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Michael Goldberg papers, 1942-1981

Creator:
Goldberg, Michael, 1924-2007  Search this
Subject:
Rivers, Larry  Search this
Whyatt, Frances  Search this
Brodey, James  Search this
Riopelle, Jean Paul  Search this
Neimark, Jill  Search this
Tanger, Susanna  Search this
Pavia, Philip  Search this
Kirili, Alain  Search this
Mitchell, Joan  Search this
Jenkins, Paul  Search this
Di Prima, Diane  Search this
Grosvenor, Robert  Search this
Type:
Drawings
Interviews
Sketchbooks
Topic:
Painters  Search this
Record number:
(DSI-AAA_CollID)8224
(DSI-AAA_SIRISBib)210395
AAA_collcode_goldmich
Theme:
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210395

Wallace Berman papers, 1907-1979, bulk 1955-1979

Creator:
Berman, Wallace, 1926-1976  Search this
Subject:
Di Prima, Diane  Search this
Sherman, Donald  Search this
Johnson, Ray  Search this
Wieners, John  Search this
Lamantia, Philip  Search this
Jordan, Patricia M.  Search this
Hirschman, Jack  Search this
Jess  Search this
Herms, George  Search this
Bengston, Billy Al  Search this
Meltzer, David  Search this
McClure, Michael  Search this
Symmes, Robert  Search this
Perkoff, Stuart Z.  Search this
Fonda, Peter  Search this
Hopper, Dennis  Search this
DeFeo, Jay  Search this
Heinecken, Robert  Search this
Ginsberg, Allen  Search this
Patchen, Kenneth  Search this
Miller, Henry  Search this
Ruscha, Edward  Search this
Type:
Drawings
Sound recordings
Topic:
Semina  Search this
Beat generation  Search this
Photography, Artistic  Search this
Art  Search this
Collage  Search this
Assemblage (Art)  Search this
Record number:
(DSI-AAA_CollID)10771
(DSI-AAA_SIRISBib)214392
AAA_collcode_bermwall
Theme:
Art Movements and Schools
Lives of American Artists
Audio - Visual
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214392
Online Media:

Oral history interview with George Herms, 1993 Dec. 8-1994 Mar 10

Interviewee:
Herms, George, 1935-  Search this
Interviewer:
Karlstrom, Paul J., 1941-  Search this
Subject:
Kienholz, Edward  Search this
Berman, Wallace  Search this
Di Prima, Diane  Search this
Hopps, Walter  Search this
Lamantia, Philip  Search this
Asher, Betty M.  Search this
McClure, Michael  Search this
Parker, Charlie  Search this
Alexander, Robert  Search this
Dwan, Virginia  Search this
Ferus Gallery (Los Angeles, Calif.)  Search this
Topic:
Beat generation  Search this
Record number:
(DSI-AAA_CollID)12275
(DSI-AAA_SIRISBib)215576
AAA_collcode_herms93
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215576
Online Media:

Wallace Berman

Creator:
Berman, Wallace, 1926-1976  Search this
Names:
Bengston, Billy Al  Search this
DeFeo, Jay, 1929-1989  Search this
Di Prima, Diane  Search this
Duncan, Robert Edward, 1919-  Search this
Fonda, Peter, 1940-  Search this
Ginsberg, Allen, 1926-  Search this
Heinecken, Robert, 1931-  Search this
Herms, George, 1935-  Search this
Hirschman, Jack, 1933-  Search this
Hopper, Dennis, 1936-  Search this
Jess, 1923-  Search this
Johnson, Ray, 1927-  Search this
Jordan, Patricia M., 1937-1989  Search this
Lamantia, Philip, 1927-  Search this
McClure, Michael  Search this
Meltzer, David  Search this
Miller, Henry, 1891-  Search this
Patchen, Kenneth, 1911-1972  Search this
Perkoff, Stuart Z.  Search this
Ruscha, Edward  Search this
Sherman, Donald  Search this
Wieners, John, 1934-  Search this
Extent:
5 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Sound recordings
Photographs
Date:
1907-1979
bulk 1955-1979
Summary:
The Wallace Berman papers date from 1907 to 1979 (bulk 1955-1979). The collection measures 5 linear feet and presents a cursory overview of Berman's career as an assemblage artist and poet. The collection contains business correspondence, letters from other artists and writers of the Beat movement, writings by others, scattered artwork by Berman, photographs by Robert F. Heinecken, and sound recordings of poetry readings.
Scope and Content Note:
The Wallace Berman papers, 1907-1979 (bulk 1955-1979), measure 5 linear feet and present a cursory overview of Berman's career as an assemblage artist and poet. The collection is valuable not only for its documentation of the work of Wallace Berman, but for its documentation of the California beat movement of the late 1950s through the early 1970s.

