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The Lobby, Hotel El Ortiz, Lamy, New Mexico [photomechanical picture postcard, reproduction of photograph]

Topic:
Ethnic Imagery Project, Archives Center
Publisher:
Detroit Publishing Co.  Search this
Fred Harvey (Firm)  Search this
Collection Creator:
National Philatelic Collection, Smithsonian Institution.  Search this
Blenkle, Victor A., Dr., 1900-1978 (physician)  Search this
Collection Source:
Extractive Industries, Division of.  Search this
Extent:
1 Item (color, 3-1/2" x 5-1/2".)
Type:
Archival materials
Postcards
Picture postcards
Place:
New Mexico -- 1920-1930
Scope and Contents:
Lobby of the hotel, El Ortiz. Decor is wooden hacienda (ranch) style furniture, interior is white adobe walls with exposed wooden beams.
General:
Series 1, Box 10, U.S.A., New Mexico--Cities and Towns.
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Haciendas.  Search this
Ranches  Search this
Hotels, taverns, etc. -- New Mexico  Search this
advertising -- Hotels, taverns, etc. -- 1920-1930 -- New Mexico  Search this
Travel -- 1920-1930 -- New Mexico  Search this
Road travel  Search this
Genre/Form:
Postcards -- 1920-1930
Picture postcards -- 1920-1930
Collection Citation:
Victor A. Blenkle Postcard Collection, c. 1880-c. 1970, Archives Center, National Museum of American History, Smithsonian Institution,
See more items in:
Victor A. Blenkle Postcard Collection
Victor A. Blenkle Postcard Collection / Series 1: Geographical Locations within United States / New Mexico - Cities and Towns
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0200-ref2207

Street Scene, Pueblo of Acoma, New Mexico [photomechanical postcard]

Topic:
Ethnic Imagery Project, Archives Center
Publisher:
Detroit Publishing Co.  Search this
Fred Harvey (Firm)  Search this
Collection Creator:
National Philatelic Collection, Smithsonian Institution.  Search this
Blenkle, Victor A., Dr., 1900-1978 (physician)  Search this
Collection Source:
Extractive Industries, Division of.  Search this
Extent:
1 Item (color; Ink on card, photomechanical, 3.5" x 5.5".)
Container:
Box 10, Item Grouping U.S.A., New Mexico--Pueblos and Indians
Culture:
Pueblo Indians  Search this
Indians of North America  Search this
Mexicans  Search this
Acoma Pueblo  Search this
Type:
Archival materials
Phostint (detroit publishing co. trademark).
Picture postcards
Postcards
Place:
New Mexico
Acoma (N.M.)
Date:
undated
Scope and Contents:
Caption on card: Acoma "The City in the Sky", is located in a beautiful valley 7000 feet above the sea, upon the top of a mesa which itself is 357 feet above the floor of the valley. It is the "home of half a thousand quaint lives and of half a thousand years romance." The pueblo is really three giant buildings running east and west a thousand feet and rising forty feet high. Each building is several hundred feet long but cut by cross walls into separate little homes.
Image: Reproduction, possibly of tinted photograph, of four persons in shawls and blankets walking through a street in the Acoma pueblo, with southwestern adobe style architecture. Verso: left side contains a description of the Acoma pueblo; right side of the card is an advertisement for the Indian and Mexican Trading Post at the Old De la Guerra House, El Paseo. The sale is for the benefit of the Indian Defense Association.
Local Numbers:
AC0200-0000081 (AC Scan)
General:
Fred Harvey symbol on verso with "Phostint" trademark and Detroit Publishing Co. credit.
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Cliff-dwellings  Search this
Adobe houses  Search this
Mutual aid societies  Search this
Pueblos  Search this
Social problems  Search this
Genre/Form:
Phostint (Detroit Publishing Co. trademark).
Picture postcards
Postcards
Collection Citation:
Victor A. Blenkle Postcard Collection, c. 1880-c. 1970, Archives Center, National Museum of American History, Smithsonian Institution,
See more items in:
Victor A. Blenkle Postcard Collection
Victor A. Blenkle Postcard Collection / Series 1: Geographical Locations within United States / New Mexico - Pueblos and Indians
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0200-ref2217

A Suburban Residence District, El Paso, Texas [color postcard]

Topic:
Ethnic Imagery Project, Archives Center
Publisher:
Detroit Publishing Co.  Search this
Collection Creator:
National Philatelic Collection, Smithsonian Institution.  Search this
Blenkle, Victor A., Dr., 1900-1978 (physician)  Search this
Collection Source:
Extractive Industries, Division of.  Search this
Extent:
1 Item (color; Ink on paper, 3-1/2" x 5-1/2".)
Container:
Box 13, Item Grouping U.S.A., Texas--El Paso
Culture:
Mexicans  Search this
Type:
Archival materials
Postcards
Picture postcards
Place:
El Paso (Texas)
Date:
Circa 1920
Scope and Contents:
Reproduction: Tinted photograph of shack homes with people posing in front--two women with children, apparently Mexican or possibly Indian. In front of them is an outdoor oven made of clay and trash strewn about.
Local Numbers:
AC0200-0000051 (AC Scan)
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Cities and towns -- Texas  Search this
Dwellings -- Adobe houses.  Search this
Poverty  Search this
Mexican-American Border Region  Search this
Genre/Form:
Postcards -- 1920-1930
Picture postcards -- 1920-1930
Collection Citation:
Victor A. Blenkle Postcard Collection, c. 1880-c. 1970, Archives Center, National Museum of American History, Smithsonian Institution,
See more items in:
Victor A. Blenkle Postcard Collection
Victor A. Blenkle Postcard Collection / Series 1: Geographical Locations within United States / Texas - El Paso
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0200-ref2224

Carnegie Institute, Museum of Art records

Creator:
Carnegie Institute, Museum of Art  Search this
Names:
Art Institute of Chicago  Search this
Buffalo Fine Arts Academy  Search this
Corcoran Gallery of Art  Search this
Gallery of William Macbeth  Search this
M. Knoedler & Co.  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Alexander, John White, 1856-1915  Search this
Beatty, John W. (John Wesley), 1851-1924  Search this
Beaux, Cecilia, 1855-1942  Search this
Brush, George de Forest, 1855-1941  Search this
Chase, William Merritt, 1849-1916  Search this
Church, Samuel Harden  Search this
East, Alfred, Sir, 1849-1913  Search this
Hassam, Childe, 1859-1935  Search this
Homer, Winslow, 1836-1910  Search this
Saint-Gaudens, Homer, b. 1880  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
Extent:
265.8 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Letterpress books
Museum records
Place:
Spain -- History -- Civil War, 1936-1939
Date:
1883-1962
bulk 1885-1962
Summary:
The records of the Carnegie Institute, Museum of Art measure 265.8 linear feet and date from 1883-1962, with the bulk of the material dating from 1885-1940. The collection includes extensive correspondence between the museum's founding director, John Beatty, and his successor, Homer Saint-Gaudens, with artists, dealers, galleries, collectors, museum directors, representatives abroad, shipping and insurance agents, and museum trustees. The collection also includes Department of Fine Arts interoffice memoranda and reports; loan exhibition files; Carnegie International planning, jury, shipping, and sale records; Department of Fine Arts letterpress copy books, and a copy of the original card catalog index to these records.
Scope and Contents:
The records of the Carnegie Institute, Museum of Art measure 265.8 linear feet and date from 1883-1962, with the bulk of the material dating from 1885-1940. The collection includes extensive correspondence between the museum's founding director, John Beatty, and his successor, Homer Saint-Gaudens, with artists, dealers, galleries, collectors, museum directors, representatives abroad, shipping and insurance agents, and museum trustees. The collection also includes Department of Fine Arts interoffice memoranda and reports; loan exhibition files; Carnegie International planning, jury, shipping, and sale records; Department of Fine Arts letterpress copy books, and a copy of the original card catalog index to these records.

This collection is a complete record of the museum's work, starting with the planning of the first loan exhibition in 1885 and ending with the cancellation of the International at the start of World War II in 1940. The museum's day-to-day relationships with all aspects of the contemporary art world are documented within the historical context of artists' reactions to World War I; the economic repercussions of the Great Depression on art sales and museum budgets; the ramifications of fascism on German, Italian, and European art; the impact of civil war on Spanish art; and the tensions introduced by the rise of 'radical' modernist art in Europe.

Correspondence (Series 1) is the largest series in the collection (152.5 linear feet) and is comprised of extensive correspondence between the Museum of Art and over 8700 correspondents, with over 3600 correspondents specifically related to art and artists.

Correspondents related to the art world include museum staff, artists, collectors, museums, galleries, dealers, shippers, insurance agencies, art directors, associations, societies, clubs, critics, press, and governments. These exchanges include general requests for information; requests related to the museum's exhibitions, including the International; letters regarding the museum's involvement in the events of other art organizations; loan, sales, and provenance information for specific works of art; and information regarding the events of other art organizations.

The correspondence of the museum's staff provides the greatest insight into understanding the museum's evolution into an international cultural institution. Both directors' correspondence touch on their personal opinions on art, their rationale behind policy decisions, and their understanding of the extent to which the museum's work was dependent on the good relations they maintained in the art world. Additionally, the extensive, opinionated correspondence between Saint-Gaudens' European agents and museum staff during the 1920s and 1930s provide a unique perspective on emerging art trends and the skill, growth, and personalities of individual artists.

