized and curated by Museum of Art staff include the Panama-Pacific International Exposition (1915), American Sculpture Show (1915, 1920), Applied Arts Show (1917), Original Illustrations Show (1921), Mexican Art Show (1929), Garden Club Show (1922), Industrial Art Show (1924), Pittsburgh Artists Show (1935), French Survey Show (1936), English Painting Survey Show (1937), American Paintings, Royal Academy Show (1938), and Survey of American Painting Show (1940).
Important one-artist shows include Abbot Handerson Thayer (1919), George de Forest Brush (1922), Frank W. Benson (1923), Rockwell Kent (1923, 1939), Anders Zorn (1924), John Lavery (1925), Paul Manship (1925), Mary Cassatt (1925), Laura Knight (1925), Edouard Manet (1932), Edward Hopper (1936), Winslow Homer (1922, 1936), Paul Cezanne (1936), Charles Burchfield (1937), and William Glackens (1938).
International (Series 4) is comprised of catalogs, correspondence, art and artist lists, itineraries, jury selection ballots, minutes, notes, and reports related to the planning, logistics, and promotion of the International Exhibition from 1895 to 1940. These documents were originally grouped and filed separately under John Beatty and were more rigorously streamlined under Homer Saint-Gaudens. The folder headings continued under Saint-Gaudens focus on art purchases, artists' invitations, artists' request for information, general exhibition planning, Foreign Advisory Committees, foreign governments, jury reception planning, loan requests, and touring logistics.
Letterpress books (Series 5) consist of 75 volumes that chronologically collect all of the Museum of Art's outgoing correspondence from 1896 to 1917. Volumes 1-8 contain the only copy of outgoing correspondence from 1896 to 1900. Duplicate copies of all outgoing correspondence dating from 1901 to 1917 were filed in Correspondence (Series 1) by museum staff.
Card catalogs (Series 6) also include three sets of catalogs created by the Museum of Art to track the outgoing and incoming correspondence contained in this collection. Set 1 (1895-1906) consists of the original cards. Set 2 (1907-1917) and Set 3 (1918-1940) consists of photocopies of the original cards that were merged together into one contiguous set.
Arrangement:
The collection is arranged into six series:
Missing Title
Series 1: Correspondence, 1883-1962, (Boxes 1-153, OV 267; 152.5 linear feet)
Series 2: Department of Fine Arts, 1896-1940, (Boxes 153-184, OV 268; 31.6 linear feet)
Series 3: Exhibitions, 1901-1940, (Boxes 184-204; 20 linear feet)
Series 4: International, 1895-1940, (Boxes 204-234, 265-266; 30.2 linear feet)
Series 5: Letterpress Books, 1900-1917, (Boxes 235-251; 17 linear feet)
Series 6: Card Catalogs, 1895-1940, (Box 252-264; 11 linear feet)
Biographical / Historical:
The Carnegie Institute Museum of Art was established in 1895 by industrialist and philanthropist Andrew Carnegie. One of the first modern contemporary art museums in the United States, its flagship exhibition, the Carnegie International, is recognized as the longest running contemporary exhibition of international art in North America and is the second oldest in the world.
Andrew Carnegie (1835-1919) was born in Dumfermline, Scotland and migrated to America with his family in 1848. Often regarded as the second-richest man in history behind John D. Rockerfeller, Carnegie built his industrialist fortunes in the steel industry and spent the remainder of his life in support of major philanthropic projects. By the age of 33, he had developed his personal philosophy of philanthropy, which saw it as the responsibility of the wealthy to foster educational opportunities and disseminate the ideals of high culture among all levels of society. In addition to establishing over 2500 free public libraries, in 1895, he provided the funds to build the Carnegie Institute, located in the Oakland neighborhood of Pittsburgh, Pennsylvania. The Carnegie Institute originally maintained three separate departments under the auspices of the Carnegie Library of Pittsburgh, the Carnegie Museum of Natural History, and the Carnegie Museum of Art.
The Carnegie Institute was administered by a Board of Trustees selected by Carnegie, all prominent professional men of Pittsburgh. Within this group, eight men were selected to serve on the Museum of Art's Fine Arts Committee, which was initially granted the final say on gallery affairs. The first Fine Arts Committee was composed of two artists, Alfred Bryan Wall and Joseph Ryan Woodwell, and six businessmen. Among the latter group, John Caldwell, Henry Clay Frick, William Nimick Frew, and David Thompson Watson were also knowledgeable art patrons and collectors. Over time, the Fine Arts Committee's sway over gallery affairs would be measured by the dedication of its various members and tempered by the vision and authority of the Museum's directors, John Beatty and Homer Saint-Gaudens, and the Carnegie Institute Board of Trustees president, Samuel Harden Church.
From 1896 to 1921, John Wesley Beatty (1851-1924) served as the first director of the Museum of Art. A native Pittsburgher and an accomplished silver engraver, illustrator, and painter, Beatty attended the Royal Bavarian Academy in Munich and upon his return to America, made a living as an artist. He also taught at the Pittsburgh School of Design for Women and co-founded a small school of art with fellow local artist George Hetzel. In 1890, while serving as the secretary of the Pittsburgh Art Society, he became the primary organizer of a loan exhibition to be displayed at the opening of the Carnegie Free Library in Allegheny, Pennsylvania. In 1895, when the Carnegie Institute trustees began discussing the possibility of a similar loan exhibition for the opening of their new institution, Beatty was contacted and eventually enlisted to take on the task. Upon the success of that exhibition, he was invited to direct the gallery's affairs and served as the Museum of Art's director until his retirement.
Beatty was an enthusiastic supporter of Impressionism, Realism, Tonalism, Symbolism, and the critically acclaimed contemporary art of the 1890s. He also shared Carnegie's vision for the Museum of Art and believed in the educational and uplifting role aesthetic beauty could provide to the general public. Pursuant to the stated goals of Andrew Carnegie, under Beatty's direction the museum began to purchase important contemporary works to add to its chronological collection of "Old Masters of tomorrow" and almost immediately began planning the first of its Internationals.
The Internationals were viewed as the primary means of showcasing the Museum of Art's selection of the best in contemporary American and European painting, thereby elevating its role as an influential cultural institution on a national and international level. Juried monetary prizes would be awarded to the two best works by American artists, additional awards would be offered to artists of all nationalities, and the Museum of Art's purchases for the year would be selected from the exhibition. Certain artists and collectors were tapped to serve as unofficial representatives of the Museum of Art at home and abroad, among them John White Alexander, William Coffin, I.M. Gaugengigl, Walter Shirlaw, and Edmund Tarbell. Many of the most prominent Pittsburgh art collectors were also asked to lend works to the exhibition. While details of the jury and artist selection process, number of representatives, exhibition show dates, and amount and total number of prizes would change over the years, the planning template was set and would remain the same for future Internationals.
Beatty continued to rely on a stable of close friends and confidantes to help smooth over relations with artists, dealers, shipping agents, and galleries alike, relying heavily on John White Alexander and W. Elmer Schofield, in addition to artists Thomas Shields Clarke, Walter Gay, Robert Henri, Frank D. Millet, and critic Charles M. Kurtz. Over time, many of the artists who served on International juries or Foreign Advisory Committees also became reliable friends and advocates of the International, including Edwin Austen Abbey, Edmond Aman-Jean, Edwin Howland Blashfield, William Merritt Chase, Charles Cottet, Kenyon Cox, Charles Harold Davis, Alfred East, Ben Foster, Charles Hopkinson, John la Farge, Gari Melchers, Leonard Ochtman, Irving R. Wiles, and Robert W. Vonnoh.
From 1896 to 1921, the Museum of Art held twenty-one Internationals, with the only exceptions coming in 1906 (construction of the Hall of Architecture, Hall of Sculpture, and Bruce Galleries), 1915 (deference to the San Francisco Panama-Pacific International), and 1916-1919 (World War I). During these years, the scope and administration of the International slowly expanded, though not without growing pains. At the turn of the century, new modernist styles of art that were appearing in galleries across Europe had not yet entered major American museums and the Carnegie Museum of Art maintained this trend. The museum's generally conservative selection policies, combined with criticism regarding the timing of the exhibition and the jury selection process, led to increasingly tense relations with artists, and were only partially resolved by changes made to the format of the International. In spite of these challenges, the Carnegie International retained its reputation as a preeminent venue for contemporary art and awarded top prizes to John White Alexander, Cecilia Beaux, George W. Bellows, Frank W. Benson, Andre Dauchez, Thomas Wilmer Dewing, Thomas Eakins, Childe Hassam, Winslow Homer, John Lavery, Henri le Sidaner, Edward W. Redfield, W. Elmer Schofield, Edmund C. Tarbell, Abbot Handerson Thayer, Dwight W. Tryon, and J. Alden Weir.
In addition to the International, Carnegie's mission of bringing cultural and educational opportunities to Pittsburgh was a central priority of the museum's daily operations. Beatty cultivated relationships with fellow museum directors, which allowed for the easy co-ordination and planning of traveling exhibitions benefiting the city. The museum developed educational programs for children and adults, including lectures, gallery talks, Saturday morning classes, fine art extension classes, guided tours, and outreach to local schools. As popular Pittsburgh art societies and clubs formed, the museum also provided meeting and exhibition spaces for groups such as the Associated Artists of Pittsburgh, the Art Society of Pittsburgh, the Art Students League, the Garden Club of Allegheny County, and the Junior League.
After more than 25 years of service, Beatty made the decision to retire and put out an informal call for candidates. Being the right man at the right time, in 1921, Homer Schiff Saint-Gaudens (1880-1958) became the Museum of Art's second director.
The only child of American sculptor Augustus Saint-Gaudens and his wife and artist, Augusta Fisher Homer, Saint-Gaudens frequently traveled abroad and grew up in the company of his parents' wide circle of friends, many of them artists, poets, writers, and performers who frequented the Cornish Artists' Colony. More intimate friends of the family included former students, assistants, and colleagues, the architect Stanford White, and successful artist-couples who resided near the family's Cornish, New Hampshire home, among them Louise and Kenyon Cox, Maria and Thomas Dewing, Florence and Everett Shinn, and Emma and Abbott Thayer.
Homer Saint-Gaudens attended the preparatory school Lawrenceville, graduated from Harvard in 1903, married the artist and suffragist Carlota Dolley (1884-1927) in 1905, and remarried to Mary Louise McBride (n.d.-1974) in 1929. He began his professional career as a journalist and worked as assistant editor of The Critic (1903) and managing editor of Metropolitan Magazine (1905). During those years, he was introduced to a number of the Ash Can school artists, wrote articles on contemporary art, and honed his abilities as a writer. In 1907, Saint-Gaudens took a break from professional editing and began a second career as the stage manager for Maude Adams, the most highly paid and successful stage actress of her day, with a yearly income of over one million dollars at the peak of her popularity. Working in theater and as Adams' manager for over ten years, Saint-Gaudens learned the ins and outs of event promotion and logistics, media coverage, and maintaining diplomatic relations through compromise, ideal skills he would later use in organizing the Carnegie Internationals.
With the United States' entry into World War I, Saint-Gaudens served as the chief of the U.S. Army's first camouflage unit and was awarded the Bronze Star. After his discharge, he managed Adams' 1918 final season and simultaneously helped his mother organize a major retrospective of his father's sculptures. While organizing a section of his father's work for the 1921 International, he was invited to step into the position of assistant director of the Carnegie Museum of Art, and was promoted to the directorship upon John Beatty's retirement.
Throughout his tenure, Saint-Gaudens was able to call upon long-standing family friendships with artists and art patrons to the museum's benefit. His connections to the art world can clearly be seen in his first major stand-alone exhibition, the Garden Club Show (1922). In this, he enlisted the aid of Elizabeth Alexander, wife of John White Alexander, and Johanna Hailman, artist and wife of John Hailman, who reached out to their circle of artists and art collecting friends in search of works appropriate for the show. Their efforts, combined with the relationships Beatty had established with museum directors, galleries, and dealers, as well as Saint-Gaudens' own friendships with Kenyon Cox, Thomas Dewing, Barry Faulkner, and Gari Melchers, resulted in an assemblage of 150 paintings of note. Coming immediately upon the heels of the 1922 International, the show was a resounding success. The exhibition's opening attracted over 300 delegates of the Garden Club of America and the entirety of Pittsburgh high society, settling any concerns regarding his leadership abilities.
As director of the Museum of Art, Saint-Gaudens instituted measures intended to streamline the Internationals and improve diplomatic relations with artists. Though the basic format of the juried exhibition remained the same, his solutions to the complaints many artists raised with the artist invitation, art selection, and jury systems reformed the International's reputation at a critical time. Though he was naturally inclined to appreciate the art and artists he had grown up with, Saint-Gaudens understood the immediate necessity of introducing modernist contemporary art into the museum's exhibitions and galleries. He circumvented the conservative Fine Arts Committee's resistance to the accolades of European modernists by choosing the tamest of the new 'radical' works. Eventually, he balanced the Internationals with a mix of conservative, moderate, and advanced works that appealed to a large range of audiences and increased the status and diversity of the Internationals.
To aid in his reformation of the International, Saint-Gaudens formalized a team of European agents who worked year round to scout artists' studios, recommend suitable art and artists, navigate local politics, arrange local transportation and logistics, and maintain cordial relations with artists abroad. In the spring, Saint-Gaudens would travel to Europe to meet with his agents in person, tour the most promising studios, and meet with artists personally. His team was headed by Guillaume Lerolle, who shared Saint-Gaudens' distinction of being the son of a well regarded national artist, Henry Lerolle. Like Saint-Gaudens, Lerolle was able and willing to call upon longstanding family friendships and networks on behalf of the Museum of Art. The other core members of the team were Ilario Neri (Italy), Arnold Palmer (England), Margaret Palmer (Spain), and Charlotte Weidler (Germany).
From 1922 to 1940, the Museum of Art held seventeen Internationals, with the exceptions coming in 1932 (Great Depression) and 1940 (World War II). After a brief period of change, growth, and experimentation in the early 1920s, the museum eventually settled on a routine of planning the Internationals, arranging for traveling exhibitions, and expanding upon the most popular of their educational programs. In addition to those programs put into place under Beatty's tenure, Saint-Gaudens paved the way for a revamped lecture series featuring visiting critics and traveled as a visiting lecturer himself.
During the 1930s, financial difficulties and increasing political tensions in Europe presented ample challenges to the diplomatic skills of Saint-Gaudens and his agents, and they found themselves increasingly forced to navigate through political minefields presented by the fascist ideologies of Germany and Italy, the chaos of the Spanish civil war, and the eventual outbreak of World War II in Europe. In spite of these challenges, under Saint-Gaudens' direction, the museum remained true to Andrew Carnegie's vision. The International was expanded to accept on average over sixty additional works of art, and at its peak, included art from twenty-one countries. Beginning in 1927, top prizes and recognition were awarded to Georges Braque, Marc Chagall, Salvador Dali, Andre Derain, Raoul Dufy, Karl Hofer, Rockwell Kent, Yasuo Kuniyoshi, Henri Matisse, Pablo Picasso, and Edouard Vuillard.
Works by Arthur B. Davies, Charles Hawthorne, Edward Hopper, Augustus John, Oskar Kokoschka, Leon Kroll, Ernest Lawson, and William Orpen were added to the museum's permanent collection. And, as under Beatty's tenure, many of the artists selected to serve on the Jury of Award became advocates and friends of the museum, including Emil Carlsen, Anto Carte, Bruce Crane, Charles C. Curran, Daniel Garber, Charles Hopkinson, Laura Knight, Jonas Lie, Julius Olsson, Leopold Seyffert, Lucien Simon, Eugene Speicher, Maurice Sterne, Gardner Symons, Horatio Walker, and Charles H. Woodbury.
The monumental task of establishing the Carnegie Institute Museum of Art and the Carnegie International has left an archival record that is unique and unparalleled in documenting its relations with every aspect of the contemporary art world from the turn of the century through the first forty years of the twentieth century.
Provenance:
The Carnegie Institute, Museum of Art records were loaned for microfilming in 1966 and later donated to the Archives of American Art in 1972. A small addition of corrrespondence was donated in 2017 by Elizabeth Tufts Brown.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Carnegie Institute, Museum of Art records, 1883-1962, bulk 1885-1940. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Brown Foundation. Funding for the digitization of this collection was provided by the Terra Foundation for American Art.
In the 1920s César M. de Hauke was introduced by René Seligmann to his cousin, Germain Seligman, head of the American branch of Jacques Seligmann & Co., Inc. Germain Seligman was so impressed by de Hauke's knowledge, interest, and excellent taste in modern art that he decided to help de Hauke set up a new company that would specialize in selling contemporary European and French art in the United States. This was a business venture that Germain Seligman had long wished to try under the auspices of Jacques Seligmann & Co., Inc., but other family members, who were silent partners in the firm, had been reluctant to support the proposition since it was outside the areas within which the company had traditionally dealt.
In 1926 Seligman personally financed the fledgling company, first called International Contemporary Art Company, Inc., and appointed César M. de Hauke its head, but even before the legal documents setting up the company were completed, the name was amended and changed to de Hauke & Co., Inc. Athough the bulk of the new company's art purchases for stock took place in Paris and London, the majority of its sales occurred in the United States.
Seligman and de Hauke worked out an agreement that allowed de Hauke both to purchase works of art that he could sell privately within the de Hauke & Co. gallery as well as to purchase works of art for Jacques Seligmann & Co. Ownership of paintings was often shared among various dealers, involving complicated commission transactions upon completion of sales. The two businesses were deeply intertwined, as evidenced by the fact that Jacques Seligmann & Co. financial records include a great deal of de Hauke material and many of de Hauke's records are written on Jacques Seligmann & Co. stationery. De Hauke & Co. also shared addresses with Jacques Seligmann & Co. in New York at 3 East Fifty-first Street and in Paris at 9 Rue de la Paix or 57 Rue Saint-Dominique. By 1927, de Hauke had joined Jacques Seligmann & Co., Inc., as an employee of that firm.
De Hauke worked actively to bring the work of modern French artists to the attention of American buyers, exhibiting works by Pierre Bonnard, Amedeo Modigliani, Odilon Redon, Ker-Xavier Roussel, and Edouard Vuillard. He was equally interested in French School drawings and watercolors, and the scope of his exhibitions also included works by nineteenth-century masters such as Pierre-Auguste Renoir, Paul Cézanne, Edgar Degas, and Georges Seurat. De Hauke was an acknowledged authority on Seurat.
A Perusal of de Hauke & Co. financial records reveals the wide range of its stock, from decorative arts and frames to paintings, sculptures, glassware, ceramics, leather bindings and writing pads, and prints and drawings by some of the most recognizable names in nineteenth- and twentieth-century art. Included in de Hauke & Co.'s inventory were works by notable European artists such as Georges Braque, Paul Cézanne, Jean-Baptiste-Camille Corot, Honoré Daumier, Edgar Degas, Raoul Dufy, Constantin Guys, Fernand Léger, ?douard Manet, Henri Matisse, Amedeo Modigliani, Pablo Picasso, Odilon Redon, Vincent van Gogh, and Edouard Vuillard.
Exceptionally well-known works of art, or studies for these works, are listed among the invoices and ledger books: The Palm by Bonnard; a Portrait of Madame Cézanne (Rewald, Paintings of Paul Cézanne: A Catalogue Raisonné,no. 606); a Self-Portrait,and Bathers (Rewald, Paintings of Paul Cézanne,no. 256) by Cézanne; Irises and Le Zouave by van Gogh; and Portrait of Monsieur Choquet by Renoir.
Even during 1929 and beyond, sales appeared to be brisk despite the general economic downturn. Sales were made to private individuals, such as Lillie P. Bliss, Frank Crowninshield, Duncan Phillips, Henry Reinhardt, Edith Wetmore, and Grenville L. Winthrop. Among the galleries that de Hauke dealt with were Bernheim-Jeune, the Downtown Gallery, and M. Knoedler & Co.
The success that de Hauke & Co. demonstrated in sales helped Germain Seligman to convince other family members of the profitability to be found in modern art, and in 1930 he established Modern Paintings, Inc., as the new modern paintings branch of the New York office. This change led to de Hauke's eventual resignation from Jacques Seligmann & Co. in 1931. Legal documents within the series records suggest that the relationship between de Hauke and Seligman had become strained. De Hauke's financial records after 1931 (with the exception of a few miscellaneous items) are not part of the Jacques Seligmann & Co. records.
The relationship between de Hauke and Germain Seligman continued to deteriorate after World War II, as evidenced by an exchange of letters in Jacques Seligmann & Co., Inc., (Series 9.1.6). Writing from liberated France on November 20, 1944, de Hauke asked Germain Seligman's help in obtaining a visa to return to the United States. In a letter from New York City, dated March 16, 1945, Germain Seligman replied, refusing sponsorship without giving specific reasons but hinting at concerns over de Hauke's role in the selling of company property seized by the German forces during the occupation of Paris.
Researchers may especially wish to note the provenance information that can be gleaned from study of the consular invoices, which established the value and authenticity of artworks. De Hauke documented company sales in many ways, including by name of the purchaser, as a daily transaction, and as a consignment. Much overlapping information on sales and provenance can be found in ledgers, invoices, consignment records, consular invoices, and shipping correspondence, so researchers are advised to look in all of these categories to gain a complete perspective on transactions involving specific works of art, individuals, or institutions.
Arrangement note:
The de Hauke & Co., Inc., series is arranged into 7 subseries. This series has been scanned in entirety with the exception of one item in 9.7. Blank pages in bound volumes have not been scanned so gaps will appear in the the numbering of those volumes.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
De Hauke sold and consigned works to individuals, galleries, and museums, and he also loaned works to galleries and museums such as the Cleveland Museum of Art, Downtown Gallery, Marie Harriman Gallery, Metropolitan Museum of Art, Museum of Modern Art, and Saint Louis Art Museum for special exhibitions. Complex arrangements with shippers, packers, and customs officials were made through frequent correspondence. De Hauke documented sales in many ways, including by the name of the purchaser, as a daily transaction, and as consignments.
Some names of individuals and organizations that occur in many of the records include James St. L. O'Toole, gallery manager and assistant to de Hauke in New York, who wrote much of the correspondence on de Hauke's behalf, some of which is in French; Tom Grady, director of Modern Paintings, Inc., a Jacques Seligmann & Co. entity, the stock of which was partially owned by de Hauke as well; Alexis Delamare, shipping agent based in Le Havre, France; Lérondelle, packer and shipper in Paris; Hirshbach and Smith, customs agents and brokers in New York; and Germain Seligman, owner and director of Jacques Seligmann & Co., Inc. Often de Hauke and Seligman sold on commission works of art owned by Bernheim-Jeune.
Arrangement note:
The bulk of this series has been scanned with the exception of one item in Series 9.7.2.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
The papers of LeRoy Neiman measure approximately 70.5 linear feet and date from 1938-2005. The collection includes biographical materials, correspondence, project files, printed material and artifacts documenting the career of the American painter LeRoy Neiman.
