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Judith Zilczer papers

Creator:
Zilczer, Judith  Search this
Names:
Armory Show (1913: New York, N.Y.)  Search this
Hirshhorn Museum and Sculpture Garden  Search this
Whitney Museum of American Art  Search this
Benton, Thomas Hart, 1889-1975  Search this
Coady, Robert J., 1881-1921  Search this
Dasburg, Andrew, 1887-1979  Search this
Dawson, Manierre, 1887-1969  Search this
Hartley, Marsden, 1877-1943  Search this
Hartmann, Sadakichi, 1867-1944  Search this
Linder, Richard  Search this
Munson, Gorham Bert, 1896-1969  Search this
Quinn, John, 1870-1924  Search this
Stieglitz, Alfred, 1864-1946  Search this
Extent:
0.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1910-1995
bulk 1973-1995
Summary:
The papers of curator, art historian, and author Judith Zilczer measure 0.4 linear feet and date from 1910-1995, with the bulk of material dated 1973-1995. The papers contain project files and related correspondence, unpublished manuscripts, photographs, and printed material documenting her research as an independent art historian.
Scope and Contents:
The papers of curator, art historian, and author Judith Zilczer measure 0.4 linear feet and date from 1910-1995, with the bulk of material dated 1973-1995. The papers contain project files and related correspondence, unpublished manuscripts, photographs, and printed material documenting her research as an independent art historian.

This collection documents the correspondence and research of Judith Zilczer pertaining to her doctoral dissertation, The Aftermath of the Armory Show, 1913-1918, where she examines the arguments of both artists and critics over the question of abstraction in art during the early period of the twentieth century. Research files include information on Sadakichi Hartmann, Thomas H. Benton, Manierre Dawson, Andrew Dasburg, John Quinn, Alfred Stieglitz, Michael Brenner, Robert J. Coady and Gorham Munson. Project files document Synchromism, the Forum Exhibit and the Hartley Symposium at the Whitney Museum of American Art and the Richard Lindner Exhibition at the Hirshhorn Museum. Written transcripts include "Robert J. Cody, Man of the Soil" and "Musical Analogy". Researchers should note that this collection does not include a copy of her doctoral thesis.
Arrangement:
The collection is arranged as 2 series.

Series 1: Project Files, 1910-1995 (Box 1; 21 folders)

Series 2: Writings, circa 1980s (Box 1; 3 folders)
Biographical / Historical:
Judith Zilczer (1948-) was an art historian, author, and Curator Emerita of the Hirshhorn Museum and Sculpture Garden in Washington D.C. She organized more than two dozen exhibitions in her twenty-nine years at the museum, where she served as Historian, Curator of Paintings, and Acting Chief Curator. Her exhibition publications include Willem de Kooning from the Hirshhorn Museum Collection (1993), Richard Lindner: Paintings and Watercolors, 1948-1977 (1996), and Visual Music: Synaesthesia in Art and Music Since 1900 (2005). A 1975 graduate of the doctoral program of the University of Delaware, she wrote her thesis on The Aftermath of the Armory Show 1913-1918. She has received numerous awards, including the 2006 George Wittenborn Memorial Book Award of the Art Libraries Society of North America. Dr. Zilczer has written and lectured widely on modern and contemporary art and is a leading authority on the art of Willem de Kooning.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Paul Allen Reed conducted by Judith Zilczer, April 29, 1994.

Additionally, Papers relating to art commissioned for the Ronald Reagan Building and International Trade Center, 1992-1998, donated by Judith Zilczer, can be found at Archives of American Art.

