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Machine Dazzle introduces the Hirshhorn Virtual Ball 2020

Creator:
Hirshhorn Museum and Sculpture Garden  Search this
Type:
YouTube Videos
Uploaded:
2020-08-05T22:30:03.000Z
YouTube Category:
Education  Search this
Topic:
Art, modern  Search this
See more by:
hirshhornmuseum
Data Source:
Hirshhorn Museum and Sculpture Garden
YouTube Channel:
hirshhornmuseum
EDAN-URL:
edanmdm:yt_QxPT-C6f9l8

Here At The Smithsonian: Hollywood Legend and Reality

Creator:
Smithsonian Institution Archives  Search this
Type:
YouTube Videos
Uploaded:
2021-11-30T13:29:15.000Z
YouTube Category:
Education  Search this
Topic:
Museum administration  Search this
See more by:
SIArchives
Data Source:
Smithsonian Institution Archives
YouTube Channel:
SIArchives
EDAN-URL:
edanmdm:yt_5MneirDbL5Q

Inventive Minds: Inventors of the Sports Bra

Creator:
Lemelson Center, National Museum of American History  Search this
Type:
YouTube Videos
Uploaded:
2020-10-27T21:08:23.000Z
YouTube Category:
Science & Technology  Search this
Topic:
American History  Search this
See more by:
LemelsonCenter
Data Source:
Lemelson Center, National Museum of American History
YouTube Channel:
LemelsonCenter
EDAN-URL:
edanmdm:yt_8dBA1i9q82o

What a Costume Designer Pulls for a Big TV Pilot

Creator:
Smithsonian Channel  Search this
Type:
YouTube Videos
Uploaded:
2015-04-12T04:00:00.000Z
YouTube Category:
Entertainment  Search this
See more by:
smithsonianchannel
Data Source:
Smithsonian Channel
YouTube Channel:
smithsonianchannel
EDAN-URL:
edanmdm:yt_KpAYASEPxM8

How to Dress a Million Dollar American Princess

Creator:
Smithsonian Channel  Search this
Type:
YouTube Videos
Uploaded:
2015-12-28T22:14:21.000Z
YouTube Category:
Entertainment  Search this
See more by:
smithsonianchannel
Data Source:
Smithsonian Channel
YouTube Channel:
smithsonianchannel
EDAN-URL:
edanmdm:yt_VErA2stzSYk

Aaron Koblin and Vincent Morisset - Just A Reflektor Clip

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
YouTube Videos
Uploaded:
2016-02-10T20:59:29.000Z
YouTube Category:
Education  Search this
Topic:
Design  Search this
See more by:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_toSbnZVAdCI

Welcome to the Circus Arts at the 2017 Smithsonian Folklife Festival

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2017-07-04T13:46:40.000Z
YouTube Category:
Travel & Events  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolklife
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolklife
EDAN-URL:
edanmdm:yt_4GFoTA2k7mA

Costume designer, clowns, CWA workers

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (compact audio cassette)
Type:
Archival materials
Sound recordings
Date:
1976
General note:
Other number Z-804
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1976 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1976, Item FP-1976-CT-4457
See more items in:
Smithsonian Folklife Festival records: 1976 Festival of American Folklife
Smithsonian Folklife Festival records: 1976 Festival of American Folklife / Series 9: Working Americans / 9.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk514c861b2-d19f-4664-9752-8bdfc6c88d73
EDAN-URL:
ead_component:sova-cfch-sff-1976-ref20806

Costume designers - clowns

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (compact audio cassette)
Type:
Archival materials
Sound recordings
Date:
1976
General note:
Other number Z-805
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1976 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1976, Item FP-1976-CT-4458
See more items in:
Smithsonian Folklife Festival records: 1976 Festival of American Folklife
Smithsonian Folklife Festival records: 1976 Festival of American Folklife / Series 9: Working Americans / 9.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5e45ea435-623e-4037-93ed-76741a674ed0
EDAN-URL:
ead_component:sova-cfch-sff-1976-ref20808

Caribbean Americans

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Introduction:
Three programs at the 1980 Festival focused attention on immigrant communities, two of which involved what was called the "New Immigration", subsequent to passage of the 1965 Immigration and Naturalization Act. The 1965 Act represented an effort to equalize opportunity for immigrants to the United States without favoring the traditional Western-Northern European or Western Hemispheric source countries. The new immigrants tended to be largely urban located and oriented. Because of their visibility and the discrimination against visible minorities, they often suffered multiple levels of disregard by the larger population. The life styles, cultures, and languages of the new immigrants were perceived to be little known, appreciated, or regarded by the general American public as the decade began.

