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The artist as social designer, 1985

Creator:
Tuchman, Maurice, 1936-  Search this
Tuchman, Maurice, 1936-  Search this
Subject:
Sonfist, Alan  Search this
Tomkins, Calvin  Search this
Zimmerman, Elyn  Search this
Armajani, Siah  Search this
Burton, Scott  Search this
De Herrera, Maria  Search this
Holt, Nancy  Search this
Miss, Mary  Search this
Type:
Sound recordings
Topic:
Art and society  Search this
Curators -- California -- Los Angeles  Search this
Theme:
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)10231
(DSI-AAA_SIRISBib)213310
AAA_collcode_tuchmaur2
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213310

Melinda Wortz papers, 1958-1992

Creator:
Wortz, Melinda, 1940-2002  Search this
Wortz, Melinda, 1940-2002  Search this
Subject:
Eversley, Frederick  Search this
Taylor, Elizabeth  Search this
Livkin, Rena  Search this
Turrell, James  Search this
Tivey, Hap  Search this
Baca, Judith Francisca  Search this
DeLap, Tony  Search this
Antin, Eleanor  Search this
Christo  Search this
Dine, Jim  Search this
McCafferty, Jay David  Search this
Sonneman, Eve  Search this
Ox, Jack  Search this
Todd, Liza  Search this
Marck, Marc van der  Search this
Rinke, Klaus  Search this
Rosler, Martha  Search this
Irwin, Robert  Search this
Johns, Jasper  Search this
Valentine, De Wain  Search this
Kauffman, Craig  Search this
Zaimo, Stephen  Search this
Small, Rena  Search this
Warner, Elsa  Search this
Bell, Larry  Search this
Moses, Ed  Search this
Lodato, Peter  Search this
Wiener, Nina  Search this
Schwartz, Beth Ames  Search this
Barber, Daniel  Search this
Noguchi, Isamu  Search this
Rauschenberg, Robert  Search this
Harding, Bill  Search this
Marchesi, Cork  Search this
Ballatore-Nelson, Sandy  Search this
University of California, Irvine  Search this
Type:
Interviews
Photographs
Transcripts
Sound recordings
Travel diaries
Place:
Paris (France) -- description and travel
Soviet Union -- description and travel
Topic:
Gallery directors -- California -- Los Angeles  Search this
Art, American -- California  Search this
Art galleries, University and college -- California -- Irvine  Search this
Curators -- California -- Los Angeles  Search this
Art -- Study and teaching  Search this
Art, Modern -- 20th century -- California  Search this
Theme:
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)6475
(DSI-AAA_SIRISBib)215662
AAA_collcode_wortmeli
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215662
Online Media:

Kate Steinitz papers, circa 1910-2002

Creator:
Steinitz, Kate Traumann, 1889-1975  Search this
Steinitz, Kate Traumann, 1889-1975  Search this
Subject:
Grosz, George  Search this
Höch, Hannah  Search this
Leonardo, da Vinci  Search this
Lissitzky, El  Search this
Nebel, Otto  Search this
Mondrian, Piet  Search this
Schwitters, Kurt  Search this
Berg, Ilse  Search this
Gabo, Naum  Search this
van Biema, Carrie  Search this
Chagall, Marc  Search this
Graeff, Werner  Search this
Berlinische Galerie  Search this
Germanisches Nationalmuseum Nürnberg  Search this
Bauhaus  Search this
San Francisco Museum of Art  Search this
Elmer Belt Library of Vinciana  Search this
Type:
Photographs
Scrapbooks
Sketches
Manuscripts
Journals (accounts)
Collages
Paintings
Greeting cards
Visitors' books
Travel diaries
Topic:
Art -- Private collections  Search this
Art -- Collectors and collecting  Search this
Curators -- California -- Los Angeles  Search this
Women artists  Search this
Art, Modern -- 20th century -- Germany  Search this
Dadaism  Search this
Theme:
Women  Search this
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)6251
(DSI-AAA_SIRISBib)216575
AAA_collcode_steikate
Theme:
Women
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216575
Online Media:

Oral history interview with Manny Silverman, 2004 December 10-11

Interviewee:
Silverman, Manny, 1941-  Search this
Silverman, Manny, 1941-  Search this
Interviewer:
Ayres, Anne, 1936-  Search this
Subject:
Tuchman, Maurice  Search this
Johnson, Ray  Search this
Ernest Raboff Gallery  Search this
Type:
Sound recordings
Interviews
Topic:
Curators -- California -- Los Angeles  Search this
Art -- Economic aspects  Search this
Abstract expressionism  Search this
Record number:
(DSI-AAA_CollID)11727
(DSI-AAA_SIRISBib)249466
AAA_collcode_silver04
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_249466

Jules Langsner papers, circa 1910s-1998, bulk 1950-1967

Creator:
Langsner, Jules, 1911-1967  Search this
Langsner, Jules, 1911-1967  Search this
Subject:
Turnbull, William  Search this
Feitelson, Lorser  Search this
Guston, Philip  Search this
Feldman, Eddy  Search this
Fogg, Adelaide  Search this
Brice, William  Search this
Adams, Clinton  Search this
Perls, Frank  Search this
Ray, Man  Search this
Ray, Julie  Search this
Macdonald-Wright, Stanton  Search this
Lundeberg, Helen  Search this
Kadish, Reuben  Search this
Lebrun, Rico  Search this
Guston, Musa  Search this
Harwood, June  Search this
University of Southern California.  Search this
Santa Barbara Museum of Art  Search this
Solomon R. Guggenheim Museum  Search this
Ford Foundation  Search this
Art Institute of Chicago  Search this
Graham Foundation for Advanced Studies in the Fine Arts  Search this
California Watercolor Society  Search this
Art in America  Search this
Pasadena Art Museum  Search this
New York Times  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Los Angeles County Museum of Art  Search this
International Association of Art Critics  Search this
Type:
Photographs
Articles
Sound recordings
Essays
Lectures
Drafts (documents)
Manuscripts
Poems
Topic:
Works of art  Search this
Painting, Abstract -- California  Search this
Art -- Study and teaching  Search this
Art criticism  Search this
Curators -- California -- Los Angeles  Search this
Theme:
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)9117
(DSI-AAA_SIRISBib)211311
AAA_collcode_langjule
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211311
Online Media:

