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Statements and proposals

Collection Creator:
Woodruff, Hale, 1900-1980  Search this
Container:
Box 1, Folder 19
Type:
Archival materials
Date:
undated
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Citation:
Hale Woodruff papers, 1920-1977, bulk 1960s-1970s. Archives of American Art, Smithsonian Institution.
See more items in:
Hale Woodruff papers
Hale Woodruff papers / Series 3: Writings
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-woodhale-ref26
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Stovall Workshop Inc. Slide Show

Creator:
Anacostia Neighborhood Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Corcoran Gallery of Art  Search this
Corcoran Gallery--Dupont Center  Search this
Stovall Workshop Inc.  Search this
Bronson, David  Search this
Fralin, Frances  Search this
McNeill, Lloyd  Search this
Stovall, Di Bagley  Search this
Stovall, Lou  Search this
Collection Creator:
Anacostia Community Museum  Search this
Smithsonian Institution. Anacostia Community Museum  Search this
Extent:
2 Sound recordings (open reel, 1/4 inch)
Culture:
African American  Search this
Type:
Archival materials
Sound recordings
Narration
Place:
Washington (D.C.)
Atlanta (Ga.)
United States
Date:
1983
Scope and Contents:
Stovall Workshop Inc. Slide Show focuses on the formation of Workshop by Lou Stovall and Lloyd McNeill from its origins at the Corcoran Gallery of Art to its current location in northwest Washington, D.C. Stovall's and McNeill's poster work, the development of Stovall's silkscreen process, landscape designs, and use of color are also described. In interview clips, Francis Fralin and David Bronson provide memories about Stovall, McNeill, and Workshop. M. Murray provides the narration.
Music, narration, and interview clips edited for slide show. Part of Through Their Eyes: The Art of Lou and Di Stovall Audiovisual Records. AV003444-1 and AV003509-2: music, narration, and interview clips. AV003444-2: narration and interview clips only. AV003509-1: constant beeps over music, narration, and interview clips. AV003444 labeled final mix. Dated 19830902 [AV003444]. Undated [AV003509].
Biographical / Historical:
Stovall Workshop Inc. Slide Show is related to an exhibition featuring the works of Washington, D.C. artists, Lou and Di Stovall, organized by the Anacostia Neighborhood Museum and held there from September 18, 1983 - March 4, 1984. The exhibition, Through Their Eyes: The Art of Lou and Di Stovall, showcased 84 works - silkscreen prints, drawings, and arcylic paintings - illustrating the artists' progression form posterists to master printmaker and miniaturist, respectively. The art was complemented by audiovisual presentations on the technique of silkscreen printing and a biographical essay on the artists.;Lou Stovall was born Luther McKinley Stovall in Athens, Georgia in 1937. When Stovall was four years old, his family moved north to Springfield, Massachusetts to find work. At age of fifteen, he was an apprentice to Al LaPierre in his silkscreen sign shop at the Growers Outlet Super Market. In 1956, Stovall received a grant and scholarship to attend Rhode Island School of Design. After the first semester, his father became ill so Stovall returned home to support his family for about five or six years. When he returned to school, Stovall attended Howard University, where he received a B.F.A. in 1965. James Lesesne Wells introduced to Stovall to silkscreen as a fine art rather than a commercial medium. Stovall also learned about collaboration in printmaking (artist and printer combining ideas and skills to create a work of art) from Wells. In 1968, Stovall received a grant to buy printmaking equipment. However, he made most of the tools and tables himself creating a full scale printmaking, wood making, and metal workshop in Washington, D.C. Under his direction, Workshop Inc. has grown from a small but active studio primarily concerned with community posters into a professional printmaking outfit. Stovall creates his own original silkscreen prints and is the printmaker of choice for other master artists including Elizabeth Catlett, David C. Driskell, and Sam Gilliam. For each work of art, he finds new and unique ways to replicate as closely as possible a painting supplied by the artist. He has the ability to make the medium do just about anything he and the artist(s) want it to do. Stovall's innovative techniques and distinctive style is credited by artists and critics with helping to transform the concept of silkscreen printmaking from a commercial craft to a true art form. In 1971, Stovall married Di Bagley, a painter who specializes in acrylic on paper and incorporates miniature images into many of her works.;Stovall Workshop Inc. was formed as a result of a poster collaboration between printmaker Lou Stovall and designer Lloyd McNeill in 1966. Printmaking, sculpture, photography, and furniture making were directed by Stovall in Workshop, first located at the Concoran Gallery of Art [Corcoran Gallery Dupont Circle]. By 1973, Stovall moved Workshop to northwest DC.
Local Numbers:
ACMA AV003444-2

