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Oral history interview with John Outterbridge

Creator:
Outterbridge, John, 1933-2020  Search this
Interviewer:
Bassing, Allen, 1932-  Search this
Names:
American Academy of the Fine Arts -- Students  Search this
Chicago Academy of Fine Arts -- Students  Search this
Compton Communicative Arts Academy  Search this
Pasadena Art Museum  Search this
Alexander, Peter, 1939-  Search this
Coplans, John  Search this
Di Suvero, Mark, 1933-  Search this
Dickson, Charles  Search this
Gilmore, Robert  Search this
Powell, Judson  Search this
Puerefoy, Noel  Search this
Rauschenberg, Robert, 1925-2008  Search this
Sera, Richard  Search this
Warhol, Andy, 1928-1987  Search this
Extent:
13 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Date:
1973 January 3
Scope and Contents:
Interview of John W. Outterbridge conducted 1973 January 3, by Allen Bassing, for the Archives of American Art.
Outterbridge speaks of his family background and how that influenced him to lean toward the arts; attending Agriculture & Technical University and majoring in engineering even though he wanted to become an artist; joining the Army in order to get the G.I. Bill so he could afford school; painting during his three-year stint in the service, and how his company commander admired his work and got him a studio; attending the Chicago Academy of Art, then the American Academy of Art after leaving the military; moving to Los Angeles to pursue a career as an artist full-time; quitting painting and deciding to focus on sculpture; working at the Pasadena Art Museum, and how it disturbed him that there weren't any Black artists being represented in the shows he was installing there; getting involved with the Compton Communicative Arts Academy just as it was starting; and the present situation of the Compton Communicative Arts Academy and where he sees it going. He recalls Andy Warhol, Peter Alexander, Richard Serra, Robert Rauschenberg, Mark di Suvero, John Coplans, Judson Powell, Noel Puerefoy, Charles Dickson, Bobby Gilmore, and many others.
Biographical / Historical:
John Outterbridge (1933-2020) was an art administrator, painter, and sculptor from Los Angeles, California.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1959 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
This transcript is open for research. No audio exists. Contact Reference Services for more information.
Occupation:
Arts administrators -- California -- Los Angeles  Search this
Painters -- California -- Los Angeles  Search this
Sculptors -- California -- Los Angeles  Search this
Topic:
African American artists  Search this
African American painters  Search this
African American sculptors  Search this
African American military personnel  Search this
Genre/Form:
Interviews
Identifier:
AAA.outter73
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw909ebd196-ac6f-4c3f-8b60-786de9253c6b
EDAN-URL:
ead_collection:sova-aaa-outter73
Online Media:

Mark di Suvero and di Suvero family papers

Creator:
Di Suvero, Mark, 1933-  Search this
Names:
Socrates Sculpture Park  Search this
Lessick, Helen  Search this
Extent:
6.8 Linear feet
0.263 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Drawings
Photographs
Sound recordings
Interviews
Video recordings
Slides (photographs)
Date:
1934-2005
Summary:
The collection measures 6.8 linear feet and 0.263 GB, dates from 1934 to 2005, and documents the career of sculptor Mark di Suvero and family relationships. Found within the papers are biographical material; letters to and from di Suvero family members; scattered writings by di Suvero and Marie Louise Martignoni di Suvero, the artist's sister, about Mark di Suvero; drawings; a file on the Socrates Sculpture Park; a file on artist Helen Lessick, an acquaintance of Mark di Suvero; exhibition files; printed material; photographs of the artist, artwork, and members of the di Suvero family; audio and video recordings of interviews with di Suvero; and promotional Tee Shirts.

There is an unprocessed addition to this collection donated in 2022 that includes a WordPerfect transcript in electronic format of an unpublished play Crescent Moon, Yellow Star, but Henry (Hank) di Suvero, 2004.
Scope and Content Note:
The collection measures 6.8 linear feet and 0.263 GB, dates from 1934 to 2005, and documents the career of sculptor Mark di Suvero and the importance of his family relationships. Found within the papers are biographical material; letters to and from di Suvero family members; scattered writings by di Suvero and Marie Louise Martignoni di Suvero, the artist's sister, about Mark di Suvero; drawings; a file on the Socrates Sculpture Park; a file on artist Helen Lessick, a friend of Mark di Suvero; exhibition files; printed material; photographs of the artist, artwork, and members of the di Suvero family; audio and video recordings of interviews with di Suvero; and promotional Tee Shirts.

