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Presidents of the South American republics : bronzes / by Jo Davidson

Author:
Davidson, Jo 1883-1952  Search this
National Gallery of Art (U.S.)  Search this
Subject:
Davidson, Jo 1883-1952  Search this
Physical description:
[25] p. : ill. ; 28 cm
Type:
Exhibitions
Date:
1942
Topic:
Bronzes  Search this
Portrait sculpture  Search this
Call number:
N40.1.D247 N15 1942
N40.1.D247N15 1942
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_415642

La Pasionaria (Dolores Ibarruri), (sculpture)

Sculptor:
Davidson, Jo 1883-1952  Search this
Founder:
A. C. Rehberger & Company  Search this
Subject:
Ibarruri, Dolores  Search this
Medium:
Sculpture: spelter coated in copper with dark brown patina; Base: nonferrous metal, possibly spelter, coated in black enamel
Type:
Sculptures
Date:
1938
Topic:
Portrait female--Bust  Search this
Control number:
IAS 9F700023
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_478839

The $3,000,000,000 Punch

Issuing body:
Liberty Loan Committee  Search this
Creator:
Liberty Bonds  Search this
Liberty Loan Committee. (New York.)  Search this
Liberty Loan  Search this
Artist:
Davidson, Jo, 1883-1952  Search this
Collection Creator:
Princeton University  Search this
Extent:
1 Poster (1/2 size; Monochrome, 63.5 x 48.5 cm)
Container:
Map-folder 291
Type:
Archival materials
Posters
Place:
United States
Image:
Main Image: Uncle Sam with "LIBERTY BOND" labeled on jacket punching the Kaiser
Local numbers:
Princeton Poster# 2157
General:
Issued by: Liberty Loan Committee

Issued for: Liberty Band

Artist(s): Jo Davidson
Locale:
New York
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Fund raising  Search this
World War, 1914-1918  Search this
World War, 1914-1918 -- Posters -- United States  Search this
Genre/Form:
Posters
Posters -- World War, 1914-1918 -- United States
Collection Citation:
Princeton University Posters Collection, Archives Center, National Museum of American History.
See more items in:
Princeton University Poster Collection
Princeton University Poster Collection / Series 2: World War One / United States
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep82beed562-58d3-4360-88f9-3cefc75dfb0f
EDAN-URL:
ead_component:sova-nmah-ac-0433-ref8694

Louis Bouché papers, 1880-2007

Creator:
Bouché, Louis 1896-1969  Search this
Subject:
Bacon, Peggy 1895-1987  Search this
Bouché, Ernest  Search this
Bouché, Henri L  Search this
Bouché, Jane  Search this
Bouché, Marian Wright 1895-  Search this
Brook, Alexander 1898-1980  Search this
Davidson, Jo 1883-1952  Search this
Marsh, Reginald 1898-1954  Search this
Pène du Bois, William 1916-1993  Search this
Schmidt, Katherine 1898-1978  Search this
Penguin Club (New York, N.Y.)  Search this
Wanamaker Gallery  Search this
Physical description:
5.9 linear feet
Type:
Drawings
Collection descriptions
Scrapbooks
Date:
1880
1880-2007
Local number:
AAA
AAA boucloui
Restrictions & Rights:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information
See more items in:
Louis Bouché papers, 1880-2007
Louis Bouché papers 1880-2007 [Bouché, Louis 1896-1969]
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:siris_arc_211773

