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Modern Babel : a study of confusion in the art world : typescript, Howard Devree, 1947 /

Creator:
Devree, Howard, 1891-1966  Search this
Devree, Howard, 1891-1966  Search this
Theme:
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)7523
(DSI-AAA_SIRISBib)209682
AAA_collcode_devrhowa
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209682

Bror Julius Olsson (B.J.O.) Nordfeldt papers

Creator:
Nordfeldt, Bror Julius Olsson, 1878-1955  Search this
Names:
Arthur H. Hahlo (Firm)  Search this
Harriet Hanley Gallery (Minneapolis, Minn.)  Search this
Passedoit Gallery (New York, N.Y.)  Search this
Albinson, Dewey, 1898-1971  Search this
Bidwell, Watson, 1904-  Search this
Candell, Victor, 1903-1977  Search this
Catlin, Stanton L. (Stanton Loomis)  Search this
Cheney, Sheldon, 1886-  Search this
Coke, Van Deren, 1921-  Search this
Cook, Howard Norton, 1901-1980  Search this
Davison, Edward L.  Search this
Devree, Howard, 1891-1966  Search this
Dickerson, William Judson, 1904-  Search this
Ficke, Arthur Davison, 1883-1945  Search this
Forsyth, Constance, 1903-  Search this
Hale, John Douglass  Search this
Hanley, Harriet  Search this
Jonson, Raymond, 1891-1982  Search this
Knee, Gina, 1898-1982  Search this
Lester, William, 1910-1991  Search this
Mayor, A. Hyatt (Alpheus Hyatt), 1901-1980  Search this
Nordfeldt, Emily Abbott, 1900-  Search this
Passedoit, Georgette  Search this
Saint-Gaudens, Homer, b. 1880  Search this
Walker, Hudson D. (Hudson Dean), 1907-1976  Search this
Extent:
3.6 Linear feet ((partially microfilmed on 2 reels))
Type:
Collection descriptions
Archival materials
Sketchbooks
Date:
1909-1989
Scope and Contents:
Biographical material, correspondence, business records, writings and notes, printed material, scrapbooks, and photographs document Nordfeldt's career as a painter and instructor, and his widow's involvement after his death in exhibitions, biographies, and sales of his work.
REELS D166-D167: Biographical material includes a biographical sketch by Stanton L. Catlin, several letters from Nordfeldt's first wife Margaret to his second wife, Emily, and his nephew, Leonard Olson, in response to requests for biographical information, and biographical documents; correspondence of Emily and B.J.O., 1909-1959, with museum directors, gallery owners, patrons, artists, friends, universities, and others, mainly regarding the sale and exhibitions of his paintings and his teaching positions; artists' statements; exhibition catalogs; photographs of Nordfeldt; an excerpt from The Man on the Hilltop, by Arthur Davison Ficke; 5 sketchbooks; 3 scrapbooks; and an extensive catalog of Nordfeldt's paintings compiled by Emily, containing photographs and descriptive information.
Among the correspondents are Dewey Albinson, Watson Bidwell, Gina Knee Brook, Victor Candell, Howard N. Cook, Edward L. Davison, Howard Devree, William Dickerson, Constance Forsyth, Harriet Hanley of Harriet Hanley Gallery, Raymond Jonson, William Lester, A. Hyatt Mayor, Georgette Passedoit of the Passedoit Gallery, his student Roberta Shelton, Homer Saint-Gaudens, and Hudson D. Walker. Some of the letters are illustrated.
UNMICROFILMED: Resumes; correspondence, undated, 1923-1979, includes excerpts of letters from Nordfeldt to Constance Forsyth, 1942-1943 and Emily Abbott Nordfeldt, 1944; Emily Abbott Nordfeldt's correspondence with art collectors, art dealers, galleries and museums regarding exhibitions, gifts and sales of Nordfeldt's work; with Nordfeldt's biographers F. Van Deren Coke and J. Douglas Hale; and with the University of Minnesota, University Gallery, 1970-1972 regarding a Nordfeldt exhibition and the Nordfeldt Fund established by Emily; receipts and other business records; 1944-1979; writings and notes by Emily, ca.1930-1950, and others including the preface by Sheldon Cheney for Nordfeldt, the Painter by Coke, 1972;
a transcript of an interview with Raymond Jonson by Coke; printed material, including clippings, 1912-1984, exhibition catalogs, posters and announcements, undated, 1915-1991, notably a catalog of Nordfeldt's etchings shown at the Arthur H. Hahlo & Co. with an introduction by Robert W. Bruere, 1915; reproductions of graphic work for The Outlook and Harper's Monthly Magazine, 1910; miscellaneous printed material; a scrapbook of clippings and printed material, 1971-1980; photographs of Nordfeldt, undated 1910-1955, of the Santa Fe Players' production of "Grumpy," 1921; 3 photo albums of works of art, ca. 1930-1940; 10 seconds of motion picture film; and 2 sketches by Nordfeldt.
Biographical / Historical:
Painter, etcher, block printer, engraver, lithographer, watercolorist, teacher; Santa Fe, N.M. and Lambertville, N.J. Born in Tullstorp, Scania, Sweden, and came to the United States in 1891. Taught at the Minneapolis School of Art and the University of Texas. Moved to Lambertville, N.J. in 1937 from Santa Fe, N.M.
Provenance:
Material on reels D166-D167 lent for microfilming 1963 by Emily Abbott Nordfeldt, Bror's widow. In 1991 her estate donated additional material as well as portions of the previously microfilmed material. Material previously lent but NOT subsequently donated includes portions of the biographical material; several letters; artists' statements; a few personal photographs; the 5 sketchbooks; items from the scrapbooks; and the catalog of paintings. (The collection file contains a list of specific reel and frame numbers.)
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Watercolorists  Search this
Etchers  Search this
Painters -- New Jersey  Search this
Painters -- New Mexico -- Santa Fe  Search this
Topic:
Expressionism (Art)  Search this
Painting, Modern -- 20th century -- United States  Search this
Genre/Form:
Sketchbooks
Identifier:
AAA.nordbror
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-nordbror