The most prolific of the museum staff correspondents include museum directors John Beatty and Homer Saint-Gaudens, Board of Trustees president Samuel Harden Church, assistant director Edward Balken, and European agents Guillaume Lerolle , Ilario Neri, Arnold Palmer, Margaret Palmer, and Charlotte Weidler. Additional prominent staff members include Helen Beatty, Robert Harshe, Caroline Lapsley, Henry Jack Nash, John O'Connor, Charles Ramsey, George Shaw, George Sheers, August Zeller, and Fine Arts Committee members John Caldwell, William Frew, William Hyett, and John Porter.

The most prolific artist correspondents include John White Alexander, George Grey Barnard, Cecilia Beaux, Frank Benson, George de Forest Brush, William Merritt Chase, William Coffin, Bruce Crane, Andre Dauchez, Charles H. Davis, Alfred East, Ben Foster, Daniel Garber, Charles P. Gruppe, John Johansen, Johanna Hailman, John McLure Hamilton, Birge Harrison, Childe Hassam, Winslow Homer, Laura Knight, John la Farge, Gaston la Touche, John Lavery, Henri le Sidaner, Jonas Lie, Hermon A. MacNeil, Antonio Mancini, Gari Melchers, Emile Menard, Henry R. Poore, Edward Redfield, W. Elmer Schofield, Leopold Seyffert, Lucien Simon, Eugene Speicher, Abbott Handerson Thayer, Robert Vonnoh, J. Alden Weir, Irving R. Wiles, and Ignacio Zuloaga. Other artists of note include: Edwin Austen Abbey, George Bellows, Edwin Blashfield, Frank Brangwyn, Mary Cassatt, Kenyon Cox, Thomas Wilmer Dewing, Thomas Eakins, William Glackens, Robert Henri, Eastman Johnson, Rockwell Kent, Paul Manship, Henry Ranger, John Singer Sargent, Edward Steichen, Alfred Stieglitz, Edmund Tarbell, James McNeil Whistler, N.C. Wyeth, and Charles Morris Young.

Frequent museum collaborators include the Art Institute of Chicago, Boston Museum of Fine Arts, Brooklyn Museum, Buffalo Fine Arts Academy, Cleveland Museum of Art, Corcoran Gallery of Art, Detroit Institute of Art, Metropolitan Museum of Art, Museum of Modern Art, Saint Louis Museum of Fine Arts, Toledo Museum of Art, and Worcester Art Museum.

Other prolific correspondents include collectors Chauncey Blair, Andrew Carnegie, Charles Lang Freer, George Hearn, Alexander Humphreys, Roy Hunt, Mrs. B.F. Jones, Burton Mansfield, Frank Nicola, Duncan Phillips, John Stevenson, and William Stimmel; dealers and galleries M. Knoedler, William Macbeth, Central Art Gallery, Charles A. Walker, C.W. Kraushaar Art Galleries, Downtown Gallery, Durand-Ruel and Sons, Ehrich Galleries, Ferargil Galleries, Frank Rehn, Frederick Keppel, Haseltine Art Gallery, R.C. Vose Galleries, and W. Scott Thurber Fine Arts; insurance agent Macomber Co.; and shippers Dicksee and Co., J.W. Hampton, P. Navel/R. Lerondelle, Stedman and Wilder, and W.S. Budworth and Son.

Correspondents not specifically related to the contemporary art world include businesses, educational institutions, libraries, and the general public. These exchanges detail the daily work of the museum, including the estimates and work orders of office suppliers, contractors, printers, and etc.; programming and research inquiries of k-12 and college/university institutions; acknowledgements of the receipt of Museum of Art publications; and general public inquiries regarding museum policies, exhibitions, and the permanent collection. Companies and institutions who worked particularly closely with the museum include Alden and Harlow (architects), Detroit Publishing Co., and Tiffany and Co.

Department of Fine Arts (Series 2) consists of art and artist lists, correspondence, memoranda, notes, and reports. These files were begun under John Beatty's tenure and streamlined under Homer Saint-Gaudens' directorship to track activities directly related to the museum's interoffice affairs. File headings continued under Saint-Gaudens focus on art considered and purchased for the permanent collection, employee records, exhibition proposals and loans, Fine Arts Committee minutes, museum programming, museum publications, press releases, requests for images, and requests for general information.

Under Saint-Gaudens, the Fine Arts Committee files contain voluminous impressions of contemporary European artists, which he composed during his annual studio tours of the continent in the early 1920s and late 1930s. These informal reports provide insight into the shaping of the International and include a running commentary on historical events of the time. The Fine Arts Committee files also document the artistic and budgetary compromises that were struck, particularly during the Great Depression and early run-up to World War II.

Exhibitions (Series 3) includes correspondence with collectors, museums, galleries, dealers, shippers, and many of the artists themselves. Additional documents include catalogs, lists, planning notes, and telegrams related to 185 traveling and loan exhibitions held at the Museum of Art from 1901 to 1940. Of these, over 100 are one-artist shows and 82 are group, survey, regional, or topical shows. The one-artist exhibitions tend to showcase contemporary artists of the time. Regional shows focused on American and European art, with two shows featuring the art of Canada and Mexico. Survey themes focused on animals, children, cities, gardens, landscapes, Old Masters, and portraitures. Many of the genre shows venture into art not typically collected by the Museum of Art, including architecture, crafts, engravings, figure studies, graphic arts, illustrations, miniatures, mural decorations, oriental rugs, prints, printed books, sculpture, small reliefs, stained glass, theater models, watercolors, and wood engravings.

The most important shows organized and curated by Museum of Art staff include the Panama-Pacific International Exposition (1915), American Sculpture Show (1915, 1920), Applied Arts Show (1917), Original Illustrations Show (1921), Mexican Art Show (1929), Garden Club Show (1922), Industrial Art Show (1924), Pittsburgh Artists Show (1935), French Survey Show (1936), English Painting Survey Show (1937), American Paintings, Royal Academy Show (1938), and Survey of American Painting Show (1940).

Important one-artist shows include Abbot Handerson Thayer (1919), George de Forest Brush (1922), Frank W. Benson (1923), Rockwell Kent (1923, 1939), Anders Zorn (1924), John Lavery (1925), Paul Manship (1925), Mary Cassatt (1925), Laura Knight (1925), Edouard Manet (1932), Edward Hopper (1936), Winslow Homer (1922, 1936), Paul Cezanne (1936), Charles Burchfield (1937), and William Glackens (1938).

International (Series 4) is comprised of catalogs, correspondence, art and artist lists, itineraries, jury selection ballots, minutes, notes, and reports related to the planning, logistics, and promotion of the International Exhibition from 1895 to 1940. These documents were originally grouped and filed separately under John Beatty and were more rigorously streamlined under Homer Saint-Gaudens. The folder headings continued under Saint-Gaudens focus on art purchases, artists' invitations, artists' request for information, general exhibition planning, Foreign Advisory Committees, foreign governments, jury reception planning, loan requests, and touring logistics.

Letterpress books (Series 5) consist of 75 volumes that chronologically collect all of the Museum of Art's outgoing correspondence from 1896 to 1917. Volumes 1-8 contain the only copy of outgoing correspondence from 1896 to 1900. Duplicate copies of all outgoing correspondence dating from 1901 to 1917 were filed in Correspondence (Series 1) by museum staff.

Card catalogs (Series 6) also include three sets of catalogs created by the Museum of Art to track the outgoing and incoming correspondence contained in this collection. Set 1 (1895-1906) consists of the original cards. Set 2 (1907-1917) and Set 3 (1918-1940) consists of photocopies of the original cards that were merged together into one contiguous set.
Arrangement:
The collection is arranged into six series:

Series 1: Correspondence, 1883-1962, (Boxes 1-153, OV 267; 152.5 linear feet)

Series 2: Department of Fine Arts, 1896-1940, (Boxes 153-184, OV 268; 31.6 linear feet)

Series 3: Exhibitions, 1901-1940, (Boxes 184-204; 20 linear feet)

Series 4: International, 1895-1940, (Boxes 204-234, 265-266; 30.2 linear feet)

Series 5: Letterpress Books, 1900-1917, (Boxes 235-251; 17 linear feet)

Series 6: Card Catalogs, 1895-1940, (Box 252-264; 11 linear feet)
Biographical / Historical:
The Carnegie Institute Museum of Art was established in 1895 by industrialist and philanthropist Andrew Carnegie. One of the first modern contemporary art museums in the United States, its flagship exhibition, the Carnegie International, is recognized as the longest running contemporary exhibition of international art in North America and is the second oldest in the world.

Andrew Carnegie (1835-1919) was born in Dumfermline, Scotland and migrated to America with his family in 1848. Often regarded as the second-richest man in history behind John D. Rockerfeller, Carnegie built his industrialist fortunes in the steel industry and spent the remainder of his life in support of major philanthropic projects. By the age of 33, he had developed his personal philosophy of philanthropy, which saw it as the responsibility of the wealthy to foster educational opportunities and disseminate the ideals of high culture among all levels of society. In addition to establishing over 2500 free public libraries, in 1895, he provided the funds to build the Carnegie Institute, located in the Oakland neighborhood of Pittsburgh, Pennsylvania. The Carnegie Institute originally maintained three separate departments under the auspices of the Carnegie Library of Pittsburgh, the Carnegie Museum of Natural History, and the Carnegie Museum of Art.

The Carnegie Institute was administered by a Board of Trustees selected by Carnegie, all prominent professional men of Pittsburgh. Within this group, eight men were selected to serve on the Museum of Art's Fine Arts Committee, which was initially granted the final say on gallery affairs. The first Fine Arts Committee was composed of two artists, Alfred Bryan Wall and Joseph Ryan Woodwell, and six businessmen. Among the latter group, John Caldwell, Henry Clay Frick, William Nimick Frew, and David Thompson Watson were also knowledgeable art patrons and collectors. Over time, the Fine Arts Committee's sway over gallery affairs would be measured by the dedication of its various members and tempered by the vision and authority of the Museum's directors, John Beatty and Homer Saint-Gaudens, and the Carnegie Institute Board of Trustees president, Samuel Harden Church.

