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Blanche Lazzell papers

Creator:
Lazzell, Blanche, 1878-1956  Search this
Names:
Chaffee, Oliver Newberry, 1881-1944  Search this
Dasburg, Andrew, 1887-1979  Search this
Gleizes, Albert, 1881-1953  Search this
Henri, Robert, 1865-1929  Search this
O'Connor, John  Search this
Pearson, Ralph M., 1883-1958  Search this
Extent:
4.6 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Photographs
Visitors' books
Drawings
Diaries
Date:
1893-1986
bulk 1901-1940
Summary:
The papers of printmaker, etcher, and painter Blanche Lazzell (1878-1956) measure 4.6 linear feet and date from 1893 to 1986, with the bulk of the material dating from 1901 to 1940. Found within the papers are biographical materials; correspondence with family, friends, and colleagues; writings; five diaries; scattered personal business records; printed material; artwork; photographs; and artifacts.
Scope and Contents:
The papers of printmaker, etcher, and painter Blanche Lazzell (1878-1956) measure 4.6 linear feet and date from 1893 to 1986, with the bulk of the material dating from 1901 to 1940. Found within the papers are biographical materials; correspondence with family, friends, and colleagues; writings; five diaries; scattered personal business records; printed material; artwork; photographs; and artifacts.

Biographical material includes school report cards, address books, obituaries, membership certificates, and travel documents from Blanche Lazzell's travels abroad in Europe.

Correspondence is with family, friends, and colleagues. Family correspondence is predominately with Lazzell's sisters, and a lesser amount with her brother Rufus and other relatives. Well over one-half of the correspondence is with friends and colleagues, including Arthur Lee Post and John O' Connor, and one or more letters from Oliver Chaffee, Andrew Dasburg, Robert Henri, and Ralph M. Pearson, among others.

Writings include notebooks, essays, and notes. Notebooks are primarily class notes, including one from Lazzells's studies in France during her second trip to Europe, and another maintained as a record of artwork. Also found are essays,including one about Provincetown; notes; biographical sketches; and lists of exhibitions and artwork. Five diaries document the late 1890s and Lazzell's trips to Europe in 1912-1913 and 1923-1924.

Scattered personal business records consist of 3 expense account ledgers and one sales ledger. Printed Material includes guest books, news clippings, exhibition catalogs, exhibition announcements, magazines, brochures, and newsletters. Artwork includes pencil drawings and sketches, mostly from studies with the artist Albert Gleizes in Paris. Photographic material consists of photographs, slides, and one lantern slide. The photographs are of Blanche Lazzell with artists and friends, her studio and the harbor in Provincetown, artwork, and travels in Italy.

Artifacts include 2 metal signs and 1 paint palette in a metal case.
Arrangement:
This collection is arranged as 9 series.

Series 1: Biographical Material, 1894-1970 (0.3 linear feet; Box 1)

Series 2: Correspondence, 1897-1965 (1.2 linear feet; Box 1-2)

Series 3: Writings, 1893-1969 (1.2 linear feet; Box 2-3)

Series 4: Diaries, 1896-1924 (0.1 linear feet; Box 3)

Series 5: Personal Business Records, 1894-1916 (0.1 linear feet; Box 3)

Series 6: Printed Material, 1899-1986 (1 linear feet; Box 3-4)

Series 7: Artwork, 1924-circa 1940 (0.1 linear feet; Box 4)

Series 8: Photographic Material, 1897-1956 (0.5 linear feet; Box 5-6)

Series 9: Artifacts, circa 1910-1956 (0.1 linear feet; Box 6)
Biographical / Historical:
Blanche Lazzell (1878-1956) was a printmaker, etcher, painter, and rug designer who worked primarily in Provincetown, Massachusetts and Morgantwon, West Virginia.

Nettie Blanche Lazzell was born in Maidsville, West Virginia, in 1878, the daughter of Mary Prudence Pope and Cornelius Carhart Lazzell. At some point during her childhood, Lazzell became partially deaf. When Lazzell was fifteen, she enrolled in the West Virginia Conference Seminary, now West Virginia Wesleyan College and graduated in 1898.