The Smithsonian Institution Archives in Washington, D.C. holds a large collection of Judith K. Zilczer Papers, 1975-2003.
Provenance:
Creator Judith Zilczer donated her papers to the Archives of American Art in 2014.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Authors -- Washington (D.C.)  Search this
Curators -- Washington (D.C.)  Search this
Topic:
Art, Abstract  Search this
Art, Modern -- 20th century  Search this
Art historians -- Washington (D.C.)  Search this
Synchromism (Art)  Search this
Genre/Form:
Photographs
Citation:
Judith Zilczer papers, 1910-1995, bulk 1973-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.zilcjudt
See more items in:
Judith Zilczer papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-zilcjudt
Online Media:

Judson Smith papers, 1887-1975

Creator:
Smith, Judson Dejonge, 1880-1962  Search this
Subject:
Ernst, Jimmy  Search this
Fiene, Ernest  Search this
Gies, Joseph  Search this
Knight, Frederic C.  Search this
Kuniyoshi, Yasuo  Search this
McFee, Henry Lee  Search this
Montminy, Pierre  Search this
Reinhardt, Ad  Search this
Rosen, Charles  Search this
Tomlin, Bradley Walker  Search this
Wheelock, Warren  Search this
Bouché, Louis  Search this
Carlson, John F.  Search this
Colman, Anne  Search this
Dasburg, Andrew  Search this
Diebenkorn, Richard  Search this
Dudensing, F. Valentine  Search this
Woodstock School of Painting  Search this
Record number:
(DSI-AAA_CollID)8661
(DSI-AAA_SIRISBib)210841
AAA_collcode_smitjuds
Theme:
Art Materials, Techniques, and Studio Art Education
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210841

Necklace

Culture/People:
Jemez Pueblo  Search this
Possible seller:
Andrew Dasburg (A. Dasburg), Non-Indian, 1887-1979  Search this
Object Name:
Necklace
Media/Materials:
Oliva shell/shells, hide thong/babiche
Techniques:
Strung
Object Type:
Adornment/Jewelry
Place:
Jemez Pueblo, Jemez Reservation; Sandoval County; New Mexico; USA
Catalog Number:
13/7022
Barcode:
137022.000
See related items:
Jemez Pueblo
Adornment/Jewelry
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws657e35623-c068-4037-975a-850fb2dc246a
EDAN-URL:
edanmdm:NMAI_147102
Online Media:

Dasburg, Andrew Michael

Collection Creator:
Carnegie Institute, Museum of Art  Search this
Container:
Box 39, Folder 110
Type:
Archival materials
Date:
1911
1913
1927-1928
1930-1931
1933
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Carnegie Institute Museum of Art records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Carnegie Institute, Museum of Art records, 1883-1962, bulk 1885-1940. Archives of American Art, Smithsonian Institution.
See more items in:
Carnegie Institute, Museum of Art records
Carnegie Institute, Museum of Art records / Series 1: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carninst-ref2023