From 1896 to 1921, John Wesley Beatty (1851-1924) served as the first director of the Museum of Art. A native Pittsburgher and an accomplished silver engraver, illustrator, and painter, Beatty attended the Royal Bavarian Academy in Munich and upon his return to America, made a living as an artist. He also taught at the Pittsburgh School of Design for Women and co-founded a small school of art with fellow local artist George Hetzel. In 1890, while serving as the secretary of the Pittsburgh Art Society, he became the primary organizer of a loan exhibition to be displayed at the opening of the Carnegie Free Library in Allegheny, Pennsylvania. In 1895, when the Carnegie Institute trustees began discussing the possibility of a similar loan exhibition for the opening of their new institution, Beatty was contacted and eventually enlisted to take on the task. Upon the success of that exhibition, he was invited to direct the gallery's affairs and served as the Museum of Art's director until his retirement.

Beatty was an enthusiastic supporter of Impressionism, Realism, Tonalism, Symbolism, and the critically acclaimed contemporary art of the 1890s. He also shared Carnegie's vision for the Museum of Art and believed in the educational and uplifting role aesthetic beauty could provide to the general public. Pursuant to the stated goals of Andrew Carnegie, under Beatty's direction the museum began to purchase important contemporary works to add to its chronological collection of "Old Masters of tomorrow" and almost immediately began planning the first of its Internationals.

The Internationals were viewed as the primary means of showcasing the Museum of Art's selection of the best in contemporary American and European painting, thereby elevating its role as an influential cultural institution on a national and international level. Juried monetary prizes would be awarded to the two best works by American artists, additional awards would be offered to artists of all nationalities, and the Museum of Art's purchases for the year would be selected from the exhibition. Certain artists and collectors were tapped to serve as unofficial representatives of the Museum of Art at home and abroad, among them John White Alexander, William Coffin, I.M. Gaugengigl, Walter Shirlaw, and Edmund Tarbell. Many of the most prominent Pittsburgh art collectors were also asked to lend works to the exhibition. While details of the jury and artist selection process, number of representatives, exhibition show dates, and amount and total number of prizes would change over the years, the planning template was set and would remain the same for future Internationals.

Beatty continued to rely on a stable of close friends and confidantes to help smooth over relations with artists, dealers, shipping agents, and galleries alike, relying heavily on John White Alexander and W. Elmer Schofield, in addition to artists Thomas Shields Clarke, Walter Gay, Robert Henri, Frank D. Millet, and critic Charles M. Kurtz. Over time, many of the artists who served on International juries or Foreign Advisory Committees also became reliable friends and advocates of the International, including Edwin Austen Abbey, Edmond Aman-Jean, Edwin Howland Blashfield, William Merritt Chase, Charles Cottet, Kenyon Cox, Charles Harold Davis, Alfred East, Ben Foster, Charles Hopkinson, John la Farge, Gari Melchers, Leonard Ochtman, Irving R. Wiles, and Robert W. Vonnoh.

From 1896 to 1921, the Museum of Art held twenty-one Internationals, with the only exceptions coming in 1906 (construction of the Hall of Architecture, Hall of Sculpture, and Bruce Galleries), 1915 (deference to the San Francisco Panama-Pacific International), and 1916-1919 (World War I). During these years, the scope and administration of the International slowly expanded, though not without growing pains. At the turn of the century, new modernist styles of art that were appearing in galleries across Europe had not yet entered major American museums and the Carnegie Museum of Art maintained this trend. The museum's generally conservative selection policies, combined with criticism regarding the timing of the exhibition and the jury selection process, led to increasingly tense relations with artists, and were only partially resolved by changes made to the format of the International. In spite of these challenges, the Carnegie International retained its reputation as a preeminent venue for contemporary art and awarded top prizes to John White Alexander, Cecilia Beaux, George W. Bellows, Frank W. Benson, Andre Dauchez, Thomas Wilmer Dewing, Thomas Eakins, Childe Hassam, Winslow Homer, John Lavery, Henri le Sidaner, Edward W. Redfield, W. Elmer Schofield, Edmund C. Tarbell, Abbot Handerson Thayer, Dwight W. Tryon, and J. Alden Weir.

In addition to the International, Carnegie's mission of bringing cultural and educational opportunities to Pittsburgh was a central priority of the museum's daily operations. Beatty cultivated relationships with fellow museum directors, which allowed for the easy co-ordination and planning of traveling exhibitions benefiting the city. The museum developed educational programs for children and adults, including lectures, gallery talks, Saturday morning classes, fine art extension classes, guided tours, and outreach to local schools. As popular Pittsburgh art societies and clubs formed, the museum also provided meeting and exhibition spaces for groups such as the Associated Artists of Pittsburgh, the Art Society of Pittsburgh, the Art Students League, the Garden Club of Allegheny County, and the Junior League.

After more than 25 years of service, Beatty made the decision to retire and put out an informal call for candidates. Being the right man at the right time, in 1921, Homer Schiff Saint-Gaudens (1880-1958) became the Museum of Art's second director.

The only child of American sculptor Augustus Saint-Gaudens and his wife and artist, Augusta Fisher Homer, Saint-Gaudens frequently traveled abroad and grew up in the company of his parents' wide circle of friends, many of them artists, poets, writers, and performers who frequented the Cornish Artists' Colony. More intimate friends of the family included former students, assistants, and colleagues, the architect Stanford White, and successful artist-couples who resided near the family's Cornish, New Hampshire home, among them Louise and Kenyon Cox, Maria and Thomas Dewing, Florence and Everett Shinn, and Emma and Abbott Thayer.

Homer Saint-Gaudens attended the preparatory school Lawrenceville, graduated from Harvard in 1903, married the artist and suffragist Carlota Dolley (1884-1927) in 1905, and remarried to Mary Louise McBride (n.d.-1974) in 1929. He began his professional career as a journalist and worked as assistant editor of The Critic (1903) and managing editor of Metropolitan Magazine (1905). During those years, he was introduced to a number of the Ash Can school artists, wrote articles on contemporary art, and honed his abilities as a writer. In 1907, Saint-Gaudens took a break from professional editing and began a second career as the stage manager for Maude Adams, the most highly paid and successful stage actress of her day, with a yearly income of over one million dollars at the peak of her popularity. Working in theater and as Adams' manager for over ten years, Saint-Gaudens learned the ins and outs of event promotion and logistics, media coverage, and maintaining diplomatic relations through compromise, ideal skills he would later use in organizing the Carnegie Internationals.

With the United States' entry into World War I, Saint-Gaudens served as the chief of the U.S. Army's first camouflage unit and was awarded the Bronze Star. After his discharge, he managed Adams' 1918 final season and simultaneously helped his mother organize a major retrospective of his father's sculptures. While organizing a section of his father's work for the 1921 International, he was invited to step into the position of assistant director of the Carnegie Museum of Art, and was promoted to the directorship upon John Beatty's retirement.

Throughout his tenure, Saint-Gaudens was able to call upon long-standing family friendships with artists and art patrons to the museum's benefit. His connections to the art world can clearly be seen in his first major stand-alone exhibition, the Garden Club Show (1922). In this, he enlisted the aid of Elizabeth Alexander, wife of John White Alexander, and Johanna Hailman, artist and wife of John Hailman, who reached out to their circle of artists and art collecting friends in search of works appropriate for the show. Their efforts, combined with the relationships Beatty had established with museum directors, galleries, and dealers, as well as Saint-Gaudens' own friendships with Kenyon Cox, Thomas Dewing, Barry Faulkner, and Gari Melchers, resulted in an assemblage of 150 paintings of note. Coming immediately upon the heels of the 1922 International, the show was a resounding success. The exhibition's opening attracted over 300 delegates of the Garden Club of America and the entirety of Pittsburgh high society, settling any concerns regarding his leadership abilities.

As director of the Museum of Art, Saint-Gaudens instituted measures intended to streamline the Internationals and improve diplomatic relations with artists. Though the basic format of the juried exhibition remained the same, his solutions to the complaints many artists raised with the artist invitation, art selection, and jury systems reformed the International's reputation at a critical time. Though he was naturally inclined to appreciate the art and artists he had grown up with, Saint-Gaudens understood the immediate necessity of introducing modernist contemporary art into the museum's exhibitions and galleries. He circumvented the conservative Fine Arts Committee's resistance to the accolades of European modernists by choosing the tamest of the new 'radical' works. Eventually, he balanced the Internationals with a mix of conservative, moderate, and advanced works that appealed to a large range of audiences and increased the status and diversity of the Internationals.

To aid in his reformation of the International, Saint-Gaudens formalized a team of European agents who worked year round to scout artists' studios, recommend suitable art and artists, navigate local politics, arrange local transportation and logistics, and maintain cordial relations with artists abroad. In the spring, Saint-Gaudens would travel to Europe to meet with his agents in person, tour the most promising studios, and meet with artists personally. His team was headed by Guillaume Lerolle, who shared Saint-Gaudens' distinction of being the son of a well regarded national artist, Henry Lerolle. Like Saint-Gaudens, Lerolle was able and willing to call upon longstanding family friendships and networks on behalf of the Museum of Art. The other core members of the team were Ilario Neri (Italy), Arnold Palmer (England), Margaret Palmer (Spain), and Charlotte Weidler (Germany).