American cities were seen as the frontiers of the new immigrants; the arenas where the wills, interests, and cultures of each group came into contest with those of other ethnic groups; and the settings where competition or coalescence took place among them. It was cities that saw scenes of confrontation between traditions and of adjustments from both sides - natives and immigrants. The cities were also the sites of the celebrations and the contributions of most new immigrants. This was true both for the Southeast Asian Americans program and for the Caribbean Americans program.

Many factors, including the growing acceptance of "cultural pluralism" rather than "Anglo-conformity" as a model for the United States, imbued the contemporary Caribbean immigrant community with the confidence to proclaim and practice openly their Caribbean heritage. An obvious example was the proliferation in many North American cities of the Caribbean festival of Carnival that had been featured in the 1979 Festival. In Boston, Hartford, New York, Montreal, Toronto, and Los Angeles, this festival has emerged as a full-scale annual community celebration, while in Philadelphia, Washington, D.C., Miami, and other cities, some aspects of Carnival can be seen on a smaller scale. One function of these carnivals was the impetus they give to the internal unification of the Caribbean communities themselves. Considerations of class and island origin have tended to divide members of the American Caribbean community from each other, but the carnivals have emerged as Caribbean, and their acceptance by the community as such held the potential for even greater unification in the future.

In addition to Carnival, the Caribbean immigrant community contributed to the American scene in sports, religion, music, dance, literature, and the arts. Cricket, once considered an elite British game, is the sport that every child is introduced to in the Caribbean. West Indians have been credited with bringing to a game that was once considered stylish but stuffy a spirit of fun and fete that can now be enjoyed any Saturday or Sunday afternoon in West Indian communities in such cities as Hartford, Boston, and New York.

In Miami, New York, and Washington, the distindly Caribbean religions of Santeria, the worship of Vodun (Voodoo), and Rastafarianism can be found. Santeria, practiced by many Cubans, is a synthesis of Catholicism with the Yoruba religion of West Africa. Vodun, a Haitian religion, is a similar blend of Christianity and the religious worship of ancient Dahomey. Rastafarianism, however, is a modern religion that originated in Jamaica in the 1930s based on belief in the divinity of the former Emperor of Ethiopia, Haile Selassie, and the perception of Ethiopia as the original homeland to which blacks in the Western Hemisphere should repatriate. Caribbean music was part of the sound of many an American city - whether the Yoruba drumming of Santeria, the reggae rhythms that originated with the Rastafarians, or the rumba, the samba, and the calypso - and likewise part of the 1980 Festival. Syncretism between these Caribbean rhythms and the rhythm-and-blues beat of the United States was demonstrated in such new dance beats as the "salsa" and "soca" (soul-calypso).

Caribbean contributions to American community life featured at the 1980 Festival thus included an impressive record of achievement and an infusion of cultural forms adding to the vitality and diversity of American life through the contributions of immigrant communities.

Katherine Williams was Caribbean Americans Program Coordinator, and Roy Bryce-LaPorte was Special Consultant
Participants:
Miguel Alpizar, Santero, Silver Spring, Maryland

George Andre, 1946-, Brazilian music discussant, Washington, D.C.

Ruthven John Blake, 1947-, publicist & M.C., Silver Hill, Maryland

Elliott P. Boisdore, Mardi Gras discussant, New Orleans, Louisiana

Brightwood Elementary School, Hispanic American games, Washington, D.C.

Marie Brooks & Claude Brooks, dancer and drummer, New York, New York

William Brown, Umbanda discussant leader, Brazilian costumed band, Washington, D.C.

Selwyn Callendar, stick fighter, Washington, D.C.

Isolina Campbell, Botanica, Washington, D.C.

Caribbean American Carnival Day Association (Edward Harry, leader), costume band, Boston, Massachusetts

Carifolk Singers (Augustus Howell, 1944-, leader), Caribbean folk singers, Washington, D.C.

Lucy Carvajal, 1923-2002, craftsperson, Washington, D.C.