ACMA AV003509-1

ACMA AV003509-2
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Occupation:
Artists  Search this
Topic:
African Americans  Search this
African American printmakers  Search this
Printmakers  Search this
African American artists  Search this
Art  Search this
Prints  Search this
Screen prints  Search this
Posters  Search this
Landscapes  Search this
Prints -- Technique  Search this
Serigraphy  Search this
Color in art  Search this
Museum exhibits  Search this
Exhibitions  Search this
Genre/Form:
Sound recordings
Narration
Citation:
Stovall Workshop Inc. Slide Show, Exhibition Records AV03-001, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.03-001, Item ACMA AV003444-1
See more items in:
Through their eyes: the art of Lou and Di Stovall exhibition records
Through their eyes: the art of Lou and Di Stovall exhibition records / Series ACMA AV03-001: Through Their Eyes: The Art of Lou and Di Stovall audiovisual records
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-03-001-ref506

Stovall Workshop Inc. Slide Show Interviews

Creator:
Anacostia Neighborhood Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Corcoran Gallery of Art  Search this
Corcoran Gallery--Dupont Center  Search this
Stovall Workshop Inc.  Search this
Bronson, David  Search this
Cook, Dana  Search this
Davis, Gene, 1920-1985  Search this
Fralin, Frances  Search this
Gilliam, Sam, 1933-  Search this
Hopps, Walter  Search this
McGowin, Ed, 1938-  Search this
McNeill, Lloyd  Search this
Stovall, Di Bagley  Search this
Stovall, Lou  Search this
Collection Creator:
Anacostia Community Museum  Search this
Smithsonian Institution. Anacostia Community Museum  Search this
Extent:
2 Sound recordings (open reel, 1/4 inch)
Culture:
African American  Search this
Type:
Archival materials
Sound recordings
Interviews
Place:
Washington (D.C.)
Atlanta (Ga.)
United States
Date:
1983
Scope and Contents:
Interviews with Dana Cook, Francis Fralin, and David Bronson for Stovall Workshop Inc. Slide Show, which focused on the formation of Workshop by Lou Stovall and Lloyd McNeill from its origins at the Corcoran Gallery of Art to its current location in northwest Washington, D.C. Cook, an illustrator and printmaker, discusses her experience working with and learning from Stovall at Workshop. Fralin speaks of Walter Hopps' outreach program idea leading to a relationship between Stovall and the Corcoran Gallery of Art, development of the Workshop at the Corcoran Gallery Dupont Circle, Stovall's and McNeill's poster collaboration, Stovall's silkscreening and drawing, Di Stovall's art and imagination, and other Workshop and Corcoran artists, including Sam Gilliam, David Bronson and Gene Davis. Bronson, a technician and craftsman, discusses his role at Workshop: helping to set up Workshop at Corcoran, learning silk screen process, working in woodshop, and creating prints for artists, including Ed McGowin for Name Change exhibition at Baltimore Museum of Art. All speak of Stovall's personality as a person, teacher and leader, particularly his perfectionist nature and high standards.
Interviews for slide show about Stovall Workshop Inc. Part of Through Their Eyes: The Art of Lou and Di Stovall Audiovisual Records. Dana Cook interview dated 19830801: AV003309-1. Frances Fralin interview dated 19830809: AV003309-1 and AV003309-2. David Bronson interview dated 19830810: AV003314. All recordings have some distortions or skips in sound recording.
Biographical / Historical:
Stovall Workshop Inc. Slide Show is related to an exhibition featuring the works of Washington, D.C. artists, Lou and Di Stovall, organized by the Anacostia Neighborhood Museum and held there from September 18, 1983 - March 4, 1984. The exhibition, Through Their Eyes: The Art of Lou and Di Stovall, showcased 84 works - silkscreen prints, drawings, and arcylic paintings - illustrating the artists' progression from posterists to master printmaker and miniaturist, respectively. The art was complemented by audiovisual presentations on the technique of silkscreen printing and a biographical essay on the artists.;Lou Stovall was born Luther McKinley Stovall in Athens, Georgia in 1937. When Stovall was four years old, his family moved north to Springfield, Massachusetts to find work. At age of fifteen, he was an apprentice to Al LaPierre in his silkscreen sign shop at the Growers Outlet Super Market. In 1956, Stovall received a grant and scholarship to attend Rhode Island School of Design. After the first semester, his father became ill so Stovall returned home to support his family for about five or six years. When he returned to school, Stovall attended Howard University, where he received a B.F.A. in 1965. James Lesesne Wells introduced to Stovall to silkscreen as a fine art rather than a commercial medium. Stovall also learned about collaboration in printmaking (artist and printer combining ideas and skills to create a work of art) from Wells. In 1968, Stovall received a grant to buy printmaking equipment. However, he made most of the tools and tables himself creating a full scale printmaking, wood making, and metal workshop in Washington, D.C. Under his direction, Workshop Inc. has grown from a small but active studio primarily concerned with community posters into a professional printmaking outfit. Stovall creates his own original silkscreen prints and is the printmaker of choice for other master artists including Elizabeth Catlett, David C. Driskell, and Sam Gilliam. For each work of art, he finds new and unique ways to replicate as closely as possible a painting supplied by the artist. He has the ability to make the medium do just about anything he and the artist(s) want it to do. Stovall's innovative techniques and distinctive style is credited by artists and critics with helping to transform the concept of silkscreen printmaking from a commercial craft to a true art form. In 1971, Stovall married Di Bagley, a painter who specializes in acrylic on paper and incorporates miniature images into many of her works.;Stovall Workshop Inc. was formed as a result of a poster collaboration between printmaker Lou Stovall and designer Lloyd McNeill in 1966. Printmaking, sculpture, photography, and furniture making were directed by Stovall in Workshop, first located at the Concoran Gallery of Art [Corcoran Gallery Dupont Circle]. By 1973, Stovall moved Workshop to northwest DC.
Local Numbers:
ACMA AV003309-2