Davidson, Jo, 1883-1952

Collection Creator:
Metropolitan Museum of Art (New York, N.Y.)  Search this
Extent:
25 Photographs
Container:
Box 13
Type:
Archival materials
Photographs
Photographs
Collection Restrictions:
Open to researchers by appointment. Contact Photograph Archives, Smithsonian American Art Museum by email: sapa@si.edu.
Collection Rights:
The photographs are owned by the Smithsonian American Art Museum and requests for permission to reproduce photographs from the collection must be submitted in writing to the Photograph Archives. Certain works of art, as well as the photographs of those works of art, may be protected by copyright, trademark, privacy or publicity rights, or other interests not owned by the Smithsonian American Art Museum. It is the applicant's responsibility to ascertain whether any such rights exist, and to obtain any other permission necessary to reproduce and publish the image.
Collection Citation:
Metropolitan Museum of Art Study Collection of American Sculpture Photographs, Photograph Archives, Smithsonian American Art Museum.
See more items in:
Metropolitan Museum of Art study collection of American sculpture photographs
Metropolitan Museum of Art study collection of American sculpture photographs / Series 1: Photographs
Archival Repository:
Smithsonian American Art Museum, Research and Scholars Center
GUID:
https://n2t.net/ark:/65665/ih7e4a3b05e-937d-4904-9325-554738994037
EDAN-URL:
ead_component:sova-saam-photo-met-ref341

Louis Bouché papers

Creator:
Bouché, Louis, 1896-1969  Search this
Names:
Penguin Club (New York, N.Y.)  Search this
Wanamaker Gallery  Search this
Bacon, Peggy, 1895-1987  Search this
Bouché, Ernest  Search this
Bouché, Henri L.  Search this
Bouché, Jane  Search this
Bouché, Marian Wright, 1895-  Search this
Brook, Alexander, 1898-1980  Search this
Davidson, Jo, 1883-1952  Search this
Marsh, Reginald, 1898-1954  Search this
Pène du Bois, William, 1916-1993  Search this
Schmidt, Katherine, 1898-1978  Search this
Extent:
5.9 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketches
Scrapbooks
Travel diaries
Drawings
Date:
1880-2007
Summary:
The papers of painter and muralist Louis Bouché measure 5.9 linear feet and date from 1880 to 2007. Found within the papers are biographical material; personal correspondence, including correspondence from the extended Bouché family; writings; financial records; printed material; four scrapbooks; artwork; and photographs of Bouché, his family and friends, and his work.
Scope and Contents:
The papers of painter and muralist Louis Bouché measure 5.9 linear feet and date from 1880 to 2007. Found within the papers are biographical material; personal correspondence, including correspondence from the extended Bouché family; writings; financial records; printed material; four scrapbooks; artwork; and photographs of Bouché, his family and friends, and his work.

Biographical material consists of family certificates and Bouché's curriculum vitae.

The bulk of the correspondence consists of letters from Bouché 's father to his mother, and of letters addressed to his daughter, Jane. These include letters Louis and Marian wrote to Jane, along with letters from her first husband, William Pène du Bois, during the early days of their courtship and marriage. The handful of letters directly addressed to Louis and Marian include correspondence from Peggy Bacon and Katherine Schmidt.

Writings include drafts of Bouché's autobiography, eight journals kept by Marian Bouché detailing their travels in the United States and abroad, four reminiscences of Bouché written by others, and a poem written by Peggy Bacon.

Personal business records consist of two ledger books, lists, and receipts documenting inventory and records of sales.

Printed material consists of clippings, exhibition announcements and catalogs, and periodicals related to Bouché's work. There are also three books from Bouché's personal library and exhibition announcements and catalogs from Walt Kuhn's Penguin Club and Wanamaker's Gallery.

Two scrapbooks include clippings, photographs, and printed material related to Bouché 's career. One scrapbook includes material related to the extended Bouché family, and one scrapbook consists of reproductions of works of art by modern French artists.

Photographic materials include ten photograph albums. Three are of Louis, Marian, and Jane, three are of Jane and her family, and four are of Louis' parents and sister's family. There are also loose prints and negatives of Bouché, his family and friends, and works of art.

Artwork consists of sketches and drawings by Louis, Jane, Henri, and Ernest Bouché. Additional sketches by Peggy Bacon, Alexander Brook, Jo Davidson, and Reginald Marsh are also included.
Arrangement:
This collection is arranged as 8 series.