Mildred Catuy, Cornelia Cotillion Square Dance Club, New York, New York

Byron Chambers, Cricket discussant, Teaneck, New Jersey

Hector Corporan, 1945-, presenter, Washington, D.C.

Ruben O. Davis, Cornelia Cotillion Square Dance Club, New York, New York

Joan Dupigny, 1941-, Ole Mas & Kiddies costume band, Washington, D.C.

Camboy Estevez, Dominican costume band, Washington, D.C.

Sylvia Fisher, Cornelia Cotillion Square Dance Club, New York, New York

Winston T. Fleary, 1943-, leader, Afro-Caribbean Dancers, Big Drum Nation, Brooklyn, New York

Iona Forbes, Cornelia Cotillion Square Dance Club, New York, New York

Randolph Forbes, Cornelia Cotillion Square Dance Club, New York, New York

Henry Frank, Vodun discussant, New York, New York

Paul Greenhall, kite flyer, Washington, D.C.

Marjorie Hall, 1955-, Rastafari discussant, Washington, D.C.

Errol Hosein, 1936-, Cricket discussant, Bloomfield, Connecticut

Oscar Anstey Hunte, 1942-, fire, eater, Montreal, Quebec

Image (John Roseman, leader), Calypso Band, Rockville, Maryland

Lucille Jacob, costume band, Hartford, Connecticut

Edgar King, 1909-1993, Cornelia Cotillion Square Dance Club, New York, New York

Allen Labertis, costumed individual (Moko Jumbie), Baltimore, Maryland

Urban Lane, costume band, Washington, D.C.

Steve LaRoche, costumed individual (bat), Washington, D.C.

Hollis Lashley, Master of Ceremonies, Washington, D.C.

Sylvie S. Lee Kin, 1945-1995, kite flyer, Silver Spring, Maryland

Vernon Lee Kin, kite flyer, Silver Spring, Maryland

Elliott Mannette, 1929-, steelpan tuner, Long Island, New York

Godfrey Marchand, 1940-, costume designer, Miami, Florida

Dianne Marshall, dancer, Washington, D.C.

Von Martin, publicist & M.C., Seabrook, Maryland

Maryland Pacesetters (Pasley Graham, 1937-, agent), steelband, Baltimore, Maryland

Sandra Mendoza, Cuban costume band dancer, Washington, D.C.

Stephenson Michael, 1952-, leader, Duro Ladipo Theatre Ensemble, costume band, Silver Spring, Maryland

Will Morris, 1948-, stick fighter, Washington, D.C.

Loline F. Payne, 1918-1990, Cornelia Cotillion Square Dance Club, New York, New York

Winston Peters ("Gypsy"), 1952-, extemporaneous calypsonian, Brooklyn, New York

James Porter, Cornelia Cotillion Square Dance Club, New York, New York

Premier International (Nadine Howell, leader), Reggae band, Silver Spring, Maryland

Rosalie Roman, Puerto Rican costume band, Washington, D.C.

Ralph Roper, Cornelia Cotillion Square Dance Club, New York, New York

Samba Batucada Group (William Brown, leader), Samba workshop, Washington, D.C.

Silver Stars Steel Orchestra (Kelvin Griffith, captain), steel band, Boston, Massachusetts

Sons of His Majesty (Satta Blue, 1954-, leader), Nyabingi drummers, Rastafari discussants, Washington, D.C.

Triangle Systems (Linda Phifer, leader), kiddies and costume band, Washington, D.C.

The Trinidad and Tobago Baltimore Steel Orchestra (Paul Gervais, 1941-, leader), steelband, Baltimore, Maryland

The Trinidad and Tobago Steelband of Washington, D.C. (Franklin Harding, 1941-, leader), steelband, Washington, D.C.

Brian Walker, 1957-, dancer, costume band, Washington, D.C.

Levi Warren, Cornelia Cotillion Square Dance Club, New York, New York

Reginald Warren, Cornelia Cotillion Square Dance Club, New York, New York

The West Indian American Labor Day Association (Carlos Lezama, 1923-, leader), carnival organizer, New York, New York

Peter Whiteman, 1944-, costume designer, costume band leader, Washington, D.C.