There is an unprocessed addition to this collection donated in 2022 that includes a WordPerfect transcript in electronic format of an unpublished play Crescent Moon, Yellow Star, but Henry (Hank) di Suvero, 2004.
Arrangement:
The collection has been arranged into 12 series:

Missing Title

Series 1: Biographical Material, 1941-2004 (Box 1; 4 folders)

Series 2: Letters, 1956-2005, undated (Boxes 1, 6-8, 11-12, OV 10; 1.7 linear feet)

Series 3: Notes and Writings, 1961-2005, undated (Boxes 1, 6; 0.4 linear feet)

Series 4: Drawings, 1983, undated (Box 1; 1 folder)

Series 5: Socrates Sculpture Park File, 1985-2004, undated (Boxes 1-2, 7; 0.6 linear feet)

Series 6: Helen Lessick File, 1986-2004 (Box 2, 7; 6 folders)

Series 7: Exhibition Files, 1975-2003 (Boxes 2-3, 7; 1.4 linear feet)

Series 8: Printed Material, 1958-2004, undated (Box 3-4, 7, OV 9; 1.4 linear feet)

Series 9: Photographs, 1934-2004, undated (Box 4-6, 0.263 GB; ER01; 0.3 linear feet)

Series 10: Audio and Video Recordings, 1982-1994, undated (Box 5; 7 folders)

Series 11: Promotional Tee Shirts, 1978-2001 (Box 7; 0.2 linear feet)

Series 12: Unprocessed 2022 Addition, 2004

All series have been arranged chronologically.
Biographical Note:
Mark di Suvero was born September 18, 1933, in Shanghai, China, the son of Matilde Millo di Suvero and Victor E. di Suvero, an Italian diplomat. He was one of four children: Victor M., the eldest, Marie Louise, Mark, and the youngest son Henry. With the outbreak of World War II, the family immigrated to San Francisco, California, in 1941.

Mark di Suvero studied fine arts and philosophy at the San Francisco City College from 1953 to 1954, and attended the University of California, Santa Barbara, from 1954-1955, where he began creating sculpture. In 1956, he received a B.A. in Philosophy from the University of California, Berkeley. The following year, di Suvero moved to New York City to establish a career as a sculptor.

Shortly before his first solo exhibition at the Green Gallery in 1960, di Suvero suffered severe spinal injuries when he was pinned against an elevator shaft in a construction accident. Initially confined to a wheelchair for two years, di Suvero persevered in overcoming his injuries and continuing his work.

In protest of the Vietnam War, di Suvero left the United States in 1971, and exhibited his sculpture in Holland and Germany. A year later, he established a painting and drawing studio in Venice, where he also taught at the Università Internazionale dell'Arte, and, in 1973, he moved to France. Also during this time, di Suvero married Maria Teresa Capparotta, an architect, whom he later divorced.

The Whitney Museum of American Art honored Mark di Suvero in 1975 with the first retrospective and first American city-wide exhibition of his work, in New York City. At this time, di Suvero began working with a team in assembling his sculpture, first with Lowell McKegney, and later joined by his nephews Enrico and Matteo Martignoni.

In 1977, di Suvero founded the Athena Foundation to award grants to artists. In 1986, in conjunction with the Athena Foundation and with Enrico Martignoni, he created the Socrates Sculpture Park in Long Island City, New York, an outdoor space where sculptors are invited to create and exhibit their work. With Marcel Evrard in 1988, di Suvero created a foundation entitled La Vie des Formes (The Life of Forms) in the shipyards at Chalon-sur-Saône, France. Based upon the model of Socrates Sculpture Park, this organization hosted artists in studio and exhibition spaces at the shipyard and on di Suvero's converted canal barge Rêve des Signes, that was moored alongside.

Included in most major international gallery collections, Mark di Suvero's art work has also been the focus of major solo exhibitions including two at Storm King, and international city-wide exhibitions in Duisberg and Stuttgart in Germany, Chalon-sur-Saône, Paris, Valence, and Nice in France, and Valencia in Spain. During the summer of 1995, di Suvero was honored with a major installation of seven pieces along the Grand Canal to coincide with the Venice Biennale's 100th anniversary.