Scope and Content Note:
The papers of LeRoy Neiman measure approximately 70.5 linear feet and date from 1938 to 2005. The collection includes biographical materials, correspondence, project files, printed material and artifacts documenting the career of the American painter LeRoy Neiman.
Biographical material pertains to the artist's family, military service, education and teaching experience and representing galleries and publishers and includes artist biographies, awards, distinctions, and membership information.
Correspondence includes personal and business correspondence as well as collections of cards and literature on other artists, Neiman's notes and jottings, art work by children, and office records.
Project files document specific projects or art events in which Neiman was involved, including commissions, promotions, collaborations, serigraph printings, and publications.
Printed material includes newspapers, magazines, catalogs, fliers, invitations, brochures, press releases, film scripts and small posters.
Artifacts include three-dimensional items, clothing, souvenirs and LeRoy Neiman paraphernalia.
Arrangement:
The collection is arranged as 5 series:
Missing Title
Series 1: Biographical Material, 1938-2004, undated (Boxes 1-3, 77; 3.3 linear feet)
Series 2: Correspondence, circa 1960s-2004, undated (Boxes 3-19)
Series 3: Project Files, 1949-2005, undated (Boxes 20-39, 78-81)
Series 4: Printed Material, circa 1940s-circa 2005, undated (Boxes 40-61, 82-83, OV 85)
Series 5: Artifacts, 1953-2002, undated (Boxes 69-76, 84)
Biographical Note:
LeRoy Neiman has been described as the most popular living painter in America. While strikingly original, his work reflects the varied influences of Toulouse-Lautrec, Dufy, the New York Social Realists, and the Abstract Expressionists. Probably best known as a portrayer of sporting and social events, he virtually invented the modern genre of sports art and remains its most accomplished and acclaimed practitioner.
Among many other accomplishments, he was the first and only on-camera official artist for ABC-TV at the Olympics in Munich, 1972 and Montreal, 1976, and covered several other winter and summer Olympiads as an official artist. He was the first artist to create live, on-camera computer art while covering the 1978 Super Bowl in New Orleans for CBS-TV. In 1997 he was selected as the first official artist of the Kentucky Derby. But Neiman's interests range far and wide. As a painter, printmaker, and author, his subjects have included Parisian cafés, African safaris, famous bars, five-star restaurants, urban street scenes, the opera, political figures, jazz musicians, entertainers, stage and screen stars, gambling casinos, portraits, international stock exchanges, and much more.
For the past quarter-century, Neiman has created limited-edition serigraphs (silk-screen prints). Published and distributed exclusively by Knoedler Publishing, they are sold in selected galleries throughout the United States. By one estimate, the more than 150,000 Neiman prints that have been purchased to date have an estimated market value exceeding $400 million. Neiman is the author of twelve books: Horses, LeRoy Neiman Posters, Winners, which was also published in Japanese, Big Time Golf, LeRoy Neiman: An American in Paris, LeRoy Neiman on Safari, and LeRoy Neiman: Five Decades, all published by Harry N. Abrams, as well as Art and Life Style, Carnaval, Monte Carlo Chase, Casey at the Bat, and the newly-released limited edition LeRoy Neiman Sketchbook: Liston vs. Clay 1964/ Ali vs. Liston 1965, 2004. Knoedler Publishing has published The Prints of LeRoy Neiman, Volumes I-III, a catalogue raisonnes on Neiman's limited edition prints.
Over the years the artist has donated scores of his artworks to dozens of charitable causes and organizations. Through his work with the Good Tidings Foundation, two LeRoy Neiman Art Centers for Youth have been built in elementary schools in California. In 1995, he gave the School of the Arts at Columbia University in New York City an endowment of $6 million to create the LeRoy Neiman Center for Print Studies, dedicated to the study of fine art printmaking and the development of new methods of printmaking, and including a scholarship program. A 1998 donation led to the creation of the LeRoy Neiman Center for the Study of American Culture and Society at UCLA.
Neiman's work is represented in the Art Institute of Chicago, the Whitney Museum, the Minneapolis Museum of Art, the Hermitage of St. Petersburg and numerous other museums and public and private collections worldwide. A past member of the New York City Advisory Commission for Cultural Affairs, Neiman has received five honorary degrees and, among other honors, an Award of Merit from the American Athletic Union, a Gold Plate Award from the American Academy of Achievement, and a Lifetime Achievement Award from the Muscular Dystrophy Association, in addition to being named Boxing Artist of 1966 by Lonsdale, London.
Missing Title
1921 -- Born June 8 in St. Paul, Minnesota.
1942-46 -- Leaves high school to enlist in the army; serves four years in Europe.
1946 -- Studies at the St. Paul Gallery and School of Art with Clement Haupers.
1946-50 -- Student at the School of the Art Institute of Chicago; studies with Boris Anisfeld; studies liberal arts at University of Illinois and De Paul University, Chicago.
1950-60 -- Member of the Faculty, School of the Art Institute of Chicago, teaching figure drawing and fashion drawing.
1952 -- Exhibits in Twin City Show at Minneapolis Institute of Arts; wins Chicago Art Directors Award.
1953 -- Begins using enamel house paints; develops interest in drawing horse racing at Arlington Park; wins First Prize for painting "Idle Boats", a purchase prize, at Twin City Show, Minneapolis Institute of Art.
1954 -- Begins association with Playboy magazine illustrating Charles Beaumont story, which wins Chicago Art Directors Award; exhibits for first time in Chicago Artists and Vicinity Show, where he continues to show for next six years; wins Second Prize, Minnesota State Show; exhibits at Philadelphia Art Alliance.
1955 -- Instructor of painting at Elmwood Park Art League and North Shore Art League; exhibits at the Carnegie Pittsburgh International Exhibition of Contemporary Painting; creates the "Femlin" symbolic character which appears in Playboy for next 47 years; wins New York Art Directors Award.
1956 -- Included in "New Talent in America in 1956", published in Art in America, February 1956; delves deeper into Chicago sports scene, draws Chicago Bears, Blackhawks and boxing.
1957 -- Exhibits in Corcoran Gallery of Art "American 25th Biennial Exhibition", Washington, D.C.; awarded most popular prize out of 3,000 entries as well as the juried Clark Memorial Prize and Vicinity Show; first television appearance on Art Institute of Chicago TV show, "Artist's Choice"; painting instructor at School of the Art Institute of Chicago Summer Session and for two years at Ox-Bow Summer School, Saugatuck, Michigan teaching landscape painting; marries art student Janet Byrne.
1958 -- Exhibits at the "Society of Contemporary American Art Exhibition", Art Institute of Chicago, for three years; begins extensive travels for Playboy magazine, creating a feature on the high life called "Man at His Leisure", which appears regularly for the next 15 years; wins Municipal Art Award at "Chicago Artist and Vicinity Show", and Hamilton & Graham Cash Prize, Ball State Teachers College Drawing Show, Muncie, Indiana.
1959 -- Holds one-man show of racing scenes at Arlington Park Race Track, Chicago; shows in "Jazz Exhibition" and "Social Observation and Comment in Art Show" in Chicago.
1960 -- Paints at Squaw Valley Winter Olympic Games; travels six months through Europe covering sporting and social events, the Grand National Steeplechase, Epsom Derby, Ascot, and the Oxford-Cambridge boat race in England, Maxim's Tour d'Argent, the Lido and Folies Bergere in Paris, the Cannes Film Festival and St. Tropez, Fiesta de San Isidro bullfights in Madrid, the Grand Prix in Monaco auto race.
1960-1970 -- Executes over one hundred paintings and two murals for eighteen Playboy Clubs.
1961 -- Takes studio in Paris; does studies of Deauville social season and sketches the great restaurants of France; sketches Dublin Horse Show and cricket at Lord's in London; wins gold medal for oil painting at the "Salon d'Art Moderne", Paris.
1962 -- Sketches Bordeaux wine country, Paris fashion shows, racing at Longchamp, and Giraglia Yacht Race on Riviera; paints Regatta of the Gondoliers in Venice; does studies of Fellini directing "8 ½" and sketches at Cine Citta studios in Rome; visits U.S. to work on commission for 12 paintings of the Indianapolis 500.
1963 -- Returns from Paris; establishes a studio in New York; teaches painting at Arts and Crafts, Inc., Winston-Salem, North Carolina; holds first one-man exhibition in New York at Hammer Galleries; travels to Mexico with Shel Silverstein; sketches in Mexico City and Acapulco.
1964 -- Starts series of Muhammad Ali sketches and paintings which spans the next 15 years; sketches America's Cup Challenge at Newport, Rhode Island; returns to England to sketch London night life and Prince Phillip playing polo at Windsor; paints the Tour de France in Paris.
1965 -- Commemorates Sugar Ray Robinson with 8' x 6' portrait "Farewell to Boxing" unveiled at Madison Square Garden ceremony; paints portrait of Mae West and poet Marianne Moore.
1966 -- Sketches Kentucky Derby; in London paints personalities and scenes including the Beatles and Carnaby Street, Kenneth Tynan, Sir Ralph Richardson; paints surfing in California; executes mural for Swedish-Lloyd Ship, S. S. Patricia; creates art for film "Casino Royale"; sketches indoor polo for opening of Houston Astrodome.
1967 -- Sketches and paints leading figures in the arts, sports and entertainment world, including Leonard Bernstein, Joe Louis, Frank Sinatra, Brigitte Bardot and ballerina Suzanne Farrell; paints "24 Hours of LeMans", nudist scenes on the Dalmatian Coast of Yugoslavia, the Fiesta at Pamplona, the dolce vita of Rome.
1968 -- Paints the Kirov and Bolshoi ballets in Russia; is named artist-in-residence from the bench of the New York Jets football team; executes critical sketches of the 1968 Democratic National Convention in Chicago; paints Bobby Hull for Time magazine cover; contributed drawings for Harpers magazine articles on Cassius Clay and on Bobby Kennedy and race relations; initiates art class for Atlanta Poverty Program.
1969 -- Sketches civil rights figures and teaches art in Atlanta Poverty Program; creates poster for Kurt Weill Off-Broadway show and program cover for Oh! Calcutta; sketches New York City Ballet; appears regularly on TV as New York Jets artist-in-residence; collaborates with Dave Anderson on book, Countdown to Super Bowl; covers horse racing at Ascot and Longchamp, camel racing in Morocco.
1970 -- Paints backdrop for Broadway play Borstal Boy and does album cover for Fifth Dimension; exhibits in the Time magazine "Covers Show" at the National Portrait Gallery of the Smithsonian Institution, Washington D.C.; sketches sporting and social events in Dublin, and holds one-man show at the Abbey Theatre; travels with Hugh Hefner in Europe, Greece and Africa; sketches wildlife on safari in Africa; creates poster for Ali-Quarry fight, Ali's return to the ring in Atlanta; paints $100,000 baseball players for book, This Great Game; paints New York Stock Exchange.
1971 -- Has one-man exhibition at Museo de Bellas Artes in Caracas; travels to Monte Carlo, London, Paris and Switzerland; develops interest in printmaking; creates two-part TV program on the art of lithography and produces etchings and lithographs at Atelier Weber in Zurich; creates official poster and draws pre-fight sketches of Ali-Frazier Super Fight I at Madison Square Garden for The New York Times Magazine cover and post-fight sketches for ABC-TV; illustrates Jose Torres' book on Ali, Sting Like a Bee.
1972 -- Covers Fischer-Spasky world champion chess tournament at Reykjavik, Iceland and Munich Olympic Games, both on camera for ABC-TV; covers World Series for NBC-TV; creates serigraph of Knicks-Lakers championship game; paints Super Bowl for Time magazine cover; and cover for Golf Digest.
1973 -- Creates Super Bowl art for CBS-TV; sketches the Masters Golf Tournament for Golf Digest magazine; paints commission for Museum of Jazz; creates serigraph of Triple Crown winner Secretariat; sketches Foreman-Frazier fight in Jamaica; travels on multi-city tour and exhibit of Olympic serigraphs; nineteen serigraphs chosen by the Hermitage Museum, St. Petersburg, for its permanent collection.
1974 -- Has exhibition in Tokyo and sketches sumo, baseball and horse racing for Japanese TV; covers Stanley Cup hockey playoffs for NBC-TV; creates poster for Newport Jazz Festival and for next 5 years; creates poster for Ali-Foreman fight in Kinshasa, Zaire, and for Frank Sinatra concert at Carnegie Hall; Art and Lifestyle is published.
1975 -- Creates official St. Paul Bicentennial poster; given major retrospective at the Minnesota Museum of Art; creates official program cover for World Series; creates poster for Ali-Frazier III and paints cockfights in Manila; creates first of four annual posters for Robert F. Kennedy Pro-Celebrity Tennis Tournament; book The Artist's Limited Edition of Moby Dick is published.
1976 -- Paints mural on camera as ABC-TV Official Artist at Olympic Games, Montreal; paints on French Riviera; holds one-man show at Knoedler Gallery in London; exhibits in national invitational "Watercolor USA Show" at Springfield Art Museum, Missouri, and "Drawings USA Show" at the Minnesota Museum of Art; paints Harlem scene for Jazzmobile poster; paints Chris Evert for Saturday Evening Post cover.
1977 -- Holds one-man shows in Stockholm and Helsinki; works in Paris; paints NBA All-Star game; creates poster for Lacrosse USA.
1978 -- Performs first live execution of computer art for CBS-TV coverage of Super Bowl, New Orleans; creates poster for Bill Bradley senatorial campaign; creates poster for Ali-Spinks II match in New Orleans.
1979 -- Appointed Grand Marshal with Jesse Owens at The Drake Relays in Des Moines, Iowa; paints the Ginza, Kamakura Buddha, Mount Fuji in Japan, Royal Ascot in London, and Pan-Am Games in Puerto Rico, for CBS-TV; book Horses is published.
1980 -- Appointed Official Artist of the 1980 Lake Placid Winter Olympic Games and Official Artist of the Democratic National Convention, New York; paints commission for Caesar's Palace, Las Vegas; sketches Carnaval in Rio de Janeiro; presents painting commemorating signing of Arab-Israeli peace treaty at Camp David to President Carter at the White House; book Posters is published.
1981 -- Holds two-man exhibition with Andy Warhol at Los Angeles Institute of Contemporary Art, California; executes 24' x 16' portrait of Sylvester Stallone for Rocky film; creates art and appears as ring announcer in Rocky films II, III, IV and V; book Carnaval is published.
1982 -- Has one-man exhibition at Harrod's, and paints the "The Stock Exchange, London"; creates poster for Kool Jazz Festival; paints and exhibits in Tokyo.
1983 -- Has one-man exhibitions in Los Angeles, San Francisco and New Orleans; executes billboard, television commercial and program for Lido show at the Tropicana, Las Vegas; book Winners is published.
1984 -- Appointed Official Artist, Winter Olympics, Sarajevo, Yugoslavia and Summer Olympics, Los Angeles.
1985 -- Returns to Brazil to paint Gavea Golf and Country Club in Rio de Janeiro and stock exchange in Sao Paulo; named Honorary Marshal at St. Paul Winter Carnival; Japanese version of Winners is published.
1986 -- Appointed Official Artist, Goodwill Games in Moscow for Turner Broadcasting Network; paints America's Cup commission for the New York Yacht Club.
1987 -- Paints and makes video documentaries of Old St. Andrews in Scotland and the Riviera in France; paints Indianapolis 500 auto race commission; presents "Minute Man" poster to President Reagan at the White House.
1988 -- Holds one-man exhibitions in Japan and Moscow; executes mural for Golden Nugget, Las Vegas; paints commission for the Caribbean Classic at Caliente Racetrack in Tijuana, Mexico; paints and makes video documentary of "Napoleon at Waterloo"; book Monte Carlo Chase is published.
1989 -- Paints Frank Sinatra, Liza Minelli and Sammy Davis, Jr. at Royal Albert Hall, London; sketches the World Series at Candlestick Park in San Francisco during earthquake; does sketches and paintings and video documentary of New York's Central Park, and holds exhibition at the boathouse in the park.
1990 -- Executes commemorative painting for 100th anniversary of Los Angeles Dodgers; holds one-man exhibition for inaugural Grand Prix auto race in Denver; paints the Masters Golf Tournament in Augusta, Georgia; travels and sketches in Rome, Paris and Hong Kong.
1991 -- Executes commissioned paintings for 25th anniversary of Spectrum Stadium, Philadelphia, and 10th anniversary of Miami Grand Prix and of Joe Morgan and Jim Palmer for Baseball Hall of Fame induction; travels to Japan to paint geishas, the Ginza and golf; creates Michael Jordan serigraph and poster; works on sketchbooks and paintings in Paris and Berlin.
1992 -- Paints Tom Seaver for Baseball Hall of Fame induction; paints suite of four famous golf courses in conjunction with publication of Big-Time Golf; works on sketchbooks and paintings in Venice, Milan and Rome; honored by the Art Institute of Chicago as an outstanding alumnus; commissioned to paint Bobby Orr by Polaroid.
1993 -- Paints Reggie Jackson for Baseball Hall of Fame induction, Larry Bird for Boston Garden, and Iroquois Steeplechase, Nashville; creates poster for CBS-TV film Call of the Wild; holds one-man exhibition at the Kentucky Derby Museum; paints Frank Sinatra for cover of "Duets" album.
1994 -- Paints Pebble Beach Golf Clubhouse; creates poster for CBS-TV film The Yearling, attends and paints Super Bowl XXVIII in Atlanta; paints in Monte Carlo and Venice; goes on to paint safari in Kenya; sketches Luciano Pavarotti at Metropolitan Opera; paints Frank Sinatra for "Duets II" album; book An American in Paris is published.
1995 -- Paints Babe Ruth for the Baseball Hall of Fame, U.S. Open at Shinnecock Golf Course, and Rockefeller Center; creates 40-foot mural on Broadway theater for Tommy Tune's musical, Busker Alley; gives 30-year retrospective exhibition at the Kentucky Derby Museum; appointed a member of the New York City Advisory Commission for Cultural Affairs; honored by Playboy for the 40th anniversary of the Femlin character.
1996 -- Commissioned by United Nations to create six postage stamps for the Centennial Olympic Games in Atlanta; paints Super Bowl XXX in Phoenix, Arizona; honored by Boxing Writers and England's Lonsdale Boxing Club; paints "Hall of Famer" for the Baseball Hall of Fame's permanent art exhibition; creates serigraph of "The 3 Tenors", Placido Domingo, Jose Carreras, Luciano Pavarotti.
1997 -- Inauguration of the LeRoy Neiman Center for Print Studies at Columbia University, New York; introduction of LeRoy Neiman Selection Cigar; narrates and appears in film documentary on Cuba and cigars, Rhythm and Smoke; creates poster commemorating 50th anniversary of Jackie Robinson's breaking of racial barrier in Major League Baseball; creates first official Kentucky Derby poster; travels to South Africa to present commissioned portrait of President Nelson Mandela; book LeRoy Neiman on Safari is published.
1998 -- Inaugurates LeRoy Neiman Center for Study of American Culture and Society, UCLA, Los Angeles; unveils baccarat painting for Desert Inn, Las Vegas; exhibits and participates in seminar on Frank Sinatra at Hofstra University; paints and creates serigraph of Joe DiMaggio; creates label for Duval-Leroy champagne; creates official poster for Breeders' Cup, Louisville; cover art for Good Will Games New York official program, and for article in The Nation; honored at Ox-Bow Gala at the Art Institute of Chicago, and by Sportscasters.
1999 -- Creates art for Givenchy perfumes; presents portrait of Mark McGwire and creates serigraph edition commemorating record home run hitter. Paints John Elway and creates serigraph celebrating retirement from football; releases serigraph of Mickey Mantle; participates in Olympic Games seminar on Queen Elizabeth II ocean liner crossing; gambling prints installed in Salle Privée at Paris Casino in Las Vegas; creates poster for Taxicab Chronicles Off-Broadway play; visits Havana to sketch Cuban rhythms. Sketches Army-Navy game in Philadelphia for West Point commission.
2000 -- Creates boxing painting for use as poster for Heavyweight Explosion cable TV program; book The Prints of LeRoy Neiman 1991-2000 is published; releases serigraphs of Mike Piazza and Cal Ripken, Jr.; the first LeRoy Neiman Art Center for Youth is opened in San Francisco; commissioned to create artwork for 125th Preakness Stakes and 2000 PGA Championship Tournament at Valhalla Golf Course.
2001 -- Salutes Muhammad Ali as "Athlete of the Century" with oversized portrait and limited edition serigraphs. Commissioned to paint Mardi Gras official poster for 2002; commissioned to paint Phoenix Suns star Charles Barkley on retirement of uniform number; commissioned to paint UCLA basketball coach John Wooden; holds retrospective drawing exhibition at the Fairfield Public Gallery, Sturgeon Bay, Wisconsin; creates poster for 2001 All-Star Jockey Championship; attends 25th year reunion of ABC-TV coverage of 1976 Munich Olympics. Commissioned by New York City Fire Department to commemorate September 11 terrorist attack for benefit of NYFD Widows and Orphans Fund; creates image of NYFD fireman's helmet and for the first time allows an image to be used and sold on t-shirts; also donates original painting to auction for Widows and Orphans Fund. Honorary Chairman at the annual Bare Walls event at the School of the Art Institute of Chicago; the second LeRoy Neiman Art Center for Youth is opened in Watsonville, California; the largest serigraph yet by artist, "Circus", having image size of 43 ¾" x 65", is completed after 2 years work.
2002 -- Commissioned to paint Wayne Gretzky, Gold Medal winning coach of the Canadian Olympic Hockey Team; commissioned to create official tournament poster for the first U.S. Open to be held at a public golf course, Bethpage on Long Island, New York; illustrates "Casey at the Bat", published as a trade edition by Ecco Press, with Foreword by New York Yankees manager Joe Torre; creates the Tyson/Lewis poster for the boxing heavyweight championship fight in Memphis; creates the official poster and program cover for the Oscar de la Hoya/Fernando Valenzuela championship boxing match in Las Vegas; honored with a tribute dinner at the Friar's Club in New York City; painting of Earvin "Magic" Johnson and Larry Bird is unveiled during Johnson's induction ceremonies at the Basketball Hall of Fame; Gallagher's Steak House in New York City unveils a permanent collection of Neiman artwork portraying the city's greatest athletes; receives Lifetime Achievement Award for contributions to golf and sport art at the Art of Golf Festival at Pinehurst Resort in North Carolina; inducted into the New Jersey Boxing Hall of Fame.
2003 -- Unveiled commissioned painting of the racehorse Funnycide at Saratoga; opens exhibition "LeRoy Neiman on Safari" at the Wildlife Experience museum in Denver, CO; S.T. Dupont releases special edition LeRoy Neiman Golf pen and lighter set; mounts exhibition "LeRoy Neiman in Cuba" at the Pratt Institute; paints the Breeders Cup at Santa Anita; publishes book LeRoy Neiman: Five Decades with Harry N. Abrams.