Marian Gore "Art Scene" interviews and papers, 1958-1969

Creator:
Gore, Marian L.  Search this
Gore, Marian L.  Search this
Subject:
Mallary, Robert  Search this
Lebrun, Rico  Search this
Kuntz, Roger  Search this
Luna, Mario  Search this
Leavitt, Thomas W.  Search this
Gerchik, Paul  Search this
Greene, Balcomb  Search this
Hopps, Walter  Search this
Hansen, Jurgen  Search this
Goeritz, Mathias  Search this
Elliot, James  Search this
Carter, Earl  Search this
Lipchitz, Jacques  Search this
Cremean, Robert  Search this
Brigante, Nicholas P.  Search this
Blair, Streeter  Search this
Ankrum, Joan  Search this
Albers, Josef  Search this
Siqueiros, David Alfaro  Search this
Albert, Michel (artist)  Search this
Wayne, June  Search this
Nevelson, Louise  Search this
Geoffrey, J. Iqbal  Search this
Vicente, Esteban  Search this
Wark, Robert R.  Search this
Schwaderer, Fritz (Fritz Karl)  Search this
Tamayo, Rufino  Search this
Robles, Esther  Search this
Schniede, Otto  Search this
Cuevas, José Luis  Search this
Ortiz, Emilio  Search this
Falkenstein, Claire  Search this
Comara Gallery  Search this
Dwan Gallery (Los Angeles, Calif.)  Search this
Ferus Gallery (Los Angeles, Calif.)  Search this
Silvan Simone Gallery  Search this
KPFK  Search this
Ankrum Gallery  Search this
Ceeje Gallery  Search this
Type:
Sound recordings
Photographs
Interviews
Transcripts
Topic:
Art -- Collectors and collecting -- California -- Los Angeles  Search this
Curators -- California -- Los Angeles  Search this
Gallery owners -- California  Search this
Artists -- California -- Los Angeles  Search this
Record number:
(DSI-AAA_CollID)6118
(DSI-AAA_SIRISBib)216328
AAA_collcode_goremari
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216328
Online Media:

Eudorah Moore scrapbooks, 1964-1966

Creator:
Moore, Eudorah M., 1918-2013  Search this
Moore, Eudorah M., 1918-2013  Search this
Subject:
National Crafts Planning Project (U.S.)  Search this
California Design  Search this
Type:
Scrapbooks
Topic:
Curators -- California -- Los Angeles  Search this
Design -- California  Search this
Record number:
(DSI-AAA_CollID)16249
(DSI-AAA_SIRISBib)370580
AAA_collcode_mooreudo
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_370580

Oral history interview with Manny Silverman

Interviewee:
Silverman, Manny  Search this
Interviewer:
Ayres, Anne, 1936-  Search this
Names:
Ernest Raboff Gallery  Search this
Johnson, Ray, 1927-1995  Search this
Tuchman, Maurice  Search this
Extent:
47 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2004 December 10-11
Scope and Contents:
An interview of Manny Silverman conducted 2004 December 10-11, by Ann Ayres, for the Archives of American Art, in Los Angeles, California.
Silverman discusses his Russo-Jewish parents and his childhood as an only child in Los Angeles; working as a social worker before starting at the Ernest Raboff Gallery as a research assistant; starting Art Services with Jerry Solomon; opening his own gallery on La Cienega Boulevard; his LA dealer contemporaries; moving his gallery to Almont Drive; Maurice Tuchman's exhibitions at LACMA; the critic's denigration of younger Abstract Expressionists; and ideas on how artists are influenced by other artists. Silverman also mentions the political aspects of museums; his tastes in assemblage artworks; becoming involved in the Ray Johnson estate and how he handles the estates of the deceased artists he displays; his belief in the precedence of the artist's creation, not the ideas leading to the work; his anti-intellectual view of his profession; the positives and negatives of running a gallery with a narrow focus on Abstract Expressionism; the importance of classical art training, even for unconventional artists; the painting habits of certain Abstract Expressionists; Sam Francis's poster for George McGovern's 1972 presidential campaign; his thoughts on various LA-based curators; the role of his wife in his gallery; his perceived overemphasis on the 1960s LA art scene; and society's values in regards to artwork. Silverman also recalls Paul Schimmel, Paul McCarthy, Rudi Gernreich, Philip Guston, Edward Dugmore, Klaus Kurtess, Paul Kantor, Joan Mitchell, Nicholas Wilder, Gerhard Richter, David Stuart, Shaun Regan, Al Ruppersberg, Russell Ferguson, and others.
Biographical / Historical:
Interviewee Manny Silverman (1941- ) is an art dealer from Los Angeles, California. Anne Ayres (1936- ) is a curator from Los Angeles, California.
General:
Originally recorded on 2 sound discs. Reformatted in 2010 as 5 digital wav files. Duration is 2 hr., 37 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Art dealers -- California -- Los Angeles  Search this
Topic:
Curators -- California -- Los Angeles  Search this
Art -- Economic aspects  Search this
Abstract expressionism  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.silver04
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-silver04

Melinda Wortz papers

Creator:
Wortz, Melinda  Search this
Names:
University of California, Irvine -- Faculty  Search this
University of California, Irvine. Department of Studo Art  Search this
University of California, Irvine. Fine Arts Gallery  Search this
Antin, Eleanor  Search this
Baca, Judith Francisca  Search this
Ballatore-Nelson, Sandy  Search this
Barber, Daniel  Search this
Bell, Larry, 1939-  Search this
Christo, 1935-  Search this
DeLap, Tony, 1927-  Search this
Dine, Jim, 1935-  Search this
Eversley, Frederick  Search this
Harding, Bill  Search this
Irwin, Robert, 1928-  Search this
Johns, Jasper, 1930-  Search this
Kauffman, Craig, 1932-2010  Search this
Livkin, Rena  Search this
Lodato, Peter  Search this
Marchesi, Cork  Search this
Marck, Marc van der  Search this
McCafferty, Jay David, 1948-  Search this
Moses, Ed, 1926-  Search this
Noguchi, Isamu, 1904-1988  Search this
Ox, Jack, 1948-  Search this
Rauschenberg, Robert, 1925-2008  Search this
Rinke, Klaus, 1939-  Search this
Rosler, Martha  Search this
Schwartz, Beth Ames  Search this
Small, Rena  Search this
Sonneman, Eve  Search this
Taylor, Elizabeth, 1932-2011  Search this
Tivey, Hap  Search this
Todd, Liza  Search this
Turrell, James  Search this
Valentine, De Wain, 1936-  Search this
Warner, Elsa  Search this
Wiener, Nina  Search this
Zaimo, Stephen  Search this
Extent:
17.45 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Photographs
Transcripts
Sound recordings
Travel diaries
Place:
Paris (France) -- description and travel
Soviet Union -- description and travel
Date:
1958-1992
Summary:
The papers of California art historian, writer, instructor, and curator, Melinda Wortz (1940-2002) date from 1958-1992, and measure 17.45 linear feet. The collection includes documentation of Wortz's tenure at the University of California, Irvine (UCI), where she specialized in collecting and presenting the California "light and space" artists during the 1970s and 1980s. Wortz's papers include biographical information, personal and professional correspondence, interview transcripts and sound recordings, professional and student writings and notes, diaries of five trips abroad, UCI administrative, dossier, and teaching files, general subject and artist files, printed material, several pieces of artwork; and photographs.
Scope and Contents:
The papers of California art historian, writer, instructor, and curator, Melinda Wortz (1940-2002) date from 1958-1992, and measure 17.45 linear feet. The collection includes documentation of Wortz's tenure at the University of California, Irvine (UCI), where she specialized in collecting and presenting the California Light and Space artists during the 1970s and 1980s. Wortz's papers include biographical information, personal and professional correspondence, interview transcripts and sound recordings, professional and student writings and notes, diaries of five trips abroad, UCI administrative, dossier, and teaching files, general subject and artist files, printed material, several pieces of artwork; and photographs.