The Wild Tchoupitoulas (Jason Berry, agent), Mardi Gras krewe, New Orleans, Louisiana

Connie Williams, cook, Brooklyn, New York
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1980 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1980, Series 3
See more items in:
Smithsonian Folklife Festival records: 1980 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk51e991f8c-e944-4f8c-b8ab-4399b82cc006
EDAN-URL:
ead_component:sova-cfch-sff-1980-ref25

1980 Festival of American Folklife, shot by Pete Erickson, #5 of 14

Creator:
Smithsonian Institution. Festival of American Folklife (1980)  Search this
Erickson, Peter, 1951- (field worker)  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Item (videocassette (U-matic))
Type:
Archival materials
Place:
Washington (D.C.)
Scope and Contents:
Southeast Asian American Program: Costume design workshop, Vietnamese-Nancy Nan (sic); Hmong.
Local Numbers:
FP-1980-3/4VHS-0009
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.).
Restrictions:
Restrictions on access. SI Permission.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Documentary  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1980 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1980, Item FP-1980-3/4VHS-0009
See more items in:
Smithsonian Folklife Festival records: 1980 Festival of American Folklife
Smithsonian Folklife Festival records: 1980 Festival of American Folklife / Series 7: Southeast Asian Americans / 7.4: Video
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5dc6fd109-ddc3-4c52-b197-066b9618c0fe
EDAN-URL:
ead_component:sova-cfch-sff-1980-ref996

1980 Festival of American Folklife, shot by Pete Erickson, #6 of 14

Creator:
Smithsonian Institution. Festival of American Folklife (1980)  Search this
Erickson, Peter, 1951- (field worker)  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Item (videocassette (U-matic))
Type:
Archival materials
Place:
Washington (D.C.)
Scope and Contents:
Southeast Asian American Program: Costume design workshop, Vietnamese-Nancy Nan (sic); Hmong - Tolanda Hang; Lao Costumes-Phouratsamy Naughton.
Local Numbers:
FP-1980-3/4VHS-0010
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.).
Restrictions:
Restrictions on access. SI Permission.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Documentary  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1980 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1980, Item FP-1980-3/4VHS-0010
See more items in:
Smithsonian Folklife Festival records: 1980 Festival of American Folklife
Smithsonian Folklife Festival records: 1980 Festival of American Folklife / Series 7: Southeast Asian Americans / 7.4: Video
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk505a6edd6-e7a5-4325-bbf0-f8360385aaac
EDAN-URL:
ead_component:sova-cfch-sff-1980-ref997

1980 Festival of American Folklife, shot by Pete Erickson, #7 of 14

Creator:
Smithsonian Institution. Festival of American Folklife (1980)  Search this
Erickson, Peter, 1951- (field worker)  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Item (videocassette (U-matic))
Type:
Archival materials
Place:
Washington (D.C.)
Scope and Contents:
Southeast Asian American Program: Costume design workshop, Lao Costumes-Phouratsamy Naughton.
Local Numbers:
FP-1980-3/4VHS-0011
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.).
Restrictions:
Restrictions on access. SI Permission.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Documentary  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1980 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1980, Item FP-1980-3/4VHS-0011
See more items in:
Smithsonian Folklife Festival records: 1980 Festival of American Folklife
Smithsonian Folklife Festival records: 1980 Festival of American Folklife / Series 7: Southeast Asian Americans / 7.4: Video
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk593bd0723-8765-4494-9454-6a1bf2853be4
EDAN-URL:
ead_component:sova-cfch-sff-1980-ref998

The Conversion of Ka'ahumanu

Creator:
National Museum of the American Indian  Search this
Type:
Interviews
YouTube Videos
Uploaded:
2009-06-04T14:13:28.000Z
YouTube Category:
Entertainment  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_hE1G5Oy30Q8