2004 -- Commissioned to paint poster design for the 2005 Special Olympics in Nagano; paints portrait of Secretariat for the Secretariat Museum; paints program cover design for the Newport Jazz Festival and participates in a group exhibition at the festival; receives Medal of Honor at Ellis Island from NECO; paints portraits of Oscar De La Hoya and Bernard Hopkins for their fight program and presents the paintings to the fighters; completes a set of seven jazz lithographs at Columbia's Neiman Center for Print Studies; films a cameo appearance for Sylvester Stallone's television show "The Contender"; produces a set of five limited edition prints of Martha Graham for the Martha Graham Dance Company; publishes limited edition artist's book LeRoy Neiman Sketchbook: Liston vs. Clay 1964/Ali vs. Liston 1965 with powerHouse Books and Meridian Printing.
Appendices:
Appendix A: Notable Correspondents from Series 2: Correspondence
This appendix is an alphabetical listing of notable correspondents primarily from Series 2, but may include references to other series. The numbers following the entry indicate the series number, subseries number if appropriate, and date where the material is filed. For example: Abrams, Judith Ann - 2.1: 1983, 1991 indicates that the correspondence for that person is found in Series 2.1 in the 1983 and 1991 folders.
Addison, Bob and Ruth (Betsy) - 2.1: 1978, 1990, 2004
Affronti, Judge Frank - 2.2: Judge Frank Affronti 1990-1999
Ali, Muhammad - 2.1: 1977
Allyson Louis Gallery - 2.1: 1988, 3.1: Morton's of Chicago 1982-present, 3.1: Superbowl XXII painting In the Pocket, at Allyson Louis Gallery 1988
Alzado, Lyle - 2.1: 1984
American Diabetes Association - 2.1: 2001
Andrews, Benny - 2.3
Appel, Marty - 3.1: Thurman Munson 1977-2002
Aretsky, Ken - 2.1: 1989
Arledge, Roone - 2.2: ABC
Arledge, Roone Jr. - 2.1: 2004
Art Aid - 2.1: 1986
Art Institute of Chicago - 2.1: 1990
Ashwood, Donald - 2.1: 1977, 1978, 1979, 1980, 1983
Association du Salon d'Automne - 2.2: Association du Salon d'Automne 1992-99
Athletic Role Model Educational Institute, Inc. - 2.1: 1992
Australia - 2.1: 1981, 1984, 1985
Avers, Jeffrey - 2.1: 2002
BBC Television (British Broadcasting Corporation) - 2.1: 1989
Bailey, Pearl - 2.1: 1990
Baker, Jean -Claude - 3.2.11
Bank of New York - 2.1: 2002
Barletta, Joseph - 2.1: 1993
Baumgartner, Bruce - 2.1: 2001
Baylos, Gene - 2.1: 1991
Behm, Kenneth - 2.1: 1989
Bennet, Chef John - 2.2: Chef John Bennett
Berman, Len - 2.1: Undated 1990s
Bigelow, Vaughn - 2.1: 1984, 1988, see also Chabot Galleries
Bingham, Howard - 2.1: 1993
Binns, James - 2.1: 1989, 2001
Blair, Buckingham - 2.1: undated
Blatnik, Sonny - 2.1: 1986
Blecker, Tom - 2.2: Tom Blecker 1989-99
Bollinger, Lee - 3.1: Columbia University 1995-present
Bowles, Franklin - 1.2: Franklin Bowles Galleries
Boykin - 1.1: Awards, Boxing Writers Association Marvin Kohn "Good Guy Award," 1996
Bradley, Bill - 3.1: Bill Bradley Political Campaigns 1978-2000, 3.2. -- Winners -- , Harry N. Abrams, 1983, 3.2. -- LeRoy Neiman: An American in Paris -- , 1994
Brown, Keith Henry - 2.1: 2004
Brown, Sally - 2.1: 1997
Buchwald, Art - 3.2: -- Horses -- , 1979, Harry N. Abrams, Correspondence
Bugatti, Charles and Stephanie - 2.1: 1991
Burger King - 2.1: 1976
Bush, President George H. W. and Barbara - 2.1: 1989, 1990
Bush, President George W. - 2.1: 2003, 3.2. 13
Butler Institute of American Art - 2.2: DeBartolo Corporation and Associated Institutions 1989-1991
Byrne, Mayor Jane M. - 2.1: 1981
CBS -TV - see Wolf, Warner
CBS Sports - 2.2: CBS Sports
Caine, Michael - 2.1: 1981
Camber Porter, Melinda - 2.3
Carnesale, Chancellor Albert - 3.2.15
Carousel of Hope - 3.1: Carousel Ball 1982-2002
Carter, President Jimmy and Rosalynn, and family - 2.1: 1989, 3.1: Peace Treaty, 1980
Cass, Hilary Volkman - 2.1: 1992
Chabot Galleries - 2.1: 1983, 1989
Chapin, Dwight ( -- San Francisco Examiner -- ) - 2.1: 1991
Chase, Bob - 3.2. -- Big Time Golf -- , 1992
Chemical Bank - 2.2: Manufacturers Hanover and Chemical Bank
The Chicago Board of Trade - 2.1: 1977
Cirillo, John - 1.1: Awards d. Lonsdale International Sporting Club 1996, 2.1: 2001
Cirrincione, Wanda Hightower - 2.1: 1994
Clark, Ed and Jane Forbes - 2.1: 2000
Clinton, Bill - 2.1: 1993, 3.2: -- Big Time Golf -- , 1992
Clough, Charles - 2.1: 1997
Clough, Susan - 3.2. -- Horses -- , 1979, Harry N. Abrams
Cohen, Jason - 2.1: 2004
Conner, Bart - 2.1: 1981
Cooke, Jack Kent - 2.1: 1986
Cooney, Gerry - 2.1: 2000
Cooper, Pat - 2.1: 1992
Cosell, Howard and Mary Edith - 2.1: 1991
Creative Communications - 2.1: 1976
Cremins, Bobby - 2.1: 1990
Culinary Institute of America - 2.1: 2000
Cunningham, Jeffrey - 2.1: 1994
D., E. (unnamed WWII buddy?) - 2.1: 1997
Dahlgren, Doug - 2.1: 1999
Daley, Robert - 2.1: 1999
Daub, Mayor Hal - 2.1: 1997
Davis, Altavise (wife of Sammy) - 2.1: 1989
Davis, Barbara and Marvin - 2.1: 1985, 2001, 3.1: Carousel Ball 1982-present
Davis, Patty - 2.1: 1983
Dawkins, Peter and Judi - 3.1: Senatorial Candidate Pete Dawkins Poster 1988
Dean Day Gallery - 2.1: 1982, 1983, 1989
Edward J. DeBartolo Corporation - 2.2: DeBartolo Corporation and Associated Institutions 1989-1991, 3.2. -- The Prints of LeRoy Neiman -- , 1980-1990, 1991
Garvey, Steve and Cyndi - 2.1: 1979, 1981, 1983, 1986, 1989, 3.2. -- Winners -- , 1983, Harry N. Abrams
Gavea Golf Club - 2.1: 1985
Gere-Suson, Gary - 2.1: 1999
Gilbert, Patti - 2.1: 1992
Giorgio Beverly Hills - 2.1: 1985
Gore, Al - 2.1: 1987, 1993, 3.2: -- Big Time Golf -- , 1992
Gottlieb, Paul - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994
Graham, Martha - 2.1: 1989
Graime, Arlene (US Olympic Committee) - 2.1: 1996
Grasso, Richard - 2.1: 1996
Gray, Joel - 2.1: 2003
Green Hills Farm - 2.1: 1987
Green, Tammie - 2.1: 1993
Greentree Stud, Inc. - 2.1: undated
Greenwich Workshop Gallery - 2.1: 1983
Gregory, Jack - 2.2: Jack Gregory 1993-98
Grenon, Robert - 2.2: Franklin Bowles Galleries
Guest, C. Z. - 2.1: 2003
Gwynne Gallery - 2.1: 1975, 1978
Hackett, Buddy and Sherry - 2.1: 1985, 1989, 1996, 1998
Halvorsen, Robert - 2.1: 1994
Hammer, Armand - 3.2. -- Winners -- , 1983, Harry N. Abrams, 1.2: Knoedler & Hammer Correspondence
Hammer, Michael - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, 3.2. -- Casey at the Bat -- , 2000, 1.2: Knoedler & Hammer Correspondence, see also Hammer, Armand Hammer, Victor - see Hammer, Armand
Hanson Art Galleries - 2.2: Hanson Art Galleries 1983-1991, 3.1: Hanson Art Galleries Solo Exhibition, New Orleans 1997, see also exhibitions: Hanson Art Galleries in index for more file references
Harden, Richard - 2.1: 1978, 3.1: Peace Treaty, 1980
Harriman, Ambassador Pamela - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994
Hartman, David - 2.1: 1981
Harvey, Paul - 2.1: 1987
Haskell, Nikki - 2.1: 1997, 2001, 2002
Harris, Earl - 2.1: 1987
Harris, Franco - 2.1: 1990
Hatton, Pat - 2.1: 1993
Hawkins, Tommy - 3.1: Dodgers Centennial 1990
Healy, Katherine - 2.1: 1986
Hedgecock, Mayor Roger - 3.2. -- Winners -- , 1983, Harry N. Abrams
Hefner, Christie - 2.2: Playboy Enterprises 1980s, 3.1: Playboy's LeRoy Neiman Selection Cigars by Don Diego 1997
Hefner, Hugh - 2.1: 1983, 2.2: Playboy Enterprises, 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.
Safir, Police Commissioner Howard - 3.1: New York City Marathon 1984-2001
Saltman, Sheldon - 2.1: 1976
San Francisco 49ers - 2.1: 1995, 2.2: DeBartolo Corporation and Associated Institutions 1989-1991
Santaniello, Carmine - 2.3
Sassi, Etienne - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994
Scaffidi, Marie - 2.1: 1980s Undated
Scarpa, William and Cathy - 2.2: William and Cathy Scarpa 1991-99
Schmidt, Mike - 2.1: 1980
Schulberg, Budd - 2.1: 1997, 1999, 2000, 2004
Schuman, Rhoda - 2.1: 1992
Schumsky, Felicie - see Felicie, Inc.
Schuster, Gary and family - 2.1: 2000
Scully, Vin - 2.1: 1990, 2000
Schwartz, Louis O. - 1.1: Boxing Writers Association Marvin Kohn "Good Guy Award," 1996
Schwartz, Richard - 2.1: 2000
Schwarzenegger, Arnold - 2.1: 1990
Segal, Erich - 2.1: 1973
Seidman, Jay - 2.1: 2001
Seitz, Nick - 3.2. -- Big Time Golf -- , 1992
Serline, Ollie - 1.1: Family (Neiman Studio Archive only), 2.1: 1970s
Sharp Electronics Corporation - 2.1: 1988
Sherman, Allie - 2.1: 2002
Shula, Coach Donald - 2.1: 1991
Siering, David - 2.1: 1987
Sigmond, Aaron - 2.1: 1994, 1995, 1997
Silverstein, Shel - 2.2: Shel Silverstein
Sinatra, Barbara - 2.2: Sinatra family
Sinatra, Frank - 2.2: Sinatra family, 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.
Sinatra, Nancy - 2.2: Sinatra family
Skelton, Red - 2.1: 1985
Snyder, Jimmy "the Greek" - 2.1: 1982
Solomone, Mickey - 2.1: 1989
Sony - 2.1: 1978
Sorenson, Jackie - 2.1: 1981
Spectrum, Philadephia - 2.1: 1991
Spectrum Fine Art - 2.1: 1978, 1983
Spitz, Mark - 2.1: 1986
Stack, Edward - 2.1: 1996
Staebler, Tom - 2.2: Playboy Enterprises
Stanley, Melvin - 2.1: 1993
Steffens, John L. - 2.1: 1996
Stein, Bill - 2.1: 1982
Steinbrenner, George - 2.1: 2004
Sterling, Donald - 2.1: 1997, 1998
Sugar, Bert - 2.1: 1977
Swoboda, Ron - 2.1: 2002
Symphony for United Nations - 2.1: 1991
TV Guide -- Magazine - 2.1: 1975, 1990, 1993
Talese, Gay - 2.1: 1992
Tate, Evelyn - 2.1: 1976, 1987
Tele Planning International, Tokyo - 2.2: Tele Planning International, Tokyo 1993-98
Tenenbaum, Harold and Judy - 2.1: 1984, 1986, 1988, 2.2: Harold and Judy Tenenbaum
Tiefel, William R. - 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.
Tiger Tops Pvt. Ltd. - 2.1: 1982
Tigrett, John and Pat Kerr - 2.1: 1993, 1999, 3.1: Blues Ball 1997 -2001
Torrenzano, Richard - 3.1: Lady Liberty, 1985
Torykian, Richard - 2.1: 1997
Touvell, Audra - 2.1: 2002
Trenchard, Peter - 2.1: 2001
Trovato, Liz - 2.1: 1994
Trump, Donald - 2.2: Trump 1987-96, see also Trump in Index
Twentieth Century Fox Film Corportation - 2.1: 1976
United States Department of State - 2.1: 1984
United States Olympic Committee - 2.1: 1985
Universal Pictures - 2.1: 1991
University of Oklahoma - 2.1: 1982
Upstairs Gallery - 2.2: The Upstairs Gallery 1980-89
Valentine, Bobby and Mary - 2.1: 2002
Vorhaus, Louis - 2.1: 1992
war buddy (unnamed) - 2.1: 1997
Ward, Katherine Lecube - 2.1: 1984, 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.
Warner Brothers Television - 2.1: 1990
Waterhouse, Alma Jones - 2.2: Alma Jones Waterhouse 1977-80
Webster, Jack - 2.1: 1979, 1983, 1990, 1992, 1994, 1995
Wein, George - 2.1: 1991, 1993, 1995, 2000
Weiner, Claire - 2.1: 1970s, 1985, 1987
Weisman, Maria - 2.1: 2002
Welch, Herb and Lisa - 2.1: 1989, 1992
Welzer, Irv - 2.1: 1977
Wenzel, Lee - 2.1: 1985
Whitaker, Jack - 2.1: 1996
The White House - see Harden, Richard or Clough, Susan, or search by name of President
White, Willye - 2.1: 1989
Williams, Ted - 3.1: Williams at Bat, 1980-91
Wilson, Senator Pete - 3.2. -- Winners -- , 1983, Harry N. Abrams
Winer, Jessica - 2.3
Wirin, R. Michael - 2.1: 1998
Wolf, Warner and Sue - 2.1: 2003
Wood, Jan - 2.1: 1997, 1998
Wrather Corporation (the Lone Ranger), Jack and Bonita G. Wrather - 2.1: 1977, 1988
Yarger, Timothy - 2.2: Franklin Bowles
Yellin, Lou - 2.1: 1991, 1992, 1998
Youngman, Henry - 2.1: 1992
Zabrin, Michael - 2.1: 1989, 1991
Zelaya, Jose - 2.1: 1972, 1976, 1977
Zeran, Ken - 2.1: 1990, 1991
Zimmer, Don (Coach, New York Yankees) and Soot - 2.1: 1997
Appendix B: History of LeRoy Neiman's Representation: Felicie Schumsky, Hammer Galleries, and Knoedler & Co.
Hammer Galleries, New York, had its first show of LeRoy Neiman works in 1963 and has represented him ever since.
Armand Hammer was the proprietor of Hammer Galleries, which he founded in 1929 upon returning from the Soviet Union with a load of Czarist art. His brother Victor was in charge of running the gallery.
Armand became the chairman of the Occidental Petroleum Corporation in 1957.
Maury Leibowitz became a partner with the Hammers at the gallery around the same time they began representing Mr. Neiman.
Hammer and O.P.C. bought the respected M.K. Knoedler & Co. gallery in New York in 1971 with Leibowitz as a partner. Knoedler merged with Modarco, a Swiss investment firm, during the 1970s after its purchase by O.P.C.
Knoedler-Modarco now has three divisions: M. Knoedler & Co. (founded in 1846), Knoedler Publishing (created for the sole business of publishing and distributing the prints and posters of LeRoy Neiman), and Hammer Galleries.
Felicie Schumsky was LeRoy Neiman's publisher and distributor before Knoedler. Felicie, Inc. is named alone in advertising until 1973, when ads appear naming FKH Editions as publisher (presumably 'Felicie Knoedler Hammer') and Hammer Galleries as gallery/distributor. This continues until 1975, when ads begin naming Knoedler as publisher and Hammer as gallery.
Hammer Graphics Gallery, a part of Hammer Galleries, was started in 1979 for the sole purpose of distributing and exhibiting the graphic work of LeRoy Neiman.
Victor Hammer died in July 1985, and Armand Hammer died in 1990 at age 92 (less than a year after losing his wife Frances), leaving his son Michael Hammer as the chairman and president of The Armand Hammer Foundation. Maury Leibowitz died in 1992.
Appendix C: A Listing of Major Public Collections of LeRoy Neiman WorksAnchorage Historical and Fine Arts Museum, Anchorage, Alaska
Art Institute of Chicago, Chicago, Illinois
Baltimore Museum of Fine Art, Baltimore, Maryland
Baseball Hall of Fame, Cooperstown, New York
Brooks Memorial Art Gallery, Memphis, Tennessee
Colorado Springs Fine Arts Center, Colorado Springs, Colorado
Delaware Art Museum, Wilmington, Delaware
Duke University Museum of Art, Durham, North Carolina
Eiteljorg Museum of American Indian and Western Art, Indianapolis, Indiana
Football Hall of Fame, Canton, Ohio
Grunwald Center, University of California, Los Angeles, Los Angeles, California
Armand Hammer Collection, Los Angeles, California
Harding Museum, Chicago, Illinois
Hayward Museum, Hayward, California
Hermitage Museum, Leningrad, USSR
Illinois State Museum, Springfield, Illinois
Indianapolis Museum of Art, Indianapolis, Indiana
Joslyn Museum, Omaha, Nebraska
Memorial Art Gallery, Rochester, New York
Meridian Museum of Art, Meridian, Mississippi
Michigan State University, Kesage Art Center Gallery, East Lansing, Michigan
Minneapolis Institute of Arts, Minneapolis, Minnesota
Minnesota Historical Society
Minnesota Museum of Art, St. Paul, Minnesota
Mobile Art Gallery and Museum, Mobile, Alabama
Museo de Bellas Artes, Caracas, Venezuela
National Museum of Sport in Art, New York, New York
Niagara University, Niagara, New York
Portland Museum of Art, Portland, Maine
Springfield Museum of Art, Springfield, Massachusetts
Tennis Hall of Fame, Newport, Rhode Island
Tucson Museum of Art, Tucson, Arizona
Tweed Museum of Art, University of Minnesota, Duluth, Minnesota
University Art Gallery, Binghamton, New York
University of California at Los Angeles, Los Angeles, California
University of Illinois, Champaign, Illinois
University of Oklahoma, Norman, Oklahoma
University of Oregon, Eugene, Oregon
University of South Florida, Tampa, Florida
University of Texas, Austin, Texas
Utah Museum of Fine Arts, University of Utah, Salt Lake City, Utah
Vanderbilt University, Nashville, Tennessee
Wichita State University, Wichita, Kansas
Whitney Museum. New York, New York
Wodham College, Oxford, England
Yuma Fine Arts Association, Yuma, Arizona
Appendix D: A Listing of LeRoy Neiman Serigraph Releases
This list corresponds to newspaper and magazine ads in files 3.3: Felicie Inc. - Advertising and 3.3: Knoedler & Co. - Advertising. This is not a complete inventory.
DateSerigraphUnknown -- Bar '21' (offset lithograph)
Unknown -- Delacroix Tiger
Unknown -- Elephant Family
Unknown -- Gorilla Family
Unknown -- Kenya Leopard
Unknown -- Lion Pride (offset lithograph)
Unknown -- Lion Couple
Unknown -- Polar Bears
Unknown -- Serengeti Leopard
Unknown -- Zebra Family
Unknown -- The Plaza Square
Unknown -- Stock Market (offset lithograph)
Unknown -- Neiman Montreal '76 (offset lithograph)
Unknown -- Winter Olympic Skier, Lake Placid 1980
Unknown -- P.J. Clark's
Unknown -- Olympic Slalom
Unknown -- Dublin Bar
Unknown -- Le Grand Cuisine
Unknown -- Little Hitter
Unknown -- Little Fielder
1975 -- Le Grand Escalier de l'Opera, 1969
1975 -- Toots Shor Bar
1975 -- Club House Turn
1975 -- Black Panther
1976 -- Sun Serve
1976 -- Satchmo
1976 -- High Seas Sailing
1976 -- Vegas Blackjack
1976 -- Golf Landscape
1976 -- Elephant Stampede
1976 -- Nadia
1976 -- America's Cup
1977 -- Marlin!