Missing Title

Series 1: Biographical Materials, 1880-1964 (2 folders, Box 1)

Series 2: Correspondence, 1880-2003 (1.2 linear feet; Boxes 1-2)

Series 3: Writings, 1933-1995 (.9 linear feet, Boxes 2-3)

Series 4: Personal Business Records, 1930-1974 (4 folders, Box 3)

Series 5: Printed Material, 1900-1997 (.5 linear feet; Boxes 3, 6)

Series 6: Scrapbooks, 1880-1969 (.8 linear feet; Boxes 3, 7-8)

Series 7: Photographic Materials, 1890-1994 (2.3 linear feet; Boxes 3-5, 9-10)

Series 8: Artwork, 1870-1965 (10 folders; Boxes 5, 10)
Biographical / Historical:
Louis Bouché (1896-1969) was a painter, muralist, and educator who lived and worked in New York City.

Bouché was born in New York City to Henri and Marie Bouché. His father was an interior designer who worked with Stanford White and for Tiffany, and his grandfather, Ernest Louis Bouché, was a Barbizon school painter. After his father's death in 1909, his mother moved the family to Paris where Bouché attended art school at La Grand Chaumère. When the family moved back to America in 1915, Bouché enrolled at the Art Students League where he met fellow student and lifelong friend Alexander Brook. In 1916, Bouché was invited to become a member of Walt Kuhn's Penguin Club, and in 1918, he joined the stable of Charlie Daniel's Daniel Gallery. At this time, Bouché began exhibiting in shows organized by Julianna Force for the Whitney Studio Club, which later evolved into the Whitney Museum. In 1920, he was introduced to the Woodstock artist community and was a frequent summer resident at the colony.

Bouché met Marian Wright while they were both members of the Penguin Club, and they were married in 1921. Upon returning from their honeymoon, Bouché accepted a position managing exhibitions for Wanamaker's Belmaison Galleries, the first modern art gallery in a department store in New York. Their daughter Jane would later marry William Pène du Bois, son of Guy Pène du Bois, whom the Bouchés had known from their days in the Penguin Club. In 1926, Bouché separated from Wanamaker's and began taking commissions for mural and design work, eventually completing murals for the U.S. Department of the Interior, Radio City Music Hall, and the Pennsylvania Railroad. In addition to murals, Bouché did illustrative advertising work for various publications, including Condé Nast and Town and Country.

In 1936, Bouché joined the stable at Kraushaar Gallery, where he eventually exhibited a series of ten one-man shows. Bouché also held solo exhibitons at the Valentine Gallery, Staten Island Institute, Century Association, and Albany Institute. Beginning in 1943, Bouché taught for many years at the Art Students League and began teaching at the National Academy of Design in 1951. He received a Guggenheim Fellowship in 1936 and was the American Academy in Rome's artist in residence in 1960.

Louis Bouché died in Pittsfield, Massachusetts, on August 7, 1969.
Related Materials:
Also found in the Archives of American Art are two oral history interviews with Louis Bouché, one conducted by John Morse, August 7, 1959, and another by William Woolfenden on March 13, 1963.
Provenance:
A portion of the Louis Bouché papers were loaned for microfilming and subsequently donated by the artist and his wife in 1963 and from 1972 to 1973. Additions were donated by Bouché's daughter, Jane Bouché Strong, in several accretions dating from 1978 to 1988. In 2011, Anne Strong, Jane B. Strong's executor, donated additional materials to the Archives of American Art.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Muralists -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Sketches
Scrapbooks
Travel diaries
Drawings
Citation:
Louis Bouché papers, 1880-2007. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.boucloui
See more items in:
Louis Bouché papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96b0e025d-f378-40d7-8da6-c3f9f948b077
EDAN-URL:
ead_collection:sova-aaa-boucloui
Online Media:

Arnold Newman photographs of artists

Creator:
Newman, Arnold, 1918-2006  Search this
Names:
Abercrombie, Gertrude, 1909-1977 -- Photographs  Search this
Albers, Josef -- Photographs  Search this
Albright, Ivan, 1897-1983 -- Photographs  Search this
Avery, Milton, 1885-1965 -- Photographs  Search this
Bacon, Peggy, 1895-1987 -- Photographs  Search this
Baziotes, William, 1912-1963 -- Photographs  Search this
Bemelmans, Ludwig, 1898-1962 -- Photographs  Search this
Blai, Boris, 1893-1985 -- Photographs  Search this
Bloch, Julius T. (Julius Thiengen), 1888-1966 -- Photographs  Search this
Botkin, Henry, 1896-1983 -- Photographs  Search this
Brook, Alexander, 1898-1980 -- Photographs  Search this
Burchfield, Charles Ephraim, 1893-1967 -- Photographs  Search this
Burliuk, David, 1882-1967 -- Photographs  Search this
Calder, Alexander, 1898-1976 -- Photographs  Search this
Castellon, Federico -- Photographs  Search this
Cikovsky, Nicolai, 1894- -- Photographs  Search this
Criss, Francis, 1901-1973 -- Photographs  Search this
Davidson, Jo, 1883-1952 -- Photographs  Search this
Davis, Stuart, 1892-1964 -- Photographs  Search this
De Kooning, Willem, 1904-1997  Search this
Evergood, Philip, 1901-1973 -- Photographs  Search this
Feininger, Lyonel, 1871-1956 -- Photographs  Search this
Florsheim, Richard A., 1916-1979 -- Photographs  Search this
Gropper, William, 1897-1977 -- Photographs  Search this
Gross, Chaim, 1904-1991 -- Photographs  Search this
Groth, John, 1908-1988 -- Photographs  Search this
Guglielmi, Louis, 1906-1956 -- Photographs  Search this
Guston, Philip, 1913-1980 -- Photographs  Search this
Gwathmey, Robert, 1903-1988 -- Photographs  Search this
Hare, David, 1917- -- Photographs  Search this
Hirshfield, Morris, 1872-1946 -- Photographs  Search this
Hofmann, Hans, 1880-1966 -- Photographs  Search this
Hopper, Edward, 1882-1967 -- Photographs  Search this
Jenkins, Paul, 1923-2012 -- Photographs  Search this
Jules, Mervin, 1912- -- Photographs  Search this
Kantor, Morris, 1896-1974 -- Photographs  Search this
Kaplan, Joseph, 1900-1980 -- Photographs  Search this
Knaths, Karl, 1891-1971 -- Photographs  Search this
Kroll, Leon, 1884-1974 -- Photographs  Search this
Kuniyoshi, Yasuo, 1889-1953 -- Photographs  Search this
Lassaw, Ibram, 1913-2003 -- Photographs  Search this
Laurent, Robert, 1890-1970 -- Photographs  Search this
Lawrence, Jacob, 1917-2000 -- Photographs  Search this
Levi, Julian E. (Julian Edwin), 1900-1982 -- Photographs  Search this
Levine, Jack, 1915-2010 -- Photographs  Search this
Lipchitz, Jacques, 1891-1973  Search this
Sheeler, Charles, 1883-1965 -- Photographs  Search this
Stella, Joseph, 1877-1946 -- Photographs  Search this
Extent:
0.6 Linear feet ((on 2 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
ca. 1940-1960
Scope and Contents:
Photographs of 47 American artists taken by Newman.
REEL 153: Artists include: Gertrude Abercrombie, Josef Albers, Ivan Albright, Milton Avery, Peggy Bacon, William Baziotes, Ludwig Bemelmans, Boris Blai, Julis Bloch, Harry Botkin, Alexander Brook, Charles Burchfield, David Burliuk, Alexander Calder, Federico Castellon, Nicolai Cikovsky, Francis Criss (2), Jo Davidson, Willem De Kooning, Philip Evergood, Lyonel Feininger, Richard Florsheim, William Gropper, Chaim Gross (2), John Groth, Louis Guglielmi, Philip Guston, Robert Gwathmey, David Hare, Morris Hirshfield, Hans Hofmann, Edward Hopper, Paul Jenkins, Mervin Jules, Morris Kantor, Joseph Kaplan, Karl Knaths, Leon Kroll, Ibram Lassaw, Robert Laurent, Julian Levi, Jack Levine, and Jacques Lipchitz.
REEL 1027: Stuart Davis, Yasuo Kuniyoshi, and Charles Sheeler.
UNMICROFILMED: Jacob Lawrence (2) and Joseph Stella (2).
Biographical / Historical:
Portrait photographer; New York City; b. New York, N.Y., Mar. 3, 1918; d. June 6, 2006, New York, N.Y.
Provenance:
Donated 1961 by Arnold Newman.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Photographers -- New York (State) -- New York  Search this
Topic:
Artists -- United States -- Photographs  Search this
Identifier:
AAA.newmarno
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-newmarno