In 1899, Lazzell continued her studies at the South Carolina Co-educational Institute and graduated that same year. She later matriculated into the West Virginia University (1901-1905) where she took drawing and art history classes with William J. Leonard and earned a degree in fine arts. After graduation, Lazzell periodically studied at the university until 1909. Lazzell moved to New York City in 1907 and enrolled in the Art Students League of New York in 1908 where she studied under William Merritt Chase.

Lazzell travelled to Europe during the summer of 1912. After visiting several cities, Lazzell went to Paris and stayed beyond the tour to attend classes at the Académie Julian and the Académie Moderne where she studied with painter Charles Guérin. Lazzell returned to the United States in the fall of 1913 and stayed in West Virginia with her sister Bessie. She held a solo exhibition of her sketches and paintings in 1914. Lazzell moved to the thriving art colony at Provincetown, Massachusetts in 1915. There, she studied with Charles Webster Hawthorne, who founded the Cape Cod School of Art, and Oliver Chaffee, who taught her the technique for white-line woodcuts. Lazzell quickly adopted and excelled at making white-line woodblock prints, joined the Provincetown Printers, an art collective, and regularly exhibited with them.

n 1918, Lazzell converted an "old fish house" overlooking the Provincetown harbor into her studio and summer home. She planted a lush garden that became a tourist attraction where she often hosted teas and taught classes on painting and woodblock printing. The studio became her primary summer residence, though she often returned to Morgantown, West Virginia. Lazzell also visited other artist colonies during this time, including one in Woodstock, New York where she studied with Andrew Dasburg.

In 1919 Lazzell was featured in an exhibition at Touchstone Gallery in New York City. Later that year, the Provincetown Printers were featured at the Detroit Institute of Arts exhibition "Wood Block Prints in Color by American Artists". That show included Lazzell's depiction of the Monongahela River in Morgantown.

From 1923 to 1924, Lazzell travelled again to Europe and studied with Fernand Legér, André Lhote, and Albert Gleizes in Paris. Lazzell studied Cubism and took a class with Gleizes and her work became more abstract. When she returned to Provincetown, she had her studio rebuilt so it was more comfortable during the winter. She continued to teach art at her studio and participate in exhibitions.

In addition to her woodblock prints, Lazzell also worked with batik, rug design, and hand-painted china. She was a member of numerous arts organizations such as the Société Anonyme, New York Society of Women Artists, Provincetown Art Association, the Sail Loft Club (a Provincetown women's art club), and the Society of Independent Artists. In 1934, Lazzell received a Federal Art Project grant through the Works Progress Administration and created a mural titled Justice for the Morgantown courthouse.

Lazzell died in Morgantown, West Virginia in 1956.
Separated Materials:
The papers were originally loaned for microfilming on reels 2988-2991 and most of them, but not all, were included in a later donation. The papers not included in the later donation are only available on microfilm.
Portions of the microfilmed material were retained by the donor.
Provenance:
The Blanche Lazzell papers were anonymously donated to the Archives of American Art in 1987, including most of the materials that had been earlier loaned for microfilming in 1983.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters  Search this
Topic:
Artists' studios -- Photographs  Search this
Etchers  Search this
Art -- Study and teaching  Search this
Painting -- Massachusetts -- Provincetown  Search this
Printmakers  Search this
Etching -- Massachusetts -- Provincetown  Search this
Women artists  Search this
Genre/Form:
Sketches
Photographs
Visitors' books
Drawings
Diaries
Citation:
Blanche Lazzell papers, 1893-1986, bulk 1901-1940. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lazzblan
See more items in:
Blanche Lazzell papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lazzblan
Online Media:

Oral history interview with Morris Broderson

Interviewee:
Broderson, Morris, 1928-2011  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Names:
Ankrum Gallery  Search this
Ankrum, Joan  Search this
Ankrum, Morris, d. 1964  Search this
De Erdely, Francis, 1904-1959  Search this
Extent:
66 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1998 March 11 and 13
Scope and Contents:
An interview of Morris Broderson conducted 1998 March 11 and 13, by Paul J. Karlstrom, for the Archives of American Art, at Broderson's home, in Los Angeles, California.
Broderson discusses his childhood and family background and the way in which he saw the world as a congenitally hearing impaired person; his first meeting with Joan Ankrum, who was married at the time to Broderson's uncle, Morris Ankrum; Ankrum's special interest in him, recognizing a talent for drawing, encouraging his learning to speak, and arranging art lessons at an early age; his recognition of Ankrum's marital unhappiness and encouragement for her to leave her husband; his art education through private lessons with Francis De Erdely; enrollment at the University of Southern California, Los Angeles; his perspective on events in his relationship with Ankrum that led her to abandon her career as an actress and become an art dealer in order to show Broderson's work; exhibitions at the Ankrum Gallery; his favorite themes and subjects in his work and why he used them; his homosexuality and its possible reflection in his art; credit to Ankrum for her key role in his development as an artist; the role of his deafness in his interaction with the world and to a lesser extent, his artistic expression, but rejecting the idea that it was a determining factor; and his current series of paintings and hopes for the future.
Biographical / Historical:
Morris Gaylord Broderson (1928-2011) was a painter from Los Angeles, California.
General:
Originally recorded on 3 sound tape cassettes. Reformatted in 2010 as 5 digital wav files. Duration is 2 hr., 8 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art -- Study and teaching -- California  Search this
Deaf artists  Search this
Hearing impaired  Search this
Gay artists  Search this
Deafness  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.broder98
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-broder98

Oral history interview with Joan Ankrum

Interviewee:
Ankrum, Joan  Search this
Interviewer:
McGlynn, Betty Hoag  Search this
Extent:
13 Pages (Transcript)
1 Item (Reformatted in 2010 as 1 digital wav file. Duration is 39 min)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1964 April 28
Scope and Contents:
An interview of Joan Ankrum conducted by Betty Hoag on 1964 April 28 for the Archives of American Art.
Ankrum discusses the career of Morris Broderson, her deaf nephew, including his exhibitions, and his painting, "The Death of Christ."
Biographical / Historical:
Joan Ankrum (1913-2001) was an art dealer in Los Angeles, California.
General:
Originally recorded on 1 sound tape reel.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript: Patrons must use microfilm copy.
Topic:
Art dealers -- California -- Los Angeles -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.ankrum64
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ankrum64

Subject – U.S. WOMEN IN AVIATION THROUGH WORLD WAR I

Collection Creator:
Oakes, Claudia M.  Search this
Container:
Box 1, Folder 48
Type:
Archival materials
Scope and Contents:
Remarks – Claudia Oakes' draft.
Collection Restrictions:
No restrictions on access.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
United States Women In Aviation Through World War I Collection, Acc. XXXX-0424, National Air and Space Museum, Smithsonian Institution.
See more items in:
United States Women in Aviation through World War I
United States Women in Aviation through World War I / Series 2: Claudia Oakes' Notes
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-xxxx-0424-ref112
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Subject – U.S. WOMEN IN AVIATION THROUGH WORLD WAR I digital asset number 1

Subject – U.S. WOMEN IN AVIATION THROUGH WORLD WAR I

Collection Creator:
Oakes, Claudia M.  Search this
Container:
Box 1, Folder 50
Type:
Archival materials
Scope and Contents:
Remarks – Claudia Oakes' final draft (includes references).
Collection Restrictions:
No restrictions on access.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
United States Women In Aviation Through World War I Collection, Acc. XXXX-0424, National Air and Space Museum, Smithsonian Institution.
See more items in:
United States Women in Aviation through World War I
United States Women in Aviation through World War I / Series 2: Claudia Oakes' Notes
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-xxxx-0424-ref114
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Subject – U.S. WOMEN IN AVIATION THROUGH WORLD WAR I digital asset number 1