In 1993, Mark di Suvero married Kate Levin, Ph.D., a professor at the City University of New York and Commissioner of the New York Department of Cultural Affairs. Di Suvero and Levin have a daughter named Veri. At present, di Suvero maintains studios in Petaluma, California, Long Island City, New York, and Chalon-sur-Saône, France.
Provenance:
The Mark di Suvero and di Suvero family papers were donated in 2004 and 2005 by Marie Louise Martignoni di Suvero, the artist's sister. One transcript of a play by Henry di Suvero was donated in 2022 by Henry (Hank) di Suvero's estate, via Scott Krauss, co-executor.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The donor has retained all intellectual property rights, including copyright, that they may own in the following material: transcipt of the play Crescent Moon, Yellow Star by Henry (Hank) di Suvero.
Topic:
Works of art  Search this
Genre/Form:
Drawings
Photographs
Sound recordings
Interviews
Video recordings
Slides (photographs)
Citation:
Mark di Suvero and di Suvero family papers, 1934-2005. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.disumark
See more items in:
Mark di Suvero and di Suvero family papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ea7b9169-d8a6-4981-979f-5fe6b168eacb
EDAN-URL:
ead_collection:sova-aaa-disumark
Online Media:

Biographical Material

Collection Creator:
Di Suvero, Mark, 1933-  Search this
Extent:
4 Folders (Box 1)
Type:
Archival materials
Date:
1941-2004
Scope and Contents note:
This series consists of biographical accounts for various members of the di Suvero family and school records for Mark di Suvero. The curricula vitae were written by Mark di Suvero.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The donor has retained all intellectual property rights, including copyright, that they may own in the following material: transcipt of the play Crescent Moon, Yellow Star by Henry (Hank) di Suvero.
Collection Citation:
Mark di Suvero and di Suvero family papers, 1934-2005. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.disumark, Series 1
See more items in:
Mark di Suvero and di Suvero family papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw964cf27ca-96a5-4318-8c0d-e2c8ce44ea40
EDAN-URL:
ead_component:sova-aaa-disumark-ref14

Biographical Accounts for di Suvero Family Members

Collection Creator:
Di Suvero, Mark, 1933-  Search this
Container:
Box 1, Folder 1
Type:
Archival materials
Date:
1993-2004
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The donor has retained all intellectual property rights, including copyright, that they may own in the following material: transcipt of the play Crescent Moon, Yellow Star by Henry (Hank) di Suvero.
Collection Citation:
Mark di Suvero and di Suvero family papers, 1934-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Mark di Suvero and di Suvero family papers
Mark di Suvero and di Suvero family papers / Series 1: Biographical Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9eb0c5661-6b79-4fa9-9744-8326737fd210
EDAN-URL:
ead_component:sova-aaa-disumark-ref15