ACMA AV003314
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Occupation:
Artists  Search this
Topic:
African Americans  Search this
African American printmakers  Search this
Printmakers  Search this
African American artists  Search this
Art  Search this
Prints  Search this
Screen prints  Search this
Posters  Search this
Landscapes  Search this
Prints -- Technique  Search this
Serigraphy  Search this
Color in art  Search this
Museum exhibits  Search this
Exhibitions  Search this
Genre/Form:
Sound recordings
Interviews
Citation:
Stovall Workshop Inc. Slide Show Interviews, Exhibition Records AV03-001, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.03-001, Item ACMA AV003309-1
See more items in:
Through their eyes: the art of Lou and Di Stovall exhibition records
Through their eyes: the art of Lou and Di Stovall exhibition records / Series ACMA AV03-001: Through Their Eyes: The Art of Lou and Di Stovall audiovisual records
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-03-001-ref507

Lou Stovall

Creator:
Anacostia Neighborhood Museum  Search this
Reinckens, Sharon A.  Search this
Capilongo, Christopher  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Stovall Workshop Inc.  Search this
Stovall, Lou  Search this
Collection Creator:
Anacostia Community Museum  Search this
Smithsonian Institution. Anacostia Community Museum  Search this
Extent:
1 Sound recording (open reel, 1/4 inch)
Culture:
African American  Search this
Type:
Archival materials
Sound recordings
Documentary films
Place:
Washington (D.C.)
United States
Date:
1983
Scope and Contents:
Artist Lou Stovall demonstrates and speaks about his silk screen printing process and use of color in detail. He also discusses his ability and passion for drawing.
Short documentary. Audio only [most likely there is related 16mm film which has not been digitized yet]. Part of Through Their Eyes: The Art of Lou and Di Stovall Audiovisual Records. Dated 19940329.
Biographical / Historical:
Lou Stovall is related to an exhibition featuring the works of Washington, D.C. artists, Lou and Di Stovall, organized by the Anacostia Neighborhood Museum and held there from September 18, 1983 - March 4, 1984. The exhibition, Through Their Eyes: The Art of Lou and Di Stovall, showcased 84 works - silkscreen prints, drawings, and arcylic paintings - illustrating the artists' progression form posterists to master printmaker and miniaturist, respectively. The art was complemented by audiovisual presentations on the technique of silkscreen printing and a biographical essay on the artists.;Lou Stovall was born Luther McKinley Stovall in Athens, Georgia in 1937. When Stovall was four years old, his family moved north to Springfield, Massachusetts to find work. At age of fifteen, he was an apprentice to Al LaPierre in his silkscreen sign shop at the Growers Outlet Super Market. In 1956, Stovall received a grant and scholarship to attend Rhode Island School of Design. After the first semester, his father became ill so Stovall returned home to support his family for about five or six years. When he returned to school, Stovall attended Howard University, where he received a B.F.A. in 1965. James Lesesne Wells introduced to Stovall to silkscreen as a fine art rather than a commercial medium. Stovall also learned about collaboration in printmaking (artist and printer combining ideas and skills to create a work of art) from Wells. In 1968, Stovall received a grant to buy printmaking equipment. However, he made most of the tools and tables himself creating a full scale printmaking, wood making, and metal workshop in Washington, D.C. Under his direction, Workshop Inc. has grown from a small but active studio primarily concerned with community posters into a professional printmaking outfit. Stovall creates his own original silkscreen prints and is the printmaker of choice for other master artists including Elizabeth Catlett, David C. Driskell, and Sam Gilliam. For each work of art, he finds new and unique ways to replicate as closely as possible a painting supplied by the artist. He has the ability to make the medium do just about anything he and the artist(s) want it to do. Stovall's innovative techniques and distinctive style is credited by artists and critics with helping to transform the concept of silkscreen printmaking from a commercial craft to a true art form. In 1971, Stovall married Di Bagley, a painter who specializes in acrylic on paper and incorporates miniature images into many of her works.
General:
Title transcribed from physical asset.
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Occupation:
Artists  Search this
Topic:
African Americans  Search this
African American printmakers  Search this
Printmakers  Search this
African American artists  Search this
Art  Search this
Prints  Search this
Screen prints  Search this
Landscapes  Search this
Drawing  Search this
Prints -- Technique  Search this
Serigraphy  Search this
Color in art  Search this
Genre/Form:
Sound recordings
Documentary films
Citation:
Lou Stovall, Exhibition Records AV03-001, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.03-001, Item ACMA AV000957
See more items in:
Through their eyes: the art of Lou and Di Stovall exhibition records
Through their eyes: the art of Lou and Di Stovall exhibition records / Series ACMA AV03-001: Through Their Eyes: The Art of Lou and Di Stovall audiovisual records
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-03-001-ref508