Wortz's biographical material includes annotated appointment books and calendars, resumes, and some family, financial, and legal records.

Correspondence files document Wortz's activities beyond her work at UCI, including scattered correspondence with artists such as Eleanor Antin, Daniel Barber, Christo, Craig Kauffman, Cork Marchesi, Martha Rosler, Eve Sonneman, Hap Tivey, and Elsa Warner. Correspondence also relates to arrangements for lectures, juries, panels, symposiums, and other professional activities in which Wortz participated.

Interviews include transcripts of four interviews conducted by Wortz with subjects including Peter Lodato and Dewain Valentine, and a sound recording of an interview with Nina Wiener.

Writings and notes include drafts, and some published copies, of articles and essays written for journals, magazines, and exhibition catalogs; Wortz's dissertation and thesis; notes; student essays and class notes; and scattered writings by others. Included in the published works are copies of Artweek containing articles by Wortz, and drafts and published copies of essays on Larry Bell, Robert Irwin, Jasper Johns, Jay McCafferty, Isamu Noguchi, Robert Rauschenberg, Klaus Rinke, Beth Ames Schwartz, and James Turrell.

Diaries document five separate overseas trips to locations including Asia in 1977, Paris in 1978, and the U.S.S.R., where Wortz delivered a paper on Robert Irwin, in 1989.

University of California, Irvine, records include Wortz's administrative files documenting her work on various committees, her directorship of the Fine Arts Gallery, including budget and exhibition records, her work as Chair of Studio Art, and her collaborations with other faculty, including Judy Baca, Sandy Ballatore, Tony Delap, Craig Kauffman, and Rena Small. Wortz's dossier files provide a thorough record of her accomplishments from the late 1970s-1990, and her UCI teaching files document the content of core art courses which she taught at UCI in the 1970s and 1980s.

Subject files provide additional documentation of Wortz's interest in particular artists and subjects, and include scattered correspondence with artists, as well as additional correspondence, reports, printed material, index card files, sound cassettes, and photographs, documenting her interests in art and politics, feminism, religion and spirituality, museum management and training, and other subjects.

Printed material includes announcements, catalogs, journals, newsletters, and material specifically documenting Wortz's activities.

Artwork includes a piece of floor covering from a Jim Dine exhibition, a booklet by Daniel Barber, Flams by Rena Livkin, and several pieces of unidentified artwork.

Photographs include photos of Wortz with her family and with UCI faculty including Tony DeLap, Craig Kauffman, and Ed Moses; photos of events with friends and family, including Hap Tivey's wedding to Liza Todd with Elizabeth Taylor in attendance; photos of artists including Frederick Eversley, Bill Harding, Jack Ox, and Stephen Zaimo; and photos of artwork by artists including Tony DeLap, Barbara Smith, Marc Van Der Marck, and others.
Arrangement:
The collection is arranged as ten series.

Series 1: Biographical Materials, 1966-1988 (0.25 linear feet; Boxes 1, 19)

Series 2: Correspondence, 1967-1992 (1.25 linear feet; Boxes 1-2, 18)

Series 3: Interviews, 1971-circa 1980s (6 folders; Boxes 2, 18)

Series 4: Writings and Notes, 1958-circa 1990 (4.25 linear feet; Boxes 2-6, 19)

Series 5: Diaries, 1977-1989 (6 folders; Box 6)

Series 6: University of California, Irvine, 1960-1991 (4.8 linear feet; Boxes 6-11, OV 20)

Series 7: Subject Files, circa 1960-1990 (4.25 linear feet; Boxes 11-15, 18)

Series 8: Printed Material, 1960s-1980s (1.8 linear feet; Boxes 15-16, 19)

Series 9: Artwork, circa 1960s-circa 1980s (3 folders; Boxes 17, 19)

Series 10: Photographs, 1960s-1980s (0.6 linear feet; Boxes 17, 19)
Biographical / Historical:
California art historian, writer, instructor, and curator, Melinda Wortz (1940-2002), taught at the University of California, Irvine, from 1975, serving as Director of UCI's Fine Arts Gallery and Chair of the Department of Studio Art. Wortz's special area of interest was the work of the California "light and space" artists emerging in Los Angeles in the 1970s.

After attending Stanford University and graduating from Radcliffe College with a bachelors degree in art history, Wortz received her masters degree in art history from the University of California, Los Angeles, and her doctorate in theology and the arts from the Graduate Theological Union at Berkeley. Wortz taught at California State University and the University of California Extension in the early 1970s. At UCI her colleagues included Judy Baca, Sandy Ballatore, Tony Delap, Craig Kauffman, and Rena Small.

Wortz married Edward C. Wortz in the early 1970s, following her divorce from her first husband, Thomas G. Terbell, Jr. Edward Wortz's first career was as a research scientist working on NASA contracts in the air research industry in Colorado and California. Later he was involved in the arts and participated in collaborations with artists including Robert Irwin, Coy Howard, and James Turrell. He worked with Melinda Wortz to develop their personal collection of contemporary art.

Melinda Wortz was a prolific writer who wrote extensively for national art periodicals, including Arts Magazine, and Art News. She also wrote, and served as editor, for the California periodical Artweek from the 1960s to 1990s. She wrote numerous catalogs for artists including Larry Bell, Cork Marchesi, Doug Moran, Beth Ames Schwartz, and James Turrell; and published articles on Dan Flavin, Robert Irwin, Roy Lichtenstein, Jasper Johns, Robert Rauschenberg, Frank Stella, and others. She lectured at Brown University, the Center for Art, Salt Lake City, Contemporary Art Museum, La Jolla, the Massachusetts Institute of Technology, the San Diego Museum, Wellesley College, the Whitney Museum of American Art, and many other institutions. In 1989 she traveled to the U.S.S.R. to deliver a paper on Robert Irwin at the International Art Critics Association annual meeting.

In addition to her curatorial work at the UCI Fine Arts Gallery, where she organized exhibitions for artists including Alice Aycock, Jonathan Borofsky, Audrey Flack, Jack Ox, and Dennis Oppenheim, Wortz curated exhibitions for University of California sister colleges, Pasadena Art Museum, and others.

Wortz received UCI and National Endowment for the Arts grants in support of her writing, and served on advisory boards of the Contemporary Arts Forum, Los Angeles Institute of Contemporary Art, Santa Barbara, Robert Rauschenberg's foundation, Advisory Board of Change, Inc., the Pasadena Art Museum, and others.