Doughboy, (sculpture)

Sculptor:
Davidson, Jo 1883-1952  Search this
Medium:
Sculpture: bronze; Base: marble
Type:
Sculptures
Owner/Location:
Conner-Rosenkranz New York New York 10021
Date:
1919
Topic:
Figure male--Full length  Search this
Occupation--Military--Soldier  Search this
Object--Weapon--Gun  Search this
Dress--Uniform--Military Uniform  Search this
Control number:
IAS 67390236
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_477984

Andrew Dasburg and Grace Mott Johnson papers

Creator:
Dasburg, Andrew, 1887-1979  Search this
Names:
Carlson, John F., 1874-1945  Search this
Cramer, Florence Ballin, 1884-1962  Search this
Davidson, Florence Lucius, d. 1962  Search this
Davidson, Jo, 1883-1952  Search this
Frankl, Walter  Search this
Hartley, Marsden, 1877-1943  Search this
Howard, Lila  Search this
Johnson, Grace Mott, 1882-1967  Search this
Kuhn, Vera, d. 1961  Search this
Lockwood, Ward  Search this
Luhan, Mabel Dodge, 1879-1962  Search this
McFee, Henry Lee, 1886-1953  Search this
Riley, Mary G., 1883-1939  Search this
Simonson, Lee, 1888-  Search this
Sterling, Lindsey, 1876-1931  Search this
Wright, Alice Morgan, 1881-1975  Search this
Extent:
8.8 Linear feet
Type:
Collection descriptions
Archival materials
Poetry
Diaries
Sketchbooks
Photographs
Date:
1833-1980
bulk 1900-1980
Summary:
The papers of painter Andrew Dasburg and his wife and sculptor Grace Mott Johnson date from 1833 to 1980 (bulk 1900 to 1980), and measure 8.8 linear feet. The collection documents each artist's career and personal lives, including their brief marriage and their friendships with many notable artists in the New Mexico and New York art colonies during the early twentieth century. The papers of Dasburg (6 linear feet) and Johnson (2.8 linear feet) include biographical materials; extensive correspondence with family, friends, and fellow artists, such as John F. Carlson, Mabel Dodge Luhan, Marsden Hartley, Henry Lee McFee, and Ward Lockwood; writings by Dasburg, Johnson, and others; scattered legal, financial, and business records; clippings; exhibition materials; numerous photographs of Johnson and Dasburg, friends, family, and artwork; and original artwork, including two sketchbooks by Johnson.
Scope and Content Note:
The papers of painter Andrew Dasburg and sculptor Grace Mott Johnson date from 1833 to 1980, with the bulk of the materials dating from 1900 to 1980, and measure 8.8 linear feet. The collection is divided into the papers of Andrew Dasburg (6 linear feet) and the papers of Grace Mott Johnson (2.8 linear feet), and documents each artist's career and personal lives, including their brief marriage, and friendships with many notable artists in New Mexico and New York art colonies during the early twentieth century. Found are scattered biographical, legal, and financial materials. Extensive correspondence (particularly in Dasburg's papers) is with family, friends, and fellow artists, such as John F. Carlson, Florence Ballin Cramer, Mabel Dodge Luhan, Marsden Hartley, Henry Lee McFee, Vera Spier Kuhn, and Ward Lockwood. Dasburg's papers also include letters to Johnson and his two later wives.