Lou Stovall Interview - Silk Screen Process

Creator:
Anacostia Neighborhood Museum  Search this
Reinckens, Sharon A.  Search this
Capilongo, Christopher  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Stovall Workshop Inc.  Search this
Gilliam, Sam, 1933-  Search this
Stovall, Di Bagley  Search this
Stovall, Lou  Search this
Collection Creator:
Anacostia Community Museum  Search this
Smithsonian Institution. Anacostia Community Museum  Search this
Extent:
2 Sound recordings (open reel, 1/4 inch)
Culture:
African American  Search this
Type:
Archival materials
Sound recordings
Documentary films
Interviews
Place:
Washington (D.C.)
United States
Date:
1983
Scope and Contents:
Interview with Lou Stovall for documentary in which Stovall demonstrates and speaks about his silk screen printing process and use of color in detail. During the interview, Stovall discusses his ability and passion for drawing, hiding the human figure in landscape compositions, working with stencils and proofing strips, details of the reductive printing process, integration of color in his work, silk screen printing as a technical medium, art intelligence, aesthetics in his work and other artists, where he gets his inspiration, and Sam Gilliam's work and abstract art.
Interview for short documentary titled Lou Stovall. Audio only. Part of Through Their Eyes: The Art of Lou and Di Stovall Audiovisual Records. AV003305: audio skips and minimal distortions. Dated 19830627.
Biographical / Historical:
Lou Stovall Interview - Silk Screen Process is related to an exhibition featuring the works of Washington, D.C. artists, Lou and Di Stovall, organized by the Anacostia Neighborhood Museum and held there from September 18, 1983 - March 4, 1984. The exhibition, Through Their Eyes: The Art of Lou and Di Stovall, showcased 84 works - silkscreen prints, drawings, and arcylic paintings - illustrating the artists' progression form posterists to master printmaker and miniaturist, respectively. The art was complemented by audiovisual presentations on the technique of silkscreen printing and a biographical essay on the artists.;Lou Stovall was born Luther McKinley Stovall in Athens, Georgia in 1937. When Stovall was four years old, his family moved north to Springfield, Massachusetts to find work. At age of fifteen, he was an apprentice to Al LaPierre in his silkscreen sign shop at the Growers Outlet Super Market. In 1956, Stovall received a grant and scholarship to attend Rhode Island School of Design. After the first semester, his father became ill so Stovall returned home to support his family for about five or six years. When he returned to school, Stovall attended Howard University, where he received a B.F.A. in 1965. James Lesesne Wells introduced to Stovall to silkscreen as a fine art rather than a commercial medium. Stovall also learned about collaboration in printmaking (artist and printer combining ideas and skills to create a work of art) from Wells. In 1968, Stovall received a grant to buy printmaking equipment. However, he made most of the tools and tables himself creating a full scale printmaking, wood making, and metal workshop in Washington, D.C. Under his direction, Workshop Inc. has grown from a small but active studio primarily concerned with community posters into a professional printmaking outfit. Stovall creates his own original silkscreen prints and is the printmaker of choice for other master artists including Elizabeth Catlett, David C. Driskell, and Sam Gilliam. For each work of art, he finds new and unique ways to replicate as closely as possible a painting supplied by the artist. He has the ability to make the medium do just about anything he and the artist(s) want it to do. Stovall's innovative techniques and distinctive style is credited by artists and critics with helping to transform the concept of silkscreen printmaking from a commercial craft to a true art form. In 1971, Stovall married Di Bagley, a painter who specializes in acrylic on paper and incorporates miniature images into many of her works.
Local Numbers:
ACMA AV003305-2