Wortz was diagnosed with Alzheimers disease at the age of 50 and died in 2002.
Provenance:
The collection was donated by Edward C. Wortz, Melinda Wortz's husband, in 1994.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Women art historians -- California  Search this
Art historians -- California -- Los Angeles  Search this
Art critics -- California -- Los Angeles  Search this
Authors -- California -- Los Angeles  Search this
Art teachers -- California -- Los Angeles  Search this
Topic:
Gallery directors -- California -- Los Angeles  Search this
Art, American -- California  Search this
Art galleries, University and college -- California -- Irvine  Search this
Curators -- California -- Los Angeles  Search this
Art -- Study and teaching  Search this
Art, Modern -- 20th century -- California  Search this
Genre/Form:
Interviews
Photographs
Transcripts
Sound recordings
Travel diaries
Citation:
Melinda Wortz papers, 1958-1992. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.wortmeli
See more items in:
Melinda Wortz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-wortmeli
Online Media:

Maurice Tuchman interviews

Creator:
Tuchman, Maurice  Search this
Names:
Los Angeles County Museum of Art  Search this
Diebenkorn, Richard, 1922-1993  Search this
Extent:
0.4 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Sound recordings
Date:
1976
Summary:
The interviews conducted by curator Maurice Tuchman measure 0.4 linear feet and date from 1976. The collection is a series of interviews with thirteen persons associated with the painter Richard Diebenkorn, including Diebenkorn's wife, his friends, as well as collectors, art historians, and others. The interviews were conducted in conjunction with the 1977 exhibition, "Richard Diebenkorn: Paintings and Drawings, 1943-1976" at the Los Angeles County Museum of Art.
Scope and Contents:
The interviews conducted by curator Maurice Tuchman measure 0.4 linear feet and date from 1976. The collection is a series of interviews with thirteen persons associated with the painter Richard Diebenkorn, including Diebenkorn's wife, his friends, as well as collectors, art historians, and others. The interviews were conducted in conjunction with the 1977 exhibition, "Richard Diebenkorn: Paintings and Drawings, 1943-1976" at the Los Angeles County Museum of Art.
Arrangement:
The collection is arranged as one series.

Series 1: Interviews, 1976 (0.4 linear feet; Box 1)
Biographical / Historical:
Maurice Tuchman (1936- ) was the curator of 20th Century art at the Los Angeles County Museum of Art. Tuchman was born in Jacksonville, Florida. He attended City University of New York for his undergraduate studies and completed a PhD in art history at Columbia University. In 1964, he became the curator of 20th century art at LACMA, where he has established the Art and Technology program and showcased Southern California artists.
Provenance:
The interviews were donated to the Archives of American Art by Maurice Tuchman in 1988.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art museum curators -- California -- Los Angeles  Search this
Genre/Form:
Interviews
Sound recordings
Citation:
Maurice Tuchman interviews, 1976. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.tuchmaur
See more items in:
Maurice Tuchman interviews
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-tuchmaur

The artist as social designer

Creator:
Tuchman, Maurice  Search this
Names:
Armajani, Siah, 1939-  Search this
Burton, Scott, 1939-1989  Search this
De Herrera, Maria  Search this
Holt, Nancy, 1938-  Search this
Miss, Mary, 1944-  Search this
Sonfist, Alan  Search this
Tomkins, Calvin, 1925-  Search this
Zimmerman, Elyn, 1945-  Search this
Extent:
11 Items (sound cassettes (270 p. transcript) + 1 cassette edited for educational tours)
Type:
Collection descriptions
Archival materials
Sound recordings
Date:
1985
Scope and Contents:
Tape recording of a discussion on "The Artist as Social Designer" held at the Los Angeles County Museum of Art. Participants include Maurice Tuchman (moderator), Maria de Herrera, Scott Burton, Siah Armajani, Nancy Holt, Mary Miss, Elyn Zimmerman, Alan Sonfist, and Calvin Tomkins.
Biographical / Historical:
Curator; Los Angeles, Calif. Born 1936. Tuchman, Curator of Modern and Contemporary Art at the Los Angeles County Museum of Art, and his fellow curator, Maria de Herrera, arranged the closed discussion in preparation for an exhibition on public art and the contemporary artist's impulse toward functionalism.
Provenance:
Donated 1985 by Maurice Tuchman.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Environmental artists -- California -- Los Angeles  Search this
Sculptors -- California -- Los Angeles  Search this
Topic:
Art and society  Search this
Curators -- California -- Los Angeles  Search this
Genre/Form:
Sound recordings
Identifier:
AAA.tuchmaur2
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-tuchmaur2

Kate Steinitz papers

Creator:
Steinitz, Kate Traumann, 1889-1975  Search this
Names:
Bauhaus  Search this
Berlinische Galerie  Search this
Elmer Belt Library of Vinciana  Search this
Germanisches Nationalmuseum Nürnberg  Search this
San Francisco Museum of Art  Search this
Berg, Ilse  Search this
Chagall, Marc, 1887-1985  Search this
Gabo, Naum, 1890-1977  Search this
Graeff, Werner, 1901-1978  Search this
Grosz, George, 1893-1959  Search this
Höch, Hannah, 1889-1978  Search this
Leonardo, da Vinci, 1452-1519  Search this
Lissitzky, El, 1890-1941  Search this
Mondrian, Piet, 1872-1944  Search this
Nebel, Otto, 1892-1973  Search this
Schwitters, Kurt, 1887-1948  Search this
van Biema, Carrie  Search this
Extent:
4.3 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Sketches
Manuscripts
Journals (accounts)
Collages
Paintings
Greeting cards
Visitors' books
Travel diaries
Date:
circa 1910-2002
Summary:
The papers of artist, collector, librarian, and scholar Kate Steinitz measure 4.3 linear feet and date from circa 1910 to 2002. The collection documents Steinitz's life and career in Germany and the United States through biographical material; correspondence; writings, including manuscripts and travel diaries; exhibition files; personal business records; printed material; travel scrapbooks; artwork; and photographs.
Scope and Contents:
The papers of artist, collector, librarian, and scholar Kate Steinitz measure 4.3 linear feet and date from circa 1910 to 2002. The collection documents Steinitz's life and career in Germany and the United States through biographical material; correspondence; writings, including manuscripts and travel diaries; exhibition files; personal business records; printed material; travel scrapbooks; artwork; and photographs.

Biographical material consists of life and travel documents, various membership cards, news clippings, and memorial cards. Also included are letters of recommendation, a resume, and an award from the president of Germany.

Correspondence is with friends, family, colleagues, and various organizations. Artists represented include Carrie van Biema, El Lissitzky, Piet Mondrian, and others. Correspondence with arts organizations include San Francisco Museum of Art, Berlinische Galerie, Germanisches Nationalmuseum, and others.

Published writings by Steinitz include articles, books, and book reviews. Unpublished writings include two travel diaries and an illustrated journal, an autobiographical essay with a sketch of the Traumann family tree, manuscripts, lectures, poems, and notes. Writings by others include a guest register with sketches and comments by visitors, a memorial speech, biographical essays, and miscellaneous notes.

Steinitz's professional activities during her career as a librarian and curator of the Elmer Belt Library of Vinciana are documented through published articles and books, informal reports, correspondence, scrapbooks, sketches, and photographs.