Oral history interview with Dore Ashton

Interviewee:
Ashton, Dore  Search this
Sampson, George E., 1951-  Search this
Creator:
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Names:
Cooper Union for the Advancement of Science and Art -- Faculty  Search this
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Harvard University -- Students  Search this
New School for Social Research (New York, N.Y.) -- Students  Search this
New York Times Company  Search this
De Kooning, Willem, 1904-1997  Search this
Devree, Howard, 1891-1966  Search this
Guston, Philip, 1913-1980  Search this
Kline, Franz, 1910-1962  Search this
Klüver, Billy, 1927-2004  Search this
Motherwell, Robert  Search this
Orlovsky, Peter, 1933-2010  Search this
Paz, Octavio, 1914-  Search this
Rauschenberg, Robert, 1925-2008  Search this
Reynal, Jeanne, 1903-  Search this
Rothko, Mark, 1903-1970  Search this
Selz, Peter Howard, 1919-2019  Search this
Smith, David, 1906-1965  Search this
Yunkers, Adja, 1900-1983  Search this
Extent:
67 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2010 November 21 - 2011 March 9
Scope and Contents:
An interview of Dore Ashton conducted 2010 November 21 and 2011 March 9, by George W. Sampson, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, at Ashton's home, in New York, New York.
Ashton talks about growing up politically active; protesting the internment of the Japanese Americans during WWII; attending The New School and then Harvard University; briefly working as a gallery receptionist; writing her first reviews for Art Digest; Howard Devree hiring her as a writer for The New York Times; travels and living in Europe; writing feature pieces about individual artists for The New York Times; writing for Cahiers d'art; her relationships Franz Kline, Willem de Kooning, Mark Rothko, Philip Guston, Robert Motherwell, Billy Kluver, Robert Rauschenberg, Octavio Paz, and others; marriage to Adja Yunkers; teaching at Cooper Union; interest in Latin American Art; flirting; being a "dedicated reader of Nietzsche"; visits to the Cedar Tavern; being a peacenik; and other topics. She recalls Jeanne Reynal, Mario Pedrosa, Alger Hiss, Peter Selz, Peter Orlovsky, David Smith, and others.
Biographical / Historical:
Dore Ashton (1928-2017) was an art historian in New York, New York. George W. Sampson (1951-) is an arts administrator in Charlottesville, Virginia.
General:
Originally recorded on 2 memory cards. Duration is 2 hr., 57 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Art historians -- New York (State) -- New York -- Interviews  Search this
Topic:
Japanese Americans -- Evacuation and relocation, 1942-1945  Search this
World War, 1939-1945 -- Evacuation of civilians  Search this
Authors -- New York (State) -- New York -- Interviews  Search this
Artists -- Political activity  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.ashton10
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ashton10

Modern Babel : a study of confusion in the art world : typescript, Howard Devree

Creator:
Devree, Howard, 1891-1966  Search this
Extent:
1 Volume ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Volumes
Date:
1947 /
Scope and Contents:
An unpublished typescript analyzing the phenomenon of modern art, especially in the U.S., as it has affected the artist, the public, and the art world in general. Devree dwells particularly on what he sees as a lack of understanding and cooperation between these groups.
Biographical / Historical:
Howard Devree was an art critic for THE NEW YORK TIMES.
Provenance:
Donated 1970 by Mrs. Howard Devree, widow of Howard Devree.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art critics -- New York (State) -- New York  Search this
Identifier:
AAA.devrhowa
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-devrhowa

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