Subject – U.S. WOMEN IN AVIATION THROUGH WORLD WAR I

Collection Creator:
Oakes, Claudia M.  Search this
Container:
Box 1, Folder 54
Type:
Archival materials
Scope and Contents:
Remarks – Claudia Oakes' written essay.
Collection Restrictions:
No restrictions on access.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
United States Women In Aviation Through World War I Collection, Acc. XXXX-0424, National Air and Space Museum, Smithsonian Institution.
See more items in:
United States Women in Aviation through World War I
United States Women in Aviation through World War I / Series 2: Claudia Oakes' Notes
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-xxxx-0424-ref118
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Subject – U.S. WOMEN IN AVIATION THROUGH WORLD WAR I digital asset number 1

Subject – MISCELLANEOUS (PASSENGERS, NON-PILOTS)

Collection Creator:
Oakes, Claudia M.  Search this
Container:
Box 2, Folder 19
Type:
Archival materials
Scope and Contents:
Materials – Articles and newspaper clippings.
Collection Restrictions:
No restrictions on access.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
United States Women In Aviation Through World War I Collection, Acc. XXXX-0424, National Air and Space Museum, Smithsonian Institution.
See more items in:
United States Women in Aviation through World War I
United States Women in Aviation through World War I / Series 3: Subject Files
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-xxxx-0424-ref169
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Subject – MISCELLANEOUS (PASSENGERS, NON-PILOTS) digital asset number 1

Miscellaneous Notes

Collection Creator:
Howard, Fred.  Search this
Container:
Box 1, Folder 5
Type:
Archival materials
Text
Collection Restrictions:
No restrictions on access.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Fred Howard Vin Fiz Special Papers, NASM.2007.0002, National Air and Space Museum, Smithsonian Institution.
See more items in:
Fred Howard Vin Fiz Special Papers
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-2007-0002-ref12
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Miscellaneous Notes digital asset number 1

Telegrams

Collection Creator:
Howard, Fred.  Search this
Container:
Box 1, Folder 8
Type:
Archival materials
Text
Date:
1911 September 28- October 4
Collection Restrictions:
No restrictions on access.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Fred Howard Vin Fiz Special Papers, NASM.2007.0002, National Air and Space Museum, Smithsonian Institution.
See more items in:
Fred Howard Vin Fiz Special Papers
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-2007-0002-ref15
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Telegrams digital asset number 1

Oral history interview with Joan Ankrum, 1997 November 5-1998 February 4

Interviewee:
Ankrum, Joan, 1913-2001  Search this
Interviewer:
Karlstrom, Paul J  Search this
Subject:
Ankrum, Morris  Search this
Broderson, Morris  Search this
Feitelson, Lorser  Search this
Lundeberg, Helen  Search this
Hirshhorn, Joseph H.  Search this
Jackson, Martha Kellogg  Search this
Zeitlin, Jake  Search this
Ankrum Gallery  Search this
Pasadena Playhouse  Search this
Type:
Sound recordings
Interviews
Topic:
Art dealers -- California -- Interviews  Search this
Women art dealers -- California -- Interviews  Search this
Deaf artists  Search this
Hearing impaired  Search this
Record number:
(DSI-AAA_CollID)12691
(DSI-AAA_SIRISBib)216355
AAA_collcode_ankrum97
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216355
Online Media:

Oral history interview with Morris Broderson, 1998 March 11 and 13

Interviewee:
Broderson, Morris, 1928-2011  Search this
Interviewer:
Karlstrom, Paul J  Search this
Subject:
Ankrum, Joan  Search this
Ankrum, Morris  Search this
De Erdely, Francis  Search this
Ankrum Gallery  Search this
Type:
Sound recordings
Interviews
Topic:
Art -- Study and teaching -- California  Search this
Deaf artists  Search this
Hearing impaired  Search this
Gay artists  Search this
Deafness  Search this
Record number:
(DSI-AAA_CollID)12187
(DSI-AAA_SIRISBib)216375
AAA_collcode_broder98
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216375
Online Media:

Oral history interview with Margaret Babcock, 1998 July 21

Interviewee:
Babcock, Margaret Meras, 1907-  Search this
Interviewer:
Brown, Robert F  Search this
Type:
Sound recordings
Interviews
Topic:
Curators -- Maine -- Camden -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11851
(DSI-AAA_SIRISBib)216382
AAA_collcode_babcoc98
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216382
Online Media:

Oral history interview with Joan Ankrum, 1964 April 28

Interviewee:
Ankrum, Joan, 1913-2001  Search this
Interviewer:
McGlynn, Betty Lochrie Hoag, 1914-2002  Search this
Type:
Sound recordings
Interviews
Topic:
Art dealers -- California -- Los Angeles -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11672
(DSI-AAA_SIRISBib)213739
AAA_collcode_ankrum64
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213739

Oral history interview with Joan Ankrum

Interviewee:
Ankrum, Joan  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Names:
Ankrum Gallery  Search this
Pasadena Playhouse  Search this
Ankrum, Morris, d. 1964  Search this
Broderson, Morris, 1928-2011  Search this
Feitelson, Lorser, 1898-1978  Search this
Hirshhorn, Joseph H.  Search this
Jackson, Martha Kellogg  Search this
Lundeberg, Helen, 1908-1999  Search this
Zeitlin, Jake, 1902-1987  Search this
Extent:
195 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1997 November 5-1998 February 4
Scope and Contents:
An interview of Joan Ankrum conducted 1997 November 5-1998 February 4, by Paul Karlstrom, for the Archives of American Art, in Pasadena, California.
Ankrum discusses her status as a role model for women due to her independence in leaving a difficult marriage and establishing a new career; her theater and film career and association with the Pasadena Playhouse; her discovery of Morris Broderson, the hearing-impaired nephew of her husband Morris Ankrum; encouraging Broderson's artistic talent and efforts to help him learn to speak and interact socially; her career as director of the Ankrum Gallery in Los Angeles and the artists, collectors and dealers she became involved with, among them Lorser Feitelson and Helen Lundeberg, Joseph Hirshhorn, Martha Jackson and Jake Zeitlin.
Biographical / Historical:
Joan Ankrum (1913-2001) was a gallery owner from Los Angeles, California.
General:
Originally recorded on 6 sound cassettes. Reformatted in 2010 as 24 digital wav files. Duration is 5 hrs., 50 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Art dealers -- California -- Interviews  Search this
Women art dealers -- California -- Interviews  Search this
Deaf artists  Search this
Hearing impaired  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.ankrum97
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ankrum97

Oral history interview with Margaret Babcock

Interviewee:
Babcock, Margaret Meras, 1907-  Search this
Interviewer:
Brown, Robert F.  Search this
Extent:
2 Items (sound cassettes (total 120 min.), analog.)
29 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1998 July 21
Scope and Contents:
An interview with Margaret Babcock conducted 1998 July 21, by Robert F. Brown, for the Archives of American Art, in Camden, Maine. The interview covers her family background up through the 1920s.
Babcock discusses being raised in Exeter, New Hampshire, where her father owned Daniel Chester French's former house; being a precocious student; attending Phillips Exeter Academy's June Ball with Francis Grover Cleveland, a grandson of the president (she recites a poem that commemorated her romantic thrill over the experience); attending Smith College where she concentrated in zoology but aspired to be a writer and teacher; devoting much time to modern dance; meeting, her freshman year, an Amherst College senior & pupil of Robert Frost, Ernest Robson (formerly Rosenblum) from Chicago; the snobbish economic and anti-semitic caste system at Smith; her parents divorce while at Smith, causing sudden financial problems, and becoming a scholarship student; Robson coming to Smith to see her during her junior year, and following her at the end of that year to Camden, Maine, where her grandmother Frye and her mother lived, and a secret camping trip to northern Maine and Provincetown; marrying Robson April 7, 1926 and graduating from Smith; Peter Blume, the poet Sidney Peak Crawford, and his dog "Little Peak" joined her and Robson on Lime Island, off Camden, summer of 1926; Blume staying behind and showing his "Maine Coast", which he had painted on the island, to her shocked mother and grandmother; supporting Blume financially.
Biographical / Historical:
Margaret Mera Babcock (1907- ) was a curator from Camden, Maine.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 6 digital wav files. Duration is 1 hr., 56 min.
Babcock's speech is impaired by a stroke and deafness. Sound quality is poor.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Curators -- Maine -- Camden -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.babcoc98
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-babcoc98