Files pertaining to exhibitions of Steinitz's artwork and collection are documented through three exhibition catalogs, correspondence, inventories, photographs, and printed ephemera. Materials related to the Schwitters-Steinitz Collection, which was compiled by Steinitz and is available at the National Gallery of Art Library in Washington, D.C., include a finding aid and photocopies documenting the exhibition Collaborative Works by Kate Steinitz and Kurt Schwitters from the Schwitters-Steinitz Collection (1994).

Personal business records include an appraisal of Steinitz's art and book collection. Documents pertaining to Steinitz's publishing activities include sales agreements and legal services rendered for the book Kurt Schwitters: A Portrait from Life (1968) written by Steinitz and contracts with Whitman Publishing Company for a children's book by Tom Seidmann-Freud.

Printed material consists of published illustrations and stationary by Steinitz; clippings about Steinitz, Kurt Schwitters, and others; reproductions of artwork; and miscellaneous invitations and announcements. Also found are three children's books written and illustrated by Tom Seidmann-Freud and a book of poems with an illustrated book jacket by Joachin Ringelnatz.

Steinitz's personal and professional trips to Europe are documented through six travel scrapbooks which include sketches, photographs, notes, and printed ephemera such as postcards, receipts, and maps.

Artwork by Steinitz consists of travel sketches and a mock-up sketch for the book Manuscripts of Leonardo da Vinci: Their History, With a Description of the Manuscript Editions in Facsimile (1948). Artwork by others includes miscellaneous sketches, prints, and paintings. Of note are greeting cards with prints by Werner Graeff and a collage by Otto Nebel.

Photographs and negatives consist of portraits and snapshots of Steinitz as well as family, friends, and artists. Photographs by Steinitz include a self-portrait and images of artists, artwork, and Bauhaus architecture. Photographs of Steinitz's apartments in Los Angeles include images of a Man Ray table that was given to Jake Zeitlin. Artists represented include Piet Mondrian, Naum Gabo, Kurt Schwitters, Hannah Höch, El Lissitzky, Marc Chagall, George Grosz, and others.
Arrangement:
The collection is arranged as 10 series.

Series 1: Biographical Material, 1915-1976 (Box 1; 0.4 linear feet)

Series 2: Correspondence, circa 1922-1998 (Boxes 1-2; 0.9 linear feet)

Series 3: Writings, 1921-2002 (Box 2; 1.0 linear feet)

Series 4: Elmer Belt Library of Vinciana, 1948-1989 (Boxes 2-3; 0.3 linear feet)

Series 5: Exhibition Files, 1939-2001 (Box 3; 0.5 linear feet)

Series 6: Personal Business Records, 1938-1993 (Box 3; 0.3 linear feet)

Series 7: Printed Material, 1913-2002 (Boxes 3-5; 0.5 linear feet)

Series 8: Travel Scrapbooks, 1966-1974 (Box 4; 0.4 linear feet)

Series 9: Artwork, circa 1928-1974 ( Boxes 4-5; 0.3 linear feet)

Series 10: Photographic Material, circa 1910-1979 (Boxes 4-5; 0.3 linear feet)
Biographical / Historical:
Kate Steinitz (1889-1975) was an artist, collector, librarian, and scholar who worked in Berlin and Hanover, Germany and Los Angeles, California. Steinitz was born in Beuthen, Silesia, Germany, (now Poland) to Arnold and Magdelena Traumann; the family relocated to Berlin in 1899. From 1908 to 1911, Steinitz studied drawing and painting under Käthe Kollwitz and Lovis Corinth and attended lectures by art historian, Heinrich Wölfflin. While visiting Paris with her mother in 1912, Steinitz continued her studies at the Sorbonne and Académie de la Grande Chaumière.

Steinitz married physician, Ernst Steinitz in 1913. The couple had three daughters including Ilse, Lotti, and Beate. In 1917, the family moved to Hanover, Germany. Over the next 17 years, the Steinitz household served as a salon for visiting artists including Naum Gabo, Hannah Höch, El Lissitzky, and Laszlo Moholy-Nagy. Visitors' notes and drawings from this era are documented in Steinitz's guestbook, Zu Gast bei Kate Steinitz, published by Galerie Gmurzynska in 1977.

Steinitz was most active as a fine artist while living in Hanover. Her paintings under glass were first exhibited in 1921 at Herbert von Garvens' gallery. Steinitz had her first solo exhibition in 1922 at the Gurlitt Gallery in Berlin. In 1926, her work was included in the International Exhibition of Modern Art at the Brooklyn Museum in New York.

Steinitz also collected art and her collection included artworks by El Lissitzky, Kurt Schwitters, László Moholy-Nagy, Paul Klee, Wassily Kandinsky, Auguste Rodin, Otto Nebel, Franz Marc, and others. In 1925, she collaborated with German artist Kurt Schwitters and Dutch artist Theo van Doesburg on Die Scheuche Märchen, a typographic children's book published by Aposs and Merz Verlag. Steinitz and Schwitters also collaborated on Der Zusammenstoss, an opera libretto. Steinitz compiled an archival collection documenting Schwitters' life and career which was later acquired by the National Gallery of Art Library in Washington, D.C. in 1976.

As a journalist, Steinitz wrote about art and lifestyle topics for newspapers and magazines in Hanover and Berlin. Growing Nazi influences caused the family to leave Germany for New York City in 1936. As Chairman of the Art Committee of Friendship House, a cultural organization for refugees, Steinitz organized the New Americans (1939-1940) exhibition of paintings, drawings, and sculpture by European refugees at the World's Fair in New York.

After finalizing her U.S. citizenship in 1944, Steinitz relocated to Los Angeles where she resided for the remainder of her life. From 1945 to 1961, she served as a librarian for Elmer Belt's Leonardo da Vinci library. When Belt donated the library to the University of California, Los Angeles in 1961, Steinitz was named honorary curator of the Elmer Belt Library of Vinciana. In 1969, Steinitz's literary contributions on Leonardo da Vinci earned her an invitation to deliver the lecture for the IX Lettura Vinciana in Venice, Italy.

The biographical information included here draws upon the following sources: Wilson Library Bulletin, Vol. 45 (1970) and Kate Steinitz: Art into Life into Art, exhibition catalog, Severin Wunderman Museum (1994).
Related Materials:
Kate Steinitz compiled a collection of archival materials about German artist and writer Kurt Schwitters and donated the materials to the National Gallery of Art Library located in Washington, D.C.