1977 -- High Altitude Skiing
1977 -- Basketball Superstars
1977 -- Café aux Deux Magots
1977 -- The Mallet Men
1977 -- Bengal Tiger
1977 -- Giraffe Family
1977 -- Show Jumper
1977 -- Outrigger Canoe Race
1978 -- Metropolitan Opera
1978 -- Moby Dick Portfolio
1978 -- Bucking Bronc
1978 -- The Wildcats
1979 -- Kentucky Derby
1979 -- Chateau Hunt
1979 -- Stretch Stampede
1979 -- Aegean Sailing
1979 -- American Bald Eagle
1980 -- Lake Placid, Eighty, 1980
1981 -- Stenmark
1981 -- The Race of the Year
1981 -- Tour de France
1981 -- Before the Race
1984 -- Rush Street Bar
1984 -- Regents Park
1984 -- Elephant Nocturne
1985 -- Six Golfers, 1984
1985 -- Lady Skier
1985 -- Harry's Wall Street Bar
1986 -- Nob Hill
1986 -- Buena Vista Bar
1986 -- America's Cup, Australia
1987 -- Great Dane
1987 -- Giants - Broncos Classic
1987 -- 24 Hours of Le Mans
1987 -- Bistro Garden
1987 -- Left Bank Café
1988 -- Diamond Head, Hawaii
1988 -- Napoleon at Waterloo
1988 -- Piazza del Popolo - Rome
1988 -- Monte Carlo Suite
1988 -- Harbor at Monaco
1988 -- Salle Prive - Monte Carlo
1988 -- Borzoi
1988 -- In the Pocket
1988 -- Magic (Johnson)
1988 -- Clubhouse at Old St. Andrew's
1989 -- Polo Lounge
1989 -- Superplay
1989 -- President's Birthday Party
1989 -- Chicago Key Club Bar
1990 -- Secretariat II
1990 -- Chicago Options
1990 -- April at Augusta
1990 -- Gaming Table
1990 -- The '21' Club
1991 -- Homage to Ali
1991 -- Ted Williams
1991 -- Café Rive Gauche
1991 -- Cougar
1991 -- The Bordello
1992 -- Hunt Rendezvous
1992 -- Kilimanjaro Bulls
1992 -- Paddock at Chantilly
1993 -- The Maulers
1993 -- Fouquets
Appendix F: A Listing of "Man at His Leisure" Features in Playboy MagazineDateSubject/Pages1958 April -- Painter of the Urban Scene, p. 49-51
1958 December -- The Pump Room, Ambassadors East, Chicago, p. 60-61
1959 January -- Le Café Chambord, p. 52-53
1959 June -- Romanoff's, p. 62-63
1959 December -- Moore County Hounds (Southern Pines), p. 68-72
1960 February -- Hialeah Race Course, p. 52-54
1960 June -- The Colony, p. 74-75
1960 August -- Forest Hills, p. 76-77
1961 January -- Squaw Valley, p. 84-87
1961 March -- Ernie's, p. 94-95
1961 June -- The S.S. United States, p. 60-61
1961 July -- Longchamp - Auteuil, p. 82-85
1961 September -- La Plaza de Toros, p. 109-111
1961 December -- Maxim's, p. 130-131
1962 January -- The French Riviera, p. 103-105
1962 March -- The Grand National Steeplechase, p. 94-95
1962 May -- The Cambridge-Oxford Boat Race, p. 96-97
1962 August -- Las Vegas, p. 86-89
1963 May -- Monte Carlo, p. 122-125
1963 July -- Air France, p. 102-103
1963 September -- Sardi's, World Billiard Championship, p. 150-151
1963 December -- Madison Square Garden, p. 169-171
1964 April -- Epsom Derby, p. 120-121
1964 August -- St. Tropez, p. 62-65
1964 October -- Chantilly, p. 144-147
1964 December -- The Lido, p. 159-193
1965 March -- The New York Playboy Club, p.116-117
1965 August -- The Girallia Yacht Race, p. 110-111
1965 December -- The Plaza, Manhattan, p. ?
1966 July -- The Royal Ascot, p. 110-113
1966 September -- The America's Cup, p. 168-169
1967 January -- Discotheques, p. 180-181
1967 June -- Surfing, p. 112-115
1967 November -- National Horse Show, p. 143-145
1967 Winter -- VIP Magazine, Assignment London
1968 January -- Rosati's, Via Venito, p.?
1969 January -- The Bolshoi Ballet, p. 199-201
1969 June -- Le Mans, p. 124-125
1969 August -- Yugoslavia, p. 126-129
1970 January -- Morocco, p. 203-207
1970 November -- Can-Am Race, p. 179-181
1971 January -- Jamaica, p. 191-193
1972 January -- Sotheby's Auction Room, p. 171-173
1973 January -- Super Bowl, p. 187-189
1973 July -- Summer of '72 - The Hamptons, p. 152-157
Playboy Magazine's "Neiman Sketchbook" Features
DateSubject/Pages1979 December -- Teofilo Stevenson, p. 221
1980 January -- Senator Ted Kennedy, p. 137
1980 February -- Roller Skating, p. 166 -167
1980 March -- Charles Mingus, p. 179
Appendix E: Exhibitions
Below is a chronological list of Neiman exhibitions. See the index for an alphabetical list of exhibitions (listed by name of venue under the item "exhibitions") and reference to locations of pertinent archive files.
DateSolo ExhibitionsOct. 9-Nov. 6, 1959 -- F. Oehlschlaeger Gallery, Chicago
March 3-31, 1961 -- F. Oehlschlaeger Gallery, Chicago
Feb. 9-March 9, 1962 -- F. Oehlschlaeger Gallery, Chicago
March 1962 -- O'Hana Gallery, London
Nov. 27-Dec. 11, 1962 -- Galerie O. Bosc, Paris
Oct. 8-19, 1963 -- Hammer Galleries, New York
January-February, 1965 -- "Vie de France," Astor Tower French Center, Chicago
Nov. 23-Dec. 4, 1965 -- Hammer Galleries, New York
March 5-25, 1966 -- Gallery Richelle, St. Louis
1976 -- "LeRoy Neiman Retrospective 1949-75," Minnesota Museum of Art, St. Paul
Nov. 1967 -- Frank Sinatra Film Drawings Exhibition, Gallery of Modern Art, New York
Sept. 26-Oct. 7, 1967 -- Hammer Galleries, New York
Dec. 26-31, 1968 -- New York Jets Sketches, Hammer Galleries, New York
May 1-June 10, 1969 -- "LeRoy Neiman: Paintings and Drawings," Choate School, Wallingford, CT
May 1969 -- "LeRoy Neiman: Impressions of Atlanta," Heath Gallery, Atlanta, GA
Jan. 20-31, 1970 -- Hammer Galleries, New York
Oct. 19-Nov. 2, 1971 -- "Recent Graphics and Drawings", The Far Gallery, New York
April-May, 1972 -- Museo de Bellas Artes, Caracas
Dec. 1972 -- Circle Gallery, Chicago
Oct. 31-Nov. 11, 1972 -- Hammer Galleries, New York
Nov. 22, 1972-Jan. 7, 1973 -- "Sketches of the XXth Olympiad," Solo Exhibition, Indianapolis Museum of Art
Jan.-Feb. 1973 -- Circle Gallery, Los Angeles
1973 -- Circle Gallery, Dallas
March 24, 1973 -- The Hang -Up Gallery Open House
April-May 1973 -- Circle Gallery, New York
June 2-23, 1973 -- Brentano's Gallery, New York
Jan. 24-Feb. 5, 1974 -- "Ali - Frazier," Circle Gallery, New York
Feb. 3-March 17, 1974 -- Springfield Museum of Art
1974 -- Windsor Gallery, Los Angeles
April 30-May 11, 1974 -- Hammer Galleries, New York
June 22-July 6, 1974 -- Gallery Hawaii, International Market Place, Honolulu
Sept. 1974 -- Abercrombie & Fitch
1974 -- Tobu Gallery, Tokyo
Nov. 1974 -- Gilbert Gallery, San Francisco
Nov. 1974 -- Windsor Gallery, New York
Feb. 1975 -- Carol Condit Galleries, White Plains, NY
March 1975 -- Art Gallery -Studio 53 Ltd., New York
April 1975 -- "The Wide World of LeRoy Neiman," Windsor Gallery, Los Angeles
June-July 1975 -- Moby Dick Traveling Exhibition, Peter Foulger Museum, Nantucket
Aug. 1975 -- Moby Dick Traveling Exhibition, Sag Harbor, Long Island
Sept. 1975 -- Moby Dick Traveling Exhibition, Pittsfield, MA
July 1975 -- Waller's Gallery, Tampa, FL
Sept. 1975 -- Hess's Gallery, Allentown, PA
Nov. 1975 -- Meredith Long & Co., Houston
Dec. 4-26, 1975 -- Thomas Ward Galleries, St. Paul
Dec. 4, 1975-Jan. 24, 1976 -- Minnesota Museum of Art, St. Paul
Dec. 10, 1975-Jan. 10, 1976 -- Hammer Galleries, New York
Jan. 21-March 10, 1976 -- Indianapolis Museum of Art, Downtown Gallery at American Fletcher National Bank
Feb.-May 1976 -- Emerald Art Galleries, Coronado, CA
March 14-28, 1976 -- Jewish Community Center, Bridgeport, CT
June 1976 -- M. Knoedler & Co., London
Aug. 1976 -- Frank Oehlschlaeger Gallery, Chicago
Aug. 28-Sept. 27, 1976 -- Gallery Hawaii, Hyatt Recency
Sept. 12-Oct. 6, 1976 -- Niagara Art Center, Niagara Falls
1976 -- Art Gallery-Studio 53 Ltd., New York
Oct. 1976 -- Heit Galleries, Phoenix, AZ
Nov. 16-Dec. 4, 1976 -- "The Olympic Ring," Hammer Galleries, New York
Dec. 12-19, 1976 -- Fahlnaes Konstsalong, Sweden
March 1977 -- Gallery 100, Mishawaka, IN
March 1977 -- Upstairs Gallery, Beverly Hills
March 1977 -- Galerie Marc, San Francisco
Aug. 31-Sept. 11, 1977 -- Galerie Renee & Victor, Stockholm, Sweden
Sept. 1977 -- Bowles/Hopkins Gallery, San Francisco
Sept. 2-23, 1977 -- Casa Grafica, Helsinki, Finland
Oct.-Nov. 1977 -- St. Lawrence National Bank, Ogdensburg NY
April-May 1988 -- "Neiman's World" Touring Exhibition, Japan
April-May 1988 -- In the Pocket Superbowl XXII painting premier, Allyson Louis Gallery, Bethesda, MD
May 1988 -- "Monte Carlo Chase," Minotaur Galleries, Las Vegas
Sept. 27-Oct. 4, 1988 -- "Monte Carlo Chase," L'art et l'automobile gallery, New York
1988 -- Tretyakov Museum, Moscow
Oct. 1988 -- Merrill Chase Galleries, Chicago
Nov. 19-Dec. 10, 1988 -- "LeRoy Neiman: Monte Carlo," Bowles/Sorokko Galleries, San Francisco
Jan. 1989 -- Backstage Gallery, Osaka, Japan
Feb. 1989 -- Surf Club, New York
April 1989 -- "Soft Paintings," Hammer Galleries, New York
April 30-May 15, 1989 -- Polo Lounge Debut, Bowles/Sorokko Galleries, Beverly Hills
May-June 1989 -- "Select Works by LeRoy Neiman," Midwest Museum of Art, Elkhart, IN
June-July 1989 -- Steiner & Young Fine Arts Gallery, Atlanta, GA
June 6-Sept. 9, 1989 -- L'art et l'automobile gallery, New York
Sept. 1989 -- Hotrod Vintage Car Museum and Dance Club, New York
Aug. 1989 -- Baja, New York
Sept. 26-Oct. 14, 1989 -- "A Salute to Central Park," Hammer Galleries, New York
Nov. 1989 -- Galerie 224, Laguna Beach, CA
May 1989-Feb. 1990 -- "The Playboy Collection," Dyansen Gallery Traveling Exhibition, New York, Beverly Hills, Atlantic City, San Francisco, Boston, SoHo
April 1990 -- Exhibition at "The Art Spirit" Event, Butler Institute of American Art
May 1990 -- Merv Griffin Resorts Casino Hotel, Atlantic City
May 12-31, 1990 -- Bay Area Baseball Debut, Bowles/Sorokko Galleries, San Francisco
July-Aug. 1990 -- "LeRoy Neiman: A Series of Sport Serigraphs," Springfield Art Association, Springfield, IL
Arledge, Roone - 2.2: ABC Correspondence, 3.1: Olympics Munich 1972, 3.1: "Recent Graphics and Drawings," The Far Gallery Solo Exhibition 1971, 3.1: Olympics, Montreal 1976 Roone Arledge, 1972 drawing - 4.1: 2003
Arliss - 4.1: 1996
Armory Art Fair, Washington DC - 4.1: 1977
Armstrong, Louis - see jazz
Army, U.S., service in - 1.1: Military Service
Army vs. Navy 1946, 2000 - 4.1: 2001
Arnstein, Vera Daphne - 4.1: 1990
Arrow shirts - see promotions
Art Aid - 4.1: 1986
L'art et l'automobile - 3.1: LeRoy Neiman Corvette 1984, 4.1: 1988, 2002, see also exhibitions
Art Brokerage Inc. - see Rose, Donna
Art Collection House Co., Ltd., Japan - 2.1: 1994, 1995
Art Directors Club of Oklahoma City - 4.1: 1967, VII
Art Expo - 4.1: Undated
Art for Education - 4.1: 1998
The Art of Gaming Through the Ages, by Arthur Flowers and Anthony Curtis, foreword by LeRoy Neiman - 3.1: The Art of Gaming Through the Ages, Huntington Press, 2000
Art Institute of Boston - 1.1: Honorary Degrees, 2.1: 1975, 4.1: 1975
Art Institute of Chicago - 1.1: Education and Teaching, 2.1: 1987, 1989, 1996, 3.1: "Drawing New Conclusions," Art Institute of Chicago group exhibition 1992, 4.1: 1978 ov, 2001, 2002, see also exhibitions
Auxiliary Board - 2.1: 1990
Barewalls, 2001 - 3.1: Art Institute of Chicago Reunion 2001
Art and Lifestyle, 1974 - see LeRoy Neiman: Art and LifeStyle, 1974, 3.2.1
ArtExpo New York - 2.1: 1989, 4.1: 1987, 1998, 2001
Art-o-gram: News of the art world for art dealers only - 4.1: 1977
Arthur Andersen & Co. - 4.1: 1981
Les Arts de France - 2.1: 1988
Arum, Bob and Lovee - 2.1: 1996, 1998, 4.1: 1996
Ascent, 1961 - 4.1: 1961
Ashford, Evelyn - see running
Aspen, CO - 4.1: 1993, 1994
Association for the Help of Retarded Children (AHRC) - 3.1: Thurman Munson and Thurman Munson Awards Dinner 1977-present
Astaire, Fred
Fred Astaire - 3.1: Good Tidings Foundation 1998 -, 4.1: 1985
Athens International Festival - 4.1: 1993
Atlanta, GA - 3.1: Economic Opportunity Atlanta 1968
Atlanta International Film Festival - 4.1: 1974 and ov, V: 1974
Atlanta Magazine - 4.1: 1969, 1975, 1996
Atlanta's Poor People Art School - 4.1: 1969
Atlantic City, New Jersey - see also casinos, promotions, 3.1: Tour de Trump 1989
attorney - see Shaw, Robert
auction - 4.1: 1978, 1997, 1998, 1999
Augusta National Golf Club, The 16th at Augusta, 1992 - 4.1: 1994
auto racing -- - 4.1: 1982, 1983, 1989, 1999
Andretti, Mario - 4.1: 1975, 1992
Andretti, Michael - 4.1: 1992
Brayton, Scott - 4.1: 1996
Beni Hana Grand Prix - 2.1: 1978
Caesar's Palace Grand Prix, 1981 - 3.1: Caesar's Palace Grand Prix 1981-83
Caesar's Palace Grand Prix, 1982 - 3.1: Caesar's Palace Grand Prix 1981-83
Caesar's Palace Grand Prix, 1983 - 3.1: Caesar's Palace Grand Prix 1981-83
Can-Am Race - 4.2: -- Playboy -- 1970, see Appendix E
Dallas Grand Prix, 1984 - 2.2: Neiman-Marcus 1983-88, 3.1: Dallas Grand Prix 1984
Denver Grand Prix, 1990 - 3.1: Denver Grand Prix 1990-1991
Denver Grand Prix, 1991 - 3.1: Denver Grand Prix 1990-1991
Grand Prix Heart Ball - 3.1: Denver Grand Prix 1990-91
Grand Prix de Monaco - 2.1: 1986, 2.2: Playboy Enterprises Inc. 1980s, 4.2: Playboy Ephemera 1980, Press and Paraphernalia
Grand Prix de Monaco, 1976 - 4.1: 1993, 4.2: Playboy Ephemera 1980, Press and Paraphernalia
Indianapolis 500 - 3.1: Indy 500, 1985-87
Pits at Indy, 1968 - 2.1: 1976
Le Mans - 3.2. -- Winners -- , 1983, Harry N. Abrams Notes on Auto Racing and Basketball, 4.2: -- Playboy -- 1969, 4.2: Playboy Ephemera 2000s, see Appendix E
Miami Grand Prix - 3.1: Miami Grand Prix 1991-92
Toyota Grand Prix of Miami, 1991 (for 1992 race) - 3.1: Miami Grand Prix 1991-92
National Baseball Hall of Fame and Museum, Cooperstown, NY - 2.1: 1978, 1996, 3.1: Leo Durocher 1974-94, 3.1: Phil Rizzuto 1994, 3.1: Casey Stengel 1996, 4.1: 1990, 1993 (yearbook), 1994, 1995
New York Giants - 3.1: The Shot Heard 'Round the World, 1991
boats - see sailing, or Showboats International; The Cambridge-Oxford Boat Race - 4.2: -- Playboy -- 1962, see Appendix E
Bochette, Liston - 2.1: 1981, 1984, 1985
bodybuilding -- - 4.1: 1977, 1982, 1990
Everson, Cory - 4.1: 1990
Schwarzenegger, Arnold - see Schwarzenegger, Arnold
Boek, Louis - 1.1: Military Service
Boggs, Bill - 4.1: 2002 ov., 2004
Bonaventure - see St. Bonaventure University
Bond, Julian - 4.1: 1969
Bonds, Barry - Barry Bonds, 2003 pastel - 3.1: Good Tidings Foundation, 1998-present book jacket illustrations - 3.1: folder 1, 3.1: Charlotte Chandler 1978-84, 4.1: 1973, 1982, 1988-89
Book of the Month Club - 3.2.5, 3.2. -- Winners -- , 1983, Harry N. Abrams , Text Drafts
books
by Mr. Neiman - see Publications files in Series 3.2
by others, containing Mr. Neiman's works - see Licensing Art and Design by Cynthia Revelli, Skip Singleton tennis books, see also book jacket illustrations
bookstores - see Publications files in series 3.2 for information on book signings at bookstores
Borg, Bjorn - see tennis
Borstal Boy - 2.1: 1984, 3.1: Borstal Boy 1970
Bosley, Thad - see Skoal Pinch Hitter
Bourgeois, Louise - 3.1: "Cig Art" Benefit Exhibitions 1996-2000
Bourne, Bob - 4.1: 1983
Bowe, Riddick - see boxing
Bowlers Journal - see bowling
Bowles, Franklin - see Bowles Galleries
Bowles Galleries - 1.2: Bowles Galleries, see exhibitions, see also Timothy Yarger Fine Art
bowling -- - 2.1: 1976
Anthony, Earl - 3.1: Million Dollar Strike, 1982
Carter, Don - 3.1: Million Dollar Strike, 1982
Esposito, Frank - 2.1: 1986, 1996, 3.1: Million Dollar Strike, 1982
Million Dollar Strike, 1982 - 3.1: Million Dollar Strike, 1982
Varipapa, Andy - 3.1: Million Dollar Strike, 1982
boxing -- - 3.1: Ali vs. Frazier I, 1971, 3.1: Ali vs. Frazier III "The Thrilla in Manila," 1975, 3.1: Ali vs. Spinks 1978, 3.1: Sportsman's Ball 1978, 3.1: Ali vs. Holmes 1980, 3.1: Duran vs. Leonard I, II, III 1980-89, 3.1: Hearns vs. Leonard 1981, 3.1: Tribute to Joe Louis (Holmes vs. Spinks) 1981, 3.1: Holmes vs. Cooney 1982, 3.1: Hagler vs. Hearns 1985, 3.1: Mike Tyson Portraits 1986-1990s, 3.1: Tyson vs. Spinks 1988, 3.1: McGirt vs. Whitaker 1993, 3.1: Tyson vs. Holyfield 1991-1996, 3.1: Holyfield -Lewis and Ali vs. Frazier I, 1971, 1999, 3.1: Lewis vs. Tyson 2002, 3.1: De La Hoya vs. Vargas 2002, 4.1: 1964, 1965, 1966, 1967, 1970, 1971, 1972, 1976, 1977, 1978, 1979, 1981, 1982, 1983, 1984, 1985, 1987, 1988, 1989, undated 1990s, 1990, 1991, 1993, 1994, 1995, 1996, 1997, 1998, 1999, 2000, 2001, 2002
Ali, Muhammad - see Ali vs. Frazier, 3.1: Lewis vs. Tyson 2002, .2.1: 2001, 3.1: GOAT (Greatest of All Time - A Tribute to Muhammad Ali) Book by Taschen, 2004, 3.2.1, 3.2.16, 4.1: 1964, 1965, 1966, 1967, 1970, 1971, 1974, 1976, 1977, 1978, 1980, 1985 1991, 1994, 1995, 1997, 1998, 1999, 2000, 2001, 4.2: Playboy Ephemera 1960s, 4.2: The Ring Magazine as artist - 2.1: 1979, 4.1: 1966, 1967, 1970 ov, 1979
Muhammad Ali - Athlete of the Century, 2000 - 3.1: Muhammad Ali - Athlete of the Century, 2000-2002
Muhammad Ali - The Greatest Collector's Edition Magazine, 2002 - 4.1: 2002
Ali vs. Foreman, Zaire poster, 1974 - 4.1: 1974, 2000, 2002
Ali vs. Frazier
Ali vs. Frazier I, 1971 - 3.1: Ali vs. Frazier I, 1971
Ali vs. Frazier I, 1971, 1999 - 3.1: Holyfield -Lewis and Ali vs. Frazier I, 1999, 4.1: 2000
Ali vs. Frazier II etchings, 1974 - 3.1: Ali vs. Frazier I, 1971, 3.1: Circle Gallery 1972, 3.1: Ali vs. Frazier II, 1974, 3.1: Ali vs. Frazier III "The Thrilla in Manila," 1975, 4.1: 1990
Fight of the Century poster, 1971 - 3.1: Ali vs. Frazier I, 1971
Thrilla in Manila poster, 1975 - 3.1: Ali vs. Frazier III "The Thrilla in Manila," 1975, 4.1: 2000
Ali vs. Holmes, 1980 - 3.1: Ali -Holmes 1980, 4.1: 2000