Oral history interview with Peter Agostini

Interviewee:
Agostini, Peter  Search this
Interviewer:
Roberts, Colette, 1910-  Search this
Names:
Columbia University -- Faculty  Search this
United States. Works Progress Administration  Search this
Bontecou, Lee, 1931-  Search this
Chamberlain, John, 1927-2011  Search this
Chryssa, 1933-2013  Search this
Cornell, Joseph  Search this
Cézanne, Paul, 1839-1906  Search this
De Chirico, Giorgio, 1888-  Search this
De Kooning, Willem, 1904-1997  Search this
Demuth, Charles, 1883-1935  Search this
Di Suvero, Mark, 1933-  Search this
Dove, Arthur Garfield, 1880-1946  Search this
Dubuffet, Jean, 1901-1985  Search this
Duchamp, Marcel, 1887-1968  Search this
Ferber, Herbert, 1906-1991  Search this
Flannagan, John Bernard, 1895?-1942  Search this
Giacometti, Alberto, 1901-1966  Search this
Greenberg, Clement, 1909-1994  Search this
Hague, Raoul, 1905-1993  Search this
Hare, David, 1917-1992  Search this
Hartley, Marsden, 1877-1943  Search this
Hopper, Edward, 1882-1967  Search this
Judd, Donald, 1928-1994  Search this
Kaprow, Allan  Search this
Kienholz, Edward, 1927-  Search this
Kline, Franz, 1910-1962  Search this
Kohn, Gabriel, 1910-1975  Search this
Kolbe, Georg, 1877-1947  Search this
La Tour, Onya, 1896-1976  Search this
Lachaise, Gaston, 1882-1935  Search this
Lassaw, Ibram, 1913-2003  Search this
Lippold, Richard, 1915-2002  Search this
Lipton, Seymour, 1903-1986  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Maillol, Aristide, 1861-1944  Search this
Manship, Paul, 1885-1966  Search this
Marca-Relli, Conrad, 1913-2000  Search this
Marin, John, 1870-1953  Search this
Marisol, 1930-2016  Search this
Matisse, Henri, 1869-1954  Search this
Melville, Herman, 1819-1891  Search this
Mondrian, Piet, 1872-1944  Search this
Morris, Robert, 1931-2018  Search this
Nakian, Reuben, 1897-1986  Search this
Noguchi, Isamu, 1904-1988  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Oldenburg, Claes, 1929-  Search this
Poe, Edgar Allan, 1809-1849  Search this
Pollock, Jackson, 1912-1956  Search this
Pompon, François, 1855-1933  Search this
Reinhardt, Ad, 1913-1967  Search this
Rivera, Diego, 1886-1957  Search this
Roszak, Theodore, 1907-1981  Search this
Rothko, Mark, 1903-1970  Search this
Samaras, Lucas, 1936-  Search this
Scarpitta, Salvatore, 1919-2007  Search this
Segal, George, 1924-2000  Search this
Sheeler, Charles, 1883-1965  Search this
Smith, David, 1906-1965  Search this
Smith, Tony, 1912-1980  Search this
Spaventa, George, 1918-  Search this
Stankiewicz, Richard, 1922-1983  Search this
Sugarman, George, 1912-1999  Search this
Tobey, Mark  Search this
Whitman, Walt, 1819-1892  Search this
Zorach, William, 1887-1966  Search this
Extent:
99 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1968
Scope and Contents:
An interview of Peter Agostini conducted in 1968, by Colette Roberts, for the Archives of American Art at 151 Avenue B, New York, New York.
Mr. Agostini speaks of his childhood spent living throughout the five boroughs of New York; his interactions with clients of his father's acting employment agency; his early education in Catholic school and the creative freedom allotted by the nuns; his first feelings of isolation as an artist at the age of seven; the development of a sense of communication as the result of the loss of his mother at the age of three and time spent at a school for orphans; his early realization and vision of artistic destiny; his religious interests which lead to mysticism in his earlier work; his time spent working freely in the DaVinci Studio with Spaventa; the discovery by Hess of his works in Gallerie Grimaud; his attainment of the Longview Grant; his working experience throughout the Depression as part of the WPA casting plaster mannequins while working indirectly with Pollack as well as Marca Relli; his subsequent move to designing department store windows (use of Mondrian-like forms and lines); his feelings of his position as an observer; the importance of communication through art (communication without words); his rejection of the Abstract Expressionist group and choice of independence; the influence of the sculpture of Kolbe and Bache in the thirties; Clement Greenberg's distaste for his work; his feelings about the relative failure to sell his work due its unusual edginess and mystery; his role in the introduction of the work of contemporary European artists (Chausserian, Gauthier, Modrian) to the American group; his description of his own work as "traditionless"; his feelings of self-importance as one of the most original sculptors in the art world; his influence on the younger generation, particularly Marisol; the enslavement to originality that the younger generation faces; his attitudes towards American Art forms and their lack of rebellious spirit; the virtues of the American writers, such as Poe, Whitman, and Melville as American "knapsack" writers; his personal technique which places an emphasis on the "skin" or volume of something; his attempt to create quiet art, or art that merely indicates features; his frustration with teaching and the problems of regurgitated knowledge; the role of Meyer Shapiro in his teaching career at Columbia; the formation of the Club and its similarity to the Cubist's café scene; his opinions on the relationship of sex and sensuality in American art; his personal struggles, including the loss of his second wife and two of his brothers, in addition to the estrangement of his only daughter by his first wife; his feelings on the role of psycho analysis and personal history in a work of art; his present works which feature the "swell." For the majority of the second half of the interview Ms. Roberts asks Mr. Agostini to express his opinions on the work of: Kline; DeKooning; Duchamp; Oldenburg; La Tour; DeChirico; Maillol; Pompon; Rothko; Chardin; Cezanne; Giacometti; Reinhardt; Chryssa; Tony Smith; Segal; Lachaise; Zorach; Manship; Flannagan; Kelly; Lassaw; David Smith; Hare; Lipton; Ferber; Lippold; Roszak; Nakian; Noguchi; Hague; Kohn; di Suvero; Chamberlain; Kaprow; Sugarman; Stankiewicz; Bontecou; Scarpitta; Cornell; Keinholz; Rivera; Judd; Robert Morris; O'Keeffe; Samaras; Mark Tobey; Marin; Pollock; Hartley; Dove; Macdonald-Wright; Demuth; Sheeler; Hopper; Mirot; Matisse; DuBuffet.
Biographical / Historical:
Peter Agostini (1913-1993) was a sculptor from New York, New York.
General:
Originally recorded on 3 sound tape reels. Reformatted in 2010 as 28 digital wav files. Duration is 10 hrs., 37 min.
Transferred from 4 3" reels.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Abstract expressionism  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.agosti68
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94f33a1ab-e475-4a6f-8b0b-f9822b288239
EDAN-URL:
ead_collection:sova-aaa-agosti68
Online Media:

Oral history interview with Edwin Ruda

Interviewee:
Ruda, Edwin  Search this
Interviewer:
Chisolm, Michael  Search this
Names:
Club (New York, N.Y.)  Search this
Park Place Gallery Art Research, Inc.  Search this
Paula Cooper Gallery  Search this
De Kooning, Willem, 1904-1997  Search this
Di Suvero, Mark, 1933-  Search this
Geist, Sidney  Search this
Myers, Forrest Warden, 1941-  Search this
Resnick, Milton, 1917-2004  Search this
Extent:
151 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1988 January 26
Scope and Contents:
An interview of Edwin Ruda conducted 1988 January 26, by Michael Chisolm, for the Archives of American Art. Ruda speaks of his education; his life in Mexico; his time as a G.I.; The Club; the Park Place Gallery; the Paula Cooper Gallery; phases of his work. He recalls Sidney Geist, Mark Di Suvero, Willem De Kooning, Milton Resnick and Forrest Myers.
Biographical / Historical:
Edwin Ruda (1922- ) is a painter from New York, N.Y.
General:
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 6 digital wav files. Duration is 4 hr., 42 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Painters -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.ruda88
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a443709f-710c-4bb0-8f01-e4a429601220
EDAN-URL:
ead_collection:sova-aaa-ruda88
Online Media:

Samuel J. Wagstaff papers

Creator:
Wagstaff, Samuel J.  Search this
Names:
Basen, Dan, 1939-  Search this
Brecht, George  Search this
Byars, James Lee  Search this
De Maria, Walter, 1935-2013  Search this
Di Suvero, Mark, 1933-  Search this
Fine, Albert M.  Search this
Flavin, Dan, 1933-  Search this
Halprin, Anna  Search this
Hartigan, Grace  Search this
James, Charles, d. 1978  Search this
Johnson, Philip, 1906-2005  Search this
Johnson, Ray, 1927-  Search this
Manning, Doreen  Search this
Manning, Robert  Search this
Martin, Agnes, 1912-2004  Search this
Newton, Gordon, 1948-  Search this
Oldenburg, Claes, 1929-  Search this
Reinhardt, Ad, 1913-1967  Search this
Roth, Dieter, 1930-1998  Search this
Saret, Alan, 1944-  Search this
Tuttle, Richard, 1941-  Search this
Warhol, Andy, 1928-  Search this
Wilson, Mary F.  Search this
Extent:
6.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Drawings
Date:
circa 1932-1985
Summary:
The Samuel J. Wagstaff papers, circa 1932-1985 comprise 6.4 linear feet of correspondence, writings, miscellaneous records, printed material, and photographs documenting Wagstaff's professional and personal relationships with artists and photographers, his career as an art curator, and his position as an important collector of paintings and photographs. Correspondence with artists and others such as curators, arts organizations, galleries, and museums, reflects the diversity of contemporary American art and includes individuals associated with the abstract expressionist, Fluxus, pop, earth, conceptual, and minimalist art movements.
Scope and Content Note:
The Samuel J. Wagstaff papers, circa 1932-1985, comprise 6.4 linear feet of correspondence, writings, miscellaneous records, printed material, and photographs documenting Wagstaff's professional and personal relationships with artists and photographers, his career as an art curator, and his position as an important collector of paintings and photographs.

Correspondence with artists and others such as curators, arts organizations, galleries, and museums reflects the diversity of contemporary American art and includes individuals associated with the abstract expressionist, Fluxus, pop, earth, conceptual, and minimalist art movements. Wagstaff's importance as a collector and curator and his generosity to and interest in artists is evident from the large number of invitations to view and critique work, requests for fellowship and grant recommendations, and thank you notes from artists to whom he extended financial or moral support. Among the most prolific correspondents found here are: Dan Basen, George Brecht, James Lee Byars, Walter de Maria, Mark Di Suvero, Albert Fine, Dan Flavin, Ann Halprin, Grace Hartigan, Charles James, Philip Johnson, Ray Johnson, Doreen and Robert Manning, Agnes Martin, Gordon Newton, Claes Oldenburg, Ad Reinhardt, Dieter Rot, Alan Saret, Richard Tuttle, May Wilson, and Andy Warhol.

Writings by Wagstaff consist of "Looking at Modern Art" prepared for the Trinity College Reading Program, and an untitled, undated piece about multiplicity in art. Among the writings by other authors are Bruce Bennard's "The Photographer Rediscovered," "Pop Art" by Henry Geldzahler, and "Collecting Photographs" by Bonnie Barrett Stretch.