Johnson's correspondence is also with numerous artist friends and others, including John F. and Margaret Carlson, Florence Ballin Cramer, Jo Davidson, Florence Lucius, Walter Frankl, Lila Wheelock Howard, Henry Lee McFee, Mary Riley, Lee Simonson, Lindsey Morris Sterling, Alice Morgan Wright, Mabel Dodge Luhan, and Vera Spier Kuhn. Letters to her son Alfred are quite detailed and revealing. Writings are by Dasburg, Johnson, and others. Johnson's writings include a very brief diary and her poetry. Writings by others are about the Taos and New Mexico art communities. Printed materials about both artists include clippings and exhibition catalogs. There are numerous photographs of Dasburg and Johnson, individually and together, and with friends and family. Of note are a group photograph of Birge Harrison's art class in Woodstock, New York, which includes Johnson and Dasburg, and a photograph of Dasburg with friends Konrad Cramer and John Reed. Dasburg's papers also include snapshots of Florence Lucius, Konrad and Florence Ballin Cramer, Frieda and D. H. Lawrence, and Mabel Dodge Luhan. Original artwork by the two artists include two sketchbooks by Johnson and three prints and two drawings by Dasburg.
Arrangement:
The collection is arranged into 2 series of each artist's papers:

Series 1: Andrew Dasburg Papers, circa 1900-1980 (Box 1-7; 6.0 linear feet)

Series 2: Grace Mott Johnson Papers, 1833-1963 (Box 7-10; 2.8 linear feet)
Biographical Note:
Andrew Michael Dasburg (1887-1979) was born in Paris, France, to German parents. After his father died and when he was five, Dasburg and his mother moved to New York City. In 1902 Dasburg started attending classes at the Art Students' League and studied with Kenyon Cox and Frank Du Mond. He also took night classes with Robert Henri. In 1907 he received a scholarship to the Art Students' League summer school in Woodstock, New York and spent three summers studying there in Birge Harrison's painting class. While in school he became friends with many young artists, including Morgan Russell and his future wife, Grace Mott Johnson.

Grace Mott Johnson (1882-1967) was born in New York City. She began drawing when she was four years old, and when the family moved to a farm in 1900 she enjoyed sketching horses and other farm animals. At the age of 22 she left home to study at the Art Students' League with sculptors Gutzon Borglum and James Earle Fraser, and also attended Birge Harrison's painting class in Woodstock. Throughout her career she would sculpt animals from memory, and would often attend circuses and farms for inspiration.

In 1909 Johnson and Dasburg went to Paris and joined the modernist circle of artists living there, including Morgan Russell, Jo Davidson, and Arthur Lee. During a trip to London that same year they were married. Johnson returned to the United States early the next year, but Dasburg stayed in Paris where he met Henri Matisse, Gertrude and Leo Stein, and became influenced by the paintings of Cezanne and Cubism. He returned to Woodstock, New York in August and he and Johnson became active members of the artist community. In 1911 their son Alfred was born. Both Dasburg and Johnson showed several works at the legendary Armory Show in 1913, and Dasburg also showed at the MacDowell Club in New York City, where he met the journalist and activist John Reed who later introduced him to Mabel Dodge (Luhan), a wealthy art patron and lifelong friend. In 1914 Dasburg met Alfred Stieglitz and became part of his avant-garde circle. Using what he had seen in Paris, Dasburg became one of the earliest American cubist artists, and also experimented with abstraction in his paintings.