Kate Traumann Steinitz papers are also located at UCLA Library Special Collections.
Provenance:
The Kate Steinitz papers were donated to the Archives of American Art in 1999 by Ilse Berg, daughter of Kate Steinitz.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Librarians -- Germany  Search this
Art historians -- Germany  Search this
Librarians -- California -- Los Angeles  Search this
Art historians -- California -- Los Angeles  Search this
Illustrators -- Germany  Search this
Illustrators -- California -- Los Angeles  Search this
Curators -- Germany  Search this
Topic:
Art -- Private collections  Search this
Art -- Collectors and collecting  Search this
Curators -- California -- Los Angeles  Search this
Women artists  Search this
Art, Modern -- 20th century -- Germany  Search this
Dadaism  Search this
Genre/Form:
Photographs
Scrapbooks
Sketches
Manuscripts
Journals (accounts)
Collages
Paintings
Greeting cards
Visitors' books
Travel diaries
Citation:
Kate Steinitz papers, circa 1910-2002. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.steikate
See more items in:
Kate Steinitz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-steikate
Online Media:

Eudorah Moore scrapbooks

Creator:
Moore, Eudorah M.  Search this
Names:
California Design  Search this
National Crafts Planning Project (U.S.)  Search this
Extent:
0.3 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
1964-1966
Scope and Contents:
38 scrapbook pages containing articles and photographs about Eudorah Moore's exhibitions of California Design. Also included is a small collection of letters and articles relating to home design and craft, and some of Moore's work for the National Crafts Planning Project.
Biographical / Historical:
Eudorah Moore (1918- 2013) was a design curator in Los Angeles, California. Moore worked for the Pasadena Art Museum, Pasadena, California, 1962-1977.
Related Materials:
Eudorah Moore papers are located at the Oakland Museum of California, Oakland, California.
Provenance:
Donated 2015 by Ren Moore, Eudorah Moore's son and executor.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Topic:
Curators -- California -- Los Angeles  Search this
Design -- California  Search this
Genre/Form:
Scrapbooks
Identifier:
AAA.mooreudo
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mooreudo

Jules Langsner papers

Creator:
Langsner, Jules, 1911-1967  Search this
Names:
Art Institute of Chicago  Search this
Art in America  Search this
California Watercolor Society  Search this
Ford Foundation  Search this
Graham Foundation for Advanced Studies in the Fine Arts  Search this
International Association of Art Critics  Search this
Los Angeles County Museum of Art  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
New York Times  Search this
Pasadena Art Museum  Search this
Santa Barbara Museum of Art  Search this
Solomon R. Guggenheim Museum  Search this
University of Southern California. -- Faculty  Search this
Adams, Clinton, 1918-2002  Search this
Brice, William, 1921-  Search this
Feitelson, Lorser, 1898-1978  Search this
Feldman, Eddy  Search this
Fogg, Adelaide  Search this
Guston, Musa  Search this
Guston, Philip, 1913-1980  Search this
Harwood, June  Search this
Kadish, Reuben, 1913-1992  Search this
Lebrun, Rico, 1900-1964  Search this
Lundeberg, Helen, 1918-  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Perls, Frank, 1910-1975  Search this
Ray, Julie  Search this
Ray, Man, 1890-1976  Search this
Turnbull, William, 2002  Search this
Extent:
4.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Articles
Sound recordings
Essays
Lectures
Drafts (documents)
Manuscripts
Poems
Date:
circa 1910s-1998
bulk 1950-1967
Summary:
The papers of southern California contemporary art curator, critic, and historian Jules Langsner measure 4.4 linear feet and date from circa 1910s-1998, with the bulk of the materials dating from 1950-1967. Found within the papers are biographical material; correspondence with family, friends, and colleagues; writings normal="1941"> travel, and works of art; and audio recordings of Langsner's lectures and eulogies given at his funeral.
Scope and Contents note:
The papers of southern California contemporary art curator, critic, and historian Jules Langsner measure 4.4 linear feet and date from circa 1910s-1998, with the bulk of the materials dating from 1950-1967. Found within the papers are biographical material; correspondence with family, friends, and colleagues; writings by Langsner; exhibition files; printed materials; photographs of Langsner, others, travel, and works of art; and audio recordings of Langsner's lectures and eulogies given at his funeral.

Biographical materials consist of an address book and file, committee files, scattered financial statements, and documents related to the Ford Foundation and other foundations, teaching, and traveling.

The 0.9 linear feet of correspondence is of both a personal and professional nature. A significant portion of the correspondence is between Langsner and publications for which he wrote such as Art News, the New York Times, Meridian Books, Craft Horizons, Art International, and Art in America; galleries and museums where he lectured or curated exhibitions including the Art Institute of Chicago, California Water Color Society, Los Angeles County Museum of Art, Pasadena Art Museum, Santa Barbara Museum of Art, Museum of Modern Art, Guggenheim Museum, and the Fine Arts Patrons of Newport Harbor; colleges and organizations where he taught or was involved with such as the Graham Foundation, University of Southern California, International Association of Art Critics, and Ford Foundation; and artists that he worked with or knew personally including Rico Lebrun, William Turnbull, Man & Julie Ray, Lorser Feitelson, Helen Lundeberg, Adelaide Fogg, and Clinton Adams.

Letters to June Harwood were written while Langsner was traveling in 1964 and 1965 and discuss his travels and their relationship which culminated in marriage in Italy in 1965.

Among the 2.8 linear feet of the writings of Jules Langsner are articles for Art News, Art in America, Art International, Arts & Architecture, Aware, Beverly Hills Times, Craft Horizons, Creative Crafts, Goya Revista De Arte, Yomiuri, and Zodiac. There are also essays, lectures, poems, drafts, notes, jottings of ideas, proposals and published and unpublished manuscripts. There are drafts and unpublished versions of "Painting in the Modern World", and numerous other essays on contemporary art. There are also extensive handwritten notes on his travels, Asian art, European art, and other subjects.

Exhibition files concern "Black and White" (1958), "California Hard-Edge Painting" (1964), the Man Ray Exhibition (1966), and the William Turnbull Exhibition (1966).

Printed materials include miscellaneous flyers, brochures, and news bulletins, and press releases.

Photographs are of people, places, works of art, and exhibitions. There are photographs of Jules Langsner, June Harwood, Philip Guston, Musa Guston, William Brice, Eddy Feldman, Rube Kadish, Stanton MacDonald-Wright, Frank Perls, and unidentified individual people and groups. Photographs of Langsner's travels are of Japan, Korea, Taiwan, and other locations. Photographs of exhibitions include California Art Club, "Black and White," "California Painters & Sculptors, 35 & Under," and unidentified exhibitions. Photographs of works of art are by William Turnbull, Jack Zajac, Walter Mix, Marion Aldrich, Roger Majorowicz, and Jasper Johns.

Audio recordings include four untranscribed 7" reel-to-reel audio recordings and one cassette tape. The reel-to-reel tapes are of two lectures by Langsner, You & Art/Berlin Party, and of eulogies given at Langsner's funeral by Clement Greenberg, Henry Seldis, Peter Selz, Richard Brown, Donald Brewer, Tom Leavitt, Lorser Feitelson, Sam Francis, June Wayne, Gifford Phillips, and others. The cassette tape is a copy of eulogies.
Arrangement note:
The collection is arranged as 7 series. Photographs are arranged by subject, otherwise each series is generally arranged chronologically.