From 1922 to 1940, the Museum of Art held seventeen Internationals, with the exceptions coming in 1932 (Great Depression) and 1940 (World War II). After a brief period of change, growth, and experimentation in the early 1920s, the museum eventually settled on a routine of planning the Internationals, arranging for traveling exhibitions, and expanding upon the most popular of their educational programs. In addition to those programs put into place under Beatty's tenure, Saint-Gaudens paved the way for a revamped lecture series featuring visiting critics and traveled as a visiting lecturer himself.

During the 1930s, financial difficulties and increasing political tensions in Europe presented ample challenges to the diplomatic skills of Saint-Gaudens and his agents, and they found themselves increasingly forced to navigate through political minefields presented by the fascist ideologies of Germany and Italy, the chaos of the Spanish civil war, and the eventual outbreak of World War II in Europe. In spite of these challenges, under Saint-Gaudens' direction, the museum remained true to Andrew Carnegie's vision. The International was expanded to accept on average over sixty additional works of art, and at its peak, included art from twenty-one countries. Beginning in 1927, top prizes and recognition were awarded to Georges Braque, Marc Chagall, Salvador Dali, Andre Derain, Raoul Dufy, Karl Hofer, Rockwell Kent, Yasuo Kuniyoshi, Henri Matisse, Pablo Picasso, and Edouard Vuillard.

Works by Arthur B. Davies, Charles Hawthorne, Edward Hopper, Augustus John, Oskar Kokoschka, Leon Kroll, Ernest Lawson, and William Orpen were added to the museum's permanent collection. And, as under Beatty's tenure, many of the artists selected to serve on the Jury of Award became advocates and friends of the museum, including Emil Carlsen, Anto Carte, Bruce Crane, Charles C. Curran, Daniel Garber, Charles Hopkinson, Laura Knight, Jonas Lie, Julius Olsson, Leopold Seyffert, Lucien Simon, Eugene Speicher, Maurice Sterne, Gardner Symons, Horatio Walker, and Charles H. Woodbury.

The monumental task of establishing the Carnegie Institute Museum of Art and the Carnegie International has left an archival record that is unique and unparalleled in documenting its relations with every aspect of the contemporary art world from the turn of the century through the first forty years of the twentieth century.
Provenance:
The Carnegie Institute, Museum of Art records were loaned for microfilming in 1966 and later donated to the Archives of American Art in 1972. A small addition of corrrespondence was donated in 2017 by Elizabeth Tufts Brown.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Economic aspects  Search this
World War, 1914-1918  Search this
Art museums -- Pennsylvania -- Pittsburgh  Search this
Depressions -- 1929  Search this
Art, Modern -- Exhibitions  Search this
Fascism  Search this
World War, 1939-1945  Search this
Museum directors  Search this
Genre/Form:
Photographs
Letterpress books
Museum records
Citation:
Carnegie Institute, Museum of Art records, 1883-1962, bulk 1885-1940. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.carninst
See more items in:
Carnegie Institute, Museum of Art records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-carninst
Online Media:

Dorothea A. Dreier papers, 1881-1941, bulk 1887-1923

Creator:
Dreier, Dorothea A. (Dorothea Adelheid), 1870-1923  Search this
Subject:
Bartlett, Agnes Willard  Search this
Bartlett, Mary F.  Search this
Bartlett, Maud W.  Search this
Davis, Charles H. (Charles Harold)  Search this
Forbes, Rebecca  Search this
Dreier, Mary E. (Mary Elisabeth)  Search this
Dreier, Katherine Sophie  Search this
Dreier, Ethyl Eyre Valentine  Search this
Robins, Margaret Dreier  Search this
Mahan, Ellen Kuhn  Search this
Gogh, Elisabeth du Quesne van  Search this
Shirlaw, Walter  Search this
Schetter, Charlotte  Search this
Robins, Raymond  Search this
Kuhn, Walt  Search this
Cooperative Mural Workshop  Search this
Women's Trade Union League of America  Search this
Type:
Pamphlets
Sketchbooks
Photographs
Broadsides
Topic:
Women -- Suffrage  Search this
Suffragists  Search this
Women painters -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)7597
(DSI-AAA_SIRISBib)209759
AAA_collcode_dreidoro
Theme:
Sketches & Sketchbooks
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209759
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Online Media:

Howard Woody postcard collection relating to Native Americans

Collector:
Woody, Howard  Search this
Publisher:
Albertype Co.  Search this
Barkalow Brothers Co.  Search this
Detroit Publishing Co.  Search this
E.C. Kropp Co.  Search this
Fred Harvey (Firm)  Search this
Tammen, Harry Heye, 1856-1924  Search this
Photographer:
Detroit Photographic Co.  Search this
Teich, Curt, 1877-1974  Search this
Names:
Hopi House (Ariz.)  Search this
Beard, Dewey  Search this
Extent:
5 Color postcards
1 Postcard (collotype)
7 Postcards (color halftone)
Culture:
Indians of North America -- Southwest, New  Search this
Apache  Search this
Hopi Pueblo  Search this
Indians of North America -- Southern States  Search this
Seminole  Search this
Indians of North America -- Great Plains  Search this
Acoma Pueblo  Search this
Minneconjou Lakota (Minniconjou Sioux)  Search this
Ute  Search this
Apsáalooke (Crow/Absaroke)  Search this
Sioux  Search this
Type:
Collection descriptions
Archival materials
Color postcards
Postcards
Place:
Yuma County (Ariz.)
Fort Lauderdale (Fla.)
Cheyenne (Wyo.)
Grand Canyon (Ariz.)
Acoma (N.M.)
Date:
undated
Scope and Contents note:
Postcards, some postmarked, with images of Apache, Hopi, Seminole, Sioux, Minneconjou, and other Native Americans. They include images of Apache men at a powwow near a mud house in Yuma, Arizona; the Hopi House at the Grand Canyon; a blanket weaver at Hopi House; a street scene from Pueblo Acoma; a Seminole wedding in Fort Lauderdale, Florida; women with leatherwork, baskets, and blankets; a horse-drawn travois used in a parade at the Annual Crow Indian Fair; Sioux people and tipis at Frontier Days in Cheyenne, Wyoming; Apache chief James A. Garfield, Ute Chief Sevaro and his family; and Iron Hail (also known as Dewey Beard (Minneconjou).
Biographical/Historical note:
Thomas Howard Woody (1935-2011) was a professor of sculpture at the University of South Carolina, co-author of several books on South Carolina history and postcards, and an avid collector of postcards. He received his undergraduate degree from Richmond Professional Institute and a master's degree from East Carolina University. Retiring after a 46-year long career at the University of South Carolina, he was awarded the title Distinguished Professor Emeritus.
Local Call Number(s):
NAA Photo Lot 92-37
Location of Other Archival Materials:
The National Anthropological Archives holds the Albertype Company Native American and Hawaiian photographs (Photo Lot 25).
Additional E.C. Kropp Co., Curt Teich, Detroit Photographic Company, and Fred Harvey postcards held in National Museum of American History Archives Center in the Victor A. Blenkle Postcard Collection.
Additional Detroit Photographic Company photographs held in National Anthropological Archives Photo Lot 24, Photo Lot 59, MS 4510, and MS 4559.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Weddings  Search this
Pueblos  Search this
handicrafts  Search this
Dwellings  Search this
Citation:
Photo Lot 92-37, Howard Woody postcard collection relating to Native Americans, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.92-37
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-92-37

Eugene O. Leonard photograph collection relating to Pocatello and Fort Hall, Idaho

Collector:
Leonard, Eugene O.  Search this
Publisher:
Albertype Co.  Search this
Cardinell-Vincent Co.  Search this
Detroit Photographic Co.  Search this
Detroit Publishing Co.  Search this
H.G. Zimmerman & Co.  Search this
J.L. Robbins Co.  Search this
Newman Postcard Co.  Search this
The Rotograph Co.  Search this
Union Pacific Railroad Company  Search this
Van Ornum Colorprint Co.  Search this
Andrews, Wesley  Search this
Mitchell, Edward H.  Search this
Tammen, Harry Heye, 1856-1924  Search this
Thayer, Frank S.  Search this
Photographer:
Bennett's Lightning Portraits  Search this
Eastman Kodak Company  Search this
Hedum and Bishop  Search this
Newcomb Bros.  Search this
Rodgers and Newing  Search this
Todd Photograhic Co.  Search this
William L. Koehne Studio  Search this
Ahuja, D. A.  Search this
Cobb, George N.  Search this
Gifford, Benjamin A.  Search this
Haynes, F. Jay (Frank Jay), 1853-1921  Search this
Jackson, William Henry, 1843-1942  Search this
McEvoy, J. J.  Search this
Rise, Carl H., 1888-1939  Search this
Rothrock, George H.  Search this
Savage, C. R. (Charles Roscoe), 1832-1909  Search this
Vroman, A. C. (Adam Clark), 1856-1916  Search this
Weitfle, Charles, 1836-1921  Search this
Wrensted, Benedicte, 1859-1949  Search this
Names:
United States. Bureau of Indian Affairs. Fort Hall Agency  Search this
Leonard, Robert M. (photo album compiler and donor)  Search this
Extent:
4 Glass positives
6 Prints and postcards (photogravure)
1 Tintype
100 Negatives (circa, glass)
220 Copy prints (circa)
9 Prints and postcards (cyanotype)
99 Items (99 photomechanical prints and postcards, halftone, color halftone, collotype, photgravure)
1,000 Negatives (circa, nitrate)
734 Photographic prints (circa, silver gelatin, albumen, and platinum (including photographic postcards and cabinet cards))
Culture:
Indians of North America -- Southwest, New  Search this
Indians of North America -- Great Basin  Search this
Hopi Pueblo  Search this
Bannock  Search this
Shoshone  Search this
Niimíipuu (Nez Perce)  Search this
Diné (Navajo)  Search this
Tewa Pueblos  Search this
Indians of North America -- Plateau  Search this
Type:
Collection descriptions
Archival materials
Glass positives
Prints and postcards
Tintypes
Negatives
Copy prints
Photographic prints
Postcards
Photographs
Place:
Soda Springs (Idaho)
Yellowstone National Park
Fort Hall Indian Reservation (Idaho)
Pocatello (Idaho)
Shoshone Falls (Idaho)
Date:
circa 1880-1920
Scope and Contents note:
Unbound album pages (labeled A through Q) with photographs documenting the people and culture of the Pocatello-Fort Hall area, including Native Americanss (particularly Shoshone-Bannock tribes), agency employees, and missionaries. Included are images of encampments, Sun Dance ceremonies, the Fort Hall Agency, Indian schools and churches, the Run for Fort Hall Lands on June 17, 1902, the War Bonnett Roundup at Idaho Falls, Shoshone Falls and other natural features and landscapes, a large number of street and aerial views of Pocatello, A. L. Cook's drug store in Pocatello, and members of the Cook family. In addition, there are photographs of Nez Perce, Hopi, San Juan, and Navaho Indians, and one image of the Lapps Indians at Port Townsend, Washington. A large number of the photographs were made by Benedicte Wrensted.