Nell Blaine papers, 1930-1985

Creator:
Blaine, Nell 1922-1996  Search this
Subject:
Astor, E  Search this
Cooper, Patricia  Search this
Cornell, Joseph  Search this
Evans, Dilys  Search this
Flotow, Olga von  Search this
Freilicher, Jane 1924-  Search this
Garth, Midi  Search this
Goff, Eleanor  Search this
Griffin, Howard 1915-1975  Search this
Harmsworth, Margaret  Search this
Jason, Harry  Search this
Klonsky, Milton  Search this
Kresch, Albert  Search this
Levertov, Denise 1923-  Search this
Ross, Alvin 1920-1975  Search this
Smith, Constance  Search this
Watrous, Jane  Search this
Young, Gayle  Search this
Gazzolo, Beatrice  Search this
Auden, W. H (Wystan Hugh) 1907-1973  Search this
Tobey, Mark  Search this
Von Wicht, John 1888-1970  Search this
Kinnell, Galway 1927-  Search this
Wright, Clifford 1919-  Search this
Garrigue, Jean 1912-1972  Search this
Guggenheim, Peggy 1898-  Search this
Laughlin, Clarence John  Search this
Barker, Kit 1916-1988  Search this
Moore, Marianne 1887-1972  Search this
O'Hara, Frank 1926-1966  Search this
Rivers, Larry 1925-2002  Search this
Griffin, Howard 1915-1975 Papers, ca. 1950-1971  Search this
Physical description:
2.7 linear ft. (partially microfilmed on 1 reel)
Type:
Archival materials
Collection descriptions
Photographs
Place:
New York (State)
New York
Date:
1930
1930-1980
1930-1985
Topic:
Painting, Abstract  Search this
Figure painting  Search this
Women painters  Search this
Artists' studios  Search this
Local number:
AAA D311
AAA
AAA blainell
Restrictions & Rights:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information
See more items in:
Nell Blaine papers, 1930-1985
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:siris_arc_209351

Pepper, Beverly - Clippings

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 61, Folder 37
Type:
Archival materials
Date:
1963, 1969-1971
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 6: Artists Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94f054bb0-b0f6-4674-8e09-0c91fbe4a0bc
EDAN-URL:
ead_component:sova-aaa-andremmg-ref3055
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Coat worn by George Clinton

Designed by:
Manuel, Mexican American, born 1933  Search this
Manufactured by:
Swarovski, Austrian, founded 1895  Search this
Worn by:
George Clinton, American, born 1941  Search this
Medium:
wool (textile) and silk (textile) with metal , rhinestone and plastic
Dimensions:
H x W (Flat): 61 × 25 3/16 in. (155 × 64 cm)
Type:
coats
Place made:
Nashville, Davidson County, Tennessee, United States, North and Central America
Tyrol, Austria, Europe
Date:
2008-2009
Topic:
African American  Search this
Costume  Search this
Costume design  Search this
Design  Search this
Fashion  Search this
Fashion design  Search this
Funk (Music)  Search this
Singers (Musicians)  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of George Clinton
Object number:
2019.91
Restrictions & Rights:
Unknown - Restrictions Possible
See more items in:
National Museum of African American History and Culture Collection
Classification:
Clothing-Costume
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5570ff6f6-83f9-46cd-ad1e-ba3a2ca3fe34
EDAN-URL:
edanmdm:nmaahc_2019.91
Online Media:

Rauschenberg, Robert

Collection Creator:
Leo Castelli Gallery  Search this
Container:
Box 84, Folder 7
Type:
Archival materials
Date:
1984
Collection Restrictions:
Use of original records requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Leo Castelli Gallery records
Leo Castelli Gallery records / Series 4: Artists Files / 4.1: Artists Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96d680829-80f7-4be2-be08-ddad381245f0
EDAN-URL:
ead_component:sova-aaa-leocast-ref11624
4 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Rauschenberg, Robert digital asset number 1
  • View Rauschenberg, Robert digital asset number 2
  • View Rauschenberg, Robert digital asset number 3
  • View Rauschenberg, Robert digital asset number 4

Rauschenberg, Robert

Collection Creator:
Leo Castelli Gallery  Search this
Container:
Box 17, Folder 32
Type:
Archival materials
Date:
1958-1964
Collection Restrictions:
Use of original records requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Leo Castelli Gallery records
Leo Castelli Gallery records / Series 1: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw950ec6d6f-ca64-406d-a2c2-44ab47081434
EDAN-URL:
ead_component:sova-aaa-leocast-ref8943
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Rauschenberg, Robert digital asset number 1

Rauschenberg, Robert

Collection Creator:
Leo Castelli Gallery  Search this
Container:
Box 17, Folder 34
Type:
Archival materials
Date:
1969-1973, 1980-1985
Collection Restrictions:
Use of original records requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Leo Castelli Gallery records
Leo Castelli Gallery records / Series 1: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95095d17e-fa3c-4645-9be0-fa4329ce8de5
EDAN-URL:
ead_component:sova-aaa-leocast-ref8945
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Rauschenberg, Robert digital asset number 1

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