Cambarus sp.

Collector:
Dr. Keith Crandall  Search this
Sex:
male
Stage:
Juvenile
Place:
Little Cedar Creek, near school for deaf on outskirts of Cave Spring, Floyd County, Georgia, United States
Collection Date:
22 Nov 1995
Common name:
Crayfish
Published Name:
Cambarus sp.
Other Numbers:
sample number : KC1259
unknown : BYUC 95-87
USNM Number:
1622735
See more items in:
Invertebrate Zoology
Arthropoda
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/35e39d9a9-165b-449b-81b4-deee95c2190f
EDAN-URL:
edanmdm:nmnhinvertebratezoology_16000267

Cambarus sp.

Collector:
Dr. Keith Crandall  Search this
Sex:
male
Stage:
Juvenile
Place:
Little Cedar Creek, near school for deaf on outskirts of Cave Spring, Floyd County, Georgia, United States
Collection Date:
22 Nov 1995
Common name:
Crayfish
Published Name:
Cambarus sp.
Other Numbers:
sample number : KC1260
unknown : BYUC 95-87
USNM Number:
1622737
See more items in:
Invertebrate Zoology
Arthropoda
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/3aae32c8e-62fc-41ca-9910-480b7a0622e3
EDAN-URL:
edanmdm:nmnhinvertebratezoology_16000271

Cambarus sp.

Collector:
Dr. Keith Crandall  Search this
Sex:
male
Stage:
Juvenile
Place:
Little Cedar Creek, near school for deaf on outskirts of Cave Spring, Floyd County, Georgia, United States
Collection Date:
22 Nov 1995
Common name:
Crayfish
Published Name:
Cambarus sp.
Other Numbers:
sample number : KC1261
unknown : BYUC 95-87
USNM Number:
1622738
See more items in:
Invertebrate Zoology
Arthropoda
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/30b76534c-e0ba-4f35-9af2-573b714222b2
EDAN-URL:
edanmdm:nmnhinvertebratezoology_16000273

Cambarus sp.

Collector:
Dr. Keith Crandall  Search this
Sex:
female
Place:
Little Cedar Creek, near school for deaf on outskirts of Cave Spring, Floyd County, Georgia, United States
Collection Date:
22 Nov 1995
Common name:
Crayfish
Published Name:
Cambarus sp.
Other Numbers:
sample number : KC1262
unknown : BYUC 95-87
USNM Number:
1622739
See more items in:
Invertebrate Zoology
Arthropoda
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/33c768ecd-9dc9-49b1-a2b3-7192f3c70ae1
EDAN-URL:
edanmdm:nmnhinvertebratezoology_16000275

Cambarus sp.

Collector:
Dr. Keith Crandall  Search this
Sex:
male
Stage:
Juvenile
Place:
Little Cedar Creek, near school for deaf on outskirts of Cave Spring, Floyd County, Georgia, United States
Collection Date:
22 Nov 1995
Common name:
Crayfish
Published Name:
Cambarus sp.
Other Numbers:
sample number : KC1263
unknown : BYUC 95-87
USNM Number:
1622740
See more items in:
Invertebrate Zoology
Arthropoda
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/3c61d595a-9522-4538-9735-70f8827161b5
EDAN-URL:
edanmdm:nmnhinvertebratezoology_16000277

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