The albums were compiled by Robert Leonard, Eugene O. Leonard's son, who also made copy prints of many of the photographs and negatives. They include flyers, newspapers, envelopes, and other scraps collected by Leonard.
Biographical/Historical note:
Eugene O. Leonard (1884-1964) moved to Pocatello, Idaho, in 1893 to live with his aunt, the widow of A. L. Cook and owner of the Cook building and drugstore. Leonard attended Weiser College and Academy (now College of Idaho), Whitman College, and Northwestern University. He acquired degrees in phamacy and pharmaceutical chemistry from Northwestern University, and a degree in assaying studies from the Chicago College of Chemistry. After graduation from the College in 1908, Leonard returned to Pocatello to manage the Cook Drug Store until 1918. He worked as Pocatello City Chemist and set up the College of Pharmacy at Idaho State College, where he also taught and served as dean (1918-1954). In the 1930s, Leonard obtained a MS and PhD from Utah State University. Possibly encouraged by his collector aunt, Leonard established a collection of Native material culture objects and documentations, including artifacts and these photograhs, based on his interest in the Shoshoni and Bannock tribes at nearby Fort Hall.
Local Call Number(s):
NAA Photo Lot 92-3
Location of Other Archival Materials:
The Idaho Museum of Natural History at Idaho State University holds artifacts collected by Eugene O. Leonard.
The Bannock County Historical Museum in Pocatello holds the Leonard Family Papers, 1893-1917.
Restrictions:
Original nitrate negatives are in cold storage and require advanced notice for viewing. Many have associated prints.
Rights:
Contact the repository for terms of use.
Topic:
Pharmacy  Search this
Sun Dance  Search this
Schools  Search this
Camps  Search this
Dance  Search this
Genre/Form:
Postcards
Photographs
Citation:
Photo Lot 92-3, Eugene O. Leonard photograph collection relating to Pocatello and Fort Hall, Idaho, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.92-3
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-92-3
Online Media:

Library of Congress Copyright Office photographs of Native Americans

Creator:
Library of Congress. Copyright Office  Search this
Photographer:
Alfred S. Campbell Art Co.  Search this
Alligator Farm  Search this
Art Foto Company  Search this
Bailey Company  Search this
C. C. Pierce & Company  Search this
Case & Draper  Search this
Cobbs, The  Search this
Cornish & Baker  Search this
Crippen & Reese  Search this
Curtis & Miller  Search this
Detroit Publishing Co.  Search this
Frashers Inc.  Search this
Fred Harvey (Firm)  Search this
H.H. Bennett Studio  Search this
Harrison & Harris  Search this
Heyn & Matzen  Search this
James & Pierce  Search this
John F. Byrnes & Co.  Search this
Karl E. Moon & Co.  Search this
Kendrick Studio  Search this
Kesir Brothers  Search this
Lewiston Business College  Search this
Locke & Peterson  Search this
Lomen Bros.  Search this
Mary Ann Studio  Search this
McIllheney & Engstrom  Search this
Mishler & Walker  Search this
National Art Co.  Search this
Osborne Company  Search this
Perry & Petrik  Search this
Robinsons, The  Search this
Rose & Hopkins  Search this
Smith & Hassel  Search this
Underwood & Underwood  Search this
Adams, Ira Clay  Search this
Allyn, Harry J.  Search this
Anderson, J. A. (John Alvin), 1869-1948  Search this
Anderson, John F.  Search this
Anderson, Oliver P. (Oliver Phelps)  Search this
Andrews, Clarence Leroy, 1862-1948  Search this
Arnold, C. D. (Charles Dudley), 1844-1927  Search this
Arnold, John J.  Search this
Baker, A. J.  Search this
Bakey, William August  Search this
Black, T. Henry  Search this
Blessing, J. Lynne  Search this
Blotcky, Abraham G.  Search this
Boag, W. J. (William John)  Search this
Boos, Edward H.  Search this
Bortell, P. Clinton  Search this
Bowman, W. S. (Walter S.)  Search this
Bradford, C. S. (Charles Sydney)  Search this
Brady, Ferdinand  Search this
Bratley, J. H. (Jesse H.)  Search this
Brewster, Arthur J.  Search this
Britain, J. W.  Search this
Buchman, Albert R.  Search this
Bunnell, S. U.  Search this
Burke, F. P. (Frank P.)  Search this
Carpenter, A. C.  Search this
Clark, R. H.  Search this
Cline, Walter M., 1873-1941  Search this
Collins, J. W.  Search this
Cornish, Geo. B. (George Bancroft)  Search this
Countryman, Edwin W., 1872-1946  Search this
Crossland, W. R.  Search this
Curtis, Edward S., 1868-1952  Search this
Davis, Trevor M.  Search this
Dean, F. E.  Search this
Distin, William  Search this
Dixon, Joseph K. (Joseph Kossuth)  Search this
Dobbs, B. B. (Beverly Bennett)  Search this
Dodge, K. T. (Katherine Taylor)  Search this
Drake, J. D.  Search this
Drum, O.  Search this
Duckwall, David Thomas Jr  Search this
Eickemeyer, Carl  Search this
Eklund, Hildore C.  Search this
Ellingson, M. A. (Martin A.)  Search this
Emery, C. E. (Charles E.)  Search this
Endner, Harry W.  Search this
Evans, Wilmot R.  Search this
Fair, Henry, 1856-  Search this
Faulk, B. J.  Search this
Fawcett, Waldon  Search this
Fewkes, John  Search this
Fine, Eben G.  Search this
Fishbaugh, W. A. (William A.)  Search this
Fiske, Frank Bennett, 1883-1952  Search this
Fitch, W. T.  Search this
Fly, M. E.  Search this
Forrest, Earle R. (Earle Robert), 1883-1969  Search this
Forsyth, N. A. (Norman A.), 1869-1949  Search this
Freeman, Emma B., 1880-1928  Search this
Fully, Albert  Search this
Gifford, Benjamin A.  Search this
Gifford, Ralph  Search this
Gilpin, Laura  Search this
Glasier, E. C. (Emma C.)  Search this
Glasier, F. W. (Frederick W.)  Search this
Goetze, O. D. (Otto Daniel)  Search this
Gonner, F. (Frank)  Search this
Grabill, John C. H.  Search this
Grady, M. A.  Search this
Graves, Faye, -1945  Search this
Hakkerup, N. L. (N. Larson)  Search this
Hall, A. W.  Search this
Hall, Fred G.  Search this
Hamilton, James R.  Search this
Hance, G. W. (George W.)  Search this
Hand, Fred  Search this
Haran, J. A.  Search this
Harrison, J. V.  Search this
Hartwell, Sidney R.  Search this
Haynes, Jack Ellis, 1884-1962  Search this
Hebard, Grace Raymond, 1861-1936  Search this
Herman, Eddie  Search this
Hibbard, C. J.  Search this
Hill, Eva M.  Search this
Hill, Harry E., 1869-1937  Search this
Homan, Edward Jr  Search this
Hook, W. E. (William Edward), 1833-1908  Search this
Hunt, P. S. (Phinney S.), 1866-1917  Search this
Ingersoll, T. W. (Truman Ward), 1862-1922  Search this
James, George Wharton, 1858-1923  Search this
Jansrud, J. C.  Search this
Jensen, W. F.  Search this
Johnson, George W.  Search this
Johnson, Jessamine Spear, 1886-  Search this
Johnson, John A.  Search this
Jones, Ida  Search this
Kellogg, P. H.  Search this
Kern, Bernhard  Search this
Kinne, A. B. (Albert Barnes)  Search this
Kinsey, Darius, 1869-1945  Search this
Kip, Benjamin M.  Search this
Kiser, Fred H.  Search this
Knott, Franklin Price  Search this
La Roche, Frank, 1853-1934  Search this
Langdon, J. W. (John Warren)  Search this
Lange, William  Search this
Ledford, Duke E.  Search this
Lewis, Anna  Search this
Linton, Esther Letitia, 1866-  Search this
Logston, E. W.  Search this
Lubken, Walter J., 1881-1960  Search this
Lummis, Charles Fletcher, 1859-1928  Search this
MacKenzie, Colin (Colin H.)  Search this
Markham, B. C. (Benjamin Clayton)  Search this
Markley, Iris  Search this
Matthews, George L.  Search this
Maude, F. H. (Frederic Hamer)  Search this
McAllister, William O.  Search this
McClintock, Walter, 1870-1949  Search this
McKay, R. H. (Rollin H.)  Search this
McKee, Thomas M., 1854-1939  Search this
McWhorter, Lucullus Virgil, 1860-1944  Search this
Mcbride, C. C.  Search this
Meiser, J. A. (Jesse A.)  Search this
Mellen, Geo. E. (George Egbert), b. 1854  Search this
Mercer, Anson Cary  Search this
Merriam, C. Hart (Clinton Hart), 1855-1942  Search this
Merryman, Aubrey Ewert  Search this
Metcalfe, Frederick Andrew  Search this
Meyers, Henry C.  Search this
Miller, James A.  Search this
Mitchell, Daniel S.  Search this
Monsen, Frederick, 1865-1929  Search this
Moore, F. E. (Frank E.)  Search this
Moorhouse, Lee, 1850-1926  Search this
Morris, Charles E.  Search this
Morris, T. A.  Search this
Murray, Sylvia E.  Search this
Newcomb, Alta Ida  Search this
Newton, Warren Z.  Search this
Norcott, Culver K.  Search this
Northrup, Dale O.  Search this
Nowell, Frank H., 1864-1950  Search this
Oakes, Mortimer L.  Search this
Oliver, Warren Mack  Search this
Palmer, Frank, 1864-1920  Search this
Palmer, G. E.  Search this
Parker, Robert Gish  Search this
Peabody, Henry G. (Henry Greenwood), 1855-1951  Search this
Peeso, Frederick E.  Search this
Pennington, William M.  Search this
Percy, Henry George  Search this
Phelan, A. B.  Search this
Pickett, W. B.  Search this
Plank, Henriette A.  Search this
Pleissner, Ogden M.  Search this
Poley, H. S. (Horace Swartley)  Search this
Porter, Milton E. (Milton Edson)  Search this
Powell, Tod  Search this
Prestbus, Ingemar  Search this
Price, Robert C.  Search this
Putnam, A.  Search this
Quick, Floyd Edgar  Search this
Rau, William Herman, 1855-1920  Search this
Rauderbaugh  Search this
Reading, R. L.  Search this
Reed, Roland, 1864-1934  Search this
Rice, Thomas J.  Search this
Risem, A.  Search this
Robinson, K. E.  Search this
Rogers, May S.  Search this
Ross, D. F.  Search this
Rosser, J. H.  Search this
Rowland, Perley C.  Search this
Russell, Charles M. (Charles Marion), 1864-1926  Search this
Rutter, Thomas H., 1837-1925  Search this
San Jule, F. E.  Search this
Schwemberger, Simeon  Search this
Scott, Frances  Search this
Shattuck, Rena  Search this
Shindler, A. Zeno (Antonio Zeno), 1823-1899  Search this
Shipman, B. J.  Search this
Shuck, J. A.  Search this
Siebert, Edward S.  Search this
Smith, Benjamin A.  Search this
Smith, Erminnie A. (Erminnie Adele), 1836-1886  Search this
Soule, John P.  Search this
Spencer, George A.  Search this
Splawn, A. J.  Search this
Spurr, E. Willard  Search this
Squires, C. F.  Search this
Starrh, Thomas M.  Search this
Stephenson, Benton E.  Search this
Stevens, J. E.  Search this
Stimson, Joseph Elam, 1870-1952  Search this
Stonecipher, C. U.  Search this
Strakal, Chris J.  Search this
Sweney, Dallas R.  Search this
Tammen, Harry Heye, 1856-1924  Search this
Tancred, Douglas  Search this
Tangen, Ed, 1873-1951  Search this
Tanner, W. S.  Search this
Taylor, G. S. (Gracie S.)  Search this
Tees, Howard  Search this
Terry, John Jesse  Search this
Thedens, Fred R.  Search this
Thomas, Arthur  Search this
Thompson, Lucy, 1856-  Search this
Thompson, P. T.  Search this
Throssel, Richard, d. 1933  Search this
Trager, George E.  Search this
Truman, Edward  Search this
Tuell, Julia E.  Search this
Turner, Thomas  Search this
Van Oeyen, L.  Search this
Waite, C. B. (Charles Betts), 1861-1927  Search this
Wallace, H. J.  Search this
Warren, O. B.  Search this
Waterman, O. W.  Search this
Wheeler, C. S.  Search this
White, Lily E.  Search this
Wolf, C. A.  Search this
Wores, Theodore, 1858-1939  Search this
Young, F. A. (Fred Andrew)  Search this
Names:
Wanamaker, John, 1838-1922 (photographer or copyright claimant)  Search this
Wanamaker, Rodman, 1863-1928 (photographer or copyright claimant)  Search this
Extent:
6,085 Mounted prints (circa, albumen, collodion, silver gelatin, platinum)
Culture:
Onondaga  Search this
Diné (Navajo)  Search this
Quileute  Search this
Mojave (Mohave)  Search this
Mewuk (Miwok)  Search this
Kutzadika'a (Mono Paiute)  Search this
Numakiki (Mandan)  Search this
Menominee (Menomini)  Search this
Kootenai (Kutenai)  Search this
Klikitat  Search this
Maidu  Search this
Kwakwaka'wakw (Kwakiutl)  Search this
Kato Indians  Search this
Kickapoo  Search this
Kiowa  Search this
Klamath  Search this
Kalispel (Pend d'Oreilles)  Search this
Karuk (Karok)  Search this
A'aninin (Gros Ventre)  Search this
Minitari (Hidatsa)  Search this
Haida  Search this
Havasupai (Coconino)  Search this
Palouse  Search this
Duwamish (Dwamish)  Search this
Eskimos  Search this
Fox Indians  Search this
Indians of North America -- Northwest Coast of North America  Search this
Indians of North America -- Northeast  Search this
Apache  Search this
Indians of North America -- Southwest, New  Search this
Achomawi (Pit River)  Search this
Ahtna (Ahtena)  Search this
Quinault  Search this
Northwest Coast  Search this
Yavapai Indians  Search this
Quapaw Indians  Search this
Tlakluit Indians  Search this
Yakama Indians  Search this
Wichita Indians  Search this
Winnebago Indians  Search this
Coeur d'Alene  Search this
Spokane Indians  Search this
Indians of North America -- Great Plains  Search this
Shoshone  Search this
Interior Salish  Search this
Seminole  Search this
Shawnee  Search this
Sarsi Indians  Search this
Sauk  Search this
Indians of North America -- Great Basin  Search this
Ponca  Search this
Pomo  Search this
Peoria  Search this
Chaticks Si Chaticks (Pawnee)  Search this
Passamaquoddy  Search this
Tohono O'Odham Indians  Search this
Swinomish Indians  Search this
Assiniboine (Stoney)  Search this
Sahnish (Arikara)  Search this
Inunaina (Arapaho)  Search this
Isleta Pueblo  Search this
Cochiti Pueblo  Search this
Acoma Pueblo  Search this
Potawatomi  Search this
Nuu-chah-nulth (Nootka)  Search this
Niimíipuu (Nez Perce)  Search this
A:shiwi (Zuni)  Search this
Taos Indians  Search this
Paiute  Search this
Oto  Search this
Osage  Search this
Omaha  Search this
Jemez Pueblo  Search this
Hualapai (Walapai)  Search this
Wailaki Indians  Search this
Ute Indians  Search this
Zia Indians  Search this
Tewa Indians  Search this
Laguna Indians  Search this
Tlingit Indians  Search this
Tolowa Indians  Search this
Yuki Indians  Search this
Yurok Indians  Search this
Twana Indians  Search this
Umatilla Indians  Search this
Tonkawa Indians  Search this
Tsimshian  Search this
Wappo Indians  Search this
Wampanoag Indians  Search this
Washo Indians  Search this
Wasco Indians  Search this
Indians of North America  Search this
Yokuts Indians  Search this
Walla Walla Indians  Search this
Pueblo Indians  Search this
Indians of North America -- California  Search this
Akimel O'odham (Pima)  Search this
Makah  Search this
Arctic peoples  Search this
Piipaash (Maricopa)  Search this
Anishinaabe (Chippewa/Ojibwa)  Search this
Iroquois  Search this
Yaqui Indians  Search this
Apsáalooke (Crow/Absaroke)  Search this
Sioux  Search this
Indians of North America -- Subarctic  Search this
Cocopa  Search this
Hupa  Search this
Klallam (Clallam)  Search this
Choctaw  Search this
Chinook  Search this
Muskogee (Creek)  Search this
Cree  Search this
Cowichan  Search this
Niuam (Comanche)  Search this
Chehalis  Search this
Cayuse  Search this
Cahuilla  Search this
Bannock  Search this
Chimakum  Search this
Hopi Pueblo  Search this
Tsitsistas/Suhtai (Cheyenne)  Search this
Cherokee  Search this
Chemehuevi  Search this
Indians of North America -- Southern States  Search this
Seneca  Search this
Indians of North America -- Plateau  Search this
Type:
Collection descriptions
Archival materials
Mounted prints
Photographs
Date:
bulk 1890s-1920s
1860s-1930s
Scope and Contents note:
The collection consists of photographs relating to Native Americans, which were submitted to the copyright office of the Library of Congress in and around the early 20th century. Many of the photographs are studio portraits as well as photographs made as part of expeditions and railroad surveys. It includes images of people, dwellings and other structures, agriculture, arts and crafts, burials, ceremonies and dances, games, food preparation, transportation, and scenic views. Some of the photographs were posed to illustrate literary works, including Henry Wadsworth Longfellow's Hiawatha, while others depict paintings or other artwork.