Raymond Jonson papers

Creator:
Jonson, Raymond, 1891-1982  Search this
Names:
Federal Art Project (N.M.)  Search this
Jonson Gallery  Search this
United States. Dept. of the Treasury. Section of Fine Arts  Search this
Albers, Josef  Search this
Bisttram, Emil, 1895-1976  Search this
Bloch, Albert  Search this
Cheney, Sheldon, 1886-  Search this
Dasburg, Andrew, 1887-1979  Search this
De Kooning, Elaine  Search this
Hiler, Hilaire, 1898-1966  Search this
Levy, Beatrice S. (Beatrice Sophia), 1892-1974  Search this
Nordfeldt, Bror Julius Olsson, 1878-1955  Search this
O'Hara, Eliot, 1890-1969  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Pelton, Agnes, 1881-1961  Search this
Wells, Cady, 1904-1954  Search this
Xceron, Jean, 1890-1967  Search this
Extent:
10 Linear feet ((partially microfilmed on 13 reels))
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
1910-1964
Scope and Contents:
Photographs, correspondence, exhibition materials, sketchbooks, diaries, scrapbooks, slides, and an untranscribed interview.
REEL NDA 14: Photographs of Jonson's murals for the Public Works of Art Project in Albuquerque, N.M. and a chart showing the relative sizes of the murals.
REELS RJ 1-RJ 10: Biographical data; correspondence with family members, artists, and others, including Josef Albers, Emil Bisttram, Albert Bloch, Sheldon Cheney, Andrew Dasburg, Elaine de Kooning, Hilaire Hiler, Beatrice S. Levy, B.J.O. Nordfeldt, Eliot O'Hara, Georgia O'Keeffe, Agnes Pelton, Cady Wells, Jean Xceron, and others; diaries, 1919-1926, with sketches; notebooks; scrapbooks; lectures; photographs; and exhibition records.
REEL 76: Catalogs; photographs; slides and schedule of exhibits, 1922-1962, of the Jonson Gallery, University of New Mexico; and photographs of Jonson.
UNMICROFILMED: Photocopies of correspondence with administrators of the WPA Federal Art Project in New Mexico and the Treasury Section of Fine Arts regarding the design and execution of murals by Jonson and Willard Nash for the Library of the University of New Mexico; an untranscribed tape of an interview of Jonson conducted by Ed Garman, undated; and two color charts, one a color circle and the other showing the main colors Jonson used, both used by Jonson to illustrate a lecture delivered at the Chili Club, December 6, 1948 [lecture is on reel RJ 9, fr. 6343-6346.]
Biographical / Historical:
Painter; Albuquerque, N.M. Painted murals for the WPA Federal Art Project and other New Deal art programs. He taught at the University of New Mexico where the Jonson Gallery was erected in his honor, housing the most complete permanent collection of Jonson's work.
Related Materials:
Raymond Jonson papers also at Syracuse University.
Provenance:
Material on reels RJ 1-10 was lent for microilming by Jonson c/o the Jonson Gallery, 1964-1965; all other material donated, 1966-1975, by Jonson and his brother Arthur, through the gallery.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters  Search this
Muralists -- New Mexico -- Albuquerque  Search this
Topic:
Federal aid to the arts -- New Mexico -- Albuquerque  Search this
Art and state -- New Mexico -- Albuquerque  Search this
Mural painting and decoration -- 20th century -- New Mexico -- Albuquerque  Search this
Art, Modern -- 20th century -- New Mexico -- Albuquerque  Search this
Genre/Form:
Scrapbooks
Identifier:
AAA.jonsraym
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-jonsraym

Axe (Image withheld)

Culture/People:
Cochiti Pueblo  Search this
Previous owner:
Andrew Dasburg (A. Dasburg), Non-Indian, 1887-1979  Search this
Seller:
Andrew Dasburg (A. Dasburg), Non-Indian, 1887-1979  Search this
Object Name:
Axe (Image withheld)
Media/Materials:
Stone, wood, hide thong/babiche
Techniques:
Painted
Object Type:
Ceremonial/Ritual items
Place:
Cochiti Pueblo, Cochiti Reservation; Sandoval County; New Mexico; USA
Catalog Number:
13/6937
Barcode:
136937.000
See related items:
Cochiti Pueblo
Ceremonial/Ritual items
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws6caae07cc-f8f0-46d2-a308-c1e04d8d0a15
EDAN-URL:
edanmdm:NMAI_147448

Axe (Image withheld)

Culture/People:
Cochiti Pueblo  Search this
Previous owner:
Andrew Dasburg (A. Dasburg), Non-Indian, 1887-1979  Search this
Seller:
Andrew Dasburg (A. Dasburg), Non-Indian, 1887-1979  Search this
Object Name:
Axe (Image withheld)
Media/Materials:
Stone, wood, hide thong/babiche
Techniques:
Painted
Object Type:
Ceremonial/Ritual items
Place:
Cochiti Pueblo, Cochiti Reservation; Sandoval County; New Mexico; USA
Catalog Number:
13/6938
Barcode:
136938.000
See related items:
Cochiti Pueblo
Ceremonial/Ritual items
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws62f77e63b-19e6-40d5-85d5-f73bf33dc0e9
EDAN-URL:
edanmdm:NMAI_147449