Ali vs. Spinks, 1978 - 3.1: Ali vs. Spinks 1978, 4.1: 2000
Bobrick - 4.1: 1977
Bowe, Riddick - 4.1: 1993, 1995, 1996, 4.2: The Ring Magazine
Boxers Ball - 4.1: 1997
Boxing Beat Magazine - 4.1: 1988
Boxing Illustrated - 4.1: 1993
Boxing at the Ritz - 4.1: 1993
Boxing Writers Association of America - 1.1: Awards, 4.1: 1967, 1985, 2004
Brenner, Teddy - 2.1: 1978, 1979, 4.1: 1978, 4.2: The Ring Magazine
Camacho, Hector - 4.1: 1986, 1997
Chavez, Julio Cesar - 4.1: 1993, 1996
Julio Cesar Chavez, pastel - 4.1: 1996
Julio Cesar Chavez, 1996 drawing - 4.1: 1996
Clay, Cassius - see Muhammad Ali
Coetzee - 4.1: 1984
Cooney, Gerry - see Holmes vs. Cooney, 2.1: 1989, 2000, 4.1: 1981, 1987, 2001, 4.2: The Ring Magazine
De La Hoya, Oscar - 3.1: The Fight of the Millennium, 1999, 3.1: De La Hoya vs. Vargas 2002, 3.1: De La Hoya vs. Hopkins 2004, 4.1: 1995, 1997
Oscar De La Hoya, 1995 - 4.1: 1997
De La Hoya vs. Mosely poster 2000 - 3.1: De La Hoya vs. Mosley 2000
De La Hoya vs. Whitaker, 1997 - 4.1: 1997
Dundee, Angelo - 3.1: Angelo Dundee Tribute 2002
Duran, Roberto - 3.1: Duran vs. Leonard I, II, III 1980 -1989, 4.1: 1980, 1983, 1984, 1994, 1995, 4.2: The Ring Magazine
Ellis, Jimmy - 4.1: 1973 ov
F.I.S.T. - 2.1: 2000, 4.1: 2000, 2001
film, documentary - see Win a Few, Lose a Few, 1972
Foreman, George - see Ali vs. Foreman, 2.1: 1989, 4.1: undated, 1973, 1974, 1976, 1993, 1995, 1999, 4.2: The Ring Magazine
Foreman Frazier Fight - 4.1: undated
Foreman vs. Holmes, 1999 - 4.1: 1999
Frazier, Joe - see Ali vs. Frazier, 2.1: 1975, 4.1: undated, 1969 ov, 1971, 1972, 1973, 1976, 1981, 1992, 1998, 4.2: The Ring Magazine
Golden Gloves Championships - 4.1: 2000, 2001
Golota, Andrew - 4.1: 1996
Grant, Michael - see Lewis vs. Grant, 4.2: The Ring Magazine, 4.1: 2001
Holmes vs. Cooney poster, 1982 - 3.1: Holmes vs. Cooney 1982, 4.1: 2000
Holmes, Larry - see Ali vs. Holmes, Holmes vs. Cooney, 3.1: Tribute to Joe Louis (Holmes vs. Spinks) 1981, 4.1: 1984, 1999, 2001, 4.2: The Ring Magazine
Holmes vs. Cooney poster, 1982 - 3.1: Holmes vs. Cooney 1982, 4.1: 2000
Holmes vs. Shavers poster, 1979 - 4.1: 1979, 2000
Holmes vs. Spinks, 1985 poster - 4.1: 1985
Holyfield, Evander - see Tyson vs. Holyfield, 3.1: Holyfield-Lewis and Ali vs. Frazier I, 1999, 4.1: 1994, 1995, 1996, 2003
Hopkins, Bernard - Bernard Hopkins, 2004 - 3.1: De La Hoya vs. Hopkins 2004 Introduction of the Champions of the Ring, 1964-65 (or Ringside Madison Square Garden) - 4.1: 1965, 1983
Jones, Jr., Roy - 4.1: 1994, 1995, 1996, 2000; Roy Jones, Jr. - 4.1: 2000
King, Don - 4.1: 1977, 2003
Latin Legends - 4.1: 1992
Leonard, Sugar Ray - 3.1: Hearns vs. Leonard 1981, 3.1: Duran vs. Leonard I, II, III 1980-89, 4.1: 1980 ov, 1997, 4.2: The Ring Magazine
Lewis, Lennox - see Lewis vs. Grant, 3.1: Holyfield -Lewis and Ali vs. Frazier I, 1999, 4.1: 1994, 1995, 2001
Lewis vs. Grant poster, 2000 - 4.1: 2000 and ov
Lewis vs. Tyson poster, 2002 - 3.1: Lewis vs. Tyson 2002
Louis, Joe - 3.1: Tribute to Joe Louis (Holmes vs. Spinks fight) 1981
Joe Louis, 1983 - 3.1: Kayo Joe Louis Boxing Card 1991, 4.1: 1991
Malave, Chu Chu - 4.1: 1973
Mathis, Buster - 4.1: 1971
The Maulers 1993 lithograph - 4.1: 1993
Mayweather, Floyd - 4.1: 2000
McGirt, James "Buddy" - 3.1: McGirt vs. Whitaker 1993
Morrison, Tommy - 4.1: 1993, 1995
Mosely, Shane - see De La Hoya vs. Mosely
North American Boxing Federation - 4.1: 2000
Norton, Ken - 4.1: 1976, 1981, 4.2: The Ring Magazine
New Jersey Boxing Hall of Fame - 1.1: Awards - Inductions, 4.1: 2000
Olympic boxing - see Olympics
Patterson, Floyd - 4.1: 1972
Quarry, Jerry - 4.1: 1969 ov, 1970, 4.2: The Ring Magazine
Red Boxers, 1973 - 4.1: 1973
Reid, David
David Reid, 1998 - 4.1: 1998
Ring Magazine - 3.2. -- Winners -- , 1983, Harry N. Abrams, 4.1: 1966, 4.2: The Ring Magazine
Ringside and Training Principles, by Goodman and Homansky 2001 - 3.1: Ringside and Training Principles by Goodman and Homansky 2001
Robinson, Sugar Ray - 2.1: 1989, 4.1: 1989, 1994; Sugar Ray Robinson, 1969 - 4.1: 1969, 1998
Rocky - see Rocky films
Salute to Boxing Greats Award - 1.1: Awards
Shavers, Earnie - see Holmes vs. Shavers, 4.1: 1973 ov, 1977, 4.2: The Ring Magazine Spinks, Leon - see Ali vs. Spinks, 3.1: Tribute to Joe Louis (Holmes vs. Spinks) 1981, 4.2: The Ring Magazine
Spinks, Michael - 3.1: Tyson vs. Spinks 1988, 4.1: 1987, 4.2: The Ring Magazine
Sting Like a Bee by Jose Torres and Bert Sugar - 2.1: 1972
Thornton, Wayne - 4.1: 1966
Toney, James - 4.1: 2003, James Toney, 1994 - 4.1: 2004
Torres, Jose - 4.1: 1966
Trinidad, Felix - 2.1: 1999, 3.1: The Fight of the Millennium, 1999
Tyson, Mike - 3.1: Mike Tyson portraits 1986-90s, 3.1: Tyson vs. Spinks 1988, 3.1: Lewis vs. Tyson 2002, 4.1: 1986, 1988, 1989, 1995, 1996, 1999 portraits - 4.2: The Ring Magazine, 4.1: 1999, 2001
Tyson vs. Holyfield, 1996 - 3.1: Tyson vs. Holyfield 1991-1996
Vargas, Fernando - 3.1: De La Hoya vs. Vargas 2002
World Boxing Association Annual Awards Dinner - 4.1: 1994, 1995, 1996, 1997, 1998, 2000
World Boxing League - 4.1: Undated 2000s
Boy Scouts of America - 2.1: 1989, 4.1: 1989 ov
Boys' Athletic League - 4.1: 1974
Boys and Girls Clubs of America - 4.1: 1977, All Sports Hall of Fame Dinner - 4.1: undated 1970s, 1996, 1997, Legends & Fans Dinner - 4.1: 1990
Boys Town of Italy - 4.1: 1987, 1988, 1992
Bradley, Bill - 3.1: Bill Bradley 1978 -2000, 3.1: Women's Basketball Hall of Fame, 1993, 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, 4.1: 1981, 1999
Branca, Ralph - 3.1: The Shot Heard 'Round the World, 1991, 2.1: 1994, 4.1: 1994
Brayton, Scott - see auto racing
Brazil Stock Exchange, 1985 - 2.1: 1985
Brenner, Teddy - see boxing
Brett, George - 4.1: 1990; George Brett, 1992 - 4.1: 1992
Brice, Bobbie - 4.1: 1982
Bride's Magazine -- - 3.1: Early Fashion Illustration 1949-57
Broadway - see musicals or Times Square, 2001
Brooklyn Bridge, 1995 - 1.1: Honorary Degrees - Saint Francis College, 3.1: Brooklyn Bridge, 1995, 4.1: 1995, 1998
Bush, President George H.W. and Barbara - 1.1: Honorary Degrees c., 2.1: 1989
Bush, President George W. - 2.1: 2003
Bushkin, Joe - 4.1: 1997
Busker Alley - 3.1: "Busker Alley," 1995
Byrams, Gina - 3.1: Hammer Galleries Solo Exhibition 1970
Byrne, Janet - see Neiman, Janet
C
CBS Sports television - 2.1: 1979, 2.2: CBS Sports, 4.1: 1978, 1985
CD ROM - VII
Caesar's Palace - see casinos
Cahill, Very Reverend Joseph - 1.1: Honorary Degrees, St. John's University, Honorary Doctorate, 1980, St. John's University, Gold Medal of Honor, 1985
Caine, Michael - 2.1: 1981
Calder, Alexander - 4.1: 1973 (see exhibitions, two-person)
calendars - 4.1: 1974 ov, 1976, 3.1: Wild Animals and Art of Sport Calendars 1992-94 and ov, 3.1: Golf Courses Calendar 1996
California Cuisine (The Lark Creek Inn), 198? - 3.1: Saks Fifth Avenue 1994-1999, 4.1: 2004
Call of the Wild -- , by Jack London - 3.1: -- Call of the Wild -- 1993
Camacho, Hector - see boxing
Camp David Peace Accords, 1998 - see Carter, President Jimmy
Campbell, Earl - 2.1: 1982
Campbell's Soup - 4.1: 2004
Cannes Film Festival - 3.1: Beauty, the Beach, and the Bizarre 1984
Cape Town, South Africa - 4.1: 1997
Capone, Al, Al Capone - 3.1: Circle Gallery 1972, 4.1: 1972, 1992, 1995
Cappy Productions - 2.1: 2000
Caracas, Venezuela - 2.1: 1972, 1976, 1977, 1980, see exhibitions: Museo de Bellas Artes
"Caring is Fashionable" - 4.1: 1981
Carlson, Bill - see "Neiman's Cuba"
Carnaval, 1981 - 3.2.6, 3.2 ov., see Haskell, Nikki
Carousel, 1958 - 4.1: 1950s
The Carousel of Hope - see also Appendix A, 3.1: Carousel Ball 1982-present
Trump Taj Mahal, Atlantic City - see Trump, Donald
Vegas Blackjack - 4.1: 1984, 1996
catalogue raisonnes - 3.2.5, 3.2.9, 3.2.14
Cavett, Dick - 2.1: 1999
"Celebration 2000" Exhibition - 3.2.14
Celebrity Night at Spago, 1993 - 3.1: Celebrity Night at Spago, 1993
Centaur Galleries, Las Vegas - see exhibitions
Center Art Galleries, Hawaii - 3.1: Center Art Galleries Exhibition, Hawaii 1985, 4.1: 1984, 1987
Central Park Boathouse - see restaurants
cereal box - see Wheaties
Chabot Galleries - 2.1: 1989
Chamberlain, Wilt - see 3.1: Basketball Superstars, 1975 -76, 3.1: Kareem Abdul -Jabbar, 1984, 3.1: Wilt Chamberlain 2000, 4.1: 1981
champagne - 3.1: Duval LeRoy Champagne 1999-2001
Champagne Taittinger - 3.1: 1993
Champagne...Uncorked! by Rosemary Zraly - 3.1: Saks Fifth Avenue 1994-1999, 3.1: Champagne...Uncorked! by Rosemary Zraly 1996
Champions vs. MS - 2.1: 1977
Champs-Elysses
Le Champs- Elysses, 1992 - 4.1: 1996
The Champs-Elysees, la Voie Triomphale, 1994 - 4.1: 1997
Chandler, Charlotte - 3.1: Charlotte Chandler 1978-84, 3.1: March of Dimes' Gourmet Gala 1985
Channel Thirteen, New York - 2.1: 1984, 4.1: 1983
Charismatic - 4.1: 1999
charity - 2.1: Charities (all files), see also AIMS (Committee to Aid Multiple Sclerosis), American Cancer Society, American Diabetes Association, American Heart Association, Association for the Help of Retarded Children (AHRC), Boys & Girls Clubs of America, Boys Town of Italy, Carousel of Hope (Children's Diabetes Foundation), Champions vs. MS, Children's Hearing Institute, Citymeals-on-Wheels, Concern's Charity of Champions, Cystic Fibrosis Foundation, Doodle for Hunger, Good Tidings Foundation, Hope House Ministries, Hospital Relief Fund of the Caribbean, International Heart Foundation, International Sephardic Education Foundation, Jackie Robinson Foundation (under Robinson, Jackie), Jimmy Fund, Juvenile Diabetes Foundation, Leukemia Society of America, Make-a-Wish Foundation, Monmouth Park Charity Ball, Muscular Dystrophy Association, Myasthenia Gravis Foundation, National Multiple Sclerosis Society, North Shore Child and Family Guidance Association, Race to Erase MS, Rock for the Cure, Ronald McDonald House, Special Olympics, United Cerebral Palsy Association, United Way, 4.1: 1981, 1992, 1999; see also animals: rescue
Charlie Cosmetics - see promotions
Chavez, Julio Cesar - see boxing
chef - 3.1: James Beard 1985-87, see also Bennett, Chef John; Clark, Chef Patrick; Kopf, Stefan; Lomonaco, Chef Michael; food; restaurants; Soltner, Chef Andre
Chemical Bank - 2.2: Manufacturers Hanover and Chemical Bank, VII: Box 3
Cher - 4.1: 1981
chess - see Fischer, Bobby
Chicago Board of Trade, 1974-75 - 2.1: 1977, 1989, 4.1: 1977
Chicago Public Library - 4.1: 1955-59
Chicago Serigraphic Workshop - 2.1: 1977
children, artwork by - 2.2: Artwork from Children
children, letters from - 2.2: Mrs. Vladimir's Class 1975-85, 2.2: Hutchinson KS, Elementary Schools, 1976-78, 2.2: Mr. Silver's Class 1978-81, see also various letters in 2.1 Fan Mail files
Children at Heart - 4.1: 1996
Childrens Diabetes Foundation - 3.1: Carousel Ball 1982-present
Children's Hearing Institute - 4.1: 1994
China - 2.1: 1983
Chinaglia, Georgio - see soccer
Choate School - 4.1: 1969
Christie's - 4.1: 1978
Christina Galice Gallery - 2.1: 1990
churches -- - 4.1: 1964, 1965; The Organ at St. Paul the Apostle, 1965 - 4.1: 1965
Components of Fire by (Aaron Sigmond or Jim Mauro) with Foreword by LeRoy Neiman - 2.1: 1997
Playboy's LeRoy Neiman Selection by Don Diego - 3.1: Playboy's LeRoy Neiman Selection by Don Diego, 1997
Puro Cigar Company - see Sigmond, Aaron
Rhythm and Smoke Cigar Video - 3.1: Rhythm and Smoke Cigar Industry Video 1997-1998
Wine, Women and Cigar, 1996 - 3.1: Playboy's LeRoy Neiman Selection Cigars 1996, 4.1: 1999, 4.2: -- Bartender -- Magazine Cincotti, Peter - 4.1: 2002 ov.
Circle Galleries, Chicago and New York - 2.1: 1979, 1989, 4.1: 1973, 1981, 1989, 1.2: Felicie Correspondence, see exhibitions, solo: Circle Galleries and "Ali-Frazier"
Circus, 2000 - 3.1: Circus 2000, 4.1: 2001
Cirker - Hayes Warehouse - IID: Inventory of Prints Stored in Warehouse 1970s-80s
Cities in Schools - 3.1: Cities in Schools and Harlem Streets, 1981, 4.2: Arts Magazine
City by the Bay, 1993 - see San Francisco
City By The Bay, by Charles Fracchia, cover illustration by LeRoy Neiman - 3.1: San Francisco Series 1991-93
Clinton, President Bill - 3.2. -- Big Time Golf -- , 1992, 4.1: 1992
clothing - VII
clothing stores - see Marshall Fields, Neiman Marcus, Pallack, Rick, and Saks Fifth Avenue, 4.1: 1958
Clough, Charles - 4.1: 1986
Club El Morocco - 4.1: 1979
Clubhouse Turn, 1975 - see horse racing
Coalition for the Homeless - 4.1: 1986
Coca-Cola Company - 2.1: 1994
Coetzee - see boxing
Coghlan, Eamon - see running
Cohen, Mouli - 3.1: Soft Paintings 1989
collectibles - see promotions
collectors - 4.1: 1969, 1980, 1981, see Wolfson
college sports - see basketball, football
Columbia Space Shuttle - 4.1: Undated ov
Columbia University - School of the Arts - 3.1: LeRoy Neiman Center for Print Studies, Columbia University 1995-present; School of General Studies - 2.1: 1977
Comaneci, Nadia - see gymnastics
Comedia dell' Arte - 3.1: Royal Doulton collectible plates 1974-78
comic strips - see -- Doonesbury
commercials - see Promotions
Commodities Magazine - see The Chicago Board of Trade, 1974-75
Concern Foundation
Concern's Charity of Champions - 4.1: 1983
conductors - see Bernstein, Leonard; Slatkin, Leonard
Contemporary University - 4.1: 1980
Cooney, Gerry - see boxing
computer art - 4.1: 1975
Conner, Bart - see gymnastics
Converse - 2.1: 1982
Bill Corum Award - 1.1: Awards
Corvette, Limited Edition Neiman - 3.1: Corvette 1984, V: 1980s, Rendezvous a la Corvette, 1984 - 3.1: Corvette 1984
Cosby, Bill - 4.1: 1991, 1997
Cosell, Howard - 4.1: 1987, 1995, V: 1991
cosmetics - see promotions
Cotton Club - 4.1: undated
Countdown to Superbowl, by Dave Anderson - 3.1: Countdown to Superbowl by Dave Anderson 1969
Country Rambler -- Magazine - 2.1: 1976, 4.1: 1976 ov
Couples - 4.1: 1976
Cow Parade, NYC - 3.1: Cow Parade NYC, 2000
cowboys - see The Lone Ranger, National Cowboy Hall of Fame, rodeo
Creative Communications - 2.1: 1976
cricket - 4.1: 1961
Crosby, Bing - 3.1: 43rd Crosby National Pro-Am, 1984
Csonka, Larry - 4.1: 1973, 1974; Larry Csonka - 4.1: 1972
Cuba - 3.1: "LeRoy Neiman in Cuba" Solo Exhibition, Pratt Institute, New York, 2003, 4.1: 1979
Cuban Dancers, 1997 - 3.1: Rhythm and Smoke Cigar Video 1997-98
The Culinary Arts exhibition - 3.1: The Culinary Arts exhibition 1998
Culinary Institute of America - 4.1: 2000
Cunningham, Merce - see dance
Current Biography - 4.1: 1996
Curtis, Mike - 3.1: Gridiron Football News 1971-1973
Curtis, Tony - 2.1: 1988
cycling
3.1: Tour de Trump
Boul Mich Bike Rally, 1978 - 2.1: 1983, 4.1: 1978 ov
Indoor Cycling - 4.1: 2000, 2002
Tour de France - 4.1: 1984
Cystic Fibrosis Foundation - 4.1: 1996
D
Daily Double - see Fran Joswick Therapeutic Riding Center
Dalai Lama - 2.1: 2003
Daley, Robert - 4.1: 1966
Daley, Mayor Richard - 4.1: 1968
Dali, Salvador - 4.1: 1977, 1986, 1991, 2002 (mentioned throughout 1980s and 1990s)
Dan's Papers - 2.1: 1998, 1999, 4.1: 1997 ov
dance -- - see also ballet
Cunningham, Merce
Merce Cunningham Studio - 4.1: 2004
"Fringe TOMAR 2000" Festival Internacional de Danca Contemporanea, 2000 - VII
Graham, Martha - 2.1: 1989
Jacki Sorenson, 1981 - 4.1: 1981
Davidson Gallery - 4.1: 1986
Davis, Marvin and Barbara - 2.1: 1985, 3.1: Carousel Ball 1982-present
Davis, Jr. , Sammy - 3.1: Frank Sinatra at Royal Albert Hall 1989, 4.1: 1964, 1981, 1982, 1984, 1991, V: early 1960s, Bojangles, 1984 - 4.1: 1986
Dawkins, Peter - 2.1: 1980, 3.1: Peter Dawkins Poster 1988
De la Hoya, Oscar - see boxing
De La Vega, James - 4.1: 1999
Dean Day Gallery - 2.1: 1982, 1983, 1989, see also exhibitions
Dear Muffo, by Harold Conrad - 4.1: 1982
Edward J. DeBartolo Corporation - 2.2: DeBartolo Corporation and Associated Institutions 1989-91
DeBusschere, Dave - 4.1: 1974
The Dedication - 4.1: 1969
Deer Path Art League - 4.1: 1950s
Defiant, 1987 - see sculpture
Degregorio, Ernie - 2.1: 1976
Dekker, Mary - V: 1980s
Del Coronado Petit Galop, 1976 - 4.1: 1976
Del Greco, Maria -2.3: Letters from Artists, 4.1: undated, 1996
Delacroix's Tiger - see animals
Delligatti, Ralph - 4.1: 1992
Denver, CO - see auto racing
Denver, John - 4.1: 1994
Derek, Bo and John - 2.1: 1998, 4.1: 1985
Des Moines, Iowa
Des Moines Ballet - 3.1: Des Moines Ballet Commissions 1983-1986
Des Moines Symphony - 4.1: 1979
Desert Inn, Las Vegas - see casinos: Caesar's
Desert Symphony - see music: classical
designers - 4.1: 1997
Dewar's - 4.1: 1971
Dial-A-Dinner - 4.1: 1994
Diamond, Neil - 4.1: 1984
El Diario la Prensa - 2.1: 1987
A Dictionary of Sporting Artists, by Mary Ann Wingfield - 4.1: 1992
Dill, Bob - 2.1: 1997, 1999
Diller, Phyllis - 2.1: 1995, 1996, 1999
DiMaggio, Joe - 4.1: 1992
Joe DiMaggio: Yankee Clipper, 1998 - 3.1: Joe DiMaggio 1998-1999, 4.1:1998 Joe DiMaggio: Study for "Yankee Clipper", 1998 - 3.1: Joe DiMaggio 1998-1999
DiPietro, Marylou - 2.1: 1979, 3.2.3
diving - see swimming and diving
Dixon, Rod - see running
dog - see animals
Dokes, Michael - 4.1: 1993
Domingo, Placido - 3.1: The Three Tenors, 1996
Doodle for Hunger - 3.1: Doodle for Hunger I, II, III, IV, V, 2000-2004
Doonesbury -- - 4.1: 1981
Door County - 3.1: "LeRoy Neiman - A Retrospective Exhibition of Works on Paper," Fairfield Gallery, 2001
Dorfman, Fred - see Fred Dorfman, Inc.
