Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
The folder contains a work sheet; site plans; six books of garden diary information and magazine and newspaper publication copies; and dvd.
General:
The purpose of this garden was to create an oasis of serene beauty, incorporating four outdoor rooms that offer hospitality and peace. The "Cottage Garden" at the front of the house includes a walk through the woods. In spring, layers of white "cloud nine" dogwood make a display with tulips, azaleas and wild mountain laurel. This garden also shows bright colors in summer and autumn. The second room, called the "Natural Springs Garden" reveals a Japanese-style garden with koi ponds and a waterfall. A Japanese teahouse serves as the focal point of the space. The "Oak Lawn Garden," the third room, consists of memorabilia, such as a blue glass bottle tree, stone carved angels, and a Portuguese roundel, from the owner's former home in the Oak Lawn area of Dallas. "The Back Yard" garden receives the most sun of all the outdoor rooms. Five foot azalea borders hide the compost area. Most of the 900 square feet of The Back Yard garden is grassed on two levels with a symmetrically spreading native pecan tree holding a high hung double porch swing.
People associated with this property include: Ferne and Arthur Koch (former owners, early 1960s-1971); and Rosa Finsley (landscape designer, 1971-present).
Related Materials:
Gibson Garden related holdings consist of 1 folder (18 35 mm. slides)
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
The folder includes worksheets, site plans with plant names, copies of articles about the garden, and additional information provided by the garden owner.
General:
First planted in 1984, this small (1/3 acre), friendly garden is located on a winding little street in the midst of the many manicured and pristine gardens and lawns of University Park, directly across from the Dallas Country Club. It complements the site's Cape Cod-Norman French hybrid gray-shingled cottage with wide covered front porch, grey shingles, and blue shutters. Taking advantage of the east exposure in order to combat the wilting heat of Dallas summers, the design provides color year-round and features casual flower beds with a variety of heights, textures, and colors. The garden is famous for its spectacular display of blue hydrangeas, specimen trees, flowering trees, bulbs, perennials, annuals, and what its owner calls "old-fashioned flowers." Two large flower beds anchor the corners of the front yard. The arbor-covered back porch enables the owners and their guests to enjoy looking out on a small circular lawn and an adorable garden house. It reflects the encouragement that legendary gardener Rosemary Verey gave the owner during her two visits to the garden to plant more flowering vines for "vertical color."
Persons associated with the site include Rodger Burson (architect); Rosa Finsley (landscape architect); John Morelock (plantsman); Carl Neels (landscape architect and plantsman, 1990 to date); and Roberto Gonzalez (gardener, 1996 to date).
Related Materials:
Home of Mr. & Mrs. Jon Mosle related holdings consist of 1 folder (10 slides (photographs))
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Texas -- Travis -- West Lake Hills
Scope and Contents:
The folder includes worksheets, a planting list, lecture notes, and articles featuring the property of James David.
General:
This two-acre garden in West Lake Hills, a suburb of Austin, Texas is based on classical and Texas garden traditions and designed by a professional landscape architect and horticulturist. The garden has evolved and expanded since its inception in 1978. The garden mixes formal and informal, modern and traditional elements through a series of garden rooms. Strong directional paths and architectural elements unify an otherwise eclectic style.
Features include a swimming pool, greenhouse, dovecote, gravel terrace, pond with limestone terrace bisected by a runnel leading to it, dining terrace, lawn, French-inspired garden and a vegetable garden. Plantings include agaves, bambusa, clematis, ilex, and pollarded sycamores.
Persons associated with the garden include: Robert James Coote (architect, 1979); Paul Lamb (architect, 1988); Mell Lawrence (architect, 2003 and 2007); James deGrey David (owner, landscape architect, 1978- ); Gary R. Peese (owner, 1978 - ).
Related Materials:
David-Peese Garden related holdings consist of 2 folders (48 slides; 325 transparencies; 36 digital images)
See others in:
Ken Druse garden photography collection 1978-2005.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
Watson, Paul Gristock, 1900-1966 (naval officer) Search this
Extent:
1 Cubic foot (3 boxes)
Type:
Collection descriptions
Archival materials
Sales catalogs
Technical literature
Correspondence
Photographs
Date:
1960-1965
Summary:
The collection documents the early development of radio apparatus.
Scope and Contents:
The collection consists of five loose leaf binders labeled Historical Notes Concerning the Invention and Early Development of the Electron Tube. The binders contain articles reproduced by Watson from the diaries and publications of several radio developers as well as chapters written by Watson himself. Concentrating most heavily on Lee de Forest's invention of the "audion" electrolytic receiver and amplifier between 1902 and 1907, Watson narrates the story of the electron vacuum tube. The three-electrode tube patented by de Forest combined all of the technology of Edison and Marconi into an extremely efficient and high-frequency-producing radio device. After 1915 transmissions through the air from Arlington, Virginia to both San Francisco and the Eiffel Tower, the age of the electron vacuum tube had arrived. Several companies sought rights to its development, and Watson's combination of personal insight and original material brings order to these early days of wireless communication.
The collection also includes a one-volume book on the Arlington, Virginia radio transmitter; a five volume study of the electron tube's development; and a folder of miscellaneous materials. The single volume is a 1965 work which tells the story of the National Electric Signaling Company (NESCO) and Naval involvement at the Arlington short wave radio transmission station. Built in 1909 by NESCO, this station was originally equipped with a huge 100 kilowatt spark transmitter in an effort to concentrate all Atlantic Naval communication and to provide a means of directly signaling the West Coast. A more effective and compact kilowatt arc or "continuous wave" transmitter was added in 1913, and in 1924 several vacuum tube transmitters superseded both former types. This work is the story of that transition.
The five volume set contains an overview of wireless development throughout the twenties and beginning with the vacuum tube development. The first volume discusses de Forest's life's work, the manufacture of his "audions", General Electric radio-receiving tube progress, and selected quotes from de Forest's letters to Watson. The second volume narrates Watson's experience with amateur radio, radio in the U.S. Navy, early radio organizations, and General Electric and Westinghouse developments. The third volume provides a list of brand names and manufacturers of electron tubes and a series of photographs of Watson's personal tube collection. The fourth volume develops de Forest's pre-"audion" days and discusses his company's line of radio equipment. The fifth and final volume contains a catalogue of Marconi brand equipment and several illustrated chapters on naval radio in World War I, including the 1915 Arlington experiments. The miscellaneous materials consists of one folder of advertisements for various radio vacuum tube manufacturers and complete photographs of Watson's private tube collection.
Arrangement:
The collection is arranged into one series.
Biographical / Historical:
Paul Watson (1900-1966) was a retired naval commander and collector of electron tubes and material documenting them.
Related Materials:
Materials in the Archives Center
George H. Clark Collection of Radioana (AC0055)
Materials at the National Museum of American History
Electron tubes related to Watson are in the Division of Work and Industry.
Provenance:
No acquisition paperwork is extant.
Restrictions:
The collection is open for research use.
Researchers must handle unprotected photographs with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use. All duplication requests must be reviewed and approved by Archives Center staff.