Miscellaneous records are drawings by Bruce Kleinsmith, a print by Harold Paris and artists' resumes. Also included is a costume consisting of a stuffed devil's tail and two red silk caps connected by a long sash, all in a matching red silk bag.

Among the printed material are books, exhibition catalogs and prospectuses, periodicals, press releases, reproductions, and a variety of other printed items relating to photography and art.

Photographs consist largely of copy prints and a small number of original prints. Also included are a few images of exhibition installations and other miscellaneous subjects. There are no portraits of Samuel J. Wagstaff among the photographs of people. Identified individuals include: Bella Abzug, Peter Allen, Michael Collins, Angela Davis, Candy Darling, Wendell Ford, Joseph Hirshhorn, W. A. Huffman, David Love, Marc Miller, Bettie Ringma, and Andy Warhol.
Arrangement:
The collection is arranged into 5 series.

Missing Title

Series 1: Correspondence, 1932-1986 (Boxes 1-3, 8, OV 9-10; 2.5 linear ft.)

Series 2: Writings, 1961-1983 (Box 3; 0.2 linear ft.)

Series 3: Miscellaneous Papers and Artifacts, 1970s-1980s (Box 3; 0.2 linear ft.)

Series 4: Printed Material, circa 1914-1988 (Boxes 3-8, OV 11; 3.2 linear ft.)

Series 5: Photographs, 1975-1982 (Boxes 7-8; 0.1 linear ft.)
Biographical Note:
Samuel J. Wagstaff, Jr. (1921-1987), the son of a lawyer from an old New York family and fashion artist Olga Piorkowska, was born in New York City. A graduate of Yale University, he was an ensign in the Navy and took part in the D-day landing at Omaha Beach.

Following World War II, Wagstaff studied Renaissance art at the Institute of Fine Arts, New York University. A David E. Finley art history fellowship took him to the National Gallery of Art, Washington, D. C. in 1959. He served as curator of contemporary art at the Wadsworth Atheneum, Hartford, Conn., from 1961 to 1968, where he coordinated sculptor Tony Smith's first museum show in 1966. In 1971, during Wagstaff's tenure as curator at the Detroit Institute of Arts (1968-1971), he presented Michael Heizer's installation Dragged Mass Geometric on the grounds of the museum.

In addition to his curatorial work, Samuel J. Wagstaff was a noted collector. Originally, he was a fairly influential collector of avant-garde paintings. After seeing the exhibition "The Painterly Photograph" and meeting photographer Robert Mapplethorpe, Wagstaff became convinced that photographs were the most unrecognized and, possibly, the most valuable works of art. He moved to New York and began selling his collection of paintings, using the proceeds to begin his photography collection and concentrating on 19th century American, British, and French examples. Then, influenced by his lover, photographer Mapplethorpe, Wagstaff's taste veered toward the daring, and he began to depart from established names in search of new talent. His collection was soon recognized as one of the finest private holdings in the United States. An exhibition of his photographs was organized by the Corcoran Gallery of Art, Washington, D. C., in 1978, and A Book of Photographs from the Sam Wagstaff Collection was published to accompany the show that toured the country.

The photograph collection was sold to the J. Paul Getty Museum, Malibu, Calif., in 1984, for a reported $5 million. Wagstaff then focused his attention on collecting 19th century American silver, and a selection from that collection was exhibited at the New York Historical Society in 1987.

Samuel J. Wagstaff died in New York City on January 14, 1987, from pneumonia, a complication of HIV infection.
Provenance:
Samuel J. Wagstaff donated his papers between 1976 and 1986.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art dealers -- New York (State) -- New York  Search this
Photography  Search this
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Artists -- United States  Search this
Photographs -- Collectors and collecting -- United States  Search this
Curators -- New York (State) -- New York  Search this
Art, Modern  Search this
Fluxus (Group of artists)  Search this
Genre/Form:
Photographs
Drawings
Citation:
Samuel J. Wagstaff papers, circa 1932-1985. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.wagssamu
See more items in:
Samuel J. Wagstaff papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw978d21d32-6db4-4e4a-a3f2-17fde336ef7b
EDAN-URL:
ead_collection:sova-aaa-wagssamu
Online Media:

Mark di Suvero and di Suvero family papers, 1934-2005

Creator:
Di Suvero, Mark, 1933-  Search this
Subject:
Lessick, Helen  Search this
Socrates Sculpture Park  Search this
Type:
Drawings
Photographs
Sound recordings
Interviews
Video recordings
Slides (photographs)
Citation:
Mark di Suvero and di Suvero family papers, 1934-2005. Archives of American Art, Smithsonian Institution.
Topic:
Works of art  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)11585
(DSI-AAA_SIRISBib)249272
AAA_collcode_disumark
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_249272
Online Media:

Postcards with Photographs of Art Work by Mark di Suvero

Collection Creator:
Di Suvero, Mark, 1933-  Search this
Container:
Box 4, Folder 31
Type:
Archival materials
Date:
1998, undated
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The donor has retained all intellectual property rights, including copyright, that they may own in the following material: transcipt of the play Crescent Moon, Yellow Star by Henry (Hank) di Suvero.
Collection Citation:
Mark di Suvero and di Suvero family papers, 1934-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Mark di Suvero and di Suvero family papers
Mark di Suvero and di Suvero family papers / Series 8: Printed Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ea1a2ef5-e83e-40cf-9d9a-951d7aa49bcd
EDAN-URL:
ead_component:sova-aaa-disumark-ref100

Miscellaneous Picture Postcards

Collection Creator:
Di Suvero, Mark, 1933-  Search this
Container:
Box 4, Folder 32
Type:
Archival materials
Date:
undated
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The donor has retained all intellectual property rights, including copyright, that they may own in the following material: transcipt of the play Crescent Moon, Yellow Star by Henry (Hank) di Suvero.
Collection Citation:
Mark di Suvero and di Suvero family papers, 1934-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Mark di Suvero and di Suvero family papers
Mark di Suvero and di Suvero family papers / Series 8: Printed Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99ff84f71-0173-454a-8652-3f5ff289d0ac
EDAN-URL:
ead_component:sova-aaa-disumark-ref101

Booklet Summer War Haiku by Jack Crimmins

Collection Creator:
Di Suvero, Mark, 1933-  Search this
Container:
Box 4, Folder 33
Type:
Archival materials
Date:
2002
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The donor has retained all intellectual property rights, including copyright, that they may own in the following material: transcipt of the play Crescent Moon, Yellow Star by Henry (Hank) di Suvero.
Collection Citation:
Mark di Suvero and di Suvero family papers, 1934-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Mark di Suvero and di Suvero family papers
Mark di Suvero and di Suvero family papers / Series 8: Printed Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98a4efe53-30ab-405f-9988-d0aa09983504
EDAN-URL:
ead_component:sova-aaa-disumark-ref102

Book New York Painting and Sculpture: 1940-1970 by Henry Geldzahler

Collection Creator:
Di Suvero, Mark, 1933-  Search this
Container:
Box 4, Folder 34
Type:
Archival materials
Date:
1969
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The donor has retained all intellectual property rights, including copyright, that they may own in the following material: transcipt of the play Crescent Moon, Yellow Star by Henry (Hank) di Suvero.
Collection Citation:
Mark di Suvero and di Suvero family papers, 1934-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Mark di Suvero and di Suvero family papers
Mark di Suvero and di Suvero family papers / Series 8: Printed Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91c11751c-6ba7-4be3-939b-4def0261d748
EDAN-URL:
ead_component:sova-aaa-disumark-ref103

Miscellaneous Printed Material

Collection Creator:
Di Suvero, Mark, 1933-  Search this
Container:
Box 4, Folder 35
Type:
Archival materials
Date:
1993-2000, undated
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The donor has retained all intellectual property rights, including copyright, that they may own in the following material: transcipt of the play Crescent Moon, Yellow Star by Henry (Hank) di Suvero.
Collection Citation:
Mark di Suvero and di Suvero family papers, 1934-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Mark di Suvero and di Suvero family papers
Mark di Suvero and di Suvero family papers / Series 8: Printed Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d364f5ef-52e9-4ace-be7d-dc7e98b75cc3
EDAN-URL:
ead_component:sova-aaa-disumark-ref104

Oversized Clippings

Collection Creator:
Di Suvero, Mark, 1933-  Search this
Container:
Box 7
Type:
Archival materials
Date:
1964-1972
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The donor has retained all intellectual property rights, including copyright, that they may own in the following material: transcipt of the play Crescent Moon, Yellow Star by Henry (Hank) di Suvero.
Collection Citation:
Mark di Suvero and di Suvero family papers, 1934-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Mark di Suvero and di Suvero family papers
Mark di Suvero and di Suvero family papers / Series 8: Printed Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97b5a3d66-3ce4-4064-aae1-758ad57ff0fa
EDAN-URL:
ead_component:sova-aaa-disumark-ref105