Dorset, Tony - 2.1: 1982
Doubletake Gallery - 4.1: 1999
Douglas, Kirk, Kirk Douglas, 1984 - 2.1: 1999, 3.1: National Cowboy Hall of Fame 1985
dreams - 3.1: Folies Bergere, Tropicana, Las Vegas 1983
Drinhaus, Helmut - 2.2: Helmut Drinhaus 1988-2000
Driscoll, John (President of Iona College) - 1.1: Honorary Degrees, Iona College, Honorary Doctorate, 1985
Dubai - 2.1: 1988
Dublin Bar "The Stag's Head" - see The Stag's Head Bar, 1961
Dufresne, Isabelle - 4.1: 1988
Duguay, Ron - 4.1: 1982
Dundee, Angelo - see boxing
Duneier, Clyde - 4.1: 1993
Dupont, Andre - 4.1: 1974
Dupont pens - see promotions
Duran, Roberto - see boxing
Durocher, Leo - 3.1: Leo Durocher 1974-94, 3.1: Phil Rizzuto 1994, 4.1: 1968, Leo Durocher - 3.1: Leo Durocher 1974-94
Duval LeRoy, Carol - 3.1: Duval LeRoy Champagne, 1999
Einstein, Albert - Albert Einstein, 1992 drawing - 2.1: 1991
Eiteljorg, Harrison and Sonja - 2.2: Harrison and Sonja Eiteljorg, 3.1: "Sketches of the XXth Olympiad," Solo Exhibition, Indianapolis Museum of Art, 1972-73, 4.1: undated, 1963, 1986, 1994
Elayne Galleries - 2.1: 1979, 1989, 3.1: Elayne Galleries and P.J. Clarke's, 1978, 3.1: Stadium Tennis Billboard, 1981, 4.1: 2001, see also exhibitions
elephant paintings - see animals
Elkins Entertainment - 3.1: Rhythm and Smoke Cigar Video, 1997
Elles & Eux -- Magazine - 4.1: 1961
Ellington, Duke - see jazz
Ellis, Jimmy - 4.1: 1971
Ellis Island Medal of Honor - 1.1: Awards
Elway, John - 3.1: John Elway, 1999
Emerald Art Gallery - 2.1: 1977, 3.1: Emerald Art Gallery Solo Exhibition 1976
English, John - 1.1: Military Service
equestrian - see horses
Erte -- - 4.1: 1990, 1980s and 1990s (mentioned throughout)
Erving, Julius - see Basketball Superstars, 1975-76, Julius Erving, 1975 - 3.1: Julius Erving 1975-76
etchings - 2.1: 1977, 3.1: Malletmen etching Certificate, 1977, 1.2: Bowles Galleries Correspondence 1970s, see also boxing: Ali vs. Frazier II etchings, 1974, and soccer: Soccer, 1989 etching, The Etchings of LeRoy Neiman, 1976 Knoedler booklet - 3.1: The Etchings of LeRoy Neiman, 1976 booklet (ov)
Eve Models, Ltd. - 4.1: 1971, 1974
Everson, Cory - see bodybuilding
Evert, Chris - see tennis
Ewbank, Weeb - 3.1: Gridiron Football News 1971-1973, 4.1: 1978
exhibitions -- - Note: Solo and group exhibitions are listed alphabetically by the venue name
American Fine Art Editions, Inc., "Superbowl XXX," Jan 1996 - 3.1: Superbowl XXX Exhibition 1996
American Fletcher National Bank - see Indianapolis Museum of Art
l'art et l'automobile gallery, "Monte Carlo Chase," New York 1988 - 3.2. Monte Carlo Chase, 1988, Van Der Marck Editions, Ltd., Related Exhibitions
l'art et l'automobile gallery, New York, 1989 - no materials
The Art Exchange, Creve Coeur, MO, 1978 - 3.1: The Art Exchange Solo Exhibitions, Creve Coeur, MO 1978-79
The Art Exchange, Creve Coeur, MO, 1979 - 3.1: The Art Exchange Solo Exhibitions, Creve Coeur, MO 1978-79
Art Gallery-Studio 53 Ltd., New York 1975 - 4.1: 1975
Art Gallery-Studio 53 Ltd., New York 1976 - 4.1: 1976
Astor Tower French Center, Chicago, "Vie de France," 1965 - 3.1: "Vie de France" Solo Exhibition, Astor Tower, Chicago 1965
Backstage Gallery, Osaka, Japan - 4.1: 1989
Baja - 4.1: 1989
Base Art Collection, 1990 - 4.1: 1990
Bowles/Hopkins Gallery, San Francisco, 1977 - 3.1: Bowles Hopkins Solo Exhibition, San Francisco, 1977
Bowles/Hopkins Gallery, San Francisco, 1980 - 2.1: 1980, 4.1: 1980
Bowles/Hopkins Gallery, San Francisco 1981 - 4.1: 1981
Bowles/Hopkins Gallery show celebrating Winners, 1983 - 3.2. -- Winners -- , 1983, Harry N. Abrams
Bowles/Hopkins Gallery, "The Olympic Spirit," San Francisco, 1984 - 3.1: 1984 Olympics
Bowles/Hopkins Gallery show celebrating the Superbowl, 1985 - 4.1: 1985
Bowles/Hopkins Gallery, February 1986 - 3.1: Nob Hill, Buena Vista and Bowles Hopkins Gallery 1986
Bowles/Hopkins Gallery, October 1986 - 3.1: Nob Hill, Buena Vista and Bowles Hopkins Gallery 1986
Bowles/Sorokko Galleries, "Neiman's Neimans: A Retrospective," San Francisco, 1987 - 3.1: Bowles/Sorokko Galleries Solo Exhibitions, San Francisco ("Neiman's Neimans") and Beverly Hills 1987
Bowles/Sorokko Galleries, "LeRoy Neiman: Monte Carlo," San Francisco 1988 - 3.2. Monte Carlo Chase, 1988, Van Der Marck Editions, Ltd., Related Exhibitions
Bowles/Sorokko Galleries, Polo Lounge Debut, Beverly Hills, April 1989 - 3.1: Polo Lounge debut at Bowles/Sorokko Galleries, Beverly Hills 1989
Bowles/Sorokko Galleries, San Francisco, May 1990 - 3.1: Bay Area Baseball debut at Bowles/Sorokko, San Francisco 1990
Bowles/Sorokko, Beverly Hills, October 1990 - 4.1: 1990
Bowles/Sorokko Galleries, "The Prints of LeRoy Neiman 1980 -1990," Beverly Hills, 1991 - 3.2. The Prints of LeRoy Neiman, 1980-1990, 1991
Bowles/Sorokko Galleries, "LeRoy Neiman's San Francisco," San Francisco 1991 - 3.1: San Francisco Series 1991-93
Bowles/Sorokko Galleries, "LeRoy Neiman: Downtown," New York 1992 - 4.1: 1992
Bowles/Sorokko Galleries, "Big Time Golf," Beverly Hills, San Francisco, and New York, 1992 - 3.2. -- Big Time Golf -- , 1992, Publicity and Related Exhibitions
Bowles/Sorokko Galleries, City by the Bay Debut, San Francisco, 1993 - 3.1: San Francisco Series, 1991-1993
Bowles/Sorokko Galleries, "An American in Paris," Beverly Hills, San Francisco, and New York, 1994 - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, Related Exhibitions
Bowles/Sorokko Galleries, San Francisco, 1995 - 4.1: 1995
Bowles/Sorokko/Yarger Galleries, "Portraits of Our Times 1946-1996", Beverly Hills and San Francisco 1996 - 3.1: "Portraits of Our Times 1946-96" Solo Exhibition and Catalog, Bowles/Sorokko/Yarger Galleries, 1996
Brentano's Gallery, New York, 1973 - 4.1: 1973
Brentano's Gallery, New York, 1979 - 2.1: 1979, 4.1: 1979
Brentano's Gallery, New York, 1980 - 4.1: 1980
Butler Institute of American Art, Exhibition at "The Art Spirit" Event, April 1990 - 4.1: 1990
Carol Condit Galleries, White Plains, 1975 - 4.1: 1975
Casa Grafica, Helsinki, Finland, 1977 - 3.1: Casa Grafica Solo Exhibition, Helsinki, Finland, 1977
"Celebration 2000," 2000 - 3.2. -- The Prints of LeRoy Neiman -- , 1991-2000, 2001
Centaur Galleries, Las Vegas, 2000 - 4.1: 2000
Centaur Sculpture Galleries, "The Safari Suite," Las Vegas 1996 - 3.2. -- LeRoy Neiman On Safari -- , 1996, Related Exhibitions
Center Art Galleries, Honolulu, Hawaii, 1985 - 3.1: Center Art Galleries Exhibition, Hawaii, 1985
Dyansen Gallery, Trump Taj Mahal, 1992 - 3.1: Dyansen Gallery Solo Exhibition, Atlantic City, and The Beatles serigraph 1992
Elayne Galleries, Minneapolis, MN, 1978 - 3.1: Elayne Galleries Solo Exhibition and P.J. Clarkes, Minneapolis, 1978
Emerald Art Gallery, Coronado, CA, 1976 - 3.1: Emerald Art Gallery Solo Exhibition, Coronado, CA 1976
Fairfield Gallery, "LeRoy Neiman - A Retrospective Exhibition of Works on Paper," 2001 - 3.1: "LeRoy Neiman - A Retrospective Exhibition of Works on Paper," Fairfield Gallery, 2001
Fahlnaes Konstsalong, Sweden, 1976 - 3.1: Sweden Exhibitions 1976-77
Famous-Barr, St. Louis, MO, 1980 - 3.1: Famous-Barr Olympic Benefit Solo Exhibition, St. Louis 1980
The Far Gallery, "Recent Graphics and Drawings", 1971 - 3.1: "Recent Graphics and Drawings," The Far Gallery Solo Exhibition 1971
Franklin Bowles Galleries, "Animals: The Wild and the Tame", 1998 - 3.1: "Animals: The Wild and the Tame" Solo Exhibition, Franklin Bowles Gallery, San Francisco, October 1998
Franklin Bowles Galleries, "LeRoy Neiman: Master Printmaker," 2001 - 3.1: "LeRoy Neiman: Master Printmaker," Franklin Bowles Gallery, San Francisco 2001
Frankin Bowles Galleries, "LeRoy Neiman: Thirty Years in San Francisco," 2002 - 3.1: "LeRoy Neiman: Thirty Years in San Francisco," Franklin Bowles Galleries, San Francisco 2002
Franklin Bowles Galleries, "Looking Back: The Life & Times of America's Artist", Fisherman's Wharf, San Francisco, February 2004 - 4.1: 2004
Franklin Bowles Galleries, "LeRoy Neiman: The Art of Boxing," San Francisco, February 2005 - 3.1: "LeRoy Neiman: The Art of Boxing," Franklin Bowles Galleries 2005
Friars Club, 1987 - see exhibitions: New York Friars Club
Galerie 224, 1989 - 4.1: 1989
Galerie Borjeson, Malmo, Sweden, 1976 - 3.1: Sweden Exhibitions 1976-77
Galerie O. Bosc, Paris 1962 - 4.1: 1962
Galerie Marc, San Francisco, 1977 - 4.1: 1977
Galerie Marcel Bernheim, "Un Américain à Paris," Paris 1993 - 3.1: "Un Américain à Paris," Solo Exhibition, Galerie Marcel Bernheim, Paris 1993
Galerie Renee & Victor, Stockholm, Sweden, 1977 - 3.1: Sweden Exhibitions 1976-77
La Galleria d'Arte, Newport Beach, CA, 1993 - 2.2: La Galleria d'Arte, 4.1: 1993, V: 1993
La Galleria d'Arte, "An American in Paris," Newport Beach, CA, 1994 - 2.2: La Galleria d'Arte, 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, Related Exhibitions
La Galleria d'Arte, "LeRoy Neiman On Safari," Newport Beach, CA 1996 - 2.2: La Galleria d'Arte, 3.2. LeRoy Neiman On Safari, 1996, Related Exhibitions
Gallery One American Design, Aurora, Colorado, August 1990 - 3.1: Gallery One Solo Exhibition, Denver, Colorado, 1990
Gallery One of Writer Square, Denver, August 1990 - 3.1: Emerson Fittipaldi, 1989, 3.1: Gallery One Solo Exhibition, Denver, Colorado, 1990
Gallery 36, New York, 1973 - 4.1: 1973
Gallery 100, Mishawaka, IN, 1977 - 4.1: 1977
Gallery Hawaii, International Market Place, 1974 - 3.1: Hawaii and Japan 1974
Gallery of Modern Art, Frank Sinatra drawings, New York, 1967 - 3.1: Frank Sinatra Film Drawings Exhibition, Gallery of Modern Art 1967
Gallery Richelle, 1966 - 4.1: 1966
Gateway Gallery, Vail, CO, 1994 - 4.1: 1994
Gilbert Gallery, San Francisco, 1974 - 4.1: 1974
Grigsby Gallery, Scottsdale, AZ, 1982 - 4.1: 1982
Hammer Galleries, 1963 - 3.1: Hammer Galleries Solo Exhibition 1963
Hammer Galleries, 1965 - 3.1: Hammer Galleries Solo Exhibition 1965
Hammer Galleries, 1967 - 3.1: Hammer Galleries Solo Exhibition 1967
Hammer Galleries Exhibition of New York Jets Drawings, 1968 - 3.1: Hammer Galleries Exhibition of NY Jets Drawings, 1968
Hammer Galleries, 1970 - 3.1: Hammer Galleries Solo Exhibition 1970
Hammer Galleries, 1972 - 3.1: Hammer Galleries Solo Exhibition 1972
Hammer Galleries, 1974 - 4.1: 1974
Hammer Galleries, "LeRoy Neiman: Works on Paper," 1975-76 - 3.1: Hammer Galleries Solo Exhibition 1975-76
Hammer Galleries, "The Olympic Ring," 1976 - 3.1: 1976 Olympics, Montreal
Hammer Galleries, "Horses," 1979-80 - 3.2. Horses, 1979, Harry N. Abrams, Publicity, Reviews, and Related Exhibitions
Hammer Galleries, "Drawings: A Retrospective," 1981 - 3.1: "Drawings" A Retrospective" Solo Exhibition, Hammer Galleries 1981
Hammer Galleries, 1982 - 4.1: 1982
Hammer Galleries, "LeRoy Neiman: Winners," 1983 - 3.2. -- Winners -- , 1983, Harry N. Abrams, Publicity and Related Exhibitions; Photos, Proofs, and BLAD
Hammer Galleries, "The Olympics, Past and Present," 1984 - 3.1: 1984 Olympics, Los Angeles
Hammer Galleries, "The LeRoy Neiman Collection," 1985 - 3.1: "The LeRoy Neiman Collection" Exhibition, Hammer Galleries, 1985
Hammer Galleries, "LeRoy Neiman in Moscow," April 1987 - 3.1: "LeRoy Neiman in Moscow" Solo Exhibition, Hammer Galleries 1987
Hammer Galleries, "LeRoy Neiman: A Salute to Central Park," September 1989 - 3.1: "A Salute to Central Park" Solo Exhibition, Hammer Galleries 1989
Hammer Galleries, "Big Time Golf," 1992 - 3.2. -- Big Time Golf -- , 1992, Publicity and Related Exhibitions
Hammer Galleries, "An American in Paris," 1994 - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, Related Exhibitions
Hammer Galleries, "LeRoy Neiman On Safari," New York, 1996 - 3.2. -- LeRoy Neiman On Safari -- , 1996, Related Exhibitions
Hammer Galleries, "A View from the Table," Solo Exhibition, New York, 2003 - 3.1: "A View from the Table" Solo Exhibition, Hammer Galleries, New York, 2003
Hilliard Gallery, Kansas City, October 1989 - V: 1989
Hilliard Gallery, "The Safari Suite," Kansas City, MO, 1996 - 3.2. -- LeRoy Neiman On Safari -- , 1996, Related Exhibitions
Horizon Gallery, Kuhio Mall, Waikiki Beach 1980 - 4.1: 1980 and ov
Hotrod Vintage Car Museum and Dance Club, 1989 - 4.1: 1989
Indianapolis Museum of Art, "Sketches of the XXth Olympiad," Miliken Gallery, 1972-73 - 3.1: "Sketches of the XXth Olympiad," Solo Exhibition, Indianapolis Museum of Art, 1972-73
Indianapolis Museum of Art, Downtown Gallery at American Fletcher National Bank, 1976 - 2.1: 1976, 3.1: Indianapolis Museum of Art Solo Exhibition 1976
Japan - see exhibitions: Backstage Gallery, exhibitions: Hanae Mori Building and exhibitions: Tobu Gallery
Jewish Community Center, Bridgeport, CT, 1976 - 4.1: 1976
JoAnn Perse Gallery, Little Rock, 1983 - 3.2. -- Winners -- , 1983, Harry N. Abrams
JoAnn Perse Gallery, "Monte Carlo Chase," Little Rock 1988 - 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd., Related Exhibitions
John Miller Gallery, Carmel, CA 1982 - 4.1: 1982
Kentucky Derby Museum, "An Exhibition of Equine Art," 1993 - 3.1: "Equine Art" and "Racing Retrospective" Solo Exhibitions, Kentucky Derby Museum 1993-95
Kentucky Derby Museum, "A Racing Retrospective," 1995 - 3.1: "Equine Art" and "Racing Retrospective" Solo Exhibitions, Kentucky Derby Museum 1993-95
Kentucky Derby Museum, "The Art of Sport," 1997 - 3.1: 123rd Kentucky Derby and Derby Day Paddock 1997
M. Knoedler & Co., Ltd., London, 1976 - 3.1: Knoedler London Solo Exhibition 1976 Krannert School of Management, 1986 - no materials
Lawrence Ross Galleries, Beverly Hills, 1985 - 3.1: Lawrence Ross Galleries 1985-88
Lawrence Ross Galleries, Beverly Hills, 1986 - 3.1: Lawrence Ross Galleries 1985-88
Minotaur Galleries, Las Vegas 1988 - 2.2: Minotaur Galleries 1984 -1994, 3.2. -- Monte Carlo Chase -- , 1988, Related Exhibitions, Van Der Marck Editions, Ltd., 4.1: 1988
Minotaur Galleries, "Big Time Golf," Las Vegas 1992 - 3.2. Big Time Golf, 1992, Publicity and Related Exhibitions
Minotaur's Forum Gallery, Las Vegas 1993 - 2.2: Minotaur Galleries 1984-1994, 4.1: 1993
Museo de Bellas Artes, Caracas, 1972 - 2.1: 1972, 4.1: 1972, V: 1970s
Peter Foulger Museum, Nantucket, 1975 - 3.2. -- Moby Dick -- , 1975, The Artist's Limited Edition
Playboy offices, "LeRoy Neiman: Man at his Leisure" 1991 - V: 1991
Pratt Institute, "LeRoy Neiman in Cuba," 2003 - 3.1: "LeRoy Neiman in Cuba" Solo Exhibition, Pratt Institute, New York, 2003
"Profiles: Six Decades of Work" 1996 - 3.1: "Profiles" Exhibition 1996
Purdue University, 1986 - 4.1: 1986
Quinn-Pollak Gallery, "Monte Carlo Chase," San Diego 1988 - 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd., Related Exhibitions
Richelle Gallery, St. Louis, 1966 - see Gallery Richelle
Rosenbaum Galleries, Palm Beach, 1976 - 2.1: 1976, 4.1: 1976
St. Lawrence National Bank, 1977 - 3.1: St. Lawrence National Bank Solo Exhibition, Ogdensburg, NY, 1977
Sher Gallery, Florida, 1986 - 4.1: 1986
Springfield Art Association, "LeRoy Neiman: A Series of Sport Serigraphs," Springfield, IL, 1990 - 4.1: 1990
Springfield College - 3.1: LeRoy Neiman Centennial Art Exhibition, Springfield, MA, 1984
Springfield Museum of Art, 1974 - 4.1: 1974
State National Bank, El Paso, 1981 - 4.1: 1981
Steiner & Young Fine Arts Galleries, 1989 - 3.1: Steiner & Young Galleries Exhib 1989, 3.1: Soft Paintings 1989, 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd., Related Exhibitions
Surf Club, 1989 - 4.1: 1989
Thomas Ward Galleries, St. Paul, 1975 - 4.1: 1975
Timothy Yarger Fine Art, "The Culinary Arts" 1998 - 3.1: "The Culinary Arts" Solo Exhibition, Timothy Yarger Fine Art, Beverly Hills 1998
Timothy Yarger Fine Art, "A Thirty-Year Retrospective Exhibition" - 3.1: Timothy Yarger Fine Art, "A Thirty -Year Retrospective" Exhibition 2000
Timothy Yarger Fine Art, "LeRoy Neiman: A Fifty-Year Retrospective", Beverly Hills, 2003 - 3.2. -- LeRoy Neiman: Five Decades -- , 2003
The Toy Store, Hartford, CT, 1985 and 1986 - 3.1: The Toy Store 1985-86
Tobu Gallery, Tokyo, 1974 - 3.1: Hawaii and Japan 1974
Tretyakov Museum, Moscow 1988 - 3.1: Tretyakov Museum Solo Exhibition, Moscow 1988
Trump Plaza, Atlantic City, 1996 - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, Correspondence
Turnbery Isle Yacht and Racquet Club Exhibition, 1981, 1982, 1983 - 3.1: Turnberry Isle Yacht and Racquet Club Exhibitions 1981-83
Edwin A. Ulrich Museum of Art, Wichita State University, 1981 - 2.1: 1981
University of Charleston, West Virginia, Art Gallery, 1992 - 4.1: 1992
Upstairs Gallery, Beverly Hills, 1977 - 4.1: 1977
Upstairs Gallery, Beverly Hills, 1981 - 4.1: 1981
Upstairs Gallery, Beverly Hills, Exhibition celebrating Winners, 1983 - 3.2. -- Winners -- , 1983, Harry N. Abrams, Publicity and Related Exhibitions
Upstairs Gallery, Beverly Hills, 1986 - 4.1: 1986
Upstairs Gallery, Beverly Hills, 1987 - 4.1: 1987
Upstairs Gallery, Beverly Hills, 1988 - 4.1: 1988
Waller's Gallery, Tampa, 1975 - 4.1: 1975
Wichita State University Ulrich Museum of Art Exhibition 1981 - 4.1: 1981
The Wildlife Experience, "LeRoy Neiman on Safari," 2003 - 3.1: "LeRoy Neiman on Safari" Solo Exhibition, The Wildlife Experience, Parker, CO, 2003
Windsor Gallery, Los Angeles, 1974 - 3.1: Windsor Gallery Solo Exhibitions, Los Angeles 1974-75
Windsor Gallery, "The Wide World of LeRoy Neiman," Los Angeles, 1975 - 3.1: Windsor Gallery Solo Exhibitions, Los Angeles 1974-75
two-person exhibitions
LeRoy Neiman and Robert Addison, Art Institute of Chicago, 1978 - 4.1: 1978 and ov
Alexander Calder and LeRoy Neiman, Nassau Gallery, Baldwin, NY 1973 - 4.1: 1973
"The Mustache Show", Salvador Dali and LeRoy Neiman, Tunnel Club, New York, 1988 - 3.1: Baird Jones' Group Exhibitions, New York 1988-89
