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Oral history interview with Ray Eames, 1980 July 28-August 20

Interviewee:
Eames, Ray Kaiser, 1916-1988  Search this
Interviewer:
Bowman, Ruth, 1923-  Search this
Subject:
Eames, Charles  Search this
Grotell, Maija  Search this
Hofmann, Hans  Search this
Milles, Carl  Search this
Saarinen, Eero  Search this
Saarinen, Eliel  Search this
Strengell, Marianne  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Ray Eames, 1980 July 28-August 20. Archives of American Art, Smithsonian Institution.
Topic:
Design  Search this
Designers -- California -- Interviews  Search this
Theme:
Architecture & Design  Search this
Record number:
(DSI-AAA_CollID)12821
(DSI-AAA_SIRISBib)212044
AAA_collcode_eames80
Theme:
Architecture & Design
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212044
Online Media:

Oral history interview with Millard Sheets, 1986 October-1988 July

Interviewee:
Sheets, Millard Owen, 1907-1989  Search this
Interviewer:
Karlstrom, Paul J  Search this
Subject:
Feitelson, Lorser  Search this
Hatfield, Dalzell  Search this
Lebrun, Rico  Search this
Modra, Theodore B.  Search this
Chamberlin, F. Tolles (Frank Tolles)  Search this
Chouinard Art Institute (Los Angeles, Calif.)  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Millard Sheets, 1986 October-1988 July. Archives of American Art, Smithsonian Institution.
Topic:
Art, Modern -- 20th century -- United States  Search this
Art -- Study and teaching -- California  Search this
Painting, Modern -- 20th century -- California  Search this
Painters -- California -- Interviews  Search this
Designers -- California -- Interviews  Search this
Educators -- California -- Interviews  Search this
Muralists -- California -- Interviews  Search this
Watercolorists -- California -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12825
(DSI-AAA_SIRISBib)213761
AAA_collcode_sheets86
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213761
Online Media:

Oral history interview with John Cederquist, 2009 April 14-15

Interviewee:
Cederquist, John, 1946-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Bennett, Garry Knox  Search this
Clark, Garth  Search this
Cooke, Edward S.  Search this
Danto, Arthur Coleman  Search this
Gaines, Tom  Search this
Hughes, Robert  Search this
Makepeace, John  Search this
Maruyama, Wendy  Search this
Parrasch, Franklin  Search this
Smith, Roberta  Search this
Snidecor, John  Search this
Straight, Bob  Search this
Straight, Chris  Search this
Turnbull, George  Search this
Zuecher, Gary  Search this
California State University  Search this
Franklin Parrasch Gallery  Search this
Museum of Fine Arts, Boston  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Oakland Museum  Search this
Saddleback College  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with John Cederquist, 2009 April 14-15. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Study and teaching  Search this
Decorative arts  Search this
Furniture designers -- California -- Interviews  Search this
Sculptors -- California -- Interviews  Search this
Woodworkers -- California -- Interviews.  Search this
Theme:
Craft  Search this
Architecture & Design  Search this
Record number:
(DSI-AAA_CollID)15662
(DSI-AAA_SIRISBib)282437
AAA_collcode_cederq09
Theme:
Craft
Architecture & Design
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_282437
Online Media:

Oral history interview with John Cederquist

Interviewee:
Cederquist, John  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
California State University -- Students  Search this
Franklin Parrasch Gallery  Search this
Museum of Fine Arts, Boston  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Oakland Museum  Search this
Saddleback College -- Faculty  Search this
Bennett, Garry Knox, 1934-  Search this
Clark, Garth, 1947-  Search this
Cooke, Edward S., 1954-  Search this
Danto, Arthur Coleman, 1924-  Search this
Gaines, Tom  Search this
Hughes, Robert, 1938-2012  Search this
Makepeace, John  Search this
Maruyama, Wendy, 1952-  Search this
Parrasch, Franklin  Search this
Smith, Roberta  Search this
Snidecor, John  Search this
Straight, Bob  Search this
Straight, Chris  Search this
Turnbull, George  Search this
Zuecher, Gary  Search this
Extent:
11 Items (Sound recording: 11 sound files (4 hr., 54 min.), digital, wav file)
111 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2009 April 14-15
Scope and Contents:
An interview of John Cederquist conducted 2009 April 14-15, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Cederquist's studio, in San Clemente, California.
John Cederquist speaks of his recent series Dollar Bill; his long-standing interest in perspective and use of tool imagery in his work; his childhood in Southern California; his early interest in art through custom car art; high school art instruction and focusing on craft; earning undergraduate and graduate degrees at California State University, Long Beach in the late 1960s and early 1970s; teaching at Saddleback College, Mission Viejo, California, starting in the early 1970s; work in wood and leather; other brief teaching jobs in Southern California universities; early exhibitions; exhibition and demonstrations at Parnham House, Beaminster, England, 1978; starting to teach perspective at Saddleback; Number One; the Egg and the Eye gallery/cafe, Los Angeles, California; Game Table [1982]; Auntie Macassar Goes West, 1987-88; philosophical and aesthetic differences between wood artists on the East and West coasts; exhibition: "Material Evidence: Master Craftsmen Explore ColorCore," Workbench: the Gallery, New York, New York, 1984; "California Woodworking," the Oakland Museum [of California, 1980; Thonet catalog as source material]; influence of animation in film and television; the perceptual and conceptual issues in translating two dimensions into three, and vice versa; the nature of illusion and perception; inclusion of work in an exhibition at the Museum of Fine Arts, Boston, 1989; the influence of How to Wrap Five Eggs: Traditional Japanese Packaging, Hideyuki Oka, Trumbull, Connecticut: Weatherhill, 1967; use of the Thomas Chippendale book (1754) as source material; subtle influence of cubism on Ghost Boy [1992] piece; his choice of furniture as the vehicle for his aesthetic exploration; series Furniture That Builds Itself (1991-2007), and continued influence of cartoons and animation; his choice of different kinds of wood; series How to Wrap Five Crates; series Kimonos and the influence of Japanese aesthetics; When Machines Dream of Hokusai [1995]: Road to Dreamland; series Wave (early to mid-1990s), and Tubular [1990], the first in the series; series Kosode; series This Is Not Lunch; historical Japanese tattoos as a source of inspiration; "Furniture That Builds Itself," Franklin Parrasch Gallery, New York, New York, 2003; sense of humor and "goofiness" in his work; Flat Foot Floogie Builds a Bench. [2003]; influence of photography on his work; his pieces as functional furniture and the artistic potential therein; social commentary in his recent Kosode pieces; Heavenly Victory; how his pieces get named; "The Art of John Cederquist: Reality of Illusion," Oakland Museum of California, 1999-2000; Breakthrough series: Steamer, early 1990s; Top Drawer (1985); Space Age Wave Machine (1999); use of thick wood instead of veneer; strengths and weaknesses of a university setting for art studies; the importance of being part of the craft movement; the role of Garth Clark's gallery in the movement; the importance of working with the Franklin Parrasch gallery; his admiration for art critic Robert Hughes; the role of online media in art journalism and criticism and journalism. He also recalls Gary Zuercher, Franklin Parrasch, John Snidecor, George Turnbull, John Makepeace, Edward S. Cooke, Garry Knox Bennett, Wendy Maruyama, Tom Gaines, Bob and Chris Straight, Arthur Danto, and Roberta Smith.
Biographical / Historical:
John Cederquist (1946- ) creates fine art furniture and wood sculpture. Cederquist is known for using trompe l'oeil in his work. He was educated at Long Beach State University and teaches at Saddleback College.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 11 digital wav files. Duration is 4 hr., 54 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Cabinetmakers -- California -- Interviews  Search this
Topic:
Art -- Study and teaching  Search this
Decorative arts  Search this
Furniture designers -- California -- Interviews  Search this
Sculptors -- California -- Interviews  Search this
Woodworkers -- California -- Interviews.  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.cederq09
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e6b8700a-8d69-4730-8c1b-fa580b376816
EDAN-URL:
ead_collection:sova-aaa-cederq09
Online Media:

Oral history interview with Millard Sheets

Interviewee:
Sheets, Millard, 1907-1989  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Names:
Chouinard Art Institute (Los Angeles, Calif.)  Search this
Chamberlin, F. Tolles (Frank Tolles), 1873-1961  Search this
Feitelson, Lorser, 1898-1978  Search this
Hatfield, Dalzell, 1893-1963  Search this
Lebrun, Rico, 1900-1964  Search this
Modra, Theodore B., 1873-1930  Search this
Extent:
167 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1986 October-1988 July
Scope and Contents:
An interview with Millard Sheets conducted 1986 October-1988 July, by Paul Karlstrom, for the Archives of American Art.
Sheets speaks of his childhood and early education; attending Chouinard Art Institute and being influenced by instructor F. Tolles Chamberlin; teaching at Scripps College Foundation of Art from 1931 to 1955; the beginnings of the California Watercolor Society; his painting career; his thoughts on Southern California Modernism; the growth and development of California art; artists including Lorser Feitelson and Rico Lebrun; designing forty buildings for Howard Ahmanson from the 1950s through the 1970s; his relationships with art critics; his involvement with architecture and design; and his philosophy as an art teacher. He recalls Theodore Modra and Dalzell Hatfield.
Biographical / Historical:
Millard Sheets (1907-1989) was a painter, educator, designer, and mural painter from California.
General:
Originally recorded on 8 sound cassettes. Reformatted in 2010 as 16 digital wav files. Duration is 8 hr., 13 min.
Provenance:
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art, Modern -- 20th century -- United States  Search this
Art -- Study and teaching -- California  Search this
Painting, Modern -- 20th century -- California  Search this
Painters -- California -- Interviews  Search this
Designers -- California -- Interviews  Search this
Educators -- California -- Interviews  Search this
Muralists -- California -- Interviews  Search this
Watercolorists -- California -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.sheets86
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99b040f34-68ec-4a79-b405-0e9a667037b0
EDAN-URL:
ead_collection:sova-aaa-sheets86
Online Media:

Oral history interview with Ray Eames

Interviewee:
Eames, Ray  Search this
Interviewer:
Bowman, Ruth, 1923-  Search this
Names:
Eames, Charles  Search this
Grotell, Maija  Search this
Hofmann, Hans, 1880-1966  Search this
Milles, Carl, 1875-1955  Search this
Saarinen, Eero, 1910-1961  Search this
Saarinen, Eliel, 1873-1950  Search this
Strengell, Marianne, 1909-1998  Search this
Extent:
89 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1980 July 28-August 20
Scope and Contents:
An interview of Ray Kaiser Eames conducted 1980 July 28-1980 August 20, by Ruth Bowman, for the Archives of American Art, in Venice, California.
Eames speaks of her childhood; her education at Cranbrook Academy; meeting Charles Eames; methods and styles in furniture design and architecture; and teaching design at the University of California, Los Angeles. She recalls Hans Hofmann, Eliel and Eero Saarinen, Maija Grotell, Marianne Strengell, and Carl Milles.
Biographical / Historical:
Ray Eames (1916-1988) was a designer from Venice, California.
General:
Originally recorded on 4 sound cassettes. Reformatted in 2010 as 8 digital wav file. Duration is 3 hr., 56 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Design  Search this
Designers -- California -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.eames80
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96cf29e06-c79d-4edd-b6c7-d3ed0d64cbbf
EDAN-URL:
ead_collection:sova-aaa-eames80
Online Media:

Oral history interview with James Hubbell, 2012 July 30

Interviewee:
Hubbell, James T., 1931-  Search this
Interviewer:
Lauria, Jo, 1954-  Search this
Subject:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with James Hubbell, 2012 July 30. Archives of American Art, Smithsonian Institution.
Topic:
Designers -- California -- Interviews  Search this
Stained glass artists -- California -- Interviews  Search this
Architects -- California -- Interviews  Search this
Sculptors -- California -- Interviews  Search this
Record number:
(DSI-AAA_CollID)16094
(DSI-AAA_SIRISBib)361665
AAA_collcode_hubbel12
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_361665
Online Media:

Oral history interview with James Hubbell

Interviewee:
Hubbell, James  Search this
Interviewer:
Lauria, Jo  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
85 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2012 July 30
Scope and Contents:
An interview of James Hubbell conducted 2012 July 30, by Jo Lauria, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Hubbell's home and studio, in Santa Ysabel, California.
Biographical / Historical:
James Hubbell (1931- ) is an architect, stained glass designer, and sculptor in Santa Ysabel, California. Jo Lauria (1954- ) is a curator and writer in Sherman Oaks, California.
General:
Originally recorded as 6 digital wav files. Duration is 3 hrs., 17 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
For information on how to access this interview contact Reference Services.
Topic:
Designers -- California -- Interviews  Search this
Stained glass artists -- California -- Interviews  Search this
Architects -- California -- Interviews  Search this
Sculptors -- California -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.hubbel12
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9549f6e94-69b7-406d-9811-6ad04a6197ba
EDAN-URL:
ead_collection:sova-aaa-hubbel12
Online Media:

Oral history interview with Victor Mantilla Chalela, 1964 July 28

Interviewee:
Mantilla Chalela, Víctor  Search this
Interviewer:
McChesney, Mary Fuller, 1922-2022  Search this
Subject:
The Ohio State University  Search this
University of San Marcus (Lima, Peru)  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Victor Mantilla Chalela, 1964 July 28. Archives of American Art, Smithsonian Institution.
Topic:
Mosaics -- Technique.  Search this
Federal aid to the arts  Search this
Designers -- California -- Interviews  Search this
Latino and Latin American artists  Search this
Theme:
Latino and Latin American  Search this
New Deal  Search this
Record number:
(DSI-AAA_CollID)5565
(DSI-AAA_SIRISBib)214087
AAA_collcode_chalel64
Theme:
Latino and Latin American
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214087

Oral history interview with Victor Mantilla Chalela

Interviewee:
Mantilla Chalela, Victor  Search this
Interviewer:
McChesney, Mary Fuller  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
New Deal and the Arts Oral History Project  Search this
The Ohio State University -- Students  Search this
University of San Marcus (Lima, Peru) -- Students  Search this
Extent:
30 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1964 July 28
Scope and Contents:
An interview of Victor Mantilla Chalela conducted 1964 July 28, by Mary McChesney for the Archives of American Art New Deal and the Arts Project.
Mantilla Chalela speaks of his art training at Ohio State University beginning in 1926 and in 1930 at the University of San Marcus in Lima, Peru; studying mosaic techniques and materials in Peru; and his work for the Federal Art Project in California.
Biographical / Historical:
Victor Mantilla Chalela is a designer and mosaicist from California.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav file. Duration is 1 hr., 4 min.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Mosaicists  Search this
Topic:
Mosaics -- Technique.  Search this
Federal aid to the arts  Search this
Designers -- California -- Interviews  Search this
Latino and Latin American artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.chalel64
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d37af52e-7bab-4c34-b2c9-2691e9d1c6c6
EDAN-URL:
ead_collection:sova-aaa-chalel64
Online Media:

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