ACMA AV003281
General:
Title transcribed from physical asset.
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Occupation:
Artists  Search this
Topic:
African Americans  Search this
African American printmakers  Search this
Printmakers  Search this
African American artists  Search this
Art  Search this
Prints  Search this
Screen prints  Search this
Landscapes  Search this
Drawing  Search this
Prints -- Technique  Search this
Serigraphy  Search this
Color in art  Search this
Genre/Form:
Sound recordings
Documentary films
Interviews
Citation:
Lou Stovall Interview - Silk Screen Process, Exhibition Records AV03-001, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.03-001, Item ACMA AV003305-1
See more items in:
Through their eyes: the art of Lou and Di Stovall exhibition records
Through their eyes: the art of Lou and Di Stovall exhibition records / Series ACMA AV03-001: Through Their Eyes: The Art of Lou and Di Stovall audiovisual records
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-03-001-ref509

Lou Stovall Sound Rolls and Narration

Creator:
Anacostia Neighborhood Museum  Search this
Reinckens, Sharon A.  Search this
Capilongo, Christopher  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Stovall Workshop Inc.  Search this
Stovall, Lou  Search this
Collection Creator:
Anacostia Community Museum  Search this
Smithsonian Institution. Anacostia Community Museum  Search this
Extent:
10 Sound recordings (open reel, 1/4 inch)
Culture:
African American  Search this
Type:
Archival materials
Sound recordings
Documentary films
Interviews
Outtakes
Ambient sounds
Sound effects recordings
Place:
Washington (D.C.)
United States
Date:
1983
Scope and Contents:
Sound rolls for short documentary titled Lou Stovall in which Stovall demonstrates and speaks about his silk screen printing process and use of color in detail. Interviews, narration, ambient sounds, foley sound effects, and demonstration of screen printing process contained on sound rolls. During the interview segments, Stovall discusses his ability and passion for drawing, working with stencils and proofing strips, details of the reductive printing process, mixing and integrating of color in his work, and silk screen printing as a technical medium. Some of the footage, particularly AV003285, AV003287 and AV003288, consists of almost exclusively demonstration [sounds of the screen printing process].
Sound rolls and narration for short documentary titled Lou Stovall. Part of Through Their Eyes: The Art of Lou and Di Stovall Audiovisual Records. Audio only. Most likely there is film which syncs with sound rolls, except AV003276 [no camera/image according to statement at beginning of sound roll]. AV003506: Sound Roll 1. AV003288: Sound Roll 2. AV003285: Sound Roll 3. AV003276: Sound Roll 4. AV003313: Sound Roll 5. AV003498: Sound Roll 6. AV003287: Sound Roll 7. AV003303: Sound Roll 8. AV003289: Sound Roll 9. AV003447: Lou Stovall Narration [distortion at beginning of recording]. Dated 19830803 [AV003506], 19830804 [AV003276, AV003285, AV003288, AV003498], 19830805 [AV003287, AV003303], 19830824 [AV003289]. Undated [AV003313, AV003447].
Biographical / Historical:
Lou Stovall Sound Rolls and Narration is related to an exhibition featuring the works of Washington, D.C. artists, Lou and Di Stovall, organized by the Anacostia Neighborhood Museum and held there from September 18, 1983 - March 4, 1984. The exhibition, Through Their Eyes: The Art of Lou and Di Stovall, showcased 84 works - silkscreen prints, drawings, and arcylic paintings - illustrating the artists' progression form posterists to master printmaker and miniaturist, respectively. The art was complemented by audiovisual presentations on the technique of silkscreen printing and a biographical essay on the artists.;Lou Stovall was born Luther McKinley Stovall in Athens, Georgia in 1937. When Stovall was four years old, his family moved north to Springfield, Massachusetts to find work. At age of fifteen, he was an apprentice to Al LaPierre in his silkscreen sign shop at the Growers Outlet Super Market. In 1956, Stovall received a grant and scholarship to attend Rhode Island School of Design. After the first semester, his father became ill so Stovall returned home to support his family for about five or six years. When he returned to school, Stovall attended Howard University, where he received a B.F.A. in 1965. James Lesesne Wells introduced to Stovall to silkscreen as a fine art rather than a commercial medium. Stovall also learned about collaboration in printmaking (artist and printer combining ideas and skills to create a work of art) from Wells. In 1968, Stovall received a grant to buy printmaking equipment. However, he made most of the tools and tables himself creating a full scale printmaking, wood making, and metal workshop in Washington, D.C. Under his direction, Workshop Inc. has grown from a small but active studio primarily concerned with community posters into a professional printmaking outfit. Stovall creates his own original silkscreen prints and is the printmaker of choice for other master artists including Elizabeth Catlett, David C. Driskell, and Sam Gilliam. For each work of art, he finds new and unique ways to replicate as closely as possible a painting supplied by the artist. He has the ability to make the medium do just about anything he and the artist(s) want it to do. Stovall's innovative techniques and distinctive style is credited by artists and critics with helping to transform the concept of silkscreen printmaking from a commercial craft to a true art form. In 1971, Stovall married Di Bagley, a painter who specializes in acrylic on paper and incorporates miniature images into many of her works.
Local Numbers:
ACMA AV003285