LeRoy Neiman/Andy Warhol, LAICA, Los Angeles 1981 - 3.1: Neiman/ Warhol Exhibition 1981
group exhibitions
Amherst College, "When They Were Very Young," Amherst, MA 1982 - 4.1: 1982
Amnesty International Exhibition and Sale, New York, 1990 - 4.1: 1990
Anna Werbe Gallery, Chicago Artists, Detroit 1958 - 4.1: 1950s
Anshe Emet Cinema Arts Festival, 1960 - 4.1: 1960
Aqueduct Art Gallery, New York, 1966 - 4.1: 1966
Area, "Art," New York, 1985 - 3.1: "Art", Group Exhibition at Area, 1985
L'art et L'automobile, automotive artists group exhibition, 1988 - 4.1: 1988
L'art et l'automobile, Ferrari Collection exhibition, 1989 - 4.1: 1989
Art Directors Club of Chicago, Exhibition of Advertising and Editorial Art, 1955 - 4.1: 1950s
Art Expo - 4.1: Undated
Art Institute of Chicago, Student Exhibition, 1950 - 4.1: 1950s
Art Institute of Chicago, Student Exhibition, 1951 - 4.1: 1950s
Art Institute of Chicago, "Artists of Chicago and Vicinity," 1953 - 4.1: 1950s
Art Institute of Chicago, Instructors Exhibition, 1955 - 3.1: Art Institute of Chicago Instructors Exhibition 1955
Art Institute of Chicago, "Artists of Chicago and Vicinity," 1956 - 4.1: 1950s
Art Institute of Chicago, American Painting and Sculpture, 1957 - 4.1: 1950s
Art Institute of Chicago, Instructors Exhibition, 1957 - 4.1: 1950s
Art Institute of Chicago, "Artists of Chicago and Vicinity," 1961 - 4.1: 1961
Art Institute of Chicago, "Drawing New Conclusions," 1992 - 3.1: "Drawing New Conclusions," Art Institute of Chicago group exhibition 1992
Baja Club, "Art's As Good An Investment as Bonds," New York, 1989 - 3.1: Baird Jones' Group Exhibitions 1988-89
Bal Tabarin Room, Sherman Hotel, Chicago 1959 - 4.1: 1950s
Bank One, "Athletes and Heroes," Youngstown, Ohio, 1987 - 4.1: 1987
"Beyond Illustration - The Art of Playboy," Traveling Exhibition, 1971-74 - 4.2: Playboy Ephemera 1970s
Blumhelman Gallery and Germans van Eck Gallery, "Artists for Amnesty," New York, 1990 - 4.1: 1990
Butler Institute of American Art, "The Artist at Ringside," 1990 - 2.2: DeBartolo Corporation and Associated Institutions 1989-91, 4.1: 1990
Calgary Inn, "Fall Portfolio of International Artists," Calgary, Alberta, Canada 1980 - 4.1: 1980
Carnegie Institute of Arts, International Exhibition, Pittsburgh, 1955 - 4.1: 1950s
Chicago Navy Pier, Chicago Artists, 1957 - 4.1: 1957
Chicago Public Library, 1958 - 4.1: 1955-59
China Club, "The Famous Show," New York, 1988 - 4.1: 1988
Cig Art
"Cig Art," National Arts Club, New York, 1996 - 4.1: 1996
"Cig Art 2: The Smoke Continues", National Arts Club, New York, 1997 - 3.1: "Cig Art" Benefit Exhibitions 1996-2000
"Cig Art 4: Where There's Smoke", Art Museum of Southern Texas, 2000 - 3.1: "Cig Art" Benefit Exhibitions 1996-2000
Collectors Club Exhibition, 1957 - no materials
Corcoran Gallery of Art, Biennial Exhibition of Contemporary American Oil Paintings, Washington, DC, 1957 - 4.1: 1950s
Deer Path Art League Annual Fine Arts Fair, 1957 - 4.1: 1950s
El Paso Museum of Art, 1987 - 4.1: 1987
Foster Harmon Galleries of American Art, "Grand Opening Group Exhibition," Sarasota, 1980 - 4.1: 1980
Foster Harmon Galleries of American Art, "American Masters Exhibition," Sarasota, FL, annual - 4.1: 1981, 1987
Gimbel's, "Playboy's Art of Fashion Exhibition," Milwaukee, Wisconsin, 1979 - 4.2: Grand Palais, "Salon d'Automne," Paris, 1993 - 2.2: Association du Salon d'Automne 1992-99, 4.1: 1993
Hammer Galleries, "Group Show of FKH Artists," 1974 - 4.1: 1974
Hammer Galleries, Holiday Exhibitions, New York, 1974 - 4.1: 1974
Hammer Galleries, "Hammer Galleries Graphics," New York, 1975 - 4.1: 1975
Hammer Galleries, "Master Prints of the 19th -20th Century," 1987 - 4.1: 1987, V: 1987
Hanson Art Galleries, San Diego, CA - 4.1: 1987
Harmon Gallery, "20th Century American Masters," Naples, FL, 1979 - 4.1: 1979
Illini Union Art Gallery, Illinois 1973 - 4.1: 1973
International Tennis Hall of Fame, "National Exhibition of Tennis Art," 1977 - 3.1: International Tennis Hall of Fame Group Exhibitions 1977-78
International Tennis Hall of Fame, "National Exhibition of Tennis Art," 1978 - 3.1: International Tennis Hall of Fame Group Exhibitions 1977-78
Los Angeles County Fair - see group exhibitions: Millard Sheets Gallery
Marshall Field & Co. Gallery, "Brotherhood in Art," 1958 - 4.1: 1950s
Mickey Mantle's, New York - 4.1: 1988
Midwest Museum of American Art, "Panorama of American Art," Elkhart, IN, 1979 - 4.1: 1979
Millard Sheets Gallery, Fairplex, "Art and the Athlete," Los Angeles County Fair, 1996 - 3.1: "Art and the Athlete" Group Exhibition, Los Angeles County Fair 1996
Minneapolis Institute of Arts, Local Artists' Exhibition, 1952 - 4.1: 1950s
Minneapolis Institute of Arts, Local Artists' Exhibition, 1953 - 4.1: 1950s
Minneapolis Institute of Arts, Local Artists' Exhibition, 1954 - 4.1: 1950s
Minnesota Museum of Art, "TIME Portraits of American Newsmakers," 1969 - 3.1: TIME Magazine Cover Portraits Exhibition, National Portrait Gallery and Minnesota Museum of Art 1969
Minnesota Museum of Art, "Drawings USA 75," St. Paul, 1975 - 4.1: 1975
Minnesota State Fair, 1954 - 4.1: 1950s
Minnesota State Fair, 1955 - 4.1: 1950s
The Monmouth Museum, "The Horse: Man's Noble Companion," Lincroft, NJ 1987 - 4.1: 1987
Museum of the City of New York, "Showstoppers: Great Moments of the American Musical," 1983 - 3.1: Showstoppers Group Exhibition, MCNY 1983
Mystic Seaport Museum, "Archives of American Yachting and Boating," 1985 - 4.1: 1985 National Art Museum of Sport, 1969 - 4.1: 1969
National Portrait Gallery, "TIME Portraits of American Newsmakers," Washington, DC, 1969 - 3.1: TIME Magazine Cover Portraits Exhibition, National Portrait Gallery and Minnesota Museum of Art 1969
Navy Pier Art Show, 1957 - 4.1: 1950s
New Orleans Museum of Art, "Louis Armstrong: A Cultural Legacy," 1994-95 - 3.1: "Louis Armstrong: A Cultural Legacy" traveling exhibition 1995
North Mississippi Valley Exhibition, 1964 - 4.1: 1964
North Shore Art League, Chicago Area Show, 1956 - 4.1: 1950s
North Shore Art League, Old Orchard Art Festival, Skokie, IL, 1958 - 4.1: 1950s
North Shore Art League, Old Orchard Art Festival, Skokie, IL, 1959 - 4.1: 1950s ov
Northampton County Area Community College Foundation, 1982 - 4.1: 1982
Odyssey House Art Gallery, New York, 1972 - 4.1: 1972
F. Oehlschlaeger Gallery, Chicago, 1958 - 4.1: 1950s
F. Oehlschlaeger Gallery, Chicago, 1959 - 4.1: 1950s
F. Oehlschlaeger Gallery, Chicago, 1965 - 4.1: 1965
F. Oehlschlaeger Gallery, "Twentieth Anniversary Show," Chicago 1969 - 4.1: 1969
F. Oehlschlaeger Gallery, "American Masters of the 1940s, 50s, and 60s," 1985 - 3.1: "American Masters of the 40s, 50s, and 60s", Frank Oehlschlaeger Gallery, 1985
F.X. McRory's Whiskey Bar, Seattle, 1980 - see bars
Fairfield Gallery - see exhibitions
Fairmont Hotel - 3.1: Nob Hill, Buena Vista and Bowles Hopkins Gallery 1986
Falstaff, opera by Verdi - 3.1: Falstaff Opera 1993, 4.1: 2002
fan auction - 4.1: 1992
Far Gallery, New York - 3.1: "Recent Graphics and Drawings", The Far Gallery Solo Exhibition 1971
fashion - 3.1: Early Fashion Illustration 1949-57, 3.1: Fashion Illustration for The Domino Catalog 1950s -60s, 3.1: Fashion Illustration for Marshall Field 1957-59 (Oversize only), 4.1: 1958, 1971, undated 1990s
F.D.N.Y. (Fire Department of New York)
F.D.N.Y. Painting - 3.1: F.D.N.Y. Painting 2002
F.D.N.Y Pipes and Drums - 2.1: 1984
Felicie, Inc. - IID: Price Lists 1970s, 1.2
Felt, Irving Mitchell and Elaine - 2.1: 1977, 3.1: Bill Bradley 1978-2000, see Madison Square Garden
Femlin - see Playboy
Festival Internacioal de Danca Contemporanea - 4.1: 2000
Fields, Edward - see tapestry
The Fifth Dimension - 3.1: Fifth Dimension Album Art 1970-1982
Fight of the Century - see boxing
figure skating -- - 3.1: 1982 U.S. Figure Skating National Championships, V: 1980s, see also Olympic Games
Healey, Kathy - V: Kathy Healey, 1981
Superskates - 2.1: 1981, 4.1: 1981, V: 1980s
United States Figure Skating Association - 2.1: 1984, 3.1: 1982 U.S. Figure Skating National Championships
film -- - 3.1: Beauty, the Beach, and the Bizarre 1984, 3.1: Houston Film Fest 1990, 3.1: Wine Country Film Fest 1990, 4.1: 1972, 1990, see also Screen Actors Guild
Halas, George - 3.1: Gridiron Football News 1971-73, George Halas, Jr. Sports Center - 4.1: 1979
Hall, Jim - 4.1: 1997
Hall of Famer, 1996 - 3.1: Saks Fifth Avenue 1994-1999, 4.1: 1998
Halle, David - 3.1: UCLA LeRoy Neiman Center for the Study of American Society and Culture, 1998-present; A Sociological Study of the Artist LeRoy Neiman, and 1000 Neiman Collectors by David Halle and Louis Mirrer - IC: A Sociological Study of the Artist LeRoy Neiman, and 1000 Neiman Collectors by David Halle and Louis Mirrer, 1990
Halmi, Robert - 3.2.12 and 4.1: undated ov
Hammer Galleries - see exhibitions, and Knoedler & Co.
Hammer, Armand - 1.2: Knoedler & Co. and Hammer Galleries, 3.1: New York City Marathon 1984-2001, 3.1: Tretyakov Museum Solo Exhibition, Moscow 1988, 3.1: Tokyo exhibition 1988
Hammer, Michael - 1.2: Knoedler & Co. and Hammer Galleries
Hammer, Victor - 1.2: Knoedler & Co. and Hammer Galleries
Hammond, IN - see Mercantile Bank
Hampton, Kym - 4.1: 2000
The Hamptons, New York - 3.1: Hamptons notes 1972, 4.2: -- Playboy -- 1973, see Appendix E handball - see Jacobs, Jim
Hanson Gallery, New Orleans - see exhibitions, 3.1: Rex Proclamation Mardi Gras Painting 2002, 4.1: 1984, 1986, 1998, 2000, 2001, 2002, 2004
Hanson Gallery, San Diego - 4.1: 1987
Harbor Boat House, 1955 - 4.1: 1950s
Hardy, Joseph A. - 1.1: Collectors
Harlem Streets, 1981 - 3.1: Cities in Schools and Harlem Streets, 1981
harlequin
Harlequin, lithograph - 3.1: Circle Gallery 1972, 4.1: 1989
Harlequin and a Nude, 1971 - 4.1: 1991
Harlequin with Sword, lithograph - 3.1: Circle Gallery 1972
Harlequin's Entry into Venice, 1971 mural - 3.1: "The Playboy Collection," Dyansen Gallery Traveling Exhibition 1989-90
Haring, Keith - 4.1: 1997
Harmon Galleries - see Foster Harmon Galleries
Harper's -- Magazine - 4.1: 1964, 1968
Harrod's, London - 4.1: 1982
Harry, Deborah - 2.1: 1978
Harry's Wall Street Bar - see bars
Hartack, Bill - 2.1: 1977
Harvard University - 4.2: Playboy Parodies - Harvard and Yale
Japan - 2.1: 1986, 1987, 2.2: CBS Sports Correspondence, 3.1: Hawaii and Japan 1974, 3.1: Japan Trip 1977, 3.1: Tokyo Exhibition 1983, 3.1: Tokyo Exhibition 1988, 3.2. -- Winners -- , 1983, Correspondence, Harry N. Abrams, 4.1: 1984
jazz
Armstrong, Louis - 3.1: "Louis Armstrong: A Cultural Legacy" traveling exhibition 1995, 4.1: undated 1990s
Louis Armstrong, 1963 - 4.1: 1965
Louis Armstrong, 1981 - 4.1: 1981
Louis Armstrong, 1976 - 3.1: Newport Jazz Festival 1975 -2004, 3.1: Kool Jazz Festival 1976, 4.1: 1979
Lazar, Irving "Swifty" - 3.1: Celebrity Night at Spago, 1993
Leahy, Pat - 4.1: 1992
Learning Annex - 2.1: 1989, 4.1: 1989
Lebow, Fred - 3.1: New York City Marathon 1984-2001
lectures - 2.2: Royce Carlton Lecture Agents 1978-86, 4.1: 1989, see also Learning Annex
Leibowitz, Maury - 1.2: Knoedler & Co. and Hammer Galleries
Leifer, Neil - 3.1: Circle Gallery 1972, 3.1: '21' Club, 1990 (photo), 4.1: 2003
Leija, James - 4.1: 1995
LeMieux, Mario, Mario LeMieux, 1989 - 2.2: DeBartolo Corporation and Associated Institutions 1989-91
Lendl, Ivan - see tennis
Lennon, John - 2.1: 1999, 2000, see also The Beatles, and Ono, Yoko
John Lennon, pre 1982 drawing - 4.1: 1982
John Lennon, 1990 etching - 2.2: JoAnn Perse Gallery 1984-98, 3.1: John Lennon Etching 1990, 4.1: 1990, 1992
Leonard, Sugar Ray - see boxing
LeRoy, Minnesota - 4.1: 1978 and ov, V: 1970s
LeRoy Neiman: An American in Paris -- , 1994 - 3.1: Superbowl XXVIII 1994, 3.1: Saks Fifth Avenue 1994-1999, 3.2. -- LeRoy Neiman: An American in Paris -- , 1994
LeRoy Neiman: Art and Lifestyle, 1974 - 3.2. -- LeRoy Neiman Art and Lifestyle -- , 1974, Felicie, 1.2: Felicie, Inc. Advertising, 1.2: Lawsuit Against Felicie, Inc.
LeRoy Neiman Center for Print Studies, Columbia University - 3.1: LeRoy Neiman Center for Print Studies, Columbia University 1995-present
LeRoy Neiman Center for the Study of American Society and Culture, University of California at Los Angeles - 3.1: UCLA, 1998-present
LeRoy Neiman: Five Decades, 2003 - 3.2. -- LeRoy Neiman: Five Decades -- , 2003
LeRoy Neiman Museum of Art, St. Paul, Minnesota - 3.1: LeRoy Neiman Museum of Art, St. Paul, 1997, 4.1: 1997 (ov), 1998
LeRoy Neiman On Safari, 1996 - 1.2: Bowles Galleries 1997-present, 3.2. -- LeRoy Neiman On Safari -- , 1996
LeRoy, Warner - 2.1: 1998, 1999, V: 1991, see also Tavern on the Green
Let's Celebrate - 4.1: undated
Leukemia Society of America - 4.1: 1992
Levin, Meyer - 4.1: 1955-59
Lewis, Carl - see track and field
Lewis, Jerry Lee - 3.1: Blues Ball 1997-2004, The Killer - 3.1: Blues Ball 1997-2004
Lewis, Lennox - see boxing
Liberace - 4.1: 1988
Licensing Art and Design, by Cynthia Revelli - 2.1: 1995
Lido - 4.2: -- Playboy -- 1964, see Appendix E
Lifeline Inc. (fitness equipment) - 2.2: Bobby Hinds 1990-2000
London, England - 3.1: O'Hana Gallery Solo Exhibition, London 1962, 3.1: Knoedler London Exhibition 1976, 4.1: 1960 ov, 1961, 1962, 1966, see also Liverpool
The Lone Ranger, 1977 - 2.1: 1988, 3.1: The Lone Ranger, 1977
Long, Captain Elgen, The Adventurer, between 1971 and 1977 - 2.2: Gallery Mack 1975 -87, 4.1: 1982
Lonsdale International Sporting Club - 1.1: Awards
Los Angeles Institute of Contemporary Art (LAICA) - 3.1: Neiman/Warhol Exhibition at LAICA 1981-82
Louganis, Greg - see swimming and diving
Louis, Allyson - see Allyson Louis Gallery
Louis, Joe - see boxing
Lowery, Nick
Nick Lowery, 1992 - 4.1: 1992, 1997
Lubel, William - 2.1: 1973
Lynch, David - 3.1: "Cig Art" Benefit Exhibitions 1996-2000
M
Maccioni, Sirio - 4.1: 2004
Mack, Barbara - see Gallery Mack
Madison Square Garden - 2.1: 1981, 4.1: 1966, 1967, 1968, 1969, 1971, 1987, 1992, 1994, 1999, 4.2: -- Playboy -- 1963, see Appendix E
Madison Square Garden (silkscreen) - 4.1: 1978
Madrid, Spain - 4.1: 1960 ov
A Magic Moment, 1990 - see Orlando Magic under "baseball"
magical creatures - see animals: unicorn
Mahoney, James - 2.1: 1983, 3.1: Pebble Beach Golf 1982-1995
Mailer, Norman - 4.1: 1982
Maitland, Vic - 2.2: NFL Alumni
Make-a-Wish Foundation - 4.1: 2000
Maki, Mary Ann - 2.1: 1993, 1995, 1997
Malave, Chu Chu - see boxing
Malinowski, Mark "Scoop" - 4.1: 2000
Malletmen, 1977 etching - see polo
Manager of the Year, 1992 - see LaRussa, Tony
Mandalay Bay - 3.1: De La Hoya vs. Vargas 2002
Mandela, Nelson - 3.1: Nelson Mandela Tribute 1997
Mangione, Chuck - 4.1: 2004
Manhattan Bride -- Magazine - 4.1: 1999
Manhattan Concert Club - 4.1: 2004
Manhattan Magazine - 1.1: Awards, 2.1: 1989, 3.1: LeRoy Neiman Center for Print Studies, Columbia University 1995 - present, 4.1: 1984, 1990, 1997, 1998, 1999 Manila, Phillipines - 3.1: Ali vs. Frazier III "The Thrilla in Manila," 1975
Manufacturers Hanover Trust Company - 2.1: 1978, 2.2: Manufacturers Hanover and Chemical Bank, 3.1: New York City Marathon 1984-2001, 3.1: Millrose Games 1986-1995, see also Chemical Bank and McCabe, Charles
marathon - see running
March of Dimes - 2.1: 1981, 1982, 3.1: March of Dimes' Gourmet Gala 1985, 4.1: 1974, 1981, 1983, 1985
Mazzilli, Lee, Lee Mazzilli, 1979 - 2.1: 1979, 2001 4.1: 2001, Lee Mazzilli Celebrity Golf and Tennis Classic - 2.1: 2001, 4.1: 1992, 1994, 1995, 1996, 1997, 2001
McCabe, Charles - 2.1: 1995, 2.2: Manufacturers Hanover and Chemical Bank, 3.1: Iona College Trustee Awards Dinner Dances 1984-95, 4.1: 1987, 1997, see also Chemical Bank
McCormack, Mark H. - see The Wonderful World of Professional Golf by Mark H. McCormack under golf
McDonald, Kitt - 4.1: 1986
McDougal, Little & Company - 2.1: 1985
McEneaney, Eamon - 4.1: 2001, 2005
McEnroe, John - see tennis
McFagan, Helen - 2.1: 1993
McGirt, James "Buddy" - see boxing
McGraw-Hill Publishers - 2.1: 1999
McGuire, Al - 4.1: 1980
McGwire, Mark, Mark McGwire, 1998 - 3.1: Mark McGwire 1998-99, 4.2: -- Bartender Magazine -- 1997-2002, 3.1: Good Tidings Foundation, 1998-2002
McHale, Kevin - see Johnson, Earvin "Magic": Magic
McNeely, Peter - 4.1: 1995
McNichol, Kristy - 2.1: 1980
Mead, Margaret, Margaret Mead, 1972 drawing - 4.1: 1977 ov
Meigs, Kris - 2.1: 1981
Melville, Herman - 3.2. -- Moby Dick -- , 1975, The Artist's Limited Edition
Memphis Blues Ball - 4.1: 1998
Men, Boats, and the Sea, 1955 - 3.1: Art Institute of Chicago Instructors Exhibition 1955
menus - 4.1: 1977, 1993, 1994, 1995, 1997, 1999, see also food, restaurants
medical - see The Open Heart, 1982
Mercantile Bank, Chicago and Hammond, IN - 3.1: Mercantile Bank Murals 1966
merchandise - see promotions, product and service, and collectible merchandise
Merrill Chase Galleries, Chicago - 2.2: Merrill Chase Galleries 1974-89, 4.1: 1973, 1976, 1980, 1981, 1982 see exhibitions
Metropolitan Museum of Art - 2.1: 1981
Metropolitan Opera - see opera
Mexico - 3.1: Caliente Race Track Exhibition and Painting 1989
MGM Grand Gallery - 4.1: 1999
Miami Sound Machine - see Estefan, Emilio and Gloria
Michael Zabrin Fine Art - 2.1: 1989
Michaels, Walt - 2.1: 1980, see also football: New York Jets
Midwest Museum of American Art - 4.1: 1979, 1989, see also exhibitions
Monroe, Earl, Earl "The Pearl" Monroe, 1976 - 4.1: 1976
Montana, Joe, Joe Montana, 1982 - 2.2: DeBartolo Corporation and Associated Institutions 1989-91, 4.1: 1982, 1990
Montanez, Willie - 4.1: 1979
Monte Carlo, Monaco - 4.2: -- Playboy -- 1963, see Appendix E, see auto racing, Monaco
Monte Carlo, 1994 - 4.1: 1999
Monte Carlo Chase, 1988 - 2.2: Neiman -Marcus 1983-88, 3.1: Steiner & Young Galleries Solo Exhibition 1989, 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.