Erle Loran papers

Creator:
Loran, Erle, 1905-1999  Search this
Names:
Fine Arts Museums of San Francisco  Search this
Friends of Ethnic Art  Search this
San Francisco Art Institute  Search this
University of California, Berkeley -- Faculty  Search this
Bearden, Romare, 1911-1988  Search this
Cézanne, Paul, 1839-1906  Search this
Dasburg, Andrew, 1887-1979  Search this
Greenberg, Clement, 1909-1994  Search this
Haley, John, 1905-1991  Search this
Hartley, Marsden, 1877-1943  Search this
Hatfield, Dalzell, 1893-1963  Search this
Hofmann, Hans, 1880-1966  Search this
Levinson, Harry  Search this
Sabean, Samuel  Search this
Schaefer, Bertha, 1895-1971  Search this
Still, Clyfford, 1904-  Search this
Wilke, Ulfert, 1907-1987  Search this
Extent:
12.6 Linear feet
Type:
Collection descriptions
Archival materials
Watercolors
Sketches
Photographs
Writings
Date:
1912-1999
Summary:
The papers of California painter, writer, and teacher Erle Loran measure 12.6 linear feet and date from 1912 to 1991. Found are biographical materials; two linear feet of personal and professional correspondence; personal business records; writings which include extensive drafts and notes for Loran's book Cezanne's Composition; over 400 items of artwork that include watercolors, drawings, charcoal, and pastel studies; printed materials; photographs of Loran, family, and friends, and artwork; and one audio recording of a lecture by Loran on Cezanne.
Scope and Content Note:
The papers of California painter and teacher Erle Loran measure 12.6 linear feet and date from 1912 to 1991. Found are biographical materials; two linear feet of personal and professional correspondence; personal business records; writings which include extensive drafts and notes for Loran's book Cezanne's Composition; over 400 items of artwork that include watercolors, drawings, charcoal, and pastel studies; printed materials; photographs of Loran, family, and friends, and artwork; and one audio recording of a lecture by Loran on Cezanne.

Biographical materials include biographical sketches, curriculum vita, a will, notes and a notebook, and an appointment book for 1987. Also found is an anniversary invitation, a certificate from the University of California, and the Pepsi-Cola award for 1948.

Two linear feet of correspondence is with artists, critics, galleries, and universities. Correspondents inlcude Romare Bearden, Andrew Dasburg, Clement Greenberg, John Haley, Dalzell Hatfield, Hans Hofmann, Harry Levinson (president of Permanent Pigments), Sam Sabean, Bertha Schaefer, Clyfford Still, and Ulfert Wilke. There is also correspondence with the University of California.

Personal business records include exhibition files, price and consignment lists, teaching materials, University of California Press records, and records relating to the publication of his book on Cézanne. Some of these records also document Loran's involvement with the Fine Arts Museum, Friends of Ethnic Arts, and the San Francisco Art Institute. In addition, there are records related to Loran's role in a donation of forty-five paintings by Hans Hofmann to the University Art Center. Also found are materials related to Loran's activities as an art collector including sales receipts, auction catalogs, and photographs of artwork owned by Loran.

Writings by Loran include a complete manuscript version of Cézanne's Composition along with additional notes and drafts, and numerous other short essays on Cézanne's life and art. Loran's other writings include essays about Hans Hofmann, Marsden Hartley, symbology in abstract art, and contemporary art.

Loran's career as an artist is extensively documented by four linear feet of original artwork, mostly preliminary sketches. The work demonstrates a variety of techniques including watercolor, pastel, pencil, pen, gouache, and oil sketches. Content includes landscapes, portraits, fantasy scenes, urban scenes, and rural scenes.