ACMA AV003287

ACMA AV003288

ACMA AV003289

ACMA AV003303

ACMA AV003313

ACMA AV003447

ACMA AV003498

ACMA AV003506
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Occupation:
Artists  Search this
Topic:
African Americans  Search this
African American printmakers  Search this
Printmakers  Search this
African American artists  Search this
Art  Search this
Prints  Search this
Screen prints  Search this
Landscapes  Search this
Drawing  Search this
Prints -- Technique  Search this
Serigraphy  Search this
Color in art  Search this
Genre/Form:
Sound recordings
Documentary films
Interviews
Outtakes
Ambient sounds
Sound effects recordings
Citation:
Lou Stovall Sound Rolls and Narration, Exhibition Records AV03-001, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.03-001, Item ACMA AV003276
See more items in:
Through their eyes: the art of Lou and Di Stovall exhibition records
Through their eyes: the art of Lou and Di Stovall exhibition records / Series ACMA AV03-001: Through Their Eyes: The Art of Lou and Di Stovall audiovisual records
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-03-001-ref510

Geometric figures & color Sol Lewitt

Title:
Geometric figures and color
Author:
LeWitt, Sol 1928-2007  Search this
Author:
Smithsonian Libraries Artists' Books DSI  Search this
Physical description:
[48] pages chiefly color illustrations 22 cm
Type:
Books
Artists' books
Artists' books (books).)
Place:
États-Unis
United States
New York (State)
Date:
1979
Topic:
Color in art  Search this
Geometrical drawing  Search this
Livres d'artistes  Search this
21.22 history of drawing  Search this
Artists' books  Search this
Bildband  Search this
Geometrische Figur  Search this
Geometrische motieven  Search this
Tekeningen  Search this
Call number:
N40.1.L675 A16
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_126057

Today I'm feeling turquoise [Pentagram]

Author:
Pentagram Design  Search this
Smithsonian Libraries Artists' Books DSI  Search this
Physical description:
34 unnumbered pages 15 cm
Type:
Books
Artists' books (books).)
Artists' books
Date:
2011
Topic:
Christmas cards  Search this
Color in art  Search this
Artists' books  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1045679

Lines & color Sol LeWitt

Author:
LeWitt, Sol 1928-2007  Search this
Author:
Smithsonian Libraries Artists' Books DSI  Search this
Physical description:
[72] pages chiefly color illustrations 21 x 21 cm
Type:
Books
Artists' books (books).)
Artists' books
Place:
Switzerland
Zurich
Date:
1975
Topic:
Color in art  Search this
Line (Art)  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_997113

Lines in two directions and in five colors on five colors with all their combinations Sol Lewitt

Author:
LeWitt, Sol 1928-2007  Search this
Author:
Minnesota Center for Book Arts  Search this
Smithsonian Libraries Artists' Books DSI  Search this
Walker Art Center  Search this
Subject:
LeWitt, Sol 1928-2007  Search this
Physical description:
[76] pages chiefly color illustrations 23 cm
Type:
Books
Exhibitions
Artists' books (books).)
Artists' books
Exhibition catalogs
Date:
1988
Topic:
Color in art  Search this
Line (Art)  Search this
Artists' books  Search this
Call number:
N40.1.L675 W2
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_353509

Colour, based on nature idea, concept, and design, Irma Boom ; text, Francesco Bandarin