Japanese Edition - 2.2: Joe Hideo Morita 1988-90
Moore, Wayland - 2.3: Imitations and Forgeries
Moorer, Michael - 4.1: 1994
Morbelli, Jean - 2.1: 1988
Moreno, Linda "Eva" - 2.2: Linda Moreno
Morgan, Joe, Joe Morgan, 1990 - 4.1: 1990
Morita, Joe Hideo - 2.2: Joe Hideo Morita 1988-90
Morley, Malcolm - 4.1: 1984
Morocco - 4.2: -- Playboy -- 1970, see Appendix E
Morrel Wines - 4.1: 1984
Morris, Gary and Elizabeth - 2.1: 1996, 3.1: Iroquois Steeplechase, Nashville, TN, 1993
Morrison, Tommy - see boxing
Morton's of Chicago - see restaurants
Moscow - 3.1: Goodwill Games Moscow 1986, 3.1: "LeRoy Neiman in Moscow" Solo Exhibition, Hammer Galleries 1987, V: 1960s
Tretyakov Museum - 3.1: Tretyakov Museum Solo Exhibition, Moscow 1988
Mosley, Shane - see boxing
Mount Pleasant Animal Shelter - 4.1: 2000
Mozartfest - 4.1: 1998
Mthembu, Nomusa - 2.1: 1992
Mulloy, Gardner - 4.1: 1998
multiple sclerosis - see National Multiple Sclerosis Society, or Race to Erase MS
Munich, Germany - see Olympic Games
Municipal Art League of Chicago Award - 1.1: Awards
The Organ at St. Paul the Apostle, 1965 - 4.1: 1965, 1967
Symphantasy - 3.1: Symphantasy 1988
Symphony for United Nations, 1991 - 2.1: 1991, 4.1: 1991
country - 4.1: 1994, see Tennessee
jazz - see jazz
opera - see opera
popular - 3.1: Fifth Dimension Album Art 1970-82, 3.1: Billboard Magazine First Annual Billie Awards 1993, 4.1: 1993, see The Beatles; Bennet, Tony; Blues Ball; Davis, Sammy; Iglesias, Julio; Jackson, Michael; Lennon, John; Paul, Les; Sinatra, Frank
musicals - see Times Square, 2001
Angels on Horseback - 4.1: undated 1980s
Golden Boy - 4.1: 1964
My Fair Lady - 3.1: Showstoppers Group Exhibition, MCNY 1983, 4.1: 1983
Oh! Calcutta - 4.1: 1967
Porgy and Bess - 3.1: Showstoppers Group Exhibition, MCNY 1983, 4.1: 1983
West Side Story - 3.1: Showstoppers Group Exhibition, MCNY 1983, 4.1: 1983
Mustang Ranch - 3.1: Mustang Ranch Brothel 1989
Myasthenia Gravis Foundation - 4.1: 1978
Myers, Farlan - 2.1: 1986
Mystic Seaport, CT - 3.2. -- Moby Dick -- , 1975, The Artist's Limited Edition
Mystic Rock, 1995 - 4.1: 1997
N
NAMTA - 4.1: 1984
NBC - see television
NECO (National Ethnic Coalition of Organizations) - 1.1: Awards, Citations and Miscellaneous Prizes
Nabisco - see promotions
Nahan, Kenneth - 4.1: undated
Naismith Memorial Basketball Hall of Fame - see basketball
Namath, Joe - 3.1: New York Jets 1966-, 4.1: 1968, 1972, 1973, 1982
Napoleon at Waterloo, 1988 serigraph - 4.1: 1988
Nash, Beau - 3.1: The Ambassadors, 1960s
The Nation -- Magazine - 2.1: 1998, 4.1: 1998
National Art Museum of Sport (NAMOS) - 2.1: 1972, 1979, 4.1: 1980, 2003 see also exhibitions
National Arts Club - 4.1: 1994
National Baseball Hall of Fame and Museum, Cooperstown, NY - see baseball
National Bowling Hall of Fame and Museum - see bowling - Million Dollar Strike, 1982
National Cowboy Hall of Fame - 2.1: 1999, 3.1: National Cowboy Hall of Fame 1985
National Fitness Classic - 4.1: 1982, 1983
National Multiple Sclerosis Society - 4.1: 1969, 1976, 1980, 1988
National Sports Collectors Convention - 4.1: 1992 ov.
Neiman, Earl - 1.1: Family (Neiman Studio Archive only)
Neiman, Janet - 1.1: Family, 3.1: Art Institute of Chicago Instructors Exhibition 1955, 4.1: 1985
Neiman News - 3.1: Neiman News 1977-1985
Neiman-Marcus - 2.2: Neiman-Marcus 1983-88, 3.2. -- Winners -- , 1983, Harry N. Abrams, 4.1: 1983, 1984
Neiman, Robert B - 2.3: Imitations and Forgeries
"Neiman's Cuba" film project - 2.1: 1979, 1982
Neiman's Restaurant & Lounge - see restaurants and bars
Nepal - 2.1: 1982
Nevada County Arts Council - 4.1: 1982
New Jersey State Opera Ball - see opera
New Milford Hospital - 4.1: 1991
New Orleans, Louisiana - 2.1: 1993, 1997, 1998, see also Hanson Art Galleries and Mardi Gras
New School for Social Research, NY - 4.1: 1978
New Times Magazine - 2.1: 1978
New Year's Eve, 1997 - 4.1: 1997 and ov
New York City Marathon - see running
New York Friars Club - 4.1: 1999
New York Giants - see Football
New York and Los Angeles: Politics, Society, and Culture by David Halle - 3.1: UCLA LeRoy Neiman Center for the Study of American Society and Culture, 1998-present
New York Public Library - 4.1: 2002
New York State Governor's Arts Awards - 4.1: 2000
New York Times Magazine -- - 4.1: 1971
The New Yorker -- Magazine - 4.1: 1994, 1999
Newman, Eric - V: 1975
Newman, Paul - 3.1: Celebrity Night at Spago, 1993, see also -- The Hustler
Newport Jazz Festival - 3.1: Newport Jazz Festival 1975-2004
Newsweek -- Magazine - 4.1: 1972, 1992
Newton, Wayne - 4.1: 1988
NFL - see football
NHL - see hockey
Niarchos, Stavros
Stavros Niarchos, 1969 drawing - 4.1: 1969 ov.
Nicholson, Jack - 3.1: Tyson vs. Spinks 1988
Nicklaus, Jack - see golf
Nitschke, Ray - 4.1: 1988
Noah, Yannick - see tennis
Nob Hill, 1986 serigraph - 3.1: Nob Hill and Bowles Hopkins Gallery 1986
Norman, Greg, Greg Norman - 2.1: 1990
North Shore Art League - 1.1: Education and Teaching, Miscellaneous, undated
North Shore Child and Family Guidance Association - 4.1: 1986, 1987
Northern Indiana Art Association - 2.1: 1989, 4.1: 1989
Northwest Orient Magazine - 4.1: 1986
Northwest Paper Company - 3.1: 1972 Olympics
Northwestern University - 2.1: 1978
Norton, Ken - see boxing
Norton Herrick Fine Arts Group - 3.1: LeRoy Neiman Website 1997-present
Playboy -- Magazine and Man at His Leisure - see Appendix E, 2.2: Playboy Enterprises Inc. 1980s, 3.1: 1984 Olympics, Los Angeles, 4.1: 1959, 1966, 1999, 4.2: -- Playboy -- Magazine, V: Playboy Clubs 1961-63
The Plaza Hotel, New York - 4.2: -- Playboy -- 1965, see Appendix E
The Plaza Square, 1985 - 4.1: 1985, 1986
tapestry - 2.1: 1990
Poland - 2.1: 1976, 1987
Plunkett, Sherman - 4.1: 1967
Police Athletic League - 2.1: 1981
politics - 3.1: Bill Bradley 1978-2000, 3.1: Peace Treaty, 1980, 3.1: Peter Dawkins Poster 1988, 3.1: Rudy Giulianni and Commission on Cultural Affairs 1994-2001, 3.1: Nelson Mandela Tribute 1997, 4.1: 1960, 1968, 1988, 1989, 1992, see also Thurmond, Strom, and The White House
Polo Lounge, 1988 - 2.1: 1989, 3.1: Advertising Layouts 1980s, 3.1: Polo Lounge debut at Bowles/Sorokko Galleries, Bev Hills 1989, 4.1: 1990, 1995, 1996, 4.2: -- Bartender Magazine -- 1997-2002
The Pope Flies Over New York, detail - 4.1: 1981
Pope, Kerig - 2.2: Playboy Enterprises Inc. 1980s
Porgy and Bess - see musicals
Porter, David - 3.1: Blues Ball 1997-2004
Portola Valley Classic Equestrian Festival - 4.1: 1999
Portrait of the Lion, 2002 - see animals
portraits -- - 3.1: "Portraits of Our Times 1946-96" Solo Exhibition and Catalog, Bowles/Sorokko/Yarger Galleries, 1996
of LeRoy Neiman, by other artists - 2.1: 1978, 3.1: Elayne Galleries Solo Exhibition and P.J. Clarkes, Minneapolis, 1978, 4.1: 1986 ov
by LeRoy Neiman - search by name of subject
Posner Gallery - 2.1: 1989
posters - 3.2. -- Posters -- , 1980, Harry N. Abrams, 4.1: 1981, 1993
Posters, 1980 - 3.2. -- Posters -- , 1980, Harry N. Abrams, 3.2 ov.
Pratt Institute, New York - 3.1: "LeRoy Neiman in Cuba" Solo Exhibition, Pratt Institute, New York, 2003
Preakness Stakes - see horse racing
Prentice - Hall Publishers - 2.1: 1978
President of the United States - see politics, or search by name of President (Carter, Reagan, Bush, Clinton)
President's Council on Physical Fitness and Sports - 2.1: 1990, 4.1: 1982, 1983
Presley, Elvis - 3.1: Blues Ball 1997-2004, 4.2: -- Playboy -- 1978 (July)
price lists - IID: Price Lists
Prince Charles, 1984 - 4.1: 1984
prints - 3.1: The Etchings of LeRoy Neiman, 1976 booklet (ov), see also The Prints of LeRoy Neiman below
The Prints of LeRoy Neiman, 1980 - 3.2. -- The Prints of LeRoy Neiman -- , 1980, Knoedler Publishing
The Prints of LeRoy Neiman 1980-1990, 1991 - 3.1: Dyansen Gallery Solo Exhibition, Atlantic City 1992, 3.2. -- The Prints of LeRoy Neiman -- , 1980-1990, 1991
The Prints of LeRoy Neiman 1991-2000, 2001 - 3.2.14
Professional Picture Framers Association - 4.1: 1984
promotions, product and service, and collectible merchandise
Schultz, Charles - 2.2: Playboy Enterprises Inc. 1970s
Schultz, Dave (hockey player) - 4.1: 1974
Schultz, Dave (wrestler) - see wrestling
Schumsky, Felicie - V: 1970s, see also Felicie, Inc.
Screiber, Al - 4.1: 1994
Schwarzenegger, Arnold - 2.1: 1990, 3.1: LongTerm Projects: American Sportscasters Association Hall of Fame Awards Dinners, 4.1: 1977, 1981, Arnold Schwarzenegger, 1977-78, 4.1: 1977, 1985, 2005
The Scooter, 1994 - see Rizzuto, Phil
Scott Foresman & Company Publishers - 2.1: 1985
Screen Actors Guild - 1.1: Name Tags and ID Cards, 3.1: Rocky films 1980-1990, see also American Federation of Television and Radio Artists
sculpture
Horse Racing Suite, 1977 - 3.1: Sculpture 1977-1987, 4.1: 1978
Sinatra, Frank -- - 1.1: New York Friars Club, 2.2: Sinatra Family Correspondence, 3.1: Hammer Galleries Solo Exhibition 1967, 3.1: Frank Sinatra Film Drawings Exhibition, Gallery of Modern Art 1967, 3.1: Leo Durocher 1974-94, 3.1: Frank Sinatra Portraits for Duets and Duets II Albums 1993-1995, 3.1: Hofstra Univ. Frank Sinatra Conference and Exhibition 1998, 3.1: Frank Sinatra Classic Duets Album Cover 2002, 4.1: 1979, 1983, 1989, 1998, see also golf, 4.2: Playboy Ephemera 1960s
Frank at Rao's, 2005 serigraph - 4.1: 2005
Frank Sinatra, 1993 - 3.1: Frank Sinatra Duets and Duets II Album Covers 1993-1995
Frank Sinatra at Carnegie Hall, 1974 - 3.1: Frank Sinatra at Carnegie Hall Poster 1974
Frank Sinatra as the Detective, 1967 - 3.1: Frank Sinatra Film Drawings Exhibition, Gallery of Modern Art 1967
Frank Sinatra at Madison Square Garden, 1974 drawing for poster - 4.1: 1974
Frank Sinatra at Royal Albert Hall, 1989 - 3.1: Frank Sinatra at Royal Albert Hall 1989
Singleton, Isaiah - 2.1: 1996
Singleton, Skip - see tennis: Intelligent Doubles and Intelligent Tennis
skating - see figure skating
skiing -- - 4.1: 1983, 1995, see also Olympics: skiing
Lady Skier - 4.1: 1998
Little Skier - 4.1: 1974
The Skier, serigraph - 3.1: Circle Gallery 1972
Skiing, etchings - 3.1: Circle Gallery 1972
Slalom, serigraph - 3.1: Circle Gallery 1972, 4.1: 1973
Squaw Valley - 4.2: -- Playboy -- 1961, V: 1960s, see Appendix E
Vail Race to Erase MS painting, 1994 - 4.1: 1995
Skoal Pinch Hitter of the Year Award - 3.1: Skoal Pinch Hitter 1985-1987
Slatkin, Leonard, Leonard Slatkin, 1980? - 4.1: 1980
Special Olympics -3.1: Special Olympics Nagano Japan 2005, 4.1: 1986, 1996, Mississippi Special Olympics - 2.1: 1977
The Spectrum, Philadelphia, PA - 2.1: 1991, 1996, 3.1: Philadelphia Spectrum Painting 1991, 4.1: 1992, V: Photographs
Spectrum Fine Art, New York - 3.1: "Ball, Bat, and Glove", Spectrum Fine Art, 1977, 4.1: 1978
Spelling, Aaron - 2.1: 1985
Spinks, Leon - see boxing
Spinks, Michael - see boxing
Spirit Foundation - 2.1: 1999
Spitz, Mark - see swimming and diving
The Sporting Life - 4.1: undated
The Sporting News - 3.1: Iona College Trustee Awards Dinner Dances 1984-95
sports - listed alphabetically by name of sport (i.e. "baseball," "soccer"), with teams listed under heading of appropriate; in some cases college and professional sports are indexed separately. Also search for names of specific athletes.
sports arenas - see Madison Square Garden, Philadelphia Spectrum
sports cards - see trading cards
Sports Collectors Digest - 4.1: 1997
Sports Commemorative Decanters - see promotions and collectibles
sportscasters - see also Cosell, Howard, and Rooney, Art
American Sportscasters Association - 1.1: Awards
Sportsman's Ball - 3.1: Sportsman's Ball 1978
Sportsman's Park, Chicago - 3.1: Sportsman's Park Mural, Chicago 1976
SportsWise Magazine - 2.1: 1980
Springfield Art Association, Illinois - 2.1: 1990
Stadium Tennis, 1981 - see tennis
The Stag's Head Bar, Dublin, 1961 - see bars
Stallone, Sylvester - see Rocky, 4.1: 1987
stamps - 4.1: 1974
"Health in Sports" stamps, 1988 - 3.1: United Nations "Health in Sports" Stamps 1988
"Sport and the Environment" stamps, 1996 - 3.1: United Nations "Sport and the Environment" Stamps 1996
"Superbowl History" Stamps, 1988 - 3.1: U.S. Postal Service Superbowl Stamps 1988
Taylor, Elizabeth - 3.1: Celebrity Night at Spago, 1993
Taylor, Lawrence - 4.1: 1996
television - 2.1: 1970, 1978, 4.1: 1972, 1974, 1975, 1977, 1979, 1980, 1985, 1994, 1995, 3.1: Call of the Wild 1993, see also ABC, CBS, American Federation of Television and Radio Artists, The Lone Ranger
ABC Sports - 2.2: ABC Sports
Ampex Video Art - 3.1: Superbowl XII, 1978, 4.1: 1980
Arlene Herson Show - 4.1: 1989
The Black Stallion television show - 2.1: 1990
CBS Sports - 2.2: CBS Sports, 3.1: Superbowl XII, 1978
Shukan T.V. Guide, Japan - 2.1: 1996, 3.1: 1984 Olympics, Los Angeles
TV Food Network - 2.1: 1993
TV Gallery with Ron Parris - 2.1: 1979, 4.1: 1979
T.V. Guide - 2.1: 1975
T.V. Guide Japan - 2.1: 1996, 4.1: 1984
TV Shopper - 2.1: 1979, 4.1: 1973, 1980
Tele Planning International, Tokyo - 2.2: Tele Planning International, Tokyo 1993-98
Today Show - 3.1: WNBC Traffic Helicopter 1981-93
WGBH TV Boston - 2.1: Charities 1994, Charities 1996
Wonderama TV Show - 4.1: undated 1970s
The Year of the Runner TV series, LeRoy Neiman host - 4.1: 1979
Tenenbaum, Judy and Harold - 2.1: 1984, 1986, 1988, 2.2: Harold and Judy Tenenbaum
Tennessee - 3.1: Women's Basketball Hall of Fame, 1993, 3.1: Iroquois Steeplechase, Nashville, TN, 1993, 3.1: Blues Ball 1997 -2004, see also Gregory, Jack; Morris, Gary and Elizabeth; Murphy, Libby; Perkins, Carl; Rudy, Jeanette Cantrell; Tigrett, John and Pat Kerr
tennis -- - 3.1: Nelson Mandela Tribute 1997, 3.2. -- Winners -- , 1983, Harry N. Abrams, 4.1: 1975, 1980, 1985, 1988-89, 1997, 1999
University of California at Los Angeles - see UCLA
University of Chicago - 1.1: Education and Teaching, Miscellaneous, undated
University of Denver - 2.1: 1979
University of Oklahoma - 2.1: 1982
University of San Francisco - 4.1: 1988
University of Southern California - 3.1: Los Angeles Olympics 1984
University of Texas at Austin - 4.1: 1994
Upstairs Gallery - 2.2: Upstairs Gallery 1980-89, 4.1: 1973, 1985, 1989, see also exhibitions
V
Vail, CO - see skiing
Van Der Marck Editions - 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.
vandalism - 4.1: 1978, see also theft, forgery
Vanity Fair Magazine - 4.1: 1996
Varga, Alberto - see -- Playboy -- Magazine
Vargas, Fernando - see boxing
Variety Clubs International Distinguished Artist Award - 1.1: Awards
Varipapa, Andy - see bowling
Venice, Italy - 2.2: Helmut Drinhaus 1988-2000
Ventura, Jesse - see wrestling
Vernon, Jackie - 3.1: Economic Opportunity Atlanta 1968 ov.
Versace, Gianni - 4.1: 2001
Via Video - 2.1: 1983
Viagem E Tourismo Magazine - 3.1: Brooklyn Bridge, 1995
Victor Awards - 3.1: Victor Awards 1981-1985, 4.1: 2003
Video Magazine - 2.1: undated
Vienna, Austria - 2.1: 1996
Village Nursing Home - 4.1: 1982
W
WNBC - see helicopter
Wajima - 3.1: Hawaii and Japan 1974
Walker, Doug - 3.1: Soft Paintings 1989
Wall Street Journal -- - 4.1: 1969 ov
Walsh, Coach Bill, Bill Walsh, 1993 - 3.1: Bill Walsh, 1993, 4.1: 1993
Ward, Laura - 4.1: 2004, see also Merce Cunningham Studio under "dance"
Warhol, Andy - 3.1: Neiman/Warhol 1981, 3.1: "Art", Group Exhibition at Area, 1985, 3.1: Baird Jones' Group Exhibitions, New York 1988-89, 4.1: undated 1980s, 1986, 1987, 1988
Warwick Hotel - see Players Hotel
Washington, Malivai - see tennis
watch - see Classic Moments Watches or Universal Geneve Timepieces
Watergate hearings - 2.1: 1973
Waterhouse, Alma Jones - 2.2: Alma Jones Waterhouse 1977-80, 4.1: 1979
The Splendid Splinter - 3.1: Williams at Bat, 1980-1991, 4.1: 1993, 2002
Williams at Bat, 1980 painting and 1991 serigraph - 3.1: Williams at Bat, 1980-1991, 4.1: 1981, 1991, 2002
Win a Few, Lose a Few, 1972 boxing documentary film - 4.1: 1972
Windsor Gallery - 4.1: undated 1970s
wine -- - 4.1: 1997, see also champagne
labels - 3.1: David Frost Wines 2001, 4.1: 1992, 1996, see also golf: Atlanta National Golf Club California Merlot
Wine Country Film Festival - 3.1: Wine Country Film Festival 1990
Wine, Women, and Cigar, 1996 - see cigars
Winged Foot - see golf
Wingmead - 2.2: JoAnn Perse Gallery 1983-02
Winners, 1983 - 2.2: ABC Correspondence, 2.2: Neiman-Marcus 1983-88, 2.2: Sterling/Winters Company 1983-84, 3.1: Hanson Galleries New Orleans and Carmel, 1983-84, 3.2. -- Winners -- , 1983, Harry N. Abrams, 4.2: The Ring Magazine
Wisconsin - 2.2: Bobby Hinds 1990-2000
Wittnauer International - see Universal Geneve
Wolf, Martin B. - 4.1: 1964
Wolfberg, Lee - 4.1: undated 1980s
Wolfson, Mr. and Mrs. Robert L. - 4.1: 1967, 1980
Women of Excellence - 2.1: 1985
Women's Basketball Hall of Fame - 3.1: Women's Basketball Hall of Fame, 1993
zoo - 3.2. -- LeRoy Neiman On Safari -- , 1996, Zoo Tour correspondence
Provenance:
The papers of artist LeRoy Neiman were donated to the Archives of American Art in 2005 by LeRoy Neiman.
Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility. This collection is publication restricted by the donor.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ankrum Gallery records, circa 1900-circa 1990s, bulk 1960-1990. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Smithsonian Institution Collections Care and Preservation Fund
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ankrum Gallery records, circa 1900-circa 1990s, bulk 1960-1990. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Smithsonian Institution Collections Care and Preservation Fund