Oversized Exhibition Announcement for Others

Collection Creator:
Di Suvero, Mark, 1933-  Search this
Container:
Box 7
Type:
Archival materials
Date:
1988
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The donor has retained all intellectual property rights, including copyright, that they may own in the following material: transcipt of the play Crescent Moon, Yellow Star by Henry (Hank) di Suvero.
Collection Citation:
Mark di Suvero and di Suvero family papers, 1934-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Mark di Suvero and di Suvero family papers
Mark di Suvero and di Suvero family papers / Series 8: Printed Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c89e2b2c-4bb9-4723-b291-efb65f26a504
EDAN-URL:
ead_component:sova-aaa-disumark-ref106

Oversized Exhibition Announcements for Mark di Suvero

Collection Creator:
Di Suvero, Mark, 1933-  Search this
Container:
Box OV 9
Type:
Archival materials
Date:
1960-1986
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The donor has retained all intellectual property rights, including copyright, that they may own in the following material: transcipt of the play Crescent Moon, Yellow Star by Henry (Hank) di Suvero.
Collection Citation:
Mark di Suvero and di Suvero family papers, 1934-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Mark di Suvero and di Suvero family papers
Mark di Suvero and di Suvero family papers / Series 8: Printed Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9771c8b15-96bf-412e-9e56-008431fe8334
EDAN-URL:
ead_component:sova-aaa-disumark-ref107

Photographs

Collection Creator:
Di Suvero, Mark, 1933-  Search this
Extent:
0.3 Linear feet (Boxes 4-6)
0.264 Gigabytes (ER01)
Type:
Archival materials
Gigabytes
Date:
1934-2004, undated
Scope and Contents note:
Photographs are of Mark di Suvero, members of the di Suvero family, di Suvero's studios and art work. Many of the photographs depict a combination of all these elements, so they have been organized into one chronology in order to maintain the sense of each occasion. The slides, found here also in digital format, of di Suvero's work belonged to friend and dealer Richard Bellamy.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The donor has retained all intellectual property rights, including copyright, that they may own in the following material: transcipt of the play Crescent Moon, Yellow Star by Henry (Hank) di Suvero.
Collection Citation:
Mark di Suvero and di Suvero family papers, 1934-2005. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.disumark, Series 9
See more items in:
Mark di Suvero and di Suvero family papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d1b92172-87aa-40be-bbf1-dd4e9dfff012
EDAN-URL:
ead_component:sova-aaa-disumark-ref109

Photographs of the di Suvero Family and Mark di Suvero's Art Work

Collection Creator:
Di Suvero, Mark, 1933-  Search this
Extent:
Includes born-digital records, see ER01
Container:
Box 4, Folder 36-49
Type:
Archival materials
Date:
1934-2004
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The donor has retained all intellectual property rights, including copyright, that they may own in the following material: transcipt of the play Crescent Moon, Yellow Star by Henry (Hank) di Suvero.
Collection Citation:
Mark di Suvero and di Suvero family papers, 1934-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Mark di Suvero and di Suvero family papers
Mark di Suvero and di Suvero family papers / Series 9: Photographs
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw933d79649-6daa-44c8-806e-b708477cb27b
EDAN-URL:
ead_component:sova-aaa-disumark-ref110

Statement regarding Slides and Digital Images of Mark di Suvero's Art Work Executed from the 1960s to 1990s

Collection Creator:
Di Suvero, Mark, 1933-  Search this
Extent:
Includes born-digital records, see ER01
Container:
Box 5, Folder 1
Type:
Archival materials
Date:
2004
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The donor has retained all intellectual property rights, including copyright, that they may own in the following material: transcipt of the play Crescent Moon, Yellow Star by Henry (Hank) di Suvero.
Collection Citation:
Mark di Suvero and di Suvero family papers, 1934-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Mark di Suvero and di Suvero family papers
Mark di Suvero and di Suvero family papers / Series 9: Photographs
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93fdafe41-0914-4af2-9d27-f08ebaff92b2
EDAN-URL:
ead_component:sova-aaa-disumark-ref111

Mark di Suvero's Art Work Executed from the 1960s to 1990s, Slides

Collection Creator:
Di Suvero, Mark, 1933-  Search this
Container:
Box 5, Folder 2-3
Type:
Archival materials
Date:
undated
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The donor has retained all intellectual property rights, including copyright, that they may own in the following material: transcipt of the play Crescent Moon, Yellow Star by Henry (Hank) di Suvero.
Collection Citation:
Mark di Suvero and di Suvero family papers, 1934-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Mark di Suvero and di Suvero family papers
Mark di Suvero and di Suvero family papers / Series 9: Photographs
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d665b4d2-ceb3-4241-a7f3-5abedc1e1d55
EDAN-URL:
ead_component:sova-aaa-disumark-ref112

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