Printed materials include extensive newsclippings from seven decades, exhibition announcements, and exhibition catalogs. Photographs are of Loran, his second wife Clyta, the Loran family, friends and colleagues, artwork, and source materials. Also found within the papers is an audio recording on cassette of a lecture by Loran on Cézanne.
Arrangement:
The collection is arranged into 8 series:

Series 1: Biographical Materials, 1930s-1990s (Box 1; 0.25 linear feet)

Series 2: Correspondence, 1912-1992 (Boxes 1-3; 2.0 linear feet)

Series 3: Personal Business Records, 1930s-1992 (Box 3; 0.25 linear feet)

Series 4: Writings, 1921-1999 (Boxes 3-4; 1.25 linear feet)

Series 5: Artwork, 1920s-1980s (Boxes 4-8, 13-14; 4.3 linear feet)

Series 6: Printed Material, 1925-1999 (Boxes 8-10, 14; 2.3 linear feet)

Series 7: Photographs, 1910s-1990s (Boxes 10-12, 14; 2.5 linear feet)

Series 8: Audio Recording, 1982 (Box 12; 1 folder)
Biographical Note:
California painter, writer, and teacher Erle Loran was born on October 2, 1905 in Minneapolis, Minnesota. He attended the Minneapolis School of Art and graduated in 1926. That same year, Loran won the Paris Prize from the Chaloner Foundation which enabled him to study in France for the next three years. Here, he immersed himself into the world of Paul Cezanne. He lived for two years in Cézanne's studio, meeting many who knew Cezanne, including painter Emile Bernard, and art dealer Ambroise Vollard. This experience was critical to the development of Loran's artistic vision and his later writings and lectures about Cézanne.

In 1929, Loran returned to the United States, and published the article "Cézanne's Country" in The Arts in 1930. He then spent the early 1930s in Minnesota, after returning to Minneapolis to be treated for tuberculosis. There, Loran began to paint in a regionalist style, producing landscapes and scenes of life in rural Minnesota. In 1931, Loran was given his first one-man show at the Kraushaar Gallery in New York. During the depression, Loran began teaching art and was given painting commissions as part of the federal arts programs of the WPA.

Loran moved to California in 1937 and accepted a position as professor in the art department at the University of California, Berkeley. There he taught until retiring in 1973, serving as the department's chair in the 1950s. He established a program to invite east coast artists to teach at the university, and participants included Conrad Marca-Relli and Milton Resnick. Loran's students included Jay DeFeo, Richard Diebenkorn, and Sam Francis. In 1941 Loran began to write the synthesis of his research and interpretations about Cézanne's work, culminating in his pioneering book Cézanne's Composition published in 1943 by the University of California Press.

During this period Loran associated himself with modernist Hans Hofmann. Loran's early paintings were lyrical abstractions in primary colors; however, his style constantly changed with the times. Watercolor was Loran's medium of choice because it lent itself to his often-remote plein air locations, such as the ghost towns of California and Nevada. With John Haley and Worth Ryder he formed the "Berkeley Group," whose paintings consisted of scenes of the California and southwestern landscape painted in flat, open areas of color. During the war, painting in the open became increasingly difficult and Loran transitioned from plein-air painting to studio work. Shortly thereafter he began to focus his painting on abstraction.

Loran's artwork during the 1950s consisted primarily of abstractions based on natural forms like crystal and driftwood. In 1955, he spent six weeks studying with Hans Hofmann, whom he later called, along with Cézanne, a second "great father figure." In 1960, he was instrumental in securing a gift of forty-five paintings by Hans Hofmann for Berkeley's University Art Center. In the late 1960s, his work became a fusing of Op, Pop, and Hard Edge. From this he moved to figurative painting and later to geometric designs and symbols.