Tribes represented are Achomawi, Ahtena, Apache, Arapaho, Arikara, Assiniboin, Bannock, Blackfoot, Cahita, Cahuilla, Cayuse, Chehalis, Chemehuevi, Cherokee, Cheyenne, Chimakum, Chinook, Chippewa, Choctaw, Clatsop, Cocopa, Comanche, Cowichan, Cree, Creek, Crow, Dakota, Duwamish, Eskimo, Fox, Gros Ventre (Atsina), Gros Ventre (Hidatsa), Haida, Havasupai, Hoh, Hupa, Iroquois (including Mohawk, Onandaga, Seneca, and St. Regis), Kalispel, Karok, Kato, Kickapoo, Kiowa, Klamath, Klickitat, Kutenai, Kwakiutl, Maidu, Makah, Mandan, Maricopa, Menominee, Miwok, Mohave, Mono, Navaho, Nez Perce, Nootka, Omaha, Osage, Oto, Paiute, Paloos, Papago, Passamaquoddy, Pawnee, Peoria, Pima, Pomo, Ponca, Potawatomi, Pueblo (including Acoma, Cochiti, Hano, Hopi, Isleta, Jemez, Laguna, Nambe, San Ildefonso, Santa Clara, Santo Domingo, Sia, San Juan, Taos, Tesuque, and Zuni), Quahatika, Quapaw, Queets, Quileute, Quinault, Salish (including Flathead), Sarsi, Sauk and Fox, Seminole, Shawnee, Shoshoni, Sinkiuse, Skitswish, Spokan, Swinomish, Tenino, Tlingit, Tolowa, Tonkawa, Tsimshian, Twana, Umatilla, Ute, Wailaki, Walapai, Wallawalla, Wampanoag, Wappo, Wasco, Washo, Wichita, Winnebago, Wishram, Yakima, Yavapai, Yokuts, Yuki, Yuma, and Yurok.
Arrangement:
Collection is organized alphabetically by copyright claimant.
Biographical/Historical note:
The collection was formed from submissions made to the Library of Congress as part of the copyright registration process. In 1949, arrangements were made to allow the Bureau of American Ethnology to copy the collection and some negatives were made at that time, largely from the Heyn and Matzen photographs. The project was soon abandoned, however, as too large an undertaking for the facilities of the BAE. In 1957-1958, arrangements were begun by William C. Sturtevant of the BAE to transfer a set of the photographs from the Library of Congress to the BAE.
Local Call Number(s):
NAA Photo Lot 59
Provenance:
In 1965, the Bureau merged with the Smithsonian's Department of Anthropology to form the Smithsonian Office of Anthropology, and in 1968 the Office of Anthropology Archives transformed into the National Anthropological Archives.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Citation:
Photo Lot 59, Library of Congress Copyright Office photograph collection of Native Americans, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.59
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-59

Casey collection of lantern slides of the southwestern United States

Publisher:
Detroit Publishing Co.  Search this
National Geographic Society (U.S.)  Search this
United States. Bureau of Reclamation  Search this
Bond, George W.  Search this
Collector:
Casey  Search this
Cooper, John M. (John Montgomery), 1881-1949  Search this
Donor:
Cooper, John M. (John Montgomery), 1881-1949  Search this
Names:
Judd, Neil Merton, 1887-1976  Search this
Extent:
81 Lantern slides
Culture:
Indians of North America -- Southwest, New  Search this
A:shiwi (Zuni)  Search this
Apache  Search this
Akimel O'odham (Pima)  Search this
Diné (Navajo)  Search this
White Mountain Apache  Search this
Acoma Pueblo  Search this
Tewa Indians  Search this
Hopi Pueblo  Search this
Laguna Indians  Search this
Jemez Pueblo  Search this
Taos Indians  Search this
Type:
Collection descriptions
Archival materials
Lantern slides
Place:
Carlsbad Caverns (N.M.)
Santa Fe (N.M.)
Date:
circa 1920s
Scope and Contents note:
Lantern slides depicting the people and landscape of the American Southwest. Images include those of Puebloan people, dwellings, churches, dances and ceremonies, archaeological excavations (including Pueblo Bonito and Neil M. Judd with his excavation party), pictographs, and landscapes. Tribes represented include Acoma, White Mountain Apache, Hopi (Mishongnovi), Laguna, Navajo, Taos, and Santa Clara. The slides were largely commercially distributed by the George W. Bond, Chicago Slide Company, Chicago Transparency Company (for the Santa Fe Railroad), Detroit Slide Company, Edward H. Kemp, National Geographic Society, and United States Bureau of Reclamation. The collection was listed as the "Casey collection" by Father John Montgomery Cooper when it was brought to the museum.
Local Call Number(s):
NAA Photo Lot 32, USNM ACC 211312
Location of Other Archival Materials:
Artifacts donated by the Department of Anthropology, Catholic University of America in accession 211312 held in the anthropology collections of the National Museum of Natural History. Additional photographs donated by Catholic University of America can be found in Photo Lot 20 in the National Anthropological Archives.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Excavations (Archaeology)  Search this
Pueblos  Search this
Dwellings  Search this
Citation:
Photo lot 32, Casey collection of lantern slides of the southwestern United States, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.32
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-32
Online Media:

Cleveland -- Forest Hill

Former owner:
Rockefeller, John D.  Search this
Rockefeller, John D., Jr. (John Davison), 1874-1960  Search this
Landscape architect:
Taylor, A. D.  Search this
Collection Collector:
Marchand, Richard  Search this
Extent:
4 Slides (photographs)
Type:
Archival materials
Slides (photographs)
Postcards
Place:
United States of America -- Ohio -- Cuyahoga County -- Cleveland
Forest Hill (Cleveland, Ohio)
General:
001: J.D. Rockefeller's Residence, Cleveland, 10673. Postcard circa 1901-1915.

002: Forest Hill, John D. Rockefeller's Residence, Cleveland, Ohio. Postcard circa 1901-1915.

003: 2158 John D. Rockefeller's Residence, "Forest Hill," Cleveland, Ohio. Copyright 1908 by Detroit Publishing Co.

004: Entrance to John D. Rockefeller's Residence, Cleveland, Ohio. Postcard circa 1901-1915.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Ohio -- Cleveland  Search this
Gatehouses  Search this
Fences -- wrought iron  Search this
Driveways  Search this
Mansions  Search this
Flower beds  Search this
Hillside planting  Search this
Parks  Search this
Woodlands  Search this
Lawns  Search this
Shrubs  Search this
Genre/Form:
Postcards
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Richard Marchand historical postcard collection.
Identifier:
AAG.MAR, File OH199
See more items in:
Richard Marchand historical postcard collection (35mm slides)
Richard Marchand historical postcard collection (35mm slides) / Ohio
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-mar-ref1697

Los Angeles -- De Longpre Garden

Former owner:
Longpré, Paul de, 1855-1911  Search this
Architect:
Bourgeois, Louise, 1911-2010  Search this
Collection Collector:
Marchand, Richard  Search this
Extent:
3 Slides (photographs)
Type:
Archival materials
Slides (photographs)
Postcards
Place:
United States of America -- California -- Los Angeles County -- Los Angeles -- Hollywood
General:
001: The Moorish House in Paul de Longpre's gardens, Holllywood, Cal. Postcard circa 1901-1930.

002: Home of Paul De Longpre, Hollywood, Cal. Postcard circa 1901-1915.

003: 8415. Paul de Longprae's Residence, Hollywood, Cal. Detroit Publishing Co. circa 1915-1930.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- California -- Hollywood  Search this
Gardens -- California -- Los Angeles  Search this
Mansions  Search this
Formal gardens  Search this
Pergolas  Search this
Garden borders  Search this
Garden walks  Search this
Follies (Architecture)  Search this
Outbuildings  Search this
Garden ornaments and furniture  Search this
Flower beds  Search this
Genre/Form:
Postcards
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Richard Marchand historical postcard collection.
Identifier:
AAG.MAR, File CA121
See more items in:
Richard Marchand historical postcard collection (35mm slides)
Richard Marchand historical postcard collection (35mm slides) / California
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-mar-ref1198

Lenox -- Bellefontaine

Former owner:
Foster, Giraud Van Nest  Search this
Architect:
Carrère & Hastings  Search this
Landscape architect:
Farrand, Beatrix, 1872-1959 (landscape designer)  Search this
Collection Collector:
Marchand, Richard  Search this
Extent:
11 Slides (photographs)
Type:
Archival materials
Slides (photographs)
Postcards
Place:
United States of America -- Massachusetts -- Berkshire County -- Lenox
Bellefontaine (Lenox, Massachusetts)
Varying Form:
Also known as Belle Fontaine, Immaculate Heart of Mary Seminary, and Canyon Ranch Wellness Resorts.
General:
001: D-70968 "Bellefontaine," Lenox, Mass. Home of Giraud Foster. Copr. Detroit Publishing Co. circa 1915-1930.

002: "Bellefontaine," Residence of Giraud Foster. Lenox, Mass. Louis H. Regnier. Hand-Colored. Postcard circa 1901-1915.

003: Garden and Residence of Mr. Giraud Foster, Lenox, Mass. Handcolored. Postcard circa 1901-1915.

004: Lenox, Mass. Mr. Giraud Forster's Residence. L. H. Regnier. Postcard circa 1901-1930.

005: Residence of Mr. Giraud Foster, Lenox, Mass. Made in Austria for Thomas Conlin, Pittsfield, Mass. Postcard circa 1901-1930.

006: Giraud Foster Estate, Lenox, Mass. Postcard circa 1901-1915.