Dasburg and Johnson lived apart for most of their marriage. By 1917 they had separated and Dasburg began teaching painting in Woodstock and in New York City. In 1918 he was invited to Taos, New Mexico by Mabel Dodge, and returning in 1919, Johnson joined him there for a period of time. Also in 1919, Dasburg was one of the founding members of the Woodstock Artists Association with John F. Carlson, Frank Swift Chase, Carl Eric Lindin, and Henry Lee McFee. In 1922 Dasburg and Johnson divorced, and also at that time he began living most of the year in Santa Fe with Ida Rauh, spending the rest of the year in Woodstock and New York City. Dasburg became an active member of the Santa Fe and the Taos art colonies, befriending many artists and writers living in these communities, and remaining close friends with Mabel Dodge Luhan. Here he moved away from abstraction, and used the southwestern landscape as the inspiration for his paintings.

In 1928 he married Nancy Lane. When that marriage ended in 1932, he moved permanently to Taos, and with his third wife, Marina Wister, built a home and studio there. Dasburg periodically taught art privately and at the University of New Mexico. In 1937 he was diagnosed with Addison's disease, which left him unable to paint again until 1946. In 1945 he and his wife Marina separated. Dasburg was recognized for his career as an artist in a circulating retrospective organized by the American Federation of Arts in 1959. He also had retrospectives in Taos in 1966 and 1978. His artwork influence several generations of artists, especially in the southwest, and he continued creating art until his death in 1979 at the age of 92.

Grace Mott Johnson lived in the Johnson family home in Yonkers, New York during the 1920s and later moved to Pleasantville, New York. In 1924 she went to Egypt to study ancient Egyptian sculpture. During the 1930s she became a civil rights activist. She produced very little art during the last twenty years of her life.
Related Material:
Also found in the Archives of American Art are two oral history interviews with Andrew Dasburg, July 2, 1964 and March 6, 1974. Additional related collections at other repositories include the Andrew and Marina Wister Dasburg Papers at the New Mexico State Archives, the Andrew Dasburg Papers at Syracuse University Library, and the Grace Mott Johnson Papers at the Beinecke Rare Book and Manuscript Library, Yale University.
Separated Material:
The Archives of American Art also holds microfilm of material lent for microfilming. Reel 2803 contains photocopies of ten Morgan Russell letters to Dasburg. Reels 4276-4278 include biographical material, subject files, photographs, correspondence, writings, and exhibition material. The photocopies on reel 2803 were discarded after microfilming, and the items on 4276-4278 were returned to the lender. This material is not described in the collection container inventory.
Provenance:
The Andrew Dasburg and Grace Mott Johnson papers were donated by their son, Alfred Dasburg, in 1980. Syracuse Univresity lent materials for microfilming in 1978 and 1989.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New Mexico  Search this
Painters -- New York (State)  Search this
Topic:
Works of art  Search this
Sculptors -- New York (State)  Search this
Function:
Artist colonies -- New York (State)
Artist colonies -- New Mexico
Genre/Form:
Poetry
Diaries
Sketchbooks
Photographs
Citation:
Andrew Dasburg and Grace Mott Johnson papers, 1833-1980 (bulk 1900-1980). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dasbandr
See more items in:
Andrew Dasburg and Grace Mott Johnson papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dasbandr
Online Media:

Despair [sculpture] / (photographer unknown)

Artist:
Davidson, Jo 1883-1952  Search this
Type:
Photograph
Topic:
Figure female--Nude  Search this
Allegory--Passion--Melancholy  Search this
Image number:
SSC S0000505
See more items in:
Photograph Archives
Metropolitan Museum of Art Study Collection of American Sculpture Photographs
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_127214
Online Media:

Kneeling Woman [sculpture] / (photographed by De Witt Ward)

Artist:
Davidson, Jo 1883-1952  Search this
Photographer:
Ward, De Witt d. 1937  Search this
Type:
Photograph
Topic:
Figure female--Nude  Search this
Image number:
SSC S0000506
See more items in:
Photograph Archives
Metropolitan Museum of Art Study Collection of American Sculpture Photographs
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_127215
Online Media:

Nude [sculpture] / (photographed by De Witt Ward)