Series 1: Biographical Materials, 1957-circa 1960s (Box 1; 9 folders)

Series 2: Correspondence, 1948-1998 (Boxes 1-2; 0.9 linear feet)

Series 3: Writings, 1934-circa 1960s (Boxes 2-4; 2.8 linear feet)

Series 4: Exhibition Files, 1919, circa 1958-1966 (Box 4; 4 folders)

Series 5: Printed Materials, circa 1960s (Box 5; 2 folders)

Series 6: Photographs, circa 1910s-1960s (Box 5; 0.25 linear feet)

Series 7: Audio Recordings, 1954-1967 (Box 5; 0.25 linear feet)
Biographical/Historical note:
Jules Langsner (1911-1967) worked primarily in the Los Angeles area as a contemporary art critic, historian, and curator. He curated several seminal exhibitions of contemporary art, including the 1959-1960 show "Four Abstract Classicists" featuring the work of Southern California artists Lorser Feitelson, Karl Benjamin, Frederick Hammersley, and John McLaughlin.

Born Julius Harold Langsner in New York City on May 5, 1911, his family moved to Ontario, California in 1922. The family lived on a farm and opened the Paradise Health Resort which was run by Langsner's father, chiropractor Isadore Langsner, and was popular in Jewish and intellectual circles. In Ontario, Langsner became friends with three of the Pollack family sons, Jackson, Frank, and Sanford, as well as Philip Guston, Reuben Kadish, Leonard Stark, and Don Brown as a teenager. Guston, Kadish, and Jackson Pollock were later mentored by Lorser Feitelston which helped to foster in Langsner an interest in avant-garde painting.

Langsner went on to study philosophy at the University of California, Los Angeles. In the early 1940s, Langsner married and had a son, Drew Langsner. He divorced in 1946. In 1944, he enlisted in the United States Army and served as a psychiatric social worker and psychologist during World War II in the United States.

Art & Architecture magazine was the first to publish Langsner's art criticism in 1948. Throughout the 1950s and 60s his work was published widely in Art & Architecture as well as Art News, Art in America, Craft Horizons, Beverly Hills Times, Zodiac, and others. Langsner wrote extensively about art history in both published and unpublished manuscripts, including Painting in the Modern World which he worked on until his death. Additionally, he taught art history classes at the Chouinard Art Institute and University of Southern California and lectured for a variety of organizations and occasions.

Langsner curated several influential exhibitions in southern California, including the "Four Abstract Classicists" exhibition for the Los Angeles County Museum of Art in 1959 and in whose catalog he and Peter Selz coined the term "Hard-Edge painting." He curated the first full-scale retrospective of Man Ray in the United States at the Los Angeles County Museum of Art in 1966.

Langsner received a grant from the Ford Foundation in 1964 that allowed him to travel throughout Asia, the Middle East, and Europe for a year studying regional art and architecture. He wrote notes on his travels and corresponded frequently with June Harwood, a Hard-Edge painter, whom he married in Italy in 1965.

Jules Langsner died unexpectedly of a heart attack on September 29, 1967, in Los Angeles.
Related Archival Materials note:
The papers of Lorser Feitelson and Helen Lundeberg at the Archives of American Art contain a significant amount of writings by Jules Langsner, including exhibition catalog essays.

Papers of Jules Langsner, 1941-1967, are also located at the University of California, Los Angeles.
Provenance:
The Jules Langsner papers were donated to the Archives of American Art in several installments from 1973-1996, and in 2004 by June Harwood Langsner, widow of Jules Langsner. Notes for a lecture given at the Art Institute of Chicago in 1966 and 39 pieces of correspondence were donated in 1982 by the University of California Art Library, Los Angeles, via Librarian Virginia Steele.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- California -- Los Angeles  Search this
Art historians -- California -- Los Angeles  Search this
Topic:
Works of art  Search this
Painting, Abstract -- California  Search this
Art -- Study and teaching  Search this
Art criticism  Search this
Curators -- California -- Los Angeles  Search this
Genre/Form:
Photographs
Articles
Sound recordings
Essays
Lectures
Drafts (documents)
Manuscripts
Poems
Citation:
Jules Langsner papers, circa 1910s-1998, bulk 1950-1967. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.langjule
See more items in:
Jules Langsner papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-langjule
Online Media:

Marian Gore "Art Scene" interviews and papers

Creator:
Gore, Marian L.  Search this
Names:
Ankrum Gallery  Search this
Ceeje Gallery  Search this
Comara Gallery  Search this
Dwan Gallery (Los Angeles, Calif.)  Search this
Ferus Gallery (Los Angeles, Calif.)  Search this
KPFK (Radio staion : Los Angeles, Calif.)  Search this
Silvan Simone Gallery  Search this
Albers, Josef  Search this
Albert, Michel (artist)  Search this
Ankrum, Joan  Search this
Blair, Streeter, 1888-1966  Search this
Brigante, Nicholas P., 1895-1989  Search this
Carter, Earl  Search this
Cremean, Robert, 1932-  Search this
Cuevas, José Luis, 1934-  Search this
Elliot, James, 1943-2011  Search this
Falkenstein, Claire, 1908-1997  Search this
Geoffrey, J. Iqbal, 1939-  Search this
Gerchik, Paul  Search this
Goeritz, Mathias, 1915-1990  Search this
Greene, Balcomb, 1904-1990  Search this
Hansen, Jurgen  Search this
Hopps, Walter  Search this
Kuntz, Roger, 1926-1975  Search this
Leavitt, Thomas W.  Search this
Lebrun, Rico, 1900-1964  Search this
Lipchitz, Jacques, 1891-1973  Search this
Luna, Mario  Search this
Mallary, Robert, 1917-1997  Search this
Nevelson, Louise, 1899-1988  Search this
Ortiz, Emilio, 1936-  Search this
Robles, Esther  Search this
Schniede, Otto  Search this
Schwaderer, Fritz (Fritz Karl), 1901-  Search this
Siqueiros, David Alfaro  Search this
Tamayo, Rufino, 1899-  Search this
Vicente, Esteban, 1903-2001  Search this
Wark, Robert R.  Search this
Wayne, June, 1918-2011  Search this
Extent:
2.2 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Photographs
Interviews
Transcripts
Date:
1958-1969
Summary:
The Marian Gore "Art Scene" interviews and papers measure 2.2 linear feet and date from 1958 to 1969, with all sound recordings dated between 1962 and 1964. The core of the collection consists of 37 radio programs recorded by Marian Gore for KPFK radio in Los Angeles, California, consisting of interviews with artists, collectors, gallerists, and museum curators. A series of artist files contains notes, correspondence and other materials related to her interview subjects, and a printed materials series contains mainly exhibition posters, programs, and announcements produced by the art spaces with which her subjects were affiliated.
Scope and Contents:
The Marian Gore "Art Scene" interviews and papers measure 2.2 linear feet and date from 1958 to 1969, with all sound recordings dated between 1962 and 1964. The core of the collection consists of 37 radio programs recorded by Marion Gore for KPFK radio in Los Angeles, California, consisting of interviews with artists, collectors, gallerists, and museum curators. A series of artist files contains notes, correspondence and other materials related to her interview subjects, and a printed materials series contains mainly exhibition posters, programs, and announcements produced by the art spaces with which her subjects were affiliated.