Title:
Color, based on nature
Author:
Boom, Irma  Search this
Author:
Bandarin, Francesco  Search this
Smithsonian Libraries Artists' Books DSI  Search this
Unesco  Search this
Physical description:
1 volume (unpaged) color illustrations, map 32 cm
Type:
Books
Art
Artists' books (books).)
Artists' books
Place:
Netherlands
Date:
2012
Topic:
Color in art  Search this
Nature in art  Search this
World Heritage areas--In art  Search this
Artists' books  Search this
World Heritage areas  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1014382

Notes on paint, 1983-1990 Merrill Wagner

Author:
Wagner, Merrill  Search this
Author:
Smithsonian Libraries Artists' Books DSI  Search this
Subject:
Wagner, Merrill Themes, motives  Search this
Physical description:
79 pages chiefly color illustrations 18 cm
Type:
Books
Artists' books (books).)
Artists' books
Date:
1990
Topic:
Color in art  Search this
Themes, motives  Search this
Call number:
N40.1.W135 A1 1990
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_426926

Sol Lewitt, bands of color one-, two-, three-, and four-part combinations of vertical, horizontal, and diagonal left and right bands of color, 1993-94

Title:
Bands of color
Author:
LeWitt, Sol 1928-2007  Search this
Author:
Museum of Contemporary Art (Chicago, Ill.)  Search this
Smithsonian Libraries Artists' Books DSI  Search this
Subject:
LeWitt, Sol 1928-2007  Search this
LeWitt, Sol 1928-2007 Expositions  Search this
Physical description:
64 leaves of plates all color illustrations 20 cm
Type:
Exhibitions
Exhibition catalogues
Artists' books (books).)
Artists' books
Exhibition catalogs
Date:
1999
Topic:
Color in art  Search this
Geometrical drawing  Search this
Call number:
N40.1.L675 M87 1999
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_566730

Sol Lewitt four basic kinds of lines & colour

Title:
Four basic kinds of lines & colour
Author:
LeWitt, Sol 1928-2007  Search this
Author:
Smithsonian Libraries Artists' Books DSI  Search this
Physical description:
[36] pages all illustrations (some color) 20 cm
Type:
Books
Artists' books (books).)
Artists' books
Date:
1969
1971
Topic:
Color in art  Search this
Line (Art)  Search this
Call number:
N7433.4.L48 A4 1971
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_641805

Red, blue and yellow lines from sides, corners and the center of the page to points on a grid Israel Museum, Jerusalem, September 1975 Sol Lewitt

Author:
LeWitt, Sol 1928-2007  Search this
Author:
Muzeʼon Yiśraʼel (Jerusalem)  Search this
Smithsonian Libraries Artists' Books DSI  Search this
Physical description:
16 unnumbered pages chiefly color illustrations 18 cm
Type:
Books
Artists' books (books).)
Artists' books
Place:
Israel
Jerusalem
Date:
1975
Topic:
Color in art  Search this
Line (Art)  Search this
Call number:
N7433.4.L48 R43 1975
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_670436

Oral history interview with Herbert Bayer

Interviewee:
Bayer, Herbert, 1900-1985  Search this
Interviewer:
Cohen, Arthur A. (Arthur Allen), 1928-1986  Search this
Names:
Bauhaus  Search this
Breuer, Marcel, 1902-  Search this
Kandinsky, Wassily, 1866-1944  Search this
Klee, Paul, 1879-1940  Search this
Extent:
105 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1981 November 3-1982 March 10
Scope and Contents:
An interview of Herbert Bayer conducted 1981 November 3-1982 March 10, by Arthur Cohen, for the Archives of American Art.
Bayer speaks of his family background and early influences in art and painting, his education and experiences at the Bauhaus school, studies under Wassily Kandinsky and Paul Klee, and his friendship with Marcel Breuer. Bayer also tells of fleeing from Nazi Germany and of his travels in Italy. He concludes the interview with a discussion of his theories of color, the relation of surrealism to his work, the influence of architecture upon his work, the beginning of his interest in sculpture, the relationship of landscape to culture, mathematics and its relationship to painting, and the role of metaphysics in his life.
Biographical / Historical:
Herbert Bayer (1900-1985) was a painter, sculptor, and architect of Montecito, California.
General:
Originally recorded on 5 sound cassettes. Reformatted in 2010 as 9 digital wav files. Duration is 6 hr., 44 min.
Provenance:
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Painters -- Interviews  Search this
Topic:
Architecture, Modern -- 20th century  Search this
Color in art  Search this
Surrealism  Search this
Architects -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.bayer81nov
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bayer81nov
Online Media:

[Television interviews of Marcella Brenner and Sybil and Robert Meyersburg] [videorecordings] /WETA ; producers and interviewers, Jeffrey Bieber and Jackson Frost

Creator:
Meyersburg, Sybil  Search this
Names:
WETA-TV (Television station : Washington, D.C.)  Search this
Brenner, Marcella, 1912-2007  Search this
Louis, Morris, 1912-1962  Search this
Meyersburg, Robert  Search this
Interviewer:
Bieber, Jeffrey  Search this
Frost, Jackson  Search this
Extent:
8 Videocassettes (U-matic) ((ca. 15 min. each), sd., col., 3/4 in.)
Type:
Collection descriptions
Archival materials
Videocassettes (u-matic)
Date:
1987
Scope and Contents:
Unedited interviews produced for a WETA public television program "Washington Colorists," including one of Marcella Brenner (4 videocassettes) concerning her husband, painter Morris Louis, conducted by Jackson Frost, and one of artists Sybil and Robert Meyersburg conducted by Jeffrey Bieber. The program aired April 15, 1987.
Publication, Distribution, Etc. (Imprint):
Washington, D.C. : WETA, 1987.
Provenance:
Donated 1989 by Sybil Meyersburg.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Rights:
Authorization to quote, publish, or reproduce requires written permission from GWETA (Greater Washington Educational Television Association). Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Painting, Modern -- 20th century -- Washington (D.C.)  Search this
Color in art  Search this
Color-field painting  Search this
Identifier:
AAA.biebjeff
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-biebjeff

Benny Andrews papers

Creator:
Andrews, Benny, 1930-2006  Search this
Extent:
5 Microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Drawings
Sketchbooks
Date:
1945-1968
Scope and Contents:
This microfilm collection of Benny Andrews papers includes autobiographical notes; family, general, and business correspondence; clippings; exhibition catalogs and announcements; notebooks with drawings; sketchbooks; and photographs.
Biographical / Historical:
Benny Andrews (1930-2006) was an African American painter and educator in New York, N.Y. After graduating from the School of the Art Institute of Chicago in 1958, he moved to New York to continue his art career. In 1962 he had his first solo exhibition at Forum Gallery. Throughout his career, Andrews developed a reputation as a socially-minded artist and he was an advocate for greater visibility for African American artists in the art world. He led art education programs for underserved students and taught at Queens College through the 1990s, and also served as the Director of the Visual Arts Program for the National Endowment for the Arts from 1982 to 1984. Andrews also co-founded the Black Emergency Cultural Coalition, which demanded greater visibility for people of color in art musuems and in 1969 protested the Harlem On My Mind: Cultural Capital of Black America, 1900-1968 exhibition at the Metropolitan Museum of Art.
Related Materials:
Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library holds the Benny Andrews papers, 1940-2006.
Provenance:
Lent for microfilming 1968 by Benny Andrews.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Painters -- New York (State) -- New City  Search this
Topic:
African American artists  Search this
Genre/Form:
Drawings
Sketchbooks
Identifier:
AAA.andrbenn
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-andrbenn

Myer Abel papers

Creator:
Abel, Myer, 1904-1946  Search this
Extent:
0.2 Linear feet ((78 items on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Place:
India -- Description and Travel -- views
Date:
1940-1965
Scope and Contents:
A biographical sketch; correspondence, including letters from Abel to his wife, 1943-1945, many with drawings and sketches; photographs of Abel's ten India series paintings, painted while he was stationed there in 1945, with descriptions of their symbolism; notes on color theory; a list of his paintings; his military record and certificate; two articles; 14 clippings; and a memorial booklet written by Norwood Chamberlin.
Biographical / Historical:
Painter, printmaker; Cincinnati, Ohio.
Provenance:
Donated 1974 by Mrs. Marcella Braunstein widow of Abel.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- Ohio -- Cincinnati  Search this
Printmakers -- Ohio -- Cincinnati  Search this
Topic:
Color in art  Search this
Citation:
Myer Abel papers. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.abelmyer
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-abelmyer

Book Introduction and Chapter 1, "The Perception of Space, Light, Color in Art, Mystical Experience, Science"

Collection Creator:
Wortz, Melinda  Search this
Container:
Box 3, Folder 11
Type:
Archival materials
Date:
circa 1980s
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Melinda Wortz papers, 1958-1992. Archives of American Art, Smithsonian Institution.
See more items in:
Melinda Wortz papers
Melinda Wortz papers / Series 4: Writings and Notes
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-wortmeli-ref173

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