007: D-70970 "Bellefontaine," Lenox, Mass. The Lily Pond. Home of Giraud Foster. Cope. Detroit Publishing Co. circa 1915-1930.

008: D-70969 "Bellefontaine," Lenox, Mass. The Flower Gardens. Home of Giraud Foster. Cope. Detroit Publishing Co. circa 1915-1930.

009: Bellefontaine, Residence of Mr. Giraud Foster. Lenox, Mass. Postcard circa 1901-1915.

010: Lenox, Mass. "Bellefontaine," Residence of Giraud Foster. Postcard circa 1901-1930.

011: Country House, Giraud Foster, Lenox, Mass. Postcard circa 1901-1915.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Massachusetts -- Lenox  Search this
Mansions  Search this
Terraces  Search this
Lily ponds  Search this
Water gardens  Search this
Lawns  Search this
Balustrades  Search this
Garden ornaments and furniture  Search this
Formal gardens  Search this
Retaining walls  Search this
Plants, Potted  Search this
statues  Search this
Parterres  Search this
Fountains  Search this
Genre/Form:
Postcards
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Richard Marchand historical postcard collection.
Identifier:
AAG.MAR, File MA193
See more items in:
Richard Marchand historical postcard collection (35mm slides)
Richard Marchand historical postcard collection (35mm slides) / Massachusetts
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-mar-ref1411

Lenox -- High Lawn Farm

Former owner:
Field, William B. Osgood  Search this
Architect:
Delano & Aldrich  Search this
Burnett & Hopkins  Search this
Collection Collector:
Marchand, Richard  Search this
Extent:
1 Slides (photographs)
Type:
Archival materials
Slides (photographs)
Postcards
Place:
United States of America -- Massachusetts -- Berkshire County -- Lenox
High Lawn Farm (Lee, Massachusetts)
General:
D-70972 "High Lawn House," Lenox, Mass. The Perennial Garden, Country Home of W. B. D. Field. Copr. Detroit Publishing Co. circa 1915-1930.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Massachusetts -- Lenox  Search this
Mansions  Search this
flower gardens  Search this
Garden walks  Search this
Perennials  Search this
Garden borders  Search this
Woodlands  Search this
Genre/Form:
Postcards
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Richard Marchand historical postcard collection.
Identifier:
AAG.MAR, File MA196
See more items in:
Richard Marchand historical postcard collection (35mm slides)
Richard Marchand historical postcard collection (35mm slides) / Massachusetts
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-mar-ref1413

Lenox -- Erskine Park

Former owner:
Westinghouse, George, 1846-1914  Search this
Collection Collector:
Marchand, Richard  Search this
Extent:
3 Slides (photographs)
Type:
Archival materials
Slides (photographs)
Postcards
Place:
Erskine Park (Lenox, Massachusetts)
United States of America -- Massachusetts -- Berkshire County -- Lenox
General:
001: Miniature Pond at Erskine Park, Mrs. Geo. Westinghouse, Lenox, Mass. F. C. Hagyard. Hand-Colored. Postcard circa 1901-1915.

002: Lenox, Mass. Westinghouse Residence. Westinghouse Grounds. Louis H. Regnier, Publ. circa 1901-1930.

003: 13724. Erskine Park, Lenox, Mass. Copr. Detroit Publishing Co. circa 1915-1930.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Massachusetts -- Lenox  Search this
Mansions  Search this
Ponds  Search this
Fountains  Search this
Bridges  Search this
Woodlands  Search this
Landscape gardening  Search this
Lawns  Search this
Genre/Form:
Postcards
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Richard Marchand historical postcard collection.
Identifier:
AAG.MAR, File MA291
See more items in:
Richard Marchand historical postcard collection (35mm slides)
Richard Marchand historical postcard collection (35mm slides) / Massachusetts
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-mar-ref1416

Lenox -- Belvoir Terrace

Former owner:
Jesup, Morris K. (Morris Ketchum), 1830-1908  Search this
Architect:
Rotch and Tilden  Search this
Landscape architect:
Olmsted, Frederick Law, 1822-1903  Search this
Collection Collector:
Marchand, Richard  Search this
Extent:
5 Slides (photographs)
Type:
Archival materials
Slides (photographs)
Postcards
Place:
United States of America -- Massachusetts -- Berkshire County -- Lenox
Belvoir Terrace (Lenox, Massachusetts)
General:
001: "Belvoir Terrace" Residence of Mrs. Morris K. Jessup. Lenox, Mass. F. C. Hagyard. Hand-Colored. Postcard circa 1901-1915.

002: 13727. "Belvoir Terrace" Residence of Mrs. Morris K. Jessup. Lenox, Mass. Copr. Detroit Publishing Co. circa 1915-1930.

003: Mr. M. K. Jessup's Residence, Lenox, Mass. Postcard circa 1901-1915.

004: Beldoir [sic] Terrace, Lenox, Mass. Postcard circa 1915-1930.

005: Residence of Mrs. Morris K. Jessup. Lenox, Mass. Postcard circa 1901-1915.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Massachusetts -- Lenox  Search this
Mansions  Search this
Tudor Revival  Search this
Lawns  Search this
Ivy  Search this
Woodland gardens  Search this
Flower beds  Search this
Shrubs  Search this
Hillside planting  Search this
Genre/Form:
Postcards
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Richard Marchand historical postcard collection.
Identifier:
AAG.MAR, File MA286
See more items in:
Richard Marchand historical postcard collection (35mm slides)
Richard Marchand historical postcard collection (35mm slides) / Massachusetts
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-mar-ref1420

Lenox -- Fairlawn

Former owner:
Kneeland, Adele  Search this
Landscape architect:
Huss, John  Search this
Collection Collector:
Marchand, Richard  Search this
Extent:
2 Slides (photographs)
Type:
Archival materials
Slides (photographs)
Postcards
Place:
United States of America -- Massachusetts -- Berkshire County -- Lenox
Fairlawn (Lenox, Massachusetts)
General:
001: 13731 The Sun-Dial at "Fairlawn" Miss Adele Kneeland's Garden, Lenox, Mass. Copr. Detroit Publishing Co. circa 1915-1930.

002: 13729 "Fairlawn," Home of Miss Adele Kneedland, Lenox, Mass. Copr. Detroit Publishing Co. circa 1915-1930.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Massachusetts -- Lenox  Search this
Sundials  Search this
Mansions  Search this
Topiary work  Search this
Flower beds  Search this
Garden walks  Search this
Arbors  Search this
Lily ponds  Search this
Garden borders  Search this
Lawns  Search this
Genre/Form:
Postcards
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Richard Marchand historical postcard collection.
Identifier:
AAG.MAR, File MA290
See more items in:
Richard Marchand historical postcard collection (35mm slides)
Richard Marchand historical postcard collection (35mm slides) / Massachusetts
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-mar-ref1423

An Old Adobe House

Graphic artist:
Detroit Publishing Co.  Search this
Physical Description:
paper (overall material)
ink (overall material)
Measurements:
overall: 9.5 cm x 14 cm; 3 3/4 in x 5 1/2 in
Object Name:
Print
Object Type:
Lithograph
Other Terms:
Print; Halftone
Place made:
United States: Michigan, Detroit
Associated place:
United States: California
Date made:
early 20th century
ID Number:
1986.0639.1996
Accession number:
1986.0639
Catalog number:
86.639.1996
See more items in:
Work and Industry: Graphic Arts
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a6-737d-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_828279

Postcard showing "San Gabriel Mission, California"

Graphic artist:
Detroit Publishing Co.  Search this
Physical Description:
paper (overall material)
ink (overall material)
Measurements:
overall: 9.5 cm x 14 cm; 3 3/4 in x 5 1/2 in
Object Name:
Print
Object Type:
Lithograph
Other Terms:
Print; Halftone
Place made:
United States: Michigan, Detroit
Associated place:
United States: California
Date made:
early 20th century
ID Number:
1986.0639.1997
Accession number:
1986.0639
Catalog number:
86.639.1997
See more items in:
Work and Industry: Graphic Arts
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a6-737e-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_828280

Picture postcard, "General View of Santa Barbara Mission, California"

Graphic artist:
Detroit Publishing Co.  Search this
Physical Description:
paper (overall material)
ink (overall material)
Measurements:
overall: 9.5 cm x 14 cm; 3 3/4 in x 5 1/2 in
Object Name:
postcard
Object Type:
Photomechanical Lithographic Processes
Photomechanical Lithographic Processes
Other Terms:
postcard; Halftone
Place made:
United States: Michigan, Detroit
Associated place:
United States: California
Date made:
ca 1910
ID Number:
1986.0639.2005
Accession number:
1986.0639
Catalog number:
1986.639.2005
See more items in:
Work and Industry: Graphic Arts
Cultures & Communities
Communications
California Mission Postcards
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a6-7386-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_828288

Picture postcard, "Carmel Mission, Near Monterey, Calif."

Graphic artist:
Detroit Publishing Co.  Search this
Physical Description:
paper (overall material)
ink (overall material)
Measurements:
overall: 9.5 cm x 14 cm; 3 3/4 in x 5 1/2 in
Object Name:
postcard
print
Object Type:
Photomechanical Lithographic Processes
Photomechanical Lithographic Processes
Other Terms:
print; Halftone
Place made:
United States: Michigan, Detroit
Associated place:
United States: California
Date made:
ca 1910
ID Number:
1986.0639.2014
Accession number:
1986.0639
Catalog number:
1986.0639.2014
See more items in:
Work and Industry: Graphic Arts
Cultures & Communities
Communications
California Mission Postcards
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a6-74ab-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_828297

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