The "Art Scene" Interviews series contains 36 interviews from Gore's "Art Scene" radio series of interviews relating to the contemporary art scene in Los Angeles, particularly galleries and artists showing on La Cienega Boulevard in West Hollywood. Also found is a single episode of another KPFK program called "Seen at the galleries" and hosted by Earl Carter, featuring an interview with Jacques Lipchitz on the occasion of his retrospective at UCLA. Two interviews, with Mathias Goeritz and David Siqueiros, were conducted in Mexico City. Other interview subjects include Michel Albert, Josef Albers, Joan Ankrum, Streeter Blair, Nick Brigante, Robert Cremean, José Luis Cuevas, James Elliott, Claire Falkenstein, Balcomb Greene, Paul Gerchik, Jurgen Hansen, Walter Hopps, Roger Kuntz, Rico Lebrun, Dr. Thomas Leavitt, Jacques Lipchitz, Mario Luna, Robert Mallary, Louise Nevelson, Emilio Ortiz, Esther Robles, Otto Schniede, Fritz Schwaderer, Rufino Tamayo, Esteban Vicente, Robert Wark, and June Wayne.

Artist files include mainly brief, typewritten notes created for Gore's radio interviews, with the questions she asked her interview subjects and brief introductory or concluding remarks. Correspondence is also found in files for Robert Cremean, Iqbal Geoffrey, Balcomb Greene, Robert Mallary, Emilio Ortiz, and Esteban Vicente. Louise Nevelson's file also contains a transcript of her interview with Gore. Also found scattered in some files are notes, photographs, clippings, press releases, resumes, and exhibition programs. Note that not every person in this series has a corresponding sound recording in Series 1, and not every interviewee in Series 1 has a corresponding file in this series.

Most of the material in the Printed Materials series consists of exhibition announcements, programs, and posters from Galleries in the Los Angeles, California area, particularly those along La Cienega Boulevard. Of these, Ankrum Gallery, Ceeje Gallery, Comara Gallery, Dwan Gallery, Ferus Gallery, and Silvan Simone Gallery on Olympic Boulevard contain the most material, with many of the other files containing only one or two pieces. Of note are original prints promoting exhibitions at the Ferus and Ceeje Galleries, and a poster for an art walk along La Cienega Boulevard in the file for the Los Angeles County Museum of Art.
Arrangement:
The collection is arranged in 3 series:

Series 1: "Art Scene" Interviews (1.3 linear feet, Boxes 1-2, 4)

Series 2: Artist Files (0.2 linear feet, Boxes 2, 4)

Series 3: Printed Materials (0.7 linear feet, Boxes 3-4, OV 5)
Biographical / Historical:
Marian L. Gore (1914-2009) volunteered as a radio interviewer for KPFK between 1962-1964, conducting a series of interviews with Los Angeles-area artists, curators, collectors, and gallerists in response to a growing awareness of Los Angeles' rapidly growing role as a creative center and art market.

Born Marian Lucille Moore on Feb. 27, 1914, in Los Angeles to Fred and Lucille Moore. Fred Moore, an attorney, defended Nicola Sacco and Bartolomeo Vanzetti in the infamous 1921 trial. Following her divorce in the early 1960s, Gore approached the radio station KPFK, who was looking for someone to interview local artists. In a 1997 letter that accompanied her donation of the collection to the Archives, Gore writes,

"The early 1960's were an interesting and probably unique period for the Southern California art world. In Los Angeles on La Cienega Boulevard galleries had sprung up like mushrooms, and on Friday nights those who were interested in this scene would go from one gallery to another noting what artists were featured and what trends were apparent. It was a pleasurable way to meet artists as well as a social event where one could see friends and exchange impressions.

"Because I was searching for something to do, at the suggestion of a friend I had gone to radio station KPFK to volunteer my services in any way possible. It turned out to be a most fortuitous time for this offer. The management was interested in possible intervie3ws with artists, and so it all began. I had never done an interview in my life and was astounded to discover how easy it was to get artists, gallery owners, and even museum personnel to talk aobut what they did. Once this began I was swaped with requests for taped interviews, far more than I could manage."

Gore later became an antiquarian bookseller specializing in books on food and drink. She retired in 1994 and donated her book collection to the Los Angeles Public Library.
Provenance:
Donated 1997 by Marian Gore.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Collectors and collecting -- California -- Los Angeles  Search this
Curators -- California -- Los Angeles  Search this
Gallery owners -- California  Search this
Artists -- California -- Los Angeles  Search this
Genre/Form:
Sound recordings
Photographs
Interviews
Transcripts
Citation:
KPFK "Art Scene" interviews, 1950-1969. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.goremari
See more items in:
Marian Gore "Art Scene" interviews and papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-goremari

Anne Ayres papers

Creator:
Ayres, Anne, 1936-  Search this
Extent:
1 Linear foot
Type:
Collection descriptions
Archival materials
Date:
1972-2003
Scope and Contents:
Exhibition announcements and brochures from the Ben Maltz Gallery at Otis College of Art and Design; photographs; greeting cards; notes; magazine reviews and articles about exhibitions Ayres' curated; correspondence; and manuscripts for lectures. Also included are four volumes of L.A. Artists' Publication, 1972-1973.
Biographical / Historical:
Curator; Los Angeles, Calif. Director of the Ben Maltz gallery at the Otis College of Art and Design.
Provenance:
Donated 2003 by Anne Ayres.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Art museum curators -- California -- Los Angeles  Search this
Topic:
Women museum curators -- California  Search this
Identifier:
AAA.ayreanne
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ayreanne

Oral history interview with Rita González

Interviewee:
González, Rita  Search this
Interviewer:
Franco, Josh T., 1985-  Search this
Names:
Los Angeles County Museum of Art  Search this
Pandemic Oral History Project  Search this
Extent:
1 Item ((22 min.), digital, mp4)
Type:
Collection descriptions
Archival materials
Interviews
Video recordings
Date:
2020 August 21
Scope and Contents:
An interview with Rita González conducted 2020 August 21, by Josh Franco, for the Archives of American Art's Pandemic Oral History Project at Gonzalez's home in Los Angeles, California.
Biographical / Historical:
Rita González (1971 - ) is a curator in Los Angeles, California. Gonzalez worked at Museum of Contemporary Art, San Diego and is the head of Contemporary Art at the Los Angeles County Museum of Art, Los Angles, California.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This is interview is open for research.
Rights:
The Archives of American Art makes its Oral History Program interviews available for non-commercial, educational and personal use unless restricted by donor restrictions, including but not limited to access and publication restrictions. Quotation, reproduction and publication of the audio is governed by restrictions. If an interview has been transcribed, researchers must quote from the transcript. If an interview has not been transcribed, researchers must quote from the audio recording. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art museum curators -- California -- Los Angeles  Search this
Topic:
Pandemics  Search this
COVID-19 (Disease)  Search this
Latino and Latin American artists  Search this
Genre/Form:
Interviews
Video recordings
Identifier:
AAA.gonzalr20
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-gonzalr20
Online Media:

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