Found are numerous letters, writings, poems, and other published material which portray the thoughts, attitudes, and trends popular in a prominent underground culture which eventually led to radical changes in America and American art. The collection contains business correspondence, letters from other artists and writers of the beat movement, writings by others, scattered artwork by Berman, and photographs by Robert F. Heinecken. In addition, the collection contains files for Berman's mail art publications Semina and S.M.S. Also of note is the large volume of printed material (2.7 feet), much of it in the form of books and other published material. Sound recordings include poets Michael McClure, Kenneth Patchen, David Melzer, and another unidentified writer performing their work.
Arrangement:
The collection is arranged into nine series which generally reflect material type.

With the exception of the letters in Series 1, each series is arranged chronologically. The original arrangement of the letters has been maintained, with a chronological arrangement of miscellaneous business letters and an alphabetical arrangement of the letters from Berman's more prominent colleagues.

Series 1: Letters, 1957-1979, undated (box 1, 0.5 linear feet)

Series 2: Notes from Interview, 1967 (box 1, 1 folder)

Series 3: Writings by Others, 1972, undated (box 1, 6 folders)

Series 4: Artwork, 1956-1976 (box 1, 4 folders)

Series 5: Semina, 1955-1967 (boxes 1-2, 26 folders)

Series 6: S. M. S., 1968 (box 2, 1 folders)

Series 7: Printed Material, 1907-1976 (boxes 2-5, 2.7 linear feet)

Series 8: Photographs, 1956-1976 (box 5, 6 folders)

Series 9: Sound Recordings, 1962-1965 (box 5, 6 folders)
Biographical Note:
Wallace Berman was born in 1926 in Staten Island, New York. In the 1930s, his family moved to the Jewish district in Los Angeles. After being expelled from high school for gambling in the early 1940s, Berman immersed himself in the growing West Coast jazz scene. During this period, he briefly attended the Jepson Art School and Chouinard Art School, but departed when he found the training too academic for his needs.

In 1949, while working in a factory finishing antique furniture, he began to make sculptures from unused scraps and reject materials. By the early 1950s, Berman had become a full-time artist and an active figure in the beat community in Los Angeles and San Francisco. Many art historians consider him to be the "father" of the California assemblage movement. Moving between the two cities, Berman devoted himself to his mail art publication Semina, which contained a sampling of beat poetry and images selected by Berman.

In 1963, permanently settled in Topanga Canyon in the Los Angeles area, Berman began work on verifax collages (printed images, often from magazines and newspapers, mounted in collage fashion onto a flat surface, sometimes with solid bright areas of acrylic paint). He continued creating these works, as well as rock assemblages, until his death in 1976.
Provenance:
The Wallace Berman papers were donated by Tosh Berman, Wallace Berman's son, in 1992.
Restrictions:
The collection is open for research. Patrons must use microfilm copy. Use of audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Wallace Berman papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Works of art  Search this
Poets  Search this
Collage  Search this
Art -- California -- San Francisco Bay Area  Search this
Assemblage (Art)  Search this
Assemblage artists  Search this
Beat generation -- California  Search this
Photography, Artistic  Search this
Genre/Form:
Drawings
Sound recordings
Photographs
Citation:
Wallace Berman papers, 1907-1979 (bulk 1955-1979). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bermwall
See more items in:
Wallace Berman
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bermwall
Online Media:

Don't fuck around with me man cause I ain't takin' no shit no more from nobody you fuckin' hear me?! poetry by Diane Di Prima, half-assed book by D. Gottschalk

Artist:
Gottschalk, Donna  Search this
Author:
Di Prima, Diane http://id.loc.gov/vocabulary/relators/aut http://id.loc.gov/authorities/names/n79026861 http://viaf.org/viaf/39371896/  Search this
Subject:
Gottschalk, Donna http://viaf.org/viaf/6396154983553067860007/  Search this
Physical description:
1 volume (unpaged) illustrations 18 cm
Type:
Specimens
Artists' books
Artists' books (books).)
Chapbooks
Smithsonian Libraries artists' books
Date:
2018
Topic:
Artists' books  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1109998

Poets Vaudeville [sound recording]

Performer:
Di Prima, Diane  Search this
Physical description:
1 sound-tape reel : analog ; 5 in
Type:
Musical sound recordings
Topic:
Spoken word  Search this
Poetry  Search this
Local number:
FW-ASCH-5RR-5555
Restrictions & Rights:
Restrictions on access. No duplication allowed listening and viewing for research purposes only
See more items in:
Moses and Frances Asch Collection, 1939-1986 228428
Data Source:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
edanmdm:siris_arc_341300

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