Loran continued to paint throughout the rest of his life in a variety of styles, including nudes, abstractions, and landscapes. Besides being an artist and a teacher, Loran was also a lifelong collector of ethnic art who specialized in African, Asian, Native American, and pre-Columbian tribal art. Many works from his collection are presently housed at the de Young Museum in San Francisco. Loran died in 1999 in Berkeley, at the age of 93.
Related Material:
Found in the Archives of American Art is an oral history interview with Erle Loran conducted by Herschel Chipp, June 18, 1981, and a 1981 interview with Erle and Clyta Loran in the Fine Arts Museums of San Francisco Interviews With Artists collection. Also found is a letter from Loran to Richard Wattenmaker, 1975.
Separated Material:
The Archives of American Art also holds material lent for microfilming (reel 906) including photographs of artwork by Erle Loran and two clippings of reproductions of Loran's artwork. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Erle Loran lent the Archives of American Art materials for microfilming and donated papers in 1975. In 1999 Mrs. Ruth Schora-Loran, Loran's widow, donated additional material, including artworks.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Erle Loran papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art, Abstract  Search this
Art teachers -- California -- Berkeley  Search this
Art -- Collectors and collecting -- California -- San Francisco Bay Area  Search this
Painters -- California -- Berkeley  Search this
Painting, Modern -- 20th century -- California -- Berkeley  Search this
Art, Modern -- 20th century  Search this
Genre/Form:
Watercolors
Sketches
Photographs
Writings
Citation:
Erle Loran Papers, 1912-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.loraerle
See more items in:
Erle Loran papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-loraerle
Online Media:

Jar (Image withheld)

Culture/People:
A:shiwi (Zuni)  Search this
Previous owner:
Andrew Dasburg (A. Dasburg), Non-Indian, 1887-1979  Search this
Donor:
Andrew Dasburg (A. Dasburg), Non-Indian, 1887-1979  Search this
Object Name:
Jar (Image withheld)
Media/Materials:
Pottery
Techniques:
Painted
Object Type:
Containers and Vessels
Place:
Dowa Yalanne (Corn Mountain, Thunder Mountain, Towayalone); Zuni Reservation; McKinley County; New Mexico; USA
Date created:
circa 1900
Catalog Number:
12/4529
Barcode:
124529.000
See related items:
A:shiwi (Zuni)
Containers and Vessels
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws635c7d05a-5ff3-48c7-88ff-0957757dfbc6
EDAN-URL:
edanmdm:NMAI_133243

Shield and cover (Image withheld)

Culture/People:
Taos Pueblo  Search this
Collector:
Andrew Dasburg (A. Dasburg), Non-Indian, 1887-1979  Search this
Previous owner:
Andrew Dasburg (A. Dasburg), Non-Indian, 1887-1979  Search this
Seller:
Andrew Dasburg (A. Dasburg), Non-Indian, 1887-1979  Search this
Object Name:
Shield and cover (Image withheld)
Media/Materials:
Buffalo hide/skin
Techniques:
Painted
Object Type:
Hunting/Fishing/Warfare: Warfare
Place:
Taos Pueblo, Taos Reservation; Taos County; New Mexico; USA
Catalog Number:
14/1702
Barcode:
141702.000
See related items:
Taos Pueblo
Hunting/Fishing/Warfare: Warfare
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws6862896c8-ac5b-461b-a884-af080a0fcc9e
EDAN-URL:
edanmdm:NMAI_152380

Jar (Image withheld)

Culture/People:
A:shiwi (Zuni)  Search this
Previous owner:
Andrew Dasburg (A. Dasburg), Non-Indian, 1887-1979  Search this
Donor:
Andrew Dasburg (A. Dasburg), Non-Indian, 1887-1979  Search this
Object Name:
Jar (Image withheld)
Media/Materials:
Pottery
Techniques:
Painted
Object Type:
Containers and Vessels
Place:
Dowa Yalanne (Corn Mountain, Thunder Mountain, Towayalone); Zuni Reservation; McKinley County; New Mexico; USA
Catalog Number:
12/4528
Barcode:
124528.000
See related items:
A:shiwi (Zuni)
Containers and Vessels
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws6d099aea4-d5e4-4042-83d3-51724495b2bd
EDAN-URL:
edanmdm:NMAI_133242

War club

Culture/People:
Jemez Pueblo  Search this
Previous owner:
Andrew Dasburg (A. Dasburg), Non-Indian, 1887-1979  Search this
Seller:
Andrew Dasburg (A. Dasburg), Non-Indian, 1887-1979  Search this
Object Name:
War club
Media/Materials:
Wood, hide
Techniques:
Carved
Object Type:
Hunting/Fishing/Warfare: Warfare
Place:
Jemez Pueblo, Jemez Reservation; Sandoval County; New Mexico; USA
Catalog Number:
13/6939
Barcode:
136939.000
See related items:
Jemez Pueblo
Hunting/Fishing/Warfare: Warfare
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws6a232de3d-7ae9-4c81-9740-7c5963e99a15
EDAN-URL:
edanmdm:NMAI_147450
Online Media:

Andrew Dasburg

Photographer:
Genthe, Arnold, 1869-1942  Search this
Subject:
Dasburg, Andrew Michael  Search this
Type:
Photographs
Date:
ca. 1930
Topic:
Portraits  Search this
Record number:
(DSI-AAA)2049
See more items in:
Forbes Watson papers, 1840-1967, bulk 1900-1960
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_2049
Online Media:

Armory Show postcard with reproduction of Andrew Dasburg's sculpture Lucifer

Creator:
Association of American Painters and Sculptors (New York, N.Y.)  Search this
Subject:
Dasburg, Andrew Michael  Search this
Armory Show (1913 : New York, N.Y.)  Search this
Type:
Printed Materials
Date:
1913
Topic:
Exhibitions  Search this
Record number:
(DSI-AAA)14551
See more items in:
Walt Kuhn Family papers and Armory Show records, 1859-1984, bulk 1900-1949
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14551
Online Media:

Andrew Michael Dasburg postcard to Grace Mott Johnson

Creator:
Dasburg, Andrew Michael, 1887-1979  Search this
Johnson, Grace Mott, 1882-1967  Search this
Subject:
Armory Show (1913 : New York, N.Y.)  Search this
Type:
Correspondence
Date:
1913 Mar. 14
Record number:
(DSI-AAA)14171
See more items in:
Andrew Dasburg and Grace Mott Johnson papers, 1833-1980, bulk 1900-1980
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14171
Online Media:

Andrew Michael Dasburg postcard to Grace Mott Johnson

Creator:
Dasburg, Andrew Michael, 1887-1979  Search this
Johnson, Grace Mott, 1882-1967  Search this
Subject:
Armory Show (1913 : New York, N.Y.)  Search this
Type:
Correspondence
Date:
1913 Mar. 15
Topic:
Art market  Search this
Exhibitions  Search this
Record number:
(DSI-AAA)14822
See more items in:
Andrew Dasburg and Grace Mott Johnson papers, 1833-1980, bulk 1900-1980
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14822
Online Media:

Andrew Dasburg and others in his studio

Subject:
Dasburg, Andrew Michael  Search this
Type:
Photographs
Date:
1910
Topic:
Artists' studios  Search this
Painters  Search this
Record number:
(DSI-AAA)8027
See more items in:
Andrew Dasburg and Grace Mott Johnson papers, 1833-1980, bulk 1900-1980
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_8027

Andrew Dasburg's Paris studio

Subject:
Dasburg, Andrew Michael  Search this
Type:
Photographs
Place:
Paris, France
Date:
1910
Topic:
Artists' studios  Search this
Record number:
(DSI-AAA)8028
See more items in:
Andrew Dasburg and Grace Mott Johnson papers, 1833-1980, bulk 1900-1980
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_8028

Grace Mott Johnson letter to Andrew Dasburg

Creator:
Johnson, Grace Mott, 1882-1967  Search this
Dasburg, Andrew Michael, 1887-1979  Search this
Type:
Correspondence
Date:
1908 Aug. 2
Topic:
Marriage  Search this
Record number:
(DSI-AAA)8690
See more items in:
Andrew Dasburg and Grace Mott Johnson papers, 1833-1980, bulk 1900-1980
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_8690
Online Media:

Andrew Dasburg valentine to Grace Mott Johnson

Creator:
Dasburg, Andrew Michael, 1887-1979  Search this
Johnson, Grace Mott, 1882-1967  Search this
Type:
Correspondence
Date:
ca. 1907
Record number:
(DSI-AAA)8692
See more items in:
Andrew Dasburg and Grace Mott Johnson papers, 1833-1980, bulk 1900-1980
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_8692

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