Artist:
Davidson, Jo 1883-1952  Search this
Photographer:
Ward, De Witt d. 1937  Search this
Type:
Photograph
Date:
1910
Topic:
Figure female--Nude  Search this
Image number:
SSC S0000507
See more items in:
Photograph Archives
Metropolitan Museum of Art Study Collection of American Sculpture Photographs
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_127216
Online Media:

Torso [sculpture] / (photographed by Percy Rainford)

Artist:
Davidson, Jo 1883-1952  Search this
Photographer:
Rainford, Percy 1901-1976  Search this
Type:
Photograph
Date:
1927
Topic:
Figure female--Nude  Search this
Figure female--Torso  Search this
Image number:
SSC S0000508
See more items in:
Photograph Archives
Metropolitan Museum of Art Study Collection of American Sculpture Photographs
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_127217
Online Media:

Torso [sculpture] / (photographed by Percy Rainford)

Artist:
Davidson, Jo 1883-1952  Search this
Photographer:
Rainford, Percy 1901-1976  Search this
Type:
Photograph
Date:
1927
Topic:
Figure female--Nude  Search this
Figure female--Torso  Search this
Image number:
SSC S0000509
See more items in:
Photograph Archives
Metropolitan Museum of Art Study Collection of American Sculpture Photographs
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_127218
Online Media:

Gertrude V. Whitney [sculpture] / (photographer unknown)

Artist:
Davidson, Jo 1883-1952  Search this
Subject:
Whitney, Harry Payne, Mrs. (Gertrude Vanderbilt)  Search this
Type:
Photograph
Topic:
Portrait female--Full length  Search this
Occupation--Art--Sculptor  Search this
Image number:
SSC S0000510
See more items in:
Photograph Archives
Metropolitan Museum of Art Study Collection of American Sculpture Photographs
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_127219
Online Media:

Gertrude Stein [sculpture] / (photographed by De Witt Ward)

Artist:
Davidson, Jo 1883-1952  Search this
Photographer:
Ward, De Witt d. 1937  Search this
Subject:
Stein, Gertrude  Search this
Type:
Photograph
Topic:
Portrait female--Full length  Search this
Image number:
SSC S0000511
See more items in:
Photograph Archives
Metropolitan Museum of Art Study Collection of American Sculpture Photographs
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_127220
Online Media:

French Peasant [sculpture] / (photographer unknown)

Artist:
Davidson, Jo 1883-1952  Search this
Type:
Photograph
Topic:
Figure female--Full length  Search this
Ethnic  Search this
Image number:
SSC S0000512
See more items in:
Photograph Archives
Metropolitan Museum of Art Study Collection of American Sculpture Photographs
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_127221
Online Media:

France Awakened (fragment) [sculpture] / (photographer unknown)

Artist:
Davidson, Jo 1883-1952  Search this
Type:
Photograph
Topic:
Figure female--Head  Search this
Allegory--Place--France  Search this
Image number:
SSC S0000513
See more items in:
Photograph Archives
Metropolitan Museum of Art Study Collection of American Sculpture Photographs
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_127222
Online Media:

Japanese Girl [sculpture] / (photographed by De Witt Ward)

Artist:
Davidson, Jo 1883-1952  Search this
Photographer:
Ward, De Witt d. 1937  Search this
Type:
Photograph
Topic:
Figure female--Head  Search this
Ethnic  Search this
Image number:
SSC S0000514
See more items in:
Photograph Archives
Metropolitan Museum of Art Study Collection of American Sculpture Photographs
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_127223
Online Media:

Olive [sculpture] / (photographed by De Witt Ward)

Artist:
Davidson, Jo 1883-1952  Search this
Photographer:
Ward, De Witt d. 1937  Search this
Subject:
Unidentified  Search this
Head  Search this
Type:
Photograph
Topic:
Portrait female--Olive  Search this
Portrait female  Search this
Image number:
SSC S0000516
See more items in:
Photograph Archives
Metropolitan Museum of Art Study Collection of American Sculpture Photographs
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_127224
Online Media:

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