Correspondence, writings, photographs, and exhibition catalogs, much of it relating to Hans Hofmann.
REELS 4178-4179: Correspondence between John and Monica Haley, 1937-1938 and 1987, and letters received from Earl and Clyta Loran, undated and 1950-1986, Vaclav Vytlacil, undated and 1966-1984, and Glen Wessels, undated and 1960-1982. Enclosed with a letter written by Vaclav Vytlacil in 1966 is a copy of a manuscript by him on Hans Hofmann. Correspondence from 1987 contains materials pertaining to the painter and teacher Margaret Peterson.
REEL 1355: Papers relating to Hans Hofmann, including five letters from Hofmann to Worth Ryder; three letters between Haley and Hofmann; two manuscripts, one in German, by Hofmann, "Creation in Form and Color - A Textbook for Instruction in Art" (1931); lecture by Hofmann; photographs taken in Germany (1927-1931) of Hofmann, Miz Hofmann, John Haley, Alfred Jensen, Ed and Isabell Rupprecht, Joan Hein, Cameron Booth, and the Hofmann School building in Munich; photographs of works by Hofmann students; brochures for the school; Hofmann exhibition catalogs; and miscellany.
ADDITION: Materials documenting Haley's studies with Hofmann, service in the Navy, and his many years teaching at UC Berkeley; letters from Haley to his wife sent from the South Pacific during World War II; sketchbooks; and photographs.
Biographical / Historical:
John: Painter, sculptor and educator. Monica: Art educator; San Francisco Bay Area, California. Haley studied with Cameron Booth and Hans Hofmann. He taught at the University of California at Berkeley with other "modernists" Worth Ryder, Hofmann, Erle Loran and Margaret Peterson. John Haley died in 1991; Monica in 1997.
Provenance:
Material on reel 1355 lent by John Haley, 1978. He and Monica donated the material on reels 4178-4179 in 1987; Monica donated the remainder in 1992.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Research material for Alan Gussow's book, A Sense of Place: the Artist and the American Land, and the related Nebraska Public Television production, symposium, and exhibition at Sheldon Memorial Art Gallery, measures 2.8 linear feet and dates from 1956 to 1994. Research files include correspondence, photographs and color transparencies, sound recordings of 17 interviews with artists, a draft manuscript, publicity, reviews, and fan mail. Exhibition and symposium related material includes the proposal, correspondence, and printed matter. Public television production material includes correspondence, publicity, transcripts, soundtrack tapes, and film footage.
Scope and Contents:
Research material for Alan Gussow's book, A Sense of Place: the Artist and the American Land, and the related Nebraska Public Television production, symposium, and exhibition at Sheldon Memorial Art Gallery, measures 2.8 linear feet and dates from 1956 to 1994. Research files include correspondence, photographs and color transparencies, sound recordings of 17 interviews with artists, a draft manuscript, publicity, reviews, and fan mail. Exhibition and symposium related material includes the proposal, correspondence, and printed matter. Public television production material includes correspondence, publicity, transcripts, soundtrack tapes, and film footage.
Arrangement:
The collection is arranged as 2 series.
1. A Sense of Place Research Material, 1956-1994 (2.1 linear feet; Boxes 1-3)
2: Exhibition and Symposium Files, 1970-1975 (0.7 linear feet; Boxes 3-4, FC 5-6)
Biographical / Historical:
Alan Gussow (1931-1997) was a painter and writer in New York. He studied painting at Cooper Union and at the American Academy in Rome. Gussow honed a visionary blend of abstraction and representation with nature as his primary subject in his art. His book A Sense of Place: The Artist and the American Land, published in 1972, couples works by American landscape artists spanning four centuries with excerpts of their own writing.
Provenance:
The collection was donated to the Archives of American Art by Alan Gussow in 1995.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Alan Gussow research material for A Sense of Place, 1956-1994. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
